The Works of Director Nancy Meyers

Screenwriter: Nancy Meyers
Second Unit Director (U.S.) / Producer / Screenwriter: Charles Shyer
Casting Director: Ilene Starger
Costume Designer: Penny Rose
Composer, Original Music Score/Orchestra Conductor: Alan Silvestri
Film Editor: Stephen A. Rotter
Production Designer: Dean Tavoularis
Cinematographer: Dean Cundey ASC
Second Unit Director (U.K) / Co-Producer / Storyboard Artist: Bruce A. Block
Screenwriter: David Swift
Associate Producer: Julie B. Crane
UPM's: Tony Brown, Robert Latham Brown
First Assistant Director: Albert Shapiro
Second Assist Director: Joan Cunningham
Lindsay Lohan Acting Double: Erin Mackey
Add'l Doubles for Lindsay Lohan: Lindsay Challoner, Stephanie Fischer
Prod. Crew Art Director: Alex Tavoularis
Production Crew Set Decorator: Gary Fettis
"A" Camera Operator: Billy O'Drobinak SOC
"A" First Assistant Camera: Gregory Irwin
"B" Camera Operator: R. Todd Schlopy
"B" Second Assistant Camera: Joy R. Stone
Panaflex Film Loader: Jerry Patton
Steadicam® Operator: Mark E. Moore SOC
Script Supervisor: Jeanne Byrd
Acting Coach for Ms. Lohan: Belita Moreno
2nd 2nd Assistant Director: Foongy Lee
Assistant to Ms. Meyers: Suzanne McNeill Farwell
First Assist Film Editor: Rolf Fleischmann
Avid First Assistant Editor: James Durante
Second Assistant Film Editor: Laura Bong
Music Consultant & Editor: Andrew Silver
Super. ADR Editor: Renee Tondelli MPSE
Assistant Art Director: Sean Haworth
Set Designers: Dianne Wager, Jim Bayliss, Kelly Hannafin
Prop Masters: Mychael Bates, Douglas T. Madison
Chief Lighting Technician: Michael Paul Orefice
Key Grip: C. Alan Rawlins
Unit Publicist: Toni Atterbury
Still Photographer: Lorey Sebastian
Video Assist Operator: Wayne R. Tidwell
Production Coordinator: Jason McGatlin
Assist Production Coordinator: Mika Saito
Production Accountant: Frank Ellison
Wedding Gowns Designer: Vera Wang
Overall Special Effects Coordinator: Cliff Wenger
Production Visual Effects Supervisor: Jim Rygiel
Production Visual Effects Producer: Gayle Busby
Visual Effects Crew Coordinator: Landen Ruddell
Visual Effects Sync Supervisor: Fred Johnston
CIS Executive Producer: C. Marie Davis
CIS Senior Visual Effects Supervisor: Ken Jones
CIS Digital Compositing Supervisor: Jeff Heusser
CIS Hollywood Digital Lead: Gregory Oehler
CIS Visual Effects Editor: Dawn Llewellyn
CIS Production Manager: Laurie McDonald
CIS Production Coordinator: Eileen Godoy
CIS Digital Systems Coord.: Bob Peishel
Music Supervisor: Allan Mason
Music Consultant: Bonnie Greenberg
LMs: John Panzarella, Rory Enke
Assist Location Manager: Leslie Thorson
Assistant Chief Lighting Technician: Steve Chandler
Rigging Gaffer: Peter Davidian
Second Company Grip: Michael Alexonis
Dolly Grip: Charles Ashley Sudge
Rigging Grip: James H. Pair III
Second Unit Key Grip: J. Wayne Parker
Second Unit Company Grip: John Campbell
Second Unit Director Of Photog: Raymond Stella SOC
Second Unit Chief LT: Rafael E. Sanchez
Second Unit Script Supervisor: Michelle Cundey
Third Assistant Director: Susan Hellman
Fencing Consultant: Bob Anderson
Fencing Assistant: Mark Ivie
Stunt Coordinator: Freddie Hice
Production Choreographer: Keith Young
Handshake Choreographer: Jeanefer Jean Charles
Prank & Poker Consultant: Michael Weber
End Credit Photographs: Firooz Zahedi
Casting Associate: Amy Jo Berman
Casting Assistant: Elizabeth Boykewich
Projectionist: Ronald P. Tavalaro
Projection Effects Supervisor: Bill Hansard
Art Dept. Coordinator: Heide Waldbaum
Company P.A.: Max Kisbye
Production Secretary: Stephen Salada
Napa Second Unit Director/DoP: John LeBlanc
Additional Video Assist: Robert Sharman
Additional Music Editors: Ken Karman, Jay Richardson
Additional Music Consultants: Lisa Brown, Nora Felder
Exec. in Charge of Music: Kathy Nelson
Score Recordist & Mixer: Dennis S. Sands
Score Orchestrator: William Ross
Music Programmer: Dave Bifano
Orchestra Contractor: Sandy DeCrescent
Head of Music Preparation: Jo Ann Kane
Unit PM, London Unit: Paul Frift
London Unit Prod. Coord: Lorraine Fennell
London Unit Art Director: John Fenner
London Unit Assistant AD: Dennis Bosher
London Unit Set Decorator: Pete James
London Unit Prop Master: Maurice Jones
London Unit "A" Operator: David Worley
London Unit "A" Camera FP: Adam Biddle
London Unit Sound Mixer: Ken Weston
London Unit Chief LT: Tom Finch
London Unit Best Boy: Fred Brown
London Unit VA Operator: Stephen Lee
London Unit Second AD: Toby Sherborne
London Unit LM: Angus More Gordon
London Unit Assistant LM: Simon Crook
London Unit Location Consult.: Paul Joyce
London Unit Third AD: Daniel Shepherd
London Unit Prod. Secretary: Marion Gray
London Unit SFX Supervisor: Stu Brisden
London Unit Still Photographer: Mark Tillie
London Unit Third Editorial Assistant: Dave Barrett
Unit Transport Manager, London Unit: Barry Newell
U.K. Casting Director: Sarah Beardsall
Production Dates: 15 July 1997 - 17 Dec 1997
Camera: Panaflex® Platinum (35mm Kodak Eastman EXR 50D 5245, 100T 5248 & Vision 500T 5219)
Lenses: Panavision® Primo SL Primes, SLZ Zoom, SLZ11 Zoom & SLZ3 Hubble Zoom
AR: 1.85:1 (Spherical 4-Perf 35mm)
Budget: 15 Million USD
Budget AFI (2022): 27.4 Million USD
Special Visual Effects & CGI Lizard by: CIS Hollywood + Rhythm & Hues
Digital Scanning & Laser Film Recording by: EFilm
Main & End Titles Designed by: Imaginary Forces
Titles & Opticals Provided by: Pacific Title
Originated on Motion Picture Film from: Kodak
Produced in Association with: The Meyers/Shyer Company
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®

Screenplay Writer / Producer: Nancy Meyers
Casting Directors: Howard Feuer CSA, Deborah Aquila CSA
Composer/Conductor: Alan Silvestri
Music Supervisor: Bonnie Greenberg-Goodman
Costume Designer: Ellen Mirojnick
Film Editors: Stephen A. Rotter, Thomas J. Nordberg
Production Designer: Jon Hutman
Director of Photography: Dean Cundey ASC
Co-Producer / Storyboard Artist / Second Unit Director: Bruce A. Block
Executive Producers: Stephen McEveety, David McFadzean, Carmen Finestra
Producers: Matt Williams, Susan Cartsonis, Gina Matthews
Producer: Bruce Davey
Screenplay / Story Writers: Josh Goldsmith, Cathy Yuspa
Story Writer: Diane Drake
Unit Production Manager: Helen Pollak
First Assistant Director: K.C. Colwell
Second Assistant Director: Darin Rivetti
Production Executive for Wind Dancer Films: Melissa Goddard
Script Supervisor: Jeanne Byrd Hall
Second Second Assistant Director / Second Unit First Assistant Director: Paula Harris
Additional Second Assistant Director: Craig Comstock
Art Directors: Gae Buckley, Tony Fanning
Set Decorator: Rosemary Brandenburg
Location Manager: John Panzarella
A Camera Operator: Billy O'Drobinak SOC
B Camera/Steadicam Operator: Robert Ulland SOC
A First Assistant Photographer: Bill Coss
B Camera First Assistants: Gary Scott, Michael Riba, Ron Vargas
A Second Assistant Photographer: Scott Goodrich
B Second Assistant Photographer: Karl Linde
C Second Assistant Photographer: Lisa Guerriero
A Camera Film Loader: Michelle Morgan
B Camera Film Loader: Mike Gentile
Chief Lighting Technician: Michael Paul Orefice
First Company Grip: Frank A. Montesanto
Additional Editing: Carol Littleton Ace
First Assistant Avid Editor: Rolf Fleischmann
First Assistant Film Editor: Laura Bong
Second Assistant Editors: Randy Trager, Philip Beech, James Durante, Audrey J. Evans, A. Michelle Page
Choreographer: Keith Young
Music Consultant and Music Editor: Andrew Silver
Supervising Sound Editor: Dennis Drummond
Supervising ADR Editor: Renée Tondelli MPSE
Re-Recording Sound Mixers: Scott Millan, Bob Beemer
Additional Re-Recording Sound Mixers: Jeffrey J. Haboush, Bill W. Benton
Set Designers: John Goldsmith, Andrew Menzies, Easton Smith, Patrick Sullivan, Beck Taylor, John Warner
Graphic Designer: Jason Swears
Illustrators: Darryl Henley, Nathan Schroeder
Hairstylist Department Head: Beth Miller
Hairstylist for Ms. Hunt: Darrel Fielder
Key Hairstylist: Candy L. Walken
Hairstylist: Jeri Baker Sadler
Makeup Department Head: Brad Wilder
Makeup for Mr. Gibson: Karen Blynder
Makeup for Ms. Hunt: Ronnie Spector
Makeup Artists: Stephanie Massie, Hannah Gibson
Costume Supervisor: Michael P. Dennison
Costumers: Robin Borman-Wizan, Myron Baker
Prop Master: Mychael Bates
Assistant Prop Master: Chuck Askerneese
Production Sound Mixer: David MacMillan CAS
Boom Operator: Duke Marsh
Set Dresser: Kristin Jones
Leadperson: Brett Smith
Second Leadperson: Angi Neff
Unit Publicist: Rachel Aberly
Still Photographers: Melinda Sue Gordon SMSMP, Andrew Cooper SMSMP
Video Assist Operator: Joshua Levy
Production Coordinator: Julie M. Anderson
Assistant Production Coordinators: Robb Ernest, David McKimmie
Production Auditor: Shauna L. Kroen
Assistants to Ms. Meyers: David Henri, Susan Johnson, Kevin Sabbe, Jan Daly
Assistant to Mr. Davey: Bonnie F. Watkins
Assistant to Mr. McEveety: Rebecca Snavely
Assistant to Mr. Gibson: Doug Weaver
Assistants to Ms. Hunt: Moon Blauner, Stacey Berns
Assistant to Choreographer: Sharon Ferrol
Stunt Coordinator: Lance Gilbert
Art Department Coordinator: Ashley Burnham
Assistant Location Managers: Leslie Thorson, Matthew R. Cassel
Assistant Chief Lighting Technician: Peter Davidian
Chief Rigging Electrician: Frank Matthews
Assistant Chief Rigging Electrician: Michael Laws
Second Company Grip: Tom Johnson
Dimmer Operator: Vince Contarino
Dolly Grip Operator: Robert A. Preston
First Company Rigging Grip: Michael Strong
Second Company Rigging Grip: Don Selsor
Construction Coordinator: David Elliott
Construction Foreperson: Michael Crowley
Assistant Costume Designer: Suzanne McCabe
Set Costumer: Ann Culotta
Costumer for Ms. Hunt: Kimberly Sue Furlong
Transportation Coordinator: Tom Thomas
Transportation Captain: Wendy Hallin
Casting Associates: Mary Tricia Wood, Wendy Washbrook
Casting Assistants: Kelly O'Brien, Meredith Tucker
Extras Casting Director: Steve Spiker
Supervising Foley Editor: Jonathan Klein
Voice Casting Director: Barbara Harris
ADR Mixer: Greg Steele
Foley Mixer: Randy K. Singer
Dolby Consultant: Bryan Pennington
Music Programmer: David Bifano
Music Orchestrators: William Ross, Conrad Pope, Chris Boardman
Music Coordinator: Christy Gerhart
Orchestra Contractor: Sandy De Crescent
Choir Contractor: Sally Stevens
Music Copyist: Mark Graham
Music Recordist & Mixer: Robert Fernandez
Negative Cutter: Dana I. Marker
Color Timer: Jim Passon
Paramount Final Colorist: Donald Freeman
YU+Co Title Designer: Garson Yu
Second Unit Production Supervisor: Nancy Sandberg
Second Unit Director of Photography: Raymond Stella SOC
Second Unit Assistant Camera: Michael Stumpf
Second Unit Camera Loader: William H. Harlow IV
Second Unit Chief Lighting Technician: Mark Walthour
Second Unit Script Supervisor: P.R. Tooke
Second Unit Location Manager: Stephen Andrzejewski
Centropolis Effects Digital Effects Supervisor: Nelson Sepulveda
Centropolis Effects Visual Effects Executive Producer: Mark Franco
Centropolis Effects Visual Effects Producer: Jessica Trento
Centropolis Effects Paint Supervisor: Rob Cribbett
Centropolis Effects Compositors: Greg Groenekamp, Conny Fauser, Cristin Pescosolido
Centropolis Effects Digital Leads: Ka Yaw Tan, Dave Rand
Centropolis Effects Digital Effects Editor: Kosta Saric
Centropolis Effects Assistant Visual Effects Editor: Steve Miller
Centropolis Effects Visual Effects Coordinator: Tim Cunningham
CIS Executive Visual Effects Producer: C. Marie Davis
CIS Visual Effects Supervisor: Ken Jones
CIS Digital Compositing Supervisors: Suzanne Mitus-Uribe, Gregory Oehler
CIS Digital Painting and Rotoscoping Lead: Larry Gaynor
Chicago Casting Directors: Rachel Tenner, Mickie Paskal
Unit Production Manager, Chicago Unit: Karyn McCarthy
Chicago Unit Production Coordinator: Vail Romeyn
Chicago Unit Assistant Production Coordinator: Nancy Marshall
Chicago Unit B Camera First Assistant: Rick Sobin
Chicago Unit Set Designer: Craig Jackson
Chicago Unit Cable Person: Jeff Williams
Chicago Unit Film Loader: Elizabeth Smith
Chicago Unit Chief Lighting Technician: Robert S. Swander
Chicago Unit First Company Grip: Brad Matthys
Chicago Unit Second Company Grip: Mark Matthys
Chicago Unit Dolly Grip Operator: Mark Purkat
Chicago Unit First Company Rigging Electrician: Mel P. Mack
Chicago Unit Second Company Rigging Electrician: Morton E. Hyatt
Chicago Unit Location Manager: Patrick Brady Breen
Chicago Unit Assistant Location Manager: Demetra Diamantopoulos
Chicago Unit Leadperson: Joel Prihoda
Chicago Unit Costume Supervisor: Jennifer Jobst
Chicago Unit Set Costumer: Eileen McCahill
Chicago Unit Additional Second Second Assistant Director: Traci Lewis
Chicago Unit Construction Coordinator: Tyler Osman
Chicago Unit Transportation Captain: James A. Hogan
Chicago Unit Transportation Coordinator: Armand Paoletti
H&RC Chicago Extras Casting Director: Mark A. Ridge
Chicago Unit Hairstylist: Elainie M. Casino
Chicago Unit Makeup: Suzi Ostos, Marsha Shearrill
Chicago Unit Construction Foreperson: Troy Osman
Costume Consultant: Jessica McClintock
Filming Dates: Feb 23, 2000 - Jun 23, 2000
Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision® Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm)
Budget: 70 Million USD
Budget AFI (2024): 125.3 Million USD
Re-Recorded at: Sony Pictures Studio & William Holden Theater
Music Preparation by: Jo-Ann Kane Music Service
Catering Provided by: Tony's Food Service Inc.
Opticals by: Pacific Title
Main & End Titles Designed by: YU+Co
24 Frame Playback by: Playback Technologies
Special Visual Effects Compositing By: Centropolis Effects & CIS Hollywood
Chicago Extras Casting by: Holzer & Ridge Casting
Soundtrack Available on: Columbia/Sony Music Soundtrax
Filmed at: Culver Studios
Printed on: Eastman Kodak Film
Color by: Deluxe®
Camera Cranes & Dollies by: Chapman/Leonard Studio Equipment
Attribute: Filmed with Panavision® Cameras & Lenses

Composers: Alan Silvestri, Hans Zimmer
Score Orchestrator, Silvestri Crew: Tony Blondal
Scoring Mixer, Silvestri Crew: Dennis S. Sands

Writer & Producer: Nancy Meyers
Casting Directors: Jane Jenkins CSA, Janet Hirshenson CSA
UK Casting Director: Michelle Guish
Composer, Original Score / Soloist - Piano: Hans Zimmer
Composers, Additional Music: Ryeland Allison, Lorne Balfe, Atli Örvarsson
Composer, Add'l Music / Soloist - Piano: Henry Jackman
Composer, Add'l Music / Soloist - Guitar: Heitor Pereira
Costume Designer: Marlene Stewart
Film Editor: Joe Hutshing ACE
Production Designer: Jon Hutman
Cinematographer: Dean Cundey ASC
Cinematographers, Second Unit - UK: Chris Seager, Sue Gibson
Executive Producer: Suzanne Farwell
Producer/2nd Unit Director: Bruce A. Block
Unit Production Manager: Helen Pollak
First Assistant Director: K.C. Colwell
Second Assistant Director: Paula Case
Additional Second Unit Director: Charles Shyer
Additional Film Editor: Richard Marks
Associate Producer: Jennifer Eatz
Supervising Art Director: Dan Webster
Set Decorators: David Smith, Cindy Carr
Supervising Prop Master: Mychael Bates
Script Supervisor: Jeanne Marie Byrd
"A" Camera Operator: Casey Hotchkiss SOC
First Assistant "A" Camera: William F. Coss
Second Asst "A" Camera: Jennifer Tanksley
"B" Cam Operator: Joseph Riggs Murdock
First Assistant "B" Camera: Tommy Klines
Second Asst "B" Camera: R. Scott Goodrich
"A"/Steadicam Operator: Jacques Jouffret
"B"/Steadicam Operator: Greg Lundsgaard SOC
Panaflex Camera Loader: Colette Gabriel
Costume Supervisor: Lisa Lovaas
Costumer for Ms. Diaz: Yulia Gershenzon
Costumer for Kate Winslet: Amy Arnold
Department Head, Makeup: Brad Wilder
Key Makeup Artist: Karen Blynder
Makeup Artist for Ms. Diaz: Robin Fredriksz
Makeup Artist for Kate Winslet: Linda V. Melazzo
Makeup Artist for Jack Black: Roz Music
Department Head, Hair: Frida Aradottir
Hair Stylist for Cameron Diaz: Lona Vigi
Chief Lighting Technician: Michael Paul Orefice
Assistant Chief Lighting Technician: Frank Matthews
Chief Rigging Electrician: Greg Langham
Assistant Chief Rigging Electrician: James J. Keys
Key Grip: Frank A. Montesanto
Best Boy Grip: Paul Schmidt
Dolly Grip: Brad Rea
Key Rigging Grip: Michael Strong
Best Boy Rigging Grip: Donald A. Spadoni
Production Sound Mixer: Petur Hliddal
Video Assist: Kevin P. Boyd
24 Frame Playback Assist: Rick Whitfield
Special Effects Coordinator: Eric Rylander
Special Effects Foreman: Donald Myers
Special Effects Technician: Dale Ettema
Production Supervisors: Nicolas Stern, Ralph Bertelle
LMs: Chris T. Baugh, Kevin Funston
Production Coordinator: Jennifer Blair
Assistant Production Coordinator: Jason Salzman
Production Secretary: Sara Bartkiewicz
Production Accountant: John C.R. Catron
Set Designers: Robert Fechtman, Al Hobbs, Julia Levine, Lauren Polizzi, John Warnke
Assistant Art Director: Ashley Burnham
Art Department Coord.: Charlotte Raybourn
Graphic Artist: Edward A. Ioffreda
2nd Second Asst Director: Craig Comstock
Unit Publicist: Peggy Mulloy
Still Photographer: Zade Rosenthal
DGA Trainee: Emily Greenberg
Assist for Waverly Films: Judson Grubbs
Additional Casting: Michelle Lewitt Ward CSA, Michelle Morris Gertz CSA
Casting Assistant: Randee Price
New York Casting: Susan Shopmaker
Unit PM, United Kingdom Unit: Paul Frift
UK Unit Second ADs: Vicki Allen, Richard Graysmark
UK Unit Art Director: Andy Nicholson
UK Unit Set Decorator: Anna Pinnock
UK Unit Prop Master: Jamie Wilkinson
UK Unit Casting Associate: Grace Browning
UK Unit "A" Camera Operator: David Worley
UK Unit "A" Focus Puller: Clive Mackey
UK Unit "B"/Steadicam Op.: Alf Tramontin
UK Unit "B" Focus Puller: Shaun Evans
UK Unit Costume Super.: Mark Ferguson
UK Unit Key Costumer: Charlotte Child
UK Unit Gaffer: Mark Evans
UK Unit Best Boy Electric: Dave Sinfield
UK Unit Rigging Gaffer: Reg Boddy
UK Unit Key Grip: John Flemming
UK Unit Best Boy Grip: Derek Russell
UK Unit Dolly Grip: Ronan Murphy
UK Unit Sound Mixer: Tim Fraser
UK Unit Boom Operator: Will Towers
UK Unit Special Effects Supervisor: Mark Holt
UK Unit Special Effects Supervisor - Snow: Darcey Crownshaw
UK Unit Video Assist: Adrian Spanna
UK Unit Location Manager: Ben Greenacre
UK Unit Prod. Supervisor: Adam Brown
UK Unit Prod. Coordinator: Deryn Stafford
UK Unit Assistant Prod. Coord: Eve Petcher
UK Unit Prod. Secretary: Denise Hanrahan
UK Unit Prod. Accountant: Nathan Woods
UK Unit Standby Art Director: James Foster
UK Unit 2nd Second AD: Emma Stokes
UK Unit Production Assistant: Danny Ward
Second Unit Director, Second Unit - UK: Vic Armstrong
First AD, Second Unit - UK: William Booker
"A" Camera Operator, Second Unit - UK: Martin Hume
Second Additional Film Editor: David Moritz
1st Assistant Editor: Keith Brachmann
Second Assistant Editor: David Bilow
Third Assistant Editor: Debra Tennant
Fourth Assistant Editor: Andrew Blustain
Fifth Assistant Editor: Frederick Wardell
Supervising ADR Editor: Michael Haight
Overall Foley Supervisor: Jonathan Klein
Overall ADR Mixer: Howard London CAS
Supervising Music Editor: Andrew Silver
Music Editor: Dan Pinder, Ramiro Belgardt
Music Score Soloist - Trumpet: Herb Alpert
Music Soloists - Vocals: Imogen Heap, Suzanne Zimmer
Score Conductor: Rupert Gregson-Williams
Score Recordist & Mixer: Alan Meyerson
Score Orchestrators: Suzette Moriarty, Walt Fowler
Music Consultants: Nick Angel, Dana DuFine
Music Contractor: Sandy DeCrescent
TDI Senior Digital Colorist: Scott Gregory
Deluxe® Color Timer: Jim Passon
Deluxe® Negative Cutter: Mo Henry
PTAS Visual FX Supervisor: David Sosalla
PTAS Executive Producer: Joe Gareri
Radium Visual Effects Supervisor: Scott Rader
Radium Visual FX Producer: Bryce Brecheisen
IE Visual Effects Supervisor: Dick Edwards
IE Visual Effects Producer: Wesley Sewell
PM Visual Effects Supervisor: Ray McIntyre Jr
Pixel Magic Visual Effects Producer: George Macri
Luma Pictures VFX Supervisor: Payam Shohadai
Luma Pictures VFX Producer: Steven Swanson
Filming Dates: 4 January 2006 - 15 June 2006
Cameras: Panaflex XL2 & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75 Zoom, SLZ11 24-275 Zoom & SLZ3 Hubble 135-420 Zoom
AR: 1.85:1 (Spherical 4-Perf 35mm)
Budget: 85 Million USD
Budget AFI (2022): 125.6 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate & Color by: Technicolor Digital Intermediates & Deluxe®
Visual Effects by: Pacific Title & Art Studio, Radium, Invisible Effects, Pixel Magic + Luma Pictures
Filmed in Part at: Sony Pictures Studios, Culver City, California
Filmed on Location in: Shere & Godalming, UK
Shot on: Kodak Motion Picture Film
Attribute: Filmed w/ Panavision® Cameras & Lenses

Writer: Nancy Meyers
Casting Director: Nicole Daniels
Composer, Original Themes: Alan Silvestri
Film Editor: David Bilow
Production Designer: Jon Hutman
Cinematographer: Dean Cundey ASC
Co-Producer/First Assistant Director: Paula Case
Producer: Adam Nicely
Executive Producer: Charles Shyer
Host: Reese Witherspoon
Technical Supervisor: Michael DeProspo
Script Supervisor: Kristin Calabrese
Production Sound Mixer: William Kaplan
Graphic Artist: Clint Schultz
Makeup Artists: Dana Hamel, Louie Zakarian
Hairstylists: Frida Aradottir, Richard Marin, Kim Stinchcomb
DITs: Lindsay Hannon, Evan Jones
Production Accountants: Jenny Lovin, Alexis Steinbach
PAs: Nathan Lampl, Devon Rosenberg
Post Supervisor: Richard Mirisch
Supervising Music Editor: Andrew Silver
Assistant Music Editor: Daniel Schweiger
Re-Recording Mixer: Greg Orloff
Sound Editor: Kami Asgar
Breakaway Post Visual Effects Supervisor: Brian Nugent
NetFX Visual Effects Supervisor: Jiwoong Kim
NetFX VFX EPs: Rebecca West, Guy Botham
NetFX Visual Effects Producer: Joyce Au
CO3 Finishing Colorist: Stephen Nakamura
Company 3 Finishing Producer: Tatianna Kroha
Company 3 Finishing Editor: Paul Carlin
Special Thanks: Toby Emmerich, Paul Feig, Alan Horn, Hallie Meyers-Shyer, Hans Zimmer
Lighting Consultant: Michael Paul Orefice
AR: 1.78:1 (Spherical), 1.85:1 (Archive Footage)
Visual Effects by: Breakaway Post & NetFX
Color & Finish Provided by: Company 3 LA
Title Design Provided by: Picturemill