Definite List of Deceased Actors from King Kong Franchise

Sam Hardy was born on 21 March 1883 in New Haven, Connecticut, USA. He was an actor and writer, known for King Kong (1933), The Miracle Woman (1931) and Transatlantic Merry-Go-Round (1934). He was married to Betty Scott. He died on 16 October 1935 in Hollywood, California, USA.

Ed Brady was born on 6 December 1889 in New York City, New York, USA. He was an actor, known for Son of Kong (1933), Law of the West (1932) and Fires of Rebellion (1917). He was married to Lillian West. He died on 31 March 1942 in Los Angeles, California, USA.

Steve Clemente was born on 22 November 1882 in Tonichi, Sonora, Mexico. He was an actor, known for King Kong (1933), The Most Dangerous Game (1932) and The Sideshow (1928). He was married to Cuca Arebalo. He died on 7 May 1950 in Los Angeles, California, USA.

John Marston was an actor, known for Son of Kong (1933), The Mayor of Hell (1933) and Skyscraper Souls (1932). He died on 2 September 1962 in New York City, New York, USA.

Though most famous as Capt. Englehorn, the ship captain who carried the expedition to an island to capture the great ape in King Kong (1933)--and its sequel, Son of Kong (1933)--Frank Reicher had a long history as a stage actor and director, and film director, prior to his "Kong" appearances, and in fact has more than 200 film roles to his credit.

Born in Munich, Germany, in 1875, he trained in Europe and then moved to New York in 1899 to act on the stage. His success there got him called to Hollywood in 1915, where he not only acted in films but also directed them. He took a few years off from his film career in 1921 to return to the New York stage, but then came back to Hollywood in 1926 and stayed there. He had a prolific career, acting and directing for most of the major studios, and was highly regarded in Hollywood not only as a filmmaker but as an acting teacher. In the World War II era he often played Nazi officials, or anti-Nazi partisans, and even turned up as a professor in The Mummy's Tomb (1942), a role he repeated in its sequel, The Mummy's Ghost (1944), and he played a succession of mad doctors, or their assistants, in several other Univeral horror films.

He made his final film in 1951, and died in 1965.

Yoshio Kosugi was born on 15 September 1903 in Tochigi, Japan. He was an actor, known for Seven Samurai (1954), The Hidden Fortress (1958) and The Men Who Tread on the Tiger's Tail (1945). He died on 12 March 1968.

Victor Wong was born on 24 September 1906 in Los Angeles, California, USA. He was an actor, known for Son of Kong (1933), War Correspondent (1932) and Shadows Over Shanghai (1938). He died on 7 April 1972 in Los Angeles, California, USA.

Hollywood stalwart Bruce Cabot's main claim to fame, other than rescuing Fay Wray from King Kong (1933), is that he tested for the lead role of The Ringo Kid in John Ford's Western masterpiece Stagecoach (1939). John Wayne got the role and became the most durable star in Hollywood history, while Cabot (eventually) found himself a new drinking partner when the two co-starred in Angel and the Badman (1947). In the latter stages of his career, Cabot could rely on Wayne for a supporting part in one of the Duke's movies.

It wasn't always so. In the 1930s Cabot's star shone bright. He was born with the unlikely name Etienne Pelissier Jacques de Bujac in Carlsbad, New Mexico, the son of French Col. Etienne de Bujac and Julia Armandine Graves, who died shortly after giving birth to the future Bruce Cabot. After leaving the University of the South in Sewanee, Tennessee, the future thespian hit the road, working a wide variety of jobs including sailor and insurance salesman, and doing a stint in a knacker's yard. In 1931 he wound up in Hollywood and appeared in several films in bit parts.

The young Monsieur de Bujac met David O. Selznick, then RKO's central producer (a job akin to Irving Thalberg's at MGM), at a Hollywood party, which led to an uncredited bit part as a dancer in Lady with a Past (1932) and a supporting role in The Roadhouse Murder (1932). On a parallel career track at the time, Marion Morrison (John Wayne) had failed to follow up on his audacious debut in Raoul Walsh's The Big Trail (1930) (the Duke had appeared in 18 movies previously but had only been billed in one, as "Duke Morrison" in the unlikely John Wayne vehicle Words and Music (1929)). Cabot and Wayne eventually appeared in 11 films together.

Although Cabot was prominently featured in the blockbuster "King Kong" in 1933, he never did make the step to stardom, though he enjoyed a thriving career as a supporting player. He was a heavy in the 1930s, playing a gangster boss in Let 'em Have It (1935) and the revenge-minded Native American brave Magua after Randolph Scott's scalp in The Last of the Mohicans (1936); over at MGM, he ably supported Spencer Tracy as the instigator of a lynch mob in Fritz Lang's indictment of domestic fascism, Fury (1936). A freelancer, he appeared in movies at many studios before leaving Hollywood for military service. Cabot worked for Army intelligence overseas during World War II; after the war, he continued to work steadily, with and without his friend and frequent co-star, the Duke.

Bruce Cabot died in 1972 of lung and throat cancer. He was 68 years old.

Robert Armstrong is familiar to old-movie buffs for his case-hardened, rapid-fire delivery in such roles as fast-talking promoters, managers, FBI agents, street cops, detectives and other such characters in scores of films--over 160--many of them at Warner Brothers, where he was part of the so-called "Warner Brothers Stock Company" that consisted of such players as James Cagney, Pat O'Brien, Frank McHugh, Alan Hale and Humphrey Bogart, among others.

Although he could easily be taken for having grown up in a tough area of Brooklyn or the Bronx, he was actually from the Midwest. He was born in Saginaw, Michigan, in 1890, and his father owned a small and profitable flotilla of boats for use on Lake Michigan. Hearing the Siren call of the gold fields in late 19th-century Alaska, however, he packed up the family and headed west. A typical staging place to start north was in Washington state, and the family settled in Seattle. Robert spent a short hitch in the infantry during World War I. Afterwards he decided to go into law and started to study at the University of Washington. However, it wasn't long before that he decided he had a gift for acting and--perhaps influenced by his uncle, playwright and producer Paul Armstrong--decided to follow that path. He hooked up with future Hollywood character actor James Gleason, known to everyone as "Jimmy", who worked for a variety of playhouses in California and Oregon and who was heir to his parents' stock company, which toured across the US. Armstrong joined Gleason's company and returned with them to New York. He started from the bottom up, learning the craft of acting. After moving on to leading roles, he received the prime part in Gleason's own play "Is Zat So?" (1925-1926), a particularly successful play among several he had written (he also directed and produced plays on Broadway into 1928).

Hollywood scouts were watching, and Armstrong found himself with a film contract. He appeared in approximately 10 films in 1928 alone, and after the first five he was able, with the advent of sound, to give voice to the take-charge, mile-a-minute, clenched-teeth delivery that would make him one of the busiest character men in Hollywood--and right alongside him in several of his early 1930s features was his old friend and boss Jimmy Gleason.

It was in 1932 that Armstrong became acquainted with an ambitious and adventurous pair of Hollywood filmmakers. Both were World War I fliers, big-game hunters and animal trappers, and partners in high adventure documentaries, Merian C. Cooper and Ernest B. Schoedsack had found a friend in rising producer David O. Selznick, who brought them on board at RKO, with Cooper as production idea man. Schoedsack was the technical side of the pair, knowledgeable about the actual physical and technical side of filmmaking, , and became the actual director of their projects, with Cooper as an associate producer and sometime co-director. They turned out what would be the first of a string of horror-tinged adventure movies, The Most Dangerous Game (1932), with Armstrong having a part in it. He got in his usual wisecrack lines but from a less dimensioned character who had an early demise--the film centered on Joel McCrea and still young silent screen veteran Fay Wray. Cooper saw much of himself in Armstrong's general personality and wanted him for a film that he had been wanting to make for quite a few years, an adventure yarn dealing with the stories he had heard during his years making films in jungles all over the world of giant, vicious apes. The resulting film, King Kong (1933), would put Armstrong at stage center as big-time promoter Carl Denham (very much Cooper himself). The film also began co-star Fay Wray on the road to stardom. With Copper and Schoedsack co-directing and the legendary Willis H. O'Brien heading up a visual effects team supporting his for-the-time astounding animated miniature sequences, the film was a treasure trove for RKO, bringing newfound respect for a studio known mostly for its "B" action films and westerns. It was Armstrong's defining moment and set the stage for the plethora of leading man and second lead roles he would play through the 1930s.

A sequel, Son of Kong (1933), followed almost immediately with the same production team and, though not achieving the critical or box-office acclaim as its predecessor, showcased another Armstrong strength--a great sense of comedic timing that had been evident, but not really traded upon, in previous films. The Cooper/Schoedsack team got in one more for 1933, with Armstrong as an uncommon--for him--romantic lead in Blind Adventure (1933), a fast-paced but but often uneven adventure yarn. All the studios wanted him, and what followed was a flood of usually good, crowd-pleasing roles, although still in "B" pictures. Among the better ones were Palooka (1934) and 'G' Men (1935), with Armstrong playing a hard-nosed FBI agent who is mentor and partner to a young James Cagney. With a full menu of adventure yarns and colorful cop and military roles, at the end of the decade Armstrong even played one of America's great folk heroes - Jim Bowie - in Man of Conquest (1939), this time at Republic Pictures.

Armstrong got more of the same in the decade of World War II--although with age he started to slip down the cast list--with some variety, playing a Nazi agent in the spoof My Favorite Spy (1942) and--in somewhat ridiculous "Japanese" makeup--as a Japanese secret-police colonel (named Tojo) with former co-star James Cagney in the escapist romp Blood on the Sun (1945). Finally, Cooper--gorillas still on his mind--came calling for Armstrong again for his Mighty Joe Young (1949), which he made about midway in his association with partner John Ford in their Argosy Pictures venture under the wing of RKO. Armstrong was again a reincarnation of Carl Denham as Max O'Hara, a fast-talking promoter looking for a sensation in "Darkest Africa". The Ford touch is perhaps seen in the cowboys who go along with young Ben Johnson as romantic lead to enthusiastic--to say the least--Terry Moore with her pet gorilla Joe (about half as big as King Kong but definitely no ordinary gorilla). It is a great little movie, with more light-hearted tone than "Kong" and a red-tinted fire scene recalling the silents. It was a Saturday matinée favorite for at least a decade afterward (this writer enjoyed it as his first movie theater adventure as a small child).

Armstrong increasingly went to the small screen through the 1950s. He was a familiar face on most of the TV playhouse programs of the period and did many of the series oaters and crime shows of the period. He received a great send-up as a guest on Red Skelton's variety show when the oft giggling host asked him, "Say, did you ever get that monkey off that building?" Armstrong liked keeping busy and helping friends. One of the latter was Cooper--still promoting as his alter ego Carl Denham in his old age. The two passed away within 24 hours of one another in April of 1973.

Ikio Sawamura was born on 4 September 1905 in Tochigi, Japan. He was an actor, known for Yojimbo (1961), High and Low (1963) and The Hidden Fortress (1958). He died on 20 September 1975.

Although he attended West Point, James Flavin decided on an acting career instead of the military. After touring with several stock and repertory companies, he arrived in Hollywood and broke into films in the early 1930s. A fast-talking, granite-jawed Irishman, Flavin appeared in hundreds of films during his career and was often cast as a big-city homicide detective, street cop, prison guard or Marine sergeant. One of Flavin's closest friends, oddly enough, was legendary cheapo producer Sam Katzman. Flavin was married for more than 40 years to actress Lucile Browne; he died in 1976, and she died two weeks after he did.

African-American movie actor and producer Noble Johnson was born on April 18, 1881, in Marshall, Missouri. His family moved to Colorado Springs, Colorado, when Noble was very young, and it was there that he met Lon Chaney at school. They became friends as children, and later got re-acquainted when both were making movies in Hollywood and became friends all over again (surprisingly, they never made any movies together).

Johnson was built like a bull, standing 6'2" at 215 pounds. His impressive physique and handsome features made him in demand as a character actor and bit player. In the silent era he essayed a wide variety of characters of different races in a plethora of films, primarily serials, westerns and adventure movies. While Johnson was cast as blacks in many films, he also played Native American and Latino parts and "exotic" characters such as Arabians or even a devil in hell in Dante's Inferno (1924) (the old black and white orthochromatic film stock of the early days was less discriminating about a person's color, as were B+W stocks in general, permitting some African-American actors a break, as their "color" was washed out or less obvious when photographed in B+W. As late as the early 1960s, there were very few African-American members of the Screen Actors Guild, since there was a lack of opportunity for them as black performers were confined mostly to race films until the 1960s). In all his roles, Johnson lived up to his Christian name: his was a noble and dignified presence that exhibited great power and substance.

Johnson also was an entrepreneur. In 1916 he founded his own studio to produce what would be called "race films", movies made for the African-American audience, which was ignored by the "mainstream" film industry. The Lincoln Motion Picture Co., which was in existence until 1921, was an all-black company, the first to produce movies portraying African-Americans as real people instead of as racist caricatures (Johnson was followed into the race film business by Oscar Micheaux and others). Johnson, who served as president of the company and was its primary asset as a star actor, helped support the studio by acting in other companies' productions such as 20,000 Leagues Under the Sea (1916), and using the money he made in those films to invest in Lincoln.

Lincoln's first picture was The Realization of a Negro's Ambition (1916). For four years Johnson managed to keep Lincoln a going concern, primarily due to his extraordinary commitment to African-American filmmaking. However, he reluctantly resigned as president in 1920, as he no longer could continue his double business life, maintaining a demanding career in Hollywood films while trying to run a studio.

In the 1920s Johnson was a very busy character actor, appearing in such top-notch films as The Four Horsemen of the Apocalypse (1921) with Rudolph Valentino, Cecil B. DeMille's original The Ten Commandments (1923) andThe Thief of Bagdad (1924). He made the transition to sound, appearing in the 1930 version of Moby Dick (1930) as Queequeg to John Barrymore's Captain Ahab. He was also the tribal leader on Skull Island in the classic King Kong (1933) (and its sequel, Son of Kong (1933)) and appeared in Frank Capra's classic Lost Horizon (1937) as one of theporters. One of his last films was John Ford's classic She Wore a Yellow Ribbon (1949), in which he played Native American Chief Red Shirt. He retired from the movie industry in 1950.

Johnson died on January 9, 1978, in Yucaipa (San Bernardino), California, at age 96. He is buried in the Garden of Peace at Eternal Valley Memorial Park in Newhall, California.

Osman Yusuf was born on 23 May 1920 in Ottoman Empire [now Turkey]. He was an actor, known for King Kong vs. Godzilla (1963), Submersion of Japan (1973) and The Last Death of the Devil (1959). He died on 29 August 1982 in Japan.

He had an unusual background for an actor: his formal education began in a kindergarten founded by the wartime-era Japanese Imperial Army, and continued in a military academy which was Tokyo's answer to West Point. Upon graduating from Tokyo University (Japan's most prestigious), Hirata confounded many family expectations of him by pursuing a career in acting. His first roles in Tetsuwan namida ari (1953) and The Last Embrace (1953) brought him to the attention of director Ishirô Honda, who promptly cast Hirata first in his WW2 romance Farewell Rabaul Saraba Rabauru (1954) and then, later that year, in the role that would come to define Hirata's career: the tormented, one-eyed scientist Daisuke Serizawa, who alone has figured out a way to destroy the monster Gojira Godzilla (1954). That movie made stars out of all of the younger actors who were fortunate enough to star in it, though Hirata tended more towards second leads and character parts. He was often called the best-known of all actors to appear in Gojira movies (he would turn up in six of the sequels), but this was due as much to his popularity with directors as with his exposure through the monster movies. He was a favorite of directors Ishiro Honda, Jun Fukuda, Hiroshi Inagaki, and much beloved by virtually all the actors who knew him: honest and humorous, highly intellectual but never pretentious. He appeared in literally every kind of movie Toho Studios made, from the monster pictures to samurai dramas (including his one movie for Akira Kurosawa, Sanjuro (1962)) to war dramas to comedies. Still, he remained identified most directly in the public's mind with the original Gojira; his character Serizawa is among the best remembered and most admired in all Japanese films, both inside Japan and out. Hirata was chosen by Toho to announce the monster's return in Godzilla 1985 (1985), and was tapped for a major role; but he died tragically of lung cancer before he could begin shooting.

Mario Gallo was born on 22 March 1923 in Brooklyn, New York City, New York, USA. He was an actor, known for Raging Bull (1980), King Kong (1976) and A Woman Under the Influence (1974). He died on 30 October 1984 in Ontario, California, USA.

Jun Tazaki was born on 28 August 1913 in Aomori, Japan. He was an actor, known for High and Low (1963), Ran (1985) and Mothra vs. Godzilla (1964). He died on 18 October 1985 in Tokyo, Japan.

Helen Mack started her career in movies at the age of ten, and by the time she was 13 was performing in vaudeville. Her acting career didn't blossom until the 1930s, when she made a name for herself as one of the movie's best criers. She had many leading roles opposite such actors as Lee Tracy, George Raft and Harold Lloyd. She may be best remembered for Son of Kong (1933) and His Girl Friday (1940). In later years she was a successful radio producer, writer and director.

Japanese actor who specialized in comedy. He joined a theatre company while still in his teens, following the death of his parents. Following the Second World War, he began to get small film roles. Within a decade, he had become a prominent character actor and also one of Toho Films' biggest comedy stars, often teamed with comedian Furankî Sakai. Toho produced two series of comedies with Arishima, the 'Company President' films and the internationally more widely-known 'Young Guy' movies. Arishima continued to appear in both comedic and dramatic roles until his death at 71.

Harry Holcombe was born on 11 November 1906 in Malta, Ohio, USA. He was an actor, known for Foxy Brown (1974), The Fortune Cookie (1966) and Empire of the Ants (1977). He was married to Betty Nielsen. He died on 15 September 1987 in Valencia, California, USA.

Frank Maraden was born on 9 August 1944 in Norfolk, Virginia, USA. He was an actor, known for The Money Pit (1986), King Kong Lives (1986) and The Beachcombers (1972). He was married to Marti Maraden. He died on 16 May 1989.

Shôichi Hirose was born on 23 July 1918. He was an actor, known for Yojimbo (1961), King Kong vs. Godzilla (1963) and Seven Samurai (1954). He died in 1990.

Senkichi Ômura was born on 27 April 1923 in Tokyo, Japan. He was an actor, known for Yojimbo (1961), Seven Samurai (1954) and High and Low (1963). He died in 1991 in Urawa, Saitama-ken, Japan.

Jorge Moreno was born on 19 May 1916 in El Paso, Texas, USA. He was an actor, known for King Kong (1976), Breakout (1975) and Mannix (1967). He died on 10 April 1992 in Los Angeles, California, USA.

Harold Conway was born on 24 May 1911 in Curwensville, Pennsylvania, USA. He was an actor, known for King Kong vs. Godzilla (1963), The Mysterians (1957) and The Last Death of the Devil (1959). He was married to Hiroko Ishiwata and Ruth Nadine Rishel. He died in 1996 in Japan.

Andrew Hughes was born on 1 January 1908 in Ottoman Empire. He was an actor, known for Kureji no daiboken (1965), Esupai (1974) and The Golden Bat (1966). He died on 1 September 1996.