MCU Directors Résumé #01: Sam Raimi

Producer/Film Editor/Co-Writer/Sound Mixer: Sam Raimi
2nd Unit Director: Bruce Campbell
Special Makeup Effects Artist/Poster Designer: Tom Sullivan
Producer/Co-Writer/2nd Unit Director: Scott Spiegel
Camera Operator: Josh Becker
Film Crew: John Cameron, Mike Ditz, Ted Raimi
Capture Format: Super 8mm
Budget: 2 Thousand USD
Budget AFI (2021): 9.1 Thousand USD

Writer, Executive Producer & Production Special Effects Supervisor: Sam Raimi
Producer & Executive Producer: Robert Tapert
Makeup Artist & Executive Producer: Bruce Campbell
Director of Photography & Lighting: Tim Philo
Special Makeup Effects Designer: Tom Sullivan
Photographic Special Effects Supervisor: Bart Pierce
Composer & Conductor: Joseph LoDuca
Audiographics Music Engineer: Ed Wolfrum
Film Editor: Edna Ruth Paul
Supervising Sound Editor: Joe Maesfield
Second Unit Lighting & Sound Director: Josh Becker
Transport Captain: David Goodman
Construction Supervisor: Steve Frankel
Assistant Producer: Gary Holt
Production Assistant: Don Campbell
Still Photographer: Mike Ditz
Location Sound Recording Mixer: John Mason
Dialogue Re-Recording Mixer: Jerry Frederick
Sound Mixer: Mel Zelniker
First Assistant Film Editor: Joel Coen
Dialogue Editor: Lou Kleinman
First Assistant Sound Editor: Dolores Elliott
Fake Shemps: Dorothy Tapert, Ted Raimi, Ivan Raimi, Mary Beth Tapert, Scott Spiegel
Special Thanks: Simon Nuchtern, Sheila Roberts, Carol Valenti
16mm Original Negative Restoration & Conformation Leads, 2010 Version: Bob Murawski ACE, Chris Innis
DI Remastering Colorist: Alastor Arnold
Filming Dates: 14 November 1979 - 26 January 1980
Cameras: Arriflex 16 BL & 16 S (16mm Eastman 100T 7247)
AR: 1.33:1 (Original Ratio), 1.85:1 (Director Specified)
Budget: 350 Thousand USD
Budget AFI (2021): 1 Million USD
Music Engineered at: Audiographics
Post Production Sound Services by: Sound One Corp.
Optical Negative Development by: Dynamic Effects
Negative Matching Development by: J.G. Films
Title Design Provided by: August Films
Filmed in: Morristown, Tennessee & Detroit

Writers: Sam Raimi, Joel Coen, Ethan Coen
Co-Producer: Bruce Campbell
Composer/Orchestrator: Arlon Ober
Film Editors: Michael Kelly, Kathie Weaver
Special Makeup Effects Designer: Roger White
Art Director: Gary Papierski
Cinematographer: Robert Primes ASC
Director of Photography, Additional: Eugene D. Shlugleit
1st Assistant Director: Claudia Sills
2nd Assistant Director: John Cameron
2nd Unit Camera Operator: Tom Campau
2nd Film Editor: Kaye Davis
Senior SFX Supervisor: Martin Bresin
Ass't SFX Supervisor: William D. Harrison
Optical Line-Up Supervisor: Leon Stankevich
Stunt Coordinator: Rick Barker
Music Consultant: Joseph LoDuca
Cameras: Arriflex (35mm Eastman 100T 5247)
AR: 1.85:1 (Spherical)
Budget: 2.5-3 Million USD
Budget AFI (2021): 6.4-7.7 Million USD

Writer: Sam Raimi
Producer: Rob Tapert
Co-Producer: Bruce Campbell
Writer: Scott Spiegel
Executive Producers: Irvin Shapiro, Alex De Benedetti
Composer: Joseph LoDuca
Special Make Up Designer & Creator: Mark Shostrom
Director of Photography: Peter Deming ASC
Director of Night Exterior Photography: Eugene Shlugleit
Art Directors: Randy Bennett, Philip Duffin
Film Editor: Kaye Davis
Stunt Coordinator: Gary Jensen
Stunts: John Casino, Sandy Gimpel, Debbie Lynn Ross, Blanche Sindelar
Horse & Riders Providers: Pam Billingsley, Ricky Billingsley
Additional Casting Director: Samuel Warren
Production Manager: Joseph C. Stillman
1st Assistant Director: Joseph Winogradoff
2nd Assistant Director: K. Siobhan Phelan
Construction Coordinator: Larry Fox
Set Decorator: Elizabeth Moore
Prop Master: Blanche Sindelar
1st Assistant Camera: Hamid Shams
2nd Assistant Camera: Brigette Alexander
Add. Assistant Camera: Brendan Creadle
2nd Unit Director of Photography: Tim Philo
Sound Mixer: Tom Morrison
Gaffer: Robert Duffin
SEI Special Effects Foreman: Vern Hyde
SEI Special Effects Assistants: Dale Johnson, Dave Thiry
Designers, Special Make Up Effects Unit Crew: Robert Kurtzman, Howard Berger
Designer/Special Effects Technician, Special Make Up Effects Unit Crew: Greg Nicotero
SFX Unit DoP: Daniel S. Noga
Effects Photography Supervisor: Jim Aupperle
Miniatures Supervisor: James Belohovek
Special Visual Effects Supervisor (Add'l Photography): Bart Pierce
Music Technical Consultant: Sheldon Newmann
Remastering Colorist: Mark Nowicki
Filming Dates: 10 May 1986 - September 1986, December 1986 (Add'l Photography)
Cameras: Arriflex 35 BL & Mitchell BNCR (35mm Eastman 125T 5247)
AR: 1.85: 1 (Spherical)
Budget: 3.5-3.6 Million USD
Budget AFI (2021): 8.5-8.8 Million USD
Additional Casting by: International Casting Service
Special Effects by: Spectacular Effects International & Acme Effects
2000 DVD & VHS Digital Mastering Provided by: THX Ltd.
Attribute: Cameras Provided by JDC America

Co-Writers: Sam Raimi, Ivan Raimi
Director (Stock Footage): Bob Murawski ACE
Composer: Danny Elfman
Make-Up Effects Designers: Tony Gardner, Larry Hamlin
Costume Designer: Grania Preston
Supervising Film Editors: Bud Smith, Scott Smith
Film Editor: David Stiven
Production Designer: Randy Ser
Cinematographer: Bill Pope ASC
Line Producer: Daryl Kass
Production Manager: Patricia Whitcher
1st Assistant Director: Scott Javine
2nd Assistant Director: Francis R. Mahony III
Montage Sequences & Main Title Designer: Pablo Ferro
VCE Optical Effects Creator: Peter Kuran
Stunt Coordinator: Chris Doyle
2nd 2nd Ass't Director: Andrew Flinn
2nd Unit DoP: Peter Deming
Art Director: Phil Dagort
SEU Mechanical SFX Supervisors: Vern Hyde, Dale Johnson, David Goodman
Pyrotechnics SFX Sipervisor: William D. Harrison
Feature Film Editors: Kathie Weaver, Margareta Schiappa
Production VFX Supervisor: Tom Merchant
Add'l Optical Effects Supervisor: Teresa Garcia
Orchestrator: Steve Bartek
Score Mixer: Dennis S. Sands
Music Contractor: Sandy DeCrescent
VFE Animation Effects Supervisors: Kevin Kutchaver, Jammie Friday
4Ward VFX Supervisor: Robert Skotak
4Ward VFX Unit DoP: Dennis Skotak
4Ward VFX Producer: Elaine Edford
4Ward VFX Line Producer: Julia Gibson
4Ward VFX Unit Camera Operator: James Belkin
4Ward VFX Unit Gaffer: Mark Shelton
4Wad Miniature Set & Rig Supervisor: Stephen Brien
4Ward SFX Supervisors: Joseph Viskocil, Emmet Kane
4Ward Miniature Set Operators: Ray Greer, Ricc Ruskuski
4Ward VFX Assistants: Joanne Depauk, Cynthia Halliburton
ISI VFX Supervisor: William Mesa
ISI VFX Producer/Art Director: Tim Donahue
ISI VFX Associate Producer: Andrew Naud
ISI Technical Director: John Coats
ISI VFX Production Manager: Linda Landry-Nelson
ISI VFX Production Coordinator: Gene Dobrzyn
ISI VFX Unit Cameramen: Marcus Tate, Michael Lawler
ISI VFX Unit Ass't A-Camera: Rick Taylor
ISI VFX Unit Ass't B-Camera: John Mesa
ISI VFX Unit Ass't C-Camera: Brian Cooke
ISI VFX Unit Gaffer: David Amann
ISI Model Shop Supervisor: Stacy Wexler
MWD Senior Supervisor of Special Visual FX: Craig Barron
MWD Supervisor of Special Visual FX: Michael Pangrazio
MWD VFX Production Manager: Krystyna Demkowicz
MWD Effects Unit Camera Operator: Charlie Mullen
MWD Effects Unit Ass't Camera: Patrick Loungway
VIFX Computer Animation & Displays Supervisors: Rhonda C. Gunner, Richard E. Hollander, Gregory L. McMurry ASC, John C. Wash
Filming Dates: 19 April 1989 - August 1989
Negative Format: 35 mm Eastman Kodak
AR: 1.85:1 (Spherical)
Budget: 14 Million USD
Budget AFI (2021): 29.7 Million USD
Optical Effects Created by: Visual Concept Engineering
Special Visual Effects Provided by: Introversion Systems International
Visual Effects Miniature Sequences Provided by: 4Ward Productions
Mechanical Special Effects Provided by: Spectacular Effects Unlimited
"Strack City" Visual Effects Provided by: Matte World Digital
Computer Animation & Displays Provided by: Video Image FX
Attribute: Camera Equipment Provided by Interface Marketing/Clairmont Camera

Writer/Film Editor: Sam Raimi
Writer: Ivan Raimi
Co-Producer: Bruce Campbell
Cinematographer: Bill Pope ASC
Composer: Joseph LoDuca
Composer ("March of the Dead" Theme): Danny Elfman
ISI Director of Visual Effects/2nd Unit Photographer: William Mesa
KNB Special Makeup Effects Supervisors: Robert Kurtzman, Greg Nicotero, Howard Berger
Production Designer: Tony Tremblay
Film Editor: Bob Murawski ACE
Unit Production Manager: Eric Gruendemann
1st Assistant Director: John Cameron
2nd Assistant Director: Sarah Addington
Stunt Coordinator: Chris Doyle
Swordmaster: Dan Speaker
Ass't Swordplay Choreographer: Jan Bryant
2nd 2nd Ass't Director: Steve Coatney
2nd Unit Director: Doug Lefler
2nd Unit Assistant Director: Robert Hume
2nd Unit DoP: Ken Arlidge
2nd Unit Photographer: Andrea Dietrich
2nd Unit Gaffer: Dante Cardone
Post-Production Supervisor: Gary Chandler
Score Mixer: Dennis S. Sands
Mechanical Effects Supervisor: Vern Hyde
Mechanical Effects Foreman: Gary Jones
Titles Designer: Jennifer Berkowicz
PMP VFX Supervisor: Richard Malzahn
PMP Optical VFX Supervisor: Robert Habros
PMP Animator: Sallie McHenry
"Book of the Dead" Animator & Designer: Tom Sullivan
ISI VFX Producers: Andy Naud, Linda Landry-Nelson, Nick Davis
ISI VFX Unit Camera Technicians: David Stump ASC, John Mesa, Mike Ball
ISI Stop-Motion Supervisor: Peter Kleinlow
ISI Ass't VFX Art Director: Charles Wood
ISI Model Shop Supervisor: Gene Rizzardi
ISI Model Shop Coordinator: Laura Gram
Filming Dates: 20 May 1991 - 16 August 1991
Cameras: Arriflex & VistaVision (35mm Eastman EXR 100T 5248/500T 5296)
AR: 1.85:1 (Spherical)(8-Perf VistaVision: Visual Effects)
Budget: 11 Million USD
Budget AFI (2021): 21.7 Million USD
Visual Effects Provided by: Introversion International
Special Makeup Effects Created by: KNB EFX Group
Post-Production Sound Provided by: Skywalker Sound
Title Animation & Montage Compositing Provided by: Perpetual Motion Pictures
Attribute: Camera Systems by Clairmont

Co-Producer: Sharon Stone
Composer/Conductor: Alan Silvestri
Costume Designer: Judianna Makovsky
Film Editor: Pietro Scalia
Production Designer: Patrizia Von Brandenstein
Cinematographer: Dante Spinotti ASC AIC
Executive Producer: Toby Jaffe
Producer/Unit Production Manager: Patrick Markey
1st Assistant Director: John Cameron
2nd Assistant Director: Sarah Addington
Camera Operator: Gary Jay
1st Assistant Camera: Bob Hall
2nd Assistant A-Camera: Duane Manwiller
Steadicam Operator/2nd Unit DoP: Kyle Rudolph
Chief Lighting Technician: Robert Jason
Senior SFX Coordinator: Al Di Sarro
SFX Technician: Michael Meinardus
Stunt Coordinator/2nd Unit Director: Terry Leonard
Production VFX Supervisor: Peter Donen
CFC VFX Supervisors: Rob Hodgson, Janek Sirrs
Score Mixer: Dennis S. Sands
2nd Unit 1st Ass't Director: Denis L. Stewart
2nd Unit 2nd Ass't Director: Lisa Satriano
2nd Unit A-Camera Operator: Philippe Carr-Forster
2nd Unit B-Camera Operator: Monty Rowen
2nd Unit C-Camera Operator: Gary Huddleston
Filming Dates: 21 November 1993 - 27 February 1994, November 1994 - December 1994 (Pick-Ups)
Cameras: Panaflex GII & Platinum (35mm Eastman EXR)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 32-35 Million USD
Budget AFI (2021): 58.3-63.8 Million USD
Special Makeup Effects Designed by: KNG EFX Group
Digital Compositing Provided by: Computer Film Company
Matte Shots Provided by: Illusion Arts
Attribute: Filmed in Panavision

Composer: Danny Elfman
Costume Designer: Julie Weiss
Film Editors: Arthur Coburn ACE, Eric L. Beason ACE
Production Designer: Patrizia Von Brandenstein
Cinematographer: Alar Kivilo ESC
Producer: James Jacks
Supervising Stunt Coordinator: Chris Doyle
Stunt Coordinator: Jay Caputo
Unit Production Manager: Joe Kishner
1st Assistant Director: Newt Arnold
2nd Assistant Director: Robin Oliver
Visual Storyboard Supervisor: Dave Stephan
A-Camera Operator: Monty Rowen
B-Camera Operator: Greg Bubb
Snow Effects Supervisor: Dieter Sturm
Senior SFX Supervisor: John D. Milinac
Assistant to Sam Raimi: Grant Curtis
Supervising Set Costumer: Trina Mrnac
Picture Car Coordinator: Michael Arnold
2nd Unit Director: Doug Lefler
2nd Unit DoP: Paul Ryan ASC
2nd Unit B-Camera Operator: George Kohut
RDP VFX Executive Producer: Mark Franco
RDP VFX Compositor: Brigitte Bourque
Filming Dates: 5 January 1998 - 13 March 1998
Camera: Panaflex Platinum (35mm Kodak Vision 250D 5246/500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 17-30 Million USD
Budget AFI (2021): 28.9-51.1 Million USD
Special Makeup Effects Designed by: KNB EFX Group
Digital Effects Provided by: Rainmaker Digital Pictures
Attribute: Filmed with Panavision Cameras and Lenses

Composer, Score Conductor & Orchestrator: Basil Poledouris
Costume Designer: Judianna Makovsky
Film Editors: Eric L. Beason ACE, Arthur Coburn ACE
Production Designer: Neil Spisak
Cinematographer: John Bailey ASC
Executive Producer: Marc Abraham
Screenwriter: Dana Stevens
Unit Production Manager: Harvey Waldman
1st Assistant Director: Eric N. Heffron
Production Visual FX Supervisor: Peter Donen
Main Title Sequence Designer: Pablo Ferro
Stunt Coordinator: Chris Doyle
Post-Production Supervisor: Debbi Bossi
2nd 2nd Ass't Director: Basti Van Der Woude
Set Decorator: Karen O'Hara
A Camera Operator: Monty Rowan
B Camera Operator: Craig DiBona ASC
1st Assistant A Camera: Robert Mancuso
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Wescam Operator: David Norris
Senior SFX Coordinators: Mark Bero, Al Di Sarro
2nd Unit Director: David Stephan
2nd Unit DoPs: Phil Abraham, Frederic Goodich
Baseball Coordinator: Augie Garrido
Assistant Baseball Coordinator: Matt Smith
Baseball Tech Consultants: Leigh Steinberg, Jeff Moorad
Music Contractor: Sandy DeCrescent
Music Consultant: Danny Holloway
Visual Effects Co-Supervisor: Miller Drake
Cinesite Digital FX Supervisor: Thomas J. Smith
Cinesite Digital FX Producer: Ariana Lingenfelser
Cinesite Digital Effects Coordinator: Mike Sullo
Cinesite DFX Prod Assistant: Tim P. Cunningham
Cinesite Composite Supervisor: Jason Picconi
Cinesite Digital Compositors: Doug Tubach, Pat Tubach
Cinesite Rotoscope Supervisor: Keren D. Klein
Hammerhead Lead Animator: Constance Bracewell
Hammerhead VFX Supervisor: Jamie Dixon
Hammerhead Tech FX Supervisor: Thad Beier
CFC/MVFX Digital FX Supervisor: Rob Hodgson
CFC/MVFX DFX Producer: Jonathan F. Styrlund
Filming Dates: 8 October 1998 - 29 January 1999
Camera: Panaflex Platinum (35mm Eastman EXR 50D 5245/Kodak Vision 250D 5246/500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
Budget: 50-80 Million USD
Budget AFI (2021): 83.4-133.4 Million USD
Visual Effects Provided by: Hammerhead Productions, Cinesite & CFC/MVFX
Attribute: Filmed in Panavision

Co-Producer: Richard S. Wright
Composer: Christopher Young
Costume Designer: Julie Weiss
Film Editors: Arthur Coburn ACE, Bob Murawski ACE
Production Designer: Neil Spisak
Cinematographer: Jamie Anderson
Executive Producer: Sean Daniel
Producer: James Jacks
Co-Writer: Billy Bob Thornton
Stunt Coordinator: Mark Stefanich
Stunts: James M. Churchman
Unit Production Manager: Gary Goodman
1st Assistant Director: Eric N. Heffron
2nd Assistant Director: Bac Delorme
Post-Production Supervisor: James McQuaide
Associate Producer: Grant Curtis
Production VFX Supervisor: Peter Donen
A-Camera Operator: Bill Clevenger
B-Camera Operator/2nd Unit DoP: Monty Rowan
2nd Unit Creative Supervisor: Jeffrey Lynch
2nd Unit Supervisor: Anja Stadelmann
Chief Lighting Technician: David Morton
Senior SFX Coordinator: Vern Hyde
Effects Photography Supervisor: David Dwiggens
Effects Photography Coordinator: Heinric Niemenen
Illusion Arts VFX Supervisors: Syd Dutton, Bill Taylor ASC
Illusion Arts Lead Compositor: David S. Williams Jr
Illusion Arts Matte Artists: Kelvin McIlwain, Kenneth Nakada, Michael J. Wassel
Illusion Arts Animator: Fumi Mashimo
Illusion Arts VFX Producer: Catherine Sudolcan
Illusion Arts VFX Editor: Kelly G. Crawford
Filming Dates: 3 February 2000 - 27 March 2000
Camera: Panaflex Platinum (35mm Kodak Vision 200T 5274/500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 10 Million USD
Budget AFI (2021): 16.1 Million USD
Visual Effects Provided by: Illusion Arts
Attribute: Filmed With Panavision Cameras and Lenses

Executive Producer: Sam Raimi
Producer: Laura Ziskin
Casting Dir's: Francine Maisler CSA, Lynn Kressel
Co-Producer / Production Manager: Grant Curtis
Composer / Score Producer: Danny Elfman
Costume Designer: James Acheson
Prod. Visual Effects Designer: John Dykstra ASC
Editors: Bob Murawski ACE, Arthur Coburn ACE
Production Designer: Neil Spisak
Cinematographer: Don Burgess ASC
Cinematographer/Video Operator, AP: Dan Moore
Cinematographer, NY VV Unit: Thomas Houghton ASC
Cinematographer, Additional Second Unit: Moshe Levin
Executive Producer: Stan Lee
Producer: Ian Bryce
Screenwriters: David Koepp
Screenwriters, Add'l Material: Scott Rosenberg, Alvin Sargent
Special Guest Star: Macy Gray
Stunt Coordinator / Second Unit Director: Jeff Habberstad
Stunts: Jeri Habberstad, Trevor Habberstad
Production Manager / A.P.: Steven P. Saeta
First Assistant Director: Eric N. Heffron
Second Assistant Director: Michael J. Moore
Additional Suit & Mask Designers: Al Gillis, Thom Woodruff Jr
Associate Producer: Heidi Fugeman Lindelof
Prod. Visual Effects Supervisor: Scott Stokdyk
Senior Visual Effects Producer: Lydia Bottegoni
Supervising Art Director: Steve Arnold
Art Directors: Tony Fanning, Stella Vaccaro
Assistant ADs: Lori Rowbotham, François Audouy
Set Decorator: Karen O'Hara
Set Dec Leadman: David C. Potter
Lead Set Designers: Andrea Dopaso, Easton Smith
Script Supervisor: Susana Preston
A Camera Operator: Daniel C. Gold
B Camera Operator: Philippe Carr-Forster
C Camera Operator: Thane Berti
A First Assistant Camera: Zoran Veselic
B First Assistant Camera: Don Steinberg
A Second Assistant Camera: Matthew Moriarty
Panaflex Camera Loader: Steven Cueva
Assistant Costume Designer: Lisa Tomczeszyn-Tomchesson
Costume Supervisor: Martha F. Baxley
Costume Propmaker: Raymond Scott
Chief Lighting Technician: Steven C. McGee
Assistant Chief Lighting Technician: Edward Cox
Rigging Chief Lighting Technician: Brad Emmons
Assistant Rigging Chief L.T.: David H. Neale
Key Grip: Michael J. Coo
Best Boy Grip: Craig Kothala
Dolly Grip: Michael Brennan
Rigging Key Grip: Larry Aube
Rigging Best Boy Grip: Tony Willard
Video Assist Operator: Michael J. Hogan
Prod. Special Effects Supervisor: John Frazier
SFX Foreman: Mark Noel, Jim Schwalm, David Amborn, Danny Cangemi
SFX Technicians: Howard Frazier, Tom Frazier
Location Managers: Jim McCabe, Kristan Wagner
Production Supervisor: Susan Dukow
Production Coordinator: Candice Campos
Assist Production Coordinator: Jenifer Bonisteel
Conceptual Artists: Jim Carson, Warren Manser
Illustrators: Wil Madoc Rees, Harold Belker, Jim Martin
Art Department Coordinator: Ozzy Inguanzo
Storyboard Artist/Second Unit Director: David B. Stephan
Storyboardists: Mark Andrews, Dan Sweetman
On-Set Dresser: Adam Devitt Austin
Supervising Prop Master: Robin L. Miller
Assistant Prop Master: Michael Gastaldo
Unit Publicist: Sandy O'Neill
Still Photographer: Zade Rosenthal
2nd Second Assistant Director: David Riebel
DGA Trainee: Melissa St. Onge
A.P./Production Executive for Marvel: Kevin Feige
Casting Associates: Kathleen Driscoll-Mohler CSA, Jon Scott Strotheide, Brendan DuFresne
Casting Assistant: Nancy Safran
Transportation Captain: Randy Peters
Second Unit Directors: Doug Lefler, Jeffrey Lynch
Second Unit Action Director: Max Kleven
Second Unit DoPs: Chris Faloona, Jon Taylor ASC
Second Unit First Assist Director: Lisa C. Satriano
Second Unit Second Asst Director: Nick Satriano
Second Unit Script Supervisor: Mary A. Sewaro
Second Unit A Camera Operator: Doug Pellegrino
Second Unit B Camera Operator: Andre Martinez
Second Unit A/B First AC: Brandon Mastrippolito
Second Unit A Second AC: Christian W. Cobb
Second Unit Stunt Coordinators: Merritt Yohnka, Gregg Smrz
Second Unit Key Hair Stylist: Kimi Messina
Second Unit Chief L.T.: Tom Schmieder
Second Unit Assistant Chief L.T.: Alan Frazier
Second Unit Key Grip: Mark Sannes
Second Unit Best Boy Grip: Richard R. Uva
Second Unit Dolly Grip: Kent Alexander
Second Unit Prod. Coordinator: Rebecca Hilliard
Second Unit Prop Master: Peter Tullo
Second Unit On-Set Dresser: James Marchwick
Second Unit Stand-By Painter: Sean Maytum
Key Unit P.M., New York Unit: Richard Baratta
NY Unit Second Assistant Director: Bac Delorme
New York Unit 2nd Second A.D.: Ronan O'Connor
NY Unit Production Coordinator: Scott Kordish
NY Unit Assist Production Coordinator: Una Hill
New York Unit Art Director: Scott P. Murphy
New York Unit Set Decorator: Debra Schutt
NY Unit B Camera Operator: Patrick B. O'Brien
New York Unit B 1st A.C.: James Bartolomeo
NY Unit B 2nd Assistant Camera: Melissa O'Brien
New York Unit Makeup Artist: Linda A. Grimes
New York Unit Hair Stylist: Carol Campbell
NY Unit Chief Lighting Technician: Kevin Murphy
New York Unit Key Grip: James V. Gartland
New York Unit Location Manager: John Fedynich
NY Unit Assist Location Manager: Ian MacGregor
NY Unit Transportation Captain: James Fanning
Aerial Unit Wescam Op., NY Unit: Dave Norris
A Camera Operator, AP: David Emmerichs SOC
A First Assistant Camera, AP: R. Todd Schlopy
Associate Film Editor: Greg Socher
1st Assistant/Production VFX Editor: Sean Valla
1st Avid Assistant Editor: Patrick Gallagher
Second Assistant Editor: Paul Hart
Third Assistant Editor: A. Michelle Page
Fourth Assistant Editor: Joey Fedele
Re-Record Mixers: Kevin O'Connell, Greg Russell
Sound Design & Supervision: Stephen H. Flick, Susan Dudeck
Sound Designers: Steven Ticknor, Martin Lopez, Charles Maynes
Production Foley Editor: Dana Gustafson
Production Foley Mixer: Brian Ruberg
Post Assistants: Willow Craven, Aaron Scully
Supervising Music Editor: Ellen Segal
Assistant Music Editor: Ramiro Belgardt
Score Conductor: Pete Anthony
Score Orchestrator: Steve Bartek
Score Recordist & Mixer: Dennis S. Sands
Music Consultant: Karen Glauber
Temp Music Editor: Chris Innis
I.F. Main & End Title Sequences Designer: Kyle Cooper
Dream Sequence Animation Supervisor: David Bossert
Deluxe® Production Color Timer: Jim Passon
E-Film Digital Finishing Colorist: Steve Bowen
E-Film/Deluxe® Negative Cutter: Mo Henry
Spider-Man / Green Goblin Suit Construction Supervisor: John David Ridge
Visual Effects Test Producer: Jacquie Barnbrook
Aerial Unit Effects Coordinator: Tim Drnec
Production Mocap Consultant: Brett Gassaway
SPI Sr. Visual Effects Supervisor: Karen Goulekas
SPI CG Character Animation Supervisor: Anthony LaMolinara
SPI Executive Producer: Jenny Fulle
SPI Digital Effects Producer: Carey W. Smith
SPI Digital Production Manager: Chris Juen
SPI CG Supervisors: Dan Eaton, Kee-Suk Hahn, Peter Nofz
SPI Senior Concept Designer: Marty Kline
SPI Character Look Leads: Greg Anderson, Sing-Choong Foo
SPI Building Lead: Francisco DeJesus
SPI Development CG Supervisor: Sam Richards
SPI Visual Effects Editor: Kevin J. Jolly
SPI Lighting Lead: Laurence Treweek
SPI Color & Lighting Supervisor: Marc D. Rienzo
SPI Programming TD: Steve LaVietes
SPI FX Animation Leads: Theo Vandernoot, Dan Kramer
SPI CG Character Animation Leads: Spencer Cook, Bill Diaz
SPI CG Animation Support: John Schmidt, Dan Ziegler
SPI Lead Character Modeler: Edward Taylor IV
SPI Character Modeler: Kui Han Lee
SPI Lead Matte Painter: Ivo Horvat
SPI Matte Painter: Dave Bleich
SPI Texture Paint Lead: Kerry Nordquist
SPI Concept Artists: John Bevelheimer, Michael Scheffe
SPI Costume Concept Artist: Marzette Bonar
SPI Inferno Artist: Christian Boudman
SPI Rotoscoping Lead: Maura Alvarez
SPI Match Move Lead: Rachel Nicoll
SPI On-Set Match Move Lead: Messrob Torikian
SPI Motion Control Supervisor: Greg Nicholson
SPI First Assistant VFX Editor: Andrea Maxwell
SPI Sr Visual Effects Coordinator: Lisa Zusmer
SPI Visual Effects Plate Coordinator: Chris Hejnal
SPI CG Character Animation Coordinator: Glenn Karpf
SPI Digital Effects Coordinator: Liz Hitt
SPI Assistant DFX Coordinator: Chris McLeod
SPI Production Assistant: Chris Antonini
SPI Visual Effects Accountant: Jackie Szymanski
SPI Visual Resources Supervisor: Chris Hebert
SPI Manager, Visual Effects Editorial: Mike Moore
SPI Video Editor: Mary Biondo
SPI Negative Lineup Lead: Boyd Steer
SPI Software Supervisor: Amit Agrawal
SPI Software Engineering Lead: Saed Mirsepassi
SPI Lead Technical Assistant: Jennifer Hunt
SPI Senior Digital Color Timer: John Nicolard
SPI Digital Color Timer: Anthony Harris
SPI I/O Supervisor: Dennis Webb
SPI Lead Film Recordist: Derrick Quarles
SPI Lead Scanning Operator: Chris Arreola
SPI Manager, Systems Engineering: Alberto Velez
SPI Manager, Production Services: Marry Borlik
SPI Technical Advisor: Chris Waegner
SPI Senior Technical Director: Jake Morrison
SPI Senior VP, Operations: Tom Hershey
SPI Senior VP & CTO: George H. Joblove
SPI President: Tim Sarnoff
SPI SVP, Digital Production: Stan Szymanski
SPI VP, Technology: Bill Villarreal
SPI VP, Animation: Barry Weiss
Digiscope Visual Effects Supervisor: Brad Kuehn
Digiscope Digital Effects Supervisor: Dion Hatch
Digiscope Executive Producer: Mary Stuart Welch
Digiscope Visual Effects Producer: Carole Cowley
Digiscope Visual Effects Coordinator: Walt Garcia
P.M. Visual Effects Supervisor: Ray McIntyre Jr
Pixel Magic General Manager: Ray Scalice
P.M. Visual Effects Producer: Bonnie Kanner
Pixel Magic 2D Supervisors: Victor DiMichina, Jim Gorman, Patrick Murphy, Patrick Flanagan, Brad Moylan, James Hattin
Project Coordinator, Amalgamated Dynamics Crew: Yuri Everson
Mold Shop Supervisor, Amalgamated Dynamics Crew: Steve Frakes
Mechanical Supervisor, Amalgamated Dynamics Crew: David Penikas
Asylum Visual Effects Producer: Blondel Aidoo
CIS Executive Producer: C. Marie Davis
HGI Executive Producer: Shannon Blake Gans
Yannix Digital Effects Supervisor: James Marbas
NDS Visual Effects Producer: David Sanger
PLS Visual Effects Producer: Maureen O'Connor
Sony HDR Mastering Colorist: David Bernstein
Filming Dates: 8 January 2001 - June 2001
Cameras: Panaflex XL, Platinum & Beaumont VistaVision (35mm Kodak Vision 200T 5274/SFX 200T)
Lenses: Panavision® Primo Spherical Primes
AR: 1.85:1 (SL 4-Perf 35mm)(8-Perf VV: Visual Effects)
Budget: 139 Million USD
Budget AFI (2021): 213.7 Million USD
Printed on: Kodak Vision 2383
MCU Phase: One
Franchise: Raimi Verse
Filmed in Part at/Post Services Provided by: Sony Pictures Studios, Culver City, CA
Score Mixed at: Abbey Road Studios, London
Score Recorded at: Air Lyndhurst Studios, UK
Main & End Title Sequences Designed by: Imaginary Forces
Digital Intermediate Color by: E-Film & Deluxe®
Special Visual Effects Provided by: Sony Pictures Imageworks, Digiscope, Pixel Magic
Shot on: Kodak Motion Picture Film
Distributed by: Sony Pictures Entertainment
Attribute: Filmed w/ Panavision® Cameras & Lenses

Executive Producer: Sam Raimi
Producer: Laura Ziskin
Casting Director: Dianne Crittenden
Composer / Score Producer: Danny Elfman
Composer, Additional Music: John Debney
Costume Designers: James Acheson, Gary Jones
Production Visual Effects Designer: John Dykstra ASC
Film Editor: Bob Murawski ACE
Production Designer: Neil Spisak
Cinematographer: Bill Pope ASC
Cinematographer, NY Unit: Peter Menzies Jr ACS
Cinematographer, Blue Screen Unit: Lowell Peterson ASC
Co-Producer: Grant Curtis
Executive Producer: Kevin Feige
Producer & Unit PM: Joseph M. Caracciolo
Screen Story Writers: Alfred Gough, Miles Millar, Michael Chabon
Screenwriter: Alvin Sargent
Screenwriter, Additional Material: David Koepp
Key Stunt Coordinator & 2nd Unit Director: Dan Bradley
Supervising Stunt Coordinator: Scott Rogers
Assistant Stunt Coordinator: Darrin Prescott
Fight Choreographer: Don Lam
Wire Technician: Yick Tin Hung
Tobey Maguire Stunt Double: Chris Daniels
Alfred Molina Stunt Double: Ray Lykins
Stunts: Hank Amos, Randy Beckman, Nick Brandon, Jeri Habberstad, Chris O'Hara
Key Unit Production Manager: Denis L. Stewart
First Assistant Director: Eric N. Heffron
Key Second Assistant Director: Michael J. Moore
Second Assistant Director: Bac DeLorme
Overall Visual Effects Supervisor: Scott Stokdyk
Senior Visual Effects Producer: Lydia Bottegoni
Edge FX Doc Ock Animatronic Construction Sup.: Steve Johnson
Production Supervisor: David J. Grant
Art Directors: Steven A. Saklad, Thomas Wilkins, Jeff Knipp, Thomas Valentine
Set Decorator: Jay Hart
Supervising Prop Master: Douglas Harlocker
Script Supervisor: Mary Anne Seward
"A" Camera Operator: Chris Moseley
"B" Operator/Additional DoP: Anette Haellmigk
"C" Camera Operator: Peter Hutchison
Steadicam Operator: Kyle Rudolph SOC
"A" First Assistant Camera: Greg Luntzel
"B" Camera First Assistant: Tommy Klines
"A" Second Assistant Camera: Sean Moe
"B" Camera Second Assistant: Michelle Mann
Assistant Costume Designer: Paul Spadone
Costume Supervisor: Michael R. Chapman
Costumer for Tobey Maguire: Ric Spencer
Assistant Costume Designers for Kirsten Dunst: Clare Hallworth, Nina Hallworth
Set Costumer for Kirsten Dunst: Lee Harris
Spider-Man Specialty Costumer: Shownee Smith
Makeup / Hair Stylist for Kirsten Dunst: Noriko Watanabe
Makeup Artist for Tobey Maguire: Tina Earnshaw
Hair Stylist for Tobey Maguire: Johnny Villanueva
Chief Lighting Technician: Robert Finley III
Assistant Chief L.T.: Christopher Bateman
Rigging Chief L.T.: Frank Dorowsky
Assistant Rigging Chief L.T.: Scott C. Keys
Key Grip: Anthony T. Mazzucchi
Best Boy Grip: Alexander Griffiths
Rigging Key Grip: Kevin Erb
Rigging Best Boy Grip: Robert Anderson
Video Assist Operator: Dempsey Tillman
Production Special Effects Supervisor / Director: John Frazier
Sr. Special Effects Coordinator: James Schwalm
SFX Foremen: David Amborn, Mark Noel, Ralph Kerr, Mark Hawker, Bruce Hayes
SFX Technicians: Eric Frazier, Tom Frazier, J.D. Schwalm Jr.
Production Coordinator: Susan Dukow
Supervising Location Manager: Kristan Wagner
Lead Set Designer: Andrea Dopaso
Set Designer: C. Scott Baker
Art Department Coordinator: Jan O'Connell
Graphics Designer: Kim Lincoln
Storyboard Artists: Jack Hsu, Dave Lowery, Dan Sweetman
Animatic Artists: Brad Morris, Ryan Woodward, Anthony Zierhut
Overall Storyboard / Animatics Coordinator: Ozzy Inguanzo
Conceptual Artists: Paul Catling, James Carson, Wil M. Rees, Alex Tavoularis, Jamie Rama
On-Set Dresser: Adam Devitt Austin
Set Dec Leadman: Wayne Shepherd
Assistant Prop Master: Scott Getzinger
Unit Publicist: Sandy O'Neill
Still Photographer: Melissa Moseley
DGA Trainee: Ellen Rosentreter
Stand-In for Tobey Maguire: Chad Cleven
Stand-In for Kirsten Dunst: Kristen Holly
Stand-In for Alfred Molina: Steven Clawson
Additional Casting Director: Karen Rea
Casting Associate: Michael Nicolo
Trainer for Tobey Maguire: Don Nelson Jr
Trainer for Alfred Molina: Ryan Brewer
Scientific Consultant: Michael Backes
Transportation Captain: John Orlebeck
Transportation Co-Captain: Don Poole
Picture Car Coordinator: Cyril O'Neil
2nd Unit Director: Jeffrey A. Lynch
2nd Unit Director of Photog: Jonathan Taylor ASC
Second Unit First Assist Director: Lisa C. Satriano
Second Unit Second Assist Director: Jen Giancola
Second Unit 2nd Second A.D.: Lyda Blank
Second Unit Script Supervisor: Trudy Ramirez
Second Unit "A" Camera Operator: Joseph Cicio
Second Unit "B"/Steadicam Operator: Ken Luster
Second Unit "C" Operators: Matt J. Siegel, David Richert
Second Unit "A" First Assistant Camera: Kevin C. Potter
Second Unit "A" Key Second Assistant Camera: Scott A. Whitbread
Second Unit Key Costumer: Eva L. Prappas
Second Unit Key Makeup Artist: Ben Nye Jr
Second Unit Chief Lighting Technician: Dan Riffel
Second Unit Assistant Chief L.T.: Joseph Hanes
Second Unit Key Grip: Loren Corl
Second Unit Best Boy Grip: Sam Escobar
Second Unit Dolly Grip: William Daimant
Second Unit Special Effects Coordinator: Danny Cangemi
Second Unit Location Manager: John Marcus Strachan
Second Unit Prod. Coordinator: Rebecca Hilliard
Second Unit Prop Master: Terry Haskell
Key Unit P.M, New York Unit: Richard Baratta
NY Unit Production Coordinator: Scott Kordish
New York Unit Art Director: Scott C. Murphy
New York Unit Set Decorator: Susan Tyson
New York Unit Prop Master: Robert Griffon
New York Unit Stunt Coordinator: Jery Hewitt
2nd Unit Script Supervisor, NY Unit: Annie Welles
NY Unit "B" Camera Operator: Patrick Capone
NY Unit "B" 1st Assistant Camera: Carlos Guerra
NY Unit "B" 2nd Assist Camera: Braden Belmonte
Aerial Unit SpaceCam Operator, NY Unit: Steven Koster
Aerial Unit MovieBird Operator, New York Unit: Karl Eckhardt
New York Unit Key Makeup Artist: Randy Houston Mercer
New York Unit Key Hair Stylist: Jerry Popolis
New York Unit Chief L.T.: William S. O'Leary
New York Unit Assistant C.L.T.: Joseph Grimaldi
Splinter Unit Chief L.T, New York Unit: Andy Ryan
New York Unit Key Grip: Thomas J. Prate
New York Unit Best Boy Grip: Kevin W. Flynn
New York Unit Dolly Grip: Ronald J. Burke
New York Unit Special Effects Supervisor: J.C. Brotherhood
NY Unit Spydercam Supervisor: Earl Wiggins
NY Unit Spydercam Coordinator: Tim Drnec
New York Unit Location Manager: John Fedynich
NY Unit Assistant Location Manager: Jean Chien
NY Unit Assistant Production Coordinator: Greg Outcalt
NY Unit 2nd Second A.D.: Stacey Beneville
New York Unit DGA Trainee: Kelli Gladney
NY Unit Transportation Captain: Michael Hyde
NY Unit Transportation Co-Captain: Rob Buckman
NY Unit First Assistant Editor: Gershon Hinkson
NY Unit Second Assistant Editor: Nancy Novack
Miniatures Unit Sr. Visual Effects Supervisor: Eric Durst
Miniatures Unit DoP: Timothy E. Angulo
Miniatures Unit Gaffer: Victor Abbene
Miniatures Unit Key Grip: Don McCall
Miniatures Unit Special Effects Supervisor: John K. Stirber
Miniatures Unit Sr Model Shop Supervisor: Monty Shook
Pier Sequence Miniature Sr. Designer, Miniatures Unit: Grant McCune
"A" First A.C., Add'l VFX Unit: Carson Reaves
"A" First A.C., Chicago 65mm Plate Unit: Wayne Baker
Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell, Jeffrey J. Haboush
Production Visual Effects Editor: Joey Fedele
1st Assistant Editor: Sean Valla
Avid First Assistant Editor: Christopher L. Marino
Second Assistant Editor: A. Michelle Page
Third Assistant Editor: Paul Hart
Visual Effects First Assistant Editor: Aaron Scully
First Apprentice Editor: Montrice White
Supervising Sound Design Editor: Paul N. J. Ottosson MPSE
Supervising Dialogue/ADR Editor: Susan Dudeck
Production Dialogue Editor: Alison Fisher
Production Foley Supervisor: Christopher Flick
Production ADR Editor: Ulrika Akander
Production Foley Editor: Mark Pappas
Production Foley Mixer: Brian Ruberg
Production ADR Recordist: Howard London CAS
Music Consultants: Laura Z. Wasserman, Darren Higman
Supervising Music Editor: Bill Abbott
Asst Music Editors: Denise Okimoto, Shie Rozow
Score Orchestrators: Steve Bartek, Edgardo Simone, Dave Slonaker, Mark McKenzie
Orchestra Conductor: Pete Anthony
Score Recordist & Mixer: Dennis S. Sands
Score Midi Supervisor & Recordist: Marc Mann
P.F. Main & nd Titles Designer: Kyle Cooper
EFilm Digital Color Timer: Steve Bowen
EFilm Digital Finishing Colorist: Michael Healy
EFilm Negative Cutter: Mo Henry
SPI CG Character Animation Supervisor: Anthony LaMolinara
SPI Executive Producer: Jenny Fulle
SPI Digital Effects Producer: Carey A. Smith
SPI CG Supervisors: Peter Nofz, Jake Morrison, Seth Maury, Kee-Suk Hahn, Daniel Eaton
SPI Visual Effects Editor: Kevin J. Jolly
SPI Animation Production Mgr.: Christian Hejnal
SPI Digital Production Manager: Skye Lyons
SPI Associate DPM: Taigne Hammock
SPI FX Animation Supervisors: Francisco X. De Jesus, Theo Vandernoot
SPI Doc Ock Look Lead: John Monos
SPI Spider-Man Look Lead: Jeff Stern
SPI 3D Environment Lead: Dan Abrams
SPI Shader & Look Dev Leads: Foo Sing Choong, Laurence Treweek
SPI Image Based Rendering R&D: Mark Sager
SPI Procedural Texture Lead: John Schmidt
SPI CG Character Animation Leads: Chris Hurtt, Peter Giliberti, Jason Reisig
SPI Color & Lighting Leads: Ben Lishka, Grant Madden Anderson
SPI Color & Lighting TD: Thelvin Cabezas
SPI Programming TD's: Steve LaVietes, Sosh Mirsepassi
SPI FX Animation Leads: Kevin Paul Sheedy, Stephen Marshall
SPI Compositing Lead: JD Cowles
SPI IAC Coordinator: Jason Anderson
SPI Pre-Compositing Lead: Jennifer Hunt
SPI CG Animation Support: Chuck McIlvain
SPI Character Physiquing Lead: Aaron Campbell
SPI Character Physiquing / Setup Lead: Chris Waegner
SPI Character Modeling Leads: Jim Doherty, Kui Han Lee
SPI Hard Surface Modeling Lead: Alexander H. Whang
SPI Cloth Lead: Mark E. A. De Souza
SPI Hair Lead: John Lee
SPI VFX Photogs: Chris Hebert, Leah Hardstark
SPI Roto & Paint Lead: Chris Troianello
SPI Match Move Lead: Rachel T. Nicoll
SPI On-Set Match Move Lead: Messrob Torikian
SPI Motion Control Supervisor: Greg Nicholson
SPI Visual Effects Accountant: Jackie Szymanski
SPI Digital Effects Coordinators: Chris McLeod, Carlye Archibeque, Jeremie Winslow
SPI Visual Effects Plate Coordinators: Shyam V. Yadav, Annika Iltis
SPI Production Assistant: Rickey Goodling
SPI First Assistant Visual Effects Editor: Annie Mahlik
SPI Visual Effects Avid Editor: Steve Rhee
SPI Negative Handling Lead: Boyd Steer
SPI Videotape Editors: Sean Callan, Ray Wong
SPI Lead PST: J.C. Cornwall
SPI PST & Night Supervisor: Daniel Kubat
SPI Digital Color Timer: Paul McGhee
SPI Scanning Technician: Brandon England
SPI Digital Production Lead: Rachael Phillips
SPI Prod. Infrastructure Lead: Danielle Conroy
SPI Supervisor, Training & Artist Dev.: Sande Scoredos
SPI TAD Lead: Steve Prawat
SPI Systems Administrators: David Perry, Chris Wolf
SPI Systems Architect: Stephen Kowalski
SPI Senior Systems Engineer: Bruce Dobrin
SPI Systems Engineer: Gerardo De La Cruz
SPI President: Tim Sarnoff
SPI SVP, Digital Production: Stan Szymanski
SPI VP, Animation: Barry Weiss
Radium VFX Co-Supervisors: Jonathan Keeton, Scott Rader
Radium Executive Producer: Michele Jeffers
Radium Visual Effects Producer: Thomas Ford
Zoic Executive Producer: Kristen Leigh Branan
Zoic VFX Producer: Raoul Yorke Bolognini
Zoic Studios VFX Supervisor: Rocco Passionino
Barbed Wire VFX Producer: Korey J. Cauchon
Barbed Wire Production Supervisor: Kieran Woo
Barbed Wire CG Supervisor: Avi Das
Light Stage 2 Senior Supervisor: Paul Debevec
Light Stage 2 Supervisor: Tim Hawkins
Light Stage 2 Producer: Diane Piepol
NDS Executive Producer: Shannon Blake Gans
THDX Visual Effects Producer: Alex Thiesen
ROF Executive Producer: Jerry Spivack
Doc Ock Animatronics Producer, Edge FX Crew: Heidi Waldbaum
Doc Ock Animatronics Coordinator, Edge FX Crew: Ron Pogue
Puppeteer Videographer, Edge FX Crew: Michael Baymouth
Puppet Master, Edge FX Crew: Eric Hayden
Alfred Molina Stand-In, Edge FX Crew: Trevor Rick
Add'l Suit Designers: Alec Gillis, Tom Woodruff Jr
Spider-Man Costumes Construction Supervisor: John David Ridge
Fashion Consultants: John Galliano, Neil Barrett, Fred Leighton
Sony HDR Mastering Colorist: David Bernstein
Filming Dates: November 2002 (Pre-Shoot), 12 April 2003 - September 2003, December 2003 (Reshoots)
Cameras: Arriflex 435, Beaumont VistaVision, Iwerks MSM 8870, Panaflex XL, Platinum, 65 HR & System 65 Studio (35mm/65mm Kodak Vision 500T 5279)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75 Zoom, SLZ11 24-275mm Zoom, SLZ3 Hubble 135-420 Zoom, System 65 Primes & Hasselblad Primes
AR: 2.39:1 (4-Perf Common-Top & Center-Frame Super 35mm)(PS70, Iwerks 8/70 & 8-Perf VV: Visual Effects)
Budget: 200 Million USD
Budget AFI (2021): 294.2 Million USD
Printed on Kodak Vision 2383
MCU Phase: One
Franchise: Raimi Verse
Doc Ock Animatronic Construction by: Edge FX
Pier Sequence Miniatures by: Grant McCune Design
Filmed at / Post Services Provided by: Sony Pictures Studios Culver City, California
Main & End Titles Designed by: Prologue Films
Opticals, Special Visual Effects & Animation by: Sony Pictures Imageworks, Pacific Title, Radium, Zoic Studios & Barbed Wire
Digital Intermediate Provided by: EFilm
ICT Light Stage 2 Technology by: University of Southern California
3D Scanning Provided by: Gentle Giant Studios
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision®

Co-Writers: Sam Raimi, Ivan Raimi
Casting: Francine Maisler CSA, Kathleen Driscoll-Mohler
Production Visual Effects Supervisor: Scott Stokdyk
Composer (Original Themes): Danny Elfman
Composer (Original Score): Christopher Young
Costume Designer: James Acheson
Film Editor: Bob Murawski ACE
Production Designers: Neil Spisak, J. Michael Riva
Cinematographer: William "Bill" Pope ASC
Executive Producer: Kevin Feige
Executive Producer & UPM: Joseph M. Caracciolo
Producer: Grant Curtis
Screenwriter: Alvin Sargent
Supervising Stunt Coordinator & 2nd Unit Director: Daniel Bradley
Supervising Stunt Coordinator: Scott Rogers
Ass't Stunt Coordinators: Chris O'Hara, Tad Griffith, Randy Beckman
Production Choreographer: Marguerite Derricks
Unit Production Manager: Denis L. Stewart
1st Assistant Director: Eric N. Heffron
2nd Assistant Director: Michael J. Moore
Additional Visual Effects Supervisor: Richard Kidd
Senior Visual Effects Producer: Terry Clotiaux
Production Visual Effects Producer: Josh R. Jaggers
2nd Costume Designer: Katina Le Kerr
Production Supervisor: David J. Grant
Set Decorator: Leslie Ann Pope
A Camera Operator: Henry Cline
B Camera Operator: Dave Karp
Production Special Effects Supervisor: John Frazier
Production Special Effects Coordinator: James Schwalm
Scientific Consultant: Michael Backes
2nd Unit Directors: Jeffrey A. Lynch, Dave Lowery
2nd Unit DoP: Jonathan Taylor ASC
2nd Unit 1st Assistant Director: Nick Satriano
2nd Unit 2nd Assistant Director: Douglas Plasse
2nd Unit A Camera Operator: Joseph V. Cicio
2nd Unit B Camera Operator: David E. Diano
2nd Unit Special Effects Supervisor: Marty Bresin
Unit Prod Manager (NY Unit): Richard Baratta
Unit Prod Manager (NY 2nd Unit): Dana Robin
NY Unit Art Director: David Swayze
NY Unit Set Decorator: Susan Bode-Tyson
NY Unit B Camera Operator: Jonathan Herron
NY Unit Aerial DoPs: Dave Norris, Steve Koster
NY Unit Special Effects Supervisor: JC Brotherhood
NY Unit Visual Effects Plate Supervisor: Carey G. Villegas
Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell
Supervising Visual Effects Editor: Jody Fedele
Supervising Digital Colorist: Stephen Nakamura
Additional Digital Finishing Colorist: Darin Wooldridge
DI Finishing Producer: Zahida Bacchus
HDR Mastering Colorist: David Bernstein
Spydercam Rigging Coordinator: Tim Drnec
SPI Visual Effects Executive Producer: Jenny Fulle
SPI Digital Effects Supervisors: Peter Nofz, Ken Hahn
SPI Animation Supervisor: Spencer Cook
SPI DFX Producers: Carey A. Smith, Christian Hejnal
SPI CG Supervisor: David Seager, Robert Winter
SPI Senior Visual Effects Editor: Allen Cappuccilli
SPI Sand Effects Supervisor: Douglas Bloom
SPI Visual Effects Plate Supervisor: Sheena Duggal
SPI Visual Effects Plate Coordinator: Chris Antonini
SPI Special Still VFX Photographer: Chris Hebert
SPI Senior Pipeline Producer: Brian Keeney
SPI India Visual Effects Supervisor: Krishnakant Mishra
SPI India CG Supervisor: Shoban Babu
SPI India Digital Visual Effects Producer: S. Navin Venkatesh
SPI India Visual Effects Producer: Hitesh Shah
Café FX Visual Effects Supervisor: Scott Gordon
Café FX Visual Effects Producer: Richard Ivan Mann
Café FX CG Supervisor: Akira Orikasa
Café FX Visual Effects Coordinator: Wendy Hulbert
Café FX VFX Executive Producer: Vicki Galloway Weimer
GKR Visual Effects Supervisor: John Vegher
GKR Sequence Supervisor: Thomas Hutchinson
GKR Visual Effects Executive Producer: Amber Wong
BUF CG Artist: Pierre Buffin
BUF VFX Supervisors: Lucas Salton, Dominique Vidal
BUF Visual Effects Producer: Simon Vanesse
EEP VFX Supervisors: Matt McDonald, Daniel P. Rosen
EEP Visual Effects Executive Producer: John J. Lack
NDS Visual Effects Supervisor: Ian Hunter
NDS Visual Effects Producer: David Sanger
NDS Physical Effects Supervisor: Scott Beverly
NDS Model Supervisor: Forest P. Fischer
NDS VFX Unit DoP: Timothy Angulo
Filming Dates: 16 January 2006 - 1 July 2006, September 2006 (Add'l Photography)
Cameras: Arriflex 435, Beaumont VistaVision, Panaflex XL2 & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)(8-Perf VistaVision: Visual Effects)
Budget: 258-350 Million USD
Budget AFI (2021): 345.8-469.1 Million USD
Franchise: Raimi Verse
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks
Additional Visual Effects Provided by: Café FX, Giant Killer Robots, BUF Compagnie & Evil Eye Pictures
Miniature Effects Provided by: New Deal Studios
Attribute: Filmed with Panavision Cameras and Lenses

Writer: Sam Raimi
Casting Director: John Papsidera CSA
Special Make Up Effects / Puppeteer: Gregory Nicotero
Special Make Up Effects: Howard Berger
Co-Producer & Unit Production Manager: Cristen Carr Strubbe
Co-Producer & Writer: Ivan Raimi
Second Unit Director, Second/ Additional Units-Production Visual Effects Supervisor: Bruce Jones
Composer/Score Orchestrator: Christopher Young
Costume Designer: Isis Mussenden
Film Editor: Bob Murawski ACE
Production Designer: Steve Saklad
Director of Photography: Pete Deming ASC
Director of Photography, Add'l Photography: Paul Hughen ASC
Director of Photography, Picture Mill Cinematography: John Frost
Executive Producers: Joe Drake, Nathan Kahane
Producer: Rob Tapert
Producer/Production Manager: Grant Curtis
First Assistant Director: Michael J. Moore
Second Assistant Director: Giselle Gurza Junco
Executive in Charge of Production: Kelli Konop
Second Unit Director, Second/ Additional Units & Stunt Coordinator: Randy Beckman
Alison Lohman Stunt Double: Lisa Hoyle
Lorna Raver Stunt Double: Anna Mercedes Morris
Dileep Rao Stunt Double: Robert Alonzo
Farm Worker's Son Stunt Double: Richard Kwon
Stunts: Wade Eastwood
Puppeteer/KNB Project Supervisor: Shannon Shea
Puppeteers: Carey Jones, Wayne Toth, Beth Hathaway, Claire Mulroy, Dave Wogh, Jeff Edwards, Alex Diaz, Norman Cabrera, Kevin Wasner
Production Supervisor: Gregg Edler
Lead Art Director: James F. Truesdale
Lead Set Decorator: Don Diers
Lead Prop Master: Ellen Freund
Script Supervisor: Becky Boyle
Camera Operator: Patrick Rousseau
First Assistant "A" Camera: David Eubank
Second Assistant "A" Camera: Lisa K. Ferguson
First Assistant "B" Camera: Jamie Felz
Second Assistant "B" Camera: Paul Tilden
Panaflex Camera Loader: Oliver Ponce
Assistant Costume Designer: Elaine Davis
Costume Supervisor: Nancy Capper
Department Head Make-Up Artist: Luisa Abel
Key Make-Up Artist: Michael F. Blake
Make-Up Artist: Michael Germain
Lens Technician: Jessica Nelson
Department Head Hair Stylist: Janice Alexander
Key Hair Stylist: Carol A. O'Connell
Gaffer/Chief Lighting Technician: Michael LaViolette
Assistant Chief Lighting Technician: Andy C. Huber
Rigging Chief Lighting Technician: Eric Sandlin
Best Boy Rigging Electrician: Paul Postal
Rigging Electrician: Kyle Coventry
Lighting Console Programmer: Patrick George
Key Grip: Philip M. Sloan
Best Boy Grip: Paul Wilkowsky
Dolly Grip: Timothy P. Collins
Key Rigging Grip: Tracy Neftzger
Best Boy Rigging Grip: Richard Kuhn
Production Sound Mixer: Joseph Geisinger
Cable Utility Lead: W. Dennis Kirkpatrick
Video Assist Operator: Michael Herron
FXperts Special Effects Consultant: John Frazier
Production Special Effects Supervisor: Jim Schwalm
Special Effects Technicians: Jim Jolley, JD Schwalm, Richie Schwalm, Mike Wever
Production Coordinator: Susan Dukow
Assistant Production Coordinator: Danielle Hartzell
Production Secretary: David Forsyth
Supervising Location Manager: Mike Leon
Production Accountant: Mary Sunshine
Assistant Accountant: Jennifer Clark
Payroll Accountant: Jennifer Hunt
Construction Coordinator: Steven Hagberg
Construction Foremen: Tony Bridgers
Labor Foreman: Dan Simon
Assistant Art Director: Steven Samanen
Lead Set Designer: George R. Lee
Set Designer: Josh Lusby
Art Department Coordinator: Michael A. Truesdale
Storyboard Artists: Steve Markowski, Kevin Farrell
Unit Publicist: Will Casey
Still Photographer: Melissa Mosley
Second Second Assistant Director: Emily Hogan
Casting Associate: Jennifer Cram
Casting Assistant: Dylan Jury
Transportation Coordinator: Geno Hart
Transportation Captain: Adam Pinkstaff
Picture Car Captain: Marty Osborne
Second Unit Director of Photography, Second/ Additional Units: Paul Sanchez
First Assistant Director, Second/ Additional Units: Chris Edmonds
Second Assistant Director, Second/ Additional Units: Ken Bruno
Assistant Prop Master, Second/ Additional Units: David E. Saltzman
Script Supervisor, Second/ Additional Units: Harri James
Special Effects Coordinator, Second/ Additional Units: Chris Burton
Special Effects Foreman, Second/ Additional Units: Harold G. Selig
Post Production Supervisor: Nancy Kirhoffer
Post Production Visual Effects Editor: Sean Valla
Post First Assistant Editor: Joseph Virzi
Post Production Assistant: Troy Dahill
Supervising Music Editor: Thomas Milano
Production Music Editor: Cory Milano
Production Visual Effects Coordinator: Krista Allain
Visual Effects Assistants: C.J. Bruce, Jon O'Brien
Post Production Coordinator: Nicole Eldredge
Post Production Accountant: Heather Tyler
Supervising Sound Editors & Designers: Paul N.J. Ottosson
Sound Effects Editor: Chris M. Jacobson
First Assistant Sound Editor: Tricia Linklater
Re-Recording Assistant: Brad Seminoff
Dolby Sound Consultant: Bryan Pennington
Score Orchestrators: Sean McMahon, Brandon Verrett, David Shepherd
Score Coordinators: Joohyun Parks, Peter Bateman, Sunna Wehrmeijer
Synth Programmers: Andrew Spence, Max Max Blomgren, Greg Tripi, Jonathan Timpe
Recording/ Mixing Engineer: Robert Fernandez
Score Music Coordinator: Samantha Barker
Picture Mill Creative Supervisor: William Lebada
Picture Mill Art Director: Grant Nellessen
Picture Mill Animator/ Compositor: Jonathan Wolfe
Picture Mill Editorial Lead: Rye Krauter
Picture Mill Producer: David Midgen
Company 3 Executive Producer: Stefan Sonnenfeld ASC
Company 3 Finishing Colorist: Stephen Nakamura
Company 3 Senior On-Line Editor: Rob Doolittle
Company 3 Senior DI Producer: Erik Rogers
Company 3 DI VFX Producer: Kamila Bagherneiad
Company 3 DI Assistants: Jeremiah Morey, Dan Goslee
Company 3 Digital Intermediate Scanner: Taylor Black
Company 3 Digital Dailies Operator: Gordon Wang
Company 3 Dailies Assist: Brian Gee
KNB On Set Make-Up Supervisor: Garrett Immel
KNB Assistant Make-Up: Camille Calvet
KNB Designer: John Wheaton
KNB Office Coordinator: Veronica Torres
KNB Assistant Coordinator: Jackie Kolompar
KNB Accounting HOD: Randy Ball
KNB Purchasing HOD: Lindsay Vivian
Tippett Studio Visual Effects Supervisors: Thomas Schelesny, Matt Jacobs
Tippett Visual Effects Producer: Paul Hill
Tippett CG Supervisor: Russell Darling
Tippett Art Director: Ben Von Dastrow
Tippett Character Set-Up Lead: Eric Jeffery
Tippett Concept Art Lead: Pete Konig
Tippett Hell Miniature Model Leads: Lorna Peterson, Susan Allegria, Gretchen Scharfenberg, Andy Trickel
Tippett Color Pipeline Supervisor: Paige Franks
Tippett Studio Digital Production Manager: Adrienne Anderson
Tippett Visual Effects Coordinators: Scott Adams, Noelle Page, Tim De Pala
Tippett Visual Effects Editor: Jennifer Loungway
Tippett Studio Additional VFX Supervision: Brennan Doyle
Tippett CEO & President: Jules Roman
Tippett Executive Producer: Kip Larsen
Tippett Head of Production: Denise Minter
Ghost VFX Visual Effects Supervisor: Jeppe Nygaard Christensen
Ghost VFX Visual Effects Producer: Lars Bartkær
Cinesoup Visual Effects Supervisor: John Grower
IE Effects Visual Effects Producer: David Kenneth
IE Effects Visual Effects Supervisor: Aaron Kaminar
IE Effects Creative Designer: Justin Lewers
Howey Digital Visual Effects Supervisor: Jason Howey
Howey Digital Visual Effects Lead: Vincent Gorman
Howey Digital Previz Lead: Dave Isaac Santos Abuel
MKA VES Compositing Supervisor: Michael Kaelin
MKA VES 3D Supervisor: Jon Greenhalgh
MKA VES Technical Assistant: Alex Jacobs
Amalgamated Pixels President: Derry Frost
Amalgamated Pixels Executive Producer: Bonnie Kanner
Amalgamated Pixels Visual Effects Producer/Supervisor: Reid Paul
Amalgamated Pixels Visual Effects Co-Producer: Dione Wood
Curv Studios Visual Effects Lead: Vivian Wei
Curv Studios Matte Lead: Peter Lloyd
Second Unit Consultant: Jeffrey A. Lynch
Cameras: Panaflex Platinum & GII (35mm Kodak Vision2250D 5205, 200T 5217 & Vision3500T 5219)
Lenses: Panavision® Primo SL Primes, SLZ Zoom, SLZ11 Zoom & SLZ3 Zoom
AR: 2.40:1 (4-Perf Common-Top S35mm)
Budget: 30 Million USD
Budget AFI (2023): 42 Million USD
Released on: Kodak Vision 2383 Motion Picture Film
Special Effects Consulting by: FXperts Inc.
Main Title Sequence Design by: Picture Mill
Digital Intermediate by: Company 3 LA
Special Make Up Effects by: KNB Effects Group
Visual Effects by: Tippett Studio, Ghost VFX, Cinesoup, IE Effects, Howey Digital, Michael Kaelin & Associates Visual Effects Studio, Amalgamated Pixels + Curv Studios
Attribute Filmed with Panavision® Cameras & Lenses

Special Makeup Effects Designers: Greg Nicotero, Howard Berger
Production VFX Supervisor: Scott Stokdyk
Composer: Danny Elfman
Costume Designers: Gary Jones, Michael Kutsche
Film Editor: Bob Murawski ACE
Production Designer: Robert Stromberg
Cinematographer: Peter Deming ASC
Executive Producer/Unit Production Manager: Philip Steuer
Co-Producer/Unit Production Manager: W. Mark McNair
Co-Producer/1st Ass't Director: KC Hodenfield
Key 2nd Ass't Director: Jeffrey Schwartz
2nd Assistant Director: Jeff Okabayashi
Co-Producer/Production VFX Producer: Tamara Watts Kent
Production Animation Supervisor: Troy Saliba
SPI Senior VFX Producer: Diana Stulic Ibanez
Associate Producer: Debbi Bossi
Stunt Coordinator/2nd Unit Director: Scott Rogers
Ass't Stunt Coordinator: Randy Beckman
Supervising Art Directors: Stefan Dechant, Todd Cherniawsky
A-Camera Operator: Patrick Rousseau
B-Camera Operator: Kim Marks SOC
3D Rig Technician: Joshua Greer
Data Management Supervisor: Kyle Spicer
Stereographer: James Goldman
Prop Master: Russell Bobbitt
Supervising VFX Editor: Jody Fedele
Stereoscopic Supervisor: Ed W. Marsh
VFX Production Supervisor: Alexa Hale
Senior SFX Supervisor: Jim Schwalm
Senior SFX Coordinator: John Frazier
SFX Set Foreman: Robert Ball
VFX Plate Coordinators: Kerry Joseph, Rob McGlinchey
Horse Stunt Coordinator: Tad Griffith
2nd Unit Director: Jeffrey A. Lynch
2nd Unit DoP: Paul Sanchez
2nd Unit 3D Rig Technician: Chris Burket
2nd Unit VFX Supervisor: Bill Kent
Score Mixer/Recordist: Dennis S. Sands
Supervising Orchestrator: Steve Bartek
Senior Colorist: Stephen Nakamura
Conform Artist: Joe Ken
DI Producer: Erik Rogers
DI Technologist: Mike Chiado
Color Assistant: Travis Flynn
Film Color Timer: Harry Muller
Company 3 CEO: Stefan Sonnenfeld ASC
SPI VFX Executive Producer: Debbie Denise
SPI VFX Producer: Christian Hejnal
SPI DFX Supervisors: Francisco De Jesus, Peter Nofz
SPI CG Supervisor: Kevin Souls
SPI Compositing Supervisor: Craig Wentworth
SPI Stereographer: Scott Wilman
SPI VFX Art Director: Steven Messing
SPI Digital VFX Producer: Mickey Levy
SPI VFX Senior Editor: Elaine Andrianos
SPI VFX Editor: Allan Cappuccilli
Luma Pictures Executive VFX Supervisor: Payam Shohadai
Luma Pictures VFX Supervisor: Vincent Cirelli
Luma Pictures VFX Producer: Steven Swanson
Luma Pictures Digital Production Manager: Michael Perdew
Luma Pictures CG Supervisor: Pavel Pranevsky
Luma Pictures Animation Supervisor: Raphael A. Pimentel
Luma Pictures Roto & Paint Supervisor: Glenn Morris
Luma Pictures Lead Digital Coordinator: Catherine Hughes
Digiscope VFX Supervisor: Dion Hatch
Digiscope VFX Producer: Mary Stuart Welch
Digiscope DFX Supervisor: Brennan Prevatt
EEP VFX Supervisor: Matt McDonald
EEP VFX Co-Supervisor: Daniel P. Rosen
EEP VFX Producer: John Lack
EEP CG Supervisor: Noah Vice
Method Studios VFX Supervisor: Matt Dessero
Method Studios VFX Producer: Andy Foster
Method Studios VFX Coordinator: Ryan Gaul
Method Studios CG Supervisor: Blake Sweeney
Method Studios Compositing Supervisor: Troy Moore
Legend3D Compositing Supervisor: Adam Ghering
Legend3D Senior VFX Producer: Matt Akey
Legend3D Lead Stereo Compositor: Keith Kolod
Filming Dates: 25 July 2011 - 22 December 2011
Camera: Red Epic 3D (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 5K Redcode RAW)
Lenses: Panavision Primo Spherical Primes
AR: 1.33:1 (Opening Sequence), 2.39:1 (Dual-Strip 3D)
Budget: 200-215 Million USD
Printed on: Kodak Vision 2383
Special Makeup Effects Provided by: KNB EFX Group
Score Mixed at: Remote Control Productions
Digital Intermediate Provided by: Company 3
Visual Effects & Animation Provided by: Sony Pictures Imageworks, Luma Pictures, Digiscope, Method Studios & Evil Eye Pictures
3D VFX Services Provided by: Legend3D
Attribute: Filmed in Panavision

Screenplay Writer: Michael Waldron
Story Writer/Executive Producer: Scott Derrickson
Story Writer: Jade Halley Bartlett
Producer: Kevin Feige
Executive Producer: Louis D'Esposito
Executive Producer: Victoria Alonso
Executive Producer: Eric Hauserman Carroll
Executive Producer/Key Unit Production Manager: Jamie Christopher
Co-Producers: Mitch Bell, Richie Palmer
Director of Photography: John Mathieson BSC
Director of Photography, New York Unit: Jim McMillan
Directors of Photography, Los Angeles Unit: Dan Mindel ASC BSC SASC, Russell Carpenter ASC
Production Designers: Charles Wood
Production Designer, LA Unit: Clint Wallace
Editors: Bob Murawski ACE, Tia Nolan ACE
Costume Designer: Graham Churchyard
Production Visual Effects Supervisor/Splinter Unit Second Unit Director: Janek Sirrs
Production Visual Effects Producer: Cyndi Ochs
Composer: Danny Elfman
Composer, Additional Music: Chris Bacon
Composers, Additional Themes: Michael Giacchino, Alan Silvestri
Music Supervisor: Dave Jordan
Casting Director: Sarah Halley Finn CSA
Second Unit Director: Jeff Habberstad
Unit Production Manager: Karl Caffrey
First Assistant Director: Dominic Fysh
Second Assistant Director: Matthew Sharp
Visual Development Supervisor: Ian Joyner
Production VFX Supervisor: Zach Tucker
ILM Senior VFX Supervisor/Splinter Unit Second Unit Director: Julian Foddy
Supervising Sound Editors: Katy Wood, Addison Teague
Re-Recording Mixers: Lora Hirschberg, Juan Peralta
Creative Finishing Supervisor: Evan Jacobs VES
Senior Supervising Finishing Artist: Stephen Nakamura ASC
Stunt Coordinator (US)/Splinter Unit Second Unit Director: Brycen Counts
Stunt Coordinator (UK): Jo McLaren
Stunt Coordinator (AP): Samuel Le
Assistant Stunt Coordinators: Ian Pead, Dan Brown
Fight Coordinator: Liang Yang
Assistant Fight Coordinator: Johnny Dao
Winch Supervisor: Gavin Weatherall
Winch Operator: Neil Frazer
Supervising Art Director: Thomas Brown
Set Decorator: John Bush
Lead Storyboard Artist: Doug Lefler
Storyboard Artists: David Allcock, Jeremy Simser, Darrin Denlinger
Head of Visual Development: Ryan Meinerding
A Camera Operator: Rodrigo Gutierrez ACO
A Camera First AC: Lewis Hume
A Camera Second AC: Archie Muller
B Camera Operator: Paul Edwards ACO
B Camera First AC: Leigh Gold
B Camera Second AC: Filippo Maso
C Camera Operator: Richard Philpott ACO
C Camera First AC: Keith McNamara
C Camera Second AC: Ross McNamara
Digital Imaging Technician: James Metcalfe
DIT Data Manager: Wil Gardner
DIT Assistant: James Knight
Central Loader: Freddie FitzHerbert
Camera Trainee: Nicola Braid
Post Production Supervisors: Liz Richards, Patsy Bouge
Associate Editor: Dov Samuel
Lead First Assistant Editor: Kim Boritz-Brehm
Second Assistant Editors (UK): Esther Bailey, Harry Allpass
Assistant Editor (UK): Nick Davis
Editorial Production Assistant (UK): Maia Robins
Music Editor: Denise Okimoto
Post Production Coordinator: Andrew K. Ross
Additional VFX Supervisors: Chris Shaw, Robert Konuch
VFX Production Manager: Greg Digiacomo
On-Set VFX Production Manager (UK): Jaesung Oh
VFX Coordinator (UK): Millie Clarke
Lead VFX Data Wrangler (UK): Jose Armengol
Second Unit VFX Data Wrangler: Roisin El Cherif
Splinter Unit VFX On-Set Lead: Amber Fullwood
Splinter Unit Assistant Data Wrangler: Hattie Williams
VFX Lead Editor: Kosta Saric
Production VFX Editor: Bob Drwila
Supervising Marketing Editor: Craig Tanner
3D Stereoscopic Supervisor: Emma Webb
3D Stereoscopic Producer: Madalynn Rose Sadeghian
3D Stereoscopic Editors: Wayan Palmieri, Guy Weidmann
3D Stereo & Screen X Coordinator: Raphael Oseguera
Assistant 3D Stereoscopic Supervisor: Sean Goldman
3D Stereo Senior Prod. Coordinator: Tagui Chilyan
Production Supervisor: Samuel Sharpe
Supervising Prop Master: Barry Gibbs
Props Coordinator / Buyer: Hayley Gibbs
Gaffer: Chuck Finch
Supervising Location Manager: Aurelia Thomas
Makeup & Hair Designer: Lizzie Georgiou
Prosthetics Designer: Barrie Gower
Prosthetics Co-Department Head: Sarah Gower
Production Special Effects Supervisor/Splinter Unit Second Unit Director: Chris Corbould
Floor Supervisor: Ian Lowe
Workshop Supervisors: John Arnitt, Michael Fox, Kevin Herd, Daniel Homewood, Tom Murtagh
Animatronic Designers: Jamie Campbell, Lindsay Harris
Wire Supervisors: Steve Crawley, Mark Godleman
Production Buyer: Lynne Corbould
Senior SFX Technicians: Chris Corbould Jr., Ian Corbould, Jamie Corbould
UK Casting Director: Reg Poerscout-Edgerton CSA
Senior Casting Associate (US): Molly Doyle CSA
Picture Vehicle Supervisor: Ian Clarke
Splinter Unit Second Unit Director: Lorne Raimi
Splinter Unit First Assistant Director: Sallie Hard
Splinter Unit Second Assistant Director: Josie Morgan
Splinter Unit Directors of Photography: Katie Swain, Peter Talbot
Splinter Unit Camera Operators: Richard Bradbury, Steve Burgess, Gabi Norland, Peter Wignall
Splinter Unit & Second Unit C Camera Operator: Mark Moriarty
Splinter Unit Focus Pullers: Jacob Barrie, Peter Bateson, Richard Copeland, Emma Friend, James Smith
Splinter Unit Clapper Loaders: Luke Lloyd, Richard Parsons, Sam Taylor
Splinter Unit Third Assistant Director: Emma Reynolds
Splinter Unit Gaffer: Gavin Walters
Second Unit First Assistant Director: Andy Madden
Second Unit Second Assistant Director: Rob Madden
Second Unit Director of Photography: Johnny Gamble ACO
Second Unit Production Manager: Jamie Lengyel
Second Unit Production Coordinator: Ben Kozel
Second Unit A Camera Operator: Stefan Stankowski
Second Unit A Camera First AC: Harry Gamble
Second Unit A Camera Second AC: Oli Squire
Second Unit B Camera Operator: Dan Gamble
Second Unit B Camera First Assistant: Allen Hall
Second Unit B Camera Second AC: Max MacGechan
Second Unit C Camera First AC: Nick Crew
Second Unit C Camera Second AC: Hannah Jell
Second Unit Camera Trainee: Daisy Gamble
Second Unit Gaffer: Billy Gamble
Second Unit SFX Workshop Supervisor: Andrew Aitken
Aerial Unit On-Set VFX Supervisor: Francesco Grisi
Aerial Unit Directors of Photography: Irmin Kerck, Jeremy Braben BSC
Drone Aerial Unit Director of Photography: Phil Artnz
Unit Production Manager, NY Unit: Michael Kriaris
NY Unit First AC: Stan Keitt
NY Unit Second AC: Yves Wilson
NY Unit VFX Data Wrangler: Rose FitzMaurice
LA Unit Line Producers / Unit Production Managers: Helen Pollak, JoAnn Perritano
LA Unit Production Supervisor: Lisa Dietrick
LA Unit First Assistant Director: Jeff Okabayashi
LA Unit Key Second Assistant Director: Jeremy Silveira
LA Unit Second Second Assistant Director: Steve Windle
C Unit First Assistant Director, LA Unit: Matthew Haggerty
LA Unit A Camera Operator: Peter Rosenfeld SOC
LA Unit A Camera First ACs: Dan Ming, Steve Wong
LA Unit A Camera Second ACs: Max Deleo, Trevor Carroll-Coe
LA Unit B Camera First AC: Jim Apted
LA Unit B Camera Second AC: Kalli Kouf
LA Unit C Camera DP / Operator: Peter Holland ACS
LA Unit C Camera First AC: Jacob Depp
LA Unit Digital Imaging Technicians: Robert Howie, Natalie Carr
LA Unit Camera Assistant: Ginger Port
LA Unit Supervising Location Manager: James Lin
LA Unit Gaffer: Christopher Prampin
LA Unit Rigging Gaffer: Luis Moreno
C Unit Gaffer, LA Unit: Wesley Alley
LA Unit SFX Coordinator: Alan Roberts
SPI Senior VFX Supervisor: Theo Bialek
SPI Stereo Supervisor: Brian Schumacher
Wētā FX Senior VFX Supervisor: Joe Letteri
Wētā FX VFX Supervisor: Erik Winquist
Wētā FX Animation Supervisor: Ludovic Chailloleau
Wētā Executive Producer: David Conley
Luma Executive Producer: Shauna Bryan
Luma Senior VFX Supervisor: Olivier Dumont
Luma Senior VFX Producer: Michael Perdew
Luma Producer: Catherine Hughes
Framestore Senior VFX Supervisor: Alexis Wajsbrot
ILM VFX Animation Supervisor: Chris Lentz
ILM VFX Compositing Supervisor: Jan Maroske
ILM Senior CG Supervisor: Axel Akesson
ILM VFX Associate Supervisors: Florian Witzel
ILM Senior VFX Producers: Danielle Legovich, Lee Briggs
ILM VFX Associate Producer: Dan Cortez
ILM VFX Executive Producer: Jeanie King
ILM VFX Editors: Bethany Harvey, Erik Pampel
ILM VFX Production Managers: Anna Mabarak, Lillias Ng
ILM CCO: Rob Bredow
ILM CTO: Francois Chardavoine
ILM General Manager: Janet Lewin
ILM London Head of Studio: Sue Lyster
DD3.0 VFX Supervisor: Joel Behrens
CO3 Finishing Artists: Adam Nazarenko, Jared Pecht
CO3 3D Finishing Artist: Alan Gordon
CO3 Color Assistants: Zachary Korpi, Frankie Hudson
CO3 Image Scientists: Dr. John Quartel, Emily Faw
CO3 Senior Finishing Producer: Laura Holeman
CO3 Associate Finishing Producers: Hannah England, Jessica Stone, Tatianna Kroha
CO3 Senior Finishing Editors: Paul Carlin, Chad Schermerhorn
CO3 Mastering Producer: Jessica Dunn
CO3 Senior Mastering Tech: Daniel Vins
CO3 Executive Producer: Stefan Sonnenfeld ASC
Stereo D Stereographer: Jason Bomstein
Stereo D Stereo Producer: Ryan Fisk
Stereo 3D Associate Producer: Elliesse Cuniff
Supervising Orchestrator: Steve Bartek
Score Mixer: Dennis Sands
Additional Engineer: Noah Snyder
Italy Unit Aerial Director of Photography: John Marzano
Panavision® SVP, Optical Engineering: Dan Sasaki ASC
Filming Dates: November 2020 - April 2021
Cameras: Millennium DXL2 IMAX® & Red DSMC2 Ranger Monstro IMAX® (8K Redcode RAW)
Lenses: Panavision® Primo SLZ11 48-550mm Zooms, SLZ3 Hubble 135-420mm Zooms, Primo 70 24-80mm Zooms, 70-185mm Zooms, Sphero 65 Primes, Optica Elite 2x 240-1040mm Zooms & Angenieux Optimo Ultra FF 12x 36-465mm Zooms
AR: 1.90:1 (IMAX Version), 2.39:1 (Panavision Super 70)
Budget: 414.9 Million USD
Phase: Four
Printed on: Kodak Vision 2383
Visual Effects & Animation by: Industrial Light & Magic, Sony Pictures Imageworks, Wētā FX, Luma, Framestore + Digital Domain 3.0
Post Production Sound Services by: Skywalker Sound
Color & Finish by: Company 3
3D Conversion by: Stereo D
Score Recorded at: Abbey Road Studios
Filmed at: Longcross Film Studios
Film Prints by: FotoKem
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®|IMAX®