Neal Jimenez(1960-2022)
- Writer
- Director
- Actor
This screenwriter and director won acclaim for his first two produced
screenplays, Where the River Runs Black (1986) and River's Edge (1986). The latter, arguably, was the first
grimly honest portrait of what would soon come to be called "Generation
X." Unlike, say, Reality Bites (1994), the adolescent protagonists who populated
River's Edge were not cuddly in their surliness. Opening with an obese
dead-eyed youth seated next to his freshly murdered girlfriend, the
film presented a chilling collection of sullen and hopeless characters
including Dennis Hopper's crazed ex-hippie burnout and Crispin Glover's
manic speed freak.
Jimenez co-scripted (with Marshall Brickman and Lindy Laub) For the Boys (1991), a slight but
overlong musical drama with a skimpy historical overview. This
diverting, if forgettable, Bette Midler vehicle followed brassy entertainer
Dixie Leonard as she entertained the troops from WWII to Vietnam to
today. Jimenez made his directorial debut (co-helming with Michael Steinberg)
with The Waterdance (1992), the story of a quadriplegic writer played by Eric Stoltz. Set
in a physical rehab center, the film dealt movingly and unflinchingly
with differences in class and temperament between the patients, as well
as between Stoltz and his able-bodied girlfriend. Scripted by Jimenez,
The Waterdance was based on his personal experiences after a 1984
accident paralyzed him.
Jimenez was also one of five writers credited with Sleep with Me (1994), a slight
comedy about a man (Eric Stoltz) who confesses his love for the wife
(Meg Tilly) of a friend (Craig Sheffer). He also worked on the adaptation of
Dean R. Koontz' novel Hideaway (1995), a muddled suspense thriller about a man
(Jeff Goldblum) whose near-death experience links him with a serial killer
which in turn threatens his family.
screenplays, Where the River Runs Black (1986) and River's Edge (1986). The latter, arguably, was the first
grimly honest portrait of what would soon come to be called "Generation
X." Unlike, say, Reality Bites (1994), the adolescent protagonists who populated
River's Edge were not cuddly in their surliness. Opening with an obese
dead-eyed youth seated next to his freshly murdered girlfriend, the
film presented a chilling collection of sullen and hopeless characters
including Dennis Hopper's crazed ex-hippie burnout and Crispin Glover's
manic speed freak.
Jimenez co-scripted (with Marshall Brickman and Lindy Laub) For the Boys (1991), a slight but
overlong musical drama with a skimpy historical overview. This
diverting, if forgettable, Bette Midler vehicle followed brassy entertainer
Dixie Leonard as she entertained the troops from WWII to Vietnam to
today. Jimenez made his directorial debut (co-helming with Michael Steinberg)
with The Waterdance (1992), the story of a quadriplegic writer played by Eric Stoltz. Set
in a physical rehab center, the film dealt movingly and unflinchingly
with differences in class and temperament between the patients, as well
as between Stoltz and his able-bodied girlfriend. Scripted by Jimenez,
The Waterdance was based on his personal experiences after a 1984
accident paralyzed him.
Jimenez was also one of five writers credited with Sleep with Me (1994), a slight
comedy about a man (Eric Stoltz) who confesses his love for the wife
(Meg Tilly) of a friend (Craig Sheffer). He also worked on the adaptation of
Dean R. Koontz' novel Hideaway (1995), a muddled suspense thriller about a man
(Jeff Goldblum) whose near-death experience links him with a serial killer
which in turn threatens his family.