Charles Dierkop, the busy character actor who played tough guys in Butch Cassidy and the Sundance Kid, The Sting and the 1970s Angie Dickinson series Police Woman, has died. He was 87.
Dierkop died Sunday at Sherman Oaks Hospital after a recent heart attack and bout with pneumonia, his daughter, Lynn, told The Hollywood Reporter.
The Wisconsin native also appeared alongside Rod Steiger in Sidney Lumet’s The Pawnbroker (1964), played the mobster Salvanti in Roger Corman’s The St. Valentine’s Day Massacre (1967) and was a murderous Santa Claus in the cult horror movie Silent Night, Deadly Night (1984).
After portraying an uncredited pool-hall hood in the Paul Newman-starring The Hustler (1961), Dierkop got to work with Newman again in Butch Cassidy and the Sundance Kid (1969) when he was hired to play Hole in the Wall Gang outlaw George “Flat Nose” Curry.
Dierkop had broken his nose in fights several times as a kid,...
Dierkop died Sunday at Sherman Oaks Hospital after a recent heart attack and bout with pneumonia, his daughter, Lynn, told The Hollywood Reporter.
The Wisconsin native also appeared alongside Rod Steiger in Sidney Lumet’s The Pawnbroker (1964), played the mobster Salvanti in Roger Corman’s The St. Valentine’s Day Massacre (1967) and was a murderous Santa Claus in the cult horror movie Silent Night, Deadly Night (1984).
After portraying an uncredited pool-hall hood in the Paul Newman-starring The Hustler (1961), Dierkop got to work with Newman again in Butch Cassidy and the Sundance Kid (1969) when he was hired to play Hole in the Wall Gang outlaw George “Flat Nose” Curry.
Dierkop had broken his nose in fights several times as a kid,...
- 2/26/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Gritty inner city crime pix don’t get any rougher than this — I witnessed the walk-outs personally. Barry Shear and a crack crew filmed in Harlem for this downbeat crime pic that could be called ‘Every Thief For Himself.’ Paul Benjamin just wants to score some mob money and leave the mean streets behind — but a single slipup brings the worst of the Mafia and the black mob down on his neck. It’s neither a ‘stick it to whitey’ saga nor a plea for justice: it’s story 8 million and 1 in The Naked City. Stars Anthony Quinn, Anthony Franciosa and Yaphet Kotto provide more acting fireworks, with solid assistance from Gloria Henry, Antonio Fargas and Marlene Warfield.
Across 110th Street
Region-Free Blu-ray
Viavision [Imprint] 120
1972 / Color / 1:85 widescreen / 102 min. / Street Date April 27, 2022 / Available from / Aud 34.95
Starring: Anthony Quinn, Yaphet Kotto, Anthony Franciosa, Paul Benjamin, Ed Bernard, Antonio Fargas, Richard Ward,...
Across 110th Street
Region-Free Blu-ray
Viavision [Imprint] 120
1972 / Color / 1:85 widescreen / 102 min. / Street Date April 27, 2022 / Available from / Aud 34.95
Starring: Anthony Quinn, Yaphet Kotto, Anthony Franciosa, Paul Benjamin, Ed Bernard, Antonio Fargas, Richard Ward,...
- 5/28/2022
- by Glenn Erickson
- Trailers from Hell
If you're in New York this weekend, it'll screen on Saturday, August 24, at the Museum of the Moving Image, in Queens, as part of its Fun City: New York in the Movies 1967–75 screening series, curated by film critic and historian J. Hoberman. Across 110th Street is set in Harlem, New York, where 110th Street is an informal boundary line, separating Harlem from Central Park; symbolically dividing New York City by wealth, class and race (although that's certainly no longer quite the case, 41 years after the film was made. Three black armed robbers (Paul Benjamin, Antonio Fargas and Ed Bernard) slaughter five men - three Blacks and two Italians - in a...
- 8/23/2013
- by Tambay A. Obenson
- ShadowAndAct
Across 110th Street is set in Harlem, New York, where 110th Street is an informal boundary line, separating Harlem from Central Park; symbolically dividing New York City by wealth, class and race (although that's certainly no longer quite the case, 41 years after the film was made. Three black armed robbers (Paul Benjamin, Antonio Fargas and Ed Bernard) slaughter five men - three Blacks and two Italians - in a raid on a Mob-owned Harlem policy bank that nets them $300,000. And the chase begins, with 2 different groups hunting for the men - the sadistic, racist Mafia lieutenant (Anthony Franciosa), seizing the opportunity to prove himself, with the task of retrieving the stolen...
- 8/19/2013
- by Tambay A. Obenson
- ShadowAndAct
As happened for so many other genres, the 1960s/1970s saw a tremendous creative expansion in crime and cop thrillers. The old Hollywood moguls had died off or retired, most of the major studios were bleeding red ink, attendance had gone off a cliff since the end of Ww II, and a new breed of young, creatively adventurous production executives had been tasked with trying to save their business by coming up with movies which could hook a new, young, cinema-literate audience.
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all...
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all...
- 3/22/2012
- by Bill Mesce
- SoundOnSight
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