Exclusive: Laura Karpman was drip-fed jazz notes when she was a baby. Her mother’s turn-table featured a playlist that included Miles Davis, Ella Fitzgerald, Wes Montgomery and Thelonious Monk, the virtuoso pianist, whose music informs and underpins her own jazz-infused score for Cord Jefferson’s scorching American Fiction.
“So I remember in her painting studio, my mother had a record player and she would play everything,” Karpman recalls, and for good measure her mother would spin Beethoven’s violin concerto and a piece by Stravinsky.
Karpman lapped it all up, just as her mother had planned, because Mrs.Karpman had preordained “that I would be a composer when she was pregnant,” she tells me.
Her mother was a painter and sculptor “and she always, I think probably inappropriately, thought that music was the highest art. And so she wanted me to be an artist and she wanted me to be a musician.
“So I remember in her painting studio, my mother had a record player and she would play everything,” Karpman recalls, and for good measure her mother would spin Beethoven’s violin concerto and a piece by Stravinsky.
Karpman lapped it all up, just as her mother had planned, because Mrs.Karpman had preordained “that I would be a composer when she was pregnant,” she tells me.
Her mother was a painter and sculptor “and she always, I think probably inappropriately, thought that music was the highest art. And so she wanted me to be an artist and she wanted me to be a musician.
- 12/18/2023
- by Baz Bamigboye
- Deadline Film + TV
¿Qué hace un artista tan grande como Bad Bunny — el artista más reproducido en el mundo durante los últimos tres años — para seguir un álbum como el aclamado Un Verano Sin Ti? ¿Cómo navegar el peligro de que sus oyentes sientan que está cerca de agotarse creativamente?
Recordándoles por qué se enamoraron de él cuando comenzó.
El jueves por la noche, Bad Bunny convocó a 16,000 de sus fieles seguidores en el Coliseo José Miguel Agrelot de San Juan para lo que se anunció como una “fiesta de escucha” de su nuevo álbum,...
Recordándoles por qué se enamoraron de él cuando comenzó.
El jueves por la noche, Bad Bunny convocó a 16,000 de sus fieles seguidores en el Coliseo José Miguel Agrelot de San Juan para lo que se anunció como una “fiesta de escucha” de su nuevo álbum,...
- 10/13/2023
- by Juan J. Arroyo
- Rollingstone.com
What does an artist as big as Bad Bunny — the most streamed artist in the world for multiple years — do to follow up an album like last summer’s acclaimed Un Verano Sin Ti? How does he navigate the danger of listeners feeling like he’s close to hitting a creative wall?
By reminding them why they fell in love with him to begin with.
On Thursday night, Bad Bunny convened 16,000 of his loyal fans at San Juan’s José Miguel Agrelot Coliseum for what was billed as a ”listening...
By reminding them why they fell in love with him to begin with.
On Thursday night, Bad Bunny convened 16,000 of his loyal fans at San Juan’s José Miguel Agrelot Coliseum for what was billed as a ”listening...
- 10/13/2023
- by Juan J. Arroyo
- Rollingstone.com
Rolling Stone interview series Unknown Legends features long-form conversations between senior writer Andy Greene and veteran musicians who have toured and recorded alongside icons for years, if not decades. All are renowned in the business, but some are less well known to the general public. Here, these artists tell their complete stories, giving an up-close look at life on music’s A list. This edition features guitarist Rusty Anderson.
Rusty Anderson has been consistently creating music with Paul McCartney for the past 22 years. He’s not only the lead guitarist...
Rusty Anderson has been consistently creating music with Paul McCartney for the past 22 years. He’s not only the lead guitarist...
- 10/11/2023
- by Andy Greene
- Rollingstone.com
Grammy® Award-Winning Producer, Guitarist & Singer John Pizzarelli joins Jimmy’s Jazz & Blues Club’s 2022 Schedule of Shows which now includes 9 Nea Jazz Masters, 52 Grammy® Award-Winning Artists, 46 Blues Music Award-Winners, and a comprehensive list of talented musicians with 575+ Grammy® Award Nominations amongst them. Tickets for John Pizzarelli at Jimmy’s Jazz & Blues Club, as well as the current list of 2022 & 2023 shows, can be found on Ticketmaster.com and Jimmy’s Online Event Calendar at: http://www.jimmysoncongress.com/events.
Jimmy’s Jazz & Blues Club Features Grammy® Award-Winning Producer, Guitarist & Singer John Pizzarelli on Thursday December 15 at 8 P.M. World-Renowned Jazz Guitarist John Pizzarelli has been hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.”
While plenty of jazz greats influenced his work—Benny Goodman, Les Paul, Zoot Sims, Clark Terry and Slam Stewart, among others—Nat King Cole has been Pizzarelli’s hero and foundation over the last 25+ years.
Jimmy’s Jazz & Blues Club Features Grammy® Award-Winning Producer, Guitarist & Singer John Pizzarelli on Thursday December 15 at 8 P.M. World-Renowned Jazz Guitarist John Pizzarelli has been hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.”
While plenty of jazz greats influenced his work—Benny Goodman, Les Paul, Zoot Sims, Clark Terry and Slam Stewart, among others—Nat King Cole has been Pizzarelli’s hero and foundation over the last 25+ years.
- 11/25/2022
- by Music Martin Cid Magazine
- Martin Cid Music
Bored witless during the first summer of the pandemic like so many teenagers, Will Paquin started posting videos on TikTok — clips that were often shot on top of a building he climbed illegally near his Boston apartment. He’d been playing guitar since childhood, scrutinizing the jazz techniques of Wes Montgomery and Kenny Burrell, and the videos he uploaded showed him tossing off original instrumentals full of handsome, quicksilver riffs. But he had never harbored much interest in the commercial side of the music industry. “My whole life I was like,...
- 1/6/2022
- by Elias Leight
- Rollingstone.com
Rick Laird, whose bass guitar skills graced a number of jazz rock’s most prominent fusion bands in the 1970s, died Sunday at age 80. No cause of death was given, but he recently had entered hospice care.
Laird’s work was part of pioneering groups the Mahavishu Orchestra and Return to Forever in the 1970s, the decade where the genre took off. He also worked with jazz greats Wes Montgomery, Buddy Rich and Sonny Rollins during his career.
Born in Dublin in 1941, Laird moved to New Zealand at 16, then returned to the UK in 1962. While in New Zealand, he had established himself on that country’s and Australia’s jazz scenes as an upright bassist.
Upon his UK return, he worked with keyboardist Brian Auger, touring with him and meeting his future bandmate, John McLaughlin.
Laird won a scholarship to Berklee College of Music in Boston, and moved to that...
Laird’s work was part of pioneering groups the Mahavishu Orchestra and Return to Forever in the 1970s, the decade where the genre took off. He also worked with jazz greats Wes Montgomery, Buddy Rich and Sonny Rollins during his career.
Born in Dublin in 1941, Laird moved to New Zealand at 16, then returned to the UK in 1962. While in New Zealand, he had established himself on that country’s and Australia’s jazz scenes as an upright bassist.
Upon his UK return, he worked with keyboardist Brian Auger, touring with him and meeting his future bandmate, John McLaughlin.
Laird won a scholarship to Berklee College of Music in Boston, and moved to that...
- 7/7/2021
- by Bruce Haring
- Deadline Film + TV
Jazz is a web. Because of the genre’s inherently collaborative, often mix-and-match nature, singling out a supporting player we like on a given record might lead us to dozens of other sessions featuring that same artist in various contexts. Or we might pick up a certain current in the music that crops up elsewhere, unifying albums that seemed to have little else in common. In 2020, when connection of any kind was scarce, these sorts of musical hyperlinks seemed all the more precious, a way to map and marvel at...
- 12/15/2020
- by Hank Shteamer
- Rollingstone.com
Jimmy Cobb, a jazz drummer and the last surviving member of the ensemble sextet of Miles Davis’ iconic album, Kind of Blue, died Sunday lung cancer at his home in Manhattan. He was 91. His wife, Eleana Tee Cobb, made the announcement on Facebook.
The 1959 albumKind of Blue is considered one of the greatest jazz records of all time. At the time of its release, the album was met with rave reviews from critics, widespread radio play and often is regarded as the best-selling jazz album in history, It was certified quintuple-platinum last year. Kind of Blue also was honored as a national treasure by the U.S. House of Representatives.
He worked on several other Davis albums including Sketches of Spain, Someday My Prince Will Come, Miles Davis at Carnegie Hall, and The Complete Blackhawk.
Notable Hollywood & Entertainment Industry Deaths In 2020: Photo Gallery
Born in Washington, D.C. in...
The 1959 albumKind of Blue is considered one of the greatest jazz records of all time. At the time of its release, the album was met with rave reviews from critics, widespread radio play and often is regarded as the best-selling jazz album in history, It was certified quintuple-platinum last year. Kind of Blue also was honored as a national treasure by the U.S. House of Representatives.
He worked on several other Davis albums including Sketches of Spain, Someday My Prince Will Come, Miles Davis at Carnegie Hall, and The Complete Blackhawk.
Notable Hollywood & Entertainment Industry Deaths In 2020: Photo Gallery
Born in Washington, D.C. in...
- 5/25/2020
- by Amanda N'Duka
- Deadline Film + TV
The Doors’ Robby Krieger will release his first solo album in 10 years this spring, The Ritual Begins at Sundown. Ahead of the LP’s arrival, the guitarist also shared the first single “The Drift.”
Krieger’s first album since 2010’s Singularity was influenced by another classic rock icon, Frank Zappa: The Ritual Begins at Sundown was co-written and produced by Zappa collaborator Arthur Barrow, features Zappa alumni among Krieger’s backing band and also boasts a cover of Zappa’s “Chunga’s Revenge” on the tracklist.
“I was hanging...
Krieger’s first album since 2010’s Singularity was influenced by another classic rock icon, Frank Zappa: The Ritual Begins at Sundown was co-written and produced by Zappa collaborator Arthur Barrow, features Zappa alumni among Krieger’s backing band and also boasts a cover of Zappa’s “Chunga’s Revenge” on the tracklist.
“I was hanging...
- 2/21/2020
- by Daniel Kreps
- Rollingstone.com
A few years ago, the producer-songwriter-multi-instrumentalist Dernst Emile II, known as D’Mile, was on the verge of quitting the music business. He was writing and producing at the highest levels, and had been for more than a decade, landing credits on albums from Janet Jackson, Justin Bieber, Usher, and more. He was still frustrated.
“You put in so much work, and it doesn’t seem like anything is paying off — not even money-wise, just period,” D’Mile explains. “There were a lot of letdowns. A lot of stuff that I worked on,...
“You put in so much work, and it doesn’t seem like anything is paying off — not even money-wise, just period,” D’Mile explains. “There were a lot of letdowns. A lot of stuff that I worked on,...
- 1/9/2020
- by Elias Leight
- Rollingstone.com
Ronnie Scott’s, an iconic British music venue dubbed the “world’s favorite jazz club,” is the subject of a new feature documentary. Kew Media Distribution has boarded sales on “Ronnie’s” (working title) and is warming up buyers at Cannes.
The club is situated in the heart of London’s Soho district. Founded by late saxophonist Ronnie Scott and Pete King, who were inspired by the vibrant post-war jazz venues in New York, it opened its doors 60 years ago, in 1959. Since then, the club has hosted the world’s greatest jazz legends, including Chet Baker, Count Basie, Miles Davis, Ella Fitzgerald, Stan Getz, Wes Montgomery, Buddy Rich and Nina Simone.
Norah Jones and actor-and-musician Jeff Goldblum are among more recent performers at the club, which also attracts stars of other musical genres, such as Lady Gaga in 2015 and Prince a year earlier.
The film will tell the story of...
The club is situated in the heart of London’s Soho district. Founded by late saxophonist Ronnie Scott and Pete King, who were inspired by the vibrant post-war jazz venues in New York, it opened its doors 60 years ago, in 1959. Since then, the club has hosted the world’s greatest jazz legends, including Chet Baker, Count Basie, Miles Davis, Ella Fitzgerald, Stan Getz, Wes Montgomery, Buddy Rich and Nina Simone.
Norah Jones and actor-and-musician Jeff Goldblum are among more recent performers at the club, which also attracts stars of other musical genres, such as Lady Gaga in 2015 and Prince a year earlier.
The film will tell the story of...
- 5/15/2019
- by Stewart Clarke
- Variety Film + TV
On June 23rd, 1974, 21-year-old jazz-fusion guitarist Daryl Stuermer was watching the short-lived talk show Speakeasy when the guests for the evening included Beach Boys singer Mike Love, English guitarist John McLaughlin, jazz flutist Charles Lloyd and Genesis frontman Peter Gabriel. Stuermer had never heard of Genesis and the brief video segment showing their performance of “Supper’s Ready” did little to win him over. “Peter was wearing a flower on his head,” says Stuermer. “When I saw that I thought, ‘Oh, that’s not my kind of thing. This is ridiculous.
- 1/29/2019
- by Andy Greene
- Rollingstone.com
The six-minute training montage in “Creed II” was a chance for composer Ludwig Göransson to make a “big statement” with his music. Göransson needed to work within the constraints and themes on both the original “Creed,” which he also composed, and the iconic “Rocky” theme music, while giving the audience something new and epic.
“I’m always trying to experiment and come up with new palettes of sound and new combinations of music that you haven’t really seen or heard in film before,” Göransson told TheWrap. “I’m just constantly figuring out new ways to reinvent myself. And if it’s combining ’70s jazz with Puccini and 808 drums, I’ll try that.”
And the result? Göransson put together a grandiose composition that marries modern hip-hop production with a traditional string orchestra and even a hint of ’70s jazz instrumentation as a nod to the original film. Hearing it as...
“I’m always trying to experiment and come up with new palettes of sound and new combinations of music that you haven’t really seen or heard in film before,” Göransson told TheWrap. “I’m just constantly figuring out new ways to reinvent myself. And if it’s combining ’70s jazz with Puccini and 808 drums, I’ll try that.”
And the result? Göransson put together a grandiose composition that marries modern hip-hop production with a traditional string orchestra and even a hint of ’70s jazz instrumentation as a nod to the original film. Hearing it as...
- 11/22/2018
- by Brian Welk
- The Wrap
If you’re going by the bare facts alone, Jazz in Detroit / Strata Concert Gallery / 46 Selden is strictly for Charles Mingus completists. Unlike, say, John Coltrane’s recently unearthed Lost Album, Jazz in Detroit doesn’t date from a pivotal period in the leader’s career, feature an iconic lineup or introduce a wealth of unfamiliar repertoire.
But what looks marginal on paper turns out to be sheer joy coming out of the speakers, thanks in large part to Mingus’ lesser-known yet enormously gifted sidemen: tenor saxophonist John Stubblefield, trumpeter Joe Gardner,...
But what looks marginal on paper turns out to be sheer joy coming out of the speakers, thanks in large part to Mingus’ lesser-known yet enormously gifted sidemen: tenor saxophonist John Stubblefield, trumpeter Joe Gardner,...
- 11/2/2018
- by Hank Shteamer
- Rollingstone.com
After guitar great Wes Montgomery left Lionel Hampton’s orchestra in 1950, he often played in clubs around his native Indianapolis until his recording career as a bandleader began to take off in the late 1950s. Some of the songs he played in those Indianapolis gigs were recorded, including a version of “A Night in Tunisia” that premieres today on Speakeasy. It’s a guitar-centric take on the Dizzy Gillespie classic as Montgomery peels off fast, fluid single-note runs in between...
- 4/20/2015
- by Eric R. Danton
- Speakeasy/Wall Street Journal
I didn't have enough free time in 2014 to review nearly as many of last year's prolific output of fine jazz albums as I wanted to. Here's a small step toward catching up, plus two 2015 releases (Ligeti/McDonas, The Side Project Saxophone 4tet).
Tom Varner: Nine Surprises (Tom Varner Music)
Composer and French horn player Tom Varner is indeed full of surprises, and they are not confined to the suite of that name (which, surprisingly, has 15 movements). I was most surprised by the outburst of New Orleans jazz in the last piece on the CD, "Mele," which Varner calls "a Gil Evans-influenced variation on the harmonic structure of a pop Hawaiian Christmas song." In general the music here seems highly composed -- these are not heads with strings of solos -- but still allowing for improvisation. The soloists who make the biggest impression are trombonist David Marriott and, no surprise here,...
Tom Varner: Nine Surprises (Tom Varner Music)
Composer and French horn player Tom Varner is indeed full of surprises, and they are not confined to the suite of that name (which, surprisingly, has 15 movements). I was most surprised by the outburst of New Orleans jazz in the last piece on the CD, "Mele," which Varner calls "a Gil Evans-influenced variation on the harmonic structure of a pop Hawaiian Christmas song." In general the music here seems highly composed -- these are not heads with strings of solos -- but still allowing for improvisation. The soloists who make the biggest impression are trombonist David Marriott and, no surprise here,...
- 2/10/2015
- by SteveHoltje
- www.culturecatch.com
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