Japanese Directors
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- Second Unit Director or Assistant Director
After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha: The Shadow Warrior (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977).- Actress
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Tanaka Kinuyo was a highly regarded and prolific actress best known for her films with director Mizoguchi Kenji. She was immersed in the world of film having received her start in the world of entertainment at age fourteen, being a filmmaker herself, being the cousin of director Kobayashi Masaki and, very much like Hara Setsuko and Ozu Yasujiro, being anecdotally romantically linked with the aforementioned Mizoguchi. The director would later recommend against her being hired as a director, which caused a rift between the two. She received her first known credit in Shochiku's Genroku Onna in 1924. She stayed to become the studio's biggest actress, and a paradigm of beauty, until approximately 1949 when she travelled to the United States Of America as an ambassador of Japanese culture. Upon her return from the US the Japanese detected a change of attitude in her, as well as noting a new short hairdo, which momentarily lead to some criticism. She had married director Shimizu Hiroshi, with whom she had worked, in 1929. Sources claim this was a mere cohabitation however. The marriage lasted a matter of months, but the two worked together beyond their romantic union. She married another one of her directors Gosho Heinosuke, but not before also starring in several Ozu films. It looked like films like Aizen Katsu and Naniwa Onna would be the height of her fame with all their popularity, but post-war films like Life Of Oharu, Sansho The Bailiff and Ugetsu were even bigger classics and immortalized the actress. Another of her many other noteworthy performances was in The Ballad Of Narayama based on a tradition and folklore of Japan. As if to complete her tour de force of Japanese cinema she directed several films and even worked with Kurosawa Akira in Red Beard. She died of a brain tumor in 1977.- Writer
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Kaneto Shindô was born on 22 April 1912 in Hiroshima, Japan. He was a writer and director, known for Postcard (2010), The Island (1960) and A Last Note (1995). He was married to Nobuko Otowa and Miyo Shindo. He died on 29 May 2012 in Hiroshima, Japan.- Director
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Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla. His name is a combination of "I" (or Ino), meaning "boar", and "shirô," meaning fourth son in the family. Originally, the young Honda had aspirations of becoming an artist; however, as he entered into his teens, it was cinema that became his number 1 interest.
He attended Nippon University studying art, but was drafted by the Japanese military and spent nearly eight years in uniform. After a period of imprisonment in China as a P.O.W., he returned to Japan to join Toho Studios, where, soon afterward, he became acquainted with its special effects director, Eiji Tsuburaya. The two worked on a handful of films before collaborating on the ground-breaking epic monster film Godzilla (1954). Honda was also at the director's helm for such films as Rodan (1956), The Mysterians (1957) and its loose sequel Battle in Outer Space (1959), Mothra (1961), Matango (1963), and Destroy All Monsters (1968). Although the Japanese monster films had been derided by some U.S. critics, Honda was especially proud of his contribution to this rather unique aspect of the fantasy and science fiction genres.
Honda was a life-long friend of fellow Japanese director Akira Kurosawa and worked on several of his landmark films, including Stray Dog (1949), Kagemusha: The Shadow Warrior (1980) (a.k.a. "Kagemusha the Shadow Warrior"), and Ran (1985).
Honda died at the age of 81 on February 28th, 1993, with Kurosawa delivering the eulogy at his funeral.- Director
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Masaki Kobayashi was born on 14 February 1916 in Hokkaido, Japan. He was a director and writer, known for Harakiri (1962), Samurai Rebellion (1967) and The Human Condition III: A Soldier's Prayer (1961). He died on 4 October 1996 in Tokyo, Japan.- Director
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Coming from a lower class family Mizoguchi entered the production company Nikkatsu as an actor specialized in female roles. Later he became an assistant director and made his first film in 1922. Although he filmed almost 90 movies in the silent era, only his last 12 productions are really known outside of Japan because they were especially produced for Venice (e.g The Life of Oharu (1952) or Sansho the Bailiff (1954). He only filmed two productions in color: Yôkihi (1955) and Taira Clan Saga (1955).- Director
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Ryusuke Hamaguchi is a Japanese film director and screenwriter. Hamaguchi, a graduate of Tokyo University and Tokyo University of Arts, attracted attention in his country with the movie Passion (2008), which he shot for his graduation.
Hamaguchi first gained international recognition with the film Happy Hour (2015) and followed it up with Asako I & II (2018).
He released two films in 2021, Wheel of Fortune and Fantasy and Drive My Car, receiving three Academy Award nominations for the latter, including Best Director, Best Adapted Screenplay, and Best International Feature.
He is the third Japanese director to be nominated for an Oscar for Best Director.- Director
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Masaru Konuma was born on 30 December 1937 in Otaru, Hokkaido, Japan. He was a director and assistant director, known for Beach (2000). He died on 22 January 2023.- Writer
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Makoto Shinkai is a Japanese director, writer, producer, animator, editor, cinematographer, voice actor, manga artist and former graphic designer. Shinkai studied Japanese literature at Chuo University where he was a member of juvenile literature club where he drew picture books. In 1999, Shinkai released She and Her Cat, a five-minute short piece done in monochrome. His best knows films are The Place Promised in Our Early Days (2004), 5 Centimeters Per Second (2007), Children Who Chase Lost Voices (2011), The Garden of Words (2013), and Your Name (2016). His favorite anime is Castle in the Sky (1986) by Hayao Miyazaki.- Animation Department
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Hayao Miyazaki is one of Japan's greatest animation directors. The entertaining plots, compelling characters, and breathtaking visuals in his films have earned him international renown from critics as well as public recognition within Japan.
Miyazaki started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.
In 1971, he moved to the A Pro studio with Isao Takahata. In 1973, he moved to Nippon Animation, where he was heavily involved in the World Masterpiece Theater TV animation series for the next 5 years. In 1978, he directed his first TV series, Future Boy Conan (1978). Then, he moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro (1979). In 1984, he released Nausicaä of the Valley of the Wind (1984), which was based on the manga of the same title he had started 2 years before. The success of the film led to the establishment of a new animation studio, Studio Ghibli. Since then, he has since directed, written, and produced many other films with Takahata. More recently, he has produced with Toshio Suzuki. All enjoyed critical and box office success, in particular Princess Mononoke (1997). It received the Japanese equivalent of the Academy Award for Best Film and was the highest-grossing (about USD $150 million) domestic film in Japan's history at the time of its release.
In addition to animation, he also draws manga. His major work was Nausicaä, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga Hikotei Jidai, later evolved into Porco Rosso (1992).- Writer
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- Animation Department
Katsuhiro Ôtomo is a Japanese manga artist, screenwriter and film director. He is best known as the creator of the manga Akira and its animated film adaptation.
In 1979, after writing multiple short-stories for the magazine Action, Otomo created his first science-fiction work, titled Fireball. Although the manga was never completed, it is regarded as a milestone in Otomo's career as it contained many of the same themes he would explore in his later. In 1982, Otomo made his anime debut, working as character designer for the animated film Harmagedon. The next year, Otomo began work on a manga which would become his most acclaimed and famous work: Akira. It took eight years to complete and would eventually culminate in 2000 pages of artwork. While the serialization of Akira was taking place, Otomo decided to animate it into a feature film, although the manga was yet to be finished. In 1988, the animated film Akira was released.
Otomo became the fourth manga artist ever inducted into the American Eisner Award Hall of Fame in 2012, and was awarded the Purple Medal of Honor from the Japanese government in 2013.- Director
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Kôyû Ohara was born on 10 October 1935 in Tokyo, Japan. He is a director and writer, known for Rope Hell (1978), Youth Part II (1979) and Enka Jôshikô: Kizudarake no Kaben (1973).- Director
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- Camera and Electrical Department
Yasuharu Hasebe was born on 4 April 1932 in Japan. He was a director and writer, known for The Naked Seven (1972), Sukeban Deka: Dirty Mary (1974) and A Gangster's Morals (1970). He was married to Takako Hasebe. He died on 14 June 2009 in Kawasaki, Kanagawa, Japan.- Director
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- Producer
Tôru Kawashima was born on 11 September 1949 in Fukuoka, Fukuoka, Japan. He is a director and writer, known for Chi-n-pi-ra (1984), Hawaiian Dream (1987) and Ryûji (1983).- Director
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- Camera and Electrical Department
Nobuyoshi Araki was born on 25 May 1940 in Minowa, Arakawa-ku, Tokyo, Japan. He is a director and actor, known for High School Girl's Diary (1981), Painting Flowers in the Sky Over the Balcony (2004) and A New Love in Tokyo (1994).- Director
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Eiichi Kudô was born on 17 July 1929 in Tomakomai, Hokkaido, Japan. He was a director and writer, known for Yaju-deka (1982), Maboroshi toro no onna (1961) and Sangyô supai (1968). He died on 23 September 2000 in Kyoto, Japan.- Director
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Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally. At the age of 18 he went to study at the film school in Yokohama founded by renowned director Shôhei Imamura, primarily because there were no entrance exams. By his own account Miike was an undisciplined student and attended few classes, but when a local TV company came scouting for unpaid production assistants, the school nominated the one pupil who never showed up: Miike. He spent almost a decade working in television, in many different roles, before becoming an assistant director in film to, amongst others, his old mentor Imamura. The "V-Cinema" (Direct to Video) boom of the early 1990s was to be Miike's break into directing his own films, as newly formed companies hired eager young filmmakers willing to work cheap and crank out low-budget action movies. Miike's first theatrically distributed film was Shinjuku Triad Society (1995) (Shinjuku Triad Society), and from then on he alternated V-Cinema films with higher-budgeted pictures. His international breakthrough came with Audition (1999) (Audition), and since then he has an ever expanding cult following in the west. A prolific director, Miike has directed (at the time of this writing) 60+ films in his 13 years as director, his films being known for their explicit and taboo representations of violence and sex, as seen in such works as Bijitâ Q (2001) (Visitor Q), Ichi the Killer (2001) (Ichi The Killer) and the Dead or Alive Trilogy: Dead or Alive (1999), Dead or Alive 2: Birds (2000) and Dead or Alive: Final (2002).- Writer
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Tokyo-born Yasujiro Ozu was a movie buff from childhood, often playing hooky from school in order to see Hollywood movies in his local theatre. In 1923 he landed a job as a camera assistant at Shochiku Studios in Tokyo. Three years later, he was made an assistant director and directed his first film the next year, Zange no yaiba (1927). Ozu made thirty-five silent films, and a trilogy of youth comedies with serious overtones he turned out in the late 1920s and early 1930s placed him in the front ranks of Japanese directors. He made his first sound film in 1936, The Only Son (1936), but was drafted into the Japanese Army the next year, being posted to China for two years and then to Singapore when World War II started. Shortly before the war ended he was captured by British forces and spent six months in a P.O.W. facility. At war's end he went back to Shochiku, and his experiences during the war resulted in his making more serious, thoughtful films at a much slower pace than he had previously. His most famous film, Tokyo Story (1953), is generally considered by critics and film buffs alike to be his "masterpiece" and is regarded by many as not only one of Ozu's best films but one of the best films ever made. He also turned out such classics of Japanese film as The Flavor of Green Tea Over Rice (1952), Floating Weeds (1959) and An Autumn Afternoon (1962).
Ozu, who never married and lived with his mother all his life, died of cancer in 1963, two years after she passed.- Director
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Chisui Takigawa is known for Fukumimi (2003), Tales of the Bizarre (1990) and Keiji Yoshinaga Seiichi namida no jikenbo (2013).- Writer
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Ryûta Miyake is known for Vanished Girl in the Woods (2011), Doguchan: The Ancient Dogoo Girl (2009) and Tales of Terror from Tokyo and All Over Japan: The Movie (2004).- Director
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Takashi Shimizu was born on 27 July 1972 in Maebashi City, Gunma Prefecture, Japan. He is a director and writer, known for Ju-on: The Grudge (2002), The Grudge (2004) and Ju-On: The Grudge 2 (2003).- Director
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Mari Asato is known for All But Divorced (2021), The Chasing World 4 (2012) and Hyouka: Forbidden Secrets (2017).- Director
- Second Unit Director or Assistant Director
- Art Department
Osamu Kasai was born on 11 November 1941 in Hokkaido, Japan. He is a director and assistant director, known for Dragon Ball Z (1989), UFO Robo Grendizer (1975) and Dragon Ball GT (1996).- Director
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Joins Toei Doga as animator in 1981. After doing several TV series, was promoted to assistant director with "Dr. Slump" in 1982. Debuted as film director with "Dragon Ball: Secret of Dragon God" in 1986 (he directed the two first films of the series). From 1989 also directed the TV series and first films of its sequel, "Dragon Ball Z".- Director
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Born in Kinko-cho, Asakuchi-gun (present-day Asakuchi City), Okayama Prefecture. He is most familiar to Western audiences for his work on Japanese horror films such as Ring (1998), Ring 2 (1999) and Dark Water (2002). Several of these were remade in English as The Ring (2002), Dark Water (2005), and The Ring Two (directed by himself).
Graduated from Kinko Gakuen High School and, in 1980, entered the Science Department of the University of Tokyo and graduated from the Department of Asian Studies, Faculty of Liberal Arts, although he had been offered a position in the Department of Applied Physics, Faculty of Engineering. While studying, he attended Shigehiko Hasumi's film seminar and was greatly influenced by his work. At his favorite bar during college, an acquaintance of Masato Hara, president of Herald Ace, introduced him to an assistant director from Masahiro Shinoda's team, and he began working as an assistant director on Shinoda's medium-length film "Allusion Reincarnation Tan" and corporate public relations films.
In 1985, he joined Nikkatsu Studios. Soon after, Hiroyuki Nasu, a senior at Tokyo University, decided to shoot Be-Bop High School at Toei, and because Nikkatsu Studios was used for studio shooting, two of the four assistant directors came out of Nikkatsu, including the first three Be-Bop High School films and Love Story for You. He worked as an assistant director on many Central Arts films and trained almost exclusively at Toei as an assistant director, making his directorial debut in 1992 with Curse, Death & Spirit
After which he moved to the UK. After returning to Japan, he made his directorial debut in 1996 with Don't Look Up. Subsequently, his film Ring (1998), an adaptation of Koji Suzuki's best-selling novel about the tragedy caused by a cursed video, was a huge success, and he became known as a leading figure in Japanese horror.
In 1998 he completed "Joseph Losey: The Man with Four Names," a documentary about Joseph Losey, which he began producing while in England.
After returning to Japan, he was told by Mitsuru Kurosawa, head of Central Arts, that he could direct a V-Cinema film, and in 1995 he directed "Diary of a Female Teacher: Forbidden Sex". He is now considered one of the representatives of J-horror (Japanese horror), along with Kurosawa Kiyoshi and Shimizu Takashi.
In 2003, he won the Art Encouragement Prize for New Talent for "The Last Scene".
"The Ring" was a remake in the United States by another director (Gore Verbinski), but he directed the sequel, "The Ring 2," making his long-awaited Hollywood debut. The discomfort he experienced during his stay in Hollywood was later compiled into the documentary film "An Introduction to Hollywood Director Studies. Also, "Dark Water" was a remake too.
In 2010, "Chatroom," directed in the UK, was screened in the Un Certain Regard section at the Cannes Film Festival.
Other films he has directed include "Dark Water" , "Sadistic and Masochistic", "Ghost Theather", "Sadako", "Death Note: L Change the World", "Stolen Identity", "The Woman Who Keeps a Murderer" and many more.- Director
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Norio Tsuruta is known for Ring 0: Birthday (2000), Madam Marmalade no ijô na nazo: Shutsudai hen (2013) and Madam Marmalade no ijô na nazo: Kaitô hen (2013).- Director
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Kunihiko Yuyama was born on 15 October 1952 in Tokyo, Japan. He is a director and writer, known for Pokémon: The First Movie - Mewtwo Strikes Back (1998), GoShogun (1982) and Rudolf the Black Cat (2016).- Director
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- Second Unit Director or Assistant Director
Shigeyuki Yamane was born on 14 June 1936 in Tokyo, Japan. He was a director and writer, known for Saraba natsuno hikariyo (1976), Pamanento buru manatsu no koi (1976) and The Legend of Love & Sincerity (1974). He died on 27 December 1991 in Japan.- Director
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Inagaki's career in film began as an actor--a child actor, in fact, appearing in numerous silent films beginning at the very dawn of Japanese cinema. This is probably why he was promoted to director at the unusually (for Japan) young age of 22. Along with producer Mansaku Itami (later the father of another acclaimed director, Juzo Itami), Inagaki concerned himself with the genre of Japanese period films. He also wrote (under a pseudonym) similar films for the short-lived director Sadao Yamanaka. The work of Inagaki, Itami and Yamanaka, singly and together, directly influenced the likes of Kenji Mizoguchi later, and helped define the very genre of the period film. Inagaki would direct dozens of them over his career, including two versions of Chushingura, and the Oscar winner for Best Foreign Film Samurai (1954, released in Japan as Miyamoto Musashi). For all his success, Inagaki grew more and more frustrated with his assignments over the years. Although proud of his final effort, Furin Kazan (Samurai Banners, 1969), he was unable to find financing in the increasingly conservative atmosphere of 1970s Japan. Once he had been at the top of his profession, second at Toho only to Akira Kurosawa; now, like Kurosawa, he was being cast aside as an old man whose time had passed, and whose kind of movie was now too expensive to produce. In his despair, Inagaki turned to alcohol, which helped contribute to his lonely and painful death. Of all the dozens of films he made, he often said, only a handful had he actually wanted to make: the Samurai trilogy (1954-6) and Furin Kazan. Whatever his opinion, much of his other work remains estimable, including Nippon Tanjo (1959) and Muhomatsu no Issho (The Life of Matsu the Untamed, 1958).- Writer
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Seijirô Kôyama was born on 16 July 1941 in Gifu, Gifu, Japan. He is a writer and director, known for Furusato (1983), Toki rakujitsu (1992) and Shiroi te (1990).- Director
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Matsumoto was born in Nagoya, Aichi Prefecture, Japan and graduated from Tokyo University in 1955. His first short was Ginrin, which he made in 1955. His most famous film is Funeral Parade of Roses, featuring a transvestite trying to move up in the world of Tokyo Hostess clubs. Matsumoto published many books of photography and was a professor and dean of Arts at the Kyoto University of Art and Design. He was also president of the Japan Society of Image Arts and Sciences. He lived in Tokyo until his death on April 12, 2017.- Director
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Shion Sono is a Japanese director, writer and poet. Born in Aichi Perfecture in 1961 he started his career working as a poet before taking his first steps in film directing. As a student he shot a series of short films in Super 8 and managed to make his first feature films in the late 80s and early 90s, in which he also starred. The film that helped him reach a wider international audience and establish himself as a cult director is Love Exposure (2008) , released in 2008. Ai no mukidashi is the first installment of Sono's Trilogy of Hate followed by Cold Fish (2010) and concluded with Guilty of Romance (2011). The films of Shion Sono often tell the stories of socially marginalized teenagers or young adults who end up engaging in activities that involve murders, sexual abuse and criminal behavior. Sono's films in most of the cases contain scenes filled with graphic violence and blood that echo the long pinku eiga and anime tradition of Japanese cinema.- Director
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Tetsuro Kodama is known for Dragon Ball Super: Super Hero (2022), Tokyo Mirage Sessions #FE (2015) and Ganbare! Lulu Lolo - Tiny Twin Bears (2013).- Writer
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- Costume Designer
Akira Toriyama is a Japanese manga writer, manga artist, and character designer for video games. He has been a working artist since 1978. In manga, he is better known for creating the science fiction comedy series "Dr. Slump" (1980-1984) and the martial-arts-themed series "Dragon Ball" (1984-1995). "Dragon Ball" has been adapted into four animated series: "Dragon Ball" (1986-1989), "Dragon Ball Z" (1989-1996), "Dragon Ball GT" (1996-1997), and "Dragon Ball Super" (2015-2018). Toriyama has provided character designs for several of the adaptations. As a video game designer, Toriyama is primarily known for co-creating the long-running series "Dragon Quest" (1986-). He has continued to work in most of the series' games. Toriyama's works are credited with boosting the popularity of Japanese animation in the Western world. In 2019, Toriyama was named as a Chevalier (knight) of the "Ordre des Arts et des Lettres" ("Order of the Arts and the Letters") by France. It is a French order of merit, awarded to writers and artists.
During the 20th century, Nagoya became a center for automotive, Several manufacturing companies of the industry have their headquarters in Nagoya. By 1961, Toriyama started drawing pictures of animals and vehicles as a hobby. He was reportedly inspired by the animated film "One Hundred and One Dalmatians"(1961), as he was impressed by the film's art style.
During his elementary school years, Toriyama has access to the manga collection owned by the older brother of a friend. He was fascinated by the science fiction series "Astro Boy" (1952-1968), which featured the adventures of a sentient android with superpowers. During his middle school years, Toriyama was increasingly fascinated with live-action film and television. He was a fan of the tokusatsu series (science fantasy series, using special effects) "Ultraman" (1966-1967). The series focused on the adventures of a gigantic superhero, who regularly defended the Earth from aliens and monsters. He also enjoyed kaiju films (films about giant monsters). His favorite film series was "Gamera" (1965-2006), which featured the adventures of a fire-breathing turtle.
Toriyama attended a high school which focused on teaching creative design to its students. Against the wishes of his parents, he decided to not pursue a college education. Shortly after graduating high school, Toriyama used his art skills to get hired at an advertising agency in Nagoya. He spend several years in designing posters, but was increasingly fed up with his job. He was repeatedly reprimanded for dressing casually at work. He quit his job at age 23, and started considering a professional career as a manga artist.
Trying to get an entry into the manga industry, Toriyama created a manga story which parodied the recent film "Star Wars" (1977). He submitted the story to a contest organized by the magazine "Weekly Shonen Jump", hoping to win the magazine's "Newcomer Award". The story was rejected because it was a derivative work, and the contest was for original works. But magazine editor Kazuhiko Torishima (1952-) liked Toriyama's art style. He encouraged him to send more original material to the magazine.
Toriyama's first published work was the story "Wonder Island" (1978). It featured a kamikaze pilot who had been stranded on an island for 35 years, and was trying to find a way to escape. The story came last in a popularity contest, disappointing Toriyama. The sequel "Wonder Island 2" (1979) focused on the police searching for a missing criminal. It parodied elements from the film "Dirty Harry" (1971). This story was also considered a flop. Most of Toriyama's early stories failed to impress his readers. He had more success with "Tomato the Cutesy Gumshoe" (1979), a story about a rookie detective. It was his first work featuring a female lead, and was well-liked by the readers.
Toriyama decided to use a female lead in next major effort. The result was the best-selling series "Dr. Slump". (1980-1984) It focused on Arale Norimaki, a sentient robot in the form of a little girl. She had superhuman strength, but her naivety and inexperience landed her in trouble. The series also featured a cast of eccentric supporting characters. Among them was the shape-shifting superhero Suppaman, a parody version of Superman who was depicted as a pompous buffoon. The series became one of the most popular manga of its era, and received an animated adaption (which lasted from 1981 to 1986). Toriyama wanted to end the series after its first six months, but his publisher insisted that the story should be continued. In 1981, Toriyama won a "Shogakukan Manga Award" for his work on "Dr. Slump".
Despite his success with a long-term series in the early 1980s, Toriyama continued to regularly submit one-shot stories for publication. He was frustrated when several of these stories met with lukewarm response by his readers. At about this point in his career, he created his own artist's studio, under the name "Bird Studio". The name was a pun on his own last name, as "tori" means "bird". He started employing assistants to work on the background details of his stories.
Kazuhiko Torishima (Toriyama's editor) noted that Toriyama enjoyed viewing kung fu films, but had never used martial arts elements in his stories. He suggested that Toriyama should try creating a kung-fu manga. Toriyama responded by creating the two-part story "Dragon Boy" (1983). It depicted a young martial artist who escorts a princess on a return journey to her home country. The story was warmly received, and Toriyama would later incorporate aspects of this story in "Dragon Ball".
In 1984, Toriyama finally concluded the "Dr. Slump". He had to promise his editor and publisher that he would soon start work on a replacement series. This new series was "Dragon Ball", which lasted for 11 years. Toriyama produced 519 chapters of the manga, which were collected into 42 volumes. The story focused on the life of martial artist Son Goku from childhood to adulthood, and gradually introduced the character's wife and descendants. The series gained in popularity due to its large cast of colorful characters, and its exciting use of combat scenes. Toriyama reportedly used Jackie Chan's films as the main inspiration for the fighting scenes.
Despite a busy working schedule due to long-term commitment to "Dragon Ball", Toriyama continued submitting one-shot stories for publication. In 1986, he was recruited as a character designer for the role-playing video game "Dragon Quest". He later admitted that he had never even heard of role-playing games before being offered the job, and he was not certain what the demands of the job were. He was created as the co-creator of the game, and the initial game launched a long-running franchise. Based on this success, Toriyama was later hired as a character designer on the role-playing game "Chrono Trigger" (1995) and on the fighting games "Tobal No. 1" (1996) and "Tobal 2" (1997).
Until the late 1980s, Toriyama had never worked in animation. His first substantial effort in the field was the animated film "Kosuke & Rikimaru: The Dragon of Konpei Island" (1988). He wrote the initial concept for the film, he co-wrote its screenplay, and designed all of its characters.
In 1995, Toriyama decided to conclude the "Dragon Ball" manga with a low-key ending. Son Goku left the planet Earth to serve as the mentor to a reincarnated former foe, leaving room for a new generation of heroes. Toriyama wanted to imply that the story would continue, though he had no actual intention to write a sequel at that point. When the animated series "Dragon Ball GT" (1996-1997) was conceived as a sequel, Toriyama was hired as a character designer. For the following few years, Toriyama primarily produced short-lived manga series. Among them were "Cowa!"(1997-1998), "Kajika" (1998), and "Sand Land" (2000). In 2002, Toriyama made a promotional visit to the United States, as a number of his works were about to be reprinted in the American magazine "Shonen Jump".
In 2005, Toriyama served as the main designer of an electric car for CQ Motors. It was not a commercial success, with only 9 vehicles being produced. In 2006, Toriyama and Eiichiro Oda created the crossover story "Cross Epoch". It featured characters from "Dragon Ball" co-existing with fantasy characters from the series "One Piece" (1997-). Also in 2006, Toriyama served as a character designer for the video game "Blue Dragon". The story featured a small group of heroes trying to stop the villain Nene's efforts to massacre villagers.
In 2009, Toriyama was credited as both a creative consultant and an executive producer for the live-action film "Dragonball Evolution". He reportedly cautioned the film's producers that the film's script was "bland" and uninteresting, but his suggestions to alter the script were ignored. The film was a commercial flop. Also in 2009, Toriyama created a promotional manga for the environmental organization "Rural Society Project". In 2011, Toriyama helped raise awareness for the victims of the Tohoku earthquake and the subsequent tsunami.
From 2012 to 2013, Toriyama was part of the film crew for the animated feature film "Dragon Ball Z: Battle of Gods" (2013). It was the first theatrical animated film based on "Dragon Ball" since 1996. In the film, the god Beerus threatens to destroy the planet Earth. He only backs down when one of the heroes achieves godhood. Also in 2013, a touring exhibition displayed Toriyama's manga manuscripts from "Dragon Ball".
Toriyama served as the main screenwriter for the animated film "Dragon Ball Z: Resurrection F" (2015). The film featured the resurrection of the long-dead villain Frieza, who tries to improve his skills before seeking revenge. Toriyama continued to work on the film's sequels until 2022. He also provided the scripts for the sequel manga "Dragon Ball Super" (2015-), though the artwork was provided by the younger artist Toyotarou (1978-). There were 18 volumes of the manga published between 2016 and 2022.
By 2022, Toriyama was 67-years-old. He has been married to the retired manga artist Yoshimi Kato since 1982, and they have two adult children. He works from his home studio in Kiyosu, and reportedly lives a reclusive life. He rarely appears in public or offers interviews. He has never retired, and seems to have no intention to do so.
Akira Toriyama died at the age of 68 on march 1, 2024.- Director
- Cinematographer
- Art Department
Graduated from Shinshu University, Faculty of Agriculture, Goro Miyazaki started his career as a construction consultant, and he designed parks and public institutions. To avoid to be compared to his father, the world-famous filmmaker Hayao Miyazaki, he initially didn't want to work on anything related to animation. However, the turning point came in 1990s when he got involved in the construction of the Studio Ghibli Museum in Mitaka, Tokyo. He was in charge of the whole design of the museum, and became the first Managing Director. While Hayao was filming Howl's Moving Castle, Toshio Suzuki, the producer, decided to let Goro direct the next Ghibli movie since he was impressed by Goro's talent of making decisions quickly and properly, and his ability to draw pictures. This movie was Tales from Earthsea, and the beginning of his career in the animated movie industry.- Director
- Writer
- Additional Crew
Isao Takahata was born on 29 October 1935 in Ise, Japan. He was a director and writer, known for Grave of the Fireflies (1988), Pom Poko (1994) and The Tale of The Princess Kaguya (2013). He died on 5 April 2018 in Tokyo, Japan.