News

Firing back in rapid order, director Naoyuki Tomomatsu offers up the next chapter in his trilogy about the world of women dealing with the plight of a virus turning men into zombified rapists, running wild throughout Japan. Released the same year as part two, this third effort in the series doesn’t have as much social commentary, yet makes up for that with the most thrilling and rousing end in the overall franchise.

With the virus still being studied, Nozomi (Alice Ozawa) continues to try to find a cure but is haunted by her feelings for Momoko, (Saya Kobayashi) who was killed in the early stages of the apocalypse. The soldiers around her protecting the last of the women aren’t helping matters either, for they find themselves bothered more with each other’s sexual urges than protecting each other, and that starts to put Maki (Ren...

Following the success of the previous entry, director Naoyuki Tomomatsu wasted no time in expanding his newfound franchise by offering a sequel to the first installment. Offering more of the same in regards to the franchises’ content, as well as taking it into exciting new areas, this is one of the more enjoyable entries in the series.

With the virus still a major facet of society, the wide-reaching locations now spread to most of Japan, leaving young Maki (Ren Miyamura) among the countless victims who’ve become affected by the events. While attempting to escape the city, they come into contact with a group of refugees looking to protect the surviving women in the country where they meet up with Dr. Yogami (Jun Tomita) and Nozomi Hasegawa (Alice Ozawa), who are conducting a research on the phenomenon. Realizing his importance to the group, due to the way...

In Japanese culture, it’s certainly no secret that there’s plenty of open taboos and cultural norms that give the country plenty of oddball practices and strange behaviors. The marketing of any series of films with adult content, as ‘Pink’ films, extends back decades into Japan’s filmmaking history and serves as a precursor to the fringe exploitation movement that spread throughout the country in the late 80s and early 90s. It exists to this day in the form of a small but dedicated group of individuals, including director Naoyuki Tomomatsu, who launched the ‘Rape Zombie’ franchise with this 2012 effort, Reipu Zonbi: Lust of the Dead.

The women of Tokyo are experiencing a very bad day. A nuclear accident has released a deadly toxin into the air that turns any male around them into sex-craved zombies intent on raping any woman they find nearby. Office worker...