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“Courtroom Hijinks”
By Raymond Benson
The 1948 courtroom drama, I, Jane Doe, directed by John H. Auer and starring the inimitable Ruth Hussey as a defense attorney who displays feminist tendencies before that word was in the public vernacular, is a well-acted, twisty-plotted, and entertaining B-movie flick from second-string studio Republic Pictures—except for one thing… the trial and all the aspects associated with it is absolute nonsense.
It’s as if screenwriter Lawrence Kimble made up a courtroom drama based on what he’d seen from other movies of that ilk without ever studying the law as it applies to a trial. In no way would our heroine, Eve Meredith Curtis (Hussey), be able to insist on a retrial of a convicted murderer on the basis that Ms. Doe had refused to reveal her real name or present a defense for herself in the first trial.
“Courtroom Hijinks”
By Raymond Benson
The 1948 courtroom drama, I, Jane Doe, directed by John H. Auer and starring the inimitable Ruth Hussey as a defense attorney who displays feminist tendencies before that word was in the public vernacular, is a well-acted, twisty-plotted, and entertaining B-movie flick from second-string studio Republic Pictures—except for one thing… the trial and all the aspects associated with it is absolute nonsense.
It’s as if screenwriter Lawrence Kimble made up a courtroom drama based on what he’d seen from other movies of that ilk without ever studying the law as it applies to a trial. In no way would our heroine, Eve Meredith Curtis (Hussey), be able to insist on a retrial of a convicted murderer on the basis that Ms. Doe had refused to reveal her real name or present a defense for herself in the first trial.
- 6/27/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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