2022 Celebrity Death List

Joan Copeland, the sister of famed playwright Arthur Miller, is a renowned actress in her own right. She made her name on Broadway, debuting there in 1945 to begin a career that lasted more than 60 years. She also had a long career on television, where she appeared in a number of that medium's most popular soap operas. She played scheming villain Andrea Whiting in Search for Tomorrow (1951), and also appeared in Love of Life (1951) and The Edge of Night (1956), among others. She occasionally worked in films, but made fewer than 20 of them in her career, preferring the stage and television, where she made her debut in 1950.

Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.

Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.

Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.

The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.

Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1940), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.

Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.

An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.

Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.

Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.

After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.

They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.

Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".

Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.

Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.

Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.

There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).

In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.

Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.

At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.

He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.

Blond, boyishly handsome Dwayne Hickman, the younger brother of Darryl Hickman, followed in his sibling's tiny footsteps as a moppet film actor himself. Born Dwayne Bernard Hickman in Los Angeles on May 18, 1934, the brothers had a younger sister as well, Deidre (born 1940). He had minor roles in such films as Captain Eddie (1945) (Darryl had a major role in this), The Secret Heart (1946), The Boy with Green Hair (1948), Mighty Joe Young (1949), The Happy Years (1950) (again with Darryl in a major role), and topped his youthful film career as "Nip Worden" in the canine movie series "Rusty", which began with The Son of Rusty (1947) and ended with Rusty's Birthday (1949).

Graduating from Cathedral High School in 1952 (Darryl graduated from the same school in 1948), Dwayne enrolled at Loyola Marymount University. He returned to Hollywood following college studies and, unlike his brother, focused strongly on television work, making appearances on such series as Public Defender (1954), The Loretta Young Show (1953), The Lone Ranger (1949), and The Adventures of Ozzie and Harriet (1952). He also appeared in the Paul Newman/Joanne Woodward comedy film Rally 'Round the Flag, Boys! (1958) playing the secondary teen couple with Tuesday Weld. He grabbed major comedy attention, especially from young female baby-boomers, as Chuck, the girl-crazy nephew, in The Bob Cummings Show (1955). (Cummings became his mentor.)

Hickman then played the titular lovesick title high school teen in The Many Loves of Dobie Gillis (1959), the role for which he is best known, and in which he was reunited with Tuesday Weld as the prime object of his attention, although Weld did not remain with the series for the entirety of its run. Laying low for a few years, Hickman returned to the screen, making a strong impression in the western film Cat Ballou (1965), and then began hanging out with the young beach crowd in several AIP movies including Ski Party (1965), How to Stuff a Wild Bikini (1965), and Dr. Goldfoot and the Bikini Machine (1965), and a few slapstick comedies such as Sergeant Dead Head (1965) and Doctor, You've Got to Be Kidding! (1967). He guested on a mix of comedic and dramatic TV shows including Combat! (1962), Mod Squad (1968), Ellery Queen (1975), The Flying Nun (1967), and Kolchak: The Night Stalker (1974).

In the 1970s, Hickman began working behind the scenes as a publicist, a Las Vegas entertainment director and, most successfully, as a programming executive for CBS. He would return only occasionally to acting. He revisited his Dobie Gillis character, albeit a fully grown-up version, in such made-for-television movies as Whatever Happened to Dobie Gillis? (1977) and Bring Me the Head of Dobie Gillis (1988). In addition to guest appearances on Murder, She Wrote (1984) and Hi Honey, I'm Home (1991), he appeared in glorified cameos in High School U.S.A. (1983), had a recurring role on Clueless (1996), and was glimpsed in Cops n Roberts (1995), A Night at the Roxbury (1998), and Angels with Angles (2005). He began episodic directing chores in the 1980's, working on such episodes as "Charles in Charge", "Designing Women", "Head of the Class", "Harry and the Hendersons", and "Sister, Sister". In 1994, he published his biography, aptly titled 'Forever Dobie'.

Thrice wed, Hickman has two children -- one by his first wife, actress/model/beauty pageant winner Carol Christensen (1963-1972) who appeared a few times on "Dobie Gillis", and the other by his present wife, actress/voiceover artist Joan Roberts, to whom he has been married since 1983.

Bob Saget was an American actor, stand-up comedian, and television host from Philadelphia. His best known role was playing pater familias Danny Tanner on the hit sitcom "Full House" (1987-1995). He played the character again in the sequel series "Fuller House" (2016-2020). Saget served as the original host of the long-running clip show "America's Funniest Home Videos" from 1989 to 1997. Saget voiced the narrator in the hit sitcom "How I Met Your Mother" (2005-2014), depicted as an older version of main character Ted Mosby.

In 1956, Saget was born to a Jewish family in Philadelphia. His parents were supermarket executive Benjamin Saget and hospital administrator Rosalyn "Dolly" Saget. The Saget family eventually moved to Norfolk, Virginia. Bob received his early religious education at Temple Israel, a synagogue of Norfolk which adhered to Conservative Judaism. He was reportedly a rebellious student.

Saget spend part of his high school years in Los Angeles, where he befriended veteran comedian Larry Fine (1902-1975). He attended a Philadelphia high school during his senior year. He was originally interested in a medical career but his English teacher Elaine Zimmerman convinced Saget to aspire to an acting or filmmaking career instead.

Saget received his college education at the "Center for the Performing and Cinematic Arts", a college associated with the Temple University of Philadelphia. One of his student films won a merit award at the Student Academy Awards. He graduated college with a Bachelor of Arts in 1978. He had already started performing in comedy clubs during his college years.

In 1978, Saget intended to take graduate courses at the University of Southern California. He dropped out due to health-related problems. He almost died due to a gangrenous appendix, costing him a loss of confidence. He decided afterwards to lose some weight, in the belief that it would improve his health.

Following his graduation, Saget spend about a decade working mostly as a comedian. He appeared in minor acting roles in both films and television. In 1987, Saget was performing comedy bits for the short-lived non-fiction show "The Morning Program". The show offered a mix of "news, entertainment and comedy", but was canceled due to low ratings.

Saget's big break came when he was chosen to portray widowed father Danny Tanner in the sitcom "Full House" (1987-1995). The series depicted Danny's efforts to raise three young daughters, with the assistance of his best friends. The show suffered from poor viewership in its first season, but attracted a family audience due to its portrayal of the struggles associated with parenting. By its third season, it was ranked among Nielsen's Top 30 shows. Saget became a household name, and the series lasted for 8 seasons and 192 episodes. The series was eventually canceled due to its increasing production costs. Its rating had remained high until its final episode.

In 1989, Saget was chosen as the host of the clip show "America's Funniest Home Videos". The show featured humorous homemade videos which were submitted by its viewers, often highlighting physical comedy, pranks, or unusual behavior by children and pets. While the show was popular with viewers, Saget himself was increasingly frustrated with its repetitive format. When his contract for the show expired in 1997, Saget was not interested in negotiating for a renewal.

In 1996, Saget directed the dramatic television film "For Hope". The film depicted the struggles of a woman who is slowly dying due to being afflicted with scleroderma, an autoimmune disease with no known cure. Saget was reportedly inspired by the life and death of his sister Gay Saget, who had died due to scleroderma. The film received high ratings in its debut.

In 1998, Saget directed the comedy film "Dirty Work". It depicted two half-brothers who offer to perform revenge schemes for paying clients, but have a personal grudge against a man who reneged on a deal with them. The film under-performed at the box office, but gained a cult following due to its reputation as a "gag-fest".

From 2001 to 2002, Saget had the starring role of Matt Stewart in the sitcom "Raising Dad". The premise of the series was that widowed father Matt Stewart was trying to raise two daughter, while pursuing a teaching career at his eldest's daughter's high school. Despite the series having a similar concept to "Full House", it failed to find an audience. It lasted for a single season.

In 2005, Saget was cast as the narrator in the sitcom "How I Met Your Mother" (2005-2014). The premise of the series was that middle-aged Ted Mosby narrates his life story (and the life stories of his best friends) to his son and daughter. The series repeatedly implied that Ted was an unreliable narrator, who either embellished or censored aspects of his various stories. The series was quite popular, lasting for 9 seasons and 208 episodes.

In 2007, Saget directed the direct-to-video parody film "Farce of the Penguins". The film was a full-length parody of the documentary film "March of the Penguins" (2005), featuring penguins conversing about their love lives. It featured the voices of several then-popular actors, including several of Saget's former co-stars from "Full House".

In 2009, Saget was cast in the main role of Steve Patterson in the sitcom "Surviving Suburbia". The premise of the series was that the members of a suburban family have problems in interacting both with each other, and with their new neighbors. The series only lasted a single season, and struggled with low ratings.

In 2014, Saget published his memoirs under the title "Dirty Daddy". In 2016, a sequel series to "Full House" was introduced under the title "Fuller House". It featured the lives of two of Danny Tanner's daughters, and Danny's grandchildren. Saget played the recurring role of Danny for 15 episodes. The sequel series lasted for 5 seasons. This was Saget's last major role in a sitcom. He continued, however, to regularly host television events.

In January 2022, Saget was in Florida for a stand-up tour. On January 9, Saget was discovered dead in his hotel room at the Ritz-Carlton Orlando, located south of Orlando, Florida. He was 65-years-old. His autopsy revealed that the cause of death was blunt head trauma from an accidental blow to the back of his head, likely from a fall. He had died in his sleep. He was buried at the Mount Sinai Memorial Park Cemetery, next to the graves of his parents and his sister. Mourners honored Saget by offering donations to the charity "Scleroderma Research Foundation" (SRF), since Saget had long served in its board of directors. Saget is gone, but his popularity endures due to his acting and directing roles in several popular films and television shows.

Ronnie Spector is an American singer. Spector was the lead singer of the rock/pop vocal girl group The Ronettes, who had a string of hits during the early to mid-1960s such as "Be My Baby", "Baby, I Love You", and "The Best Part of Breakin' Up". Subsequently, Ronnie Spector launched her solo career and has since released five studio albums (Siren in 1980, Unfinished Business in 1987, Something's Gonna Happen in 2003, Last of the Rock Stars in 2006, English Heart in 2016) and one extended play (She Talks to Rainbows in 1999).

In 1986, Ronnie Spector experienced a career resurgence when she was featured on Eddie Money's Grammy nominated pop rock song "Take Me Home Tonight" which reached number four on the Billboard Hot 100. She has sung and collaborated with multiple other acts. In 2007, Ronnie and the Ronettes were inducted in the Rock and Roll Hall of Fame.

In 2018, Spector appeared in the music documentary; Amy Winehouse: Back to Black (2018), which is based on the late singer Amy Winehouse and her final studio album Back to Black (2006). The album was inspired by 60's girl groups Winehouse gathered inspiration from listening to, such as The Ronettes.

Meat Loaf was born Marvin Lee Aday in Dallas, Texas, to Wilma Artie (Hukel), a teacher and gospel singer, and Orvis Wesley Aday, a police officer. He moved to Los Angeles in 1967 to play in local bands. In 1970, he moved to New York and appeared in the Broadway musicals "Hair", "Rockabye Hamlet" and "The Rocky Horror Show," and Off Broadway in "Rainbow", "More Than You Deserve", "National Lampoon Show" and the New York Shakespeare Festival's production of "As You Like it;" as well as other productions at the famed New York Public Theatre. He made his film debut with a memorable role in the cult film The Rocky Horror Picture Show (1975).

In 1977, he and lyricist Jim Steinman released an operatic rock album called "Bat Out Of Hell"; the record was huge and has sold 50,000,000 copies worldwide and is tied with AC/DC for the 2nd best selling record of all time. The tour and promoting the album took a toll on Meat Loaf's voice and left him unable to sing for 2 years, but with months of rehabilitation, he was able to get back in the studio and record the album "Dead Ringer". Meat Loaf stayed in the dark through the 1980s in the US, recording 4 records which got very little airplay or high chart positions in the US but continued to have major chart success in Europe and Australia. The 1981 Single "Dead Ringer for Love", a duet with Cher, was a top 10 single in many countries outside the US, but which American radio refused to play.

Meat Loaf had many film and TV roles, including the lead character Travis Redfish in Roadie (1980); a pilot in Out of Bounds (1986); in The Squeeze (1987) with Michael Keaton; and Fred in Focus (2001) (based on the Arthur Miller book by the same name), with Laura Dern and William H. Macy. When Meat Loaf and Steinman got back together in 1993, they delivered a powerful sequel, "Bat Out Of Hell II", which went to #1 in the US and UK and 26 other countries. Bat II sold over 22,000,000 copies.

He appeared in many films, including Crazy in Alabama (1999), Formula 51 (2001) (with Samuel L. Jackson), and Fight Club (1999) (with Brad Pitt). TV credits included guest starring roles as a soldier being held prisoner in Vietnam in Lightning Force (1991), a newspaper reporter in the hit series Glee (2009), a slick landlord of a restaurant who ends up on the menu in HBO series Tales from the Crypt (1989) a blacksmith on Showtime's Dead Man's Gun (1997), as fur trader Jake in Masters of Horror (2005) episode Pelts (2006), in House (2004) as caring husband Eddie, and, most recently, in the supporting role of Doug in the SYFY series Ghost Wars (2017). Hugh Laurie (star of "House") played piano on the song "If I Can't Have You" on Meat Loaf's album "Hang Cool Teddy Bear", which was produced by award-winning music producer Rob Cavallo. (Jack Black also sang on the album.)

Marvin Lee Aday died on January 20, 2022 in Austin, Texas from COVID-19 complications.

Iconic comedian Louie Anderson, the three-time Emmy®-Award winner, was one of the country's most recognized and adored comics; named by Comedy Central as "One of 100 Greatest Stand-Up Comedians of All Time." His career spanned more than 30 years. He was a best-selling author, star of his own stand up specials and sitcoms, and toured, performing to standing-room only crowds worldwide.

Louis Perry Anderson was born in Saint Paul, Minnesota, the son of Ora Zella (Prouty) and Louis William Anderson, a trumpet player. He was of Swedish, Norwegian, and English descent. Sharing the ups and downs of his childhood experiences as one of eleven children, Louie crafted comedy routines that rang true for his early club audiences while reducing them to helpless fits of laughter, routines that led him from his career as a counselor to troubled children to the first-place trophy at the 1981 Midwest Comedy Competition. Henny Youngman, who hosted the competition, recognized the diamond-in-the-rough genius of the young comic and hired him as a writer, providing invaluable experience that soon put Louie in his own spotlight on comedy stages all over the country.

Johnny Carson, the comedy icon for generations of rising stars, invited Louie to make his national television debut on the "The Tonight Show" in 1984, and the rest is history. Leno, Letterman, The Late Late Show with Craig Ferguson, "Comic Relief" and Showtime, HBO and CMT specials followed, including hosting the legendary game show, Family Feud, making Louie a household name and opening doors for him as an actor. He guest-starred in sitcoms like "Grace Under Fire" and dramas like "Touched by an Angel" and "Chicago Hope," and had memorable featured roles in film comedies like "Coming to America," opposite of Eddie Murphy, and the classic "Ferris Bueller's Day Off." In 2013, he took a dive on the ABC reality series, "Splash" where he conquered his own fears while becoming an inspiration of hope. His stand up Special, "Big Baby Boomer" premiered on CMT, in 2013. Also in that year, he competed and inspired on the ABC reality competition show, Splash.

In 1995 Louie put his creative energies to work on the Saturday morning animated series "Life with Louie." The long-running series based on Louie's own childhood and his life with his father won three Humanitas Prizes for writing on a children's' animated series, making him the only three-time recipient of this award. It also earned a Genesis Award for its depiction of the proper treatment of animals and, most significantly, two Emmy Awards.

His best selling books included Dear Dad - Letters From An Adult Child, a collection of alternately touching and outrageous letters from Louie to his late father, and Good-bye Jumbo...Hello Cruel World, self-help for those who struggle with self-esteem issues, and his latest installment on family, The F Word, How To Survive Your Family.

In 2016, Louie was cast to co-star along with Zach Galifianakis and Martha Kelly in the hit FX series, "Baskets." Anderson's extraordinary new role is Christine Baskets, the matriarch of the Baskets clan. The character is based on both his mother and his five sisters, who were a major presence in his life; "I'm not as nice in the character as my mom was as a person. It really is an extension of my mom, Anderson says, adding that he always aims to make his performance "as real as possible" without "affecting or cartooning it up. It felt like it was divine intervention when I got the call to be on the show, that somehow my mom, from the great beyond, was finally getting herself into show business where she truly belonged in the first place."

When not in production, Louie traveled the States doing what he loved to do, stand-up comedy, and again delivered to his fans his inimitable brand of humor and warmth. He died on January 21, 2022, in Las Vegas, of large B-cell lymphoma.

Morgan Stevens was born on 16 October 1951 in Knoxville, Tennessee, USA. He was an actor and writer, known for Fame (1982), Murder One (1995) and Bare Essence (1983). He died on 26 January 2022 in Los Angeles, California, USA.

Howard Hesseman was a leading counter-culture figure since the late 1960s. He was a member of the improv group, "The Committee," for a decade in the 1960s/1970s. A character actor for many years on different television shows since the 1960s, he took small parts in The Andy Griffith Show (1960), Dragnet 1967 (1967), Soap (1977), and Sanford and Son (1972). The role that brought him to prominence was Howard Johnson in the cult classic Billy Jack (1971).

He was a frequent guest star on The Bob Newhart Show (1972) but would become best-known for his role on the classic series WKRP in Cincinnati (1978), as anti-disco hipster DJ "Dr. Johnny Fever". Also in the 1970s, he appeared in The Sunshine Boys (1975), Tunnel Vision (1976), Silent Movie (1976) and The Big Bus (1976). After the cancellation of WKRP in Cincinnati (1978), he went on to star as the husband of Ann Romano in One Day at a Time (1975). After that series was canceled, Hesseman starred in This Is Spinal Tap (1984), Doctor Detroit (1983), Police Academy 2: Their First Assignment (1985), Clue (1985), and Flight of the Navigator (1986).

He then starred as history teacher Charlie Moore in Head of the Class (1986). He left that show in 1990 and appeared in a steady stream of television guest roles. In 1987, he appeared in Amazon Women on the Moon (1987). In 1991, he starred in Rubin and Ed (1991). Afterward, he appeared in other films, including Gridlock'd (1997) (with Tupac Shakur). His work in later years concentrated mostly on television, where he took mostly small guest roles, in such shows as That '70s Show (1998), Touched by an Angel (1994), The Practice (1997), and Crossing Jordan (2001).

Robert Wall was born on 22 August 1939 in San Jose, California, USA. He was an actor and writer, known for Enter the Dragon (1973), The Way of the Dragon (1972) and Game of Death (1978). He was married to Lillian Prescott. He died on 30 January 2022 in Los Angeles, California, USA.

Canadian producer and director Ivan Reitman created many of American cinema's most successful and best loved feature film comedies and worked with Hollywood's acting elite. Reitman produced such hits as the ground-breaking sensation National Lampoon's National Lampoon's Animal House (1978), which introduced John Belushi to American filmgoers, and the family features Beethoven (1992) and Beethoven's 2nd (1993). His directing credits include Meatballs (1979), Stripes (1981) and Ghostbusters (1984), films starring Bill Murray, Dan Aykroyd and Harold Ramis; Dave (1993), which starred Kevin Kline and Sigourney Weaver, Junior (1994) which starred Arnold Schwarzenegger, Danny DeVito and Emma Thompson. Reitman also produced the HBO telefilm The Late Shift (1995), based on Bill Carter's non-fiction book about the late-night television wars which received seven Emmy nominations. Other producing endeavors include Commandments (1997), starring Aidan Quinn and Courteney Cox, Private Parts (1997), starring Howard Stern, as well as the animation/live action film Space Jam (1996), starring Michael Jordan and the Looney Tunes characters. With Twins (1988), Reitman created an entirely new comedic persona for action hero Arnold Schwarzenegger -- and forged a personal and professional relationship that continued with Kindergarten Cop (1990) and Junior (1994). Acclaimed dramatic actors such as Robert Redford, Debra Winger, Sigourney Weaver, and Emma Thompson also revealed untapped comic talents under Reitman's direction. In 1984, Reitman was honored as Director of the Year by the National Association of Theater Owners and the next year received a Special Achievement Award at the Canadian Genie awards. In 1979 and again in 1989, for the films National Lampoon's Animal House (1978) and Twins (1988), Reitman was honored with the People's Choice Award. In November of 1994, Reitman became the third director honored by Variety magazine in a special Billion Dollar Director issue.

Reitman was born in Czechoslovakia, to Jewish Holocaust survivors, and left with his family for Canada at the age of four. He attended Canada's McMaster University, where he produced and directed several television shorts. He followed with a live television show, Greed: The Series (1999), with Dan Aykroyd as its announcer. "Spellbound," which Reitman produced for the live stage, evolved into the Broadway hit "The Magic Show," starring Doug Henning. He continued producing for the stage with the Off-Broadway hit "The National Lampoon Show," and returned to Broadway to produce and direct the musical "Merlin," earning a Tony nomination for directing. Reitman headed The Montecito Picture Company, a film and television production company, with partner Tom Pollock. His television credits included the Emmy-nominated children's show The Real Ghostbusters (1986) and the Saturday morning animated series Beethoven (1994) for CBS. His last directing credited was Draft Day (2014), before his death in February 2022 in Montecito, California.

Mark Lanegan was born on 25 November 1964 in Ellensburg, Washington, USA. He was an actor and composer, known for The River Wild (1994), Singles (1992) and Small Gods (2007). He was married to Wendy Fowler and Shelley Brien. He died on 22 February 2022 in Killarney, Ireland.

Sally Kellerman arrived quite young on the late 1950s film and television scene with a fresh and distinctively weird, misfit presence. It is this same uniqueness that continued to make her such an attractively offbeat performer. The willowy, swan-necked, flaxen-haired actress shot to film comedy fame after toiling nearly a decade and a half in the business, and is still most brazenly remembered for her career-maker in the irreverent hit Korean War dramedy M*A*S*H (1970), for which she received supporting Oscar and Golden Globe nominations. From there, she went on to enjoy several other hallmark moments as both an actress and a vocalist.

California native Sally Clare Kellerman was born in Long Beach on June 2, 1937, to Edith (née Vaughn), a piano teacher, and John Helm Kellerman, a Shell Oil Company executive. Raised along with her sister in the San Fernando Valley area, Sally was attracted to the performing arts after seeing Marlon Brando star in the film Viva Zapata! (1952). Attending the renowned Hollywood High School as a teenager, she sang in musical productions while there, including a version of "Meet Me in St. Louis." Following graduation, she enrolled at Los Angeles City College but left after a year when enticed by acting guru Jeff Corey's classes.

Initially inhibited by her height (5'10"), noticeably gawky and slinky frame and wide slash of a mouth, Kellerman proved difficult to cast at first but finally found herself up for the lead role in Otto Preminger's "A"-level film Saint Joan (1957). She lost out in the end, however, when Preminger finally decided to give the role of Joan of Arc to fellow newcomer Jean Seberg. Hardly compensation, 20-year-old Sally made her film debut that same year as a girls' reformatory inmate who threatens the titular leading lady in the cult "C" juvenile delinquent drama Reform School Girl (1957) starring "good girl" Gloria Castillo and "bad guy" Edd Byrnes of "777 Sunset Strip" teen idol fame, an actor she met and was dating after attending Corey's workshops. Directed by infamous low-budget horror film Samuel Z. Arkoff, her secondary part in the film did little in the way of advancing her career.

During the same period of time, Sally pursued a singing career and earned a recording contract with Verve Records. The 1960s was an uneventful but growing period for Kellerman, finding spurts of quirky TV roles in both comedies ("Bachelor Father," "My Three Sons," "Dobie Gillis" and "Ozzie and Harriet") and dramas ("Lock Up," "Surfside 6," "Cheyenne," "The Outer Limits," "The Rogues," "Slattery's People" and the second pilot of "Star Trek"). Sally's sophomore film was just as campy as the first, but her part was even smaller. As an ill-fated victim of the Hands of a Stranger (1962), the oft-told horror story of a concert pianist whose transplanted hands become deadly, the film came and went without much fanfare.

Studying later at Los Angeles' Actors' Studio (West), Sally's roles increased toward the end of the 1960s with featured parts in more quality filming, including The Third Day (1965), The Boston Strangler (1968) (as a target for serial killer Tony Curtis) and The April Fools (1969). Sally's monumental break came, of course, via director Robert Altman when he hired her for, and she created a dusky-voiced sensation out of, the aggressively irritating character Major Margaret "'Hot Lips" Houlihan. Her highlighting naked-shower scene in the groundbreaking cinematic comedy M*A*S*H (1970) had audiences ultimately laughing and gasping at the same time. Both she and the film were a spectacular success with Sally the sole actor to earn an Oscar nomination for her marvelous work here. She lost that year to the overly spunky veteran Helen Hayes in Airport (1970).

Becoming extremely good friends with Altman during the movie shoot, Sally went on to film a couple more of the famed director's more winning and prestigious films of the 1970s, beginning with her wildly crazed "angelic" role in Brewster McCloud (1970), and finishing up brilliantly as a man-hungry real estate agent in his Welcome to L.A. (1976), directed by Alan Rudolph. Sally later regretted not taking the Karen Black singing showcase role in one of Altman's best-embraced films, Nashville (1975), when originally offered. Still pursuing her singing interests, she put out her first album, "Roll with the Feelin'" for Decca Records in 1972.

Films continued to be a priority and Sally was deemed a quirky comedy treasure in both co-star and top supporting roles of the 1970s. She was well cast neurotically opposite Alan Arkin in the Neil Simon comedy Last of the Red Hot Lovers (1972) and again alongside ex-con James Caan as a sexy but loony delight in Slither (1973), a precursor to the Coen Bros.' darkly comic films. She also co-starred and contributed a song ("Reflections") to the Burt Bacharach/Hal David soundtrack of the Utopian film Lost Horizon (1973), a musical picture that proved lifeless at the box office. More impressive work came with the movies A Little Romance (1979) as young Diane Lane's quirky mom; Foxes (1980) as Jodie Foster's confronting mother; Serial (1980), a California comedy satire starring Martin Mull; That's Life! (1986), a social comedy with Jack Lemmon and Julie Andrews; and Back to School (1986), comic Rodney Dangerfield's raucous vehicle hit.

Sally's films from the 1980s on were a mixed bag. While some, such as the low-grade Moving Violations (1985), Meatballs III: Summer Job (1986), Doppelganger (1993), American Virgin (1999) and Women of the Night (2001) were beneath her considerable talents, her presence in others were, at the very least, catchy such as her Natasha Fatale opposite Dave Thomas' Boris Badenov in Boris and Natasha (1991); director Percy Adlon's inventive Younger and Younger (1993), which reunited her with MASH co-star Donald Sutherland, and in Robert Altman's rather disjointed, ill-received all-star effort Ready to Wear (1994) in which she played a fashion magazine editor.

When her film output waned in later years, Sally lent a fine focus back to her singing career and made a musical dent as a deep-voiced blues and jazz artist. She started hitting the Los Angeles and New York club circuits with solo acts. In 2009, Kellerman released her first album since "Roll with The Feelin'" simply titled "Sally," a jazz and blues-fused album. Along those same lines, Sally played a nightclub singer in the comedy Limit Up (1989) Kellerman's seductively throaty voice has also put her in good standing as a voice-over artist of commercials, feature films, and television.

Among her offbeat output in millennium films were prime/featured roles in the soft-core thriller Women of the Night (2001), written and director by Zalman King, in which she played a lady deejay (she also gets to sing); the real estate musical Open House (2004) in which she played an agent (who gets to sing again); the Florida senior citizens' romantic comedy Boynton Beach Club (2005); the comedy Night Club (2011) where friends and residents start a club in a retirement home; the social dramas A Place for Heroes (2014) and A Timeless Love (2016); and the family dramedy The Remake (2016).

Divorced from Rick Edelstein, Kellerman married Jonathan D. Krane in 1980 and the couple adopted twins, Jack and Hanna. Sally was also the adoptive mother of her niece, Claire Graham. Her husband died unexpectedly in August 2016; less than three months later, daughter Hanna died from heroin and methamphetamine use. Sally died on February 24, 2022 in Los Angeles.

Farrah Forke was born on 12 January 1968 in Corpus Christi, Texas, USA. She was an actress and producer, known for Heat (1995), Wings (1990) and Disclosure (1994). She was married to Mark Layton Brown. She died on 25 February 2022 in Texas, USA.

After decades in show business, character actor Conrad Janis came to prominence as Mindy's father on TV's Mork & Mindy (1978). Manhattan-born Janis was the son of renowned art dealer and clothing manufacturer Sidney Janis (1886-1989), and his wife Harriet (Grossman), who wrote books about jazz. He began acting as a 13 year old with a travelling stock company. Subsequently working as a radio actor, he went on to provide assorted voices, ranging from teens to middle aged men. He also had a small role in the 1945 Broadway play Dark of the Moon which was noticed by a Hollywood talent scout and paved the way to some freelance work in motion pictures, where he was featured as juvenile leads. In the early 50s, Janis segued into television while pursuing a separate career as a jazz trombonist, inspired by the music of Kid Ory. Having perfected his skills by studying under Cab Calloway alumni Tyree Glenn and Herbie Nichols, Janis fronted his own Dixieland/trad combo (Conrad Janis and His Tailgate Five) in the early 50s. By the late '70s, he had formed the Beverly Hills Unlisted Jazz Band which performed in many festivals and was often showcased on David Letterman's and Johnny Carson's late shows.

Janis acted in anthology TV dramas from as early as 1950, according to his account ultimately racking up some 700 appearances (many of them not recorded or otherwise lost to posterity). He toiled away in fairly minor parts until his breakout role as music store owner Fred McConnell in Mork & Mindy. In addition to numerous guest appearances, the balding Janis was also seen as a regular in the short-lived sitcom Quark (1977) (as philistine bureaucrat Otto Bob Palindrome) and in recurring roles on Murder, She Wrote (1984) and Frasier (1993). True to his roots, he remained involved with the art world and with music education throughout his life.

Alan Ladd Jr. was one of the film industry's most respected executives. He started in the movies as an agent in 1963. In 1969, Ladd moved to London to produce, making nine films. He returned to the States in '73 to become Head of Creative Affairs at Fox. Within three very successful years Mr. Ladd was President of Twentieth Century Fox. Star Wars: Episode IV - A New Hope (1977), Alien (1979) and Young Frankenstein (1974), were a few of the classics during his tenure. But, in 1979, Ladd left his position as President at Fox to found his own production company, The Ladd Company. He enjoyed great successes with comedies like Night Shift (1982) and Police Academy (1984) and Oscar winners' The Right Stuff (1983) and Best Picture, Chariots of Fire (1981). In 1985, Ladd joined MGM/UA, eventually becoming Chairman and CEO of Pathe Entertainment. During his tenure, MGM/UA enjoyed hits like A Fish Called Wanda (1988), Moonstruck (1987) and Thelma & Louise (1991). Ladd reformed the Ladd Company with Paramount Pictures in 1993 where he produced the hits The Brady Bunch Movie (1995) and Best Picture winner: Braveheart (1995). He later produced independently with The Ladd Company.

Tim Considine was born on 31 December 1940 in Los Angeles, California, USA. He was an actor and writer, known for My Three Sons (1960), Patton (1970) and The Shaggy Dog (1959). He was married to Willett Helen Hunt and Charlotte Stewart. He died on 3 March 2022 in Mar Vista, California, USA.

American character actor born in Cincinnati and raised in Louisville, Mitchell Ryan was a well known supporting actor in films and television. Joined the Navy in 1951 at age 17 and was later assigned to the Special Services Entertainment and became hooked on acting. After his term in the Navy, he appeared in dozens of plays until he received notice as playing a regular in TV's Dark Shadows (1966).

Beginning in the 1970s, he received work in motion pictures including Monte Walsh (1970), Magnum Force (1973) and in Clint Eastwood's High Plains Drifter (1973). He had a small part in Universal's Midway (1976) and returned to act in numerous soaps and television series, among them included a recurring guest role in Having Babies (1978), Executive Suite (1976), The Chisholms (1979) and All My Children (1970) and a growing list of television films and TV guest appearances.

He may have been best-known for portraying the villain that Mel Gibson and Danny Glover are after in Lethal Weapon (1987), but his career included several supporting roles in the past ten years including Judge Dredd (1995), Michael Myers' nemesis in Halloween: The Curse of Michael Myers (1995), Liar Liar (1997) (with Jim Carrey), and as Harrison Ford's chief out to get Brad Pitt in the film The Devil's Own (1997).

Traci Braxton was born on 2 April 1971 in Severn, Maryland, USA. She was a producer and actress, known for Sinners Wanted (2018), CHAAW: Chapter 1 (2023) and BET Her Presents: The Couch (2020). She was married to Kevin Surratt. She died on 12 March 2022 in the USA.

William McChord Hurt was born in Washington, D.C., to Claire Isabel (McGill) and Alfred McChord Hurt, who worked at the State Department. He was trained at Tufts University and The Juilliard School and has been nominated for four Academy Awards, including the most recent nomination for his supporting role in David Cronenberg's A History of Violence (2005). Hurt received Best Supporting Actor accolades for the role from the Los Angeles Film Critics circle and the New York Film Critics Circle.

Hurt spent the early years of his career on the stage between drama school, summer stock, regional repertory and off-Broadway, appearing in more than fifty productions including "Henry V", "5th of July", "Hamlet", "Uncle Vanya", "Richard II", "Hurlyburly" (for which he was nominated for a Tony Award), "My Life" (winning an Obie Award for Best Actor), "A Midsummer's Night's Dream" and "Good". For radio, Hurt read Paul Theroux's "The Grand Railway Bazaar", for the BBC Radio Four and "The Shipping News" by Annie Proulx. He has recorded "The Polar Express", "The Boy Who Drew Cats", "The Sun Also Rises" and narrated the documentaries, "Searching for America: The Odyssey of John Dos Passos", "Einstein-How I See the World" and the English narration of Elie Wiesel's "To Speak the Unspeakable", a documentary directed and produced by Pierre Marmiesse. In 1988, Hurt was awarded the first Spencer Tracy Award from UCLA.

John Clayton was born on 11 May 1954 in Braddock, Pennsylvania, USA. He was an actor, known for The Game Plan (2007), The Kicker and Cheap Seats: Without Ron Parker (2004). He was married to Pat. He died on 18 March 2022 in Bellevue, Washington, USA.

Madeleine Albright was born on 15 May 1937 in Prague, Czechoslovakia [now Czech Republic]. She was an actress, known for Gilmore Girls (2000), Madam Secretary (2014) and Parks and Recreation (2009). She was married to Joseph Medill Patterson Albright. She died on 23 March 2022 in Washington, District of Columbia, USA.

Taylor Hawkins was born on 17 February 1972 in Fort Worth, Texas, USA. He was a music artist and actor, known for Real Steel (2011), CBGB (2013) and Boyhood (2014). He was married to Alison Hawkins . He died on 25 March 2022 in Bogota, Colombia.

Barrie Youngfellow was born on 22 October 1946 in Cleveland, Ohio, USA. She was an actress, known for It's a Living (1980), The Scarlett O'Hara War (1980) and Law & Order (1990). She was married to Sam Freed and Michael Mund Youngfellow. She died on 28 March 2022 in Woodstock, New York, USA.