Netflix’s next Italian originals will be pairs of series and feature films from the likes of Stefano Mordini, Alessandro Genovesi and Cristina Comencini.
The projects were unveiled at a See What’s Next event in Rome today, in front of several stars, directors and stars.
Tinny Andreatta, Vice President of Italian Content at Netflix, said the orders showed the streamer remains “committed to our investment in Italy and Italian stories with conviction, continuing our long-term commitment to the country and its creative community.” Netflix opened an Italian office in May last year.
Namely, pics are Cristina Comencini’s Il Treno dei Bambini and Fabbricante di Lacrime from director Alessandro Genovesi. TV shows comprise Storia della mia Famiglia and Adorazione.
Il Treno dei Bambini is based on Viola Ardone’s bestselling novel pf the same name and is billed as as an “epic and poignant film” set in post-war Italy...
The projects were unveiled at a See What’s Next event in Rome today, in front of several stars, directors and stars.
Tinny Andreatta, Vice President of Italian Content at Netflix, said the orders showed the streamer remains “committed to our investment in Italy and Italian stories with conviction, continuing our long-term commitment to the country and its creative community.” Netflix opened an Italian office in May last year.
Namely, pics are Cristina Comencini’s Il Treno dei Bambini and Fabbricante di Lacrime from director Alessandro Genovesi. TV shows comprise Storia della mia Famiglia and Adorazione.
Il Treno dei Bambini is based on Viola Ardone’s bestselling novel pf the same name and is billed as as an “epic and poignant film” set in post-war Italy...
- 9/19/2023
- by Jesse Whittock
- Deadline Film + TV
Updated with latest: The Venice Film Festival began August 30 with opening-night movie Comandante, an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.
Deadline is on the ground to watch all the key films. Below is a compilation of our reviews from the fest, which last year awarded Laura Poitras’ documentary All The Beauty and the Bloodshed its Golden Lion for best film.
Click on the film titles below to read the reviews in full, and keep checking back as we add more movies throughout the fest, which runs through September 9.
Adagio
Section: Competition
Director: Stefano Sollima
Cast: Pierfrancesco Favino,...
Deadline is on the ground to watch all the key films. Below is a compilation of our reviews from the fest, which last year awarded Laura Poitras’ documentary All The Beauty and the Bloodshed its Golden Lion for best film.
Click on the film titles below to read the reviews in full, and keep checking back as we add more movies throughout the fest, which runs through September 9.
Adagio
Section: Competition
Director: Stefano Sollima
Cast: Pierfrancesco Favino,...
- 9/10/2023
- by Damon Wise, Pete Hammond, Stephanie Bunbury and Todd McCarthy
- Deadline Film + TV
The Last Night Of Amore director Andrea Di Stefano on Pierfrancesco Favino: “I wrote it thinking of him. I had his face in my mind.”
The retirement party for police lieutenant Franco Amore (Pierfrancesco Favino of Marco Bellocchio’s The Traitor and Francesca Archibugi’s The Hummingbird) is in full swing, only the one person celebrated is nowhere to be seen in Andrea Di Stefano’s thriller The Last Night Of Amore. He arrives late, in jogging pants, having been out running through the nightly streets of Milan. Almost immediately after his arrival, he is called in to work because his partner Dino (Francesco Di Leva of Mario Martone’s Nostalgia with Favino) has been shot. Nothing is what it seems, we soon are about to find out, when the film jumps ten days back in time.
Andrea Di Stefano with Anne-Katrin Titze: “I’m trying to put together...
The retirement party for police lieutenant Franco Amore (Pierfrancesco Favino of Marco Bellocchio’s The Traitor and Francesca Archibugi’s The Hummingbird) is in full swing, only the one person celebrated is nowhere to be seen in Andrea Di Stefano’s thriller The Last Night Of Amore. He arrives late, in jogging pants, having been out running through the nightly streets of Milan. Almost immediately after his arrival, he is called in to work because his partner Dino (Francesco Di Leva of Mario Martone’s Nostalgia with Favino) has been shot. Nothing is what it seems, we soon are about to find out, when the film jumps ten days back in time.
Andrea Di Stefano with Anne-Katrin Titze: “I’m trying to put together...
- 6/24/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Belgian directors Felix Van Groeningen and Charlotte Vandermeersch’s Italian-language drama The Eight Mountains and veteran Marco Bellocchio’s Exterior Night topped the 68th edition of Italy’s David di Donatello Awards on Wednesday evening.
The Eight Mountains won best film as well as best non-original screenplay, photography and sound.
Based on the novel of the same name by Paolo Cognetti, it stars Luca Marinelli and Alessandro Borghi as two men from different backgrounds who form a life-long bond during summers spent together as children in a remote mountain village.
The film world premiered in Competition at Cannes last year where it co-won the Jury Prize. Read the Deadline review here.
It is the second time in the history of the awards that a film by non-Italian directors has clinched the best film prize.
The last time was in 1971 when the Dino de Laurentiis-produced epic Waterloo by Russian director Sergei Bonderchuk,...
The Eight Mountains won best film as well as best non-original screenplay, photography and sound.
Based on the novel of the same name by Paolo Cognetti, it stars Luca Marinelli and Alessandro Borghi as two men from different backgrounds who form a life-long bond during summers spent together as children in a remote mountain village.
The film world premiered in Competition at Cannes last year where it co-won the Jury Prize. Read the Deadline review here.
It is the second time in the history of the awards that a film by non-Italian directors has clinched the best film prize.
The last time was in 1971 when the Dino de Laurentiis-produced epic Waterloo by Russian director Sergei Bonderchuk,...
- 5/11/2023
- by Melanie Goodfellow
- Deadline Film + TV
“The Eight Mountains,” Belgian directors Felix Van Groeningen and Charlotte Vandermeersch’s Italian-language drama about friendship, mountains and growing up, scored the top prize at Italy’s 68th David di Donatello Awards.
Besides winning best picture, the film also scooped statuettes for best non-original screenplay, photography and sound.
Given that the directors are not Italian, it was a particularly significant victory for “Mountains,” which was praised as “quietly magnificent” by Variety critic Jessica Kiang. The film, which is currently playing well on the U.S. arthouse circuit, tracks the decades-long friendship between two Italian boys named Pietro and Bruno — one from the city, the other a shepherd boy from the Alps.
“It’s pretty incredible,” commented a visibly moved Van Groeningen. “Two Belgians who win this prize in Italy for an Italian movie.” “Thank you for this declaration of love,” added Vandermeersch, his partner in life. “We love Italy very much.
Besides winning best picture, the film also scooped statuettes for best non-original screenplay, photography and sound.
Given that the directors are not Italian, it was a particularly significant victory for “Mountains,” which was praised as “quietly magnificent” by Variety critic Jessica Kiang. The film, which is currently playing well on the U.S. arthouse circuit, tracks the decades-long friendship between two Italian boys named Pietro and Bruno — one from the city, the other a shepherd boy from the Alps.
“It’s pretty incredible,” commented a visibly moved Van Groeningen. “Two Belgians who win this prize in Italy for an Italian movie.” “Thank you for this declaration of love,” added Vandermeersch, his partner in life. “We love Italy very much.
- 5/10/2023
- by Nick Vivarelli
- Variety Film + TV
The Berlin Film Festival today announced eight titles that have been added to its Berlinale Special program. The new crop of films includes Golda, starring Helen Mirren, Camille Cottin, and Liev Schreiber.
Directed by Guy Nattiv from a screenplay by Nicholas Martin, the pic follows the intensely dramatic and high-stakes responsibilities and decisions that Golda Meir, former Israeli prime minister, faced during the 1973 Yom Kippur War. Mirren stars as Meir. Jane Hooks and Michael Kuhn are producers on the pic. Embankment is handling sales.
Other titles added to the program include Netflix’s Kill Boksoon. Jeon Do-Yeon, who won the best actress award at Cannes in 2007 for Secret Sunshine, stars in the pic, which follows a single mother and renowned hired killer who struggles to find a balance between her personal and work life.
Also selected is Andrea Di Stefano’s Last Night of Amore, starring Pierfrancesco Favino, Linda Caridi,...
Directed by Guy Nattiv from a screenplay by Nicholas Martin, the pic follows the intensely dramatic and high-stakes responsibilities and decisions that Golda Meir, former Israeli prime minister, faced during the 1973 Yom Kippur War. Mirren stars as Meir. Jane Hooks and Michael Kuhn are producers on the pic. Embankment is handling sales.
Other titles added to the program include Netflix’s Kill Boksoon. Jeon Do-Yeon, who won the best actress award at Cannes in 2007 for Secret Sunshine, stars in the pic, which follows a single mother and renowned hired killer who struggles to find a balance between her personal and work life.
Also selected is Andrea Di Stefano’s Last Night of Amore, starring Pierfrancesco Favino, Linda Caridi,...
- 1/13/2023
- by Zac Ntim
- Deadline Film + TV
Exclusive: In October, Breaking Glass Pictures acquired Mario Martone’s Nostalgia, Italy’s entry for the Best International Feature Oscar for North America, and today we have a first look at the official trailer (check it out above).
The drama kicked off its festival run in the Cannes competition last May, and will next play at the Palm Springs International Film Festival. Breaking Glass will release in U.S. cinemas on January 20, 2023.
Based on the novel by Ermanno Rea, Nostalgia stars Pierfrancesco Favino (The Traitor), who received a Best European Actor nomination at the recent European Film Awards for his performance as Felice Lasco, a middle-aged Neapolitan who returns to his bustling hometown after having lived in Egypt for 40 years. Once back in the city, Felice is caught up in a lifetime of loose ends as his criminal youth slowly catches up with him.
Martone directed and co-wrote the film...
The drama kicked off its festival run in the Cannes competition last May, and will next play at the Palm Springs International Film Festival. Breaking Glass will release in U.S. cinemas on January 20, 2023.
Based on the novel by Ermanno Rea, Nostalgia stars Pierfrancesco Favino (The Traitor), who received a Best European Actor nomination at the recent European Film Awards for his performance as Felice Lasco, a middle-aged Neapolitan who returns to his bustling hometown after having lived in Egypt for 40 years. Once back in the city, Felice is caught up in a lifetime of loose ends as his criminal youth slowly catches up with him.
Martone directed and co-wrote the film...
- 12/20/2022
- by Nancy Tartaglione
- Deadline Film + TV
Directors Mario Martone and Paolo Sorrentino both hail from Naples, the bustling port city that Martone vividly depicts in his drama “Nostalgia,” which is Italy’s contender in the international Oscars race.
The well-received pic, which has been praised by Variety critic Guy Lodge as the prolific Italian auteur’s “most rewarding film in years,” stars Pierfrancesco Favino as the middle-aged Felice Lasco, a Neapolitan native who returns to his hometown after having lived in Egypt for 40 years. As Felice gets caught up in memories of his distant Neapolitan life, his criminal youth slowly and fatally catches up with him.
Besides Favino, the “Nostalgia” cast also includes Francesco Di Leva, who played the lead in Martone’s “The Mayor of Rione Sanità” and in this drama plays a priest, Father Loffredo, who tries to help the protagonist navigate the Naples of today.
Martone and Sorrentino, who have long been living in Rome,...
The well-received pic, which has been praised by Variety critic Guy Lodge as the prolific Italian auteur’s “most rewarding film in years,” stars Pierfrancesco Favino as the middle-aged Felice Lasco, a Neapolitan native who returns to his hometown after having lived in Egypt for 40 years. As Felice gets caught up in memories of his distant Neapolitan life, his criminal youth slowly and fatally catches up with him.
Besides Favino, the “Nostalgia” cast also includes Francesco Di Leva, who played the lead in Martone’s “The Mayor of Rione Sanità” and in this drama plays a priest, Father Loffredo, who tries to help the protagonist navigate the Naples of today.
Martone and Sorrentino, who have long been living in Rome,...
- 12/13/2022
- by Nick Vivarelli
- Variety Film + TV
Italian director Mario Martone said that his latest film Nostalgia is very similar to his 1995 film L’amore molesto (Troubling Love).
During a panel discussion at Deadline’s Contenders Film: New York event, Martone explained the connection between adapting Elena Ferrante’s first novel L’amore molesto and Ermanno Rea’s book Nostalgia for the big screen.
Related: Contenders New York 2022: Deadline’s Complete Coverage
“In L’amore molesto we followed this woman,” Martone said. “We walk alongside her, and we enter into her past. In Nostalgia, something similar happens. You have a man, and we walk with him and we enter into his past.”
Nostalgia, which premiered this year at the Cannes Film Festival, follows Felice Lasco, played by Pierfrancesco Favino, who, after living 40 years abroad, returns to Naples and rediscovers places and codes of the city, facing a past that eats him away. Last month Breaking, Glass Pictures...
During a panel discussion at Deadline’s Contenders Film: New York event, Martone explained the connection between adapting Elena Ferrante’s first novel L’amore molesto and Ermanno Rea’s book Nostalgia for the big screen.
Related: Contenders New York 2022: Deadline’s Complete Coverage
“In L’amore molesto we followed this woman,” Martone said. “We walk alongside her, and we enter into her past. In Nostalgia, something similar happens. You have a man, and we walk with him and we enter into his past.”
Nostalgia, which premiered this year at the Cannes Film Festival, follows Felice Lasco, played by Pierfrancesco Favino, who, after living 40 years abroad, returns to Naples and rediscovers places and codes of the city, facing a past that eats him away. Last month Breaking, Glass Pictures...
- 11/5/2022
- by Addie Morfoot
- Deadline Film + TV
Exclusive: In a deal with True Colours, Breaking Glass Pictures has acquired North American rights to Mario Martone’s Nostalgia, Italy’s entry for the Best International Feature Oscar. The drama debuted in the Cannes competition last May, and Breaking Glass will continue its festival run in the U.S. through the end of the year with theatrical rollout set for early 2023.
Based on the novel by Ermanno Rea, Nostalgia stars Pierfrancesco Favino (The Traitor) as the middle-aged Felice Lasco, who returns to a bustling Naples after having lived in Egypt for 40 years. Once back, he is caught up in memories of a distant life spent in his hometown, as his criminal youth slowly catches up with him. Alongside Favino, the film stars Francesco Di Leva, Tommaso Ragno, Aurora Quattrocchi and Sofia Essaidi.
In his review, Deadline’s Todd McCarthy wrote the film “has the fantastic advantage of a densely...
Based on the novel by Ermanno Rea, Nostalgia stars Pierfrancesco Favino (The Traitor) as the middle-aged Felice Lasco, who returns to a bustling Naples after having lived in Egypt for 40 years. Once back, he is caught up in memories of a distant life spent in his hometown, as his criminal youth slowly catches up with him. Alongside Favino, the film stars Francesco Di Leva, Tommaso Ragno, Aurora Quattrocchi and Sofia Essaidi.
In his review, Deadline’s Todd McCarthy wrote the film “has the fantastic advantage of a densely...
- 10/18/2022
- by Nancy Tartaglione and Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
Italy has picked Nostalgia, a Naples-set drama from director Mario Martone, as its best international feature Oscars submission.
The film, a modern-day adaptation of the Ermanno Rea novel, premiered to critical acclaim in Cannes this year. It stars Pierfrancesco Favino as Felice Lasco, who returns to his old neighborhood in Naples after 40 years of living in Egypt. But once back, his criminal youth begins to catch up with him. Francesco Di Leva co-stars as a local priest who helps Felice navigate the streets of modern-day Naples.
Nostalgia beat out a shortlist of Italian contenders including Felix van Groeningen and Charlotte Vandermeersch’s Italian-language drama The Eight Mountains, which won the jury prize in Cannes this year, and Emanuele Crialese’s Penelope Cruz-starrer L’Immensità, which premiered in Venice. Bones and All from Italian Oscar winner Luca Guadagnino (Call Me by Your Name) is in English,...
Italy has picked Nostalgia, a Naples-set drama from director Mario Martone, as its best international feature Oscars submission.
The film, a modern-day adaptation of the Ermanno Rea novel, premiered to critical acclaim in Cannes this year. It stars Pierfrancesco Favino as Felice Lasco, who returns to his old neighborhood in Naples after 40 years of living in Egypt. But once back, his criminal youth begins to catch up with him. Francesco Di Leva co-stars as a local priest who helps Felice navigate the streets of modern-day Naples.
Nostalgia beat out a shortlist of Italian contenders including Felix van Groeningen and Charlotte Vandermeersch’s Italian-language drama The Eight Mountains, which won the jury prize in Cannes this year, and Emanuele Crialese’s Penelope Cruz-starrer L’Immensità, which premiered in Venice. Bones and All from Italian Oscar winner Luca Guadagnino (Call Me by Your Name) is in English,...
- 9/26/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Mario Martone’s Cannes competition title Nostalgia has been selected to represent Italy in the Best International Feature Film category at the Oscars.
Based on the book of the same name by Ermanno Rea and written by Martone with Ippolita Di Maio, the film follows Felice Lasco, played by Pierfrancesco Favino, who, after living 40 years abroad, returns to Naples and discovers again places and codes of the city, facing a past that eats him away.
Best International Feature Film Oscar Winners
Additional cast includes Francesco Di Leva, Tommaso Ragno, and Aurora Quattrocchi. Picomedia, Mad Entertainment in association with Medusa Film. It’s a co-production with Rosebud Entertainment Pictures. The film was released in Italy via Medusa in May.
The film also marked Martone’s return to the Cannes competition section 27 years after his adaptation of Elena Ferrante’s Troubling Love played on the Croisette in 1995. The Naples native also screened...
Based on the book of the same name by Ermanno Rea and written by Martone with Ippolita Di Maio, the film follows Felice Lasco, played by Pierfrancesco Favino, who, after living 40 years abroad, returns to Naples and discovers again places and codes of the city, facing a past that eats him away.
Best International Feature Film Oscar Winners
Additional cast includes Francesco Di Leva, Tommaso Ragno, and Aurora Quattrocchi. Picomedia, Mad Entertainment in association with Medusa Film. It’s a co-production with Rosebud Entertainment Pictures. The film was released in Italy via Medusa in May.
The film also marked Martone’s return to the Cannes competition section 27 years after his adaptation of Elena Ferrante’s Troubling Love played on the Croisette in 1995. The Naples native also screened...
- 9/26/2022
- by Zac Ntim
- Deadline Film + TV
The impact of first love is incomparable, with even the tiniest details remaining rich and precise in memory even after decades have passed. Fleeting summer romances can become seismic events that shift the foundations of the self. Even after the heart has been hardened by a lifetime of disappointment, it can melt recalling those first joyful, intimate moments that stick in the mind as vivid and visceral as a recent trauma.
In ‘Nostalgia’, the first love is one that forms between two 15-year-old boys Felice and Oreste, getting into trouble on the streets of Naples, and while it is never shown to be sexual, it is deeply romantic and passionate. The two teenagers ride, arms wrapped around each other, on a moped, the Italian sunshine carefree and enraptured by each other’s presence. When Felice is beaten up by a rival gang it is Oreste that comes to his aid...
In ‘Nostalgia’, the first love is one that forms between two 15-year-old boys Felice and Oreste, getting into trouble on the streets of Naples, and while it is never shown to be sexual, it is deeply romantic and passionate. The two teenagers ride, arms wrapped around each other, on a moped, the Italian sunshine carefree and enraptured by each other’s presence. When Felice is beaten up by a rival gang it is Oreste that comes to his aid...
- 5/26/2022
- by Leila Latif
- Indiewire
Prolific Italian film and stage director Mario Martone, who is a Venice aficionado, is back in competition in Cannes 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995. And there is a close connection between these two films that delve deep into the entrails of Martone’s native Naples.
In his well-received “Nostalgia”, praised by Variety as Martone’s “most rewarding film in years,” ace actor Pierfrancesco Favino plays the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he is caught up in memories of a distant life spent in his hometown, as his criminal youth slowly catches up with him.
Martone spoke to Variety about why he adapted Neapolitan author Ermanno Rea’s novel by the same title and the elements that make it “more universal than a mere Neapolitan tale.
In his well-received “Nostalgia”, praised by Variety as Martone’s “most rewarding film in years,” ace actor Pierfrancesco Favino plays the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he is caught up in memories of a distant life spent in his hometown, as his criminal youth slowly catches up with him.
Martone spoke to Variety about why he adapted Neapolitan author Ermanno Rea’s novel by the same title and the elements that make it “more universal than a mere Neapolitan tale.
- 5/25/2022
- by Nick Vivarelli
- Variety Film + TV
Italian actor-turned-director Andrea Di Stefano, who helmed well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer,” is set to make “L’Ultima Notte di Amore,” his Italian-language debut.
Universal Pictures Intl., Focus Features, and Italy’s Vision Distribution have worldwide distribution rights on the pic, which toplines Pierfrancesco Favino (Cannes competition title “Nostalgia” from Mario Martone).
The film’s title, which translates as “The Last Night of Love,” is a play on words. Amore actually refers to a police lieutenant named Franco Amore. On the night before his retirement the lieutenant is called to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. We soon find out that Amore was involved in the diamond heist and learn how the love of his wife Viviana will help him survive this fatal night.
The film’s screenplay is by Di Stefano.
Universal Pictures Intl., Focus Features, and Italy’s Vision Distribution have worldwide distribution rights on the pic, which toplines Pierfrancesco Favino (Cannes competition title “Nostalgia” from Mario Martone).
The film’s title, which translates as “The Last Night of Love,” is a play on words. Amore actually refers to a police lieutenant named Franco Amore. On the night before his retirement the lieutenant is called to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. We soon find out that Amore was involved in the diamond heist and learn how the love of his wife Viviana will help him survive this fatal night.
The film’s screenplay is by Di Stefano.
- 5/22/2022
- by Nick Vivarelli
- Variety Film + TV
Exclusive: Deadline has your first look trailer at Cannes competition title Nostalgia, directed by Italian helmer Mario Martone.
The story follows Felice Lasco, played by Pierfrancesco Favino, who returns to Naples after living for many years in Egypt to visit his elderly mother whom he had left suddenly when he was still a boy. It’s his first time back since he left the bustling port city for Egypt some 40 years ago. When it becomes clear that Naples represents for him a life that is now lost and that he should return home as soon as possible to where he came from, he is pinned down by the invincible force of nostalgia.
The film, which is being sold by Italy’s True Colours, sees Martone return to the Cannes competition section 27 years after his adaptation of Elena Ferrante’s Troubling Love played on the Croisette in 1995. The Naples native also...
The story follows Felice Lasco, played by Pierfrancesco Favino, who returns to Naples after living for many years in Egypt to visit his elderly mother whom he had left suddenly when he was still a boy. It’s his first time back since he left the bustling port city for Egypt some 40 years ago. When it becomes clear that Naples represents for him a life that is now lost and that he should return home as soon as possible to where he came from, he is pinned down by the invincible force of nostalgia.
The film, which is being sold by Italy’s True Colours, sees Martone return to the Cannes competition section 27 years after his adaptation of Elena Ferrante’s Troubling Love played on the Croisette in 1995. The Naples native also...
- 5/16/2022
- by Diana Lodderhose
- Deadline Film + TV
Italy’s True Colours has taken world sales on Italian director Mario Martone’s Cannes competition entry “Nostalgia,” starring Pierfrancesco Favino, who is known to Cannes audiences as the protagonist of Marco Bellocchio’s 2019 drama “The Traitor.”
Set in Martone’s native Naples, “Nostalgia” sees Favino play the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he drowns into the memories of a distant life he spent in his hometown.
Martone will be returning to a Cannes competition berth with “Nostalgia” 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995. His “The Scent of Blood” was in Directors’ Fortnight in 2004.
But the Neapolitan film and stage director has mostly been a Venice aficionado, most recently with “The Mayor of Rione Sanità” in 2019 and “The King of Laughter” in 2021, both sold by True Colours.
Set in Martone’s native Naples, “Nostalgia” sees Favino play the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years. Once back, he drowns into the memories of a distant life he spent in his hometown.
Martone will be returning to a Cannes competition berth with “Nostalgia” 27 years after his Elena Ferrante adaptation “L’amore molesto” (“Troubling Love”) launched in competition from the Croisette in 1995. His “The Scent of Blood” was in Directors’ Fortnight in 2004.
But the Neapolitan film and stage director has mostly been a Venice aficionado, most recently with “The Mayor of Rione Sanità” in 2019 and “The King of Laughter” in 2021, both sold by True Colours.
- 4/22/2022
- by Nick Vivarelli
- Variety Film + TV
Versatile Italian director Mario Martone was in the Venice competition last year with costumer “Capri-Revolution.” This year he made the Lido competition cut again with a very different type of film, a screen adaptation of a controversial piece by Neapolitan playwright Eduardo De Filippo about a local mob boss who has moral fibre. He spoke to Variety about the crime-ridden neighborhood theatre from where the project sprung forth.
How did this movie germinate?
While I was preparing “Capri-Revolution,” a new chapter sort of opened up for me. I had done the Edoardo De Filippo piece, which the film draws upon, in the [national] theatre. And then I started working on my next movie which will be about Edoardo De Filippo’s father, Edoardo Scarpetta…who will be played by Toni Servillo. What happened is that a group of local actors who work on the outskirts of Naples, an area that brings to mind “Gomorrah,...
How did this movie germinate?
While I was preparing “Capri-Revolution,” a new chapter sort of opened up for me. I had done the Edoardo De Filippo piece, which the film draws upon, in the [national] theatre. And then I started working on my next movie which will be about Edoardo De Filippo’s father, Edoardo Scarpetta…who will be played by Toni Servillo. What happened is that a group of local actors who work on the outskirts of Naples, an area that brings to mind “Gomorrah,...
- 9/7/2019
- by Nick Vivarelli
- Variety Film + TV
Though hardly a household name outside his native land, Italian dramatist Eduardo De Filippo is one of the country’s most important creative voices of the 20th century, best remembered offshore for two classic cinema adaptations, “Marriage Italian Style” and “Ghosts – Italian Style.” Renowned at home for capturing the essence of Neapolitan life through a unique mix of comedy and drama drawing from realism and surrealism with clear ties to the style of the commedia dell’arte, De Filippo’s plays, rich in dialect, are difficult to translate not just into other languages but other cultures. Mario Martone’s decision to maintain the theatricality of his 2017 stage adaptation for Nest (Napoli Est Teatro) of “The Mayor of Rione Sanità” certainly won’t coax newcomers into the playwright’s world, nor is it likely to entice many Italians apart from De Filippo cognoscenti.
A “rione” is a neighborhood with traditionally recognized...
A “rione” is a neighborhood with traditionally recognized...
- 8/30/2019
- by Jay Weissberg
- Variety Film + TV
Italian filmmaker Mario Martone is set for a Venice return later this month with some familiar material: a new feature film based on the classic play “The Mayor of Rione Sanità” by Eduardo De Filippo, the kind of story that combines Martone’s love of complex Neapolitan crime stories with the age-old battle between good and evil. Martone is a frequent player at Venice, and has previously screened films like “Noi credevamo,” “Leopardi,” and “Capri-Revolution” at the annual festival.
The competition entry is inspired by the De Filippo play of the same name, though the playwright’s work is best known to movie lovers for another adaptation it inspired: Vittorio De Sica’s 1964 Sophia Loren-starring “Marriage Italian Style,” which was based on the play “Filumena Marturano.” The material is a natural fit for Martone, who has often crafted films about the people of his native Naples forced to deal with issues regarding crime,...
The competition entry is inspired by the De Filippo play of the same name, though the playwright’s work is best known to movie lovers for another adaptation it inspired: Vittorio De Sica’s 1964 Sophia Loren-starring “Marriage Italian Style,” which was based on the play “Filumena Marturano.” The material is a natural fit for Martone, who has often crafted films about the people of his native Naples forced to deal with issues regarding crime,...
- 8/1/2019
- by Kate Erbland
- Indiewire
Name and focus changes for every section, which are now all competitive, resulting in the festival’s structure being “slimmer’.
The ninth Rome Film Festival (Oct 16-25) has revealed a diverse line-up including the Italian premieres for potential awards contenders including David Fincher’s Gone Girl. the world premiere of Takashi Miike’s As the Gods Will and Burhan Qurbani’s We are Young, We are Strong and European premiere of Oren Moverman’s Time Out of Mind, Toronto hit Still Alice and Kahlil Gibran’s The Prophet.
This year for the first time the award-winners in each section of the programme will be decided by the audience on the basis of votes cast after the screenings.
Each section has changed name and focus for 2014 and are all competitive, resulting in the festival’s structure being “slimmer’.
Italian comedies Soap Opera and Andiamo a Quel Paese bookend the line-up.
Full line-up
Cinema D’Oggi
World premiere
• Angely...
The ninth Rome Film Festival (Oct 16-25) has revealed a diverse line-up including the Italian premieres for potential awards contenders including David Fincher’s Gone Girl. the world premiere of Takashi Miike’s As the Gods Will and Burhan Qurbani’s We are Young, We are Strong and European premiere of Oren Moverman’s Time Out of Mind, Toronto hit Still Alice and Kahlil Gibran’s The Prophet.
This year for the first time the award-winners in each section of the programme will be decided by the audience on the basis of votes cast after the screenings.
Each section has changed name and focus for 2014 and are all competitive, resulting in the festival’s structure being “slimmer’.
Italian comedies Soap Opera and Andiamo a Quel Paese bookend the line-up.
Full line-up
Cinema D’Oggi
World premiere
• Angely...
- 9/29/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Francesco Di Leva attends Una Vita Tranquilla Photocall, Rome. Photo copyright Insidefoto / PR Photos. Francesco Di Leva attends Una Vita Tranquilla Photocall, Rome. Photo copyright Insidefoto / PR Photos. Francesco Di Leva attends Una Vita Tranquilla Photocall, Rome. Photo copyright Insidefoto / PR Photos. Francesco Di Leva attends Una Vita Tranquilla Photocall, Rome. Photo copyright Insidefoto / PR Photos. Francesco Di Leva attends Una Vita Tranquilla Photocall, Rome. Photo copyright Insidefoto / PR Photos.
- 11/2/2010
- by Michelle Wray
- Monsters and Critics
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.