German-French Funding Committee is supported by the Ffa and the Cnc.
New films from Argentina’s Lisandro Alonso and Russia’s Viktor Kossakovsky and production companies including Wim Wenders’ Road Movies, are among the six projects to receive over €1m in production funding from the German-French Funding Committee administered by the German Federal Film Board (Ffa) and France’s Cnc.
Toni Erdmann production company Komplizen Film and French delegate producer Luxbox Sas received €250,000 for Alonso’s Eureka, a drama about Native American culture set between 1870 and 2019 that will take place in the Us, Mexico, and the Amazon rainforest.
Eureka’s...
New films from Argentina’s Lisandro Alonso and Russia’s Viktor Kossakovsky and production companies including Wim Wenders’ Road Movies, are among the six projects to receive over €1m in production funding from the German-French Funding Committee administered by the German Federal Film Board (Ffa) and France’s Cnc.
Toni Erdmann production company Komplizen Film and French delegate producer Luxbox Sas received €250,000 for Alonso’s Eureka, a drama about Native American culture set between 1870 and 2019 that will take place in the Us, Mexico, and the Amazon rainforest.
Eureka’s...
- 12/4/2019
- by 158¦Martin Blaney¦40¦
- ScreenDaily
Touch Me Not director Adina Pintilie: "Einstürzende Neubauten and Blixa Bargeld it's very important. It has always been. In particular the piece that you hear in the film. Melancholia speaks about the subconscious of the city." Photo: Anne-Katrin Titze
At the 68th Berlin Film Festival, the jury, led by Tom Tykwer, with Cécile de France, Ryuichi Sakamoto, Stephanie Zacharek, Chema Prado, and Oscar-winning producer Adele Romanski of Barry Jenkins' Moonlight and Independent Spirit winner If Beale Street Could Talk, gave the Golden Bear to Adina Pintilie's Touch Me Not, produced by Philippe Avril, and Bianca Oana.
Adina Pintilie: "I think you can find an emotional mirror of what happens within the characters." Photo: Anne-Katrin Titze
Pintilie's début feature, shot by George Chiper, bested such films as Wes Anderson's Isle of Dogs, David Zellner and Nathan Zellner's Damsel, Christian Petzold's Transit, Benoît Jacquot's Eva, Cédric Kahn...
At the 68th Berlin Film Festival, the jury, led by Tom Tykwer, with Cécile de France, Ryuichi Sakamoto, Stephanie Zacharek, Chema Prado, and Oscar-winning producer Adele Romanski of Barry Jenkins' Moonlight and Independent Spirit winner If Beale Street Could Talk, gave the Golden Bear to Adina Pintilie's Touch Me Not, produced by Philippe Avril, and Bianca Oana.
Adina Pintilie: "I think you can find an emotional mirror of what happens within the characters." Photo: Anne-Katrin Titze
Pintilie's début feature, shot by George Chiper, bested such films as Wes Anderson's Isle of Dogs, David Zellner and Nathan Zellner's Damsel, Christian Petzold's Transit, Benoît Jacquot's Eva, Cédric Kahn...
- 2/28/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Bruce Beresford, nominated for Achievement in Directing at the Apsa Awards, on the set of ‘Ladies in Black’. (Photo courtesy of Sony Pictures Releasing).
Four Australian films – Ladies in Black, Gurrumul, Breath and Mary Magdalene – have received nominations for the Asia Pacific Screen Awards, to be held in Brisbane in November.
Overall, 46 films from 22 countries have been nominated for the awards, which celebrate films from the region.
The Palme d’Or winning Shoplifters, from Japanese auteur Kore-eda Hirokazu, is the only film to receive three nominations, including Best Feature Film, Best Screenplay and Achievement in Directing. It will compete for Best Feature Film against Burning (Korea), The Gentle Indifference of the World, Balangiga: Howling Wilderness (Philippines) and Manta Ray.
Competing against Kore-eda for the directing award is Australia’s Bruce Beresford, nominated for his work on 1960s comedy drama Ladies in Black. Also up in the category are Nadine Labaki...
Four Australian films – Ladies in Black, Gurrumul, Breath and Mary Magdalene – have received nominations for the Asia Pacific Screen Awards, to be held in Brisbane in November.
Overall, 46 films from 22 countries have been nominated for the awards, which celebrate films from the region.
The Palme d’Or winning Shoplifters, from Japanese auteur Kore-eda Hirokazu, is the only film to receive three nominations, including Best Feature Film, Best Screenplay and Achievement in Directing. It will compete for Best Feature Film against Burning (Korea), The Gentle Indifference of the World, Balangiga: Howling Wilderness (Philippines) and Manta Ray.
Competing against Kore-eda for the directing award is Australia’s Bruce Beresford, nominated for his work on 1960s comedy drama Ladies in Black. Also up in the category are Nadine Labaki...
- 10/17/2018
- by jkeast
- IF.com.au
Exclusive: Argentinian filmmaker Natalia Garagiola makes feature directorial debut on Rei Cine drama.
The first-look international trailer for Rei Cine’s upcoming Venice Critics’ Week and San Sebastin Horizontes Latinos selection Hunting Season (Temporada De Caza) is now live.
Hunting Season
Argentinian filmmaker Natalia Garagiola makes her feature directorial debut on the Argentina-us-Germany-France-Qatar co-production from Rei Cine, Gamechanger Films, Augenschein Filmproduktion, and Les Films de l’Étranger.
Hunting Season marks the first time New York-based Gamechanger Films has co-financed a film outside the Us. Lautaro Bettoni, Germán Palacios, Boy Olmi, and Rita Pauls star in the story about a respected hunting guide whose life with his new family in Patagonia changes when he is forced to take in his estranged teenage son following the death of his first wife.
The man struggles to get along with his son, who displays violent outbursts. Without any sympathy from his new family, the hunter and teenager move towards forgiveness in the...
The first-look international trailer for Rei Cine’s upcoming Venice Critics’ Week and San Sebastin Horizontes Latinos selection Hunting Season (Temporada De Caza) is now live.
Hunting Season
Argentinian filmmaker Natalia Garagiola makes her feature directorial debut on the Argentina-us-Germany-France-Qatar co-production from Rei Cine, Gamechanger Films, Augenschein Filmproduktion, and Les Films de l’Étranger.
Hunting Season marks the first time New York-based Gamechanger Films has co-financed a film outside the Us. Lautaro Bettoni, Germán Palacios, Boy Olmi, and Rita Pauls star in the story about a respected hunting guide whose life with his new family in Patagonia changes when he is forced to take in his estranged teenage son following the death of his first wife.
The man struggles to get along with his son, who displays violent outbursts. Without any sympathy from his new family, the hunter and teenager move towards forgiveness in the...
- 8/21/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Exclusive: Screen award-winner among seven features funded by Lithuanian Film Centre (Lfc).
Kristijonas Vildziunas’ Seneca’s Day, winner of the Screen International best pitch award at last December’s Baltic Event, is one of seven projects - six features and one short - funded by the Lithuanian Film Centre (Lfc) with a total of 4.5m Ltl (€1.3m) this spring.
Speaking exclusively to ScreenDaily during last week’s Vilnius International Film Festival, Vildziunas and his producer Uljana Kim of Studio Uljana Kim said that the film received 1.6m Ltl (€463,300) - 1.4m Ltl (€405,400) for 2014 and a recommendation of 200,000 Ltl (€57,920) for postproduction in 2015.
¨According to our financing plan, we’ll apply this autumn to the Lfc in order to complete the financing as now we still Have a gap for production and postproduction of 400,000 Ltl (€115,840),¨ Kim explained.
She revealed that the film’s Latvian co-producer Roberts Vinovskis of Locomotive Productions is participating in the production stage with camera and other...
Kristijonas Vildziunas’ Seneca’s Day, winner of the Screen International best pitch award at last December’s Baltic Event, is one of seven projects - six features and one short - funded by the Lithuanian Film Centre (Lfc) with a total of 4.5m Ltl (€1.3m) this spring.
Speaking exclusively to ScreenDaily during last week’s Vilnius International Film Festival, Vildziunas and his producer Uljana Kim of Studio Uljana Kim said that the film received 1.6m Ltl (€463,300) - 1.4m Ltl (€405,400) for 2014 and a recommendation of 200,000 Ltl (€57,920) for postproduction in 2015.
¨According to our financing plan, we’ll apply this autumn to the Lfc in order to complete the financing as now we still Have a gap for production and postproduction of 400,000 Ltl (€115,840),¨ Kim explained.
She revealed that the film’s Latvian co-producer Roberts Vinovskis of Locomotive Productions is participating in the production stage with camera and other...
- 4/10/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Producers from Lithuania, Romania, Denmark and Finland were the recipients of five awards presented at the Baltic Event’s Co-Production Market (Nov 26-29).
This year’s Screen International Best Pitch Award went to Lithuanian producer Uljana Kim of Vilnius-based Studio Uljana Kim who was pitching Kristijonas Vildžiūnas’s fourth feature Seneca’s Day which is set to be the first co-production between the three Baltic states.
The €1.48m drama, which also has France’s Philippe Avril attached as a co-producer via his Strasbourg-based company Unlimited, has already received development support from the Lithuanian Film Centre and Media.
Previous winners of the Screen International award, which follows the winning project editorially from development into production and subsequent distribution, includes Petri Kotwica’s Rat King, Alexei German Jr.’s Under Electric Clouds and Jaak Kilmi’s The Hoppers.
Cannes Producers Network
Cannes’ Producers Network gave two free accreditations for its 2014 edition to two promising young producers, the Baltic...
This year’s Screen International Best Pitch Award went to Lithuanian producer Uljana Kim of Vilnius-based Studio Uljana Kim who was pitching Kristijonas Vildžiūnas’s fourth feature Seneca’s Day which is set to be the first co-production between the three Baltic states.
The €1.48m drama, which also has France’s Philippe Avril attached as a co-producer via his Strasbourg-based company Unlimited, has already received development support from the Lithuanian Film Centre and Media.
Previous winners of the Screen International award, which follows the winning project editorially from development into production and subsequent distribution, includes Petri Kotwica’s Rat King, Alexei German Jr.’s Under Electric Clouds and Jaak Kilmi’s The Hoppers.
Cannes Producers Network
Cannes’ Producers Network gave two free accreditations for its 2014 edition to two promising young producers, the Baltic...
- 12/2/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Fitzgibbon, Sitaru, Vicari, Huddles, Runarsson and van Geffen will be at Les Arcs this December.
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
- 11/14/2013
- ScreenDaily
Fitzgibbon, Sitaru, Vicari, Huddles, Runarsson and van Geffen will be at Les Arcs this December.
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
- 11/14/2013
- ScreenDaily
Fitzgibbon, Sitaru, Vicari, Huddles, Runarsson and van Geffen will be at Les Arcs this December.
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
- 11/14/2013
- ScreenDaily
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