“It’s a dream come true,” exclaims production designer Maria Caso of working with John Logan. She collaborated with Logan on the new Showtime series “Penny Dreadful: City of Angels” and brought Los Angeles of 1938 to life. A period specific look isn’t enough for Caso, as she goes to great lengths to infuse character into each set. Watch the exclusive video interview above.
“I consider him to be a historian,” Caso explains, referring to series creator and writer Logan. “He has a depth of knowledge of so many things.” That wealth of knowledge arrived in a thick packet of historical information about 1938, which Logan gave to the design team on day one. “The show is about racial, political issues in 1938” which still ring true in today’s world, according to Caso. So in order to “honor the stories” of that time, she and her team spent three days speaking...
“I consider him to be a historian,” Caso explains, referring to series creator and writer Logan. “He has a depth of knowledge of so many things.” That wealth of knowledge arrived in a thick packet of historical information about 1938, which Logan gave to the design team on day one. “The show is about racial, political issues in 1938” which still ring true in today’s world, according to Caso. So in order to “honor the stories” of that time, she and her team spent three days speaking...
- 7/3/2020
- by Sam Eckmann
- Gold Derby
“Penny Dreadful: City of Angels” — Showtime’s reboot of the London-set “Penny Dreadful,” which aired from 2014-16 — takes us back to 1938 Los Angeles. It’s not film noir, explains costume designer Christie Wittenborn. “It’s a hot L.A. summer.” Hollywood here features zoot suits, evangelical radio singers and Mexican folklore as the series flits around social and racial issues as well as political and religious questions. The series debuts April 26.
Natalie Dormer (“Game of Thrones”) stars as the demon Magda, who can take on various human forms, providing an eclectic canvas for Wittenborn’s work.
One of Magda’s early manifestations is Alex Malone, a tough character with a mannish edge who serves as an aide to Councilman Townsend (Michael Gladis).
“Natalie gave me a sense of how she was going to carry her body, so I wanted to keep the silhouette of what she wore rigid,” Wittenborn explains.
Natalie Dormer (“Game of Thrones”) stars as the demon Magda, who can take on various human forms, providing an eclectic canvas for Wittenborn’s work.
One of Magda’s early manifestations is Alex Malone, a tough character with a mannish edge who serves as an aide to Councilman Townsend (Michael Gladis).
“Natalie gave me a sense of how she was going to carry her body, so I wanted to keep the silhouette of what she wore rigid,” Wittenborn explains.
- 4/24/2020
- by Jazz Tangcay
- Variety Film + TV
The 24th annual Art Directors Guild Awards, which honors the best production design in film and television, took place Saturday, February 1. All eyes were on the Period Film category, which this year had four nominees match up with the Oscars for Best Production Design: “The Irishman,” “Jojo Rabbit,” “1917” and “Once Upon a Time in Hollywood.” The other two Adg period contenders were “Ford v Ferrari” and “Joker,” while the Oscars’ fifth bid went to “Parasite,” which was up for Contemporary Film at the guild. Scroll down to see the full winners list for the 2020 Adg Awards.
SEE4 reasons why Brad Pitt winning the Oscar for ‘Once Upon a Time in Hollywood’ is as real as a donut
The Art Directors Guild Awards have a great track record predicting the Oscar race for Best Production Design. Throughout the first 23 years of these kudos, the eventual Academy Award winner has always numbered...
SEE4 reasons why Brad Pitt winning the Oscar for ‘Once Upon a Time in Hollywood’ is as real as a donut
The Art Directors Guild Awards have a great track record predicting the Oscar race for Best Production Design. Throughout the first 23 years of these kudos, the eventual Academy Award winner has always numbered...
- 2/2/2020
- by Marcus James Dixon
- Gold Derby
Disney led the pack with eight production design nominations for the 24th annual Art Directors Guild Awards. These included Marvel’s “Avengers: Endgame” and “Star Wars: The Rise of Skywalker” for fantasy, and animation entries “Frozen II,” “Toy Story 4,” and “The Lion King”.
All of the Oscar contenders were well represented, including Bong Joon Ho’s Lafca Best Picture winner, “Parasite,” and period standouts “1917,” Sam Mendes’ innovative, single-shot, World War I thriller, “Joker,” Todd Phillips’ blockbuster origin story, which channeled gritty ’70s New York as Gotham City; Quentin Tarantino’s “Once Upon a Time in Hollywood,” which gave a 50-year facelift to Hollywood Blvd.; and Martin Scorsese’s sprawling mob epic, “The Irishman,” which crammed 117 locations for 309 scenes.
Contemporary nominees included Marielle Heller’s “A Beautiful Day in the Neighborhood,” Chad Stahelski’s “John Wick: Chapter 3 — Parabellum,” Rian Johnson’s “Knives Out” and Jordan Peele’s “Us.” The other...
All of the Oscar contenders were well represented, including Bong Joon Ho’s Lafca Best Picture winner, “Parasite,” and period standouts “1917,” Sam Mendes’ innovative, single-shot, World War I thriller, “Joker,” Todd Phillips’ blockbuster origin story, which channeled gritty ’70s New York as Gotham City; Quentin Tarantino’s “Once Upon a Time in Hollywood,” which gave a 50-year facelift to Hollywood Blvd.; and Martin Scorsese’s sprawling mob epic, “The Irishman,” which crammed 117 locations for 309 scenes.
Contemporary nominees included Marielle Heller’s “A Beautiful Day in the Neighborhood,” Chad Stahelski’s “John Wick: Chapter 3 — Parabellum,” Rian Johnson’s “Knives Out” and Jordan Peele’s “Us.” The other...
- 12/9/2019
- by Bill Desowitz
- Indiewire
The Art Directors Guild has announced nominations for the 24th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features. The nominees include features The Irishman, Once Upon a Time in Hollywood and Ford v Ferrari, and Game of Thrones, The Mandalorian, The Crown and The Marvelous Mrs. Maisel on the TV side.
Winners will be honored at the 2020 Awards at the InterContinental Los Angeles Downtown on Saturday, February 1, 2020. The nominees were announced today by Art Directors Guild President Nelson Coates, Adg, and Awards Producer Scott Moses, Adg. Additional honorees for Cinematic Imagery will be announced at a later date.
As previously announced, Syd Mead will receive the William Cameron Menzies Award. The Adg Lifetime Achievement Awards be presented to Joe Alves, Denis Olsen, Stephen Myles Berger and Jack Johnson. Additional honorees...
Winners will be honored at the 2020 Awards at the InterContinental Los Angeles Downtown on Saturday, February 1, 2020. The nominees were announced today by Art Directors Guild President Nelson Coates, Adg, and Awards Producer Scott Moses, Adg. Additional honorees for Cinematic Imagery will be announced at a later date.
As previously announced, Syd Mead will receive the William Cameron Menzies Award. The Adg Lifetime Achievement Awards be presented to Joe Alves, Denis Olsen, Stephen Myles Berger and Jack Johnson. Additional honorees...
- 12/9/2019
- by Denise Petski
- Deadline Film + TV
The Art Directors Guild has announced its nominations for the 24th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features.
Among the films recognized for outstanding production design are James Mangold’s “Ford V Ferrari,” Martin Scorsese’s “The Irishman,” and Quentin Tarantino’s “Once Upon a Time in Hollywood.”
“Aladdin,” “Avengers: Endgame,” “Dumbo” and “Maleficent: Mistress of Evil” all scored nods in the fantasy film category.
In television, streaming newcomer Disney Plus scored a production design nomination for its freshman season of “The Mandalorian.” HBO’s “Big Little Lies,” “Game of Thrones” and “Veep” also earned nominations in their respective categories.
Syd Mead, the “visual futurist” and concept artist known for his design contributions to science-fiction films such as “Star-Trek: The Motion Picture,” “Aliens,” and “Blade Runner,” has been named the recipient of the William Cameron Menzies Award. The Adg Lifetime...
Among the films recognized for outstanding production design are James Mangold’s “Ford V Ferrari,” Martin Scorsese’s “The Irishman,” and Quentin Tarantino’s “Once Upon a Time in Hollywood.”
“Aladdin,” “Avengers: Endgame,” “Dumbo” and “Maleficent: Mistress of Evil” all scored nods in the fantasy film category.
In television, streaming newcomer Disney Plus scored a production design nomination for its freshman season of “The Mandalorian.” HBO’s “Big Little Lies,” “Game of Thrones” and “Veep” also earned nominations in their respective categories.
Syd Mead, the “visual futurist” and concept artist known for his design contributions to science-fiction films such as “Star-Trek: The Motion Picture,” “Aliens,” and “Blade Runner,” has been named the recipient of the William Cameron Menzies Award. The Adg Lifetime...
- 12/9/2019
- by Jazz Tangcay
- Variety Film + TV
“The Irishman,” “Ford v Ferrari,” “Jojo Rabbit,” “Joker,” “1917” and “Once Upon a Time … in Hollywood” on Monday all nabbed nominations for the Art Directors Guild Awards’ period-film category, the Adg category that most closely corresponds to the Academy Award for Best Production Design.
In the Adg fantasy-film category, which typically supplies one or two Oscar nominees, the guild singled out “Ad Astra,” “Aladdin,” “Avengers: Endgame,” “Dumbo,” “Maleficent: Mistress of Evil” and “Star Wars: The Rise of Skywalker.”
Both of those categories were expanded from five to six nominees because of ties.
Also Read: How 'Once Upon a Time... in Hollywood' Turned Back the Clock on L.A.'s Streets
Nominees in the contemporary-film category are “A Beautiful Day in the Neighborhood,” “John Wick: Chapter 3 – Parabellum,” “Knives Out,” “Parasite” and “Us.”
Animated-film nominees are “Abominable,” “Frozen II,” “How to Train Your Dragon: The Hidden World,” “The Lion King” and “Toy Story 4.
In the Adg fantasy-film category, which typically supplies one or two Oscar nominees, the guild singled out “Ad Astra,” “Aladdin,” “Avengers: Endgame,” “Dumbo,” “Maleficent: Mistress of Evil” and “Star Wars: The Rise of Skywalker.”
Both of those categories were expanded from five to six nominees because of ties.
Also Read: How 'Once Upon a Time... in Hollywood' Turned Back the Clock on L.A.'s Streets
Nominees in the contemporary-film category are “A Beautiful Day in the Neighborhood,” “John Wick: Chapter 3 – Parabellum,” “Knives Out,” “Parasite” and “Us.”
Animated-film nominees are “Abominable,” “Frozen II,” “How to Train Your Dragon: The Hidden World,” “The Lion King” and “Toy Story 4.
- 12/9/2019
- by Steve Pond
- The Wrap
Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday. (The answer to the second, “What is the best show currently on TV?” can be found at the end of this post.)
This week’s question: What is the best TV show airing in 2017 that people may have missed this year? This could be a new show that debuted or a returning show that aired a new season this year.
Allison Keene (@KeeneTV), Collider
There have actually been two “forgotten” shows in 2017 that I’ve stumped for pretty hard. The first is “Hap and Leonard’s” second season, “Mucho Mojo,” on SundanceTV. It’s nearly a sea change from its first season, as it tells a difficult and complicated racial story that’s balanced with its trademark wit and quirky sensibilities. It’s a tale that isn’t being told anywhere else right now — of neglected neighborhoods,...
This week’s question: What is the best TV show airing in 2017 that people may have missed this year? This could be a new show that debuted or a returning show that aired a new season this year.
Allison Keene (@KeeneTV), Collider
There have actually been two “forgotten” shows in 2017 that I’ve stumped for pretty hard. The first is “Hap and Leonard’s” second season, “Mucho Mojo,” on SundanceTV. It’s nearly a sea change from its first season, as it tells a difficult and complicated racial story that’s balanced with its trademark wit and quirky sensibilities. It’s a tale that isn’t being told anywhere else right now — of neglected neighborhoods,...
- 7/11/2017
- by Hanh Nguyen
- Indiewire
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