OFTA TV Behind the Scenes Hall of Fame

Dick Clark was born and raised in Mount Vernon, New York on November 30, 1929, to Julia Fuller (Barnard) and Richard Augustus Clark. He had one older brother, Bradley, who was killed in World War II. At the age of 16, Clark got his first job in the mailroom of WRUN, a radio station in Utica, New York, which was owned by his uncle and managed by his father. He worked his way up the ranks and was promoted to weatherman before becoming a radio announcer. After graduating from Syracuse University with a degree in business administration, Clark began working at several radio and television stations before landing at WFIL radio in 1952. While working at the station, Clark became a substitute host for Bob Horn's Bandstand, an afternoon program where teenagers danced to popular music, broadcast by WFIL's affiliated television station. In 1956, Horn was arrested for drunk driving, giving Clark the perfect opportunity to step in as the full-time host.

After acquiring nationwide distribution the newly reformatted program, now titled "American Bandstand", premiered on ABC on August 5, 1957. In addition to the name change, Clark added interviews with artists (starting with Elvis Presley), lip-sync performances, and "Rate-a-Record," allowing teens to judge the songs on the show - and giving birth to the popular phrase, "It's got a good beat and you can dance to it." Clark also established a formal dress code, mandating dresses and skirts for the women and a coat and tie for the men. But perhaps the most impactful change that Clark made to the show was ending "American Bandstand's" all-white policy, allowing African American artists to perform on the show.

Under Clark's influence, "Bandstand" became one of the most successful and longest-running musical programs, featuring artists including Chuck Berry, the Doors, the Beach Boys, Pink Floyd, and Smokey Robinson. Sonny and Cher, The Jackson 5, Prince, and Aerosmith were among the influential artists and bands that made their television debuts on "Bandstand", which is also credited with helping to make America more accepting of rock 'n' roll.

With the success of "American Bandstand", Clark became more invested in the music publishing and recording businesses, and began managing artists, hosting live sock hops, and arranging concert tours. But in 1960, when the United States Senate began investigating "payola", the practice in which music producing companies paid broadcasting companies to favor their products, Clark became caught up in the scandal. The investigation found he had partial copyrights to over 150 songs, many of which were featured on his show. Clark denied he was involved in any way, but admitted to accepting a fur and jewelry from a record company president. In the end, the Senate could not find any illegal actions by Clark, but ABC asked Clark to either sell his shares in these companies or leave the network so there was no conflict of interest. He chose to sell and continue on as host of "American Bandstand", which was unaffected by the scandal.

In 1964, Clark moved Bandstand from Philadelphia to Los Angeles and became more involved in television production. Under his company Dick Clark Productions, he produced such shows as "Where the Action Is", "TV's Bloopers and Practical Jokes", and more recently, "So You Think You Can Dance", as well as made-for-television movies including "Elvis", "The Birth of the Beatles", "Wild Streets", and "The Savage Seven". Clark also hosted television's "$10,000 Pyramid", "TV Bloopers and Practical Jokes" (with co-host Ed McMahon), "Scattergories", and "The Other Half". Clark also had several radio programs, including "The Dick Clark National Music Survey", "Countdown America", and "Rock, Roll & Remember".

In 1972, he produced and hosted the very first edition of "Dick Clark's New Year's Rockin' Eve", a musical program where Clark counted down until the New Year ball dropped in Times Square, featuring taped performances from musical artists. "New Year's Rockin' Eve" soon became a cultural tradition, airing on ABC every year with Clark as host (except in 1999 when ABC aired "ABC 2000: Today", a news milestone program hosted by Peter Jennings). In December 2004, Clark suffered a minor stroke and was unable to host, so Regis Philbin stepped in as a substitute. The following year, Clark returned as co-host alongside primary host Ryan Seacrest. Many were worried about Clark due to his slurred and breathless speech, and he admitted on-air he was still recovering but that he wouldn't have missed the broadcast for the world. The following year, Seacrest became "New Year's Rockin' Eve's" primary host, but Clark always returned for the countdown.

Clark has received several notable awards including four Emmy Awards, the Daytime Emmy Lifetime Achievement Award in 1994, and the Peabody Award in 1999. He was inducted into the Hollywood Walk of Fame in 1976, The Radio Hall of Fame in 1990, Broadcasting Magazine Hall of Fame, the Rock and Roll Hall of Fame, and the Academy of Television Arts & Sciences Hall of Fame. Clark had been in St. John's hospital in Los Angeles after undergoing an outpatient procedure the night of April 17, 2012. Clark suffered a massive heart attack following the procedure. Attempts to resuscitate him were unsuccessful and he died the next morning of April 18, 2012.

While in junior high school, he became interested in science fiction, and years later while reading a copy of 'Astounding Stories' when he was working as an airline pilot, he decided to give it up and become a writer. He moved West and joined the Los Angeles police force to gain experience that would help him toward a writing career in Hollywood. He began selling scripts for television shows such as 'Dragnet' and 'Naked City'. He was head writer on 'Have Gun Will Travel' for two years, winning the 'Writer's Guild Award' for 'Best Script'. He created and produced 'The Lieutenant' followed by 3 years of the 'Star Trek' television series and produced the films 'Pretty Maids All in a Row', the first 'Star Trek' film and was executive consultant on the following two.

Aaron Spelling graduated from Southern Methodist University in Dallas, Texas, with a Bachelor of Arts Degree. Before that, he attended Forest Avenue High. He started as a writer and sold his first script to Jane Wyman Presents the Fireside Theatre (1955). He wrote for various television shows, including Playhouse 90 (1956). After he wrote his first pilot he became a producer for Four Star Productions. He partnered with Danny Thomas and formed Thomas-Spelling Productions. In 1972 he formed Aaron Spelling Productions, and then joined with Leonard Goldberg for Spelling-Goldberg Productions. In 1986 his company went public and formed Spelling Entertainment, Inc. In 1995, he became vice-chairman of Spelling Entertainment, Inc., and chairman of Spelling Television, a subsidiary. Spelling Entertainment owns World Vision (syndication), Hamilton Projects and Republic Pictures. It also owns a software company called Virgin Interactive. Hamilton Projects handles merchandising for Spelling's shows. The main office is located at 5700 Wilshire Blvd, Los Angeles, California.

James L. Brooks was born on 9 May 1940 in Brooklyn, New York, USA. He is a writer and producer, known for Broadcast News (1987), As Good as It Gets (1997) and Terms of Endearment (1983). He has been married to Jennifer Simchowitz since 24 November 2024. He was previously married to Holly Holmberg Brooks and Marianne Catherine Morrissey.

William Hanna was an animator, film director, and television producer. He was the co-founder of the company Hanna-Barbera, with his longtime partner Joseph Barbera.

Hanna was born in an Irish-American family, son of William John Hanna (1873-1949) and his wife Avice Joyce Denby. He was born in Melrose, New Mexico Territory, though the family never set root there. His father worked as a construction superintendent for railroads, water systems, and sewer systems. He was often re-assigned, requiring his family to move with him to new locations.

Hanna attended Compton High School in Compton California from 1925 to 1928. During his high school years, Hanna played the saxophone in a dance band. He developed a passion for music that would lead to him personally working on several theme songs for his animated work.

Hanna briefly attended Compton City College, studying both journalism and structural engineering. The Great Depression affected his family's financial situation, forcing him to drop out of college and seek work. He worked first as a construction engineer, then as a car wash employee. A family friend convinced him to seek a job for Leon Schlesinger's company "Pacific Title & Art Studio", which designed title cards for films. Though he lacked formal training, he displayed a talent for drawing. This helped him get hired at an upstart animation studio connected to Schlesinger, the Harman and Ising animation studio, which was producing the "Looney Tunes" and "Merrie Melodies" series. Hanna was promoted to head of their ink and paint department.

In 1933, the studio's heads (Hugh Harman and Rudolf Ising) dissolved their business relationship with Schlesinger. Schesinger retained the rights to the "Looney Tunes" and "Merrie Melodies", while Harman and Ising kept the rights to their popular character Bosko. Hanna followed them into their subsequent projects. By 1936, he was promoted to film director and directed a few short films in their "Happy Harmonies" film series.

In 1937, Metro-Goldwyn-Mayer stopped distributing animated films by Harman and Ising, and created their own animation subsidiary: the Metro-Goldwyn-Mayer cartoon studio (1937-1957). They hired away most of the staff of the Harman and Ising studio, including Hanna. In 1938, Hanna became a senior director for the "Captain and the Kids" film series, an adaptation of the popular comic strip "The Katzenjammer Kids". The series failed to find an audience, and was terminated in 1939. Hanna was demoted from director to story-man.

During this period, Hanna started co-working with fellow animator Joseph Barbera on the idea of a film series featuring a cat-and-mouse duo. The two were allowed to co-direct the film "Puss Gets the Boot" (1940), introducing the characters of Tom and Jerry. The film was popular with critics and the audience, but studio head Fred Quimby was not initially interested in a full series with the characters. However, the commercial failure of other products of the studio convinced Quimby to try reusing Tom and Jerry. Hanna and Barbera were assigned their own production unit to work on the new series.

From 1940 to 1957, Hanna and Barbera co-directed 114 short films starring Tom and Jerry. The series was a critical and popular success, winning 7 Academy Awards and being nominated for other 7. In 1955, Fred Quimby retired, and Hanna and Barbera replaced him as studio heads. But by this time production costs for the films were high, while they were less profitable than before. MGM shut down the studio in 1957.

Hanna briefly partnered with animator Jay Ward in creating their own animation studio, called "Shield Productions". They parted ways before producing anything notable. Hanna next partnered with Barbera again, creating the company Hanna-Barbera Productions. Since the market for theatrical animated shorts was in decline, the duo intended to produce animation for television. They received partial funding from Screen Gems, in return for a distribution deal.

The studio's first television series was the moderately popular "The Ruff & Reddy Show". It was followed by the more successful "The Huckleberry Hound Show" and "The Yogi Bear Show", which introduced popular characters and managed to attract an adult audience. Realising that there was a market for adult-oriented cartoons, Hanna and Barbera next developed the animated sitcom "The Flintstones", a parody of "The Honeymooners" with a Stone Age setting. It found success with both adult and juvenile audiences, helping the studio become the leader in television animation for most of the 1960s.

In 1966, Hanna-Barbera Productions was sold to Taft Broadcasting for 12 million dollars. Hanna and Barbera continued serving as studio heads until 1991. In 1991, the studio was sold to Turner Broadcasting System, with Hanna and Barbera reduced to an advisory position. In 1996, the studio was sold to Time Warner, with Hanna remaining an advisor until his death in 2001.

In March 2001, Hanna died of esophageal cancer at his home in North Hollywood, Los Angeles, He was 90-years-old. He was buried at Ascension Cemetery in Lake Forest, California. His legacy includes more than 100 animated series, multiple films and television specials, and a large number of enduring characters.

Joseph Roland Barbera was an American animator, film director, and television producer. He was the co-founder of the company Hanna-Barbera, with his longtime partner William Hanna.

Barbera was born in an Italian-American family. His parents were barbershop-owner Vincent Barbera (1889-1965) and Francesca Calvacca (1875-1969), both Italian immigrants from Sicily. Vincent was from the farming town of Castelvetrano, while Francesca was from the spa town of Sciacca (founded as the ancient Greek colony of Thermae).

Barbera was born in Little Italy, at the Lower East Side section of Manhattan. Months following his birth, Barbera's family moved to Flatbush, Brooklyn. He was mostly raised in Flatbush. Vincent Barbera grew prosperous for a while, but a gambling addiction led him to squander the family fortune. In 1926, Vincent abandoned his family, and Joseph was taken under the wing of his maternal uncle Jim Calvacca.

Barbera attended Erasmus Hall High School in Brooklyn. During his high school years, he worked as a tailor's delivery boy. Meanwhile, he excelled in boxing and won a number of titles, but decided against becoming a professional boxer. He graduated high school in 1928, and started working odd jobs.

In 1929, Barbera first became interested in animation, after viewing Walt Disney's "The Skeleton Dance" (1929). Shortly after, he started working as a freelance cartoonist. Some of his print cartoons were published in Redbook, the Saturday Evening Post, and Collier's. Meanwhile Barbera took art classes at the Art Students League of New York and the Pratt Institute, hoping to improve his drawing skills.

Barbera was eventually hired as an inker and colorist by Fleischer Studios. In 1932, he was hired by the Van Beuren Studios as an animator and storyboard artist. At Van Beuren he worked on such film series as "Cubby Bear" and "Rainbow Parades". The studio's most prominent cartoon starts were a human duo known as "Tom and Jerry". Barbera worked on the Tom and Jerry series, and apparently liked the sound of the duo's name.

In 1936, Barbera left the financially struggling Van Beuren studio to work for Paul Terry's Terrytoons studio. In 1937, he left Terrytoons to work for the then-recently established Metro-Goldwyn-Mayer cartoon studio (1937-1957). MGM offered its animators higher salaries than what Terrytoons could offer. His first few years at the studio were not particularly notable. In 1939, he and co-worker William Hanna started working on the idea of a cat-and-mouse duo of characters. They were allowed to co-direct "Puss Gets the Boot" (1940), introducing the new duo of Tom and Jerry. It was critically and commercially successful, but studio head Fred Quimby was initially uninterested in producing a full series of Tom and Jerry films. The lack of success of other products of the studio convinced Quimby, and Barbera and Hanna became the head of their own production unit to work on the new series.

From 1940 to 1957, Hanna and Barbera co-directed 114 Tom and Jerry animated shorts. The Tom and Jerry series was very popular with critics and audience. But by the 1950s, production costs were high while the profitability of the shorts was lower than before. MGM decided to shut down its animation subsidiary. Barbera was unemployed for the first time in decades.

Barbera briefly partnered with Robert D. Buchanan (1931-) in production of an animated television series, the science fiction series "Colonel Bleep" (1957-1960). It was the first animated series specifically produced for color television. Barbera eventually left this partnership and teamed up with William Hanna again. They founded Hanna-Barbera Productions, their own animation studio. With theatrical animation in decline, they focused on the new market of television animation.

The studio's first television series was the moderately successful "The Ruff & Reddy Show". It was succeeded by the much more popular "The Huckleberry Hound Show" and "The Yogi Bear Show". Survey's revealed that the two shows had attracted an adult audience, convincing Hanna and Barbera that they could market animation to adults. Their next series was the animated sitcom "The Flintstones" (1960-1966), popular with both children and adults. Its success helped establish Hanna-Barbera Productions as the leader in television animation.

In 1966, Hanna-Barbera Productions was sold to Taft Broadcasting for $12 million dollars.Barbera and Hanna remained studio heads until 1991, when the studio was sold to the Turner Broadcasting System for an estimated 320 million million dollars. Barbera and Hanna were reduced to advisory positions, which would they keep for the rest of their lives. Barbera periodically worked on new Hanna-Barbera shows, and even provided input for the original live-action adaptation of Scooby-Doo in 2002.

In 2001, Hanna-Barbera Productions was absorbed into Warner Bros. Animation. Barbera received executive producer credits for Warner Bros. sequels and adaptations of his old series (such as "What's New, Scooby-Doo?" and "Tom and Jerry Tales"). In 2005, Barbera co-directed a new Tom and Jerry short film: "The Karate Guard". Barbera then started work on a Tom and Jerry feature film, " Tom and Jerry: A Nutcracker Tale" (2007). He died before production was completed.

Barbera died in December 2006, at the age of 95. He had never fully retired and was still working at the time of his death. His legacy includes more than a 100 television series, and a large number of enduring characters.

Mike Post - musician, composer, arranger and producer - has long been considered the most successful composer in television history. His career in television started in 1970. Over the years, he's written the music for seven thousand hours of TV including: Law and Order: Special Victims Unit, Law & Order Criminal Intent, Law & Order and Nurses.

The list continues with NYPD Blue, The Rockford Files, Magnum PI, Hill Street Blues, L.A. Law, The A-Team, Wiseguy, Hunter, The Commish, Quantum Leap, Doogie Howser MD, Blossom, Hooperman, The White Shadow, Hardcastle & McCormick, Byrds of Paradise, News Radio, Silk Stalkings and Renegade. Theme songs from The Rockford Files, The Greatest American Hero, Hill Street Blues and L.A. Law all became chart topping records and landed Post four of his five Grammy Awards. In 1996 he won the Emmy for outstanding achievement in Main Title composition for the critically acclaimed Murder One.

Born and raised in Los Angeles County's San Fernando Valley, the son of an architect, Post began his study of music with piano lessons at the age of six. His taste was decidedly eclectic--obsessed with Dvorak, Stephen Foster, the blues and rock n' roll. At fifteen, he was playing club dates. He bought an electric piano just like his idol Ray Charles had used on stage; a brown Wurlitzer.

Post's life revolved around music and Valley sub-culture--much like the characters in the film American Graffiti. Cut off from music during school hours, his salvation at Grant High School was a homemade paper keyboard that he would pull out and silently "play" in class, hiding behind dark sunglasses and an open book. Ironically, nearly twenty-four years later, Post was summoned back to campus as one of the school's 1987 Hall of Fame inductees. His 1962 senior classmates included Mickey Dolenz of the Monkees and Magnum PI's Tom Selleck.

Post spent his evenings on the L.A. club circuit, often appearing with acts that had famous names but few, if any, original members. He was the new "Paul" in Paul and Paula and a member of the Markettes after the founding members had moved on. "There was little money in it, but it sure was fun," says Post. He graduated high school (just to make his parents happy), giggled with various rock groups and did a stint in the house band of a famed San Francisco topless club before he realized that he needed to return to school to study music. A year later, equipped with sight-reading skills and the ability to notate music, he formed a 60's folk ensemble, The Wellingbrook Singers, and toured the U.S. After the group disbanded, Post came off the road and in to the recording studio.

He began playing record, commercial, and movie dates; a part of what would famously be known as The Wrecking Crew. Post played for virtually everyone active in the LA recording scene during this time. Most notably he worked on all of Sonny and Cher's early hits, starting with I Got You Babe. Post's ambition ultimately led to a career on the other side of the glass. While working for producer Jimmy Bowen, he formed The First Edition, featuring then unknown bassist/vocalist, Kenny Rogers. Post's debut as producer led to the group's Top Five single, I Just Dropped In ( To See What Condition My Condition Was In). Next, he served as producer/arranger for Mason Williams' The Mason Williams Phonograph ALbum - the LP that spawned the hit record Classical Gas and garnered Post his first Grammy, awarded for "Best Instramental Arrangement".

At 24, Post became Musical Director for The Andy Williams Show, becoming the youngest musician in TV history to hold such a position. Later, he returned to television as a producer for The Mac Davis Show. He also began designing stage shows-putting together acts for artists like Dolly Parton and Ronny Milsap.

Yet, Post's most visible forte would be composing dramatic music for television and film. In 1968 he met veteran arranger/trombonist Pete Carpenter. Their initial project was music for the TV show Toma- Stephen J. Cannell's first series. It launched the most important musical collaboration and friendship of their lives. They followed up with The Rockford Files ( which became a Top 10 single and landed them each a Grammy), Baa Baa Black Sheep, Hunter and Magnum PI. Their partnership ended late in 1987 when Carpenter died after a long illness. In 1989 Post worked with the BMI Foundation to establish a Pete Carpenter Memorial Fund to benefit young composers.

In addition to scoring, Post has continued to work as a record producer and arranger. He's contributed arrangements to several Ray Charles LP's, produced, arranged, and co-wrote ( with Stephen Geyer ) the theme from The Greatest American Hero, which became a #1 record for singer Joey Scarbury. In 1981 Post hit the Top 10 again with his own recording of the theme from Hill Street Blues, which featured guitarist Larry Carlton.

When asked to comment on his success, he says, " I am so fortunate. If I couldn't make a living writing music, I'd do something else during the day and write music at night for free. I'm the luckiest person I've ever met. I've worked with, who I believe are, the greatest musicians in the world."

Mark Snow became a good friend with Michael Kamen while they were studying music at New York's Art and Music High School. After graduation, they became roommates at Juilliard (an elite music school). After studying at Juilliard, he became very fond of pop music. He, Michael Kamen and 3 others formed the New York Rock'n'Roll ensemble. The band was signed to Atlantic Records and Mark toured and recorded with them for 5 years. His interest then turned in writing film and television scores. He began to write and relocated to Los Angeles in 1974. Mark's musical composition career began in 1975 with the TV series, Starsky and Hutch (1975), and has taken off since then. However, he is best known for his work on The X-Files (1993) and Millennium (1996), he has made music for many other programs. He took piano lessons at age ten and, by the time he was twenty, he played both oboe and percussion.

John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.

A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.

Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).

He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).

In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.

After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).

After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').

In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.

He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.

In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.

He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.

Bill Conti was born on 13 April 1942 in Providence, Rhode Island, USA. He is a composer and actor, known for For Your Eyes Only (1981), Rocky (1976) and The Karate Kid Part II (1986). He is married to Shelby Cox. They have two children.

Merv Griffin was a singer and band leader, movie actor, television personality and media mogul who in his time hosting The Merv Griffin Show (1962) was second in fame and influence as a talk show host only to Johnny Carson. Griffin was best known for creating the two most popular game shows in television syndication history, Wheel of Fortune (1983) and Jeopardy! (1984), which are watched by hundreds of millions of people all over the world. In the business world, he was identified as the visionary chairman of The Griffin Group.

Born in the San Francisco, California suburb of San Mateo, Griffin "came up through the ranks" in the classic sense, entering talent contests, writing songs, singing on local radio station KFRC-San Francisco, and later touring with Freddy Martin Orchestra. He became increasingly popular with nightclub audiences and his fame soared among the general public when he struck gold in 1950 with "I've Got a Lovely Bunch of Coconuts", which reached the number one spot on the Hit Parade and sold three million copies.

Continuing to record hits, including "Wilhelmina" and "Never Been Kissed", Griffin made a foray into motion pictures after Doris Day saw his nightclub performance and arranged a screen test for him at Warner Bros. Studios. While under contract at Warner Bros., he appeared in a number of hit movies, including So This Is Love (1953) with Kathryn Grayson and The Boy from Oklahoma (1954) with Will Rogers Jr., and Lon Chaney Jr..

Television then discovered him. As a regular performer on The Arthur Murray Party (1950), The Tonight Show Starring Jack Paar (1957) and others, he was offered the opportunity to host his own television series, Play Your Hunch (1958). It was during this period that he conceived the idea for what was to become one of the most successful game shows in television history, Jeopardy! (1964). But it was in 1962 that his career took its most dramatic turn. He became a substitute host for Jack Paar on The Tonight Show Starring Jack Paar (1957) and scored some of the highest ratings in the show's history. As a result, NBC gave him his own hour-long daytime talk show program, The Merv Griffin Show (1962).

Griffin's name and talk show career will always be seen in the light of that of Johnny Carson, the "King of late night TV", with whom Griffin directly competed on CBS from 1969 to 1972. Griffin's first daytime talk show began on the same day Carson first hosted The Tonight Show (1962). While Carson's style was indebted to his long apprenticeship in Los Angeles in the 1950s, Griffin was based in New York, where he socialized with New York's theater and café crowds. Griffin's approach to television talk was influenced by two New York shows, David Susskind's The David Susskind Show (1958) and Mike Wallace's Probe and Night Beat (1956), and like Susskind and Wallace, he openly embraced controversial subjects. In 1965, Griffin was criticized as a "traitor" when he aired a special from London in which Nobel Prize-winning philosopher Bertrand Russell denounced the Vietnam War.

Despite his success on daytime television, it was late night that was The Holy Grail for talk show hosts. In 1969, CBS hired Griffin to directly compete with Carson in the 11:30 PM to 1:00 AM time slot that had proven a grave yard for other personalities. Not one to shy away from controversy, Griffin began to be harassed by CBS censors who objected to the antiwar statements of his guests and ordered him to feature pro-war guests for balance. "The irony of the situation wasn't wasted on me", Griffin recalls in his autobiography. "In 1965, I'm called a traitor by the press for presenting Bertrand Russell, and, four years later, we are hard-pressed to find anybody to speak in favor of the Vietnam War".

In March 1970, CBS censors pixilated antiwar activist Abbie Hoffman because he was wearing a shirt that resembled an American flag. The resulting blurred image meant that Hoffman's voice emanated from a "jumble of lines". CBS also pressured Griffin into sacking his long-term sidekick Arthur Treacher, who had been his television mentor, because he was too old. The censorship did not boost the ratings for Griffin, who was facing stiff competition from the genial Carson, who himself was criticized during the era for shying away from controversial subjects.

In 1972, a fed-up Griffin negotiated a syndication deal with Metromedia to move his talk show back to the daytime, and in the event he was terminated by CBS. The deal was signed in secret as a penalty clause in his CBS contract gave him $1 million in the event of his being fired. Later that year, CBS terminated Griffin's late-night talk show and Griffin immediately made the transition to Metromedia's syndicated network.

While Griffin may have been a washout in late night television (and he had LOTS of company - EVERYONE who went up against Carson lost the ratings race, and Johnny always came out the victor), Griffin's impact on daytime was immense, specifically through his production of game shows. An avid fan of puzzles since childhood, Griffin first produced a successful game show in 1964, Jeopardy! (1964) for NBC. After 13 seasons as a daytime talk show host, Griffin retired from his talk show in 1986 to devote himself to producing his highly profitable game shows.

Jeopardy! (2002) remains the second highest rated game show in television syndication while Wheel of Fortune (1983) continues to be the longest running game show to hold the number one spot in television syndication history. Other Griffin successes in the game show field included "One in a Million" and Joe Garagiola's Memory Game (1971), both airing on ABC, Let's Play Post Office on NBC, and Reach for the Stars (1967).

In 1986, Griffin sold his production company, Merv Griffin Enterprises, to Coca-Cola's Columbia Pictures Television unit for $250 million as well as a continuing share of the profits of the shows. At that time, the transaction represented the largest acquisition of an entertainment company owned by a single individual. Subsequently, Sony Pictures Entertainment purchased Columbia and he retains the title of executive producer of both "Wheel of Fortune" and "Jeopardy!" (for which he still creates puzzles and questions.) He served as Executive Producer of "Men Are From Mars, Women Are From Venus" (2000).

After his retirement from daytime chat, Merv became a real estate baron, acquiring the Beverly Hilton Hotel in Beverly Hills, which is now the venue of choice for virtually all of the Tinseltown's most high profile events such as The Golden Globe Awards, The Soap Opera Digest Awards, and The American Film Institute's Lifetime Achievement Awards. He also owns the Hilton Scottsdale Resort and Villas in Arizona, and St. Clerans Manor, an 18th century estate once owned by director John Huston which is located near Galway, the premier resort destination in Ireland.

In January 1998, Griffin opened The Coconut Club, one of the country's hottest swing/dance clubs, at his Beverly Hilton Hotel. This weekend venue, fashioned after Hollywood's famed Coconut Grove (where Griffin headlined as a boy singer with The Freddy Martin Orchestra) features live Big Bands, Swing Orchestras, and Rock Bands amidst a glamorous nightclub setting.

He was honored with the prestigious 1994 Broadcasting and Cable "Hall of Fame" Award, alongside such figures as Diane Sawyer and Dan Rather. Winner of 15 Emmy Awards, Griffin was presented an Outstanding Game/Audience Participation Show Emmy for 1993-1994 as executive producer of Jeopardy! (1984) He had also been the recipient of the coveted Scopus Award from the American Friends of Hebrew University, "The Duke Award" presented by the John Wayne Cancer Institute, and he had been honored by the American Ireland Fund and the SHARE organization. He was Lifetime Honorary Festival Chairman of La Quinta Arts Festival and recently donated his Wickenburg Inn and Dude Ranch to Childhelp USA.

In March 2001, the Gold Label released his new CD, "It's Like a Dream", for which he composed the title song. Among his private passions are his family, son Tony Griffin, daughter-in-law Tricia, and grandchildren Farah and Donovan Mervyn, his long-haired sharpei dog Charlie Chan, his La Quinta ranch near Carmel, where he raises thoroughbred racing horses, and his 135 foot, four-story high ocean going yacht, Griff. Merv Griffin died at age 82 of prostate cancer in Los Angeles, California on August 12, 2007.

Norman Lear enjoyed a long career in television and film, political and social activism, and philanthropy.

Born in 1922 in New Haven, Connecticut, Lear flew 52 combat missions over Europe in World War II before beginning his television career. His classic shows of the 1970s and '80s - All in the Family, Maude, Good Times, The Jeffersons, Sanford and Son and Mary Hartman, Mary Hartman, among others - collectively reached as many as 120 million viewers per week and are said to have transformed the American cultural landscape, bringing the social and political issues of the day into American living rooms for the first time. With the rise of the radical religious right, Lear put his career on hold in 1980 to found People For the American Way, the nonprofit organization that remains a relevant and effective force defending all aspects of the First Amendment.

Lear was among the first seven television pioneers inducted in 1984 into the Television Academy Hall of Fame. In 1999, President Clinton presented him with the National Medal of Arts, noting that "Norman Lear has held up a mirror to American society and changed the way we look at it." His memoir, Even This I Get to Experience, was published in 2014, and the 2016 documentary Norman Lear: Just Another Version of You received an Emmy nomination as the representative program for the PBS American Masters series. In 2017, Lear received a Peabody Lifetime Achievement Award and was a Kennedy Center Honoree.

He was the father of six, the grandfather of four, and the husband of Lyn Davis Lear.

James Burrows was born on 30 December 1940 in Los Angeles, California, USA. He is a director and producer, known for Cheers (1982), Will & Grace (1998) and Taxi (1978). He has been married to Debbie Easton since 1997. He was previously married to Linda Solomon.

Alexander Courage was born on 10 December 1919 in Philadelphia, Pennsylvania, USA. He was a composer and actor, known for Star Trek (1966), Jurassic Park (1993) and The Poseidon Adventure (1972). He was married to Shirley Pumpelly. He died on 15 May 2008 in Pacific Palisades, California, USA.

David Shire was born on 3 July 1937 in Buffalo, New York, USA. He is a composer and writer, known for Zodiac (2007), Short Circuit (1986) and The Taking of Pelham One Two Three (1974). He has been married to Didi Conn since 11 February 1984. They have one child. He was previously married to Talia Shire.

Paul Junger Witt was born on 20 March 1941 in New York City, New York, USA. He was a producer and director, known for Dead Poets Society (1989), The Golden Girls (1985) and Three Kings (1999). He was married to Susan Harris and Ann Elizabeth McLaughlin. He died on 27 April 2018 in Los Angeles, California, USA.

Desiderio Alberto Arnaz y de Acha III was born in Santiago, Cuba on March 2, 1917. His father was the mayor of Santiago. The 1933 revolution led by Fulgencio Batista had landed his father in jail and stripped the family of its wealth, property and power. His father was released because of the intercession of U.S. officials who believed him to be neutral during the revolt. The family fled to Miami, Florida. One of Desi's first jobs in America consisted of cleaning canary cages. However, after forming his own small band of musicians, he was hired by Xavier Cugat, the "king" of Latin music.

Desi soon left Cugat, formed his own Latin band, and literally launched the conga craze in America. He was cast in the Broadway play "Too Many Girls" and then brought to Hollywood to make the film version of the play. It was on the set of Too Many Girls (1940) that he and Lucille Ball met. They soon married and approximately 10 years later formed Desilu Productions and began the I Love Lucy (1951) shows. Desi and Lucille had two children, Lucie Arnaz and Desi Arnaz Jr.. At the end of the I Love Lucy (1951) run, which included The Lucy-Desi Comedy Hour (1957), the two divorced. Desi later wrote an autobiography entitled "A Book." In 1986 he was diagnosed with lung cancer. He died on December 2, 1986 at age 69.

Attended Carnegie Tech (now Carnegie-Mellon University) as a playwriting major. Barbara Bosson (his second wife), Michael Tucker, Bruce Weitz and Charles Haid were classmates; he and Tucker drove cross-country to Hollywood for full-time jobs at Universal, where Bochco would remain for 12 years.

In 1978, he moved to MTM Enterprises, who after several attempts gave him carte Blanche to create a show similar to Fort Apache the Bronx (1981) (Hill Street Blues (1981)). In 1985, MTM fired him, in part for his inability to keep HSB on budget. After creating L.A. Law (1986) and Doogie Howser, M.D. (1989) for NBC, he struck a $15M deal with ABC in 1987 to create 10 series pilots over 10 years.

Marshall Herskovitz is a writer, producer, and director in Los Angeles who has won many awards for his work in television and film. Born in Philadelphia, he attended Brandeis University, then moved to Los Angeles in 1975, where he attended the American Film Institute and met his longtime creative partner Edward Zwick. In the years since he helped create such series as Thirtysomething, My So-Called Life, and Once and Again. Among the films he has produced are Legends of the Fall, Traffic, The Last Samurai, Blood Diamond and Love and Other Drugs. He also directed Jack the Bear and Dangerous Beauty.

In 2007 Herskovitz migrated to the Internet with Quarterlife, the ground-breaking online series and social network dedicated to artistic, activist twenty-somethings. A year after launch, the website - www.quarterlife.com - has become an international destination with members in 60 countries, and the series is now the most successful scripted program in Internet history.

Herskovitz, a longtime environmentalist, has served on the board of several organizations dedicated to preserving America's precious natural resources. He is a founding member of the national 1Sky campaign.

He is currently serving as President of the Producers Guild of America.

A former boxer, paratrooper and general all-around angry young man, Rod Serling was one of the radical new voices that made the "Golden Age" of television. Long before The Twilight Zone (1959), he was known for writing such high-quality scripts as "Patterns" and "Requiem for a Heavyweight," both later turned into films (Patterns (1956) and Requiem for a Heavyweight (1962)). The Twilight Zone (1959) featured forays into controversial grounds like racism, Cold War paranoia and the horrors of war. His maverick attitude eventually drove him from regular network television.

Tom Fontana was born on September 12, 1951 in Buffalo, New York, USA. He is an Emmy Award winning writer and producer, known for Monsieur Spade (2024), Copper (2012), Borgia (2011), Oz (1997), Homicide: Life on the Street (1993) and St. Elsewhere (1982). He was twice married to Sagan Lewis, before her death in 2016.

Jim Henson never thought that he would make a name of himself in puppetry; it was merely a way of getting himself on television. The vehicle that achieved it was Sam and Friends (1955), a late-night puppet show that was on after the 11:00 news in Washington DC. It proved to be very popular and inspired Jim to continue using puppets for his work. He made many commercials, developing the signature humor that Henson Productions is known for. A key reason for the success of his puppets is that Jim realized he didn't need to hide puppeteers behind a structure when they were in front of a camera. All he had to do was instruct the camera operators to focus on the puppets and keep the puppeteers out of the frame. This allowed the puppets to dominate the image and make them more lifelike. This work on puppets and television would lead to separate projects that had different goals. The first one was his work on the The Jimmy Dean Show (1963) with the character Rowlf the Dog, the oldest clearly identified character that Henson Productions still uses. This show provided an income that allowed Jim to work on a pet project. That project was Time Piece (1965), a surrealistic short about time which was nominated for best live-action short Oscar. Henson shot to prominence when he was approached to use his muppets for the revolutionary educational show Sesame Street (1969). The show was a smash hit and his characters have become staples on public television. Unforetunately, this also led to Henson being typecast as only an entertainer for children. He sought to disprove that by being part of the initial crew of Saturday Night Live (1975), but his style and that of the creative staff simply didn't jibe. It was this circumstance that encouraged him to develop a variety show format that had the kind of sophisticated humor that "Sesame Street (1969)" didn't work with. No American broadcaster was interested, but British producer Lew Grade was. This led to The Muppet Show (1976). It initially struggled both in the ratings and in the search for guest stars, but in the second season it became a smash hit and would eventually become the most widely watched series in television history. Hungry for a new challenge, Henson made The Muppet Movie (1979), defying the popular industry opinion that his characters would never work in a movie. The film became a hit and spawned a series of features which included the moody fantasy The Dark Crystal (1982), which was a drastic and bold departure from the amiable tone of his previous work. The most successful TV work in the 1980s was Fraggle Rock (1983), a fantasy series specifically designed to appeal to as many cultural groups as possible. During this time he also established the Creature Shop, a puppet studio that became renowned for being as brilliant with puppetry as ILM was at special effects. When he died all too soon in 1990, he was indisputably one of the geniuses of puppetry. More importantly, he was a man who achieved his phenomenal success while still retaining his social conscience and artistic integrity as his work in promoting environmentalism and his brilliant The Storyteller (1987) series respectively attest to.

Carl Reiner is a legend of American comedy, who achieved great success as a comic actor, a director, producer and recording artist. He won nine Emmy Awards, three as an actor, four as a writer and two as a producer. He also won a Grammy Award for his album "The 2,000 Year Old Man", based on his comedy routine with Mel Brooks.

Reiner was born in The Bronx, to Bessie (Mathias) and Irving Reiner, a watchmaker. His father was an Austrian Jewish immigrant and his mother was a Romanian Jewish immigrant. At the age of sixteen, while working as a sewing machine repairman, he attended a dramatic workshop sponsored by the Works Progress Administration. The direction of his life was set.

In the 1970s, some sources claimed that Reiner made his movie debut in New Faces of 1937 (1937), but that is unlikely as he would have only been fifteen years old at the time. (the movie shares the same plot as his erstwhile partner Mel Brooks' classic The Producers (1967), with a crooked producer planning to fleece his "angels" by producing a flop and absconding with the money). He didn't appear on screen, silver or small, until he made his television debut in 1948 in the short-lived television series, The Fashion Story (1948), then became a regular, the following year, on The Fifty-Fourth Street Revue (1949), another television series with a brief life.

Reiner made his Broadway debut in 1949 in the musical "Inside U.S.A.", a hit that ran for 399 performances. His next Broadway show, the musical revue "Alive and Kicking" (1950) was a flop, lasting just 43 performances. Max Liebman, the producer/director/writer/composer, had been called in to provide additional material after the show's troubled six week out-of-town preview in Boston. It didn't help -- the show closed after six weeks on Broadway -- but an important contact had been made.

Leibman was a producer-director on Your Show of Shows (1950), one of the great television series, and he hired Reiner to appear on the show in the middle of its first season. Reiner's first gig on the revue-like show was interviewing The Professor, a character played by Sid Caesar. He became central to the comedy portions of the show and, in 1953, he racked up the first of six Emmy Award nominations for acting. (In all, he was nominated for an Emmy Award a total of 13 times). When, in 1954, "Your Show of Shows" was split up by the network into its constituent parts, Reiner continued on with Sid in Caesar's Hour (1954). (Imogene Coca was given her own show, which lasted one season, and Leibman was allowed to produce specials).

"Your Show or Shows" had been a Broadway-style revue, featuring skits such as dancing (including a young Bob Fosse) whereas "Caesar's Hour" was pure comedy. "Your Show of Shows" had had a great cast, another other than Coca, most of the cast, including Reiner, Howard Morris, and Nanette Fabray (who went on to win an Emmy Award) moved over to "Caesar's Hour". In his three seasons on the show, he was nominated three more times for an Emmy Award for Best Supporting Actor, winning twice in 1957 and 1958. But it was its stable of comedy writers that was essential to the great success of both "Your Show of Shows" and "Caesar's Hour". In addition to Mel Brooks, the writing staff included Neil Simon, his brother Danny Simon, Larry Gelbart and Mel Tolkin. (There are rumors that the young Woody Allen served as the writing staff's typist).

Reiner had sat in informally with the writers during "Your Show of Shows", but he began writing formally for "Caesar's Hour", having learned his craft from all of the other writers. As a self-described uncredited "writer without portfolio", he was able to leave writers' meetings at 6 P.M., if he wanted to. This gave him the time to work on a semi-autobiographical novel. Published in 1958, Enter Laughing (1967) is about a young man in 1930s New York trying to make it in show business. It was transformed into a play and, eventually, adapted into a movie in 1967, and a musical, many years later.

In 1959, he created the pilot for a television series, "Man of the House", in which he would play a writer, Rob Petrie, who balanced his family life with the demands of working as a writer for a comedy show headlined by an egotistical comedic genius modeled after Sid Caesar (a "benign despot" who lacked social skills, according to Reiner). The series was rooted in his experience on "Your Show of Shows" and "Caesar's Hour". The network didn't pick up the pilot at first, as CBS executives claimed the main character, which was clearly autobiographical on Reiner's part, was too New York, too Jewish and too intellectual. In 1960, Reiner teamed up with Mel Brooks on The Steve Allen Plymouth Show (1956), and their routine "The 2000 Year Old Man" was a huge success. Reiner played the straight man to Brooks in the routine, which was spun-off into five comedy albums, bringing them a Grammy Award. They also made an animated television special based on their shtick in 1975.

Though CBS turned down "Man of the House", with the two-time Emmy Award-winning comedian Reiner as the lead, it was still interested in the series. However, they wanted a different actor in the lead role, and the casting of the protagonist came down to Johnny Carson and Dick Van Dyke. Carson was a game show host of no great note at the time, but Van Dyke was in the smash Broadway musical Bye Bye Birdie (1963), for which he won a Tony Award. He got the role and another chapter of television history was made, when Mary Tyler Moore, Rose Marie and Morey Amsterdam all were cast in leading roles. Reiner, himself, would eventually play the role of Alan Brady, the abrasive Sid Caesar-like comic convinced of his own genius, in the last few seasons of the series' five-year run.

Another milestone in television comedy, The Dick Van Dyke Show (1961), brought Reiner five more Emmy Awards, three for writing and two as the producer of the series. In 1966, Reiner and the other principals, including executive producer Sheldon Leonard and Dick Van Dyke, decided to end the series at the height of its popularity and critical acclaim. (The show won Emmy Awards as best show and best comedy in 1965 and 1966, respectively). Twenty-nine years after the show was ended, Reiner reprised the role of Alan Brady on Mad About You (1992), winning his eighth (and so far, last) Emmy Award, this time as Outstanding Guest Actor in a Comedy Series.

It was on "The Dick Van Dyke Show" that Reiner first became a director. His feature film debut, as a director, was with the film adaptation of the play Joseph Stein had adapted from his 1958 novel, Enter Laughing (1967). His work as a writer-director, with Dick Van Dyke, in creating a Stan Laurel-type character in The Comic (1969) was not a success, but Where's Poppa? (1970) became a cult classic and Oh, God! (1977), with George Burns, and The Jerk (1979), with Steve Martin, were smash hits. The last film he directed was the romantic comedy That Old Feeling (1997).

Reiner's career continued into the 21st century, when most of his contemporaries had retired or passed. He was awarded the Mark Twain Prize for American Humor in 2000 and acted in the remake of Ocean's Eleven (2001) and its two sequels. He also appeared as a voice artist in the film Good Boy (2003), and the animated series The Cleveland Show (2009) (he even wrote an episode for the series rooted in his "Your Show of Shows" experience). He was also a regular on the series Hot in Cleveland (2010) (with fellow nonagenarian Betty White), and appeared on an episode of Parks and Recreation (2009) in 2012. His last film role was as the voice of Carl Reineroceros in Toy Story 4 (2019), opposite his old compatriot Mel Brooks.

Carl Reiner died at age 98 of natural causes on June 29, 2020, in Beverly Hills, California.

Donald P. Bellisario was born in North Charleroi in Pennsylvania. His father ran the tavern, where he grew up listening to the war stories of vets returning from WWII. He had a fifteen-year career in advertising before moving to Hollywood. He broke into television as the story editor for Black Sheep Squadron (1976). His most celebrated works to date are NCIS (2003), Magnum, P.I. (1980), Quantum Leap (1989), and JAG (1995). He has been married four times, and has seven children (one of whom is deceased), two stepchildren, and eight grandchildren.

Born in Mt. Vernon, New York, and raised in New Jersey, David Chase (born David DeCesare) dreamed of being a star drummer in a rock band! He spent many years playing drums and bass trying to be part of a successful rock band in the 1960s East Coast music scene. He also loved movies, such as The Public Enemy (1931) with James Cagney and TV shows like The Untouchables (1959) with Robert Stack. When not making music, he watched 1960s' Hollywood and foreign films avidly. After his music career ended, he got the inspiration to buy a movie camera and make his own movies. He studied at the Tisch School of the Arts at New York University and later the graduate film program at Stanford University. He began writing for network TV drama programs in the early 1970s. He eventually became a writer and producer on the classic NBC detective show The Rockford Files (1974) with James Garner. While on "Rockford", he penned many memorable episodes and pieces of dialog. He won his first Emmy in 1978, the year "Rockford" won the award for Best Dramatic Series. Many biographies incorrectly state that Chase won his first Emmy for writing the acclaimed TV movie, Off the Minnesota Strip (1980). Although it is a sensitive and well observed story about a young runaway trying to make sense of her life after being returned to her Midwestern family from a life of prostitution in New York City, Chase actually won his second Emmy (and a Writer's Guild Award) for that project. He then spent the 1980s and early 1990s getting paid for writing various TV scripts while writing feature film projects that never got produced. He also began directing his TV scripts whenever possible. He often told people stories about the troubled relationship he shared back in New Jersey with his mother. Encouraged to write about it, he found a way to combine a story about his mother with a mob story and a story about psychotherapy, which Chase had also began during this time. This intersection of ideas and themes led Chase to write the landmark pilot script to a show that the Fox network developed, then passed on shooting. HBO then decided to roll the dice with Chase on this odd mixture of mother/son conflict, mobster danger and insecurities about psychological therapy. The result: The Sopranos (1999). Everybody connected with the project thought they would film a pilot episode, it would not go to series and that would be that. It has since gone on to become one of the most successful shows to ever come out of a cable network. Chase and his crew have collected Emmy, Golden Globe, Writer's Guild and Director's Guild Awards for the show. In terms of impact and subject matter, it has been compared to The Godfather (1972). Chase vows to get his feature film projects off the ground, as soon as "The Sopranos" ends its run.