Gabrielle Beaumont, who may have directed more primetime hours of television than any other women in history, died peacefully on October 8th at her home in Spain, her brother Christopher Toyne confirmed to Deadline.
Beaumont was the first woman director on many ’80s and ’90s TV hits. Her resume includes stints on Hill Street Blues, The Waltons, Miami Vice, Cagney & Lacy, M*A*S*H, L.A. Law, Baywatch, Archie Bunker’s Place, Remington Steele, The Dukes of Hazard, Doctor Quinn, Medicine Woman, Doogie Howser, M.D., Touched by an Angel and three different iterations of Star Trek.
Her big break came when she landed a meeting with Aaron Spelling, who was under pressure to hire women and other minorities behind the camera. According to Beaumont’s brother, actor-producer Christopher Toyne, Spelling didn’t bother to look at any of the footage she had brought along. He asked Beaumont, “Can you goddamn direct?...
Beaumont was the first woman director on many ’80s and ’90s TV hits. Her resume includes stints on Hill Street Blues, The Waltons, Miami Vice, Cagney & Lacy, M*A*S*H, L.A. Law, Baywatch, Archie Bunker’s Place, Remington Steele, The Dukes of Hazard, Doctor Quinn, Medicine Woman, Doogie Howser, M.D., Touched by an Angel and three different iterations of Star Trek.
Her big break came when she landed a meeting with Aaron Spelling, who was under pressure to hire women and other minorities behind the camera. According to Beaumont’s brother, actor-producer Christopher Toyne, Spelling didn’t bother to look at any of the footage she had brought along. He asked Beaumont, “Can you goddamn direct?...
- 12/16/2022
- by Tom Tapp
- Deadline Film + TV
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Gabrielle Beaumont, the British director who broke ground for women in Hollywood by helming episodes of series including M*A*S*H, The Waltons, Hill Street Blues and Dynasty during her five-decade career, has died. She was 80.
Beaumont died peacefully Oct. 8 at her home in Fornalutx, Mallorca, Spain, her brother, actor-producer Christopher Toyne, announced Wednesday.
As one of the most prolific female directors in the history of primetime television, the Emmy-nominated Beaumont also handled installments of Knots Landing, The Dukes of Hazzard, Miami Vice, Cagney & Lacey, Doogie Howser, M.D., L.A. Law, Dr. Quinn, Medicine Woman, Law & Order and three Star Trek series, among many other shows.
After her British horror film The Godsend (1980) opened in the U.S., Beaumont came to Hollywood seeking work and got a meeting with Aaron Spelling, bringing with her two cans of films that she had worked on.
Gabrielle Beaumont, the British director who broke ground for women in Hollywood by helming episodes of series including M*A*S*H, The Waltons, Hill Street Blues and Dynasty during her five-decade career, has died. She was 80.
Beaumont died peacefully Oct. 8 at her home in Fornalutx, Mallorca, Spain, her brother, actor-producer Christopher Toyne, announced Wednesday.
As one of the most prolific female directors in the history of primetime television, the Emmy-nominated Beaumont also handled installments of Knots Landing, The Dukes of Hazzard, Miami Vice, Cagney & Lacey, Doogie Howser, M.D., L.A. Law, Dr. Quinn, Medicine Woman, Law & Order and three Star Trek series, among many other shows.
After her British horror film The Godsend (1980) opened in the U.S., Beaumont came to Hollywood seeking work and got a meeting with Aaron Spelling, bringing with her two cans of films that she had worked on.
- 12/14/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
Ivor Novello last film: 'Autumn Crocus' (photo: Ivor Novello and Fay Compton in 'Autumn Crocus') Can a plain looking, naive spinster school teacher ever find real love in faraway places? This was a question asked by Shirley Booth in Arthur Laurents' 1952 stage play The Time of the Cuckoo; Katharine Hepburn in the 1955 David Lean-directed film version, Summertime (1955); and Elizabeth Allen in the 1965 Richard Rodgers-Steven Sondheim musical adaptation, Do I Hear a Waltz? Can such a woman's yearning for romance ever be satisfied? "Yes" and "No," according to Basil Dean's fine 1934 British film Autumn Crocus, which marked the last film appearance of British stage and screen superstar Ivor Novello (Alfred Hitchcok's The Lodger). Autumn Crocus starts out during the holiday season, when two British schoolteachers decide to spend their vacation together on the Continent. Soft-hearted Jenny Grey (Fay Compton) longs to see the Austrian Alps,...
- 10/29/2014
- by Danny Fortune
- Alt Film Guide
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