I Love the 80s 3D: Hot Moms of the 80s

Bonnie Franklin, of the freckled, fair-skinned, hazel-eyed, rosy-cheeked, carrot-haired variety, could light up a room with her buoyant, folksy personality, but she could be quite serious in a take-charge manner when it came to purposeful acting work. It took Norman Lear and a highly popular TV sitcom to finally make the 31-year-old performer a household star in the mid-1970s.

She was born Bonnie Gail Franklin in Santa Monica, California on January 6, 1944, the daughter of Samuel Benjamin, an investment banker, and Claire (née Hersch) Franklin, both of Jewish descent. She was thrust onto the stage at a very young age as a child tap dancer and became the protégé of consummate tapper Donald O'Connor. At age 9, she performed with O'Connor on NBC's The Colgate Comedy Hour (1950). A year later, she performed as one of the Cratchit daughters in the Shower of Stars (1954) TV version of "A Christmas Carol", starring Fredric March and Basil Rathbone as "Scrooge" and "Marley", respectively. The young girl then appeared, unbilled on film, playing sweet young things in the rural comedy, The Kettles in the Ozarks (1956), Alfred Hitchcock's The Wrong Man (1956) and the Sandra Dee/Troy Donahue's box office tearjerker, A Summer Place (1959).

At age 13, the family moved from Santa Monica to upper-scale Beverly Hills. Graduating from Beverly Hills High School in 1961, Bonnie studied at Smith College for a time where the freshman co-ed acted in an Amherst College production of "Good News". She then transferred to UCLA and majored in English. Following her studies, she returned to TV and appeared in lightweight comedies that welcomed her perky, pixie-like presence. These included mid-to-late 1960s episodes of Mr. Novak (1963), Gidget (1965), The Man from U.N.C.L.E. (1964), Please Don't Eat the Daisies (1965) and The Munsters (1964). In 1967, she married Ronald Sossi, a playwright best-known for his writing/producing chores on the TV series, The Rat Patrol (1966). The marriage, however, was short-lived and ended in 1970.

It was on the musical stage that Bonnie found breakthrough success. Following diligent work in "Drat the Cat!" (1965), "Your Own Thing" (1968), "George M.!" (1969) and "Dames at Sea" (1969), she took her first Broadway curtain call in "Applause", the well-received 1970 musical version of All About Eve (1950), starring Lauren Bacall. Bonnie played a theater "gypsy", named "Bonnie", who sings and dances to the title song backed by her "band of gypsies". Bonnie won the Outer Critics and Theatre World awards and a 1970 Tony nomination for her effort here. She continued on the stage with prime roles in "A Thousand Clowns" (1971), the title role in "Peter Pan" (1973), and the revue "Oh, Coward!" (1975).

It wasn't until Bonnie was handed the prime role of "Ann Romano", a divorced mom raising two daughters (Mackenzie Phillips and Valerie Bertinelli) on One Day at a Time (1975), did she become a viable star. Although her contagious cheerfulness and beaming smile was part of her value on the comedy show, Franklin desired to focus on taboo TV subjects such as divorce, birth control, sexual harassment and suicide, as well as getting laughs. While the program didn't match the ground-breaking importance or success of an All in the Family (1971), the show did command consistent and respectable ratings ("Top 20" for seven of its nine years) and lasted on CBS until 1984. Bonnie received one Emmy nomination and two Golden Globe nominations during the sitcom's run, and managed to find time to squeeze in a few other TV-movie projects as well -- A Guide for the Married Woman (1978), Breaking Up Is Hard to Do (1979), the title role in Portrait of a Rebel: The Remarkable Mrs. Sanger (1980) and Your Place... or Mine (1983). Bonnie also directed episodes of One Day at a Time (1975), Karen's Song (1987) Charles in Charge (1984) and The Munsters Today (1988).

Following the show's demise, Bonnie seemed to keep a lower profile on camera, focusing instead on theatre roles and in several humanitarian efforts. Sporadic guest roles on Burke's Law (1994) (revived), Almost Perfect (1995) and Touched by an Angel (1994) was highlighted by a 2005 TV reunion with her One Day at a Time (1975) TV family, The One Day at a Time Reunion (2005). Her return to the theatre, after a break of 14 years, included roles in a variety of plays: "Happy Birthday and Other Humiliations" (1987), "Annie Get Your Gun" (1988) (as "Annie Oakley"), "Frankie and Johnny in the Clair de Lune" (1988), "Love and Guilt and the Meaning of Life" (1990), "Grace & Glorie" (1996), "All I Need to Know I Learned in Kindergarten" (1997), "Who's Afraid of Virginia Woolf?" (1999), "Same Time, Next Year" (2000), "Dancing at Lughnasa" (2003), "A Touch of the Poet" (2005), "A Delicate Balance" (2007) and as crotchety "Ouisar" in "Steel Magnolias" (2011). In addition, she put together and toured in her own cabaret act and appeared in nearly a dozen staged readings with Los Angeles' Classic and Contemporary American Playwrights.

Bonnie was a tireless activist for a variety of charities and civic-oriented issues, among them AIDS care and research and the Stroke Association of Southern California. More recently, Bonnie reunited with "One Day at a Time" daughter Valerie Bertinelli in a 2011 episode of Bertinelli's sitcom, Hot in Cleveland (2010), and, a year later, played a recurring nun in the daytime The Young and the Restless (1973).

In September of 2012, Bonnie was diagnosed with pancreatic cancer and died several months later on March 1, 2013. Her second husband of 29 years, TV/film producer Marvin Minoff, who produced Bonnie's TV movie, Portrait of a Rebel: The Remarkable Mrs. Sanger (1980), as well as the film, Patch Adams (1998), died in 2009.

Originally from Portland, Maine to a musically inclined family (her mother was once an opera singer) and on stage from the age of 5, singer/actress Linda Lavin graduated from The College of William and Mary with a theater degree.

Linda pounded the New York pavements in the early 1960s searching for work following some stock roles in New Jersey, and gradually made a dent within the New York musical comedy scene with roles in "Oh, Kay!" (1960), "A Family Affair," (1962), "It's a Bird...It's a Plane...It's Superman" (1966) (her standout number was "You've Got Possibilities") and "On a Clear Day, You Can See Forever" (1966). She also won kudos for her straight acting roles in "Little Murders" (1969 Drama Desk award) and "Last of the Red Hot Lovers" (1969 Tony nomination). A one-time member of Paul Sills' Compass Players comedy troupe back in the late 1950s, she served as a replacement in Sills' "Story Theater" Broadway production in 1971.

Television beckoned in the 1970s and utilized her singing talents in a small-screen version of Damn Yankees! (1967) starring Phil Silvers and Lee Remick. After a one-season false start as Det. Janice Wentworth on the sitcom Barney Miller (1975), it did not take long for the talented lady to become a household name in another. As the titular waitress/mother in the sitcom Alice (1976), based on the award-winning Alice Doesn't Live Here Anymore (1974) starring Oscar-winner Ellen Burstyn, Lavin won deserved stardom. During the nine seasons (1976-1985) the show was on the air, she nabbed two Golden Globe awards and an Emmy nomination. Ever the singer, she even warbled "There's a New Girl in Town" over the opening credits of the show to the delight of her fans.

Following this success, Linda lavished her attentions once again on the stage. She earned renewed respect, in addition to several critic's awards, for her diversified Broadway work in "Broadway Bound" (1987 Tony award), "Death Defying Acts" (1995 Obie award), "The Diary of Anne Frank" (1998 Tony nomination: as the high-strung Mrs. Van Daan) and "Tales of the Allergist Wife" (2000 Tony nomination). She later appeared in a PBS-TV version of Collected Stories (2002) and in 2010 revived it on Broadway, earning a Tony nomination for her efforts. She has also occasionally directed for the stage.

Linda was married and divorced twice to actors -- Ron Leibman and Kip Niven -- and in 2005 married her third husband, actor Steve Bakunas, who is also an artist and musician. After her "Alice" heyday, the actress would again return to series work, albeit the short-lived Room for Two (1992) and Conrad Bloom (1998).

Millennium credits include penetrating/amusing TV work on "The Sopranos," "Law & Order: Criminal Intent," "The O.C.," "Madame Secretary," "Santa Clarita Diet" and "Room 104," plus regular roles on three comedy series -- Sean Saves the World (2013), 9JKL (2017) and Yvette Slosch, Agent (2020) (title role). As for stage work, Linda returned to Broadway where she received fine reviews for her starring role in Carol Burnett's autobiographical play "Hollywood Arms" (2002) portraying Burnett's grandmother. The piece was co-written by Burnett's late daughter, Carrie Hamilton. Linda also received excellent reviews in "Collected Stories" (2010). Subsequent Broadway shows included brief runs of "The Lyons" (2012) and "My Mother's Brief Affair."

Bronx-born character actress Cathy Moriarty was just 18 years old, fresh out of high school and had no idea that her life was about to change. Joe Pesci discovered her competing in a bathing-beauty contest at a bar. He invited her to audition for the part of Vikki LaMotta, second wife to champion boxer Jake LaMotta, portrayed by Robert De Niro, in Martin Scorsese's timeless black and white masterpiece, Raging Bull (1980). Moriarty's performance earned her an Academy Award nomination; however, shortly after appearing in the mediocre comedy, Neighbors (1981), she endured a near-fatal automobile accident which resulted in a six-year hiatus. She did not get within a mile radius of a good part until her most personally treasured role, the deliciously evil Montana Moorehead in the soap opera-parody, Soapdish (1991). Ever since, Moriarty's invigorating presence animated a variety of strong woman, all of which, incidentally, appear to be specifically written with her in mind.

Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.

An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.

Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.

Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).

Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.

High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.

Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.

The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.

Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in Columbo: It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.

The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.

Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).

Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.

A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.

After a break from her career and the memorable Oscars moment, Dunaway got back in the saddle as an actress working more frequently. Over the next year, she appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017) and Inconceivable (2017). She also fronted Gucci's summer 2018 ad campaign for their Sylvie handbag. Dunaway looked like she was going to return to Broadway with 2019's "Tea at Five," a one-woman show in which she portrayed Katharine Hepburn, but she was fired from the play due to backstage fights with production staff during its Boston run. What followed was a lawsuit brought by her former assistant and a wave of articles alleging decades of bad behavior, with many declaring the 78-year-old screen legend "canceled."

Dunaway laid low for the next few years, save for a role alongside fellow cancel culture victim Kevin Spacey in Franco Nero's The Man Who Drew God (2022), for which she replaced Nero's wife Vanessa Redgrave. Then, after extensive persuasion, documentary filmmaker Laurent Bouzereau managed to gain her cooperation for Faye (2024), a somewhat exonerative biographical account in which Dunaway reveals she has bipolar disorder. The documentary premiered to rave reviews at Cannes in spring 2024 and airs on HBO this summer. Next up for Dunaway is FATE, a supernatural mystery from director Jonathan Baker co-starring Harvey Keitel, Mena Suvari, Andrew McCarthy and Brandon Routh.

Barbara Eden, born Barbara Jean Morehead in Tucson, Arizona, became one of America's most endearing and enduring actresses. A graduate of Abraham Lincoln High School in San Francisco, California, Eden would go on to study at San Francisco's City College as well as the San Francisco Conservatory of Music and the Elizabeth Holloway School of Theatre. While her aspirations as a singer motivated her during her early years for a career in music, it was her starring role in the NBC TV comedy series, I Dream of Jeannie (1965) where Barbara Eden immediately gained international acclaim.

Although most remembered for her role as "Jeannie", Barbara Eden has starred in more than 20 theatrical feature films and made-for-television films for at least four different movie studios: 20th Century Fox, Metro-Goldwyn-Mayer, Columbia Studios, and Universal Studios, most notably in the film Flaming Star (1960), when she acted as Elvis Presley's leading lady. Other films in which Barbara Eden had a leading role were Voyage to the Bottom of the Sea (1961), The Wonderful World of the Brothers Grimm (1962), Five Weeks in a Balloon (1962), 7 Faces of Dr. Lao (1964) and The Brass Bottle (1964). The Brass Bottle comedy movie led to Sidney Sheldon's creation of I Dream of Jeannie (1965) comical TV series.

In television, Eden made her first featured appearance on Country Club Dance (1957), as the series was nearing cancellation (there were just two more episodes). Eden immediately landed a starring role in the television version of How to Marry a Millionaire (1957), where she portrayed the same character role originated by Marilyn Monroe. Another memorable appearance came on The Manicurist (1962), featuring her in the character role, special guest-star, as well as her occupation being titled.

In 1965, Barbara Eden was cast the leading role in Sidney Sheldon's NBC sitcom, I Dream of Jeannie (1965). It televised weekly, for five successful and humorous seasons with 139 episodes. After "Jeannie," Barbara Eden went on to star in many other comical and family productions including Harper Valley P.T.A. (1978) and Chattanooga Choo Choo (1984) among other numerous highly rated made-for-television movies well into the 1990s. She has also acted in multiple western series and thrillers.

Outside of her film and television works, Barbara Eden headlined major hotel resorts and casinos including Lake Tahoe, Atlantic City and Las Vegas. She also was the star attraction at the MGM Grand, Harrah's, Caesar's Palace and on concert stages and legitimate theaters across the country.

Utilizing her singing ability, Eden released an album titled "Miss Barbara Eden" in 1967, for record company, Dot Records. She has also been a musical guest star in a wide range of variety television shows. Eden's appearances included 21 Bob Hope special shows, along with The Carol Burnett Show (1967), The Jonathan Winters Show (1967), The Sonny and Cher Show (1976), The Jerry Lewis Show (1963), This Is Tom Jones (1969), Tony Orlando and Dawn (1974), and Donny and Marie (1975).

During the Persian Gulf War, she traveled with Bob Hope to the middle-east to perform for the combat troops and then continued on with Hope in a whirlwind eight-day, around-the-world USO tour entertaining servicemen during the Christmas season.

To celebrate the 2002 Yuletide season, she responded to an invitation from President George Bush; Barbara journeyed to Washington D.C. and sang "Have Yourself a Merry Little Christmas" at the annual White House "Lighting of the National Christmas Tree" event where she also hosted the show and pageant with President and Mrs. Bush for an audience of 6,000 cheering fans on the Ellipse near the White House.

A multi-talent, Eden starred in the national touring musicals The Sound of Music (1965) and Gentlemen Prefer Blondes (1998). In the latter production, she played Lorelei Lee, the character created on Broadway by Carol Channing and performed by Marilyn Monroe in the 20th Century Fox film version. Eden also toured vastly in various stage productions like Neil Simon's Last of the Red Hot Lovers (1972), The Best Little Whorehouse in Texas (1982), Annie Get Your Gun (1967), Wild Pacific (2009) and Nite Club Confidential (1996). In the play "Love Letters," Eden reunited with her I Dream of Jeannie (1965) co-star, Larry Hagman. The duo toured metropolitan and major cities, across the United States. Eden starred in Neil Simon's "The Odd Couple: Female Version", and "Social Security" (1985). She has also been seen in TV series like, All Star Blitz (1985), Entertainment Tonight (1981) and Larry King Live (1985).

In 2011, Crown Archetype, a division of Random House, published Barbara's memoir, "Jeannie Out of the Bottle," which debuted at number 14 on the New York Times Best Seller List and on Australia's Best Seller List, published there by Harper-Collins, Inc. The autobiography chronicle's Eden's colorful life and remarkable Hollywood career that spans more than 50 years.

One of Hollywood's busiest actresses, Barbara filmed a starring role in Always and Forever (2009), a movie filmed by and for the Hallmark Channel. The move was televised numerous times during the year it was filmed and released. On the road, she hosted productions of Ballets with a Twist (1996), the new groundbreaking show that stars rotating celebrity emcees and dancers from Dancing with the Stars (2010). Barbara Eden has appeared recently in a recurring role on Lifetime's Army Wives (2007) series, guest-starred on ABC's George Lopez (2002), and enacted a recurring role on Sabrina the Teenage Witch (1996). During her long career, Barbara has starred in 25 feature films, five network TV series and 19 top-rated network made-for-television movies.

Barbara has been featured in TV commercials for Old Navy, AT&T, and she introduced the Lexus SUV, which was later named Car of the Year by Motor Trend Magazine.

People Magazine named Barbara "One of America's 200 Greatest Pop Icons of the 20th Century." She has been honored with a star on the Hollywood Walk of Fame at 7003 Hollywood Boulevard near the front of the world famous Grauman's Chinese Theatre. She was named one of TV Guide's Most Popular Comedy Stars and has received Lifetime Achievement Awards from the Broadcasters Hall of Fame, The Hollywood Chamber of Commerce, and the TV Land Television Network.

When there is time in her crowded schedule, Eden works actively on behalf of numerous charities including The Trail of Painted Ponies Breast Cancer Research, American Cancer Society, the Wellness Community, the Make-A-Wish Foundation, the March of Dimes, the American Heart Association, Save the Children and Childhelp USA.

Barbara Eden resides with her architect/real estate developer husband Jon Eicholtz in the Benedict Canyon area of Beverly Hills.

Meredith Baxter is an American actress from California, better known for television roles. Her most famous roles include Catholic teacher Bridget Fitzgerald in the sitcom "Bridget Loves Bernie" (1972-1973), divorced mother Nancy Lawrence in the family-themed drama "Family" (1976-1980), and architect Elyse Keaton in the sitcom "Family Ties" (1982-1989).

In 1947, Baxter was born in South Pasadena, California. South Pasadena is a small city in Los Angeles County, located within San Gabriel Valley. The larger city of Pasadena is located north of Baxter's hometown. Baxter was the daughter of radio announcer Tom Baxter (John Thomas Baxter, Jr.) and actress Whitney Blake (1926-2002). Baxter's maternal grandfather was Harry C. Whitney, an agent of the United States Secret Service. Harry Whitney had served as a bodyguard to President Woodrow Wilson (1856-1924, term 1913-1921).

In 1953, Baxter's parents divorced. Whitney Blake received custody of Baxter and her two older brothers. In 1957, Blake married talent agent Jack Fields. This marriage ended in divorce in 1967. In 1968, Blake married television writer Allan Manings (1924-2010). This marriage lasted until Blake's death in 2002. Baxter reportedly maintained a familial relationship with her second stepfather until his own death.

Baxter received part of her secondary education at James Monroe High School, located in the neighborhood of Sepulveda (later renamed to North Hills) in Los Angeles. She later transferred to Hollywood High School. She graduated in 1965. During her senior year, Baxter also received voice lessons at the Interlochen Center for the Arts. Interlochen was an arts education institution located in Michigan.

In 1966, Baxter married Robert Lewis Bush. At the time, she was only 19-years-old. They had two children, son Theodore Justin "Ted" Bush (born1967) and daughter Eva Whitney Bush (born 1969) . The couple separated in 1969, and their divorce was finalized in 1971.

Baxter aspired to an acting career, like her mother. She remained fairly obscure until the early 1970s. Her highest-profile work were guest-star roles in then-popular television series, such as "The Doris Day Show" and "The Partridge Family". Baxter received her big break when cast as the female lead in the sitcom "Bridget Loves Bernie" (1972-1973). The main premise was an interfaith marriage between Catholic teacher Bridget Fitzgerald and Jewish taxi driver Bernie Steinberg. The series was the 5th highest-rated show on television during its single season, though it was controversial due to its subject matter. Jewish organizations protested that the show violated Judaism's prohibition against interfaith marriage, and organized protest campaigns. Baxter herself received threatening house visits by members of the Jewish Defense League, a vigilante organization known for violent crimes. The controversy led to the series' cancellation by the network CBS. Only 24 episodes were ever broadcast. As of 2002, the series remained the highest-rated American show to be canceled after a single season.

Following the series' cancellation, Baxter maintained a relationship with her co-star David Birney (1939-). In 1974, Baxter and Birney married each other. Their marriage lasted until 1989. They had three children: daughter Kathleen Jeanne "Kate" Birney (born 1974) and twins Mollie Elizabeth and Peter David Edwin Birney (born 1984). Several years following the end of their marriage, Baxter claimed that she had been physically abused by Birney during their marriage. Her co-workers were reportedly unaware that she had a problematic family life, or that she had struggled with alcoholism for several years.

During the 1970s, Baxter started regularly appearing in television films. She had a starring role in the horror film "The Cat Creature" (1973), involving a curse by the cat goddess Bastet. The film was scripted by noted horror writer Robert Bloch (1917-1994), and paid tribute to classic horror films of the 1940s. She also had starring role in the romantic drama "The Stranger Who Looks Like Me" (1974), as a grown woman who is searching for the birth parents who had abandoned her.

Baxter had one of her few feature films roles in the political thriller "All the President's Men" (1976), which depicted the early phases of the Watergate scandal. She played the supporting role of Debbie Sloan, the pregnant wife of witness Hugh W. Sloan Jr. (1940-). The real-life Hugh Sloan was the treasurer of the Committee to Re-elect the President, and later testified about the Committee's criminal activities. Sloan was depicted as one of the few honest men involved in Richard Nixon's shady organization. The film earned about 70.6 million dollars at the domestic box office, one of the greatest commercial hits in Baxter's career.

Baxter had another shot at television stardom when cast as Nancy Lawrence in the family-themed drama "Family" (1976-1980). The series depicted a middle-aged couple who still lives with their three grown-up children. The character of Nancy was depicted as a divorced mother who moved back in with her parents. She was trying to raise her own child, while attending law school. Baxter's role was critically acclaimed, and she was twice nominated for the "Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series". The award was instead won by rival actresses Kristy McNichol (1962-) and Nancy Marchand (1928-2000).

"Family" lasted for 5 seasons, and 86 episodes. It maintained solid ratings for most of its run, though a change to its time slot had led to rapid decline in ratings. Afterwards, Baxter was again in high demand for television roles. In 1981, Baxter co-starred in a television production of the play "Vanities" (1976) by Jack Heifner. The play follows the life of three best friends over an 11-year-period (1963-1974), from their high school and college years to adulthood. The friendship dissolves when the women discover that they no longer have any common interests. Joanne has become a conservative housewife and is trapped in an unhappy marriage, Mary owns a gallery specializing in erotic art and has become an advocate of sexual liberation, and Kathy has become a bookworm with a jaded view of life.

Baxter gained her next major role as successful architect Elyse Keaton in the hit "Family Ties" (1982-1989). The main premise of the series was an exploration of the generation gap, between two generations with different political views. The parents of the Keaton family were former hippies, lifelong liberals, and successful professionals. Their only son Alex was a Young Republican who was mainly driven by his own greed and ambition, their eldest daughter Mallory was a typical "material girl" with apolitical views, and their youngest daughter Jennifer was a tomboy mainly interested in athletics,.

"Family Ties" maintained high-ratings for most of its run, though it was not particularly well-liked by critics. The series lasted for 7 seasons, a total of 176 episodes, and a television film. It was considered indicative of the conservative political landscape of the 1980s. Its main legacy was turning actor Michael J. Fox (who played Alex) into a household name. Baxter was at the height of her popularity in the 1980s. However, she later claimed that she had no actual social life for its duration. She went straight from home to the television studio, and from the studio back to home.

In 1986, Baxter played the main role in the television film "Kate's Secret". It was acclaimed for its groundbreaking depiction of eating disorders. The main character Kate Stark (played by Baxter) appears to have an idyllic life. She is married to a man with a successful career, appears to have a loving family, and a close social circle. The truth depicted is less than idyllic. Kate's husband prioritizes his career over their marriage, and there is little actual affection in their relationship. Kate's "loving" mother is a domineering woman who criticizes her daughter for many perceived flaws. Kate's friends have no idea that she is suffering from bulimia nervosa, and Kate systematically hides her problems from everyone. The problems escalate until they become apparent to people surrounding Kate.

In 1989, Baxter received a divorce. At the time, she was 42-years-old. In 1990, the then-recently divorced Baxter managed to overcome her alcoholism. She has reportedly been sober ever since. Also in 1990, Baxter played kidnapper Florence Tulane in the television film "The Kissing Place". She was playing against type, as she had previously mostly played morally upright characters in television.

In 1992, Baxter had another well-received role in a television film. She played the main character in "A Woman Scorned: The Betty Broderick Story". The film dramatized the life of Betty Broderick (1947-), a divorced woman who had murdered her ex-husband Daniel T. Broderick III and his second wife Linda Kolkena. The case had attracted much publicity because Daniel Broderick was the president of the San Diego Bar Association, and had apparently used his legal influence to to win sole custody over their children, to sell their house against Betty's wishes, and to bilk Betty out of her rightful share of his income. For this role, Baxter was nominated for the "Primetime Emmy Award for Outstanding Lead Actress in a Limited or Anthology Series or Movie". The award was instead won by rival actress Gena Rowlands (1930-).

In 1994, Baxter received an award by the "National Breast Cancer Coalition". Baxter had reportedly helped raise awareness of breast cancer and its effects through her then-recent work. In 1999, Baxter herself was diagnosed with breast cancer. She received medical treatment, and she is thought to have fully recovered.

In 1995, Baxter married the novelist (and screenwriter) Michael Blodgett (1939-2007). This was Baxter's third marriage and Blodgett's fourth and last marriage. Baxter became the stepmother of Blodgett's three daughters from previous marriages. The couple received a divorce in 2000. A few years later, Blodgett died due to heart disease.

In 1996, Baxter starred in the short-lived sitcom "The Faculty". The series was set in a typical middle school, with Baxter playing vice-principal Flynn Sullivan. Flynn was depicted as a single mother who was trying to balance her career and her family life. While the series was praised for its dignified main character, most critics found that the show lacked memorable supporting characters and was not particularly humorous in its depiction of school life. The series never had high ratings, and was canceled after a single season. Only 13 episodes were broadcast.

In 1997, Baxter guest-starred in a two-part episode of the politically-themed sitcom "Spin City" (1996-2002). She played Macy Flaherty, the mother of protagonist Mike Flaherty (played by Michael J. Fox) Mike was depicted as the deputy mayor of New York City, skilled in politics but inept in managing his personal life. In this two-part episode, Macy has a brief romantic relationship with mayor Randall Winston (played by Barry Bostwick) , Mike's boss. She is then asked to help cover-up Randall's past relationship with a prostitute, which is thought to be damaging to his political career. The episodes were thought to be memorable for reuniting Baxter with her former co-star Michael J. Fox.

In the early 2000s, Baxter had been reduced to playing one-shot characters in various television series. In 2006, Baxter joined the cast of the police procedural series "Cold Case" (2003-2010). She played the supporting character Ellen Rush, mother of the protagonist Lilly Rush (played by Kathryn Morris). Lilly was depicted as a homicide detective, who specialized in resolving decades-old cold cases. Ellen was depicted as an alcoholic single mother, who had managed to raise two daughters despite her personal problems. In seasons 3 and 4 of the series, Ellen was slowly dying from cirrhosis of the liver and Lilly had to take care of her. The storyline of the character was concluded with Ellen's death, and Baxter left the series in 2007.

In 2009, Baxter publicly came out as a lesbian. She had been dating general contractor Nancy Locke since 2005. Baxter married Locke in 2013, and their marriage is still ongoing (as of 2021). This is Baxter's fourth and (so far) last marriage. Baxter revealed that she had been dating women since 2002, having previously had no same-sex relationships.

In 2011, Baxter published her memoir "Untied", revealing previously unknown details about her personal and family life. Some of the details came as a surprise to longtime co-workers of Baxter, as she had never confided in them about her personal problems. Baxter's former husband David Birney publicly disputed the veracity of the book's narrative. The book became a New York Times bestseller.

In 2014, Baxter briefly joined the cast of the long-running soap opera "The Young and the Restless" (1973-). She played Maureen Russell, a new drinking buddy for prominent character Nikki Newman (played by Melody Thomas Scott). Maureen was described as a charming middle-class woman with social-climbing aspirations. This was the first recurring television role Baxter since departing "Cold Case". For this role, Baxter was nominated for the "Daytime Emmy Award for Outstanding Guest Performer in a Drama Series". The award was instead won in a tie by three rival actors: Donna Mills (1940-), Fred Willard ( 1933-2020), and Ray Wise (1947-).

From 2014 to 2015, Baxter had a recurring role in the short-lived teen drama "Finding Carter" (2014-2015). The premise of the series was that teenage girl Carter Stevens (played by Kathryn Prescott) reunites with her biological family, after years of being raised by a kidnapper. Carter has trouble acclimating to her new life. Baxter played Grandma Joan (nicknamed Gammy), Carter's wealthy grandmother. The main subplot involving Joan was that she had never accepted her daughter's marriage to a professional writer with no fixed income. The series lasted for 2 seasons, and a total of 36 episodes. So far, this has been Baxter's last recurring role in television.

As of 2021, Baxter is 74-years-old. She has never fully retired from acting, though she infrequently appears in new roles. Several of her past roles are still fondly remembered. Baxter has never won any major acting award, despite multiple nominations over several decades. But she has remained quite popular with the general public.

Isabel Sanford was a Broadway actress for over thirty years before moving to Hollywood. She made numerous guest appearances on TV, including a stint as a supporting cast member on The Carol Burnett Show (1967). Until her passing, Isabel continued to act frequently, most recently in a series of commercials for Old Navy stores with The Jeffersons (1975) co-star, Sherman Hemsley. She made several commercials for Nick-at-Nite as well when the cable channel premiered The Jeffersons (1975).

Intriguing, inspiring, and never less than interesting -- key adjectives in describing the career of Beverly D'Angelo, which has well passed the four-decade mark. Perhaps deserving better movies than she generally found herself in, she nevertheless was always an object of fascination and the one to watch...whatever the role. Hardly the shrinking violet type, Hollywood counted on her for her colorful personality, down-to-earth demeanor and scene-stealing capabilities.

Beverly Heather D'Angelo was born on November 15, 1951 in Columbus, Ohio, the daughter of musicians Priscilla Ruth (Smith), a violinist, and Eugene Constantino "Gene" D'Angelo, a bass player who also managed a TV station. Her maternal grandfather, Howard Dwight Smith, was the architect who designed the Ohio ("Horseshoe") Stadium at Ohio State University. Her mother had English, Irish, Scottish, and German ancestry, and her father was of Italian descent. Beverly once attended an American school in Florence, Italy.

Initially drawn to art, Beverly worked as a animator/cartoonist at Hanna-Barbera Productions before moving to Canada to pursue a rock singing career, To make ends meet she worked as a session vocalist and sang anyplace she could -- from coffeehouses to topless bars. At one point the teenager was invited to join up with rockabilly legend Ronnie Hawkins. Beverly's acting career started up when she left the Hawkins band and joined the Charlottetown Festival repertory company. She was touring Canada as Ophelia in "Kronborg: 1582", a rock musical version of Shakespeare's "Hamlet" when the renowned Colleen Dewhurst caught a performance and saw promise in both Beverly and the show. Eventually musical director Gower Champion got into the mix and the show was completely revamped, becoming the rock musical "Rockabye Hamlet", which made its way to Broadway in 1976. While the show itself was short-lived, Beverly's Ophelia attracted fine notices and she soon found herself on the West coast with film and TV opportunities. After this point, she seldom returned to the stage but did star alongside Ed Harris in the 1995 off-Broadway production of Sam Shepard's "Simpatico", which earned her a Theatre World Award.

A role in the TV miniseries Captains and the Kings (1976) led to bit parts in The Sentinel (1977) and in the Woody Allen classic Annie Hall (1977). A string of co-starring roles followed with First Love (1977), the Clint Eastwood starrer Every Which Way But Loose (1978) and the film adaptation of the hit counterculture musical Hair (1979). Best of all for Beverly was her powerhouse featured performance as the one-and-only Patsy Cline in the acclaimed biopic Coal Miner's Daughter (1980). Both she and Oscar winner Sissy Spacek (as fellow country singer Loretta Lynn) expertly supplied their own vocals.

Playing everything from tough-as-nails prostitutes, party girls and barflies to rich, prim widows and depressed, alcoholic moms, most of Beverly's output was solid during this time. Playing happening kind of gals, she customarily rose above much of the standard comedic or dramatic material given. An interesting gallery of offbeat characters came her way in a number of hit-or-miss features: Paternity (1981), Finders Keepers (1984), Big Trouble (1986), Maid to Order (1987), High Spirits (1988), Cold Front (1989), Daddy's Dyin'... Who's Got the Will? (1990), The Pope Must Diet (1991), Man Trouble (1992), Lightning Jack (1994), The Crazysitter (1994), Merchants of Venus (1998) and Sugar Town (1999). She also sang in a few of these films.

Beverly attracted mainstream notice as Chevy Chase's beleaguered wife in the comedy spoof National Lampoon's Vacation (1983) and its three sequels. Stronger roles came with such films as the English/Irish production The Miracle (1991) and the Neo-Nazi film American History X (1998). She was also a favorite of director John Schlesinger who used her in Honky Tonk Freeway (1981) and Eye for an Eye (1996), among others. In the spoof Pterodactyl Woman from Beverly Hills (1996), in which she served as associate producer, Beverly gamely starred as a chic Beverly Hills housewife who turns into a flying prehistoric reptile by night. Other offbeat independent filming includes Illuminata (1998), Merchants of Venus (1998), Weaver of Claybank (1915), Black Water Transit (2009), The House Bunny (2008), Episode #7.33 (2007), Bounty Killer (2013), Frat Pack (2018) and Dreamland (2016).

On TV, Beverly scored well as matricide victim Kitty Menendez in Menendez: A Killing in Beverly Hills (1994) and earned an Emmy-nomination (and arguably gave the best performance) as Stella Kowalski opposite "Hair" co-star Treat Williams in the TV remake of A Streetcar Named Desire (1984). Other topnotch TV mini-movies included Sweet Temptation (1996) and Judgment Day: The John List Story (1993), in which she played Robert Blake's devout wife. On primetime she has been cast quite assertively in recurring parts -- she has been spotted on Law & Order: Special Victims Unit (1999) as a defense attorney; Entourage (2004) as a talent agent; Shooter (2016) as a national security advisor; and Insatiable (2018) as a scheming beauty contestant coach.

Beverly's off-camera romantic life has been just as interesting. Following her relationship with "Hair" director Milos Forman, she married Lorenzo Salviati, an economics student who also was an Italian duke. She left Hollywood and lived with him in Europe, but separated after two years and returned. A six-year relationship with Irish director Neil Jordan was followed by one with Oscar-winning production designer Anton Furst; this ended tragically when, just weeks after their breakup, he committed suicide. A former union with the volatile Al Pacino produced twins Olivia and Anton, who were born in 2001.

These days, Beverly's career on camera has remained secondary to the raising of her children. Occasionally she has made use of her vocal talents performing at L.A. nightclubs and with a jazz band that included brother Jeff. From time to time she still lights up the screen as a brash professional or somebody's colorful mom; whatever time she has on screen, whether major or minor, it is always welcomed and never, ever less than...interesting.

Award-winning Canadian actress Susan Clark, born on March 8, 1943, took up acting at an early age (12) in her hometown of Sarnia, Ontario. Her family moved to Toronto around that period of time and she joined the Toronto Children's Players Theatre. Her first professional curtain call took place on the musical stage in a 1955 production of "Silk Stockings" which starred veteran actor Don Ameche.

The "acting bug" bit hard and a very determined Susan pressed her family to allow her to study at London's prestigious Royal Academy of Dramatic Arts. She gained valuable experience in repertory, making her London debut in "Poor Bitos" in the early 1960s. She even got a taste of on-camera work when she won multiple roles on a 1965 episode of The Benny Hill Show (1957). Returning to Canada, however, due to the illness of her father, she subsequently decided to trek, instead, to Los Angeles to continue her professional career. In search of on-camera work, she attracted notice in some guest roles on TV and this eventually led to a Universal contract. The ten-year contract was one of the last of its kind as Hollywood was witnessing the demise of the studio contract system.

After gaining some exposure on episodes of The Virginian (1962) and Run for Your Life (1965), Susan's first screen assignment for Universal was as the second female lead in the soap-styled drama Banning (1967) starring Robert Wagner, in one of his typical jet-setting playboy parts, and the scintillating Jill St. John, who would wed her "Banning" leading man two decades later. From there, Susan only grew in stature. Playing the second female lead again in the critically-praised crimer Madigan (1968) starring Richard Widmark and Inger Stevens, she finally earned top female billing opposite Clint Eastwood in Coogan's Bluff (1968) playing a sexy parole officer and enjoying romantic clinches with the up-and-coming film icon on film.

Tall and willowy with incandescent blue eyes, Susan continued to impress on celluloid with roles in Tell Them Willie Boy Is Here (1969), Valdez Is Coming (1971) and, in particular, Skin Game (1971). It was 70s TV-movies, however, that would take full advantage of Susan's vibrant, intelligent acting talents. First came the tender-hearted mini-movie Something for a Lonely Man (1968). While a vehicle for Bonanza's Dan Blocker, co-star Susan made a strong, spunky impression as his small-town romantic interest. This was followed by choice roles in The Challengers (1970) and The Astronaut (1972).

1975 was a banner year for Susan who not only provided a couple of excellent scenes as Gene Hackman's wife in the film-noir Night Moves (1975) but, made a resounding, Emmy-winning impression on TV audiences as feminist track-and-field Olympian-turned-golf star Babe Didrikson Zaharias, who is later felled by cancer, in the TV mini-bio Babe (1975). This was a pronounced victory for Susan both professionally and personally for it was on this set that she met her second husband, co-star Alex Karras, who played Babe's spouse George. Susan was in immediate demand and was quickly cast as another feisty, ill-fated heroine, this time in the form of famed aviatrix Amelia Earhart (1976). Predictably, Susan was wonderful and earned a second Emmy nomination for her efforts (she didn't win).

She and Karras (who had a child, Katie, in 1980) went on to jointly act in and/or produce various film and TV projects, including the TV movies Jimmy B. & André (1980), and Maid in America (1982), and the films Nobody's Perfekt (1981) and Porky's (1981). This culminated in their biggest collaborative effort with the sitcom series Webster (1983) wherein both were unmercifully upstaged by the hopelessly cute antics of its tyke star Emmanuel Lewis. While the series hardly tested the couple's acting mettle and the plot was pretty much a "Diff'rent Strokes" rehash, the show proved quite popular on its own and put Clark and Karras firmly on the TV map between 1983 to 1988. Susan, herself, earned a Golden Globe nomination for "Best Actress in a Comedy Series".

Following the sitcom' demise, Susan relinquished the limelight a bit and found contentment on the local Southern California stage. Relishing acting challenges in such wide-ranging plays as "Meetin's on the Porch" (1990) with Patty Duke and Carrie Snodgress, "Afterplay" (1998), "Bicoastal Women" (2003) and "The Importance of Being Earnest" (2004) (as Lady Bracknell), she eventually became a dedicated member of the Rubicon Theater Company in Los Angeles, gracing such plays there as "The Glass Menagerie", "Dancing at Lughnasa", "The Devil's Disciple" and, most recently, "A Delicate Balance."

Featured in the TV movies Snowbound: The Jim and Jennifer Stolpa Story (1994), Tonya & Nancy: The Inside Story (1994) and Toe Tags (1996), she was last seen on camera co-starring in the dramatic TV series Emily of New Moon (1998) as ever-rigid Aunt Elizabeth, who assists in raising her orphaned niece.

Susan has a daughter, Katie, by husband Karras who died of kidney failure in 2012.

Jacqueline Bisset has been an international film star since the late '60s. She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike. Bisset has worked with directors John Huston, François Truffaut, George Cukor and Roman Polanski. Her co-stars have included Anthony Quinn, Paul Newman, Nick Nolte, Jean-Paul Belmondo, Kenneth Branagh and Marcello Mastroianni.

Her somewhat French-sounding name has led many to assume that she is from France, but she was brought up in England and had to study to learn French. Her mother was French and was an attorney before being married. As a child Jacqueline studied ballet. During her teenage years her father left the family when her mother was diagnosed with disseminating sclerosis; Jacqueline worked as a model to support her ailing mother and eventually her parents divorced, an experience she has said she considered character-strengthening. She took an early interest in film, and her modeling career helped pay for acting lessons.

In 1967 Bisset gained her first critical attention in Two for the Road (1967), and that same year appeared in the popular James Bond spoof Casino Royale (1967), playing Miss Goodthighs. In 1968 her career got a boost when Mia Farrow unexpectedly dropped out of the shooting of The Detective (1968); Farrow's marriage to co-star Frank Sinatra was on the rocks, and her role was eventually given to Bisset, who received special billing in the film's credits. In the following year she earned a Golden Globe nomination as Most Promising Newcomer for The Sweet Ride (1968) and gained even more attention playing opposite Steve McQueen in the popular action film Bullitt (1968). In 1970 she was featured in the star-studded disaster film Airport (1970) and had the main role in The Grasshopper (1970). Then she co-starred with Alan Alda in the well-reviewed but commercially underperforming horror movie, The Mephisto Waltz (1971). In 1973 she became recognized in Europe as a serious actress when she played the lead in Truffaut's Day for Night (1973). However, it would be several years before her talents would be taken seriously in the US. Though she scored another domestic hit with Murder on the Orient Express (1974), her part in it, as had often been the case, was decorative. She did appear to good effect in Believe in Me (1971), Le Magnifique (1973), The Sunday Woman (1975) and St. Ives (1976).

Jacqueline's stunning looks and figure made quite a splash in The Deep (1977). Her underwater swimming scenes in that movie inspired the worldwide wet T-shirt craze, and Newsweek magazine declared her "the most beautiful film actress of all time." The film's producer, Peter Guber, said "That T-shirt made me a rich man." However, she hated the wet T-shirt scenes because she felt exploited. At the time of filming she was not told that the filmmakers would shoot the scenes in such a provocative way, and she felt tricked. On the plus side, the huge success of the picture made Bisset officially bankable. She was next seen in high-profile roles in The Greek Tycoon (1978), a thinly disguised fictionalization of the marriage of Jacqueline Kennedy Onassis and Aristotle Onassis, and Who Is Killing the Great Chefs of Europe? (1978), for which she received a Golden Globe nomination as Best Actress in a Comedy.

In the early '80s, Bisset starred in the box office disasters When Time Ran Out... (1980) and Inchon (1981), but her well-received turn opposite Candice Bergen in Rich and Famous (1981) between those two films helped gain her recognition as a serious actress from American audiences. She rebounded neatly with Class (1983) and Under the Volcano (1984), getting a Golden Globe nomination as Best Supporting Actress for the latter. She also earned praise for her work in the excellent made-for-cable WWII drama Forbidden (1984), then appeared on network TV in adaptations of Anna Karenina (1985) with Christopher Reeve and Napoleon and Josephine: A Love Story (1987) with Armand Assante. In 1989 she co-starred in the raunchy yet witty comedy Scenes from the Class Struggle in Beverly Hills (1989) and the erotic thriller Wild Orchid (1989), neither of which fared too well, but her output remained consistent. As she transitioned seamlessly out of her ingenue years, smaller-scale productions such as CrimeBroker (1993) and Leave of Absence (1994) would provide Bisset with plum roles, even if they went largely unseen.

In 1996 she was nominated for a César Award, the French equivalent of the Oscar, for her performance in Claude Chabrol's The Ceremony (1995). She held roles in period pieces like Dangerous Beauty (1998), as well as the Biblical epics Jesus (1999) and In the Beginning (2000). Other notable credits included the miniseries Joan of Arc (1999) alongside Leelee Sobieski, which gained her an Emmy nomination, and The Sleepy Time Gal (2001), which premiered at Sundance but unfortunately was not picked up for theatrical distribution. In 2005 Jacqueline was back on the big screen, playing Keira Knightley's mother in the Domino Harvey biopic Domino (2005) for Tony Scott. In 2006 she appeared in the fourth season of Nip/Tuck (2003) as the ruthless extortionist "James." Bisset then turned in strong performances in Boaz Yakin's disturbing independent drama Death in Love (2008) and the telepic An Old Fashioned Thanksgiving (2008), garnering accolades for both. In 2013 she appeared in BBC's program Dancing on the Edge (2013), for which she finally won her first Golden Globe. She followed that up with the movies Welcome to New York (2014) with Gérard Depardieu and Miss You Already (2015) with Drew Barrymore and Toni Collette.

2016 saw the long-awaited release of Linda Yellen's comedy The Last Film Festival (2016), where Jacqueline was a riot as a washed-up Italian diva alongside Dennis Hopper in his final role. Since then she's kept busy on the indie circuit, appearing in Backstabbing for Beginners (2018) with Ben Kingsley, Here and Now (2018) with Sarah Jessica Parker, and Asher (2018) with Ron Perlman and Famke Janssen, as well as the Amazon original movie Birds of Paradise (2021) and a title role in Loren & Rose (2022).

Bisset has never married, but has been involved in long-term romantic relationships with Canadian actor Michael Sarrazin, Moroccan entrepreneur Victor Drai, Russian ballet dancer Alexander Godunov, Swiss actor Vincent Perez and Turkish martial arts instructor Emin Boztepe. She continues to make numerous films, and frequently participates in film festivals and award ceremonies around the world.

Phylicia Rashad was born in Houston, Texas to African-American parents Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Phylicia, her older brother Andrew (called Tex), and younger sister, dancer and actress Debbie Allen, lived in Mexico. She has another brother, Hugh Allen (a real-estate banker in North Carolina). Their mother decided to live in Mexico to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Phylicia and Debbie are fluent in Spanish. Phylicia graduated from Howard University and later taught drama there.

With younger sister Debbie Allen, she has a production company, D.A.D., which stood for Doctor Allen's Daughters. Her Pulitzer-nominated mother is the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Rashad as a performer.

Jane Therese Curtin was born September 6th, 1947. Years later, a 27-year-old Jane auditioned for a comedy variety show. which turned out to be the the thing that would first expose her to fame, Saturday Night Live (1975). Jane won the audition against Mimi Kennedy, a tough competitor. Also in the same year (1975), she married Patrick Lynch.

After her five-year run on SNL, Jane moved on, having a daughter named Tess in-between a new show with Susan Saint James titled Kate & Allie (1984), which was about two divorced women living in one house with their children. After Kate & Allie (1984) and several film roles, including Coneheads (1993), came 3rd Rock from the Sun (1996), a show about aliens living in Ohio and adjusting to Earth. In 2001, 3rd Rock ended production, and Jane eventually brought her talents to Broadway. She lives with her husband and daughter.

Susan Saint James was a lovely and slightly loony TV successor to Shirley MacLaine. Her mildly kooky and clumsy free spirits came into vogue during the "free love" era of the late '60s.

Of German, Irish and English ancestry, Saint James was born Susan Jane Miller in Los Angeles on August 14, 1946, to Charles Daniel Miller, a businessman, and Constance Geiger Miller. Both her mother and grandmother were schoolteachers. Raised in Rockford, Illinois, Susan was a model briefly during her teens in both the U.S. and France. She later attended the Connecticut College for Women.

Luck in Hollywood came almost immediately to her when she landed a seven-year contract with Universal Studios. As if that wasn't enough, her very first TV job would be a plum "girl Friday" role on a TV movie pilot starring ultra-cool Anthony Franciosa and sexy femme fatale Jill St. John.

As an eager but awkward amateur sleuth in the whodunnit crime mystery Fame Is the Name of the Game (1966), audiences immediately took to Susan as the editorial assistant to investigative reporter Franciosa who snooped way too much and often found herself in life-threatening circumstances. Saint James would continue her role as Peggy Maxwell when the series was picked up. The Name of the Game (1968), with its revolving trio of stars Anthony Franciosa, Robert Stack and Gene Barry, became a hit and Susan earned three Emmy nominations, copping the trophy on her first try during the 1968-69 season.

Cleverly downplaying her sexy allure and model good looks for a more down-to-earth appeal, Susan also had a fun recurring role as an equally klutzy thief who complicates things for Robert Wagner's suave cat burglar in It Takes a Thief (1968). She hit her TV peak, however, as Police Commissioner Rock Hudson's plucky wife in McMillan & Wife (1971) from 1971 to 1976, her character still managing to get into her usual share of danger and trouble. She earned three more Emmy nominations.

Having gotten her feet wet on the big screen with a few featured/co-star roles in the private eye drama P.J. (1967), the convent comedy Where Angels Go Trouble Follows! (1968), and the crime thriller Jigsaw (1968), Susan earned particular notice in the '70s with the action comedy Outlaw Blues (1977) opposite Peter Fonda, the cult Dracula spoof Love at First Bite (1979) opposite George Hamilton, and the female buddy crime caper How to Beat the High Cost of Living (1980) with Jane Curtin and Jessica Lange. Surprisingly, none of these were the foundation for a lasting movie career.

Wisely, Susan returned to her comfy TV series format co-starring (again) with Jane Curtin in the liberal-minded sitcom Kate & Allie (1984), which lasted five seasons. She earned two additional Emmy nominations playing an adventurous libber versus Curtin's more conservative character. Saint James also thrived on TV movie comedies and dramas with several vehicles, including Magic Carpet (1972), Desperate Women (1978), Night Cries (1978), The Girls in the Office (1979), The Kid from Nowhere (1982) and I Take These Men (1983) coming her way.

Saint James chose to back away from the limelight following the cancellation of Kate & Allie (1984). Moving to Connecticut, she devoted her time to raising a family and dedicating herself to charity work, notably the Special Olympics, for which she served on the board of directors. Since then, she has received several honors as a spokesperson for volunteerism.

In later years, Susan appeared infrequently on talk shows (David Letterman, Oprah Winfrey) and in rare guest star parts on such shows as "M*A*S*H." She went on to grace the first episode of The Drew Carey Show (1995), in which niece Christa Miller was a co-star. More recently, she has been seen on episodes of the TV series "Law & Order: Special Victims Unit" and "Suits" and had a recurring role on several 2020 episodes of "Upland." In 2008, Susan received a star on the Walk of Fame for her TV work.

Formerly married to writer/producer Richard Neubert and makeup artist Tom Lucas, Saint James is married to NBC executive Dick Ebersol, best known for his work on Saturday Night Live (1975). She is the mother of five children, two by Lucas and three by Ebersol.

Caren Kaye was born on 12 March 1951 in New York City, New York, USA. She is an actress, known for Teen Witch (1989), Satan's Princess (1989) and Murder, She Wrote (1984). She has been married to Renny Temple since 15 November 1980. They have two children. She was previously married to Jeffrey Sandor Orling.

Lea Katherine Thompson was born May 31, 1961 in Rochester, Minnesota. She is the youngest of five children. Her parents are Barbara and Cliff Thompson. Since all her siblings were much older than her, Lea says it seemed like she had more than two parents. The family lived in the Starlight motel, all the kids sharing a room. Things began to look up for the family when Lea's father got a job in Minneapolis, where the family moved.

Lea's parents divorced when she was six, and her mother decided to maintain the family. This wasn't the easiest job, considering her mother was alcohol-addicted at the time. When she found the strength to quit drinking, she took a job playing the piano and singing in a bar to support Lea and her siblings. When Lea was seven, her mother remarried. Ever since Lea was little, she loved to dance -- ballet to be exact. She would practice three to four hours every day. Her first role was as a mouse in "The Nutcracker". After Lea turned fourteen, she had performed in more than 45 ballets on stages, such as The Minnesota Dance Theatre, The Pennsylvania Ballet Company, and The Ballet Repertory. She won scholarships to The American Ballet Theatre and The San Francisco Ballet. At age nineteen, she auditioned for Mikhail Baryshnikov, who later told her that she was "a beautiful dancer... but too stocky." Lea knew her dreams had been crushed. At that point, she decided to turn to acting. She began working as a waitress, also making 22 Burger King commercials and a few Twix commercials. She was perfect for these parts simply because she was the average girl-down-the-street, from the Midwest. Everyone who knows her can't believe she was and still is so completely different...trying to be independent and fight against the system. In 1982, Lea made some type of a computer game or interactive movie known as "Murder, Anyone."

Her first role was in the movie, Jaws 3-D (1983), as a water ski bunny, although she couldn't swim or ski, which she still can't! There, she met Dennis Quaid, who became her fiancée and acting coach. Her next role was in All the Right Moves (1983), where she acted opposite Tom Cruise. Director Michael Chapman was so disappointed with her performance, that he almost fired her. Between 1983 and 1984, Lea appeared in other "teen" movies, such as Red Dawn (1984), The Wild Life (1984), and Going Undercover (aka Going Undercover (1985)), and believes it was lucky that, in these movies, they were able to use anyone who could walk and talk! Lea's biggest known accomplishment, and her big break, came from the first Back to the Future (1985). It was the biggest hit of 1985, and Lea was suddenly the most wanted actress. She could have her pick of any role she wanted to take on. She chose Howard the Duck (1986). Although it was a George Lucas production, the critics turned the movie, and Lea, down. Afterwards, director Howard Deutch offered Lea a part in his movie, Some Kind of Wonderful (1987), but she refused. After he urged her to do it, she reconsidered. She won the Young Artist Award for best young actress. During filming, Howard and Lea fell in love, and she called it off with Dennis. She then went on to film The Wizard of Loneliness (1988), which was her first movie as a woman, rather than a youngster. Lea went on to film Back to the Future Part II (1989) and an episode of Tales from the Crypt (1989). She then married Howard Deutch. She continued filming Back to the Future Part III (1990), Montana (1990), and Article 99 (1992). Lea then took a break to stay home with her first born, Madelyn Deutch.

She jumped back into acting in Dennis the Menace (1993), where she says she just played herself. Then it was on to The Beverly Hillbillies (1993), Stolen Babies (1993), The Little Rascals (1994), and The Substitute Wife (1994). In 1994, she had her second child, Zoey Deutch. Lea then went into filming The Unspoken Truth (1995). It was then that she was first given the script of a new NBC sitcom, Caroline in the City (1995). It was probably the best decision Lea ever made. She won a People's choice Award for best actress in a new sitcom. Unfortunately, with all of NBC's problems, Caroline in the City (1995) kept being moved to a worse and worse time slot, giving it horrible ratings. The show ended after only four seasons. Bad ideas from the creators (Julia, etc.) didn't help, either.

Lea quickly went onto The Right to Remain Silent (1996), The Unknown Cyclist (1998), and A Will of Their Own (1998). She also guest-starred in the Friends (1994) episode, The One with the Baby on the Bus (1995), as "Caroline Duffy," and on The Larry Sanders Show (1992). Lea also did some stage work, including starring as "Sally Bowles" in "Cabaret." The show toured and also appeared on Broadway. She then did "The Vagina Monologues" in L.A. She had a stint in a dramatic role as a Chief Deputy Assistant District Attorney, "Camille Paris," on For the People (2002).

Thompson has starred in more than 30 films, 25 television movies, 4 television series, more than 20 ballets, and starred on Broadway in "Cabaret." Lea can currently be seen on ABC Family's Peabody Award winning hit show "Switched at Birth," where she acts and directs. Lea's movie credits include: "All the Right Moves," "Red Dawn," "Some Kind of Wonderful," "The Beverly Hillbillies," "Howard The Duck," (star and vocals) Clint Eastwood's "J. Edgar," the 2014 Sundance favorite Ping Pong Summer (2014), Fliegen (2005) starring Nicolas Cage, and The Year of Spectacular Men (2017), a film written by her daughter Madelyn Deutch. Thompson partnered with international Mirrorball Trophy holder Artem Chigvintsev on the 19th season of Dancing with the Stars (2005), placing sixth.

Lea lives in Los Angeles with her husband of over thirty years, film/television director Howard Deutch, and their two talented daughters, Madelyn and Zoey Deutch, along with many dogs, fish, horses, chickens, a cat, tortoise, and parrot. She supports and often performs for breast cancer, mental health, and Alzheimer's charities. Lea is currently writing her first book of essays.

The beat goes on ... and on ... and as strong as ever for this superstar entertainer who has well surpassed the half-century mark while improbably transforming herself from an artificial, glossy "flashionplate" singer into a serious, Oscar-worthy, dramatic actress ... and back again! With more ups and downs than the 2008 Dow Jones Industrial Average, Cher managed to rise like a phoenix from the ashes each time she was down, somehow re-inventing herself with every decade and finding herself on top all over again. As a singer Cher is the only performer to have earned "top 10" hit singles in four consecutive decades; as an actress, she and Barbra Streisand are the only two Best Actress Oscar winners to have a #1 hit song on the Billboard charts. At age 77, Cher has yet to decide to get completely off her fabulous roller coaster ride, although she has threatened to on occasion.

The daughter of Arkansas-born Georgia Holt (the former Jackie Jean Crouch) and truck driver John Sarkisian, Cher was born in El Centro, California, on May 20, 1946. She has a half-sister, Georganne LaPiere. Cher is of Armenian heritage on her father's side, and of English and German, with more distant Irish, Dutch, and French, heritage on her mother's side. Cher's parents divorced when she was an infant and her mother went on to marry six more times. Her mother, who aspired to be an actress and model, paid for Cher's acting classes. Cher had undiagnosed dyslexia, which acutely affected her studies; frustrated, she quit high school at 16 to pursue her dream. At that time, she had a brief relationship with actor Warren Beatty.

Meeting the quite older (by 11 years) Sonny Bono in November 1962 changed the 16-year-old's life forever. Bono was working for record producer Phil Spector at Gold Star Studios in Hollywood at the time and managed to persuade Spector to hire Cher as a session singer. As such, she went on to record backup on such Spector classics as "You've Lost That Lovin' Feeling" and "Be My Baby". The couple's relationship eventually shifted from soulmates to lovers and she and Sonny married on October 27, 1964.

At first Cher sang solo with Sonny behind the scenes writing, arranging and producing her songs. When the records went nowhere, Sonny decided they needed to perform as a team so they put out two songs in 1964 under the recording names of Caesar and Cleo ("The Letter" and "Baby Don't Go"). Again, no success. The changing of their names, however, made a difference and in 1965, they officially took on the music world as Sonny & Cher and earned instant rewards.

The now 19-year-old Cher and 30-year-old Sonny became huge hits following the release of their first album, "Look at Us" (summer, 1965), which contained the hit single "I Got You Babe". With the song catapulting to #1, they decided to re-release their earlier single "Baby Don't Go", and it also raced up the charts to #8. An assembly line of mild hits dotted the airwaves over the next year or two, culminating in the huge smash hit "The Beat Goes On" (#6, 1967). Between 1965 and 1972 Sonny & Cher charted a total of six "Top 10" hits.

The kooky couple became icons of the mid-'60s "flower power" scene, wearing garish garb and outlandish hairdos and makeup. However, they found a way to make it trendy and were embraced around the world. TV musical variety and teen pop showcases relished their contrasting styles -- the short, excitable, mustachioed, nasal-toned simpleton and the taller, exotic, unflappable fashion maven. They found a successful formula with their repartee, which became a central factor in their live concert shows, even more than their singing. With all this going on, Sonny still endeavored to promote Cher as a solo success. Other than such hits with "All I Really Want to Do" (#16) and "Bang, Bang" (#2), she struggled to find a separate identity. Sonny even arranged film projects for her but Good Times (1967), an offbeat fantasy starring the couple and directed by future powerhouse William Friedkin, and Cher's serious solo effort Chastity (1969) both flickered out and died a quick death.

By the end of the 1960s, Sonny & Cher's career had stumbled as they witnessed the American pop culture experience a drastic evolutionary change. The couple maintained their stage act and all the while Sonny continued to polish it up in a shrewd gamble for TV acceptance. While Sonny on stage played the ineffectual object of Cher's stinging barbs on stage, he was actually the highly motivated mastermind off stage and, amazingly enough, his foresight and chutzpah really paid off. Although the couple had lost favor with the new 70s generation, Sonny encouraged TV talent scouts to catch their live act.

The network powers-that-be saw potential in the duo as they made a number of guest TV appearances in specials and on variety and talk shows and in what was essentially "auditioning" for their own TV vehicle. The Sonny and Cher Comedy Hour (1971) was given the green light as a summer replacement series and was an instant sensation when it earned its own time spot that fall season. The show received numerous Emmy Award nominations during its run and the couple became stars all over again. Their lively, off-the-wall comedy sketch routines, her outré Bob Mackie fashions and their harmless, edgy banter were the highlights of the hour-long program. Audiences took strongly to the couple who appeared to have a deep-down sturdy relationship. Their daughter Chaz Bono occasionally added to the couple's loving glow on the show. Cher's TV success also generated renewed interest in her as a solo recording artist and she came up with three #1 hits during this time ("Gypsys, Tramps & Thieves," "Half-Breed" and "Dark Lady").

Behind the scenes, though, it was a different story. A now-confident Cher yearned to be free of husband Sonny's Svengali-like control over her life and career. The marriage split at the seams in 1974 and they publicly announced their separation. The show, which had earned Cher a Golden Globe Award, took a fast tumble as the separation and divorce grew more acrimonious. Eventually they both tried to launch their own solo variety shows, but both failed to even come close to their success as a duo. Audiences weren't interested in Cher without Sonny, and vice versa.

In late June of 1975, only four days after the couple's divorce, Cher married rock musician Gregg Allman of The Allman Brothers Band. That marriage imploded rather quickly amid reports of out-of-control drug use on his part. They were divorced by 1979 with only one bright outcome -- son Elijah Allman.

In 1976 Sonny and Cher attempted to "make up" again, this time to the tune of a second The Sonny and Cher Show (1976). Audiences, however, did not accept the "friendly" divorced couple after so much tabloid nastiness. After the initial curiosity factor wore off, the show was canceled amid poor ratings. Moreover, the musical variety show format was on its way out as well. Once again, another decade was looking to end badly for Cher.

Cher found a mild success with the "top 10" disco hit "Take Me Home" in 1979, but not much else. Not one to be counted out, however, the ever resourceful singer decided to lay back and focus on acting instead. At age 36, Cher made her Broadway debut in 1982 in what was essentially her first live acting role with "Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean". Centering around a reunion of girlfriends from an old James Dean fan club, her performance was critically lauded. This earned her the right to transfer her stage triumph to film alongside Karen Black and Sandy Dennis. Cher earned critical raves for Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982), her first film role since 1969.

With film #2 came a Best Supporting Actress Oscar nomination and a Golden Globe win for her portrayal of a lesbian toiling in a nuclear parts factory in Silkwood (1983), starring Meryl Streep and Kurt Russell. This in turn was followed by her star turn in Mask (1985) as the blunt, footloose mother of a son afflicted with a rare disease (played beautifully by Eric Stoltz). Once again Cher received high praise and copped a win from the Cannes Film Festival for her poignant performance.

Fully accepted by this time as an actress of high-caliber, she integrated well into the Hollywood community. Proving that she could hold up a film outright, she was handed three hit vehicles to star in: The Witches of Eastwick (1987), Suspect (1987), and Moonstruck (1987), for which she won the Academy Award for Best Actress. Along with all this newfound Hollywood celebrity came interest in her as a singer and recording artist again. "If I Could Turn Back Time (#3) and the Peter Cetera duet "After All" (#6) placed her back on the Billboard charts.

During the 1990s Cher continued to veer back and forth among films, TV specials and expensively mounted concerts. In January of 1998, tragedy struck when Cher's ex-husband Sonny Bono, who had forsaken an entertainment career for California politics and became a popular Republican congressman in the process, was killed in a freak skiing accident. That same year the duo received a star on the Hollywood Walk of Fame for their contribution to television. In the meantime an astounding career adrenaline rush came in the form of a monstrous, disco-flavored hit single ("Believe"). The song became a #1 hit and the same-titled album the biggest hit of her career. "Believe" reached #1 in 23 different countries.

Having little to prove anymore to anyone, Cher decided to embark on a "Farewell Tour" in the early part of the millennium and, after much stretching, her show finally closed in 2005 in Los Angeles. It didn't take long, however, for Cher to return from this self-imposed exile. In 2008, she finalized a deal with Las Vegas' Caesars Palace for the next three years to play the Colosseum, and has since returned live on numerous "farewell" tour extravaganzas. Never say never. Cher returned films with her co-starring role opposite Christina Aguilera in Burlesque (2010), but has since only provided a glitzy cameo in Mamma Mia! Here We Go Again (2018). After keeping a low romantic profile for some time, she nearly out-cougared Madonna by embarking on a romance with four-decades-younger Def Jam executive Alexander "A.E." Edwards, father of rapper Amber Rose's second son. The couple celebrated their one-year anniversary in 2023, right before the release of Cher's first holiday album, simply titled Christmas.

In other facets of her life, Cher has been involved with many humanitarian groups and charity efforts over the years, particularly her work as National Chairperson and Honorary Spokesperson of the Children's Craniofacial Association, which was inspired by her work in Mask (1985).

Kelly Ann McGillis was born in Newport Beach, California, to Virginia Joan (Snell), a homemaker, and Donald Manson McGillis, a general practitioner of medicine. She has English, Welsh, Scots-Irish, and German ancestry. McGillis dropped out of high school to pursue a career as an actress, and attended Juilliard in Manhattan and Pacific Conservatory of Performing Art in Santa Monica, CA.

She held a variety of jobs while pursuing her career, such as waitressing, and snagged a few stage roles before landing a supporting part in the Academy Award-nominated Reuben, Reuben (1983). This led to a lot of TV work and a lead role opposite Harrison Ford in the highly acclaimed thriller Witness (1985). This box office hit, directed by Peter Weir, got her noticed around Hollywood and producers took note of her. One of them was Jerry Bruckheimer, who cast her as Charlie Blackwood in the mega-hit Top Gun (1986) which became the highest-grossing film of the year and gave her some major name recognition.

Ironically, that breakthrough role didn't help her career in terms of high-profile work. She played prosecutor Kathryn Murphy in The Accused (1988) with Jodie Foster who won an Academy Award for her role, but unfortunately for McGillis she was overlooked for any major nomination. Never interested in being box-office gold, she remained loyal to the theater, even after being established as a major star during the mid to late 1980s, taking such various stage roles in such William Shakespeare plays as "The Merchant of Venice", "Don Juan", "Twelfth Night", "The Merry Wives of Windsor", "Mourning Becomes Electra" and "A Midsummer Night's Dream". In 1994 she scored the title role in the Broadway production of "Hedda Gabler" but unfortunately it only played for 33 performances before closing.

She had two daughters in the early 1990s, and worked more sporadically on TV and film so she could spend time with her family and owned her business, a restaurant in Florida. She worked on Winter People (1989), Cat Chaser (1989), The Babe (1992), North (1994), At First Sight (1999) and The Monkey's Mask (2000) as well as a string of made-for-TV films.

She has completed a national stage tour of "The Graduate", playing the infamous Mrs. Robinson, and continues to act as she begins study on Addiction Studies and raising her children in Pennsylvania.

Cindy Pickett was born on 18 April 1947 in Sand Springs, Oklahoma, USA. She is an actress, known for Ferris Bueller's Day Off (1986), Son in Law (1993) and DeepStar Six (1989). She was previously married to Lyman Ward.

Deidre Hall has emerged as one of America's most beloved actresses, who delighted her fans in August 1991, when she returned to NBC-TV's number one daytime program, Days of Our Lives (1965). Hall created the role of "Dr. Marlena Evans" in 1976, a character whose popularity has created a furor and a fan following, seldom seen on television. The favorable regard in which Hall is held has spanned all demographics and regions. She was named Best Television Role Model; won the prestigious America Women in Radio and Television (AWRT) award in 1994; garnered five Best Actress awards from Soap Opera Digest (1982-85,1995), and broke new ground for daytime stars when she guested on shows such as The Tonight Show Starring Johnny Carson (1962), Night of 100 Stars II (1985) and 20/20 (1978), at the birth of her surrogate son. Recognizing her continuing appeal, in 1990, the Hallmark Co. chose Hall as celebrity spokesperson for a new card line called, "To Kids with Love". The following spring, Deidre became the sole spokesperson for Dexatrim. Deidre's elegant fashion statements have not gone unnoticed in the press. Twice naming her the "Best Dressed Woman", she was also named one of America's ten most beautiful women by TV Guide and Satellite Orbit. Hall has graced the covers of national and regional magazines such as People, Woman, Woman's Own, TV Guide, Woman's World, McCalls, Family Circle, Shape, Los Angeles Magazine, Beverly Hills (213), Orange Coast and First for Women.

Tony Award and Emmy Award winner Judith Light made her professional stage debut in 1970 and made her Broadway debut in the 1975 revival of A Doll's House starring Liv Ullmann and Sam Waterston. She made her television breakthrough in the daytime soap opera One Life to Live (1968). She assumed the role of Karen Woleck (originated by Kathryn Breech (1976-77), and for a brief period, replaced by Julia Duffy (1977)). Light's extensive theater experience added multidimensional facets to the character, and the performance earned the actress two consecutive Daytime Emmy Awards for Outstanding Lead Actress in a Drama Series. Light departed from her character in 1983 - to star in ABC's new prime-time sitcom Who's the Boss? (1984) - the role of Karen Woleck was not recast, instead, she departs for an off-screen life in Canada, coinciding with Light's departure from the series. After Light's success on daytime, she landed the leading role of assertive advertising executive Angela Bower on the ABC sitcom Who's the Boss? (1984). The actress co-starred with Tony Danza, who played her housekeeper (and eventual lover). Also featured were Alyssa Milano, Danny Pintauro and Katherine Helmond. The series ran for eight seasons and had constant success. Light also lent her craft to the short lived sitcoms Phenom (1993) and The Simple Life (2003), and several made-for-TV productions, including the biographical drama The Ryan White Story (1989) (in which she portrayed Jeanne White, the mother of HIV/AIDS positive teenager Ryan White); the actress also portrayed Alabama murderer Audrey Marie Hilley in Wife, Mother, Murderer (1991).

In 1999, Light returned to her theater roots for the off-Broadway production of Pulitzer Prize-winning play Wit (2001); the actress received rave reviews as a college professor battling ovarian cancer-and reprised the role for the national tour. Light returned to television in Law & Order: Special Victims Unit (1999); the actress assumed the recurring role of Judge Elizabeth Connelly, making her first appearance during the third season episode Guilt (2002), which was broadcast on March 29, 2009. The character appeared in 25 more episodes of the series, making her last appearance in season 12 episode Behave (2010). Light also appeared in the ABC comedy-drama Ugly Betty (2006), in which Light's performance as the recurring Claire Meade resulted in a Primetime Emmy Award nomination for Outstanding Guest Actress in a Comedy Series. In 2014, she began starring as Shelly Pfefferman in the critically acclaimed Amazon Studios dark comedy-drama series Transparent (2014), for which she received Golden Globe, Primetime Emmy, and Critics' Choice Television Award nominations.

Anne Schedeen was born on 8 January 1949 in Portland, Oregon, USA. She is an actress, known for ALF (1986), Emergency! (1972) and Simon & Simon (1981). She has been married to Christopher Barrett since 1982. They have one child.

An extremely gifted, versatile performer adept at both comedy and drama, actress/singer Katey Sagal became a household name in the late 1980s as the fabulously brazen, undomesticated Peg Bundy on the enduring Fox series Married... with Children (1987). During its lengthy run she received three Golden Globe and two American Comedy Award nominations. As popular and identifiable as her Peg Bundy persona was, Katey assertively moved on after the show went off the air, not only starring in other sitcoms and television movies, but portraying characters that were polar opposites of the outrageous role that first earned her nationwide attention. For example, in 2008 she took on the role of Gemma Teller Morrow, the matriarch of a Hell's- Angels-esque California biker gang, on the series Sons of Anarchy (2008), and in 2011 her portrayal earned her a Golden Globe Award for Best Performance by an Actress in the Television Series--Drama.

Catherine Louise Sagal was born on January 19, 1954, to director and singer Sara Zwilling and noted television and film director Boris Sagal. The Los Angeles native began performing at age 5 and studied voice and acting at the California Institute of the Arts in Valencia, California.

A singing waitress during her "salad" years, she started performing with the band "The Group With No Name," then caught a break after hooking up with Gene Simmons and his 1970s rock band KISS. In the meantime, she gained valuable experience as a backup recording singer for Simmons and other established stars like Bob Dylan, Olivia Newton-John, Etta James, and Tanya Tucker. She was also dynamic performing live with diva Bette Midler as one of her "Harlettes" in Bette's wildly avant-garde stage shows during the late 1970s and early 1980s.

In 1985, while performing on stage in a musical, she was spotted by talent agents who subsequently cast her as Mary Tyler Moore's feisty co-worker Jo Tucker in Mary (1985), a short-lived comedy series. From that point on she focused on film and television. In 1987 she won the role of voluptuous "housewife" Peg Bundy in the irreverent comedy Married... with Children (1987), and the rest is history.

In addition to her busy on-camera scheduling, Katey has retraced her steps to her first love: singing and songwriting. With the support of her record label Valley Entertainment, she released the album "Room" in 2004 that combined classics like "Feel a Whole Lot Better" and "(For the Love of) Money" with original songs she penned, including "Life Goes Round," "Daddy's Girl," and "Wish I Were a Kid." "Room" is her first CD since her 1994 debut "Well."

In her post-Bundy career, Katey has continued to demonstrate a strong range, playing a much more responsible parent in the popular sitcom 8 Simple Rules (2002), co-starring the late John Ritter and valiantly moving to single-household-head after Ritter's sudden passing in 2003 with highly successful results.

She has earned earned equally-fine kudos for her television movies like Chance of a Lifetime (1998), a charming romantic comedy that also co-starred John Ritter, God's New Plan (1999), a tearjerker in which she played a dying mother, and the Disney offerings Smart House (1999) and Mr. Headmistress (1998). The voice of Turanga Leela, the beautiful one-eyed sewer mutant in the animated series Futurama (1999), she has also guested on Ghost Whisperer (2005), Lost (2004), Boston Legal (2004), CSI: Crime Scene Investigation (2000), and Eli Stone (2008). Feature films have included Maid to Order (1987), The Good Mother (1988), the Sundance Film Festival favorite Dropping Out (2000), Following Tildy (2002), and the indie I'm Reed Fish (2006).

Playing Jack's mother in a live-action/adventure retelling of Jack and the Beanstalk (2009) that also featured the talents of Christopher Lloyd, James Earl Jones, and Chevy Chase, Katey's more recent efforts include recurring role on TV's Lost (2004), a role in the mini-series The Bastard Executioner (2015) and a regular role in the series Superior Donuts (2017). She would also join the cast of the sitcom The Conners (2018) as a love interest to widower Dan John Goodman.

Following brief marriages to musician Freddie Beckmeier, Fred Lombardo, and former Steppenwolf drummer and "Mighty Ducks" hockey film advisor Jack White, Katey resides in the Los Angeles area with fourth husband writer/producer/director/creator Kurt Sutter, whose acclaimed work includes The Shield (2002) and the offbeat Sons of Anarchy (2008), which Sutter created. She had three children by White: Ruby (died at birth), Sarah, and Jackson; and one daughter by Sutter, Esme Louise.

Mel Harris is an American actress, writer and director, best known for her portrayal of Hope Steadman on the critically acclaimed, Emmy Award-winning series Thirtysomething (1987), for which she received a Golden Globe nomination as best Actress in a Drama Series. She starred in the NBC comedy Something So Right (1996) and the My Network drama series Saints and Sinners (2014). Her most recent role has been as Nadine Davies on Hulu's new series Shut Eye (2016)

Mary Ellen Harris was born in Bethlehem, Pennsylvania, and raised in New Jersey. Her mother was a high school science teacher and her father a football coach at Princeton University. She spent 12 years in the modeling world living in New York and Europe before stumbling into the acting business. She starred in numerous miniseries and telefilms including Cross Fire (1989), The Burden of Proof (1992) and Grass Roots (1992), as well as appearances on Crazy Ex-Girlfriend (2015), Law & Order: Special Victims Unit (1999), and as Senator Rafferty on The West Wing (1999). Among her feature film credits are Brian De Palma's Raising Cain (1992) , K-9 (1989) (opposite Jim Belushi), Suture (1993), The Pagemaster (1994), and Wanted: Dead or Alive (1986).

She made her New York stage debut at the Circle Repertory Company in the world premiere of John Bishop's Empty Hearts, for which she received a 1992 Theater World Award. In addition to her acting, in the last few years, she has focused on writing with her partner and husband, Emmy Award winning writer/producer, Bob Brush, under their shingle Topanga Moon Productions.