An ensemble of gifted actors effectively play against type in Michael Shannon’s quietly powerful directing debut, none more so than Judy Greer, outwardly numbed by sorrow but raw inside as a mother whose son shot and killed three high school classmates. While the subject matter inevitably invites comparison with Mass, that well-received 2021 chamber piece — also a first feature by an actor, Fran Kranz — kept its focus tight on two sets of parents on either side of a similar tragedy. Eric Larue casts a wider gaze, taking in the broader community and the religious leaders fumbling or manipulating the conversation about healing.
Shannon’s deep roots in Chicago theater are evident in his choice of material and his success at assembling a first-rate cast — uncommonly strong across the board for a modestly scaled indie like this.
The script was adapted by Brett Neveu from his play of the same name,...
Shannon’s deep roots in Chicago theater are evident in his choice of material and his success at assembling a first-rate cast — uncommonly strong across the board for a modestly scaled indie like this.
The script was adapted by Brett Neveu from his play of the same name,...
- 6/11/2023
- by David Rooney
- The Hollywood Reporter - Movie News
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