It’s not only because of its similar time frame that Boris Lojkine’s hurtling, headlong social-issues drama “The Story of Souleymane” recalls “Two Days, One Night” by the Dardenne brothers. Lojkine’s film, which was awarded the jury prize and a well-deserved best actor award in the Un Certain Regard competition in Cannes, is similarly invested in its electrifying lead — non-professional Abou Sangare, making an unforgettably persuasive and poignant debut — and similarly effective in maintaining a level of urgency and high-stakes personal peril that few genre thrillers can muster. If the hero’s dire situation is a ticking clock, Lojkine’s intelligent and empathetic film places us right alongside him, with each cog of circumstance and each gear of good fortune grinding against him at every turn.
Souleymane (Sangare) is a recent arrival in Paris from Guinea, who sleeps in homeless shelters at night and works as a delivery...
Souleymane (Sangare) is a recent arrival in Paris from Guinea, who sleeps in homeless shelters at night and works as a delivery...
- 5/25/2024
- by Jessica Kiang
- Variety Film + TV
Ever since they were granted essential worker status during the pandemic, food deliverers on bikes have become a steady fixture of the contemporary urban landscape. And yet, most us only interact with them for a few seconds at a time, grabbing the box of pizza or bag of food, saying thank you (if we’re polite) and quickly shutting the door.
What happens after that is the subject of director Boris Lojkine’s compelling third feature, The Story of Souleymane (L’Histoire de Souleymane), a realistic and very humanistic look at one immigrant’s grueling daily life in Paris, where he struggles to make a living and obtain legal status.
Another movie immediately comes to mind here, which is Vittorio De Sica’s neorealist classic, Bicycle Thieves. Both films are structured as suspenseful, ticking-clock dramas where men navigate a ruthless city as they ride around on two wheels, doing everything they can to get by.
What happens after that is the subject of director Boris Lojkine’s compelling third feature, The Story of Souleymane (L’Histoire de Souleymane), a realistic and very humanistic look at one immigrant’s grueling daily life in Paris, where he struggles to make a living and obtain legal status.
Another movie immediately comes to mind here, which is Vittorio De Sica’s neorealist classic, Bicycle Thieves. Both films are structured as suspenseful, ticking-clock dramas where men navigate a ruthless city as they ride around on two wheels, doing everything they can to get by.
- 5/21/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
The French pay-TV giant also announced a surprise film festival-focused channel.
French pay-tv powerhouse Canal Plus unveiled its autumn line-up in Paris this week and announced a new channel devoted to films from well-known directors selected at global festivals called Canal+ Cinema(s) that will launch on September 1 alongside Canal+ Box Office.
The latter will feature primarily blockbusters from the US majors in addition to crowd-pleasing local fare, capitalising on themedia chronology that allows Canal+ to air films six months after their theatrical release, a major leg up compared to fellow streamers inlcuding Netflix and Prime Video that have to wait 15-17 months.
French pay-tv powerhouse Canal Plus unveiled its autumn line-up in Paris this week and announced a new channel devoted to films from well-known directors selected at global festivals called Canal+ Cinema(s) that will launch on September 1 alongside Canal+ Box Office.
The latter will feature primarily blockbusters from the US majors in addition to crowd-pleasing local fare, capitalising on themedia chronology that allows Canal+ to air films six months after their theatrical release, a major leg up compared to fellow streamers inlcuding Netflix and Prime Video that have to wait 15-17 months.
- 6/29/2023
- by Rebecca Leffler
- ScreenDaily
Amanda Nell Eu’s debut feature wins sidebar’s €10,000 grand prize.
Malaysian director Amanda Nell Eu’s art horror Tiger Stripes won the top €10,000 grand prize of the 62nd edition of Cannes’ Critics Week sidebar.
Nell Eu’s debut feature explores themes of metamorphosis and rebellion in her film about a teenage girl whose body begins to morph at an alarming rate as she learns to embrace her true self. The film is a multi-territory co-production between Malaysia, Taiwan, Singapore, France, Germany, The Netherlands, Indonesia and Qatar.
Screen’s review said the film “truly growls in its depiction of the...
Malaysian director Amanda Nell Eu’s art horror Tiger Stripes won the top €10,000 grand prize of the 62nd edition of Cannes’ Critics Week sidebar.
Nell Eu’s debut feature explores themes of metamorphosis and rebellion in her film about a teenage girl whose body begins to morph at an alarming rate as she learns to embrace her true self. The film is a multi-territory co-production between Malaysia, Taiwan, Singapore, France, Germany, The Netherlands, Indonesia and Qatar.
Screen’s review said the film “truly growls in its depiction of the...
- 5/24/2023
- by Rebecca Leffler
- ScreenDaily
Writer-director Céline Sciamma’s Petite Maman departs from the filmmaker’s last two feature-length directorial efforts in its comparative modesty. With none of the overt social messaging of Girlhood or the grand romance of Portrait of a Lady on Fire, Sciamma’s precisely composed images and muted dialogue serve a more intimate story about the longing to connect with one’s mother outside the bounds of the parent-offspring relationship.
Petite Maman indulges the same kind of fantasy as Robert Zemeckis’s Back to the Future, answering the question of what it would be like to meet our parents at our own age—though it’s not overly concerned with temporal paradoxes or a high-stakes race to ensure one’s genesis. Rather, Sciamma’s film is contemplative and cool almost to a fault, emphasizing the simple acts of connecting with and parting from people we care about, and the rueful inevitability of time’s passing.
Petite Maman indulges the same kind of fantasy as Robert Zemeckis’s Back to the Future, answering the question of what it would be like to meet our parents at our own age—though it’s not overly concerned with temporal paradoxes or a high-stakes race to ensure one’s genesis. Rather, Sciamma’s film is contemplative and cool almost to a fault, emphasizing the simple acts of connecting with and parting from people we care about, and the rueful inevitability of time’s passing.
- 5/12/2023
- by Pat Brown
- Slant Magazine
Sidebar devoted to first and second films runs May 17-25.
Cannes Critics’ Week, the sidebar devoted to first and second films, has unveiled the selection for its 62nd edition running May 17-25.
Scroll down for full list of titles
A selection committee led by Ava Cahen, now in her second year in the position, chose 11 titles from 1,000 films screened and seven were selected for the competition.
All of the films in selection are world premieres. Seven are first films that will vie for the Camera d’Or and six are directed by women, including four of the seven films in competition.
Cannes Critics’ Week, the sidebar devoted to first and second films, has unveiled the selection for its 62nd edition running May 17-25.
Scroll down for full list of titles
A selection committee led by Ava Cahen, now in her second year in the position, chose 11 titles from 1,000 films screened and seven were selected for the competition.
All of the films in selection are world premieres. Seven are first films that will vie for the Camera d’Or and six are directed by women, including four of the seven films in competition.
- 4/17/2023
- by Rebecca Leffler
- ScreenDaily
Cannes Critics’ Week has announced the selection for its 62nd edition, running from May 17 to 25.
The parallel Cannes section will screen 11 features, seven in competition, and four as special screenings, selected from 1,000 submissions. Scroll down for the full list.
The section, which is overseen by the French Syndicate of Cinema Critics, focuses on first and second features as well as shorts by emerging talents.
Stories of couples, parenthood, family relationships and friendships unfolding against difficult political or societal realities abound in this year’s line-up.
In Competition, Brazilian director Lillah Halla’s Power Alley (Levante) follows a budding teenage volleyball champion who discovers she is pregnant on the eve of an important championship and then comes up against Brazil’s abortion ban.
Blocked in her attempts to seek an illegal termination, the girl’s future seems to be in everyone’s hands but hers, until help comes from an unexpected quarter.
The parallel Cannes section will screen 11 features, seven in competition, and four as special screenings, selected from 1,000 submissions. Scroll down for the full list.
The section, which is overseen by the French Syndicate of Cinema Critics, focuses on first and second features as well as shorts by emerging talents.
Stories of couples, parenthood, family relationships and friendships unfolding against difficult political or societal realities abound in this year’s line-up.
In Competition, Brazilian director Lillah Halla’s Power Alley (Levante) follows a budding teenage volleyball champion who discovers she is pregnant on the eve of an important championship and then comes up against Brazil’s abortion ban.
Blocked in her attempts to seek an illegal termination, the girl’s future seems to be in everyone’s hands but hers, until help comes from an unexpected quarter.
- 4/17/2023
- by Melanie Goodfellow
- Deadline Film + TV
After exploring the tumults of French politics in “Baron Noir,” Oscar-nominated French-Lebanese filmmaker Ziad Doueiri immerses audiences into the rough world of French Special Forces in Iraq in “Dark Hearts.”
Ordered by Amazon Prime Video in France, “Dark Hearts” is set on the eve of the battle for Mosul in October 2016 and follows the lives of men and women who are part of a commando group deployed in Iraq to fight Isis. They are tasked with exfiltrating the daughter and grandson of an important Isis leader who will only cooperate with them on this condition.
Doueiri, who started his career in Hollywood working as a first assistant camera on movies like Quentin Tarantino’s “Reservoir Dogs,” was always curious about war movies but thought of them as a genre pre-empted by American filmmakers. So when French producer Gilles de Verdière at Mandarin Télévision approached him with the pitch for “Dark Hearts,...
Ordered by Amazon Prime Video in France, “Dark Hearts” is set on the eve of the battle for Mosul in October 2016 and follows the lives of men and women who are part of a commando group deployed in Iraq to fight Isis. They are tasked with exfiltrating the daughter and grandson of an important Isis leader who will only cooperate with them on this condition.
Doueiri, who started his career in Hollywood working as a first assistant camera on movies like Quentin Tarantino’s “Reservoir Dogs,” was always curious about war movies but thought of them as a genre pre-empted by American filmmakers. So when French producer Gilles de Verdière at Mandarin Télévision approached him with the pitch for “Dark Hearts,...
- 2/3/2023
- by Elsa Keslassy
- Variety Film + TV
To be seen next year in Mektoub, My Love: Canto Due and Stéphane Demoustier’s Ibiza, the always busy Hafsia Herzi leads a quartet of players in a new directorial debut that might be worth keeping tabs on. A short filmmaker and La Fémis grad, Iris Kaltenbäck will have Herzi, Alexis Manenti, Nina Meurisse and Younès Boucif to work with on Le Ravissement. Cineuropa reports that production began this week and will move into mid November. Marianne Productions’ Alice Bloch (The Heroics) and MacT Productions’ Thierry de Clermont-Tonnerre (yes part of the filmmaker family) are producing. Marine Atlan (Summer Scars – read review) is the cinematographer.…...
- 10/18/2022
- by Eric Lavallée
- IONCINEMA.com
Ziad Doueiri, the French-Lebanese filmmaker of the Oscar-nominated movie “The Insult” who made his TV debut with the hit series “Baron Noir,” will next direct “Fièvre” (“Fever”).
“Fièvre” was penned by “Baron Noir” screenwriter Eric Benzekri and has been co-developed by French pay TV group Canal+’s Creation Originale label.
The show is being produced by Quad, the Paris-based company behind Eric Toledano and Olivier Nakache’s “Intouchables” and the series “The Bonfire of Destiny.”
“Fievre” is headlined by two female characters played by Nina Meurisse, who notably starred in Celine Sciamma’s Berlinale competition film “Petite Maman,” and Julia Piaton, from Emmanuel Mouret’s “Love Affair(s)” which was part of Cannes 2020’s official selection.
Doueiri told Variety that the series will follow a woman who leads a crisis management firm and comes across a massive scandal involving a Black soccer player who beat the team’s coach, who is white.
“Fièvre” was penned by “Baron Noir” screenwriter Eric Benzekri and has been co-developed by French pay TV group Canal+’s Creation Originale label.
The show is being produced by Quad, the Paris-based company behind Eric Toledano and Olivier Nakache’s “Intouchables” and the series “The Bonfire of Destiny.”
“Fievre” is headlined by two female characters played by Nina Meurisse, who notably starred in Celine Sciamma’s Berlinale competition film “Petite Maman,” and Julia Piaton, from Emmanuel Mouret’s “Love Affair(s)” which was part of Cannes 2020’s official selection.
Doueiri told Variety that the series will follow a woman who leads a crisis management firm and comes across a massive scandal involving a Black soccer player who beat the team’s coach, who is white.
- 10/17/2022
- by Elsa Keslassy
- Variety Film + TV
The leaves are withering, the air is turning crisp, and film festival season is well underway — which means even more foreign-language movies to receive raves on the fall awards circuit before getting promptly buried on a streamer. But don't let that happen to "Athena," a staggering French drama that is in danger of falling into the Netflix abyss, crowded out by your "Gray Men" or "Kissing Booth's." Or check out one of last year's forgotten festival darlings in Céline Sciamma's "Petite Maman." And because spooky season is now here, we have a horror anime classic making their streaming debuts, alongside a cyberpunk anime classic. Plus, "Little Women," but make it crime?
Let's fire up those subtitles and get streaming.
Athena – Netflix
Country: France
Genre: Action drama
Director: Romain Gavras
Cast: Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti.
"Athena" is a Molotov cocktail of a movie: incendiary,...
Let's fire up those subtitles and get streaming.
Athena – Netflix
Country: France
Genre: Action drama
Director: Romain Gavras
Cast: Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti.
"Athena" is a Molotov cocktail of a movie: incendiary,...
- 9/27/2022
- by Hoai-Tran Bui
- Slash Film
Petite Maman Review — Petite Maman (2021) Film Review, a movie written and directed by Celine Sciamma and starring Josephine Sanz, Gabrielle Sanz, Nina Meurisse, Stephane Varupenne, Margot Abascal, Flores Cardo, Josee Schuller, Guylene Pean and Masoud Tosifyan. French director Celine Sciamma is most noted for the remarkable 2019 film, Portrait of a Lady on [...]
Continue reading: Film Review: Petite Maman (2021): Celine Sciamma’s Film is an Artistically Satisfying Portrait of Youth...
Continue reading: Film Review: Petite Maman (2021): Celine Sciamma’s Film is an Artistically Satisfying Portrait of Youth...
- 5/7/2022
- by Thomas Duffy
- Film-Book
There are few things in contemporary cinema as pleasurable as witnessing Céline Sciamma’s fascination with childhood. Although she doesn’t technically make films for children (although she did co-write the screenplay for My Life as a Courgette) her stories often are told from their point of view. Whether it’s young Parisian women trying to find their place in the world in Girlhood, or the child in Tomboy discovering there is more to gender than they’ve been asked to believe, Sciamma’s way of seeing the world negotiates who we were and what we can become with utter wonder. Even at the end of Portrait of a Lady on Fire, it’s the silent gaze of a child in a painting that ultimately highlights the film’s unrelenting power.
In Petite Maman, Sciamma explores the meaning of grief and how loss can strangely lead to wondrous beginnings. Not that her films,...
In Petite Maman, Sciamma explores the meaning of grief and how loss can strangely lead to wondrous beginnings. Not that her films,...
- 4/26/2022
- by Jose Solís
- The Film Stage
There is what you might call a “spoiler” in the title of Céline Sciamma’s new movie, a key to unlocking her look at childhood that’s hiding in plain sight. The French filmmaker’s follow-up to Portrait of a Lady on Fire begins not with love, but with death: An eight-year-old named Nelly (Joséphine Sanz) has just lost her elderly grandmother. Her mom (Nina Meurisse) is packing up everything in the house she grew up in, located on the edge of a forest. Dad (Stéphane Varupenne) is helping out the best he can.
- 4/19/2022
- by David Fear
- Rollingstone.com
Petite Maman (Little Mom) Neon Reviewed for Shockya.com & BigAppleReviews.net, linked from Rotten Tomatoes by Harvey Karten Director: Céline Sciamma Screenwriter: Céline Scimma Cast: Joséphine Sanz, Gabrielle Sanz, Nina Meurisse, Stéphane Varupenne, Margot Abascal Screened at: Critics’ link, NYC, 4/7/22 Opens: April 22, 2022 How much do you know about your parents’ childhoods? Are you […]
The post Petite Maman (Little Mom) Movie Review appeared first on Shockya.com.
The post Petite Maman (Little Mom) Movie Review appeared first on Shockya.com.
- 4/17/2022
- by Harvey Karten
- ShockYa
Neon has released a new trailer for the upcoming, critically-lauded French film "Petite Maman." Our own Hoai-Tran Bui gave the movie a spectacular review, calling it "a lovely slice-of-life tale that knows that loss is so enormous and monumental that we can only linger with it for brief moments." The film, which was shot entirely during Covid with a small cast, comes to us from the writer and director of 2019's "Portrait of a Lady on Fire," Céline Sciamma. It's a magical tale of a young girl named Nelly (Joséphine Sanz) visiting the childhood home of her mother (Nina Meurisse) after the death of her grandmother (Margot Abascal)....
The post Petite Maman Trailer: A Fairy Tale of Loss and Love appeared first on /Film.
The post Petite Maman Trailer: A Fairy Tale of Loss and Love appeared first on /Film.
- 3/31/2022
- by Jenna Busch
- Slash Film
"Grab a tissue and prepare your heart." Neon has revealed an official US trailer for Petite Maman, the beloved film from Portrait of a Lady on Fire director Céline Sciamma. This first premiered at the 2021 Berlin Film Festival last year, and played at the New York Film Festival and other fests. The title translates to Little Mom, which is a reference to the film's plot and what happens with a young girl. Nelly has just lost her grandmother and is helping her parents clean out her mother's childhood home. One day her mother disappears without explanation. She explores the house and the surrounding woods, and meets another girl her exact same age. The film stars Joséphine Sanz + Gabrielle Sanz, with Nina Meurisse, Stéphane Varupenne, and Margot Abascal. It's only 72 minutes long, but it's a really lovely film that you will leave you happy no matter what. After all this time,...
- 3/31/2022
- by Alex Billington
- firstshowing.net
Céline Sciamma's Petite Maman is showing exclusively on Mubi in many countries starting February 18, 2022 in the series Luminaries. Her films are also showing as part of the series Young Hearts Run Free: Céline Sciamma.Petite MamanOur actions define us. In the second scene of Céline Sciamma’s Portrait of a Lady on Fire (2019), the film’s protagonist, the painter Marianne (Noémie Merlant), is traveling on a boat rowed by a dozen oarsmen, when a wooden crate containing her easel is jolted into the sea. Marianne considers the situation for a few seconds, then kicks off her shoes, jumps into the cold, choppy waters in her gown and traveling coat, and swims towards her prize possession. We immediately pick up her resilience, romanticism, and independence of spirit. This scene, and another shortly afterwards where a naked Marianne smokes a pipe as she warms herself up from her efforts before a fire,...
- 2/18/2022
- MUBI
Céline Sciamma’s beautiful fairytale about a girl who meets her mother as a child in the woods is an artistic masterstroke
Best films of 2021: the listMore on the best culture of 2021
Céline Sciamma’s beautiful fairytale reverie is occasioned by the dual mysteries of memory and the future: simple, elegant and very moving. Joséphine Sanz plays Nelly, the eight-year-old daughter of Marion (Nina Meurisse); Marion’s mother has just died in a care home. Marion and her partner (Stéphane Varupenne) take Nelly on a difficult journey to her late mother’s home, where she grew up, and the memories come flooding back – particularly that of a secret hut she built in the woods adjoining the house. Marion is overwhelmed with grief and leaves Nelly alone with her dad.
Playing in the woods she comes across what appears to be a half-finished hut in a clearing. A girl waves happily to her,...
Best films of 2021: the listMore on the best culture of 2021
Céline Sciamma’s beautiful fairytale reverie is occasioned by the dual mysteries of memory and the future: simple, elegant and very moving. Joséphine Sanz plays Nelly, the eight-year-old daughter of Marion (Nina Meurisse); Marion’s mother has just died in a care home. Marion and her partner (Stéphane Varupenne) take Nelly on a difficult journey to her late mother’s home, where she grew up, and the memories come flooding back – particularly that of a secret hut she built in the woods adjoining the house. Marion is overwhelmed with grief and leaves Nelly alone with her dad.
Playing in the woods she comes across what appears to be a half-finished hut in a clearing. A girl waves happily to her,...
- 12/15/2021
- by Peter Bradshaw
- The Guardian - Film News
French director Celine Sciamma has always had a keen eye for the viewpoint of children, in work including her own film Tomboy and her contributory writing for the likes of animation My Life As A Courgette. She has a sensibility for the fluidity of childhood emotions and an awareness of the flexibility of belief at an age where what adults would describe as “magical” and the lesser magic moments of the everyday are accepted equally willingly.
All of this is back in evidence here in this modern fairy story that will take its protagonist and us on an unexpected journey through time, even though we might not realise it at first. The writer/director gently explores the anxieties experienced by young Nelly (Joséphine Sanz) after the death of her grandmother along with the connections between parent and child. At her gran's house to clear out the furniture, her mum Marion...
All of this is back in evidence here in this modern fairy story that will take its protagonist and us on an unexpected journey through time, even though we might not realise it at first. The writer/director gently explores the anxieties experienced by young Nelly (Joséphine Sanz) after the death of her grandmother along with the connections between parent and child. At her gran's house to clear out the furniture, her mum Marion...
- 11/19/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
"I've made a friend, I think." Mubi in the UK has revealed another official UK trailer for the beloved film Petite Maman, the latest feature from Portrait of a Lady on Fire director Céline Sciamma. This initially premiered at the Berlin Film Festival earlier this year, and will play at the New York Film Festival next. The title translates to Little Mom, which is a reference to the film's plot and what happens with a young girl who meets another young girl in the woods one day. Nelly has just lost her grandmother and is helping her parents clean out her mother's childhood home. One day her mother disappears without explanation. She explores the house and the surrounding woods, and meets another girl her exact same age. Petite Maman stars Joséphine Sanz and Gabrielle Sanz, with Nina Meurisse, Stéphane Varupenne, and Margot Abascal. It's only 72 minutes long, but there's so much to this film.
- 8/25/2021
- by Alex Billington
- firstshowing.net
Time to meet Nelly and Marion... Pyramide Films in France has unveiled the first official trailer for the film Petite Maman, the latest from Portrait of a Lady on Fire director Céline Sciamma. The title translates directly to Little Mom, which is a reference to the film's plot and what happens with a young girl who meets another young girl in the woods one day. Nelly has just lost her grandmother and is helping her parents clean out her mother's childhood home. One day her mother disappears without explanation. She explores the house and the surrounding woods, and meets a girl her same age building a treehouse. Petite Maman stars Joséphine Sanz and Gabrielle Sanz, with Nina Meurisse, Stéphane Varupenne, and Margot Abascal. This just premiered a few months ago at the Berlin Film Festival, and it's opening in France this June, though there's still no US opening set yet.
- 5/13/2021
- by Alex Billington
- firstshowing.net
Following up her universally acclaimed Portrait of a Lady on Fire, Céline Sciamma was able to get a film off the ground and completed during the pandemic. Petite Maman, starring Joséphine Sanz, Gabrielle Sanz, Stéphane Varupenne, Nina Meurisse, and Margo Abascal, follows a young girl who has just lost her grandmother, then discovers a girl her own age in the woods. Following a Berlinale premiere, the film will arrive in France next month and the first international trailer has landed. Neon will also reteam with the director for a U.S. release, but a date hasn’t been confirmed yet.
Orla Smith said in our Berlinale review, “After the ambitious and wildly popular Portrait of a Lady on Fire shot Céline Sciamma into the arthouse stratosphere, she has returned with her fifth feature, Petite Maman, a warm and contained film whose scale is more akin to Tomboy. The mighty hype...
Orla Smith said in our Berlinale review, “After the ambitious and wildly popular Portrait of a Lady on Fire shot Céline Sciamma into the arthouse stratosphere, she has returned with her fifth feature, Petite Maman, a warm and contained film whose scale is more akin to Tomboy. The mighty hype...
- 5/13/2021
- by Jordan Raup
- The Film Stage
Celine Sciamma’s Berlinale competition title “Petite Maman” has been sold by MK2 Films around the world with some bidding wars in multiple territories.
The critically acclaimed film, which marks Sciamma’s follow-up to “Portrait of a Lady on Fire,” has been sold to Alamode (Germany), Culture (Japan), Challan (South Korea) Sun (Latin America), Avalon (Spain), Madman (Australia/New Zealand), Red Cape (Israel), Cinéart (Benelux), Cineworx (Switzerland), Angel (Denmark), Folkets Bio (Sweden), Arthaus (Norway), Swallow Wings (Taiwan), Russian World Vision (Cis), New Horizons (Poland), Weirdwave (Greece), Midas (Portugal) and Demiurg (Ex-Yugoslavia).
“Petite Maman” was bought by Neon for North America and Mubi for the U.K. and Turkey during the virtual Berlin Film Festival. MK2 Films is currently negotiating further sales.
Described as a chamber piece, a ghost story and a fairy tale, “Petite Maman” follows Nelly, an 8-year-old girl who has just lost her beloved grandmother and is helping...
The critically acclaimed film, which marks Sciamma’s follow-up to “Portrait of a Lady on Fire,” has been sold to Alamode (Germany), Culture (Japan), Challan (South Korea) Sun (Latin America), Avalon (Spain), Madman (Australia/New Zealand), Red Cape (Israel), Cinéart (Benelux), Cineworx (Switzerland), Angel (Denmark), Folkets Bio (Sweden), Arthaus (Norway), Swallow Wings (Taiwan), Russian World Vision (Cis), New Horizons (Poland), Weirdwave (Greece), Midas (Portugal) and Demiurg (Ex-Yugoslavia).
“Petite Maman” was bought by Neon for North America and Mubi for the U.K. and Turkey during the virtual Berlin Film Festival. MK2 Films is currently negotiating further sales.
Described as a chamber piece, a ghost story and a fairy tale, “Petite Maman” follows Nelly, an 8-year-old girl who has just lost her beloved grandmother and is helping...
- 3/16/2021
- by Elsa Keslassy
- Variety Film + TV
Petite Maman had its world premiere at last week’s online Berlin Film Festival.
Mubi has acquired all UK-Ireland rights to Céline Sciamma’s Petite Maman, which had its world premiere at last week’s online Berlin Film Festival.
The distributor has also acquired rights on the film for Turkey, in deals done with international sales agent mk2.
The film will be released theatrically in all territories, Mubi has confirmed to Screen.
Petite Maman centres on eight-year-old Nelly, who has just lost her grandmother and is helping clean out her mother’s childhood home, when she strikes up a relationship...
Mubi has acquired all UK-Ireland rights to Céline Sciamma’s Petite Maman, which had its world premiere at last week’s online Berlin Film Festival.
The distributor has also acquired rights on the film for Turkey, in deals done with international sales agent mk2.
The film will be released theatrically in all territories, Mubi has confirmed to Screen.
Petite Maman centres on eight-year-old Nelly, who has just lost her grandmother and is helping clean out her mother’s childhood home, when she strikes up a relationship...
- 3/9/2021
- by Ben Dalton
- ScreenDaily
Arthouse streamer and distributor Mubi has acquired all rights for Céline Sciamma’s well-received Berlin Film Festival title Petite Maman for the UK, Ireland and Turkey.
Sciamma’s follow-up to Cannes hit Portrait of a Lady on Fire, tells the story of 8-year-old Nelly who has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mother, Marion, used to play and built the treehouse she’s heard so much about. One day her mother abruptly leaves and Nelly meets a girl her own age, named Marion, in the woods building a treehouse.
You can check out review for the film here.
Written and directed by festival favourite Sciamma, the film was shot by cinematographer Claire Mathon, Sciamma’s frequent collaborator, and produced by Bénédicte Couvreur of Lilies Films.
Cast includes Gabrielle Sanz,...
Sciamma’s follow-up to Cannes hit Portrait of a Lady on Fire, tells the story of 8-year-old Nelly who has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mother, Marion, used to play and built the treehouse she’s heard so much about. One day her mother abruptly leaves and Nelly meets a girl her own age, named Marion, in the woods building a treehouse.
You can check out review for the film here.
Written and directed by festival favourite Sciamma, the film was shot by cinematographer Claire Mathon, Sciamma’s frequent collaborator, and produced by Bénédicte Couvreur of Lilies Films.
Cast includes Gabrielle Sanz,...
- 3/9/2021
- by Andreas Wiseman
- Deadline Film + TV
Anyone expecting another sweeping and passionate period piece from the director of “Portrait of a Lady on Fire” should begin recalibrating their expectations for Céline Sciamma’s follow-up, “Petite Maman.”
Intimately focused on a handful of characters, with a single fantastical event setting up its direct narrative through-line, this feature plays like a novella, or a short film, or both — it’s the kind of piece that was once the bread-and-butter of PBS’ “American Playhouse” anthology series. And while “Petite Maman” is a vastly different from than “Portrait,” it furthers writer-director Sciamma’s reputation as a storyteller with a keen understanding of character and human emotion.
The film opens with young Nelly (Joséphine Sanz) bidding farewell to the residents of a nursing home where her namesake grandmother has just died. This passing is devastating for Nelly’s mother, Marion (Nina Meurisse), a woman given to moments of melancholy even under normal circumstances.
Intimately focused on a handful of characters, with a single fantastical event setting up its direct narrative through-line, this feature plays like a novella, or a short film, or both — it’s the kind of piece that was once the bread-and-butter of PBS’ “American Playhouse” anthology series. And while “Petite Maman” is a vastly different from than “Portrait,” it furthers writer-director Sciamma’s reputation as a storyteller with a keen understanding of character and human emotion.
The film opens with young Nelly (Joséphine Sanz) bidding farewell to the residents of a nursing home where her namesake grandmother has just died. This passing is devastating for Nelly’s mother, Marion (Nina Meurisse), a woman given to moments of melancholy even under normal circumstances.
- 3/4/2021
- by Alonso Duralde
- The Wrap
After her recent dazzling foray into historical drama, with the magnificent Portrait of a Lady on Fire, Céline Sciamma returns to the theme of childhood, which she last dealt with in Tomboy. However, to say that she returns to the present with Petite Maman would be misleading. And before you read any further, be warned that this is a film almost impossible to write about without a few spoilers.
The film begins with an end – the end of a life – and the first words we hear repeated are ‘Au revoir’ as our 8-year-old heroine Nelly (Joséphine Sanz) goes from room to room in an old people’s home to salute the inhabitants one last time. Nelly is with her parents, who are packing up her dead maternal grandmother’s belongings. Then it’s off to granny’s actual home to empty that out and then depart. There is a charming...
The film begins with an end – the end of a life – and the first words we hear repeated are ‘Au revoir’ as our 8-year-old heroine Nelly (Joséphine Sanz) goes from room to room in an old people’s home to salute the inhabitants one last time. Nelly is with her parents, who are packing up her dead maternal grandmother’s belongings. Then it’s off to granny’s actual home to empty that out and then depart. There is a charming...
- 3/4/2021
- by Jo-Ann Titmarsh
- HeyUGuys.co.uk
The two most mature and emotionally insightful seven-year-old girls you’ve ever encountered in your life are the subjects of Petite Maman. Magnetically attentive to the serious “things of life,” as the French put it, Céline Sciamma’s 72-minute study of an intense brief friendship between two girls of extraordinary similar looks prioritizes insight and emotional awareness over any artificial plot constructs. The result is a piercingly satisfying chamber drama with a lovely intimate feel.
After her great international success two years ago with Portrait Of A Lady On Fire, Sciamma was in a position to do anything she pleased, and the new film is arresting and unusual in nearly every way. The two girls in question seem half-curious kids/half-mature adults, so intently do they address matters that count in the very little time they know they’ll have together.
Both girls’ families are in stressful straits. The grandmother...
After her great international success two years ago with Portrait Of A Lady On Fire, Sciamma was in a position to do anything she pleased, and the new film is arresting and unusual in nearly every way. The two girls in question seem half-curious kids/half-mature adults, so intently do they address matters that count in the very little time they know they’ll have together.
Both girls’ families are in stressful straits. The grandmother...
- 3/3/2021
- by Todd McCarthy
- Deadline Film + TV
After the ambitious and wildly popular Portrait of a Lady on Fire shot Céline Sciamma into the arthouse stratosphere, she has returned with her fifth feature, Petite Maman, a warm and contained film whose scale is more akin to Tomboy. The mighty hype from Sciamma fans anticipating the film’s Berlinale premiere may be too much to bear for this delicate, low-key film. Of course it’s as impeccably directed and carefully structured as we’ve come to expect from Sciamma. But it’s more of a slow simmer than Portrait’s fiery blaze. Beware instantaneous hot takes: this is a modest work, one to sit with and chew over, one to look back on fondly after letting it percolate.
With Petite Maman, Sciamma returns to the topic of her first three features—childhood—now with one eye on the adult characters. We meet eight-year-old Nelly (Joséphine Sanz) in the hospital,...
With Petite Maman, Sciamma returns to the topic of her first three features—childhood—now with one eye on the adult characters. We meet eight-year-old Nelly (Joséphine Sanz) in the hospital,...
- 3/3/2021
- by Orla Smith
- The Film Stage
Neon has scooped up North American rights to Céline Sciamma’s sixth feature directorial Petite Maman, bringing the Oscar-winning film studio back in business with the French filmmaker behind 2019’s award-winning pic Portrait of a Lady on Fire. Already there is great word of mouth brewing from critics on Sciamma’s new title out of its world premiere at the Berlinale.
The drama stars sisters Joséphine Sanz and Gabrielle Sanz, with Nina Meurisse, Stéphane Varupenne and Margot Abascal. In Pete Maman, 8-year-old Nelly has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mom, Marion, used to play and built the treehouse she’s heard so much about. One day her mother abruptly leaves. That’s when Nelly meets a girl her own age in the woods building a treehouse. Her name is Marion.
The drama stars sisters Joséphine Sanz and Gabrielle Sanz, with Nina Meurisse, Stéphane Varupenne and Margot Abascal. In Pete Maman, 8-year-old Nelly has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mom, Marion, used to play and built the treehouse she’s heard so much about. One day her mother abruptly leaves. That’s when Nelly meets a girl her own age in the woods building a treehouse. Her name is Marion.
- 3/3/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Neon has acquired North American rights to Céline Sciamma’s latest feature, “Petite Maman,” following its premiere at the Berlin Film Festival.
The sale reunites Sciamma with Neon, the New York-based independent studio that released her acclaimed drama “Portrait of a Lady on Fire.”
Written and directed by Sciamma, “Petite Maman” follows 8-year-old Nelly, who loses her beloved grandmother and goes to help her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mom, Marion, used to play and build the treehouse she’s heard so much about. One day, her mother abruptly leaves. That’s when Nelly meets a girl her own age in the woods building a treehouse. Her name is Marion.
It stars sisters Joséphine and Gabrielle Sanz, as well as Nina Meurisse, Stéphane Varupenne and Margot Abascal.
Variety’s chief film critic Peter Debruge praised the film,...
The sale reunites Sciamma with Neon, the New York-based independent studio that released her acclaimed drama “Portrait of a Lady on Fire.”
Written and directed by Sciamma, “Petite Maman” follows 8-year-old Nelly, who loses her beloved grandmother and goes to help her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mom, Marion, used to play and build the treehouse she’s heard so much about. One day, her mother abruptly leaves. That’s when Nelly meets a girl her own age in the woods building a treehouse. Her name is Marion.
It stars sisters Joséphine and Gabrielle Sanz, as well as Nina Meurisse, Stéphane Varupenne and Margot Abascal.
Variety’s chief film critic Peter Debruge praised the film,...
- 3/3/2021
- by Rebecca Rubin
- Variety Film + TV
Sisters Joséphine Sanz and Gabrielle Sanz star.
Neon is reuniting with Celine Sciamma and has acquired North American rights from mk2 to Berlin competition selection Petite Maman.
Sisters Joséphine Sanz and Gabrielle Sanz star in the drama about a young child mourning the loss of her grandmother who encounters a girl of her age in the woods.
‘Petite Maman’: Berlin Review
Nina Meurisse, Stéphane Varupenne and Margot Abascal round out the key cast. Bénédicte Couvreur of Lilies Films produced.
Jeff Deutchman negotiated the deal for Neon with Fionnuala Jamison of mk2 who are handling international sales.
Neon released Sciamma...
Neon is reuniting with Celine Sciamma and has acquired North American rights from mk2 to Berlin competition selection Petite Maman.
Sisters Joséphine Sanz and Gabrielle Sanz star in the drama about a young child mourning the loss of her grandmother who encounters a girl of her age in the woods.
‘Petite Maman’: Berlin Review
Nina Meurisse, Stéphane Varupenne and Margot Abascal round out the key cast. Bénédicte Couvreur of Lilies Films produced.
Jeff Deutchman negotiated the deal for Neon with Fionnuala Jamison of mk2 who are handling international sales.
Neon released Sciamma...
- 3/3/2021
- by Jeremy Kay
- ScreenDaily
There’s a scene towards the end of Céline Sciamma’s dreamy new feature, Petite maman, in which two eight-year-old girls carry an inflatable canoe to a river, and paddle it vigorously around and under a pyramid-like structure, only to emerge on the other side. It’s hard to express succinctly what makes this brief sequence so breathtaking. Everything about it—the canoe’s canary-yellow Pro Explorer logo, the girls' bright galoshes, the angelic choral music, the transition from murkiness to the vast sweep of the autumnal landscape—is exquisite. In the subsequent medium shot, the girls’ faces have an astute, determined expression, as if they’ve just conquered the earth—or maybe something even more precious, such as a sense of their own bravery, and power. The feeling of release is immense, all the more so since much of this intimate tale takes place in contained domestic spaces, with only brief forays outdoors.
- 3/3/2021
- MUBI
Eight-year-old Nelly (Joséphine Sanz) sits in the backseat of her mother’s car outside of the nursing home where her beloved grandmother has just died, and watches through the window as her young parents (Nina Meurisse and Stéphane Varupenne) share a tender embrace. The half-quizzical look on Nelly’s face suggests that she hasn’t seen them hug in a while — that perhaps this moment is doubly charged. She wonders what they mean to each other, and what it feels like to lose someone forever, and whether her mother ever sat alone in a car on a gray fall afternoon and watched as her mother was consoled over her mother’s death. Nelly understands that her mom didn’t become 31 without being eight along the way, but why is that so hard to imagine? It’s like looking at a bird and trying to picture when it was a dinosaur.
- 3/3/2021
- by David Ehrlich
- Indiewire
“Give me a child until he is 7, and I will show you the man,” proposed Aristotle, to which fiercely feminist French director Céline Sciamma might add, “Give me a woman, and I will show you the free, unbroken spirit she still was at age 8.”
Sciamma, who went from being a queer cult favorite (for such bracingly free indies as “Tomboy” and “Water Lilies”) to an internationally respected auteur with 2019’s “Portrait of a Lady on Fire,” follows up that barrier-breaking achievement with the slight but hardly insignificant “Petite Maman.” Made during fall 2020 while the pandemic still severely limited film production, this 72-minute sketch looks at the connection between an 8-year-old girl, Nelly (Joséphine Sanz), and her mother, Marion (Nina Meurisse), through a simple leap of imagination — one that necessitates a basic spoiler to meaningfully discuss, so be warned if you’d rather save that surprise for the screen.
Nelly is...
Sciamma, who went from being a queer cult favorite (for such bracingly free indies as “Tomboy” and “Water Lilies”) to an internationally respected auteur with 2019’s “Portrait of a Lady on Fire,” follows up that barrier-breaking achievement with the slight but hardly insignificant “Petite Maman.” Made during fall 2020 while the pandemic still severely limited film production, this 72-minute sketch looks at the connection between an 8-year-old girl, Nelly (Joséphine Sanz), and her mother, Marion (Nina Meurisse), through a simple leap of imagination — one that necessitates a basic spoiler to meaningfully discuss, so be warned if you’d rather save that surprise for the screen.
Nelly is...
- 3/3/2021
- by Peter Debruge
- Variety Film + TV
After working together on the domestic release of Portrait of a Lady on Fire, Neon has acquired the North American rights to Celine Sciamma’s Petite Maman.
Petite Maman, which premiered at Berlinale, is a time travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion. While exploring the surrounding woods, she meets a girl her own age, who looks exactly like her and is named Marion.
Sisters Joséphine Sanz and Gabrielle Sanz star in the feature, with Nina Meurisse, Stéphane Varupenne and Margot Abascal.
Bénédicte Couvreur ...
Petite Maman, which premiered at Berlinale, is a time travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion. While exploring the surrounding woods, she meets a girl her own age, who looks exactly like her and is named Marion.
Sisters Joséphine Sanz and Gabrielle Sanz star in the feature, with Nina Meurisse, Stéphane Varupenne and Margot Abascal.
Bénédicte Couvreur ...
After working together on the domestic release of Portrait of a Lady on Fire, Neon has acquired the North American rights to Céline Sciamma’s Petite Maman.
Petite Maman, which premiered at Berlinale, is a time-travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion. While exploring the surrounding woods, she meets a girl her own age, who looks exactly like her and is named Marion.
Sisters Joséphine Sanz and Gabrielle Sanz star in the feature, with Nina Meurisse, Stéphane Varupenne and Margot Abascal.
Bénédicte Couvreur prodcued ...
Petite Maman, which premiered at Berlinale, is a time-travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion. While exploring the surrounding woods, she meets a girl her own age, who looks exactly like her and is named Marion.
Sisters Joséphine Sanz and Gabrielle Sanz star in the feature, with Nina Meurisse, Stéphane Varupenne and Margot Abascal.
Bénédicte Couvreur prodcued ...
A girl meets her mother as a child in the woods in a moving jewel of a film about memory, friendship and kin
Céline Sciamma’s beautiful fairytale reverie is occasioned by the dual mysteries of memory and the future: simple, elegant and very moving. I fell instantly under its spell, and found myself thinking of classic English tales such as Tom’s Midnight Garden by Philippa Pearce, or The Child in Time by Ian McEwan. And there is an extra-textual pleasure in wondering exactly what its child stars thought about it during filming – and what they think about it now.
Joséphine Sanz plays Nelly, the eight-year-old daughter of Marion (Nina Meurisse). The latter is under enormous stress. Marion’s mother has just died in a care home, from long-term complications of a hereditary bone disorder, which Marion herself had to avoid with a painful operation when she was about Nelly’s age.
Céline Sciamma’s beautiful fairytale reverie is occasioned by the dual mysteries of memory and the future: simple, elegant and very moving. I fell instantly under its spell, and found myself thinking of classic English tales such as Tom’s Midnight Garden by Philippa Pearce, or The Child in Time by Ian McEwan. And there is an extra-textual pleasure in wondering exactly what its child stars thought about it during filming – and what they think about it now.
Joséphine Sanz plays Nelly, the eight-year-old daughter of Marion (Nina Meurisse). The latter is under enormous stress. Marion’s mother has just died in a care home, from long-term complications of a hereditary bone disorder, which Marion herself had to avoid with a painful operation when she was about Nelly’s age.
- 3/3/2021
- by Peter Bradshaw
- The Guardian - Film News
One of the best surprises of the Berlinale 2021 lineup is that the newest film from Céline Sciamma––marking her fifth feature and first since her widely acclaimed Portrait of a Lady on Fire––is completed after shooting only a few months ago. Details have been sparse when it came to Petite Maman, but now the festival has unveiled a full synopsis, while also revealing a runtime of only 72 minutes.
Starring Joséphine Sanz, Gabrielle Sanz, Nina Meurisse, Stéphane Varupenne, and Margot Abascal, the film will find Sciamma returning to themes of adolescence, which she explored in different facets in Water Lillies, Tomboy, and Girlhood. Check out the synopsis below via Berlinale’s official site.
Eight-year-old Nelly has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mum, Marion, used to play and where...
Starring Joséphine Sanz, Gabrielle Sanz, Nina Meurisse, Stéphane Varupenne, and Margot Abascal, the film will find Sciamma returning to themes of adolescence, which she explored in different facets in Water Lillies, Tomboy, and Girlhood. Check out the synopsis below via Berlinale’s official site.
Eight-year-old Nelly has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods where her mum, Marion, used to play and where...
- 2/18/2021
- by Jordan Raup
- The Film Stage
This year’s Berlin International Film Festival will look a bit different this year, with a virtual edition taking place March 1-5 for industry and press, then a public, in-person edition kicking off in June.
The complete lineup has now been unveiled, including Céline Sciamma’s highly-anticipated Portrait of a Lady on Fire follow-up Petite Maman, a surprise new Hong Sang-soo feature, the latest work from Ryūsuke Hamaguchi, along with new projects by Radu Jude, Xavier Beauvois, Dominik Graf, Pietro Marcello, Ramon Zürcher & Silvan Zürcher, and more.
Check out each section below.
Competition Tiles
“Albatros” (Drift Away)
France
by Xavier Beauvois
with Jérémie Renier, Marie-Julie Maille, Victor Belmondo
“Babardeală cu buclucsau porno balamuc” (Bad Luck Banging or Loony Porn)
Romania/Luxemburg/Croatia/Czech Republic
by Radu Jude
with Katia Pascariu, Claudia Ieremia, Olimpia Mălai
“Fabian oder Der Gang vor die Hunde” (Fabian – Going to the Dogs)
Germany
by Dominik Graf
with Tom Schilling,...
The complete lineup has now been unveiled, including Céline Sciamma’s highly-anticipated Portrait of a Lady on Fire follow-up Petite Maman, a surprise new Hong Sang-soo feature, the latest work from Ryūsuke Hamaguchi, along with new projects by Radu Jude, Xavier Beauvois, Dominik Graf, Pietro Marcello, Ramon Zürcher & Silvan Zürcher, and more.
Check out each section below.
Competition Tiles
“Albatros” (Drift Away)
France
by Xavier Beauvois
with Jérémie Renier, Marie-Julie Maille, Victor Belmondo
“Babardeală cu buclucsau porno balamuc” (Bad Luck Banging or Loony Porn)
Romania/Luxemburg/Croatia/Czech Republic
by Radu Jude
with Katia Pascariu, Claudia Ieremia, Olimpia Mălai
“Fabian oder Der Gang vor die Hunde” (Fabian – Going to the Dogs)
Germany
by Dominik Graf
with Tom Schilling,...
- 2/11/2021
- by Jordan Raup
- The Film Stage
Actor Daniel Bruhl’s directorial debut and new titles from Radu Jude, Celine Sciamma, Hong Sangsoo and Xavier Beauvois are among the 15 competition titles in the Berlin Film Festival, all of which were revealed Thursday.
Five of the titles are from female filmmakers (some of whom are co-directors on titles), on par with last year’s competition, when six of the 18 competition titles were helmed by women.
The festival also revealed the 11 titles in the Berlinale Special strand.
Festival executive director Mariette Rissenbeek introduced the format of this year’s festival, after which artistic director Carlo Chatrian presented the films selected.
As first revealed by Variety, the festival’s 71st edition will take place in two stages. Industry platforms European Film Market, Berlinale Co-Production Market, Berlinale Talents and the World Cinema Fund will be online March 1-5. Meanwhile, June 9-20 will see a physical summer public event, pandemic permitting.
Explaining the rationale,...
Five of the titles are from female filmmakers (some of whom are co-directors on titles), on par with last year’s competition, when six of the 18 competition titles were helmed by women.
The festival also revealed the 11 titles in the Berlinale Special strand.
Festival executive director Mariette Rissenbeek introduced the format of this year’s festival, after which artistic director Carlo Chatrian presented the films selected.
As first revealed by Variety, the festival’s 71st edition will take place in two stages. Industry platforms European Film Market, Berlinale Co-Production Market, Berlinale Talents and the World Cinema Fund will be online March 1-5. Meanwhile, June 9-20 will see a physical summer public event, pandemic permitting.
Explaining the rationale,...
- 2/11/2021
- by Naman Ramachandran
- Variety Film + TV
France’s Oscars unfold amid politically charged atmosphere following protests over nominations for Polanski’s An Officer And A Spy.
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
- 2/29/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
France’s Oscars unfold amid politically charged atmosphere following protests over nominations for Polanski’s An Officer And A Spy.
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
- 2/29/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
France’s Oscars unfold amid politically charged atmosphere following protests over nominations for Polanski’s An Officer And A Spy.
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
- 2/29/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
France’s Oscars unfold amid politically charged atmosphere following protests over nominations for Polanski’s An Officer And A Spy.
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
- 2/29/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
France’s Oscars unfold amid politically charged atmosphere following protests over nominations for Polanski’s An Officer And A Spy.
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
Ladj Ly’s explosive social drama Les Misérables won best film at a politically charged 45th Cesar awards on Friday evening which also saw Roman Polanski feted with best director for historical drama An Officer and A Spy.
The ceremony for France’s equivalent of the Oscars in the Salle Pleyel concert hall in central Paris unfolded in an atmosphere of heightened tension.
It has been a rocky six weeks for the awards, following a backlash by female rights activists...
- 2/29/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
The French cinema-focused awards are regarded as the country’s equivalent of the Golden Globes.
Ladj Ly’s Oscar hopeful Les Misérables was the big winner at France’s Lumiere awards in Paris on Monday evening (January 27), winning best film for the explosive drama revolving around a stand-off between youngsters and police officers on a tough Paris housing estate.
The French cinema awards - overseen by the Lumière Academy comprising some 130 international correspondents hailing from 40 countries based in France – are regarded as the country’s equivalent of the Golden Globes.
Ly also won the best screenplay prize for Les Misérables,...
Ladj Ly’s Oscar hopeful Les Misérables was the big winner at France’s Lumiere awards in Paris on Monday evening (January 27), winning best film for the explosive drama revolving around a stand-off between youngsters and police officers on a tough Paris housing estate.
The French cinema awards - overseen by the Lumière Academy comprising some 130 international correspondents hailing from 40 countries based in France – are regarded as the country’s equivalent of the Golden Globes.
Ly also won the best screenplay prize for Les Misérables,...
- 1/27/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Cannes Jury Prize winner is also France’s submission to the Oscars this year.
Ladj Ly’s debut feature and Cannes Jury Prize winner Les Misérables, revolving around social tensions in a tough Paris suburb, is the frontrunner in the 25th edition of France’s Lumière awards this year, with seven nominations.
The awards which are voted on by some 130 international correspondents hailing from 40 countries are France’s equivalent of the Golden Globes.
Les Misérables has been nominated for best film, director, screenplay, cinematography, first film and twice in the best new actor section for two of its cast members,...
Ladj Ly’s debut feature and Cannes Jury Prize winner Les Misérables, revolving around social tensions in a tough Paris suburb, is the frontrunner in the 25th edition of France’s Lumière awards this year, with seven nominations.
The awards which are voted on by some 130 international correspondents hailing from 40 countries are France’s equivalent of the Golden Globes.
Les Misérables has been nominated for best film, director, screenplay, cinematography, first film and twice in the best new actor section for two of its cast members,...
- 12/3/2019
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Following his strong foray into fiction with “Hope,” director Boris Lojkine goes even further in weaving his documentary origins onto a fictional structure with “Camille,” a powerful biopic of French photojournalist Camille Lepage, who was killed in the Central African Republic in 2014 at the age of 26. While adopting a standard biopic structure that occasionally stumbles into the formulaic, The use of Lepage’s own photographs ensures the audience sees what she saw, significantly deepening our feel for the woman while making sense of her shift from enthusiastic naïf to tough yet still empathetic professional. “Camille” won the public prize at Locarno, giving a good indication of its potential on the Euro art house circuit and beyond.
While functioning as an homage to Lepage, the film is also a critique of the white-savior-in-Africa cliché: Camille (Nina Meurisse) quickly learns that her photos won’t effect change, but they will humanize a conflict.
While functioning as an homage to Lepage, the film is also a critique of the white-savior-in-Africa cliché: Camille (Nina Meurisse) quickly learns that her photos won’t effect change, but they will humanize a conflict.
- 8/30/2019
- by Jay Weissberg
- Variety Film + TV
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