The Works of Director Francis Lawrence

Composer: Diane Warren
Lead Singer & Backing Vocals: Steven Tyler
Lead Guitarist: Joe Perry
Rhythm Guitarist: Brad Whitford
Bass Guitarist: Tom Hamilton
Lead Drummer & Percussion: Joey Kramer
String Arrangements Lead: Suzie Katayama
Music Video Editor: Chris Hafner
Finishing Colorist: Paul Bronkar
Camera: Arriflex 435 (35mm Eastman EXR 500T 5298)
Lenses: Panavision C- & E-Series AL Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision

Singer & Songwriter: Bob Marley
Singer: Lauryn Hill
Song Producer: Stephen Marley
Camera: Arriflex 435 (35mm Kodak Vision 500T 5279)
AR: 1.66:1 (Super 35mm)

Songwriters & Producers: Noah Bernardo, Marcos Curiel, Traa Daniels, Sonny Sandoval
Song Producer: Howard Benson
Producer: Tim Kerrison
Executive Producer: Missy Galanida
Cinematographer: Jo Willems ASC SBC
Video Editor: Jonathan Silver
Second Assistant Director: Scott Macleod
Gaffer: Walter Bithell
Location Manager: Dave Conway
Pixel Envy VFX Super. Artist: Yoshiya Yamada
CO3 Senior Telecine Colorist: Dave Hussey
CO3 Telecine Color EP: Stefan Sonnenfeld ASC
Camera: Arriflex 435 ES (35mm Kodak Vision 500T 5279)
AR: 1.33:1 (4-Perf Super 35mm)
Special Visual Effects Provided by: Pixel Envy
Color Services Provided by: Company 3

Songwriters: Chad Hugo, Pharrell Williams
Executive Producer: Missy Galanida
Production Designer: Laura Fox
Choreographers: Wade Robson, Brian Friedman
Set Decorator: Jennifer Lukehart
Gaffer: Chris Strong
CO3 Senior Finishing Colorist: Dave Hussey
CO3 Sr. Finishing Producer: Missy Papageorge
CO3 Executive Producer: Stefan Sonnenfeld ASC
Filming Dates: 1 September 2001 - 2 September 2001
Camera: Arriflex 435 (35mm Kodak Vision 500T 5279)
AR: 1.33:1 (4-Perf Super 35mm)
Color Services Provided by: Company 3

Songwriter: Justin Timberlake
Songwriter & Producer: Scott Storch
Executive Producer: Missy Galandia
Cinematographer: Jo Willems ASC SBC
A First Assistant Camera: Ken Little Jr
Gaffer: Walter Bithell
Location Manager: Dave Conway
CO3 Senior Finishing Colorist: Dave Hussey
CO3 On-Line Editor & Henry Artist: Steve Kokor
CO3 Executive Producer: Stefan Sonnenfeld ASC
Conductor: Larry Gold
Filming Dates: 29 October 2002 - 3 November 2002
Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision C- & E-Series AL Primes
AR: 2.39:1 (Anamorphic)
Color Provided by: Company 3
Attribute: Filmed in Panavision

Lead Vocalist, Engineer & Music Producer: William Adams (Will.I.Am)
Lead Vocalists: Allan Lindo (Apl.De.Ap), Jamie Gomez (Taboo), Stacy "Fergie" Ferguson
Executive Producer: Missy Galandia
Guitar Musician: George Pajon Jr
Cinematographer: Kay MacKenneth
Production Designer: Zach Matthews
Video Editor: Dustin Robertson
Negative Format: 35mm Kodak Vision 500T 5279
AR: 1.85:1 (4-Perf Super 35mm)

Co-Writer: Kevin Brodbin
Screenwriter: Frank Cappello
Co-Screenwriter: Mark Bomback
Producers: Lauren Shuler Donner, Erwin Stoff, Lorenzo DiBonaventura
Producer / Co-Writer: Akiva Goldsman
Exec. Producers: Gilbert Adler, Michael Aguilar
Cinematographer: Philippe Rousselot ASC AFC
Cinematographer, Additional Photog.: Jeff Cutter
Production Designer: Naomi Shohan
Film Editor: Wayne Wahrman ACE
Casting Director: Denise Chamian CSA
Composer/Score Conductor: Brian Tyler
Composer: Klaus Badelt
Costume Designer: Louise Frogley
Production Visual Effects Supervisor/Second Unit Director: Michael Fink
Unit PM / Co-Producer: Cherylanne Martin
First AD / Co-Producer: Josh McLaglen
Second Assistant Director: Rick Kelly
Production Supervisor: Matthew J. Birch
Stunt Coordinator: R.A. Rondell
Fight Choreographer: Chad Stahelski
Stunts: Hank Amos, Marcus Young, Scott Rogers, Heidi Moneymaker, J.J. Perry, Brad Martin
Supervising Art Director: David Lazan
Asst ADs: Rob Fechtman, Jason Sweers, Dean Tschetter, Susan Wexler
Set Decorator: Douglas A. Mowat SDSA
A Camera / Steadicam Operator: Mark LaBonge
A First Assistant Camera: Pamela Rittelmeyer
A Second Assistant Camera: Xiomara Comrie
Video Assist Operator: Jeb Johenning
Chief Lighting Technician: Jack English
Assistant Chief LT: James R. Babineaux
Key Grip: C. Alan Rawlins
Supervising Prop Master: Kirk Corwin
Assistant Prop Master: Andrew M. Seigel
Production Coordinator: Ted Deiker
Assist Production Coordinator: Gretel Twombly
Production Secretary: Michael P. Twombly
Second Second AD: Maria Battle-Campbell
Production Accountant: Jackie Baugh
First Assistant Accountant: Katherine Zaslaw
Supervising Location Manager: Molly Allen
Production Special Effects Supervisor: Allen Hall
SWS Make-Up & Animatronic Supervisors: John Rosengrant, Shane Patrick Mahan
SWS Concept Art Director: Aaron Sims
SWS Concept Designers: Jason Matthews, Joey Orosco
SWS Key Mechanical Designers: Richard Landon, Matt Heimlich
SWS Key Technics: Keith Marbory, Joseph Reader
Casting Associate: Scout Masterson
Casting Assistant: Dena Berman
Set Designs: Greg Berry, William Law III, Richard F. Mays, Steven Schwartz
Art Department Researcher: Melissa Daniel
24 Frame Supervisor: Todd Marks
Unit Publicist: Paulette E. Osorio
Still Photographer: David James
Second Unit First Assistant Director: Darin Rivetti
Second Unit Second AD: Basil Bryant Grillo
Second Unit Director of Photog.: Neal Norton
Second Unit Chief Lighting Technic.: Juan Morse
Second Unit Assistant Chief LT: Gene Hara
Second Unit Key Grip: Andrew Taylor
Second Unit Best Boy Grip: Huston Beaumont
Second Unit Dolly Grip: Stephen M. Foss
Second Unit Loc. Manager: Doug McClintock II
Second Unit Staff Assistant: Michael Lagnese
Post Production Supervisor: Ilyse Reutlinger
Production Visual Effects Editor: Randy Bricker
First Assistant Editor: Gordon Antell
Second Assistant Editor: Bronwyn Waddington
Visual Effects Prods: Donna Langston, Denise Davis
Visual Effects Plate Supervisor: Eric Pascarelli
Pre Visualization Supervisor: Rich Lee
Production Visual Effects Coordinator: Beth Howe
Visual Effects: Aaron Cohen, Chris Moore
Supervising Sound Editor: Skip Lievsay
Production Sound Designer: Jeremy Pierson
ADR & Dialogue Sup: Michael J. Benavente MPSE
Production ADR Editor: Joe Dorn
Production Foley Editor: John Joseph Thomas
Production Foley Mixer: Maryjo Lang
1st Assistant Sound Editor: Joel Dougherty
Music Edits: Joe Lisanti, Gary Krause, Daryl Kell
Music Score Recordists & Mixers: Joel Iwataki, Alan Meyerson
Film Color Timer: Kurt Smith
Company 3 Color Timer / Colorist: Dave Hussey
Company 3 Color Timing Producer: Erik Rogers
Company 3 Color Timing Editor: Nicholas Hasson
Home Video Mastering Colorist: Patrick C. Miller
Tippett Visual Effects Supervisor: Craig Hayes
Tippett VFX Producers: Amy Hollywood Wixson, Jason Heapy
Tippett Studio CG Supervisor: David DeBry
Tippett VFX Plate Supervisor: Brennan Doyle
Tippett VFX Assoc. Prod.: Athena Yvette Portilli
Tippett Lead Animators: Dovi Anderson, Simon Allen
Tippett Studio Lighting Lead: Julien Schreyer
Tippett Lead Compositors: Dan Cayer, Matthew Jacobs
Tippett Studio CG Effects Lead: Daniel Rolinek
Tippett Studio Texture Lead: Renee Binkowski
Tippett Lead CG Modeller: Joseph M. Hamdorf
Tippett Matchmove Supervisor: Chris Paizis
Tippett Roto Leads: Kenneth Voss, Rex Markle
Tippett Visual Effects Editor: Sarah Schubert
Tippett Visual FX DCTs: Adam Gerardin, Matthew Tomlinson
Tippett VFX Coordinators: Chris Hall, Naomi Ruth Raine, Kristy Marie King
ESC VFX Supervisors: George Murphy, Greg Juby
ESC Visual Effects Producer: Ann Podlozny
ESC VFX Coordinators: Tina Kane, Stephanie Lee, Brodie Andersen
ESC Compositing Supervisor: John Stillman
CIS Hollywood VFX Supervisor: Bryan Hirota
CIS Hollywood VFX Producer: Julie Orosz
Hydraulx VFX Designers: Colin Strause, Greg Strause
Hydraulx Visual Effects Producer: Tony Meagher
Furious FX VFX Supervisor: David Lingenfelser
Furious FX Crew: Scott Dougherty, Mark Shoaf
NDS Visual Effects Supervisor: Ian Hunter
Music Consultant: Jeffrey Pollack
Filming Dates: 9 October 2003 - 14 Feb. 2004
Camera: Panaflex Platinum (35mm Eastman Kodak Vision2 200T 5217, Vision2 500T 5218 & EXR 100T 5248)
Lenses: Panavision Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom & SLZ3 Hubble 135-420mm Zoom
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 70-100 Million USD
Budget AFI (2022): 106.3-151.9 Million USD
Printed on: Kodak Vision 2383 & Fujifilm
Make-Up & Animatronic Effects by: Stan Winston Studio
Color Timing Provided by: Company 3 LA
Visual Effects & Animation by: Tippett Studio, CIS Hollywood, ESC Entertainment, Hydraulx, Furious FX & Hatch Production
Miniatures Created by: New Deal Studios
Attribute: Filmed in Panavision

Songwriter & Producer: William Adams
Songwriters: Allan Pineda, Stacy Ferguson
Executive Producer: Missy Galandia
Production Designer: Zach Matthews
First Assistant Director: Paul-Edouard Laurens
Stunts Coordinator & Performer: Arnold Chon
Video Assist Operator: Leo Coltrane
Best Boy: Douglas Huete-Soto
Filming Dates: November 2005
Camera: Arriflex 435 ES & Panaflex Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision C- & E-Series AL Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision

Producers: James Lassiter, David Heyman, Neal Moritz
Producer & Screenwriter: Akiva Goldsman
Screenwriter: Mark Protosevich
Executive Producer: Erwin Stoff
Executive Producer & UPM: Bruce Berman
Cinematographer: Andrew Lesnie ASC ACS
Cinematographer - 2nd Unit: Brian Pearson
Cinematographer & Supervisor - Aerial Unit: David B. Nowell ASC
Production Designer: Naomi Shohan
Film Editor: Wayne Wahrman ACE
Co-Producer: Tracy Torme
Costume Designer: Michael Kaplan
Composer: James Newton Howard
First Assistant Director: JP Wetzel
Stunt Coord & 2nd Unit Director: Vic Armstrong
A Operator: Bruce McCallum
B Operator: Dave Thompson SOC
A Camera Focus Puller: Gregor Tavenner
B Camera Focus Puller: Bobby Mancuso
Gaffer: Mo Flam
Key Grip: George Patsos
Location Managers: Paul Kramer, Rob Striem
Technicolor NY Dailies Color Grader: Sam Daley
EFilm Hollywood Colorist: Yvan Lucas
Panavision Lens Technician: Dan Sasaki ASC
Filming Dates: 23 September 2006 - 31 March 2007, November 2007 (Reshoots)
Cameras: Panaflex XL, Platinum, PanArri 235 & 435 (35mm Kodak V2 200T 5217 & 500T 5218)
Lenses: Panavision Primo AL + SL Primes, Primo ALZ11 48-550mm Zoom, E-, C-Series AL Primes, C-Series Close Focus AL Primes & 15-40mm Ang. Optimo Zoom
AR: 2.40:1 (Anamorphic)(4-Perf Super 35mm: Flashback Scenes)
Budget: 150 Million USD
Budget AFI (2022): 214.3 Million USD
Printed on: Kodak Vision 2383
Attribute: Filmed in Panavision (as Cameras & Lenses)

Songwriter & Producer: Lady Gaga
Producers: Kathy Angstadt, Nicole Ehrlich, Karen Foster
Executive Producer: Missy Galandia
Cinematographer: Thomas Kloss
Video Editors: Mark Deimel, Jarrett Fijal
Associate Producer: Tripp Hudson
Production Supervisor: Desiree Lauro
Art Director: Charles Ifante
Set Decorator: Shane Richardson
CO3 Final Finishing Colorist: Dave Hussey
CO3 Executive Producer: Stefan Sonnenfeld ASC
Camera: Arriflex 435 (35mm Kodak Vision3 500T 5219)
AR: 1.78:1 (3- & 4-Perf Super 35mm)
Post Production Color Services Provided by: Company 3
Special Visual Effects Provided by: Skulley Effects

Screenwriter: Richard LaGravanese
Producers: Gil Netter, Erwin Stoff
Executive Producer: Kevin Halloran
Cinematographer: Rodrigo Prieto ASC AMC
Production Designer: Jack Fisk
Film Editor: Alan Edward Bell ACE
Costume Designer: Jacqueline West
Composer: James Newton Howard
Music Supervisor: Alexandra Patsavas
EFilm Colorist: Yvan Lucas
Filming Dates: 20 May 2010 - 4 August 2010, Mid-January 2011 (Reshoots)
Cameras: Panaflex XL2 & Platinum (35mm Kodak Vision3 500T 5219, 250D 5207 & Fuji Eterna Vivid 500T 8547)
Lenses: Panavision Primo SL Primes & G-Series Anamorphic Primes
AR: 2.40:1 (Anamorphic)(4-Perf Super 35mm: Present Day Scenes)
Budget: 38 Million USD
Budget AFI (2022): 50 Million USD
Printed on: Fuji Eterna-CP 3514DI
Attribute: Filmed in Panavision

Screenwriters: Michael Ardnt, Simon Beaufoy
Executive Producer: Suzanne Collins
Producers: Nina Jacobson, Jon Kilik
Executive Producer & UPM: Louise Rosner-Meyer
Cinematographer: Jo Willems ASC SBC
VFX Cinematographer, Rodeo FX: Robert Bock
Production Designer: Philip Messina
Film Editor: Alan Edward Bell ACE
Costume Designer: Trish Summerville
Production Visual Effects Supervisor: Janek Sirrs
Composer: James Newton Howard
Composer (Add'l Arrangements) & Synth Programming Lead: Sven Faulconer
Composer (Add'l Arrangements & Vocals) & Synth Programming Lead: Sunna Wehrmeijer
Music Supervisor: Alexandra Patsavas
Casting: Debra Zane CSA
Co-Producer & First AD: Aldric La'Auli Porter
Co-Producer: Bryan Unkeless
Second Assistant Director: John R. Saunders
Executive in Charge of Production: Donna Sloan
Supervising Stunt Coordinator/2nd Unit Director: Chad Stahelski
Stunt Coordinator: Sam Hargrave
Crew Production Supervisor: Adam McCarthy
Production Visual Effects Producer: Mitchell Ferm
Crew Set Decorator: Larry Dias
Supervising Art Director: John Collins
Art Directors: Robert Fechtman, Adam Davis
"A" Camera/Steadicam Op: Dave Thompson SOC
First Assistant "A" Camera: Gregor Tavenner
Second Assistant "A" Camera: Jessica K. Lakoff
"B" Camera Ops: Josh Medak SOC, Darin Moran
First Asst "B" Cam: Mark Spath, Lee Blasingame
Second Assistant "B" Camera: Hugh Braselton
First Assistant "C" Camera: Jon Ponticelle
2nd Asst "C" Cam: Brandon Ponticelle, Warren Brace
Film Loader, Main Unit: Ryan Abrams
Associate Film Editor: Jennifer Vecchiarello
Second Assistant Editor: Lauren Haley Clark
Production Visual FX Editor: Andrew Ryan Turner
Third Assistant Editor: Lara Khachooni
Editorial Apprentice: Micah Wolf
Post Production Assistants: Billy Peake, Jim Butts
Post Production Supervisor: Jeffrey Harlacker
Post Production Coordinator: Jason Miller
Production VFX Coordinator: Kevin McAllister
Data Wrangler, Visual Effects: Joe Wehmeyer
Visual FX PAs: Grayhmn Jones, Wes Dorough
Production Coordinator: John Sanchez
Assistant Production Coordinator: Catie Cullari
Supervising Location Manager: Ken Lavet
Key Assistant Location Manager: Trey Neely
Second Second Assistant Director: Ben White
Technocrane Operator: Mike Weisbrod
Gaffer: Michael Bauman
Lighting Programmer: Scott Barnes
Rigging Gaffer: Michael P. Tyson
Assistant Art Director: G. Cameron Beasley
Art Department Coordinator: Wylie Young Griffin
Storyboard Artist: Jay Martin
Graphic Designer: Trey Shaffer
Set Decoration Coordinator: Amy Lehman
Supervising Prop Master: Drew Petrotta
Assistant Prop Master: Rick Chavez
Production SPFX Coordinator: Steve Cremin
Assistant Special FX Coordinator: William Lee
Costume Supervisors: James Tyson, Dawn Line
Specialty Costume Fabrication Sup: Russ Shinkle
Key Background Costumer: Amy R. Arnold
Makeup Designer & Department Head: Ve Neill
Background Makeup Supervisor: Kris Evans
Hair & Wig Designer/Dept. Head: Linda Flowers
background Supervisor, Hair & Wigs: Dan Curet
Hawaii Unit Prod Sup: Renee Confair Sensano
Hawaii Unit Second Assistant Director: Ian Calip
Hawaii Unit Underwater A Camera Op: Don King
Hawaii Unit "A" First Asst Camera: Matt Berner
Hawaii Unit "B" First Asst Camera: Steven Cueva
Hawaii Unit "C" First Asst Camera: Jai Mansson
Hawaii Unit "A" 2nd Asst Camera: Rob Campbell
Hawaii Unit "B" 2nd Asst Camera: Warner Wacha
Hawaii Unit Production Coordinator: Jessica Cole
Hawaii Unit Location Manager: Randy Spengler
Hawaii Unit Key Assistant LM: Joseph Stargensky
Hawaii Unit Rigging Gaffer: Mark 'Kiwi' Kalaugher
Hawaii Unit SPFX Consultant: Archie A. Ahuna
Hawaii Unit Construct Consultant: Michael Crowe
Second Unit First Asst Director: Michael Jefferson
2nd Unit 2nd ADs: Amir Khan, Wainani Tomich
Second Unit DoPs: Linus Sandgren ASC, Robby Baumgartner
Second Unit VFX DoP: Mark H. Weingartner ASC
Second Unit "A" Camera Operator: Chris Jones
Second Unit "B" Camera Operator: Deke Keener
Second Unit "C" Camera Operator: Pete Kowalski
Second Unit "A" First Asst Cam: Suzanne Trucks
Second Unit "B" First Asst Cam: Thomas Nehy
Second Unit "C" First Asst Cam: Brett S. Peters
Second Unit "D" First Asst Cam: Wayne Baker
Second Unit "A" 2nd Asst Cam: Dwight Campbell
Second Unit "B" Second Asst Cam: Jay C. Hager
Second Unit "C" 2nd Asst Cam: Keith Bronsden
Second Unit "D" 2nd Asst Cam: Angela Holvord
Second Unit "A" Cam Film Loader: Paul E. Woods
Second Unit "B" Film Loader: Jackson McDonald
Second Unit "C" Film Loader: Hayden Pazanti
Second Unit "D" Film Loader: Jonathan Bennett
Second Unit Gaffers: David McLean, Don Tomich
2nd Unit Prop Masters: Jason Davis, Shawn Gray
2nd Unit Makeup Dept. Head (GA): Selena Miller
Second Unit Makeup Dept. Head (HI): Chantal Blooma
Aerial Unit Pilots: David Paris, Kevin LaRosa
Aerial Unit Director of Photography: David Norris
Aerial Unit Pictorvision Technician: David Arms
Co-Sup Sound Editor & Re-Recording Mixer: Skip Lievsey
Co-Sup Sound Editor & Designer + Re-Recording Mixer: Jeremy Pierson CAS
Assistant Sound Editor: Sarah Bourgeois
Super. Dialogue & ADR Editor: Thomas Jones
Supervising Foley Editor: John Joseph Thomas
Dolby Sound Consultant: Andy Potvin
EFilm Digital Finishing Colorist: Yvan Lucas
EFilm 2nd Digital Finishing Colorist: Elodie Ichter
EFilm Digital Inter Finishing Producer: Loan Phan
EFilm Color Finishing Assistant: Katie Jordan
EFilm Digital Inter Finishing Editor: Devon Miller
EFilm Digital Assistant Producer: Lesley Nicolucci
EFilm Digital Opticals Supervisor: Pat Clancey
EFilm VFX Project Manager: Vanessa Galvez
EFilm Image Science Supervisor: Matt Tomlinson
EFilm DI VFX Artist: Doug Spilatro
EFilm DI VFX Producer: Rachel Faith Hanson
VFX Supervisor, In-House Composite Team: Jeff Kalmus
Compositors, In-House Composite Team: Samuel P. Larson, Eric Reinhard
DNEG Sr. Visual FX Supervisor: Adrian De Wet
DNEG Sr Visual FX Producer: Melinka Godoy
CG Supervisor, DNEG London: Dan Neal
2D Supervisor, DNEG London: Julia Reinhard
CG Build Supervisor, DNEG London: Jordan Kirk
Line Producer, DNEG London: Emily Pearce
Coordinators, DNEG London: Katie Bell, Mariana Mandelli, Ashleigh Yu
Visual Effects Editor, DNEG London: Sam Lane
CG Seq. Supers, DNEG London: Huw Evans, Fabio Zangla
2D Seq. Supers, DNEG London: Mike Brazelton, James Etherington, Richard Reed
FX Supervisor, DNEG London: Viktor Rietveld
Matchmove Super, DNEG London: Matt Salisbury
Shading Super, DNEG London: Makoto Tanaka
Animation Super., DNEG London: Colin McEvoy
VFX Supervisor, DNEG Singapore: Marc Varisco
CG Supers, DNEG Singapore: Zoe Cranley, Benjamin Huber
2D Supervisor, DNEG London: David Man
Line Producer, DNEG London: Darryl Li
Coordinator, DNEG Singapore: Eunice Khoo
Concept/MP/Texture Sup, DNEG Singapore: Tim Clark
Matchmove Supervisor, DNEG Singapore: Simon Pynn
R/P Supervisor, DNEG Singapore: Corrine Teo
DNEG Grading Supervisors: Colin Brown, Garry Madison
Weta Sr. Visual Effects Supervisor: Guy Williams
Weta Senior Digital Producer: Janet Sharpe
Weta Senior Animation Supers: Dan Barrett, Eric Reynolds
Weta CG Supervisor: Sean Noel Walker
Weta Composite Supervisor: Christoph Salzmann
Weta FX Lead: Florian Hu
Weta Layout Lead: Shweta Bhatnagar
Weta Visual Effects Producer: Cyndi Ochs
Weta Models Supervisor: Pascal Raimbault
Weta Creature Lead: David Short
Weta Shader Lead: Hunter Parks
Method Studios VFX Supervisor: Stephane Naze
Method Studios VFX Producer: Catherine Duncan
Method Studios Executive Producer: Drew Jones
Method Studios Head of Prod: Melody Woodford
Method VFX PCs: Jessica Smith, Marty Lake, Dan Matley
Method Studios FX Supervisor: Jonathan Davies
Method Studios CG Supervisor: Ian Ward
Method Match Move Supervisor: Joseph Arnold
Method Head DMP/Concept Artist: Oliver Pron
Method Sr DPM/Concept Artist: Paul Chandler
Method DMP/Concept Artist: Ivan Girard
Method Studios DMP Artist: Eglantine Boinet
Method 2D Supervisor: Sean Danischevsky
Rodeo FX Visual Effects EP: Sebastien Moreau
Rodeo FX Visual Effects Sup: Francois Dumoulin
Rodeo FX Visual Effects Prod: Marie-Cecile Dahan
Rodeo FX Head of Production: Isabelle Langlois
Rodeo FX Visual Effects Coord: Laetitia Seguin
Rodeo FX Visual Effects PA: Marianne Roberge
Rodeo FX Head of Technology: Jordan Soles
Rodeo FX Concept Artist: Olivier Martin
Hatch Matte Painter: Deak Ferrand
Hatch Executive Producer: Cheryl Bainum
Fuel VFX Visual Effects Sup: Paul Butterworth
Fuel VFX Visual Effects Producer: Jason Bath
Fuel VFX CG Supervisor: Feargal Stewart
Fuel VFX Visual Effects PM: Sarah Hiddlestone
Fuel VFX Compositing Supervisor: Matt Greig
Fuel VFX Roto Supervisor: Vaughn Arnup
Fuel VFX Motion Graphics Lead: Anna Fraser
Deluxe® Lab Color Timer: Jim Passon
Supervising Music Editor: Jim Weidman
Production Music Editor: David Olson
Temp Music Editor: Philip Tallman
Orchestra & Choir Conductor: Pete Anthony
Score Orchestrator: John Ashton Thomas
Score Recordist & Mixer: Shawn Murphy
Filming Dates: 11 September 2012 - March 2013, 13 April 2013 - May 2013 (Reshoots)
Cameras: Arriflex 435, Panaflex XL2 & IMAX MSM 9802 (35mm & 65mm Kodak Vision3 250D 5207, 200T 5213 + 500T 5219)
Lenses: Panavision® Primo AL + SL Primes, ALZ11 48-550mm Zoom, C-, E-Series AL Primes, ATZ 70-200mm Zoom, Anamorphic Wide-Angle 2:1 40-80mm Zoom & Hasselblad Primes
AR: 1.43:1 (IMAX 70mm Version: Arena Seq.), 1.78:1 (IMAX Blu-Ray Version: Arena Sequence), 1.90:1 (IMAX Digital Version: Arena Sequence), 2.35:1 (Anamorphic)
Budget: 130-140 Million USD
Printed on: Kodak Vision 2383
Specialty Costume Fabrication Designed by: Film Illusions
Digital Intermediate Finishing, Opticals, Visual Effects & Animation Created + Designed by: EFilm, Double Negative, Weta Digital, Method Studios, Rodeo FX & Fuel VFX
Matte Paintings Designed by: Hatch
Color & Prints Provided by: Deluxe®
Score Recorded at: Air Lyndhurst Studios, London, UK
Score Mixed at: James Newton Howard Studios, Santa Monica, CA
Filmed with: Kodak Motion Picture Film
Attribute: Filmed in Panavision® (as Cameras & Lenses)

Dedicated to: Philip Seymour Hoffman
Screenwriters: Peter Craig, Danny Strong
Executive Producer & Co-Writer: Suzanne Collins
Producers: Nina Jacobson, Jon Kilik
Cinematographer: Jo Willems ASC SBC
Cinematographer, Capitol Propaganda: David Nissen
Cinematographers, VFX Element Crew: Mark H. Weingartner ASC, Patrick Loungway
Production Designer: Philip Messina
Film Editors: Mark Yoshikawa ACE, Alan Edward Bell ACE
Costume Designers: Kurt Swanson, Bart Mueller
Composer: James Newton Howard
Composer (Add'l Arrangements) & Synth Programmer: Sven Faulconer
Composer (Add'l Arrangements), Solo Vocalist & Synth Programmer: Sunna Wehrmeijer
Casting: Debra Zane CSA
Executive Producer & UPM: Jan Foster
Exec. Producers: Joe Drake, Allison Shearmur
Co-Producer: Bryan Unkeless
Production Visual Effects Supervisor/Second Unit Director: Charles Gibson
First Assistant Director: Christopher Surgent
Key Second Assistant Director: Douglas Plasse
Executive in Charge of Production: Donna Sloan
Key Stunt & Fight Coordinator: Sam Hargrave
Supervising Stunt Coordinator: RA Rondell
Stunt Coordinator (Paris): Philippe Guegan
Key Stunt Rigger: Michael Hugghins
Stunt Double, Ms. Lawrence: Renae Moneymaker
Stunt Double, Mr. Hemsworth: Daniel Hargrave
Stunt Double, Sam Claflin: Jackson Spidell
Aerial Unit Heli Pilots: David Paris, Alan Purwin
Local Casting: Jackie Burch CSA
Crew Production Supervisor: Mika Saito
Crew Associate Producer: Cameron MacConomy
Crew Set Decorator: Larry Dias
Crew Supervising Art Director: Dan Webster
Art Directors: Andrew Max Cahn, Priscilla Elliott
Fourth Art Director: Lauren Polizzi
Assistant ADs: Sean Ryan Jennings, Justin Miller
"A" Camera/Steadicam Op: Dave Thompson SOC
First Assistant "A" Camera: Trevor Loomis
Second Assistant "A" Camera: Patrick Sokley
"B" Camera Operator: Josh Medak SOC
First Asst "B" Cam: Jess Lakoff, Don Steinberg
Second Assistant "B" Camera: Dwight Campbell
Data Management Supervisor: Kyle Spicer
Digital Image Tech/Dailies Colorist: Adrian Jebef
Motion Control Operator: Michael J. Leben
Moco Techs: Adam Francis, Craig Shumard
"A" Camera Film Loader: Saul McSween
"B" Camera Film Loader: Daniel Wurschl
Associate Film Editor: Jennifer Vecchiarello
First Assistant Editor: Lauren Clark Carroll
Second Assistant Editor: Lara Khachooni
Third Assistant Editor: Madelaine Jereczek
Production Visual Effects Editor: Tom Reagan
1st Assistant Visual Effects Editor: Alan McCurdy
Production 3D Editor: Rod Dean
First Apprentice Editor: Micah Wolf
Post Production Assistant: Adam Zucker
Super Sound Editor & Re-Recording Mixer: Skip Lievsey
Sup Sound Editor/Designer & Re-Record Mixer: Jeremy Pierson CAS
Post Production Supervisor: Jeffrey Harlacker
Post Production Coordinator: Jason Miller
Production Visual Effects Producer: Walter Garcia
Associate Visual Effects Producer: Chrysta Burton
3D Stereo Producer, Chinese Domestic Release: Rebecca Ramsey
Production VFX Accountant: Cynthia LeJeune
Production VFX Coordinators: Robbie Janda, Victor Medel
Asst. Visual Effects Coordinator: Patrick O'Rourke
Lead Data Wrangler, Visual FX: Leah Hardstark
Data Wrangler, Visual Effects: Wes Dorough
Production VFX Assts.: Andrew Prescott, Roman Remer, Dan Levine
VFX Paris/Berlin Coordinator: Annabelle Troukens
Visual FX Paris/Berlin DW: Bastian Hopfgarten
Visual Effects Paris Assistant: Delphine Volny
In-House Compositing Supervisor: John Stewart
Video Consultants: Ted Cognata, Chris Love
Production Coordinator: Jason Zorigan
Assist Production Coordinator: David Halagarda
Supervising Location Manager: Ken Lavet
2nd Second Assistant Director: Megan Schmidt
Add'l 2nd ADs: Kristina Peterson, Cody Williams
Key Grip/"A" Camera Dolly Grip: Guy Micheletti
Spydercam Grips: Lawrence Fagan, Tim Drnec, Jared De Witt
Technocrane Operator: Michael Howell
Gaffer: Walter Bithell
Rigging Gaffer: Mike Tyson
Stage Rigging Gaffer: Mike Robertson
Lighting Console Programmer: Scott Barnes
Set Designers: Rob Fechtman, Al Hobbs
Art Department Coordinator: Wylie Griffin
Set Dec Warehouse Manager: Mark Keever
Lead Set Dec Scenic Painter: Rick Brondum
Supervising Prop Master: Drew Petrotta
Production SPFX Coordinator: Steve Cremin
Assist Special Effects Coordinator: William D. Lee
Production Special FX Buyer: Chelsea Madison
Costume Supervisor: Mark A. Peterson
Specialty Costumes Supervisor: Russell Shinkle
Makeup Designer/Department Head: Ve Neill
Medical Technical Advisor: Paul Lowe
Paris Unit Co-Producer: John Bernard
Unit Prod Manager, Paris Unit: Gilles Castera
Paris Unit First Assistant Director: Ali Cherkaoui
Paris Unit Second Asst Director: Yannick Fauchier
Paris Unit Third AD (BG): Guilhem Malgiore
Paris Unit Art Director: Stephane Cressand
Paris Unit Set Decorator: Emmanuel Delis
Paris Unit "A" First Assist Camera: Michel Galtier
Paris Unit "A" Cam Film Loader: Jeremy Mauroy
Paris Unit A Camera Trainee: Emmanuelle Alaitru
VFX Unit Plate DoP, Paris Unit: Hugues Espinasse
VFX Unit Plate First AC, Paris Unit: Greg Gajero
VFX Unit Plate 2nd AC, Paris Unit: Vince Tulasne
Paris Unit Gaffer: Jean-Francois Drigerard
Paris Unit Rigging Gaffer: Robert Prevost
Paris Unit Set Designer: Mary Finn Saisselin
Paris Unit Art Department Coord: Loic Chavanon
Paris Unit Assistant ADC: Severine Guignard
Paris Unit Armourer Supervisor: Chris Maratier
Paris Unit Special FX Supervisor: Gerd Nefzer
Paris Unit SFX Set Foreperson: Bernd Rautenberg
Paris Unit Special FX Sr. Technician: Zoltan Toth
Paris Unit SFX Tech & Crew Coord: Klaus Mielich
Paris Unit SFX Local Coordinator: Guy Monbillard
Paris Unit LM (Voisins): Olivier Martin AFR
Paris Unit LM (Ivry/Abraxas): Arnaud Kaiser
Paris Unit Prod Coord: Segolene Amice Lagny
Paris Unit Assistant PC: Mickael Conan
Paris Unit Key Set Prod Assist: Jean Ghesquire
Paris Unit Pic Car Coordinator: Charles Heidet
Paris Unit Picture Car Assistant: Marc Letourneur
PM, Capitol Propaganda: Roxanne Pinheiro
Prod Coordinator, Capitol Propaganda: Fred Millet
First AD, Capitol Propaganda: William Pruss
Second AD, Capitol Propaganda: Courtni Mills
Art Dir, Capitol Propaganda: Laure Monbillard
Gaffer, Capitol Propaganda: Nicolas Charuet
Second Unit First Assist Director: Joe Camp III
Second Unit Key 2nd Assist Director: Kevin Lum
Second Unit DoP: Josh Bleibtreu ASC
Second Unit "A" Camera Op: Dave Luckenbach
Second Unit "B" Camera Operator: Bob Gorelick
Second Unit "A" 1st Asst Camera: Jimmy Jensen
Second Unit "B" First Asst Camera: Jason Jensen
Second Unit "A" 2nd Assist Camera: Brent Egan
Second Unit "B" 2nd Assist Camera: Jay C. Hager
Second Unit DITs: Arthur To, Bess Johnson
Second Unit Camera Technic.: Daryl Hambleton
Second Unit Aerial DPs: David Nowell ASC, Hans Bjerno
Aerial Unit Eclipse Techs, 2nd Unit: Eric Dvorsky, Jake Capistron
Second Unit Gaffer: Chris Prampin
Second Unit Prop Master: Thomas Day
Second Unit Makeup Dept. Head: Selena Miller
Second Unit Location Manager: Mac Gordon
Second Unit Assistant LM: Elizabeth Wright
Second Unit Prod Coordinator: Shauna Sanders
Second Unit Second Second AD: Dave Champion
First AD, VFX Element Unit: Bac DeLorme
Key Second AD, VFX Element Unit: Christy Busby
Key Set PA, VFX Element Unit: Joe McDonough
"A" Camera Op, VFX Element Unit: Denise Bailie
"A" First AC, VFX Element Unit: Clyde E. Bryan
"B" First AC, VFX Element Unit: Tom Nemy
"C" First AC, VFX Element Unit: Gary Scott
"A" Second AC, VFX Element Unit: Deb Cottrill
"B" Second AC, VFX Element Unit: Warren Brace
"C" 2nd AC, VFX Element Unit: Nathan McConnell
DIT, VFX Element Unit: Cory Schulthies
Gaffer, VFX Element Unit: Dan Riffel
Supervising Dialogue-ADR Editor: Thomas Jones
Post Production Dialogue Editor: Ralph Osborn
Supervising Foley Editor: John Joseph Thomas
Dolby Sound Consultant: Trevor Ward
Technicolor Dailies Operator: Chris Giuffrida
Technicolor Dailies Assistants: Cory Pennington, Fabien Napoli
Technicolor Dailies Producer: Denise Woodgerd
Supervising Digital Colorist: Mitch Paulson ASC
EFilm 2nd Digital Finishing Colorist: Elodie Ichter
EFilm Digital Inter Finishing Producer: Loan Phan
EFilm Digital Inter Finishing Editor: Devon Miller
Digital Intermediate Assist Colorist: Katie Jordan
Assistant Digital Inter Producer: Lesley Nicolucci
EFilm Color Project Manager: Vanessa Galvez
TCFX Pre-Vis Supervisor: Gavin Wright
Main & End Titles Designer: Richie Adams
DNEG Sr Visual FX Supervisor: Adrian De Wet
DNEG VFX Supervisor - Singapore: Patric Roos
DNEG Visual FX Producer: Melinka Godoy
DNEG Visual FX Exec. Producer: Dominic Sidoli
DNEG CG Supervisor: Benjamin Huber
DNEG 2D Supervisor: Walter Gilbert
DNEG LPs: Harrison Goldstein, Sharna Hackett, Darryl Li
DNEG Coordinators: Monifa Andrews, Adilin Ismail, Eunice Khoo
DNEG Production Assistant: Aylwyn Goh
DNEG FX Supervisor: Gunther Schatz
DNEG Concept/MP Supervisor: Tim Clark
DNEG Model Supervisor: Joshua Robinson
DNEG Matchmove Supervisor: WeiKian Ang
DNEG R/P Supers: Oliver Atherton, Elham Senin
DNEG Shading Supervisor: Eric Vezinet
DNEG Generalist TD, On-Set Photography: Russ Bowen
DNEG TD, On-Set Photography: Andy Warren
DNEG CG Lead: Arild Anfinnsen
DNEG 2D Lead: David Man
DNEG Prep Lead: Michael Baldemoro
DNEG Roto Lead: Benny See
DNEG Grading Colourist: Colin P. Brown
DNEG Grading Asst Colourists: Sam Horgan, Scott R. Anderson
DNEG Grading Supervisor: Garry Maddison
MPC Visual Effects Supervisor: David Seager
MPC Visual Effects Producer: Jen Fairweather
MPC Compositing Supervisor: Dan Breckwoldt
MPC CG Supervisor: Chris Downs
MPC Animation Supervisor: Catherine Mullan
Embassy VFX Supervisor: Winston Helgason
Embassy VFX Producer: Danielle Kinsey
Embassy VFX Coordinator: Annie-Claude LaPierre
Embassy VFX CG Supervisor: Michael Blackbourn
Embassy VFX Comp Supervisor: Michael Stewart
Embassy VFX Asset Supervisor: Paul Copeland
Cantina Visual Effects Supervisor: Jay Grunfield
Cantina Visual Effects Producer: Donna Cullen
Cantina Graphics Supervisor: Venti Hristova
Cantina Compositing Supervisor: Stephen Lawes
Cantina Executive Producer: Sean Cushing
Scanline VFX Senior VFX Supervisor: Bryan Grill
Scanline VFX Visual FX Supervisor: Darren Poe
Scanline VFX PMs: Joel Mendias, Lisa K. Spence, Marcus N. Goodwin, Megan Galbraith, Wendy J. Hulbert
Pixomondo Sr Visual FX Supervisor: Bjorn Mayer
Pixomondo Division VFX Super.: Mihaela Orzea
Pixomondo Visual Effects Producer: Julia Neighly
Pixomondo VFX Exec. Producer: Joni Jacobson
Pixomondo VFX Coordinators: Seda Yilmaz, John Baer
RSP Visual Effects Producer: Richard Thwaites
Lola | VFX Visual FX Supervisor: Edson Williams
Lola | VFX Visual FX Producer: Thomas Nittmann
Lola | VFX Visual Effects Coordinator: Allison Paul
Lola | VFX Digital Matte Painter: Robert Olsson
Lola | VFX 3D Tracking Lead: Josh Singer
Lola | VFX Roto Artist: Jamison McCord
Legend3D Stereo Compositors: Aileen Acayan, Thiago Carneiro
FotoKem® Lab Color Timer: Mato D. Avanessian
Music Supervisor: Alexandra Patsavas
Supervising Music Editor: Jim Weidman
Production Music Editor: David Olson
Temp Music Editor: Philip Tallman
Score Recordist & Mixer: Shawn Murphy
Score Sound Design Supervisor: Joe Trapanese
Orchestra & Choir Conductor: Pete Anthony
Score Orchestrator: John Ashton Thomas
Music Librarian: Mark Graham
Filming Dates: 23 September 2013 - 20 June 2014 (Shot back-to-back w/ Part II)
Cameras: Alexa XT Plus & Red Epic Dragon (2.8K ARRIRAW)[4:3 Sensor Mode]
Lenses: Panavision® Primo SL Primes, ALZ11 48-550mm Zoom, C-, E-, G-Series AL Primes, 40-80mm AWZ2 Zoom & 70-200mm Anamorphic Telephoto Zoom
AR: 2.39:1 (Anamorphic)(3-Perf S35mm: Minor Aerial & Visual Effects Work)
Budget: 125-140 Million USD
Printed on: Kodak Vision 2383
Specialty Costumes Designed by: Film Illusions
Paris Unit Production Services by: Peninsula Film Seashore
Previsualization Services by: The Cavalry FX
Visual Effects Provided by: Double Negative, Moving Picture Company, The Embassy VFX, Cantina Creative, Scanline VFX, Pixomondo, Rising Sun Pictures & Lola | VFX
Stereo Conversion Provided by: Legend3D
Score Recorded at: Air Lyndhurst Studios, London, UK
Score Mixed at: James Newton Howard Studios, Santa Monica, CA
Attribute: Filmed in Panavision® (As Cameras & Lenses)

Screenwriters: Peter Craig, Danny Strong
Executive Producer & Co-Writer: Suzanne Collins
Producers: Nina Jacobson, Jon Kilik
Cinematographer: Jo Willems ASC SBC
Cinematographer - Capitol Propaganda: David Nissen
Cinematographer - VFX Element Unit: Mark H. Weingartner ASC
Cinematographer - VFX Additional Element Unit: Patrick Loungway
Production Designer: Philip Messina
Film Editors: Mark Yoshikawa ACE, Alan Edward Bell ACE
Costume Designers: Kurt Swanson, Bart Mueller
Composer: James Newton Howard
Composer (Add'l Arrangements) & Synth Programmer: Sven Faulconer
Composer, Additional Music: Gabe Witcher
Casting: Debra Zane CSA
Executive Producer & UPM: Jan Foster
Exec. Producers: Joe Drake, Allison Shearmur
Co-Producer: Bryan Unkeless
Production Visual Effects Supervisor/Second Unit Director: Charles Gibson
First Assistant Director: Christopher Surgent
Key Second Assistant Director: Douglas Plasse
Executive in Charge of Production: Donna Sloan
Co-Producers, Berlin: Henning Molfenter, Charlie Woebcken, Christoph Fisser
Key Stunt & Fight Coordinator: Sam Hargrave
Supervising Stunt Coordinator: RA Rondell
Stunt Coordinator (Berlin): Ralf Haeger
Assistant Stunt Coordinator (Berlin): Florian Hotz
Stunt Coordinator (Paris): Philippe Guegan
Key Stunt Rigger: Michael Hugghins
Head Stunt Rigger (Berlin): Alexander Magerl
Stunt Double, Ms. Lawrence: Renae Moneymaker
Stunt Double, Mr. Hemsworth: Daniel Hargrave
Stunt Double, Sam Claflin: Jackson Spidell
Utility Stunt Supervisor (Berlin): Joerg Ellmer
Stunt Rigger (Berlin): Werner Bernstaedt
Aerial Unit Heli Pilots: David Paris, Alan Purwin
Southeast Casting: Jackie Burch CSA
Dedicated to: Garry Bailey
Crew Production Supervisor: Mika Saito
Crew Associate Producer: Cameron MacConomy
Crew Set Decorator: Larry Dias
Crew Supervising Art Director: Dan Webster
Art Directors: Andrew Max Cahn, Priscilla Elliott
Fourth Art Director: Lauren Polizzi
Assistant ADs: Sean Ryan Jennings, Justin Miller
"A" Camera/Steadicam Op: Dave Thompson SOC
First Assistant "A" Camera: Trevor Loomis
Second Assistant "A" Camera: Patrick Sokley
"B" Camera Operator: Josh Medak SOC
First Asst "B" Cam: Jess Lakoff, Don Steinberg
Second Assistant "B" Camera: Dwight Campbell
Data Management Supervisor: Kyle Spicer
Digital Image Tech/Dailies Colorist: Adrian Jebef
Motion Control Operator: Michael J. Leben
Moco Techs: Adam Francis, Craig Shumard
"A" Camera Film Loader: Saul McSween
"B" Camera Film Loader: Daniel Wurschl
AP/Post Production Supervisor: Jeffrey Harlacker
Second Film Editor: Jennifer Vecchiarello
First AEs: Lauren Clark Carroll, Lara Khachooni
Second Asst Editors: Micah Wolf, Paul Alderman
Third Assistant Editor: Madelaine Jereczek
Overall VFX Editors: Tom Reagan, Steve Miller
Production 3D Editor: Rod Dean
Post Production Assistant: Adam Zucker
Post Production Intern: Dillard Brown
Super Sound Editor & Re-Recording Mixer: Skip Lievsey
Sup Sound Editor/Designer & Re-Record Mixer: Jeremy Pierson CAS
Post Production Coordinator: Jason Miller
Production Visual Effects Producer: Walter Garcia
Associate Visual Effects Producer: Chrysta Burton
3D Stereo Producer, Chinese Domestic Release: Rebecca Ramsey
Production VFX Accountant: Cynthia LeJeune
Production VFX Coordinators: Robbie Janda, Victor Medel, Patrick Thomas O'Rourke, Ainslie Thomas
Lead Data Wrangler, Visual FX: Leah Hardstark
Data Wrangler, Visual Effects: Wes Dorough
Production VFX Assistants: Andrew Prescott, Kristofer Cross
VFX Berlin/Paris Coordinator: Annabelle Troukens
Visual FX Berlin/Paris DW: Bastian Hopfgarten
Visual Effects Berlin Assistant: Roman Remer
Visual Effects Paris Assistant: Delphine Volny
In-House Visual Effects Supervisor: John Stewart
In-House Compositing Lead: Michael Liv
Playback Operators: James Gallimore, Chris Love
Video Consultant: Ted Cognata
Production Coordinator: Jason Zorigan
Assist Production Coordinator: David Halagarda
Supervising Location Manager: Ken Lavet
2nd Second Assistant Director: Megan Schmidt
Add'l 2nd ADs: Kristina Peterson, Cody Williams
Key Grip/"A" Camera Dolly Grip: Guy Micheletti
Technocrane Operator: Michael Howell
Gaffer: Walter Bithell
Rigging Gaffer: Mike Tyson
Stage Rigging Gaffer: Mike Robertson
Lighting Console Programmer: Scott Barnes
Set Designers: Robert Fechtman, Al Hobbs, Jim Hewitt, Ernie Avila, Karl Martin, Easton Smith, George Lee-McDonnell
Graphic Designer: Trey Shaffer
Art Department Coordinator: Wylie Griffin
Senior Model Maker: Scot Erb
Set Dec Warehouse Manager: Mark Keever
Lead Set Dec Scenic Painter: Rick Brondum
Supervising Prop Master: Drew Petrotta
Fourth Prop Assistant: Amanda Ward
Prop Production Assistant: James Perini
Production SPFX Coordinator: Steve Cremin
Assist Special Effects Coordinator: William D. Lee
Set Foreperson, SFX: Brandon Keys McLaughlin
Pyrotechnic Foreperson, SFX: Lee McConnell
Production Special FX Buyer: Chelsea Madison
Creature Art Director: Aaron Sims
Creature Concept Coord: Lauren Barciszewski
Costume Supervisor: Mark A. Peterson
Assistant Costume Designer: Lisa Tomczeszyn
Specialty Costumes Supervisor: Russell Shinkle
Makeup Designer/Department Head: Ve Neill
Choreographer: Seth Tepfer
Medical Technical Advisor: Paul Lowe
Berlin Unit Line Producer: Miki Emmrich
Berlin Unit Sup Art Director: David Scheunemann
Berlin Unit Art Directors: Wolfgang Metschan, Steve Summersgill
Berlin Unit Assist Art Director: Gunnar Zimmer
Berlin Unit Set Decorator: Mark Rosinski
Berlin Unit First Assistant "B" Camera: Karl Kiel
Berlin Unit "C" Camera Operator: Soenke Hansen
Berlin Unit First Asst "C" Camera: Vernon Dolan
Berlin Unit 2nd Asst "C" Cam: Florian Schwartz
Berlin Unit First Asst "D" Camera: Heiko Wentorp
Berlin Unit "D" Second AC: Stephanie Dahlhaus
Berlin Unit "B" Cam Dolly Grip: Christian Scheibe
Berlin Unit Junior Lighting Grip: Rob Schroeder
Berlin Unit Remote Head Tech: Thomas Huebener
Berlin Unit Gaffer: Helmut Prein
Berlin Unit Rigging Gaffer: Dietmar Haupt
Berlin Unit Junior Dimmer Operator: Lukas Hippe
Berlin Unit Digital Set Designer: Carsten Woithe
Berlin Unit Set Designers: Stephanie Rass, Tarnia Nicol
Berlin Unit Junior Set Designer: Marc Bitz
Berlin Unit Art Dept. Coordinator: Roxy Konrad
Berlin Unit Graphic Designer: Henning Brehm
Berlin Unit Assistant Set Decorator/Coord: Marei Hitzler
Berlin Unit Stand-By Props Master: Till Sennhein
Berlin Unit Assistant Prop Master: Marco Boehm
SFX Supervisor, Berlin & Paris Units: Gerd Nefzer
SFX Set Foreperson, Berlin & Paris Units: Bernd Rautenberg
Berlin Unit Location Manager: Klaus Darrelmann
Berlin Unit Crowd Assist Director: Dennis Becker
Berlin Unit Key Third Assist Director: Finn Pelke
Berlin Unit Pic Car Coordinator: Tom Ehrhardt
Berlin Unit Asst Pic Car Coord: Martin Sekiewicz
Berlin Unit Truck Wrangler: Klaus Splinter
DNEG Berlin Unit Senior VFX Supervisor: Adrian De Wet
Visual FX Unit Key Grip, Berlin Unit: Markus Pluta
VFX Unit Gaffer, Berlin Unit: Sascha Wolfram
VFX Unit Video Assist, Berlin Unit: Chris Wehrle
VFX Unit "A" Cam Grip, Berlin Unit: Jacob Engel
VFX Unit "B" Grip, Berlin Unit: Hagen Raeder
Paris Unit Co-Producer: John Bernard
Unit Prod Manager, Paris Unit: Gilles Castera
Paris Unit First Assistant Director: Ali Cherkaoui
Paris Unit Second Asst Director: Yannick Fauchier
Paris Unit Third AD (BG): Guilhem Malgiore
Paris Unit Art Director: Stephane Cressand
Paris Unit Set Decorator: Emmanuel Delis
Paris Unit "A" First Assist Camera: Michel Galtier
Paris Unit "A" Cam Film Loader: Jeremy Mauroy
Paris Unit A Camera Trainee: Emmanuelle Alaitru
VFX Unit Plate DoP, Paris Unit: Hugues Espinasse
VFX Unit Plate First AC, Paris Unit: Greg Gajero
VFX Unit Plate 2nd AC, Paris Unit: Vince Tulasne
Paris Unit Key Grip: Michel Strasser
Paris Unit Gaffer: Jean-Francois Drigerard
Paris Unit Rigging Gaffer: Robert Prevost
Paris Unit Set Designer: Mary Finn Saisselin
Paris Unit Art Department Coord: Loic Chavanon
Paris Unit Assistant ADC: Severine Guignard
Paris Unit Armourer Supervisor: Chris Maratier
Paris Unit SFX Local Coordinator: Guy Monbillard
Paris Unit LM (Voisins): Olivier Martin AFR
Paris Unit LM (Ivry/Abraxas): Arnaud Kaiser
Paris Unit Prod Coord: Segolene Amice Lagny
Paris Unit Assistant PC: Mickael Conan
Paris Unit Key Set Prod Assist: Jean Ghesquire
Paris Unit Pic Car Coordinator: Charles Heidet
Paris Unit Picture Car Assistant: Marc Letourneur
PM, Capitol Propaganda: Roxanne Pinheiro
Prod Coordinator, Capitol Propaganda: Fred Millet
First AD, Capitol Propaganda: William Pruss
Second AD, Capitol Propaganda: Courtni Mills
Art Dir, Capitol Propaganda: Laure Monbillard
Key Grip, Capitol Propaganda: Gerard Rival
Gaffer, Capitol Propaganda: Nicolas Charuet
Key Second AD, Add'l Photog: Taka Kawakami
Production Sup, Add'l Photog: Susan Ehrhart
First Asst "A" Cam, Add'l Photog: Jorge Sanchez
Second Asst "A" Cam, Add'l Photog: Randy Stone
2nd Asst "B" Cam, Add'l Photog: Melissa Fisher
Camera Utility AC, Add'l Photog: Kyler Dennis
VFX Data Wrangler, Add'l Photog: Joe Wehmeyer
Music Playback Op, Add'l Photog: John Maskew
Prop Master, Add'l Photography: Thomas Day
SPFX Technician, Add'l Photog: Brian D. Smith
Prod Coordinator, Add'l Photog: Tim Patterson
Assistant Prod Coord, Add'l Photog: Alex Capaldi
Key Set Prod Assist, Add'l Photog: Derek Wilson
First AD, VFX Element Unit: Bac DeLorme
Key Second AD, VFX Element Unit: Christy Busby
Key Set PA, VFX Element Unit: Joe McDonough
"A" Camera Op, VFX Element Unit: Denise Bailie
"A" First AC, VFX Element Unit: Clyde E. Bryan
"B" First AC, VFX Element Unit: Tom Nemy
"C" First AC, VFX Element Unit: Gary Scott
"D" First AC, VFX Element Unit: Andrew Borham
"A" Second AC, VFX Element Unit: Deb Cottrill
"B" Second AC, VFX Element Unit: Warren Brace
"C" 2nd AC, VFX Element Unit: Nathan McConnell
DITs, VFX Element Unit: Alejandro Wilkins, Cory Schulthies
Key Grip, VFX Element Unit: Brian Deutsch
Gaffer, VFX Element Unit: Dan Riffel
Dimmer Operator, VFX Element Unit: Neal Goff
Video Assist, VFX Element Unit: Adam Meadows
First AD, VFX Additional Element Unit: Greg Hale
Key 2nd AD, VFX Add'l Element Unit: Neil Lewis
"A" Camera Op, VFX Add'l Element Unit: Andrew Turman
First AC, VFX Add'l Element Unit: David Seekins
DIT, VFX Additional Element Unit: Brook Willard
VFX DW, VFX Additional Element Unit: Derrek Brajkovich-Horn
VA, VFX Additional Element Unit: John Medeiros
Key Grip, VFX Add'l Element Unit: Les Tomita
Gaffer, VFX Additional Element Unit: Josh Davis
Prop Master, VFX Add'l Element Unit: Douglas T. Madison
SPFX Coord, VFX Additional Element Unit: Richie Helmer
PA, VFX Additional Element Unit: Lindsey Harris
Stunt Coord, VFX Additional Element Unit: Chris O'Hara
Supervising Dialogue-ADR Editor: Thomas Jones
Post Production Dialogue Editor: Ralph Osborn
Supervising Foley Editor: John Joseph Thomas
Dolby Sound Consultant: Bryan Pennington
Technicolor Dailies Operator: Chris Giuffrida
Technicolor Dailies Assistants: Cory Pennington, Fabien Napoli
Technicolor Dailies Producer: Denise Woodgerd
Supervising Digital Colorist: Mitch Paulson ASC
EFilm 2nd Digital Finishing Colorist: Elodie Ichter
EFilm Digital Inter Finishing Producer: Loan Phan
EFilm Digital Inter Finishing Editor: Devon Miller
Digital Intermediate Assist Colorist: Katie Jordan
Assistant Digital Inter Producer: Lesley Nicolucci
Halon Previz Supervisor: Clint G. Reagan
Halon Postviz Supervisor: Ryan McCoy
Halon Producer: Patrice Avery
T3F Previz Supervisor: Scott Hankel
T3F Previz Creative Supervisor: Chris Edwards
T3F Previz Producer: Kerry Shea
T3F Previz Assoc. Prod Manager: Claver Knovick
T3F Previz Coordinator: Emily DeVitt
TCFX Pre-Vis Supervisor: Gavin Wright
DNEG Senior VFX Producer: Melinka Godoy
DNEG VFX Supervisor - Singapore: Patric Roos
DNEG Visual FX Producer - Singapore: Darryl Li
DNEG CG Supers: Ben Huber, Jeremy Hardin
DNEG 2D Supers: Mike Brazelton, Walter Gilbert
DNEG LPs: Harrison Goldstein, Sara Khangaroot, Esme Long
DNEG Coordinators: Ben Carlson, Sam Girdler, Liz Mann, Eunice Khoo, Aylwyn Goh, Ashleigh Yu
Weta Senior Visual Effects Supervisor: Joe Letteri
Weta Visual Effects Supervisor: Martin Hill
Weta Animation Supervisor: Eric Reynolds
Weta CG Supervisor: Luke Millar
Weta Compositing Supervisor: Mark Richardson
Weta FX Supervisor: Brian Goodwin
Weta Production Manager: Lucy Appleby
Weta Executive Producer: David Conley
Weta Head of Production Cyndi Ochs
Weta Senior Model Artist: Kenichi Nishida
Weta Creature Lead: David Short
Weta Lead Shader Writer: Mathias Larserud
Weta Texture Lead: Georgy Arevshatov
MPC Visual Effects Supervisor: David Seager
MPC Visual Effects Producer: Laura Schultz
MPC 2D Supers: Michael Adkisson, Mark Michaels
MPC CG Supervisor: Max Wood
MPC VFX PMs: Georgina Street, Kayleigh Harding
Embassy VFX Supervisor: Winston Helgason
Lola | VFX Visual FX Supervisor: Edson Williams
Lola | VFX Visual FX Producer: Allison Paul
Lola | VFX Executive Producer: Thomas Nittmann
Lola | VFX Comp Supervisor: Jeremiah Sweeney
Lola | VFX Lead Compositor: William Barkus
Lola | VFX DMPs: Robert Olsson, Sun Lee
Lola | VFX 3D Tracking Lead: Josh Singer
Magnopus VFX Supervisor: Craig Barron ASC
Magnopus VFX Producer: Magdalena Wolf
Production Stereo Supervisor: Scott Willman
Production Stereo Producer: Heather Willman
Stereo Production Manager: Jason Ramsey
Production Stereo Coordinator: Greg DiGiacomo
Genre8 Sr Stereo Supervisor: Ben Breckenridge
Genre8 Executive Producer: Paul Becker
Genre8 Senior Producer: Chad Cortvriendt
Genre8 Stereo Supervisor: Sarah Young
Genre8 Head of Stereo Conversion: Stephen Mascarenhas
Genre8 Stereo Producer: Nixon Fernando
Genre8 Head of Pipeline: Parminder Chadda
Legend3D Stereo Supervisor: Anthony Dunifer
Legend3D Stereo Producer: Jamie Pastor
Legend3D Stereo Comp Supervisor: Keith Kolod
Legend3D Depth Supervisor: Jenny Dolan
Legend3D Depth Grade Operator: Tom Driscoll
L3D Executive Producer: Matt Akey
L3D Head of Production: Chris Del Conte
FotoKem® Lab Color Timer: Mato D. Avanessian
Supervising Music Editor: Jim Weidman
Production Music Editor: David Olson
Temp Music Editor: Philip Tallman
Score Recordist & Mixer: Shawn Murphy
Orchestra & Choir Conductor: Pete Anthony
Score Orchestrator: John Ashton Thomas
Music Librarian: Mark Graham
Filming Dates: 23 September 2013 - 20 June 2014 (Shot back-to-back w/ Part I), 6 June 2015 - 7 June 2015 (Additional Photography)
Cameras: Alexa XT & Red Epic Dragon (2.8K ARRIRAW)[4:3 Sensor Mode]
Lenses: Panavision® Primo SL Primes, ALZ11 48-550mm Zoom, C-, E-, G-Series AL Primes, 40-80mm AWZ2 Zoom & 70-200mm Anamorphic Telephoto Zoom
AR: 2.39:1 (Anamorphic)(3-Perf S35mm: Minor Aerial & Visual Effects Work)
Budget: 160 Million USD
Printed on: Kodak Vision 2383
Creature Design Provided by: The Aaron Sims Company
Specialty Costumes Designed by: Film Illusions
Berlin Unit Services by: Studio Babelsberg & Seashore GER1
Paris Unit Production Services by: Peninsula Film Seashore
Previsualization & Postvisualization Services by: Halon Entertainment, The Cavalry FX & The Third Floor
Visual Effects & Animation Created by: Moving Picture Company, Lola | VFX, Double Negative, Weta Digital & The Embassy VFX
Visual Development Provided by: Magnopus
Stereoscopic 3D Conversion by: Legend3D, Genre8 & Southbay Motion Picture Technologies
Score Recorded at: Air Lyndhurst Studios, London, UK
Score Mixed at: James Newton Howard Studios, Santa Monica, CA
Attribute: Filmed in Panavision® (As Cameras & Lenses)

Screenwriter: Justin Haythe
Technical Consultant: Jason Matthews
Producers: Steven Zaillian, Peter Chernin, Jenna Topping, David Ready
Executive Producer & UPM: Mary McLaglen
Executive Producer: Garrett Basch
Cinematographer: Jo Willems ASC SBC
Production Designer: Maria Djurkovic
Film Editor: Alan Edward Bell ACE
Composer: James Newton Howard
Costume Designer: Trish Sommerville
Production Choreographer: Justin Peck
Associate Producer: Cameron MacConomy
Casting: Denise Chamian CSA
UK Casting: Priscilla John CDG
Supervising Stunt Coordinator & Second Unit Director: Chris O'Hara
Stunt Coordinator (Hungary): Bela Unger
Unit Production Manager: Mika Saito
First Assistant Director: Christopher Surgent
Key 2nd Assistant Director: Takahide Kawakami
Super. Art Director: Zsuzsa Kismarty-Lechner
2nd Art Directors: Tibor Lazar, Laszlo Demeter
Junior Art Director: Balasz Szedlacsek
Assistant Art Director: Laszlo Szirmai
Standby Art Director: Bence Kalmar
Visual Researcher: Philip Clark
Lead Graphic Artist: Julianna Kasza
Motion Graphics Designer: Istvan Gergely
Art Department Coordinator: Ilona Hardy
Set Decorator: Sophie Phillips
Set Dec Coordinator: Miklos Gati
Set Dec Assistant: Viola Balint
Second Assistant Director: Zsolt Tolmar
2nd Second Assistant Director: Andras Krucsai
Additional Third Assistant Director: Daniel Jakab
Key Set Production Assistant: Marton Katona
A Cam & Steadicam Op: Dave Thompson SOC
A First Assistant Camera: Trevor Loomis
A Second Assistant Camera: Tibor Gulyas
B Camera & Steadicam Operator: Imre Juhasz
B First Assistant Camera: Istvan Gottmann
B Second Assistant Camera: Krisztian Galanics
Camera Loader: Mate Palla
Digital Imaging Technician: Daniel Farkas
DIT Assistant: Andras Udvardi
Camera Trainee: Martin Henzsel
Co-Associate Producer: Jeffrey Harlacker
Post Production Supervisor: Jason Miller
Additional Film Editor: Ryan Chavez
Associate Film Editor: Lara Khachooni
First Apprentice Editor: Sharia Lynn Davis
Second Apprentice Editor: Mercedesz Czanka
Super. Sound Editor, Designer & Re-Recording Mixer: Jeremy Pierson
Supervising Sound Editor: Thomas Jones
Re-Recording Mixer: Skip Lievsay
Production VFX Producer: Whitney Richman
In House Compositors: John Weckworth, Nina Harlan, Tricia Barrett, Vivian Wei
Gaffers: Walter Bithell, Balasz Vakar
Rigging Gaffer: Zoltan Lakatos
Fixtures Gaffer: Istvan Torzsok
Fixtures Foreman: Joe McGee
Special Makeup FX Designer: David Anderson
Sup Loc Manager: Klaus Grosse Darrelmann
Location Coordinator: Annamaria Ligosztaveja
Location Legal Consultant: Balasz Zachar
Unit Manager & Head of Safety: Richard Szabo
Assistant Unit Manager: Adam Gonda
Prop Master: Chris Cull
Associate Choreographer: Kurt Froman
Production Special FX Supervisor: Gerd Nefzer
Special Effects Set Supervisor: Bernd Rautenberg
Local Special Effects Supervisor: Gabor Kiszelly
Snow Supervisor, Special FX: Lucien Stephenson
Production Manager: Monika Nagy
Assistant Production Manager: Nora Feher
Transport & Pic Car Coordinator: Zsolt Somogyi
Assistant Picture Car Coordinator: Zsolt Nyerky
Co-Prods (HU): Ildiko Kemeny, David Minkowski
DNEG Visual Effects Supervisor: Paul Riddle
DNEG Visual Effects Producer: Carlos Ciudad
DNEG 2D Supervisor: Ean Carr
DNEG CG Supervisor: Jeremy Hardin
Supervising Music Editor: Jim Weidman
Production Music Editor: David Olson
Production Preview Engineer: Lee Tucker
CO3 Senior Finishing Colorist: Dave Hussey
CO3 Senior Finishing Producer: Stephen Newnam
CO3 Senior Finishing Editor: Joe Ken
CO3 Finishing Technologist: John Quartel
CO3 Color Assistants: Tyrell Lloyd, John Tripp
CO3 Data I/O Leads: Rob Fernley, David Santoyo
CO3 Digi Restoration Leads: Chris Clausing, Meg Shepherd
CO3 Head of Production: Larry McQuaid
CO3 Color Finishing EP: Stefan Sonnenfeld ASC
London Unit Prod Supervisor: Mark Giacalone
London Unit Production Coordinator: Ali Morris
London Unit Set Decorator: Tatiana McDonald
London Unit 2nd Assistant Director: Sarah Hood
London Unit Crowd Second AD: Rory Broadfoot-Wheeler
London Unit Camera Trainee: Andrea Michelon
London Unit Gaffer: David Sinfield
London Unit Supervising LM: Thomas Asquith
London Unit Location Manager: Tom Crooke
Unit Manager, London Unit: Sam Courtnage
London Unit Location Assistant: Isabella Panousis
London Unit SPFX Senior Technician: Nick Smith
Bratislava Unit Production Supervisor: Rasto Kuril
Bratislava Unit Production Manager: Juraj Molnar
Bratislava Unit Location Manager: Jakub Gejdos
Vienna Unit Loc Manager: Ulli Wimmer-Lamquet
Vienna Unit Prod Coord: Sophie Heitzeneder
Vienna Unit Set Manager: Armin Watznauer
Vienna Unit Key Prod Assistant: Leo Schwarz
Second Unit B Cam First AC: Sam Donaghy-Bell
Lighting Technician - AP, LA: Michael Tingley
Score Orchestra-Choir Conductor: Pete Anthony
Score Recordist & Mixer: Shawn Murphy
Filming Dates: 5 January 2017 - 31 March 2017
Cameras: Alexa Mini & XT (3.4K ARRIRAW)
Lenses: Panavision E-Series AL Primes (40mm, 50mm & 75mm), T-Series AL Primes (35mm, 65mm, 100mm, 135mm & 180mm), T-Series AWZ2.3 (37-85mm), C-, G-Series AL Primes, ATZ 70-200mm Zoom & Primo ALZ3 Hubble 270-840mm Zoom
AR: 2.39:1 (Anamorphic)
Budget: 69 Million USD
Production Services in Hungary Provided by: Pioneer Stillking Films
Visual Effects Provided by: Double Negative
Color & Finish Provided by: Company 3
Score Recorded & Mixed at: Air Lyndhurst, London UK
Attribute: Filmed in Panavision

Cinematographer: Emmanuel "Chivo" Lubezki ASC AMC
Production Designer: Dylan Kahn
Stunt Double - Ms. Lawrence: Joanna Bennett
A Camera Operator: Mauricio Flores
Digital Imaging Technician: Natalie Carr
Underwater Unit DoP: Pete Romano ASC
Drone Pilot: Loic Mahaes
Gaffer: Jeff Ferrero
Lighting Console Programmer: Eric Androvich
Visual FX Executive Producer: Stephanie Gilgar
Production CG Supervisor: Pouyan Navid
Lenses: Leica Summilux-C Spherical Primes
AR: 1.78:1 (Super 35mm)

Producer: Francis Lawrence
Screenwriters/EPs: Mike Handelman, Dave Guion
Prods: Pete Chernin, Jenna Topping, Dave Ready
Executive Producer / Unit PM: Ray Angelic
Co-Producer: Cameron MacConomy
Cinematographer: Jo Willems ASC SBC
Cinematographer, Underwater & Second Units/ B Camera Operator: Ian Seabrook
Cinematographer, British Columbia Unit: Brian Johnson
Production Designer: Dominic Watkins
Film Editor: Mark Yoshikawa ACE
Costume Designer: Trish Sommerville
Composer / Score Producer: Pinar Toprak
Production Visual Effects Supervisor/Second Unit Director: Adrian De Wet
Production VFX Producer: Eve Serena Fizzinoglia
Casting Director: Denise Chamian CSA
Co-Executive Producer: Jason Momoa
Unit Production Manager: Greg Denny
Key First AD / Co-Producer: Christopher Surgent
Second Assistant Director: Sarah Campbell
Marlow Barkley Photo Double: Abigail White
Supervising Stunt Coordinator: Scott J. Ateah
Jason Momoa Stunt Double: Ryan Tarran
Marlow Barkley Stunt Double: Juliana Potter
Stunt Rigging Coordinator: Kai Hirvonen
Stunt Riggers: Nicholas Longhurst, Tim Cody
Stunt Utility Assistant: Lloyd Cunningham
Production Choreographer: Melissa Mitro
Assistant, Melissa Mitro: George Absi
Canadian Casting Director: Robin D. Cook CSA
Financial Controller: Ilana McAllister
Supervising Art Director: Tom Reta
Overall Concept Artist: Tim Browning
Art Department Coordinator: Lindsay Gilmer
Trainee Assistant Art Director: Tristan Trotman
Architectural Engineer: Jeff Archbold
Set Decorators: Jeffrey Melvin, Daniel Birt
Assistant Set Decorator: Byron Patchett
Set Decoration Coordinator: Angel Winstl
Set Decoration Wireman: Larry Smith
Prop Masters: Kevin Lise, Rowena O'Connor
Assistant Prop Master: Sarah Bailey
Production Prop Buyer: Theresa Buckley
A / Steadicam Operator: David J. Thompson SOC
A Camera First Assistant: Dean Stinchcombe
B Camera First Assistant: Ben Smith
A Camera Second Assistant: Matthew Reid
B Camera Second Assistant: Aaron McMurtry
Camera Utility Assistant: Keren Hitterman
DIT: Jeffrey Bowes
DMT: Sarah Warland
A Camera Trainee: Jacquelyn Cooney
B Camera Trainee: Liam Forde
Underwater Unit Camera Technician: Chris Chung
Script Supervisor: Elizabeth Tremblay
Production Sound Mixer: Glen Gauthier
Overall Boom Operator: Alan Zielonko
Sound Boom Operator: Jason McFarling
Audio Playback Assistant: John "Wheels" Hurlbut
Video Coordinator: Stephanie Girard-Hamelin
Video Assistant: Kelly Hearns
Gaffer: R. Scott Phillips
Best Electrician: Jerry Borris
Rigging Gaffer: Nikki Holmes
Best Rigging Electrician: Dean Muto
Key Board Operator: Desiree Lidon
Rigging Board Operator: Aldis Sukse
Generator Operator: Lee Ionson
Key Grip: Rico Emerson
Assistant Key Grip: Sean Bourdeau
Key Rigging Grip: John Vrakking
Best Rigging Grip: Rick Scott
A Camera Dolly Grip: Robert Cochrane
B Dolly / Second Unit Key Grip: Patrick Krauter
Remote Head Technician: Ryan Myler
Techno Crane Technicians: John Stubbings, Mike Yabuta
Costume Supervisors: Cori Burchell, Joe Cigliano
Assist Costume Designers: Renee Fontana, Corey Deist
Costume Coordinator / Tracker: Gerri Gillan
Costume Buyer / Background Coordinator: Will Ng
On Set Costume Supervisor: Isabel De Biasio
Production Coordinator: Ainslee Kennedy
1st Assistant Production Coordinator: Meaghan Carey
2nd Assistant Production Coordinator: Aaron Kinnersley
Travel Coordinator: Karla Trujillo Villon
Third Assistant Accountant: Kathleen Abbott
Trainee Assistant Accountant: Hailey Johnson
Senior Post Accountant: Faleshia Lo
Supervising Location Manager: Marty Dejczak
Construction Coordinator: Brian Van De Valk
CNC Programmer: Kyle Van De Valk
CNC Operator: Kurt Van De Valk
Key Scenic Coordinator: Cameron S. Brooke
Scenic Lead: Dave Rosa
Location Scenic Lead: Chris Hanson
On Set Scenic Lead: Glenn Locke
Production Special Effects Supervisors: Andrew Verhoeven, Mike Vézina
Production Special Effects Coordinator: Michael Innanen
Production Special Effects Buyer: Kaz Kobielski
Special Effects Gag Lead: Scott Treliving
Special Effects Key Rigger: Jolon Warrior
Special Effects Lead Fabricator: Ray Comiso
Overall Special Effects Fabricator: Erik Bloomer
Overall Special Effects Tracker: Cara Anderson
Special Effects, Picture Cars & Stunts Tracker: Julie Cochrill
Picture Vehicle Coordinator: Billy Boyd
Picture Vehicle Captain: Gord Drennan
Picture Vehicle Mechanic: Andrew Bowditch
Unit Manager: David McIlroy
Asst Unit Managers: Jordan Denomy, Kati Moore
Unit PA: Mathieu Diotte
PPE Distro Lead: Ashley Gruner
Unit Publicist: Lisa Shamata
Still Photographer: Alan Markfield
EPK A Camera Operator: Ben Martin-Cocher
US Casting Associate: Liz Luwitzke
Canadian Casting Associates: Jonathan Oliveira, Ashley Gray
Casting Assistant: Kelly Boaz
Background Casting Director: Zameret Kleiman
Background Casting Assistant: Lawrence Black
Add'l Second ADs: Drew McLean, Byron Ingram
Third ADs: Missy Morris, Ambrose Wong
Fourth Assistant Director: Monica Simpson
Cast Assistant: Michelle Fairburn
Office PA / Second Unit 2nd Assistant Production Office Coordinator: Jamie Flynn
Office Production Assistant: Vasili Manikas
Production Covid Supervisor: Shanya Dajczak
Covid Health & Safety Supervisor: Carter Stowar
Overall Covid H&S Manager: Samantha Brown
Health & Safety Consultant: Keith Hightower
Covid Compliance Coordinator Assistant: Derek Robertson
Covid Compliance Officer: Jordana Lieberman
On Set PPE Cast Handler: Trelawnie Mead
Covid Lead Coordinator: Dylan Black
Animal Wrangler: Paul Rutledge
Second Unit First Asst Director: Andrew Robinson
Second Unit Second Assist Director: Aric Dupere
Second Unit On Set Dresser: Matthew Conrad
Second Unit Props Master: Michael Huschka
Second Unit A Camera First Assist.: Ryan Prouse
Second Unit B Camera First Assistant: Kevin Hall
Second Unit A Second Assistant: William Scheffel
Second Unit B Second Assistant: Madison Hayes
Second Unit Camera Utility Asst: Ryley Huston
Second Unit DIT: Sandra Lombardi
Second Unit DMT: Daniel Tacchino
Second Unit Script Supervisor: Douglas Rotstein
Second Unit Sound Mixer: Trevor Goulet
Second Unit Boom Operator: Evan Gillman
Second Unit Video Coord.: Mark Patrick Moher
Second Unit Video Assistant: Tristan Williams
Second Unit Gaffer: Christian McKendrick
Second Unit Best Electrician: Stephen Langer
Second Unit Generator Operator: Bob Rodgers
Second Unit Best Grip: Joe Schroeder
Second Unit B Camera Grip: Craig McWade
Second Unit Assistant Loc Manager: Coralie Nott
Second Unit Precision Driver: Mark Cabbidu
Second Unit Remote Head Technician: Oleksiy Zolotarov
Second Unit Russian Arm Crane Operator: Nikita Zolotarov
Second Unit Drone Pilot: Chris Bacik
Second Unit Drone Head Op: Brett Linesman
Second Unit Drone Safety Asst: Konrad Robinski
Second Unit Camera Car Operator: Bob Harper
Second Unit On Set Scenic Lead: Scott Warren
Second Unit Special Effects Coordinator: Paul Noel
Second Unit SFX Technicians: Chris Card, Brad Jenkins
Second Unit Transport Captain: Shelley Mansell
Second Unit Transportation Co-Captain: Robert Steenson
Second Unit Additional Second AD: Nick Lopez
Third AD - Stunt/Aerial & Second Unit: Rony Valencia
Second Unit Fourth Assistant Director: Menelik King
Second Unit Covid Medical Advisor: Josh Van Altenberg
UPM, British Columbia Unit: Brendan Ferguson
British Columbia Unit First AD: James Bitonti
British Columbia Unit Second AD: Ben Cairns
British Columbia Unit Prod Coord: Jerami Pergal
British Columbia Unit 1st Asst PC: Sam Marshall
British Columbia Unit Assistant Accountant / Payroll: Hayley Paradis
British Columbia Unit A First AC: Doug Lavendar
British Columbia Unit A Second AC: Carrie Wilson
British Columbia Unit DIT: Mitch Bax
British Columbia Unit Loc Manager: Mark Voyce
Second Unit Assistant LM, British Columbia Unit: Meredith Hodder
British Columbia Aerials Unit DoP: John Trapman
British Columbia Aerial Unit 1st AC: Dane Bjerno
British Columbia Aerial Unit Heli Pilot: Steve Gray
British Columbia Aerial Unit Drone Pilots: Tyler MacDougall, Pat Weir
British Columbia Aerial Unit Drone Camera Op.: Tommy Douglas
British Columbia Unit Water Safety Lead: Jeff Hotte
British Columbia Unit Lead Boat Wrangler: Sam Swinwood
British Columbia Unit Transportation Coord: Mark Angus
British Columbia Unit Covid H&S Manager: Lorie Gibson
British Columbia Unit H&S Assist: Jolene Bradley
British Columbia Unit H&S Admin Assistant: Neshe Delici
Toronto Aerial Unit Director of Photography: Mike Darby
Toronto Aerial Unit Heli Pilot: Dame Tommasini
Toronto Aerial Unit Ground Crew: Rama Rahimi, Jerry Andreana
Post Supervisors: Jeffrey Harlacker, Jason Miller
Post Production First AE: Fulvio Valsangiacomo
Post Second Assistant Editor: Davis Reynolds
Production Visual Effects Editor: Peggy Eghbalian
Visual Effects First Assistant Editor: Mark Phillips
Post Production Assistant: Milan Ayala
WB Supervising Sound Editor / Designer & Re-Recording Mixer: Jeremy Pierson
WB Supervising Sound Editor: Thomas Jones
WB Re-Recording Mixer: Skip Lievsey
WB Assistant Sound Editor: Sarah Bourgeois
WB Production FX Editor: Greg Ten Bosch
WB Foley Supervisor: Mark Pappas
WB Mix Technician: Geraldo Gutierrez
WB Stage Engineer: Byron Williams
WB Foley Mixer: David Jobe
Music Editor: Shie Rozow
Supervising Score Orchestrator: Jonathan Beard
Heads of Music Prep: Jordan Cox, James Regan
Additional Score Programming: Tyler Durham
Score Conductor: Anthony Parthner
Score Recordist & Mixer: Alan Meyerson
Digital Score Recordist: Chris Barrett
Studio Manager, Air Studios: Alison Burton
Visual Effects Production Manager: Becca Burnett
Visual Effects Senior Coordinator: Anthony Cally
Overall Visual Effects Coordinator: Jake Heggan
Overall Visual Effects Accountant: Andrew Brown
Visual FX Production Coordinator: Kait O'Leary
Additional On-Set Visual Effects Supervisor: Lisa Sepp-Wilson
Visual Effects Production Assist: Brady Stanfield
DNEG VFX Supers: Tristan Myles, Michael Grobe, Oliver Atherton
DNEG Visual FX Producers: Janet Yale, Max Rees
DNEG CG Supervisors: Rhys Salcombe, Fabio
Bonvicini, Eve Levasseur-Marineau
DNEG VFX Production Managers: Brian Iankovs, Nihad Joshi
DNEG VFX Editors: Ty Gibson, Ajay Patidar
DNEG VFX Department Compositing Supervisor: Tiago Santos
DNEG VFX Department FX Supervisor: Yashdeep Sawant
DNEG VFX Department Mocap Supervisor: Daniel Kunz
DNEG Sr. Visual FX Colourist: Aurora Shannon
Framestore Visual Effects Supervisor: Joao Sita
Framestore VFX Producer: Perdita Carvil
Framestore Anim Supervisor: Fernando Lopes Herrera
Framestore 2D Supervisor: Jeremie Ducrocq
Framestore CG Supervisor: Victor Pillet
Framestore VFX Editor: Lachlan McKinlay
Scanline VFX Visual FX Supervisor: Sue Rowe
Scanline VFX Visual Effects Producer: Georgina Poushkine
Scanline VFX Digital Production Manager: Emily Deere
Scanline VFX DFX Supervisor: Jessica Harris
Scanline VFX CG Supervisors: Frederik Lillelund, Matthew Praveen
Scanline VFX Comp Supervisor: Francisco Pozas, Brent Prevatt, Cameron Thomas
Scanline VFX Dept. Lead / Rigging Supervisor: Azadeh Iranban
Scanline VFX Department Lead/Add'l Supervisor: Dann Tarmy
Outpost VFX Visual FX Supervisor: Richard Clegg
Outpost VFX Prod Coordinator: Aytan Huseynova
Outpost VFX Executive Producer: Tom Barber
Outpost VFX Lead R / P Supervisor: Jay Joshi
Company 3 Senior Digital Colorist: Dave Hussey
Company 3 Sr. Finishing Producer: Christina De Guzman
CO3 Producers: Eric Rogers, Ricardo Ramirez
Company 3 Senior Finishing Editor: Joe Ken
Company 3 Image Scientist: John Quartel
Company 3 Color Assistant: Aaron Bennett
Company 3 Finishing Executive: Jackie Lee
CO3 Head of Prod, Color & Finish: Carl Moore
CO3 President: Stefan Sonnenfeld ASC
CO3 Finishing Accountant: Jeremy Hockman
Company 3 Dailies Colourist: Evan Spicer
Company 3 Dailies Producer: Shane Allen
CO3 Dailies Supervisors: Rui Martins, Kelly Milligan
Company 3 Imaging Supervisor: Nick Paulozza
Company 3 Head of Prod, Dailies: Mike Patterson
Imaginary Forces Design & Art Direction: Karin Fong
Imaginary Forces Animator: Merrill Hall
Imaginary Forces Editor: Lexi Gundvalson
Imaginary Forces Producer: Nicky Maser
Imaginary Forces Coordinator: Megan Catoe
Research, Clearance & Product Placement Consultant: Mara McSweeny
Visual Research Consultant: Aleks Cvetojevic
Filming Dates: 9 November 2020 - 5 Feb 2021
Cameras: ALEXA 65, Mini LF & SONY Venice (4.5K + 6.5K ARRIRAW & 6K AXS-R7)
Lenses: Arri Prime DNA, Leitz Thalia SL Primes & Tokina Cinema Vista Primes
AR: 2.00:1 (Arri 765 & 3-Perf Super 35mm)
Budget: 150 Million USD
Sound Services by: Warner Bros Post Production Creative Services
Score Recorded at: Air Studios, London UK
Visual Effects & Animation by: DNEG, Scanline VFX, Framestore, Ghost VFX, Important Looking Pirates, Outpost VFX & Rodeo FX
Color & Finish + Dailies by: Company 3 Toronto
Main-On-End Titles Designed & Produced by: Imaginary Forces
Attribute: Filmed in Panavision®

Executive Producer: Francis Lawrence
Screenplay Writers: Michael Ardnt, Michael Leslie
Executive Producer: Suzanne Collins
Producers: Nina Jacobson, Brad Simpson
Film Editor: Mark Yoshikawa ACE
Composer: James Newton Howard
Set PA: Silvia Cannarozzi
VFX Lead Data Wrangler: Callum Ruddleston
Music Production Supervisor: Celeste Chada
Asst Transportation Coordinator: Katharina Seiler
Company 3 Senior Finishing Colorist: Dave Hussey
Company 3 Assistant Colorists: Nick Nassif, Quinn Canepa
Company 3 Finishing Producers: Erik Rogers, Taravat Yazdan Panah, Zach Watkins
Company 3 Finishing Editor: John Diesso
Company 3 Finishing Accountant: Jeremy Hockman
Company 3 Finishing Executive: Sheryl Goodhead
Company 3 Head of Production: Laura Geucherian
CO3 Executive Producer: Stefan Sonnenfeld ASC
CO3 Marketing Producers: Behnood Behjoo, Levi Hawkinson
Company 3 Marketing Editor: Jim Eberle
Halon Previsualization Supervisor: Casey Pyke
CAS Lead Capture Technician: Dave Duarte
CAS Capture Technician: Djordje Milovanovic
SVP, Production Accounting: Jeff Dash
Filming Dates: 11 July 2022 - 6 November 2022
Camera: ALEXA Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 1.90:1 (IMAX Version: Some Scenes), 2.39:1 (3-Perf Super 35mm)
Color & Finish Provided by: Company 3
Camera, Lenses & Lighting Equipment Supplied by: ARRI Rental