The Man Stood in the shadow of the trees facing the small tan house. He was tall and had the close-cropped military haircut of the Marine he’d been until deserting his post a few weeks earlier. A black mask covered his face, he wore a one-piece camouflage suit, and carried a .300-caliber blackout rifle and a .22-caliber handgun.
The surrounding Blue Ridge Mountains of Hardy, Virginia, flower with dogwoods in the spring; in the summer, the hills bloom so lushly they look covered in neon velvet. It was Nov.
The surrounding Blue Ridge Mountains of Hardy, Virginia, flower with dogwoods in the spring; in the summer, the hills bloom so lushly they look covered in neon velvet. It was Nov.
- 2/2/2024
- by Molly Langmuir
- Rollingstone.com
With 1991’s James Cameron-written and -directed “Terminator 2: Judgement Day,” Arnold Schwarzenegger may have notched his highest-grossing feature to date and cemented himself as an action icon. But he still remembers feeling “suspicious” about something missing from the script.
He wanted to kill more people.
Not just kill more people — “massacre” them, he admitted at a “Terminator 2” screening hosted by the Academy Museum on Wednesday. “I was killing 68 people in the first one — the second one, I have to kill 150. We go up with the count and the massacre, and we cut their throats and kill them and shoot them and the cannon and this and that — run them over with the car. I said, ‘I’ve got to outdo Stallone!’ I’ve gotta be No. 1 in killing the amount of people on the screen.”
His thirst for blood was so intense, Schwarzenegger said, that Cameron had to talk him down.
He wanted to kill more people.
Not just kill more people — “massacre” them, he admitted at a “Terminator 2” screening hosted by the Academy Museum on Wednesday. “I was killing 68 people in the first one — the second one, I have to kill 150. We go up with the count and the massacre, and we cut their throats and kill them and shoot them and the cannon and this and that — run them over with the car. I said, ‘I’ve got to outdo Stallone!’ I’ve gotta be No. 1 in killing the amount of people on the screen.”
His thirst for blood was so intense, Schwarzenegger said, that Cameron had to talk him down.
- 6/30/2023
- by Benjamin Lindsay
- The Wrap
The following is a list of all comic books, graphic novels and specialty items that will be available this week and shipped to comic book stores who have placed orders for them.
Abrams Comicarts
How To Fake A Moon Landing Exposing The Myths Of Science Denial Sc, $16.5
Abstract Studios
Rachel Rising #16, $3.99
Action Lab Entertainment
Princeless Volume 2 #2 (Of 4), $3.99
Amigo Comics
Rogues #1, $3.99
Amp! Comics For Kids
Big Nate Game On Tp (not verified by Diamond), $9.99
Antarctic Press
Crawling Sky #3 (Of 5), $3.99
Gold Digger #149, $3.99
Last Zombie The End #1 (Of 5), $3.99
Archie Comic Publications
Betty And Veronica Double Double Digest #212, $5.99
Knuckles The Echidna Archives Volume 4 Tp, $9.99
Atheneum Books
Who Is AC Hc, $21.99
Who Is AC Sc, $14.99
Zebrafish Tp (not verified by Diamond), $7.99
Avatar Press
Night Of The Living Dead Aftermath #7 (Raulo Caceres Regular Cover), $3.99
Night Of The Living Dead Aftermath #7 (Pow Rodrix Gore Cover), $3.99
Night Of The Living Dead Aftermath #7 (Raulo Caceres Terror Incentive Cover), Ar...
Abrams Comicarts
How To Fake A Moon Landing Exposing The Myths Of Science Denial Sc, $16.5
Abstract Studios
Rachel Rising #16, $3.99
Action Lab Entertainment
Princeless Volume 2 #2 (Of 4), $3.99
Amigo Comics
Rogues #1, $3.99
Amp! Comics For Kids
Big Nate Game On Tp (not verified by Diamond), $9.99
Antarctic Press
Crawling Sky #3 (Of 5), $3.99
Gold Digger #149, $3.99
Last Zombie The End #1 (Of 5), $3.99
Archie Comic Publications
Betty And Veronica Double Double Digest #212, $5.99
Knuckles The Echidna Archives Volume 4 Tp, $9.99
Atheneum Books
Who Is AC Hc, $21.99
Who Is AC Sc, $14.99
Zebrafish Tp (not verified by Diamond), $7.99
Avatar Press
Night Of The Living Dead Aftermath #7 (Raulo Caceres Regular Cover), $3.99
Night Of The Living Dead Aftermath #7 (Pow Rodrix Gore Cover), $3.99
Night Of The Living Dead Aftermath #7 (Raulo Caceres Terror Incentive Cover), Ar...
- 4/21/2013
- by Adam B.
- GeekRest
How do you introduce a new show with a crime-drama feel into an already inundated TV menu? Well, for one thing, you can cast TV favorites like Michael Emerson and Jim Caviezel. That will get people interested. Then you can form the show around a premise of an all-seeing Machine that puts together snippets of information to predict violent circumstance that put people in danger. Mix in our two heroes – reluctant, in Caviezel's character's case – as they try to stop these bad things happening to good people *before*they actually happen. Add a generous dollop of action and suspense and a cerebral thriller quality to the cases, and shazam. You've got something new! Person of Interest (TV), I've got two words for you: I'm interested. Now, I usually need another crime procedural drama in my TV menu like a hole in the head, but figuring that this is Jj Abrams...
- 12/30/2011
- by mbijeaux@corp.popstar.com (Melissa Bijeaux)
- PopStar
CBS Michael Emerson in “Person of Interest.”
We begin with the sound of seagulls and the sight of breezy curtains. Reese (played by Jim Caviezel) is sexily shirtless and canoodling in bed with a pretty young woman. His voice is musing about how it is when you meet the right person…
Cut to Reese in a NYC subway car, and now he’s shaggy-haired and in need of a shower. His voice asks: but when the right person is taken from you,...
We begin with the sound of seagulls and the sight of breezy curtains. Reese (played by Jim Caviezel) is sexily shirtless and canoodling in bed with a pretty young woman. His voice is musing about how it is when you meet the right person…
Cut to Reese in a NYC subway car, and now he’s shaggy-haired and in need of a shower. His voice asks: but when the right person is taken from you,...
- 9/23/2011
- by Barbara Chai
- Speakeasy/Wall Street Journal
Insuring women's legs against damage and destruction has been a very good policy for Lloyd's of London, which has insured more women's legs than any other body part. "The fad began with Betty Grable, whose legs were insured for one million dollars in the 1940s," Dian Hanson, an editor at Leg Show magazine, writes in "The Big Book of Legs," a coffee-table tome from Taschen. "Though it was simply a publicity stunt arranged by the 20th Century Fox film studio, it was quite an effective one, leading Universal to insure Angie Dickinson...
- 6/7/2009
- NYPost.com
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