Singaporean director Eric Khoo has unveiled fresh details on his new film Spirit World, which is currently shooting in Japan with Catherine Deneuve in the lead role, and also unveiled Goodfellas as the international sales agent.
Paris-based sales company Goodfellas will launch the film at the EFM. Arp Sélection has acquired French rights.
Deneuve plays legendary singer Claire who flies to Japan for a final sold-out concert, but as the show comes to an end so does her worldly life.
She then arrives in the spirit world where she embarks on a journey to find the humanity in the afterlife that eluded her on earth, guided by Yuzo, one of her biggest fans.
Deneuve is joined in the cast by Masaaki Sakai (best known to international audiences as the star of the 1970s hit show Monkey), Yutaka Takenouchi (Shin Godzilla) and Jun Fubuki.
Khoo, whose recent credits include the HBO Asia Original horror Folklore,...
Paris-based sales company Goodfellas will launch the film at the EFM. Arp Sélection has acquired French rights.
Deneuve plays legendary singer Claire who flies to Japan for a final sold-out concert, but as the show comes to an end so does her worldly life.
She then arrives in the spirit world where she embarks on a journey to find the humanity in the afterlife that eluded her on earth, guided by Yuzo, one of her biggest fans.
Deneuve is joined in the cast by Masaaki Sakai (best known to international audiences as the star of the 1970s hit show Monkey), Yutaka Takenouchi (Shin Godzilla) and Jun Fubuki.
Khoo, whose recent credits include the HBO Asia Original horror Folklore,...
- 2/2/2024
- by Melanie Goodfellow
- Deadline Film + TV
The year is 2020, but according to the autobiographical book it is based on, the ‘monogatari’ of Sho Miyake’s truly impressive drama “Small, Slow but Steady” should be set in the 2010’s. Looking at it, this is not the only trick the audience falls for – the film’s beginning fools you into believing that you are watching a real deal, a documentary about the female boxer Keiko Ogasawara (Yukino Kishii) who entered history as the first professional with dissability in this sport. This is not only due to the opening cards informing the audience about the main protagonist’s background and her inborn sensorineural hearing loss which resulted in no hearing in either ear, but equally as much by observing her during a long, intense training in the gym. We are additionally told that she became a licenced professional boxer in 2019 with an amazing victory in her first fight.
- 11/4/2022
- by Marina D. Richter
- AsianMoviePulse
The year is 2020, but according to the autobiographical book it is based on, the ‘monogatari’ of Sho Miyake’s truly impressive drama “Small, Slow but Steady” should be set in the 2010’s. Looking at it, this is not the only trick the audience falls for – the film’s beginning fools you into believing that you are watching a real deal, a documentary about the female boxer Keiko Ogasawara (Yukino Kishii) who entered history as the first professional with dissability in this sport. This is not only due to the opening cards informing the audience about the main protagonist’s background and her inborn sensorineural hearing loss which resulted in no hearing in either ear, but equally as much by observing her during a long, intense training in the gym. We are additionally told that she became a licenced professional boxer in 2019 with an amazing victory in her first fight. Add...
- 2/26/2022
- by Marina D. Richter
- AsianMoviePulse
Not since Alfred Hitchcock’s 1927 silent “The Ring” has there been a boxing film quite so quiet as “Small, Slow But Steady,” a gentle but hard-edged study of a flyweight female pugilist in suburban Tokyo. More concerned with the wear and tear of everyday life than pummeling sound and fury, director Shô Miyake’s measured, unsentimental adaptation of a memoir by Keiko Ogasawara — who turned professional despite the difficulties of lifelong deafness — turns out to be somewhat aptly described by its own title, though none of those adjectives quite conveys its rare and delicate grace. A highlight of the Encounters program at this year’s Berlinale, this unassuming gem should turn the heads of specialist distributors and further festival programmers, despite its general avoidance of crowd-courting tactics.
In adapting Ogasawara’s book “Makenaide!” — which translates, with an imperative urgency the film doesn’t share, as “Do Not Lose!” — Miyake and...
In adapting Ogasawara’s book “Makenaide!” — which translates, with an imperative urgency the film doesn’t share, as “Do Not Lose!” — Miyake and...
- 2/24/2022
- by Guy Lodge
- Variety Film + TV
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