Quick List: Ted Healy and His Stooges - The Five MGM Shorts

This is the film debut of Curly Howard. A very important moment in film history. At this time, they were known as "Howard, Fine and Howard". It's interesting seeing these old Ted Healy-Stooges shorts, because you can see what Moe did, after they split from Healy. When the boys went on their own, Moe took his character from these films and merged it with Healy's character, in essence becoming the leader of the trio. The two-color film process they used for Nertsery Rhymes (1933), does enhance it. It was part of a five film series, called the Colortone Musical Revues for MGM. This film is very vaudeville, with the singing, dancing, comedy and a lot of girls, in this pre-code era short subject. This includes, series regular, Bonnie Bonnell. She ended up being in all of their MGM shorts with Healy. These films were mostly geared towards adults in 1933.

I was impressed with the sets they had built on the stages, used in the film. They had impressive set designs for the dancing acts. The singing, jokes and over-all choreography, are pretty good for 1933. It was clear the boys didn't need Healy, because he seems almost pointless to the story, even though his character is the one, that guides the direction of the events, happening in Nertsery Rhymes (1933). He is Papa to the three kids, who resemble full grown men, who won't go to sleep without a bedtime story. Enter the singing, dancing, comedy and the girls, in dreamlike sequences, that go by on the screen. This is not a bad film for the debut of Curly Howard in the cinemas. I found the two-tone version on YouTube. It is an interesting piece of cinema art, that was the first of five at MGM studios. Its place in film history, makes it a strong film. It's hard to believe Nertsery Rhymes (1933) and the legend, known as the Three Stooges, is over 90 years old now.

7.1 (C MyGrade) = 7 IMDB

The boys really threw themselves around, tossing their bodies, all over the place, during these early MGM shorts, that they did with Healy. The copy I saw of Beer and Pretzels (1933), on YouTube, was a nicely restored version. The quality was great. The boys try to get jobs being waiters. This one is a little chaotic, with the dancing though. Bonnie Bonnell returns from the boys last film, Nertsery Rhymes (1933). In one dance scene, a dancer looks like she's having a seizure. It was weird. It was odd. The three tap dancer guys, who popped up, were slightly entertaining though. The director, Jack Cummings, lighted the sets strategically, so the dancers were in shadow, showing a silhouetted look. It was the second film in a five series run, produced by MGM studios.

There are signs of magic, to these early Stooge films. Previews of things to come. It is great seeing these again with a 21st century perspective. It is really interesting trying to analyze, what is going on in the boys' minds, as they act out these scenes, knowing what we know now, from a real-world perspective. It's an odd contrast, when some of the characters discuss the concept of being solo. It contrasts to what happens to Healy, Moe, Larry and Curly, the following year, when the gang split and the Three Stooges were born. Healy does do some of the gags in Beer and Pretzels (1933), that the Stooges made famous, later on, during their 25 year run, that followed. This one just felt a tad sloppy in its design, compared to their previous film.

6.1 (D+ MyGrade) = 6 IMDB

The Stooges play Healy's kids. They are trying to ruin the theater play, Ted is trying to direct. This is the first problem with this film. The Stooges doing the kids impersonations starts to get old. This is the third of five films produced over there at MGM. I found a really nice, two-color version of Hello Pop (1933), on YouTube. The two-color, technicolor version is important. it is the second short, of the series, to be done in color. Nertsery Rhymes (1933), was the first and Beer and Pretzels (1933), was done in glorious black and white. So, make sure you watch the two-color version. If you are watching it in black and white, you are missing a good aspect to it, because the filmmakers meant it to be in color.

Bonnie Bonnell is back (they always have her name in the opening title card spelled as Bonny), playing Healy's girlfriend. All she wants to do is ask him a question. It's interesting how these films, back in 1933, were initially geared towards a more adult audience. The cute, bathing suit girls, slapstick violence and alcohol jokes, were key to the success of these pre-code, depression era, grown-up comedies. The filmmakers, for Hello Pop (1933), liked using the lighting, to silhouette the dancers, so they look like shapes moving harmoniously. It was a clever technique, used in some of the dancing numbers. It's more about shapes moving around, instead of dancers bouncing about. They did it in a couple of these short subjects for MGM.

6.1 (D+ MyGrade) = 6 IMDB

Plane Nuts (1933), is straight-up vaudeville stage show, complete with the curtain in the background and people walking on, from off-stage, while Healy and the boys, tear things up. It's bits and gags, bits and gags, with the Stooges, in-between Healy singing, a somewhat, lame song. Plane Nuts (1933), however is saved, by Moe, Larry and Curly. Larry seems to have a bigger part in this one. However, the finale is pretty cool, with dancers, dressed as planes (yes planes), doing a big finale, with an epic dance performance, at the end of the film. The bits were good, but the thing just seemed like a recording of a stage-play. This was the fourth of five films, produced at MGM. It definitely looks like the least expensive title, of the MGM, "Ted Healy and His Stooges", shorts. It wasn't very creative. but is a fairly good attempt to fill the five film contract.

5.5 (D- MyGrade) = 6 IMDB

In the Big Idea (1934), this time, the beginning title card says, Ted Healy and His Three Stooges (Howard, Fine and Howard), complete with Bonnie Bonnel. Their final short together. After this film, the Three Stooges took off, on their own and the rest is history. The Three Stooges were on their way to Columbia Pictures, for their famous, 25 year, career run, in the cinemas. They had to finish this fifth installment, of a five film contract with Healy and MGM. They didn't wait for the film's release and never looked back too. Moe, Larry and Curly were ready to take off. If you look close, it does look, like the Stooges are bidding farewell to Healy. Ted is an idea guy, who's company is disrupted by different kinds of crazy people, popping in and out of the office. The Stooges just come in, every now and then and do the classic spray bottle bit, but this time, with different wind instruments, shooting water all over Healy. It's not the greatest swan-song, for the last bow in a series of films and looks every bit like a farewell.

Just like the other four MGM shorts, the Big Idea (1934), is full blown vaudeville, with the girls, gags and jokes. They also have the dancing numbers, that were lifted from other movies and used as stock footage, to fill out the episode, in-between the stuff with Healy and the boys. It was just a way to recycle and repurpose footage, instead of spending huge budgets on these films. It didn't impact the quality of these films though. They do have a certain charm, as much as, being artifacts of film history. The Big Idea (1934), at least, has different sets, camera angles and creates a story of sorts, compared to the other four shorts. Three other dudes, in the Big Idea (1934), are filmed doing an Amos & Andy radio show scene, for no reason. One of the guys does a Bing Crosby impersonation, albeit with a comedic lilt. These performers, also looked like, they were inserted into this film too, from other movies' stock footage. Whatever can be said about Moe, Larry and Curly, during their theatrical tun with Ted Healy, these film artifacts were good, strong precursors to great things to come.

5.7 (D MyGrade) = 6 IMDB

Ignore this film. It has nothing to do with this list. Just storing it here for now.