The Three Caballeros
Directed by Norman Ferguson
Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero
Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...
Directed by Norman Ferguson
Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero
Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...
- 8/11/2012
- by Josh Spiegel
- SoundOnSight
The 1976 Cal Arts Character Animation Class in Room A-113: Back: Joe Lanzisero, Darrell Van Citters, Brett Thompson, John Lasseter (pencil in mouth) Leslie Margolin, Mike Cedeno, Paul Nowak, Nancy Beiman; Middle: Jerry Rees, Bruce Morris, Elmer Plummer, Brad Bird, Doug Lefler; Front: Harry Sabin, John Musker The memo posted after the jump has been recently floating around the animation message boards. Cal-Arts is the only college to go to if you ever hope to direct anything longer than an animated television show in the United States. While I've known that the feature animation business was dominated by Cal-Arts alumni, I didn't know it was This extensive. Check it out now, after the jump. via cartoonbrew...
- 5/12/2010
- by Peter Sciretta
- Slash Film
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