The SXSW Film Festival has revealed its Jury and Special Award winners of the 28th edition of the fest, which took place virtually this week. The Megan Park-directed high school shooting tragedy The Fallout took the top award in the Narrative Feature category, while Jeremy Workman’s portrait of Lily Hevesh, Lily Topples the World, won in the Documentary Feature category.
Also on the narrative side, Kelley Kali and Angelique Molina’s I’m Fine Thanks for Asking) won a Special Jury Recognition for Multi-hyphenate Storyteller. Martin Edralin’s Islands also took home a Special Jury Recognition for Breakthrough Performance for actor Rogelio Balagtas.
In the docu feature competition Rachel Fleit’s Introducing, Selma Blair was honored with Special Jury Recognition for Exceptional Intimacy in Storytelling. Meanwhile, Nicholas Bruckman’s Not Going Quietly scored Special Jury Recognition for Humanity in Social Action.
“We are so honored by the 2021 filmmakers...
Also on the narrative side, Kelley Kali and Angelique Molina’s I’m Fine Thanks for Asking) won a Special Jury Recognition for Multi-hyphenate Storyteller. Martin Edralin’s Islands also took home a Special Jury Recognition for Breakthrough Performance for actor Rogelio Balagtas.
In the docu feature competition Rachel Fleit’s Introducing, Selma Blair was honored with Special Jury Recognition for Exceptional Intimacy in Storytelling. Meanwhile, Nicholas Bruckman’s Not Going Quietly scored Special Jury Recognition for Humanity in Social Action.
“We are so honored by the 2021 filmmakers...
- 3/19/2021
- by Dino-Ray Ramos
- Deadline Film + TV
The members of Gang of Four would likely be the first to tell you that you do not need an extravagant Gang of Four box set. They’re the ones who released a 45 sarcastically titled “To Hell With Poverty” and backed it up with “Capital (It Fails Us Now),” a lampoon about a newborn baby reaching for its credit card. They skewered advertising culture on “I Found That Essence Rare” and quipped, “The problem of leisure, what to do for pleasure, ideal love a new purchase” on “Natural’s Not in It.
- 3/12/2021
- by Kory Grow
- Rollingstone.com
Pylon came out of the small college town of Athens, Georgia, at the dawn of the Eighties, playing a new kind of Southern rock that stunned people at the time and has continued to make converts ever since. Spare but fun, disorientating but inviting, their sound was in step with the stentorian dance-punk of U.K. bands like Gang of Four or the Au Pairs, but it was much more wide-open, driven by possibility rather than angst — the sound of slackers dreaming, not punks ranting.
The late Randall Bewley played piercing,...
The late Randall Bewley played piercing,...
- 11/9/2020
- by Jon Dolan
- Rollingstone.com
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