Fascinating actresses

Born in 1979 in London, England, actress Rosamund Mary Elizabeth Pike is the only child of a classical violinist mother, Caroline (Friend), and an opera singer father, Julian Pike. Due to her parents' work, she spent her early childhood traveling around Europe. Pike attended Badminton School in Bristol, England and began acting at the National Youth Theatre. While appearing in a National Youth Theatre production of "Romeo and Juliet", she was first spotted and signed by an agent, although she continued her education at Wadham College, Oxford, where she read English Literature, eventually graduating with an upper second class honors degree.

Pike appeared in a number of UK television series, including Wives and Daughters (1999), before scoring an auspicious feature film debut as the glacial beauty "Miranda Frost" in the James Bond film, Die Another Day (2002); when the film was released, she was only 23. Though her debut was a big-budget action film, the film work that followed was primarily in smaller, independent films, including Promised Land (2004), The Libertine (2004), (for which she won the Best Supporting Actress award at The British Independent Film Awards), and Pride & Prejudice (2005), as one of the Bennet daughters. A brief foray into Hollywood film followed with the action flick, Doom (2005), and the thriller, Fracture (2007), but she returned to smaller films with exceptional performances in three films: An Education (2009), Made in Dagenham (2010), and the lead opposite Paul Giamatti in Barney's Version (2010).

As she continued her stage work in England, Pike appeared in the spy spoof, Johnny English Reborn (2011), and inhabited the role of "Andromeda" in the sci-fi epic, Wrath of the Titans (2012). She returned to action films with the female lead opposite Tom Cruise in Jack Reacher (2012).

Pike entered into a relationship with a mathematical researcher named Robie Uniacke in 2009. She gave birth to their first son, named Solo, in May 2012. She returned to acting and landed the coveted title role in Gone Girl (2014). The film became a critical and box-office hit, with Pike earning the film's sole Academy Award nomination as Best Actress. She also earned nominations as Best Actress from Screen Actor's Guild, Golden Globes, and BAFTA. She gave birth to her second son with Uniacke in December 2014.

Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.

Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.

She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.

Rachel has a son with her former partner, director Darren Aronofsky. In June 2011, she married "James Bond" actor Daniel Craig in a private ceremony in New York.

Lena Headey is a Bermudian-British actress. Headey is best known for her role as "Cersei Lannister" in Game of Thrones (2011) (2011-2019) and The Brothers Grimm (2005), Possession (2002), and The Remains of the Day (1993). Headey stars as "Queen Gorgo," a heroic Spartan woman in the period film, 300 (2006), by director Zack Snyder.

Headey was born in Hamilton, Bermuda, to British parents Sue and John Headey. Her father, a Yorkshire police cadet, was stationed in the Bermuda Police Service. She was raised there until age five, when her family returned to England. She was brought up in Yorkshire before moving to London in her teens. Headey had not gone to drama school before she became an actress. At the age of seventeen, Headey's performance in a one-off show in the company of six school friends caught the attention of a casting agent, who took a photo and asked her to audition. Eventually, Headey was cast in Waterland (1992), which became her big-screen debut. She honed her natural acting talent while filming and also took archery classes and horse training. She also took boxing classes in clubs in south London, where a former boxer had been teaching her to spar. During her film career, spanning over 15 years, Headey has shown her range in a variety of roles, playing characters from Amazon-type warriors and action-minded women in The Cave (2005) and The Brothers Grimm (2005), to a lesbian florist in Imagine Me & You (2005).

Headey's film career has taken her all over the world. She was in India for the filming of The Jungle Book (1994), then in St. Petersburg, Russia, for filming Onegin (1999), and in Norway for filming of Aberdeen (2000). In 2005 Headey was filming in Romania and in Mexico, then spent four months in Prague, Czech Republic, where a forest was designed and built for filming The Brothers Grimm (2005), with Matt Damon and Heath Ledger. During 2006 Headey was in Canada for the filming of 300 (2006), then went to locations in Bulgaria for shooting The Contractor (2007), and Germany and in Czech Republic for the filming of The Red Baron (2008).

She also played Gina McVey in the horror thriller The Broken (2008), and Elizabeth in Tell Tale (2009). In addition to her film-work, Heady appeared as Sarah Connor in a TV spin-off of the popular "Terminator" film franchise, the FOX's television series Terminator: The Sarah Connor Chronicles (2008).

Outside of her acting profession, Headey continued taking boxing lessons in London. She is a vegetarian and also remains loyal to yoga, which she discovered during her work in India. She has never been back to her birthplace in Bermuda; she shares her time between her homes in London, England, and Los Angeles, California.

Most recently, Keri can be seen starring in "The Diplomat" for Netflix in which Keri plays the titular role of an American Diplomat in London. She also stars in an episode of the limited anthology series "Extrapolations" created by Scott Burns. She also recently starred in "Cocaine Bear" for Universal Pictures from director Elizabeth Banks. Last year, she starred in the supernatural horror thriller "Antlers" for director Scott Cooper and producer Guillermo del Toro, and in "Star Wars: Episode IX" which reunited her with friend and director J.J. Abrams.

For six seasons Keri starred in the critically acclaimed FX series "The Americans" for which she received a Television Critics Association Award for Individual Achievement in Drama, three Emmy Award nominations, two Golden Globe Award nominations, six Critics' Choice Award nominations - one win - and a Screen Actors Guild Award nomination.

Russell's film credits include "We Were Soldiers," "Mad About Mambo," "The Upside of Anger," "Mission Impossible III," "August Rush," "The Girl In The Park," "Bedtime Stories," Extraordinary Measures," "Goats," "Austenland," "Dark Skies," "Dawn Of The Planet Of The Apes," "Free State Of Jones," and the romantic comedy "Waitress" for which she received rave reviews.

Keri first garnered attention when she starred in the title role of the hit television series "Felicity" from J.J. Abrams and Matt Reeves. Just four months after the show's acclaimed premiere on the WB, she was honored with a Golden Globe® Award for Best Performance by an Actress in a Drama Series.

Keri's other television credits include the miniseries "Into the West," executive produced by Steven Spielberg, the Hallmark Hall of Fame Presentation "The Magic of Ordinary Days," and "Running Wilde" with Will Arnett.

Keri starred alongside Adam Driver in the Broadway revival of Lanford Wilson's "Burn This." The limited engagement play, directed by Tony Award winner Michael Mayer, opened in March 2019 and ran through July 2019.

Russell returned to New York theatre after making her off- Broadway stage debut in production of Neil LaBute's "Fat Pig," in 2005.

Emma Roberts was born in Rhinebeck, New York. She was a baby when her parents separated, and she grew up living with her mother, Kelly Cunningham. She was educated at Archer School for Girls in Los Angeles, California.

Emma is the daughter of Oscar-nominated actor Eric Roberts, and the niece of Oscar-winner Julia Roberts. As a child she spent some time on the sets of movies with her aunt Julia. This helped Emma decide that she wanted to follow a career in acting. Her first movie role came in Blow (2001), where she played the daughter of Johnny Depp's character. Various small parts followed, until she was cast in the lead role of Addie Singer in Nickelodeon's "Unfabulous" (2004). Her performance lead to many award nominations as well as a foray into the music industry, including the release of an album, "Unfabulous and More".

More roles followed in various projects, including the eponymous heroine in Nancy Drew (2007), Hotel for Dogs (2009), 4.3.2.1. (2010) and Scream 4 (2011). In 2011, Emma began attending Sarah Lawrence College in New York, studying English Literature.

Anna Paquin is the first millennial to have received an Academy Award nomination for acting, and the first to win.

She was born on July 24, 1982 in Winnipeg, Manitoba, Canada, to Mary (Brophy), an English teacher from Wellington, New Zealand, and Brian Paquin, a Canadian phys-ed teacher. Anna moved to her mother's native country when she was four years old. Her first acting job ever was at age nine in the movie The Piano (1993), which was shot in New Zealand. At age 16, she relocated to Los Angeles where she completed her last two years of high school (graduating in 2000). She then moved to New York where she attended Columbia University for one year. Between 2001 and 2004, she worked almost exclusively on stage in both New York and London. In 2007, Anna was cast in HBO's True Blood (2008), which concluded shooting its seventh and final season in 2014.

Lily Jane Collins was born in Guildford, Surrey, England. Her father is English musician Phil Collins, while her mother, Jill Tavelman, who is from Los Angeles, California, was president of the Beverly Hills Women's Club for three terms. Lily moved with her mother to LA at the age of five, after her parents split up. She is of Russian Jewish (from her maternal grandfather), English, and German descent.

Her first screen role was at the age of two in the BBC series Growing Pains, in 1992. Collins performed at the Youth Academy for Dramatic Arts as a child, but her main interest was journalism. She graduated from the Harvard-Westlake School, and attended the USC, where she majored in broadcast journalism. She began writing a column ("NY Confidential") for the British magazine Elle Girl in her teens as well as contributing to Seventeen, Teen Vogue, and the Los Angeles Times magazines.

After some early television appearances as a presenter/reporter (for instance, covering the 2008 US Presidential campaign as a host on the Nickelodeon show, Kids Pick the President (2000)), she made a couple of appearances on 90210 (2008) in 2009. She co-starred as the daughter of Tim McGraw and Sandra Bullock's characters in the massive box office hit The Blind Side (2009). More dramatic roles followed, and she came to worldwide attention when she played the starring role in Mirror Mirror (2012), following it up by headlining The Mortal Instruments: City of Bones (2013) and Love, Rosie (2014).

Gugu Mbatha-Raw was born Gugulethu Sophia Mbatha in the John Radcliffe Hospital, Oxford, England. Her father, Patrick Mbatha, is a Black South African doctor, and her mother, Anne Raw, is a Caucasian English nurse. Her parents separated when she was a year old, and she was brought up by her mother in the town of Witney, Oxfordshire (she is still close to her father). She joined the local acting group Dramascope and, from the age of eleven, appeared in the pantomime at Oxford Playhouse every year. A talented singer and dancer as well as playing the saxophone, she joined the Oxford Youth Music Theatre in her teens.

In 2001, she won a scholarship to the Royal Academy of Dramatic Art (RADA) in London. Since graduation in 2004, she has appeared in all media, including as an acclaimed Juliet Capulet in "Romeo and Juliet" at Manchester's Royal Exchange Theatre in 2005, opposite Andrew Garfield as Romeo Montague. Mbatha-Raw was nominated for Best Actress in the Manchester Evening News Theatre Awards for her portrayal of Juliet Capulet. She also appeared as Octavia in "Antony and Cleopatra" at the same theatre in 2005. In 2009, she was cast as Ophelia in "Hamlet" on London's West End and Broadway, opposite Jude Law as the title role.

Mbatha-Raw appeared on such varied television series as Bad Girls (1999), Doctor Who (2005), Marple (2004) and Touch (2012). She had a supporting role in the romantic comedy Larry Crowne (2011), written and directed by Tom Hanks, who also played the title role. She was acclaimed for her performance of Dido Elizabeth Belle in Amma Asante's Belle (2013), which earned her a British Independent Film Award for Best Actress, and a nomination as Most Promising Newcomer. She was also nominated for a Satellite Award for Best Actress.

She starred in the romantic drama Beyond the Lights (2014) and was nominated for a Gotham Award for Best Actress for her performance. In 2015, she was nominated for a BAFTA Rising Star Award. That same year, she had a supporting role in Jupiter Ascending (2015), played Prema Mutiso, the wife of Dr. Bennet Omalu (played by Will Smith) in the biopic Concussion (2015), and the title role in Jessica Swale's play "Nell Gwynn", playing the actress who became the mistress of King Charles II of England. She was nominated for an Evening Standard Theatre Award for Best Actress for her performance in the play.

She played Rachel in Newton Knight's biopic Free State of Jones (2016), directed by Gary Ross, playing Knight's common-law wife, a freedwoman he had a family with after the Civil War. She also played Esme Manucharian in Miss Sloane (2016), Sophie on Netflix's series Easy (2016), and played Kelly, one of the leads in "San Junipero", the fourth episode of Season 3 of Black Mirror (2011). Her other films are the live-action remake Beauty and the Beast (2017), playing Plumette, A Wrinkle in Time (2018), directed by Ava DuVernay, and The Cloverfield Paradox (2018).

Gugu Mbatha-Raw was appointed Member of the Order of the British Empire (MBE) by Queen Elizabeth II in the 2017 Birthday Honours for her services to drama.

Leah Harvey is an actor who grew up in Newham, London. They attended The Brampton Manor Academy and, with the help of scholarships, studied dance and performing arts at The Deborah Day Theatre School Trust, also based in Newham. Harvey then gained a BA Hons degree in professional acting from LAMDA, graduating in 2016.

Rachel Anne McAdams was born on November 17, 1978 in London, Ontario, Canada, to Sandra Kay (Gale), a nurse, and Lance Frederick McAdams, a truck driver and furniture mover. She is of English, Welsh, Irish, and Scottish descent. Rachel became involved with acting as a teenager and by the age of 13 was performing in Shakespearean productions in summer theater camp; she went on to graduate with honors with a BFA degree in Theater from York University. After her debut in an episode of Disney's The Famous Jett Jackson (1998), she co-starred in the Canadian TV series Slings and Arrows (2003), a comedy-drama about the trials and travails of a Shakespearean theater group, and won a Gemini award for her performance in 2003.

Her breakout role as Regina George in the hit comedy Mean Girls (2004) instantly catapulted her onto the short list of Hollywood's hottest young actresses. She followed that film with a star turn opposite Ryan Gosling in the adaptation of the Nicholas Sparks bestseller The Notebook (2004), which was a surprise box office success and became the predominant romantic drama for a new, young generation of moviegoers. After filming, McAdams and Gosling became romantically involved and dated through mid-2007. McAdams next showcased her versatility onscreen with the manic comedy Wedding Crashers (2005), the thriller Red Eye (2005), and the holiday drama The Family Stone (2005).

McAdams then explored the independent film world with Married Life (2007), which premiered at the Toronto Film Festival and also starred Pierce Brosnan, Chris Cooper and Patricia Clarkson. Starring roles in the military drama The Lucky Ones (2008), the newspaper thriller State of Play (2009), and the romance The Time Traveler's Wife (2009) followed before she starred opposite Robert Downey Jr. and Jude Law in Guy Ritchie's international blockbuster Sherlock Holmes (2009). McAdams played the plucky producer of a failing morning TV show in Morning Glory (2010), the materialistic fiancée of Owen Wilson in Woody Allen's Midnight in Paris (2011), and returned to romantic drama territory with the hit film The Vow (2012) opposite Channing Tatum. The actress also stars with Ben Affleck in Terrence Malick's To the Wonder (2012) and alongside Noomi Rapace in Brian De Palma's thriller Passion (2012).

In 2005, McAdams received ShoWest's "Supporting Actress of the Year" Award as well as the "Breakthrough Actress of the Year" at the Hollywood Film Awards. In 2009, she was awarded with ShoWest's "Female Star of the Year." As of 2011, she has been romantically linked with her Midnight in Paris (2011) co-star Michael Sheen.

Laura Dern was born on February 10, 1967 in Los Angeles, the daughter of actors Bruce Dern and Diane Ladd. Dern was exposed to movie sets and the movie industry from infancy, and obtained several bit parts as a child. Her parents divorced when Dern was two and Dern lost contact with her father for several years as a result.

Her parents' background and her own early taste of the movie-making world soon convinced the young Dern to pursue acting herself. Like so many young actors, her decision may have been influenced by social awkwardness -- the child of 1960s counterculture parents, she was steeped in Eastern mysticism and political radicalism, and was seen as an oddball by her more conservative classmates. Even before her teens, she had achieved most of her impressive 5' 10" height and was rail-skinny with a slouching posture.. Perhaps the nine-year-old Dern found refuge by studying acting at the Lee Strasberg Theater Institute.

The first success for the young Dern came in 1980, with a role in Adrian Lyne's Foxes (1980), a teen movie starring Jodie Foster. She followed this with several small parts, or parts in small movies, such as Ladies and Gentlemen, the Fabulous Stains (1982) and Teachers (1984), as a student who has an affair with a teacher. (Her mother objected to her active presence on movie sets at age thirteen, which required Dern to sue for emancipation so she could play her role in "The Fabulous Stains"). Her next roles, as the blind girl who befriends the deformed boy in Mask (1985), and as a teen-aged girl whose sexual awakening collides with a mysterious older man in Smooth Talk (1985), gave her career an important boost. Dern appeared to have made it with a leading role in David Lynch's acclaimed Blue Velvet (1986), but it was four years before her next notable film, and this was the bizarre Wild at Heart (1990), also directed by Lynch.

The following year, Dern starred in Rambling Rose (1991), which would become her signature performance, as a sexually-precocious, free-spirited young housemaid in the South in the 1930s. Dern earned an Oscar nomination for her performance, and so did her mother and co-star, Diane Ladd. Dern continues to win prominent roles on the big screen, often in smaller, highly-regarded human dramas such as October Sky (1999), I Am Sam (2001) and We Don't Live Here Anymore (2004), although she is perhaps most widely known for her repeat role as Ellie Sattler in the summer adventure movies Jurassic Park (1993) and Jurassic Park III (2001), or for her guest performance on Ellen (1994), as the woman to whom Ellen finally comes out as a lesbian.

Dern's pre-teen gawkiness matured into lithe beauty, but this doesn't prevent Dern from fearlessly throwing herself into a wide variety of roles which are sometimes unflattering, an excellent example being her unflinchingly comic portrayal of an intensely annoying loser whose pregnancy becomes a social and political football in Citizen Ruth (1996). This results in Dern being one of the most interesting actors working in Hollywood today.

Having previously dated such Hollywood talent as Treat Williams, Renny Harlin, Kyle MacLachlan, Jeff Goldblum and Billy Bob Thornton, Dern eventually married musician Ben Harper in 2005. Early in her career, Dern was roommate to Marianne Williamson, the spirituality guru. Dern attended two days of college at UCLA and one semester at USC.

Nora Arnezeder was born in Paris, France to an Austrian father and an Egyptian mother. While she was still in high school, she studied acting, dancing and singing at the renowned drama school Cours Florent in Paris. Nora's first major role was in 2008 in Paris 36 (French title: Faubourg 36) which was directed by Christophe Barratier and for which she won the Lumières Award as well as the Étoile d' Or award. In this film, Nora Arnezeder performed the song "Loin de Paname" which was nominated for Best Original Song at the 82nd Academy Awards. In 2012, Nora Arnezeder appeared in the film Safe House with Ryan Reynolds and Denzel Washington. In the same year, she appeared in the role of Celia in The Words, opposite Bradley Cooper and Ben Barnes. The film was presented at the Sundance Film Festival.

Nora Arnezeder also acted in the horror slasher film Maniac alongside Elijah Wood.

In 2013, Nora Arnezeder was the leading actress in the internationally praised costume drama Angélique by Ariel Zeitoun.

In November 2014, Nora Arnezeder was cast in the CBS series Zoo, based on the novel by James Patterson and Michael Ledwidge. Zoo premiered in June 2015.

Recently, Nora Arnezeder participated in the series Mozart in the Jungle playing Anna Maria, the wife of the main character, Rodrigo (Gael Garcia Bernal). The show won two Golden Globes.

Sarah Polley is an actress and director renowned in her native Canada for her political activism. Blessed with an extremely expressive face that enables directors to minimize dialog due to her uncanny ability to suggest a character's thoughts, Polley has become a favorite of critics for her sensitive portraits of wounded and conflicted young women in independent films.

She was born into a show business family: her stepfather, Michael Polley, appeared with her in the movie The Adventures of Baron Munchausen (1988) and on the television series Avonlea (1990); and her mother, Diane Polley, was an actress and casting director. It was her mother's connections that launched Sarah, at her own insistence, on an acting career at the age of four, following in the footsteps of her older half-brother Mark Polley. A second half-brother, John Buchan, is a casting director and producer.

Her career as a child actress shifted into high gear when she was cast as the Cockney waif Jody Turner in Lantern Hill (1989), for which she won a Gemini Award, the Canadian equivalent of the Emmy, in 1992. Produced by Kevin Sullivan, the film was based on the book by Lucy Maud Montgomery, author of Anne of Green Gables (1985). When Sullivan created a television series based on Montgomery's work, he cast Polley in the lead role of Sara Stanley in Avonlea (1990). The series propelled Polley into the first rank of Canadian TV stars and made her independently wealthy by the age of fourteen.

Her personal life was deeply affected by the death of her mother Diane from cancer shortly after her 11th birthday, a development that ironically paralleled the fictional life of her character Sara. Highly intelligent and politically progressive at a young age, Polley eventually rebelled against what she felt was the Americanization of the series after it was picked up by the Disney Channel for distribution in the US, eventually dropping out of the show. Though she does not blame her parents, she remains publicly disenchanted over the loss of her childhood and, in October 2003, said she is working on a script about a twelve-year-old girl on a TV show.

Polley, who picked up a second Gemini Award for her performance in the TV series Straight Up (1996), subsequently quit acting and high school to turn her attention to politics, positioning herself on the extreme left of Canada's left-of-center New Democratic Party. The publicity ensuing from her losing some teeth after being slugged by an Ontario policeman during a protest against the Conservative provincial government, plus the stinging cynicism from some other activists unimpressed by her celebrity, led her to lower her political profile temporarily and return to acting in Atom Egoyan's film The Sweet Hereafter (1997). It was her appearance as Nicole, the teenage girl injured in a school bus accident who serves as the conscience of the small town rent by the tragedy, that first brought her to the attention of critics in the US. In Canada, the role was heralded by critics as her successful breakthrough to adult roles. It was her second film with Egoyan, who wrote the part with her in mind when he adapted the novel by Russell Banks, who, ironically, is American. Predictions of an Academy Award nomination and future stardom were part of the critical consensus, and she received her first Best Actress Genie nomination from Canada's Academy of Canadian Cinema & Television and the Best Supporting Actress award from the Boston Society of Film Critics. It was the buzz created at the Sundance Festival, where her starring role in the film Guinevere (1999) was showcased, when the entertainment media crowned her the it-girl of 1999.

Intensely private and extremely ambivalent about the personal cost of celebrity and the Hollywood ethos Fame is the Name of the Game, Polley could be seen as rebelling against the expectations of mainstream cinema when she embarked on a career path that took her out of the spotlight thrown by the harsh lights of the Hollywood hype/publicity machine after shooting the film Go (1999). She dropped out of Cameron Crowe's Almost Famous (2000), the US$60 million mega-hyped vehicle that was supposed to make her a mainstream star in the US, choosing to return to Canada to make the CDN$1.5 million The Law of Enclosures (2000) for Genie Award-winner John Greyson, a director she admires greatly. The film grossed poorly in Canada and was not released in the US, but it did garner Polley her second Genie nomination for Best Actress. While her replacement in Almost Famous (2000) went on to win an Oscar nomination and a career above the title in glossy Hollywood films, she took a wide variety of parts, large and small, in independent films, including significant roles in the ensemble pieces The Claim (2000) and The Weight of Water (2000); bit parts in eXistenZ (1999) and Love Come Down (2000); and the lead in No Such Thing (2001). Her choice of projects showed her to be a questing spirit more focused on learning the art of her craft than on stardom.

She has said that her choice of film roles, eschewing mainstream Hollywood movies for chancier, non-commercial independent fare, was the result of an ethical decision on her part to make films with social importance. A less-observant viewer might think that the rebel Polley played in her political life that had previously manifested itself in her profession was now driving her to the verge of career suicide in terms of popularity, marketability, and choice of future roles. However, that interpretation does not recognize the extraordinary talent that will always keep her in demand by directors, if not casting agents, with an eye on the opening weekend box office. One must understand Polley's career progression in light of her attendance at the Canadian Film Centre's directors program and her production of short films, including Don't Think Twice (1999) and the highly praised I Shout Love (2001). Polley is a cinema artist. This woman wants to make, and will make films. Thus, we can understand her career choices as a desire to work with and understand the technique of some of the best directors in film, including David Cronenberg, Michael Winterbottom, and Hal Hartley.

Polley is as renowned for her intelligence as for her remarkable talent. The problem of the intelligent person in the acting field is that the actor, as artist, in not ultimately in control of their medium, and it is artistic control that is the hallmark of the great artist. The controlling intelligence on a movie set is the director, and her attendance at the Canadian Film Centre has given her a new perspective on acting. The actor, she says, should not try to give a complete performance for the camera (that is, control the representation on film) but must remember that the function of the actor is to give the director as much coverage as possible as a film, as well as a performance, is made in the editing room. According to Polley, this realization, that the film actor exists to serve the director, has given her new enthusiasm for acting. Thus, her career, and her career choices, can be seen as a quest for knowledge about the art of cinema, a journey whose fruition we will see in her future feature work as both actor and director.

Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.

Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.

Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.

Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)

As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.

Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.

Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.

Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.

Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.

And she walked away.

After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.

At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).

Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.

Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."

Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.

At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!

Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.

In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)

Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.

Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.

After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:

"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."

According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.

"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"

The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.

Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.

We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.

Lily Rabe was born in New York, New York, USA. She is an actress and producer, known for Miss Stevens (2016), Fractured (2019) and No Reservations (2007).

Gillian Jacobs was born on October 19, 1982 in Pittsburgh, Pennsylvania, US. Her father, William F. Jacobs Jr., was an investment banker and her mother, Martina Magenau Jacobs, was an alumni relations officer at Carnegie Mellon University.

Gillian is an alumnus of Mt. Lebanon High School, Pennsylvania, and Juilliard School, New York. She holds a bachelor's degree in fine arts and began acting at a young age by attending acting classes at the Pittsburgh Playhouse on weekends.

Jacobs made her acting debut portraying the role of Titania in Pittsburgh Public Theater's stage adaptation of Shakespeare's "A Midsummer Night's Dream" at the age of 16. Years later, she made her debut in a feature film with the Building Girl (2005) then, made her television debut with the role of Adele Congreve in three episodes of The Book of Daniel (2006).

In 2006, Gillian appeared in "Cagelove", an off-Broadway production. The play received negative reviews from all quarters yet, all reviews appreciated Gillian's acting talent.

Jacobs' performance as CJ in the Nonames (2010) remains the most memorable role in the pre-breakout of her career, which brought huge laurels for her acting as well as the Special Jury Award and Copper Wing Award in Phoenix Film Festival.

Her big break came in the form of Community (2009), wherein she played the role of Britta Perry for six seasons until curtains came down on the show. In 2015, she also appeared in the HBO series Girls (2012) with a recurring role as Mimi-Rose Howard.

In 2016, she joined the Love (2016) to play the role of Mickey Dobbs for three consecutive seasons on Netflix. Her other streaming platform collaboration for a TV series came in 2021 with Invincible (2021) on Amazon Prime where she plays the role of Atom Eve. She will feature as Chris Riley, wife of legendary basketball coach Pat Riley, in Winning Time: The Rise of the Lakers Dynasty (2022) and Maggie in Minx (2022) for a recurring role. Both shows will debut on HBO and HBO Max respectively in 2022.

Gillian's other prominent film appearances include Choke (2008), Gardens of the Night (2008), The Box (2009), Life Partners (2014), Walk of Shame (2014), Don't Think Twice (2016), Life of the Party (2018) and I Used to Go Here (2020) while her future projects are The Contractor (2022) and Any Other Night.

She also appeared on the back of the camera as well. In 2015, Gillian directed a short documentary titled The Queen of Code (2015) about Grace Hopper, a rear admiral in the US Navy and a computer scientist, who ushered in the digital era.

Later, she directed a short film Curated (2018) in the form of Shatterbox, a film series from TNT and Refinery29. Her latest as a director came with Higher, Further, Faster (2020) for Marvel 616 (2020).

In 2022, she will have her directing and acting credit together on a feature film with The Seven Faces of Jane (2022) for the first time.

In-person Jacobs is a teetotaler. She says she made a choice while young to never have an alcoholic beverage or do drugs. She says her father is an addict, and together with reading the cautionary tale in the young adult novel "Go Ask Alice", about a 15-year-old drug addict, made an impact on her life in this regard.

Another book that shaped Gillian's perspective of life is "No Turn Unstoned" by Diana Rigg, a collection of terrible reviews that undeniably great actors received over the years. It was given to her by an acting teacher after she received a very bad review in a local paper for her initial performance in "A Midsummer Night's Dream." Thanks to this experience, she started to see these performances as an opportunity, a chance to improve instead of a burden.

Elisabeth Moss is an American actress. She is best known for the AMC series Mad Men (2007), Hulu series The Handmaid's Tale (2017) and the films The One I Love (2014) and The Invisible Man (2020).

Initially, Moss had aspirations of becoming a professional dancer. In her adolescence, she traveled to New York City to study ballet at the School of American Ballet. Moss continued to study dance throughout her teenage years, but began obtaining acting roles as well.

Her first screen role was in 1990, when she appeared in the NBC miniseries Lucky Chances (1990).

Moss also starred in Girl, Interrupted (1999), Listen Up Philip (2014), High-Rise (2015), Queen of Earth (2015) and The Square (2017).

She has won two Golden Globes, for BBC miniseries Top of the Lake (2013) and Hulu series The Handmaid's Tale.

Andrea Louise Riseborough is an English actress and producer. She made her film debut with a small part in Venus (2006), and has since appeared in more prominent roles in Happy-Go-Lucky (2008), Never Let Me Go, Brighton Rock, Made in Dagenham (all 2010), W.E. (2011), Shadow Dancer, Disconnect (both 2012), Welcome to the Punch, Oblivion (both 2013), Birdman (2014), Nocturnal Animals (2016), Battle of the Sexes, The Death of Stalin (both 2017), Mandy, Nancy (both 2018), The Grudge and Possessor (both 2020).

Born in 1998 and raised in London, Daisy trained with the National Youth Theatre before landing her first professional job at 17, playing the regular role of Olivia in the returning British series Cold Feet alongside James Nesbitt and Hermione Norris for ITV. Daisy has since gone on to build a varied screen career as well as working on stage in London.

It would seem that 2004, the year of her 18th birthday, will be remembered as pivotal for Emmy Rossum due to her appearance in two very different films, The Day After Tomorrow (2004) and The Phantom of the Opera (2004). Emmy's performance in the latter film gained her a Golden Globe nomination.

Emmanuelle Grey Rossum was born in New York City, where she was raised by her single mother, Cheryl Rossum, a corporate photographer (she has only met her father a few times). Her mother is of Russian Jewish descent and her father has English and Dutch ancestry. After passing an audition at the Metropolitan Opera when she was 7 years old, Rossum performed in more than 20 operas in six different languages at Lincoln Center, alongside such figures as Plácido Domingo and Luciano Pavarotti. She was directed by Franco Zeffirelli in "Carmen." She left the opera when she entered her teenage years, as she had grown too tall to perform as a child. Emmy also appeared in a Carnegie Hall presentation of "The Damnation of Faust." She graduated from the Spence School, a private institution in Manhattan, in 1996 and then earned a high school diploma when 15 years old by taking online extension courses offered by Stanford University (Education Program for Gifted Youth). She later enrolled at Columbia University and studied art history and French.

In a change of venue, Emmy created the role of Abigail Williams in the daytime soap opera As the World Turns (1956) in 1997 and branched out in performances in the made-for-television movies Genius (1999) and The Audrey Hepburn Story (2000), in which she played the title character as a young teenager. Other television work included Snoops (1999), Law & Order (1990), and The Practice (1997).

Emmy made her theatrical feature debut in the indie film Songcatcher (2000), with her good friend Rhoda Griffis, which won the Special Jury Award for Outstanding Ensemble Performance at the Sundance Film Festival in January 2000. Rossum received an Independent Spirit Award nomination in the category of Best Debut Performance for her performance as an Appalachian orphan. She played an aspiring songwriter (the title character) in the romantic comedy Nola (2003). Cast as the ill-fated daughter of a small-business owner in Clint Eastwood's Mystic River (2003), she projected an aura of innocence that made her character's tragic death memorable and heartbreaking. This was her first major studio film.

After six months of filming her role as the fresh-faced but highly intelligent teenage damsel in distress The Day After Tomorrow (2004) in Montreal, she returned to New York and screen-tested for the role of Christine in The Phantom of the Opera (2004) in full costume and makeup, and was finally selected for the part by Andrew Lloyd Webber after singing for him at his home. Although she was surprised to be chosen ahead of many better-known and older actresses considered for the part, the combination of her vulnerable, fragile beauty and fine, classically trained singing voice ultimately proved that she was perfectly cast. In preparation for the role, she took ballet classes for two months and started polishing her singing. Emmy has commented that, in her approach to acting, she draws heavily upon her own experiences, so she visited locations in Paris and conjured up what she terms "past memories" to draw upon in making her performance emotionally realistic. She stood on the roof of the Opéra Garnier, where Christine sings "All I Ask of You," and went underneath the opera house, where there is actually a gloomy, dark lake. She studied Degas's paintings of ballerinas in the Musée d'Orsay to learn how to stand like one.

Her next project Poseidon (2006) was a mainstream effort, but since its release, she has been more true to advice she obtained from Sean Penn when making Mystic River (2003), that she should be picky and only accept roles that are fun to do, such as Dragonball Evolution (2009).

Sophia Lillis was born in Crown Heights, Brooklyn. She started her acting career at the age of seven, when her stepfather encouraged her to take acting classes at Lee Strasberg Theatre and Film Institute in Manhattan. While studying there, a teacher recommended her for a role in an NYU student film. She then signed a deal with an agent and started auditioning for roles. She started out in short films but later landed her breakthrough role in the horror film It (2017). She has also starred in the films It Chapter Two (2019), Nancy Drew and the Hidden Staircase (2019), and Gretel & Hansel (2020).

Dafne Keen Fernández is a British and Spanish actress who played the role of the mutant Laura Kinney / X-23 in Logan (2017) and Lyra in the HBO series His Dark Materials (2019).

She is the daughter of British actor Will Keen, and Spanish actress, theatre director and writer María Fernández Ache.

Keen made her acting debut in 2014 alongside her father with the television series The Refugees, where she played Ana "Ani" Cruz Oliver.

Keen starred in the 2017 film Logan as Laura, the mutant clone of Wolverine.

Sydney Sweeney (born September 12, 1997) is an American actress best known for her roles as Haley Caren on In the Vault (2017) and Emaline Addario on the Netflix series Everything Sucks! (2018). Sweeney is set to star in recurring roles in the HBO miniseries Sharp Objects (2018) starring Amy Adams and the Hulu series The Handmaid's Tale (2017) with Elisabeth Moss.

Sweeney has guest starred in TV shows such as Pretty Little Liars (2010), Criminal Minds (2005), Grey's Anatomy (2005), 90210 (2008), and the series In the Vault (2017) as Haley Caren. Sweeney most recently starred as Emaline Addario on the Netflix series Everything Sucks! (2018), which revolved around two groups of students in high school in 1996 in Oregon.

Sweeney is set to star in the second season of the Hulu original series The Handmaid's Tale (2017) as Eden, a pious and obedient girl, as well as Alice in the upcoming HBO miniseries Sharp Objects (2018) starring Amy Adams. She will also star in the upcoming psychological thriller Clementine (2019) and the alongside Andrew Garfield in the thriller Under the Silver Lake (2018). Sweeney also starred in the horror film Along Came the Devil (2018).

Olivia Cheng is a dynamic actress and activist born in Edmonton, Alberta to working class, Cantonese-speaking immigrant parents. It was they who helped co-found the Edmonton Chinese Bilingual Education Association's Mandarin program within the city's public school system to which Olivia credits for her ability to speak Mandarin and instilling in her a reverence for her culture.

She enrolled in her first acting class at age six, and at age 19 she booked her first local commercial. After high school, Olivia attended the University of Alberta where she earned a scholarship and early admittance to its commerce program. Unhappy in university, she enrolled at NAIT's Radio and Television Arts program the following year, which would lead her to a successful media career. After finishing school, she became a videographer for Global TV Lethbridge, before moving back to Edmonton to work as a broadcast and print journalist.

At the height of her journalism career, AMC was launching its original content division and came to Alberta with a Walter Hill- helmed mini-series, executive produced by Robert Duvall. They were looking for five Chinese actresses, but were willing to look at non-professionals as well. Duvall saw Olivia's audition and asked to bring her back. She was then cast in "Broken Trail", which was nominated for 16 Primetime Emmy Awards and would go on to win four, including the Emmy for Outstanding Mini- Series. "Broken Trail" gave Olivia the push she needed; she moved to Vancouver and worked as a stringer correspondent for ET Canada, while she pursued her acting career full time.

In 2014 Olivia booked a breakout, leading role in the Netflix series, "Marco Polo" which set a precedent for production, as one of the most expensive television series ever produced. She recently appeared in SYFY's "Deadly Class" executive produced by the Russo Brothers, and based on the popular comic books.

In 2022, Olivia reprised her starring role in the HBOMax Original series "Warrior" for a season 3 debut in 2023. The series is inspired by the writings and work of martial arts icon, Bruce Lee. The series is from "Fast & Furious" director, Justin Lin and HBO Cinemax's "Banshee" co-creator Jonathan Tropper. She also starred in 2022 for another season on AppleTV+'s hugely successful post- apocalyptic series SEE, led by Jason Momoa. Her first short film "Dinner with Dex" as a writer director premiered at the London International Film Festival in 2021 and has gone on to win awards at the Toronto Indie Filmmakers Festival and the Tokyo International Short Film Festival.

Kerry Condon is an Irish television and film actress, best known for her role as Octavia of the Julii in the HBO/BBC series Rome, as Stacey Ehrmantraut in AMC's Better Call Saul, and as the voice of F.R.I.D.A.Y. in various films in the Marvel Cinematic Universe. She is also the youngest actress ever to play Ophelia in a Royal Shakespeare Company production of Hamlet. She appeared in AMC's The Walking Dead in "30 Days Without an Accident".

In 2001, at the age of 19, Condon originated the role of Mairead in The Lieutenant of Inishmore by Martin McDonagh which she performed at the Royal Shakespeare Company and in 2006 at the Lyceum Theatre in New York. For this production she recorded the song "The Patriot Game" with The Pogues. That same year, Condon played the role of Ophelia in Hamlet, making her the youngest actress to ever play that role for the RSC. In 2009, she appeared in another play by Martin McDonagh, The Cripple of Inishmaan, for which she won a Lucille Lortel award and a Drama Desk Award.

Condon's movie roles include Kate Kelly, Ned Kelly's outlaw sister, in 2003's Ned Kelly and an appearance in the 2003 Irish independent film Intermission with Cillian Murphy, Kelly Macdonald, and Colin Farrell. She was in the 2005 Jet Li action-thriller Unleashed. She then appeared as Masha, a Tolstoian, in The Last Station, a film about the last months of Tolstoy's life with Helen Mirren and Christopher Plummer before playing jockey Rosie Shanahan in 2012's Luck. She voices the artificial intelligence F.R.I.D.A.Y., Tony Stark's replacement for J.A.R.V.I.S. in the Marvel Studios films Avengers: Age of Ultron, Captain America: Civil War, Spider-Man: Homecoming, Avengers: Infinity War, and Avengers: Endgame.

In 2005 Condon co-starred as Octavia of the Julii, sister of the Roman Emperor Augustus, in the HBO/BBC series Rome. Condon appeared in the Season Four premiere of the post-apocalyptic zombie drama The Walking Dead playing the role of the character Clara, which aired 13 October 2013.