Consecration Review — Consecration (2023) Film Review, a movie directed by Christopher Smith, written by Laurie Cook and Christopher Smith and starring Jena Malone, Danny Huston, Ian Pirie, Janet Suzman, Thoren Ferguson, Steffan Cennydd, Eilidh Fisher, Victoria Donovan, Angela White, David Boyle and Alexandra Lewis. Jena Malone plays a woman with a troubled past in [...]
Continue reading: Film Review: Consecration (2023): Jena Malone Stars in an Ambitious and Twisty Yet Underwhelming Horror Film...
Continue reading: Film Review: Consecration (2023): Jena Malone Stars in an Ambitious and Twisty Yet Underwhelming Horror Film...
- 2/11/2023
- by Thomas Duffy
- Film-Book
Christopher Smith’s films have often been obsessed, in one way or another, with time. From the recursive looping of his breakout Triangle to the branching narratives of Detour, Smith has built an impressive, albeit underappreciated collection of twisty thrillers. If 2020’s The Banishing represented something of a return to horror, then his newest, Consecration, acts as a continuation of that film’s obsession with narrative and spiritual fragmentation.
Following Jena Malone’s skeptical Grace as she travels to a remote convent to investigate the death of her priest brother, Smith’s latest is preoccupied with how the sins of the church are grafted onto individuals. Yet, like The Banishing, Consecration bears an underbaked premise that’s more interesting in its singular moments than as a complete film. Heavy on style and light on narrative clarity, almost nothing coheres.
Moody, but never as scary one would hope, it is ostensibly...
Following Jena Malone’s skeptical Grace as she travels to a remote convent to investigate the death of her priest brother, Smith’s latest is preoccupied with how the sins of the church are grafted onto individuals. Yet, like The Banishing, Consecration bears an underbaked premise that’s more interesting in its singular moments than as a complete film. Heavy on style and light on narrative clarity, almost nothing coheres.
Moody, but never as scary one would hope, it is ostensibly...
- 2/9/2023
- by Christian Gallichio
- The Film Stage
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