Quinn Redeker, who came up with the original script and Russian roulette idea for The Deer Hunter before starring as shady characters on the soap operas Days of Our Lives and The Young and the Restless, has died. He was 86.
Redeker died Dec. 20 of natural causes in Camarillo, California, his daughter, Arianne Raser, told The Hollywood Reporter.
Early in his career, Redeker appeared in The Three Stooges Meet Hercules (1962) and Jack Hill’s Spider Baby or, the Maddest Story Ever Told (1967), then graduated to more prestige fare, working with Robert Redford in The Candidate (1972), The Electric Horseman (1979) and Ordinary People (1980).
Inspired by a Life magazine article about a man who played Russian roulette for the camera, Redeker contacted screenwriter Louis Garfinkle in 1974 about teaming on a movie script about a guy in the Bahamas who made a living at the hazardous game.
Garfinkle saw Russian roulette as “a perfect metaphor for the war in Vietnam,...
Redeker died Dec. 20 of natural causes in Camarillo, California, his daughter, Arianne Raser, told The Hollywood Reporter.
Early in his career, Redeker appeared in The Three Stooges Meet Hercules (1962) and Jack Hill’s Spider Baby or, the Maddest Story Ever Told (1967), then graduated to more prestige fare, working with Robert Redford in The Candidate (1972), The Electric Horseman (1979) and Ordinary People (1980).
Inspired by a Life magazine article about a man who played Russian roulette for the camera, Redeker contacted screenwriter Louis Garfinkle in 1974 about teaming on a movie script about a guy in the Bahamas who made a living at the hazardous game.
Garfinkle saw Russian roulette as “a perfect metaphor for the war in Vietnam,...
- 1/9/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Producer Charles Band discusses a few of his favorite films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Re-Animator (1985) – Charlie Largent’s Blu-ray review
Citizen Kane (1941) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Puppet Master (1989)
Dollman (1991)
Trancers (1984)
Corona Zombies (2020)
Cannibal Women In The Avocado Jungle of Death (1989)
Frankenstein (1931) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review
The Sixth Sense (1999)
The Wolf Man (1941) – Glenn Erickson’s Blu-ray review, Alex Kirschenbaum’s Wolf Man power rankings
I Bury The Living (1958) – Joe Dante’s trailer commentary, Charlie Largent’s Blu-ray review
Face of Fire (1959)
Hercules (1958)
The 7th Voyage Of Sinbad (1958) – Brian Trenchard-Smith’s trailer commentary
Jason And The Argonauts (1963) – Ernest Dickerson’s trailer commentary
King Kong (1933)
King Kong (1976) – Glenn Erickson’s Blu-ray review
The Exorcist (1973) – Oren Peli’s trailer commentary
Star Wars (1977)
The Omega Man (1971)
Castle Freak (1995)
Tourist Trap (1979) – David DeCoteau’s trailer commentary
Laserblast (1978)
Crash!
Show Notes: Movies Referenced In This Episode
Re-Animator (1985) – Charlie Largent’s Blu-ray review
Citizen Kane (1941) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Puppet Master (1989)
Dollman (1991)
Trancers (1984)
Corona Zombies (2020)
Cannibal Women In The Avocado Jungle of Death (1989)
Frankenstein (1931) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review
The Sixth Sense (1999)
The Wolf Man (1941) – Glenn Erickson’s Blu-ray review, Alex Kirschenbaum’s Wolf Man power rankings
I Bury The Living (1958) – Joe Dante’s trailer commentary, Charlie Largent’s Blu-ray review
Face of Fire (1959)
Hercules (1958)
The 7th Voyage Of Sinbad (1958) – Brian Trenchard-Smith’s trailer commentary
Jason And The Argonauts (1963) – Ernest Dickerson’s trailer commentary
King Kong (1933)
King Kong (1976) – Glenn Erickson’s Blu-ray review
The Exorcist (1973) – Oren Peli’s trailer commentary
Star Wars (1977)
The Omega Man (1971)
Castle Freak (1995)
Tourist Trap (1979) – David DeCoteau’s trailer commentary
Laserblast (1978)
Crash!
- 3/22/2022
- by Kris Millsap
- Trailers from Hell
I Bury The Living
Blu-ray
Shout! Factory
1958 / B&W / 1:85 / / 76 min. / Street Date April 25, 2017
Starring: Richard Boone, Theodore Bikel.
Cinematography: Frederick Gately
Film Editor: Frank Sullivan
Written by Louis Garfinkle
Produced by Albert Band, Louis Garfinkle
Directed by Albert Band
I Bury the Living implicates us in a primal childhood thought-crime… what if you stepped on a crack and really did break your mother’s back? What if simply wishing someone dead made it so? Guilt, pure and simple, gives this off–kilter 50’s chiller its lasting power.
The film boasts an off–kilter leading man as well with the crater-faced Richard Boone as Robert Kraft, a small town business man railroaded into managing the family run cemetery. To make matters worse, the perennially gloomy Kraft, already skittish about his disconcerting new position, is saddled with a decrepit, unnaturally chilly workplace watched over by an unnerving bit of decoration, an...
Blu-ray
Shout! Factory
1958 / B&W / 1:85 / / 76 min. / Street Date April 25, 2017
Starring: Richard Boone, Theodore Bikel.
Cinematography: Frederick Gately
Film Editor: Frank Sullivan
Written by Louis Garfinkle
Produced by Albert Band, Louis Garfinkle
Directed by Albert Band
I Bury the Living implicates us in a primal childhood thought-crime… what if you stepped on a crack and really did break your mother’s back? What if simply wishing someone dead made it so? Guilt, pure and simple, gives this off–kilter 50’s chiller its lasting power.
The film boasts an off–kilter leading man as well with the crater-faced Richard Boone as Robert Kraft, a small town business man railroaded into managing the family run cemetery. To make matters worse, the perennially gloomy Kraft, already skittish about his disconcerting new position, is saddled with a decrepit, unnaturally chilly workplace watched over by an unnerving bit of decoration, an...
- 4/29/2017
- by Charlie Largent
- Trailers from Hell
When I was a kid, I used to love a scary movie. I remember catching the original The Haunting (1963) one night on Channel 9’s Million Dollar Movie when I was home alone. Before it was over, I had every light in the house on. When my mother got home she was screaming she’d been able to see the house glowing from two blocks away. The only thing screaming louder than her was the electricity meter.
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
- 10/6/2015
- by Bill Mesce
- SoundOnSight
When I was a kid, I used to love a scary movie. I remember catching the original The Haunting (1963) one night on Channel 9’s Million Dollar Movie when I was home alone. Before it was over, I had every light in the house on. When my mother got home she was screaming she’d been able to see the house glowing from two blocks away. The only thing screaming louder than her was the electricity meter.
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
- 3/31/2012
- by Bill Mesce
- SoundOnSight
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