Moving house. There aren't many pastimes that can cause throbbing headaches, but the theoretically simple task of moving from A to B is one such pain. Beyond the tangled web of deposits, agreements and pet allowances, there's vans full of pain to deal with. Endless amounts of stuff to box and pack up. Lugging said boxes back and forth while beery removal men puff on fags and talk about the football game the night before. And let's not forget the endless admin once you're safely ensconced in your new abode. Changes of address, telephone numbers and details won't be made by themselves, you know.
All things considered, Cordelia gets a pretty easy press when moving into a swanky new apartment. Rm w/a Vu admittedly pits Cordy against a crabby old ghost, but let's look at the up side. There's hardly any personal possessions to move by the looks of things.
All things considered, Cordelia gets a pretty easy press when moving into a swanky new apartment. Rm w/a Vu admittedly pits Cordy against a crabby old ghost, but let's look at the up side. There's hardly any personal possessions to move by the looks of things.
- 7/7/2014
- Shadowlocked
K-Stew went to a super-private screening of her new movie 'K-11' in Los Angeles -- and she had a date that wasn't Rob! Find out who she went with! Kristen Stewart had a great night in Los Angeles on April 18 seeing her new movie K-11 -- but she had a date that wasn't her man Robert Pattinson! K-Stew, 22, was spotted at the first cast and crew screening of the movie, co-star Markus Redmond told a curious fan on Twitter. "Yes, she was there in full support of Mama Stew and K-11!" he wrote, referring to director Jules Stewart -- better known as K-Stew's mom! We just wonder where Rob, 25, was that night -- and if he wills see the movie soon! Do You think Rob will screen K-11 soon, HollywoodLifers? -- William Earl More K-Stew: Robert Pattinson & Kristen Stewart Will Compete At Cannes Film Festival ‘On the Road...
- 4/20/2012
- by William Earl
- HollywoodLife
While many child stars have had serious problems later in life, Neil Patrick Harris has proven to be one of the exceptions. He was thrust into the spotlight at age 16 as the star of his own hit ABC show, Doogie Howser MD. He's received a lot of kidding about his alter-ego but he's always been happy to joke about it himself.
Doogie Howser, MD centers around Douglas "Doogie" Howser, a protege who becomes a doctor at 14 and works as a resident surgeon in Los Angeles. The series stars Harris, Max Casella, Lawrence Pressman, James Sikking, Kathryn Layng, Belinda Montgomery, Lucy Boryer, Markus Redmond, Mitchell Anderson, Lisa Dean Ryan, and Rif Hutton.
Following the end of the series, Harris continued to act on television and also worked in movies and musicals. His second breakout role came in Harold & Kumar Go to White Castle . That role led him to being cast in...
Doogie Howser, MD centers around Douglas "Doogie" Howser, a protege who becomes a doctor at 14 and works as a resident surgeon in Los Angeles. The series stars Harris, Max Casella, Lawrence Pressman, James Sikking, Kathryn Layng, Belinda Montgomery, Lucy Boryer, Markus Redmond, Mitchell Anderson, Lisa Dean Ryan, and Rif Hutton.
Following the end of the series, Harris continued to act on television and also worked in movies and musicals. His second breakout role came in Harold & Kumar Go to White Castle . That role led him to being cast in...
- 1/12/2009
- by TVSeriesFinale.com
- TVSeriesFinale.com
PARK CITY -- Markus Redmond's life story is mined for dysfunctional laughs in "If I Had Known I Was a Genius", a funny enough but seriously uneven comedy serving as the feature directorial debut of TV writer Dominique Wirtschafter.
While providing an effective showcase for the affable black actor, the comedy, a Sundance Spectrum entry, gets off to a promising start before suffering protracted energy slumps throughout.
Given a colorful supporting cast of familiar faces belonging to the likes of Whoopi Goldberg (who's an understated blast as Redmond's hardhearted mother), Sharon Stone, Tara Reid, Della Reese, Julie Hagerty and Keith David, a much tighter edit would be a no-brainer in making the picture a more marketable proposition.
Redmond plays himself in various stages of his fictionalized upbringing at the hands of his anti-nurturing mom and his bullying big sister (Debra Wilson).
Things seem to get worse when it's discovered he's a highly gifted student (his mother never tells him his IQ results lest he get a swelled head) and only improve in the self-worth department when he enrolls in his high school drama class led by a dizzyingly over-the-top diva (Stone).
There are many amusing moments in Redmond's script, but it's always a risky proposition whenever you have a lead character who goes through the entire film addressing the camera. It's a conceit that might work in 23-minute segments on episodic television, but the novelty can wear off a lot more quickly in a feature-length format, and "Genius" is no exception.
The comedy isn't so smart whenever he leaves that ripe family environment behind for an extended period, like the flat, momentum-draining sequences set in the warehouse store where he works while awaiting his big break.
As long as they remain on home turf, Redmond and Wirtschafter show a promising flair for funny business.
While providing an effective showcase for the affable black actor, the comedy, a Sundance Spectrum entry, gets off to a promising start before suffering protracted energy slumps throughout.
Given a colorful supporting cast of familiar faces belonging to the likes of Whoopi Goldberg (who's an understated blast as Redmond's hardhearted mother), Sharon Stone, Tara Reid, Della Reese, Julie Hagerty and Keith David, a much tighter edit would be a no-brainer in making the picture a more marketable proposition.
Redmond plays himself in various stages of his fictionalized upbringing at the hands of his anti-nurturing mom and his bullying big sister (Debra Wilson).
Things seem to get worse when it's discovered he's a highly gifted student (his mother never tells him his IQ results lest he get a swelled head) and only improve in the self-worth department when he enrolls in his high school drama class led by a dizzyingly over-the-top diva (Stone).
There are many amusing moments in Redmond's script, but it's always a risky proposition whenever you have a lead character who goes through the entire film addressing the camera. It's a conceit that might work in 23-minute segments on episodic television, but the novelty can wear off a lot more quickly in a feature-length format, and "Genius" is no exception.
The comedy isn't so smart whenever he leaves that ripe family environment behind for an extended period, like the flat, momentum-draining sequences set in the warehouse store where he works while awaiting his big break.
As long as they remain on home turf, Redmond and Wirtschafter show a promising flair for funny business.
- 1/30/2007
- The Hollywood Reporter - Movie News
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