RAPE & REVENGE MOVIES

"The Virgin Spring" (original title: Jungfrukällan) is a 1960 Swedish film directed by Ingmar Bergman. This dark and haunting drama is set in medieval Sweden and explores themes of faith, innocence, vengeance, and morality. It won the Academy Award for Best Foreign Language Film and is regarded as one of Bergman’s most powerful and thought-provoking works.

The story centers on Töre (played by Max von Sydow), a deeply religious farmer, and his innocent daughter, Karin (played by Birgitta Pettersson). Karin is sent to deliver candles to a church, but during her journey, she is brutally raped and murdered by a group of herders. Unbeknownst to the herders, they later seek shelter in Töre’s home, and it is then that the truth about their crime is revealed.

Filled with rage and grief, Töre wrestles with his faith as he contemplates revenge. The film examines the moral struggle between justice and vengeance, highlighting the tension between Christian forgiveness and primal human instincts. It’s a poignant exploration of guilt, suffering, and the loss of innocence, with Bergman’s trademark exploration of spiritual and existential questions.

"The Virgin Spring" is known for its stark, haunting cinematography and its unflinching portrayal of violence and redemption. It was also an inspiration for later films, including the 1972 horror film "The Last House on the Left", which adapted a similar "rape and revenge" narrative.

"Yabu no Naka no Kuroneko" (known as "Kuroneko" or "Black Cat in a Bamboo Grove" in English) is a 1968 Japanese horror film directed by Kaneto Shindo. The film is a ghost story set in feudal Japan and blends elements of horror, revenge, and folklore. It’s known for its atmospheric cinematography and haunting portrayal of the supernatural.

The story revolves around two women, Yone and her daughter-in-law Shige, who are raped and murdered by a group of samurai. After their deaths, the women return as vengeful spirits, taking the form of black cats (hence the title) and swearing to kill any samurai they encounter. They lure samurai to their deaths by seducing them and then brutally attacking them.

The narrative takes a twist when Gintoki, a young samurai, is sent by the local governor to stop the killings. Gintoki eventually realizes that the spirits are his mother and wife, leading to a deeply emotional and tragic confrontation between duty and familial love.

"Kuroneko" is a visually stunning film, noted for its use of traditional Japanese ghost story tropes and its exploration of themes like vengeance, love, and the futility of violence. The film is often compared to another classic by Kaneto Shindo, "Onibaba" (1964), for its similar use of supernatural elements and commentary on the brutal realities of feudal Japan.

"The Last House on the Left" (1972) is an American exploitation horror film directed by Wes Craven, in what was his feature directorial debut. The film is a brutal and controversial entry in the horror genre, known for its raw depiction of violence and revenge. It also helped to establish Craven as a major figure in horror cinema.

The story follows Mari Collingwood (played by Sandra Peabody) and her friend, Phyllis, who are abducted by a group of sadistic criminals led by Krug Stillo (played by David Hess). The girls are tortured, sexually assaulted, and eventually murdered by the gang in a remote location near Mari's parents' house. After the brutal act, the gang unknowingly seeks shelter at Mari's home, where her parents eventually discover the truth about what happened to their daughter.

Overcome with grief and anger, Mari's parents exact a brutal and violent revenge on the killers, using household tools and traps to get back at them for their daughter's murder.

"The Last House on the Left" was highly controversial at the time of its release due to its graphic violence and unsettling themes of rape and revenge. It was heavily censored and even banned in several countries. However, it has since gained cult status and is seen as a landmark in the horror genre for its unflinching portrayal of violence and its exploration of morality and retribution.

The film's tagline, "To avoid fainting, keep repeating, 'It’s only a movie, it’s only a movie…'", became iconic, underscoring the shocking nature of the film. In 2009, a remake of "The Last House on the Left" was released, which modernized the story but retained its core themes of vengeance and justice.

"The Last House on the Left" (2009) is a remake of the 1972 horror classic directed by Wes Craven. The 2009 version, directed by Dennis Iliadis, retains the core themes of the original but updates the story with a more modern style and slightly different character dynamics. Like the original, it is a brutal thriller focused on revenge and the consequences of violence.

The story follows Mari Collingwood (played by Sara Paxton) and her friend Paige (played by Martha MacIsaac) who meet a boy named Justin (played by Spencer Treat Clark), the son of a dangerous escaped convict, Krug Stillo (played by Garret Dillahunt). Justin invites them to his hotel room, where they are ambushed by Krug, his girlfriend Sadie (played by Riki Lindhome), and his sadistic brother Francis (played by Aaron Paul).

The criminals abduct and brutally assault Mari and Paige, leaving them for dead in the woods near Mari’s family’s vacation home. However, Mari survives the ordeal and makes her way back to her parents, John (played by Tony Goldwyn) and Emma Collingwood (played by Monica Potter). When the criminals unknowingly seek shelter at the Collingwood home during a storm, Mari’s parents soon realize what has happened to their daughter and take justice into their own hands. What follows is a violent and emotional revenge as they exact brutal punishment on the gang.

"The Last House on the Left" (2009) is noted for its slicker production values and slightly more restrained tone compared to the 1972 original, though it still contains intense scenes of violence. The film received mixed reviews, with some praising its execution and performances, particularly by the cast, while others criticized it for its graphic nature.

Despite the controversy surrounding its brutal content, the 2009 remake is seen as a more polished take on the same harrowing story of vengeance and survival.

"Day of the Woman" (1978) is the original title of the controversial exploitation film later re-released as "I Spit on Your Grave" in 1980. Written and directed by Meir Zarchi, the film is a rape and revenge story that has gained notoriety for its graphic content and polarizing impact on audiences.

The plot centers around Jennifer Hills (played by Camille Keaton), a young writer who rents a secluded cabin in the woods to work on her novel. While there, she is brutally assaulted and raped by a group of local men. After surviving the attack, Jennifer methodically seeks vengeance on each of her attackers, using brutal and violent methods.

The film was highly controversial upon its release due to its explicit depiction of sexual violence and the graphic nature of Jennifer's revenge. Critics were divided, with some condemning it as exploitative and others defending it as a story of female empowerment and survival. Over the years, "I Spit on Your Grave" has become a cult film and a key example of the "rape and revenge" subgenre.

Despite its controversial reputation, the film was remade in 2010, spawning a series of sequels and maintaining its status as a significant, albeit polarizing, piece of exploitation cinema.

"I Spit on Your Grave" (2010) is a remake of the 1978 controversial exploitation film "Day of the Woman", later known by the same title. Directed by Steven R. Monroe, the 2010 version closely follows the plot of the original, with a modernized approach and updated production values. It remains a part of the rape and revenge genre and retains the brutal and graphic nature that made the original infamous.

The story follows Jennifer Hills (played by Sarah Butler), a young writer who rents a secluded cabin in the woods to work on her novel. She is brutally assaulted, raped, and left for dead by a group of local men. However, Jennifer survives the ordeal and returns to exact a violent and merciless revenge on each of her attackers, using their own sadistic tactics against them.

The 2010 remake was similarly controversial, with some praising the film for its strong portrayal of female empowerment and retribution, while others criticized it for its extreme violence and graphic sexual assault scenes. Like the original, the film divided critics and audiences but found success with fans of the horror and exploitation genres.

"I Spit on Your Grave" (2010) was followed by sequels, including "I Spit on Your Grave 2" (2013) and "I Spit on Your Grave: Vengeance is Mine" (2015), expanding the franchise. Despite the controversy, the remake remains a notable entry in the exploitation horror genre, especially for its unflinching portrayal of revenge.

"I Spit on Your Grave 2" (2013) is a sequel to the 2010 remake of "I Spit on Your Grave", directed by Steven R. Monroe. Although it is part of the same franchise, the film features a new storyline and characters, but continues with the familiar themes of brutal sexual violence and revenge.

The story follows Katie Carter (played by Jemma Dallender), a young woman living in New York City who dreams of becoming a model. She is lured into a fake modeling job by a group of men who kidnap, rape, and torture her. After enduring horrific abuse, Katie is taken to Bulgaria, where she manages to escape her captors.

Surviving the ordeal, Katie embarks on a mission of vengeance, hunting down each of her attackers and exacting violent, merciless revenge. Like its predecessors, the film delves into themes of trauma, survival, and retribution, using intense and graphic imagery to portray the transformation of the victim into a vengeful force.

"I Spit on Your Grave 2" received mixed reviews, with some criticizing the film for its extreme violence and lack of originality, while others saw it as a continuation of the exploitation genre's focus on revenge. It is often compared to the original and the 2010 remake in terms of its depiction of sexual assault and the subsequent payback that the protagonist seeks against her assailants.

Despite its polarizing nature, the film found a fan base among horror enthusiasts and those who appreciate the "rape and revenge" genre, though it remains a highly controversial entry in the series due to its graphic content.

"I Spit on Your Grave 3: Vengeance is Mine" (2015) is the third installment in the "I Spit on Your Grave" series and serves as a direct sequel to the 2010 remake, bringing back Jennifer Hills, the protagonist from the first film, portrayed again by Sarah Butler.

In this installment, Jennifer Hills is still traumatized by the events she endured in the first movie, where she was brutally assaulted and took revenge on her attackers. Now living under a new identity, she struggles to move on and cope with her trauma. She attends a support group for rape survivors, where she meets other women who have also suffered from sexual violence. However, when one of her fellow survivors is murdered by her abusive ex-boyfriend, Jennifer finds herself drawn back into a path of violent revenge.

"I Spit on Your Grave 3" focuses more on Jennifer’s internal struggles and her moral battle between healing and the desire for retribution. As she begins to exact her own brand of justice on men who hurt women, the line between victim and vigilante blurs. This film shifts the focus from the graphic, explicit assault scenes of the earlier films to more of a psychological exploration of Jennifer's trauma and need for revenge.

The film received mixed reviews, with some viewers appreciating the return of Sarah Butler and the continuation of Jennifer’s story, while others criticized it for being overly grim and still heavily reliant on extreme violence. Like the other films in the series, it remains controversial due to its depiction of sexual violence and brutal revenge, maintaining its status within the "rape and revenge" genre.

"I Spit on Your Grave: Deja Vu" (2019) is a direct sequel to the original 1978 film "I Spit on Your Grave" (also known as "Day of the Woman"), directed by Meir Zarchi, who also directed the first movie. This 2019 film marks the return of Camille Keaton as Jennifer Hills, reprising her role from the original film, and serves as a continuation of her story 40 years later.

In "Deja Vu," Jennifer Hills has become a successful writer after publishing a book about her experience and the revenge she took on her attackers. However, the families of the men she killed in the original film have not forgotten, and they seek their own form of revenge. Jennifer and her daughter, Christy Hills (played by Jamie Bernadette), are kidnapped by these vengeful family members, setting off a new cycle of violence, torture, and retribution.

The film explores the generational impact of violence and revenge, as Christy must navigate the same harrowing ordeal her mother faced decades earlier. "Deja Vu" maintains the brutal and explicit nature of the original film and its predecessors, featuring graphic scenes of violence, torture, and revenge.

The film was met with largely negative reviews, with many critics and viewers criticizing its lengthy runtime (over 2 hours), slow pacing, and graphic content. However, it has found an audience among fans of the original "I Spit on Your Grave" for its direct connection to the 1978 film and for bringing back Camille Keaton to reprise her iconic role as Jennifer Hills.

Despite the criticisms, "I Spit on Your Grave: Deja Vu" serves as a continuation and conclusion to Jennifer Hills' story, closing out a series that has remained controversial and polarizing since its inception.

"Thriller – A Cruel Picture" (original title: "Thriller – en grym film") is a 1973 Swedish exploitation film directed by Bo Arne Vibenius. It is also known under the alternate title "They Call Her One Eye". The film is one of the most infamous examples of the rape and revenge genre and is known for its extreme violence, graphic content, and exploitation elements.

The story follows Madeleine (played by Christina Lindberg), a mute woman who is kidnapped and forced into prostitution after being brutally assaulted. After enduring repeated abuse, her captors also mutilate her by removing one of her eyes. As Madeleine is subjected to further torment, she secretly begins training in martial arts, weapons handling, and driving, preparing for her revenge.

Once she has honed her skills, Madeleine embarks on a violent, bloody quest for vengeance against the people who exploited and tormented her. Her transformation into a ruthless killer is central to the plot, and the film portrays her brutal acts of retribution in a graphic and often disturbing manner.

"Thriller – A Cruel Picture" is noted for its raw and gritty depiction of violence, which includes scenes of sexual assault and revenge-driven killings. The film was banned in several countries due to its explicit content but gained a cult following over the years. It is often cited as an influence on later films, including Quentin Tarantino's "Kill Bill", which borrowed heavily from its themes and visual style.

While the film has been praised for its intense atmosphere and Christina Lindberg's performance, it remains controversial for its graphic nature and exploitation elements, making it a polarizing piece of cinema in the exploitation genre.

"Ms. 45" (1981) is a cult classic rape and revenge thriller directed by Abel Ferrara. The film follows the story of Thana (played by Zoë Lund), a mute seamstress living in New York City who endures a brutal double assault in a single day. After the second attack, she kills her assailant and begins a violent descent into vigilantism, targeting predatory men throughout the city.

The trauma from the assaults triggers a transformation in Thana. She begins carrying a .45 caliber pistol, using it to exact revenge on men she perceives as threats, whether they are harassing women or simply embodying toxic masculinity. As Thana’s spree intensifies, her psychological state deteriorates, blurring the line between victim and predator. She dons increasingly provocative clothing, embracing a darker persona as she seeks to balance her internal pain with external retribution.

"Ms. 45" is often praised for its feminist overtones, gritty portrayal of urban violence, and its striking performance by Zoë Lund, who brings depth and vulnerability to Thana’s character. The film is also notable for its raw depiction of New York City in the early 1980s, emphasizing the grime and danger of the time.

The movie, like others in the rape and revenge subgenre, has generated controversy due to its graphic content, but it has also been lauded for its bold commentary on trauma, empowerment, and justice. "Ms. 45" has since become a cult favorite, influencing later films and filmmakers, particularly in its portrayal of female-driven vengeance.

"Sudden Impact" (1983) is the fourth installment in the "Dirty Harry" film series, directed by and starring Clint Eastwood as the iconic San Francisco detective Harry Callahan. The film is a combination of action, crime thriller, and revenge drama, known for its famous line, "Go ahead, make my day."

The story centers around Jennifer Spencer (played by Sondra Locke), a woman who is on a mission to exact revenge on the group of men who brutally raped her and her sister years earlier. Her sister is left in a catatonic state due to the attack. Jennifer methodically hunts down and kills the men responsible, one by one.

At the same time, Detective Harry Callahan is assigned to investigate a series of murders, unaware that Jennifer is behind them. As the investigation progresses, Harry begins to uncover the connections between the murders and Jennifer's past. Despite his commitment to law enforcement, Harry sympathizes with Jennifer’s quest for vengeance and ultimately faces a moral dilemma about how to handle her case.

"Sudden Impact" is often regarded as one of the grittier and darker entries in the "Dirty Harry" series, blending action with a psychological exploration of revenge and justice. The film received mixed reviews upon its release but has since become one of the most iconic entries in the franchise, largely due to Eastwood’s performance and the film’s moral complexity.

The phrase "Go ahead, make my day" has become a cultural touchstone, often quoted in pop culture and associated with Eastwood’s tough, no-nonsense portrayal of Harry Callahan.

"Bandit Queen" (1994) is a critically acclaimed Indian biographical drama directed by Shekhar Kapur, based on the life of Phoolan Devi, a notorious Indian bandit who became a political figure. The film is based on the book "India's Bandit Queen: The True Story of Phoolan Devi" by Mala Sen. It portrays the harrowing journey of Phoolan Devi from a poor, oppressed village girl to a feared and revered bandit leader.

The film traces Phoolan's (played by Seema Biswas) life, starting from her childhood in a rural Indian village. She suffers repeated abuse at the hands of men, including being forced into marriage at a young age and enduring physical and sexual violence. After a series of brutalities, including a horrific gang rape, Phoolan escapes and eventually joins a gang of bandits, where she gains strength and leadership. She later seeks violent revenge on the men who wronged her, particularly during the infamous Behmai massacre, in which she killed several upper-caste men responsible for her gang rape.

"Bandit Queen" is a powerful film that deals with themes of caste oppression, sexual violence, revenge, and justice. The film sparked significant controversy in India due to its raw and graphic depiction of violence and rape, and Phoolan Devi herself objected to how her life was portrayed, claiming the film exaggerated certain events.

Despite the controversy, "Bandit Queen" received widespread critical acclaim for its stark realism, Seema Biswas's powerful performance, and Shekhar Kapur’s unflinching direction. The film won several awards, including the National Film Award for Best Feature Film in Hindi and the Filmfare Critics Award for Best Movie. It was also screened at the Cannes Film Festival and brought international attention to Phoolan Devi’s life and the social issues she faced.

"Freeze Me" (2000) is a Japanese thriller film directed by Takashi Ishii, not from 1992 as might be confused. The film focuses on a woman’s traumatic experience of sexual assault and her quest for revenge.

The story follows Chihiro, a young woman who was brutally raped by three men in her hometown. After the attack, she flees to Tokyo, where she tries to rebuild her life, starting a new job and forming a new relationship. However, years later, her past catches up with her when one of her rapists tracks her down and threatens to expose her secret. Eventually, the other two rapists follow, and Chihiro finds herself terrorized by her past once again.

Rather than running this time, Chihiro decides to take matters into her own hands. She methodically begins exacting revenge on her attackers, killing them one by one. As she does so, she hides their bodies in her freezer, hence the title "Freeze Me." The film mixes psychological tension with explicit violence, exploring themes of trauma, vengeance, and survival.

"Freeze Me" is notable for its intense atmosphere and disturbing subject matter, often drawing comparisons to other films in the "rape and revenge" genre. It’s a dark and harrowing portrayal of a woman's struggle to regain control over her life after enduring horrific violence.

"Irréversible" (2002) is a French psychological thriller directed by Gaspar Noé, known for its intense and disturbing content, particularly its non-linear narrative structure and graphic violence. The film stars Monica Bellucci, Vincent Cassel, and Albert Dupontel and is divided into 13 scenes presented in reverse chronological order, which makes the story unfold in a disorienting and unconventional way.

The plot revolves around Alex (Monica Bellucci), who is brutally raped and beaten in an underpass, and the subsequent (though shown first) quest for revenge led by her boyfriend, Marcus (Vincent Cassel), and her ex-lover, Pierre (Albert Dupontel). The film starts with the violent climax—Marcus and Pierre confronting and killing the wrong man they believe to be the rapist—and works its way backward to the peaceful moments before the assault, showing the contrast between the horrific event and the lives of the characters before the tragedy.

"Irréversible" is infamous for its unflinching portrayal of sexual violence, especially in the film's most controversial scene—a nearly 10-minute-long, single-take depiction of Alex's assault. The film also makes use of disorienting camera movements, jarring sound design, and intense color palettes to create a deeply unsettling viewing experience. Its reverse-chronology structure is not just a narrative device but a commentary on the irreversible nature of time, trauma, and violence.

The film received polarized reactions upon release, with some praising its bold and experimental approach to storytelling, while others criticized it for its graphic depictions of violence, particularly sexual violence. Despite the controversy, "Irréversible" is considered a significant work in modern cinema, especially in the genre of extreme or boundary-pushing films.

"Hard Candy" (2005) is a psychological thriller directed by David Slade and written by Brian Nelson, starring Elliot Page and Patrick Wilson. The film is a tense, disturbing exploration of predation and revenge, revolving around themes of justice, morality, and manipulation.

The story follows Hayley Stark (Elliot Page), a 14-year-old girl who meets Jeff Kohlver (Patrick Wilson), a 32-year-old photographer, after chatting online. They arrange to meet in person, and Hayley quickly suggests going back to Jeff’s house. What initially seems like a situation of potential exploitation soon takes a shocking turn, as Hayley reveals that she is not as naive as she appears. She suspects Jeff of being a pedophile and child predator and systematically manipulates and tortures him, seeking to expose his dark secrets and bring him to justice.

The film is known for its intense, psychological power struggles between the two characters, with much of the tension arising from their dialogue and the shifting dynamics of control. It avoids explicit violence, relying more on suspense, mental games, and emotional manipulation to unsettle the audience.

"Hard Candy" was praised for its strong performances, particularly Elliot Page’s portrayal of Hayley, and its provocative exploration of difficult themes like vigilante justice and exploitation. However, it also garnered controversy due to its disturbing subject matter and graphic psychological confrontation. The film challenges viewers to grapple with complex moral questions and keeps them guessing about the characters' true intentions until the very end.

"Bound to Vengeance" (2015) is a horror-thriller directed by José Manuel Cravioto that focuses on themes of survival and revenge. The film tells the story of Eve (played by Tina Ivlev), a young woman who is kidnapped and held captive in a basement by a man named Phil (played by Richard Tyson). At the beginning of the movie, Eve manages to escape from her chains, turning the tables on her captor.

Instead of fleeing, Eve discovers that Phil has been keeping other women captive in different locations. Driven by a sense of justice and a desire for revenge, she forces Phil to take her to the other victims. As she navigates this dark and dangerous journey, Eve confronts the brutal realities of her captivity and the psychological manipulation Phil has employed on both her and the other women.

"Bound to Vengeance" distinguishes itself from other films in the revenge-thriller genre by focusing on the aftermath of captivity and the protagonist's determination to save others while seeking retribution. The film contains intense scenes of violence and tension, making it a gripping and suspenseful watch for fans of the genre.

"Parole contre parole" (2017) is a French television drama directed by Didier Bivel. The film follows Laura, a young auctioneer with a promising career, whose life is shattered after she is raped by Guillaume Miller, a well-known and respected art gallery owner. The assault takes place after an alcohol-fueled evening, leaving Laura feeling powerless and uncertain about reporting the crime, as she fears that no one will believe her due to Guillaume’s reputation.

However, on the same night as the assault, Guillaume’s wife is murdered. He becomes the prime suspect in the murder case but provides an alibi: at the time of the murder, he was raping Laura. This unexpected twist puts Laura in a dilemma, as she grapples with whether to reveal the truth about the assault, knowing it might inadvertently clear her attacker of the murder charge​.

The film is an emotional and intense exploration of the difficulties sexual assault victims face in being believed, especially when their assailants hold positions of power. It also delves into themes of revenge, justice, and the complex dynamics of truth in a legal system that can be biased against survivors.

"Revenge" (2017) is a French action-thriller film directed by Coralie Fargeat, marking her feature directorial debut. The film is a modern and stylized take on the rape and revenge genre and is notable for its graphic violence and feminist themes.

The story centers on Jen (played by Matilda Lutz), a young woman who accompanies her wealthy, married lover, Richard, to a remote desert villa for a getaway. However, their trip takes a horrific turn when Richard's two friends, Stan and Dimitri, arrive, and Stan assaults Jen. After the assault, Richard and his friends decide to silence her rather than help, and they leave her for dead in the desert.

Surviving the ordeal, Jen undergoes a physical and emotional transformation, turning the tables on her attackers. She embarks on a brutal quest for revenge, using her wits and the harsh desert landscape to hunt down the men who betrayed her.

"Revenge" is known for its bold visual style, with vibrant colors and exaggerated violence, as well as its subversion of traditional genre tropes. Fargeat challenges the male gaze and power dynamics typically seen in exploitation films, making Jen's transformation from victim to avenger central to the story.

The film received critical acclaim for its direction, visual style, and Lutz’s performance. It's often praised as a feminist reworking of a historically exploitative genre

"The Nightingale" (2018) is an Australian period drama and revenge thriller directed by Jennifer Kent, known for her previous work on The Babadook. Set in 1825 Tasmania during British colonial rule, the film is a powerful exploration of trauma, brutality, and vengeance against the backdrop of systemic oppression.

The story follows Clare Carroll (played by Aisling Franciosi), an Irish convict who seeks revenge after her husband and infant child are murdered and she is brutally assaulted by British soldiers, led by Lieutenant Hawkins (played by Sam Claflin). Determined to track them down, Clare embarks on a perilous journey through the Tasmanian wilderness, accompanied by an Aboriginal tracker named Billy (played by Baykali Ganambarr), who has his own reasons for seeking vengeance against the colonial forces.

The film is notable for its unflinching depiction of violence, particularly sexual violence, and its commentary on the horrors of colonization. It portrays both Clare and Billy as individuals marginalized by the British Empire—one as a woman and convict, the other as an Indigenous man—who are bound together by their shared suffering and quest for justice.

"The Nightingale" received critical acclaim for its performances, direction, and its bold exploration of difficult themes. However, it also sparked controversy due to its graphic depictions of violence, leading to discussions about the portrayal of trauma in cinema. Despite this, the film was lauded for its emotional depth, historical significance, and its portrayal of the resilience of the human spirit in the face of cruelt.

"Blink Twice" (2024) is a mystery-thriller directed by Zoë Kravitz in her directorial debut. The film stars Channing Tatum as Slater King, a tech billionaire, and Naomi Ackie as Frida, a cocktail waitress. The plot revolves around Slater meeting Frida at a fundraising gala and inviting her to join him and his friends on a luxurious vacation to his private island. Initially, everything seems idyllic, but as strange events unfold, Frida begins to question her reality and the true nature of the island.

The film explores themes of power, trust, and survival in an unsettling paradise, drawing audiences into a world where nothing is as it seems.