Production Details on a Select Few Live-Action Netflix Original Films (Part II)

Director: Jonathan Hensleigh
Composer: Max Aruj
Film Editor: Douglas Crise ACE
Production Designer: Arvinder Greywal
Cinematographer: Tom Stern ASC AFC
Cinematographer (2nd Unit): Marcus James
Costume Designer: Heather Neale
Stunt Coordinator/2nd Unit Director: Rick Skene
Production Visual Effects Supervisor: Tristan Zerafa
A-Camera Operator: Len Peterson
B-Camera Operator: Jason Heke
Colorist: Sebastian Perez-Burchard
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: Arri Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Camera Equipment Provided by Arri Rental

Director: Leigh Janiak
Composers: Marco Beltrami, Anna Drubich, Marcus Trumpp
Cinematographer: Caleb Heymann
Supervising Film Editor: Alan Edward Bell ACE
Film Editor: Rachel Goodlett Katz ACE
Add'l Film Editor: John Axelrad ACE
Production Designer: Scott Duzio
Costume Designer: Amanda Ford
Senior SFX Coordinator: Jeffery D. Woodrel
On-Set SFX Supervisor: Durk Tyndall
Senior VFX Supervisor: Paul Glass
VFX Supervisors: François Dumoulin, Thomas Hullin
Executive VFX Supervisor: Sébastien Moreau
Crafty Apes VFX Supervisors: Steve DiNozzi, Chris LeDoux
Crafty Apes VFX Plate Supervisor: Nicholas Johnson
Senior VFX Producer: Christina Graff
VFX Producers: Beth Howe, Melanie La Rue
Executive VFX Producer: Chad Nixon
Crafty Apes VFX Producer: Wes Dorough
VFX Production Manager: Josh Carlton
Stunt Coordinators: Alan D'Antoni, Lex D. Geddings
A-Camera/Steadicam Operator: Nick Müller
B-Camera/Steadicam Operator: Jeff Crumbley SOC
Add'l B-Camera Operator: Brandon Thompson
Drone Unit Camera Operator: Scott Montgomery
Additional DP: Joe D'Alessandro
Senior Finishing Colorist: Skip Kimball
Finishing Producer: Hershel Cohen
Finishing Editor: Ray Ruotolo
Company 3 CEO: Stefan Sonnenfeld ASC
Picture Car Coordinator: Justin Barnes
Filming Dates: 11 March 2019 - 1 September 2019 (Shot back-to-back with Parts II & III)
Camera: Alexa Mini (3.4K ARRIRAW)
Lenses: Panavision T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision

Director: Leigh Janiak
Composers: Marco Beltrami, Brandon Roberts
Add'l Composer: Marcus Trumpp
Scoring Consultant: Celeste Chada
Cinematographer: Caleb Heymann
Supervising Film Editor: Alan Edward Bell ACE
Film Editor: Rachel Goodlett Katz ACE
Add'l Film Editor: John Axelrad ACE
Production Designer: Scott Kuzio
Costume Designer: Amanda Ford
VFX Consultant: Rainer Gombos
Senior VFX Supervisor: Paul Graff
Unit Production Manger: Timothy M. Bourne
1st Assistant Director: Doug Torres
2nsd Assistant Director: Megan Schmidt
2nd 2nd Ass't Director: Katye Kalivoda
Add'l 2nd Ass't Director: Wendy Geary
Associate Producer: Heath M. Howard
Senior VFX Producer: Christina Graff
Stunt Coordinator: Alan D'Antoni
Stunts: Abigail D'Antobni, Ella D'Antoni, Dave Macomber
Art Director: Sean Brennan
Senior Concept Illustrator: Michael Maher Jr
Set Decorator: Jess Royal
A-Camera/Steadicam Operator: Nick Müller
B-Camera Operator: Jeff Crumbley SOC
B-Camera/Steadicam Operator: Brandon Thompson
Add'l Camera Operator: Joseph D'Alessandro
Senior SFX Supervisor: JD Schwalm
Senior SFX Coordinator: Jeffrey D. Woodrel
Transportation Consultant: Edward O'Donnell
Head of Music Preparation/Score Orchestrator: Mark Graham
Senior Finishing Colorist: Skip Kimball
Finishing Producer: Hershel Cohen
Finishing Editor: Ray Ruotolo
Company 3 CEO: Stefan Sonnenfeld ASC
VFX Producers: Tom Ford, Beth Howe
Senior VFX Production Managers: Josh Carlton, Matthew Silver Schitkovics
Senior VFX Coordinator; Alexa Furr
VFX Supervisor (In House VFX Team): John Weckworth
Senior Compositors (In House VFX Team): Caitlin V. Content, Joy Tiernan, Stephen Morton
NetFX VFX Supervisor: Jiwoong Kim
NetFX VFX Producer: Joyce Au
NetFX VFX Executive Producer: Rebecca West
Crafty Apes VFX Supervisor: Steve Dinozzi
Crafty Apes VFX Producer: Wes Dorough
Crafty Apes VFX Executive Producer: Chris LeDoux
BotVFX Supervisor: Sean Pollack
Bot VFX Producer: Hetal Jain
Bot VFX Associate Producer: Swetha Madapuri
Bot Roto Prep VFX Supervisor: Balaji Parthiban
Bot Prep VFX Supervisor: Sasi Kumar
Bot Roto VFX Supervisor: Suresh Manickam
Rodeo VFX Supervisor: Francois Dumoulin
Rodeo Executive VFX Supervisor: Sebastien Moreau
Rodeo VFX Producer: Melanie La Rue
Rodeo Executive VFX Producer: Chad Nixon
Mels VFX Supervisor: Jonathan Piche-Delorme
Mels VFX Producer: Cynthia Mourou
Picture Cars Consultant: Cyril O'Neil
Filming Dates: 11 March 2019 - 1 September 2019 (Shot back-to-back with Parts I & III)
Camera: Alexa Mini (3.4K ARRIRAW)
Lenses: Panavision T-Series Anamorphic Primes, H-Series Spherical Primes & Panaspeed Spherical Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes)
Color & Finish Provided by: Company 3
Score Recorded at: Abbey Road Studios London
Attribute: Filmed in Panavision

Director: Navot Papushado
Composer/Score Producer: Haim Frank Ilfman
Music Consultants: Acme Music, Nick Angel
Cinematographer: Michael Seresin BSC
Film Editor: Nicolas De Toth ACE
Production Designer: David Scheunemann
Supervising Art Director: Wolfgang Metschan
Costume Designer: Louise Frogley
Unit Production Manager: Michael Schwarz
1st Assistant Director: Ali Cherkaoui
Co-Producer: Rachel Henochsberg
Senior SFX Supervisor: Uli Nefzer
Ass't SFX Supervisor: Jonathan Martin
On-Set SFX Supervisor: Jens Schmiedel
Title Designer: Matt Curtis
Senior VFX Supervisor: Marc Jouveneau
Rise VFX Supervisor: Benjamin Burr
Senior VFX Producer: Steffen Hagen
Rise VFX Producer: Viktoria Rucker
Rise VFX Executive Producer: Robert Pinnow
Weapon Supervisor: Adolf Wojtinek
Weapons Coordinator: Dana Cafahi
Supervising Stunt Coordinator/Fight Choreographer: Laurent Demianoff
Ass't Fight Choreographer: Sebastien Peres
Stunt Coordinator: Volkhart Buff
Ass't Stunt Coordinator: Lee Huang
Camera Operators: Adrian Cranage, Johannes Heine, Ernest Wilczynski
A-Camera Operator: Sebastian Meuschel
Splinter Unit Camera Operator/Director of Photography: Leah Striker
Drone Unit Camera Operator: Martin Rinderknecht
Add'l Film Editors: Jonathan Amos ACE, Kayla Emter
Colorist: Vanessa Taylor
Picture Vehicle Coordinator: Alexander Stolle
Filming Dates: 5 June 2019 - 20 August 2019
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes & Leitz Thalia Primes
AR: 2.39:1 (4-Perf Super 35mm)
Visual Effects Provided by: Rise Visual Effects Studios
Score Recorded & Mixed at: Abbey Road Studios
Attribute: Camera Equipment Provided by Arri Rental

Director: Leigh Janiak
Composers: Marco Beltrami, Anna Drubich
Add'l Composers: Marcus Trumpp, Brandon Roberts
Score Consultant: Celeste Chada
Cinematographer: Caleb Heymann
Supervising Film Editor: Alan Edward Bell ACE
Film Editor: Rachel Goodlett Katz ACE
Add'l Film Editor: John Axelrad ACE
Production Designer: Scott Kuzio
Costume Designer: Amanda Ford
VFX Consultant: Rainer Gombos
Lead VFX Designer: Andrew Hawryluk
VFX Designer/Concept Artist: John Chalfant
Senior VFX Supervisor: Paul Graff
Co-Producer/Post-Production Supervisor: Jeffrey Harlacker
Unit Production Manager: Timothy M. Bourne
Co-Producer/1st Assistant Director: Doug Torres
2nd Assistant Director: Megan Schmidt
2nd 2nd Ass't Director: Kayte Kalivoda
Associate Producer/Production Supervisor: Heath M. Howard
Senior VFX Producer: Christina Graff
Stunt Coordinator: Alan D'Antoni
Art Director: Sean Brennan
Ass't Art Director: John Snow
Set Decorator: Jess Royal
A-Camera/Steadicam Operator: Nick Müller
B-Camera Operator: Jeff Crumbley SOC
C-Camera/Steadicam Operator: Brandon Thompson
2nd Unit Camera Operators: Billy O'Drobinak, Stewart Smith
Senior SFX Supervisor: JD Schwalm
Mechanical SFX Supervisor: Nicholas Byrd
Senior SFX Coordinator: Jeffrey Woodrel
Transportation Consultant: Edward O'Donnell
Picture Car Consultant: Cyril O'Neil
Weather Consultant: Brett Zweiback
Head of Music Preparation: Mark Graham
Senior Finishing Colorist: Skip Kimball
Finishing Producer: Hershel Cohen
Finishing Editor: Ray Ruotolo
Company 3 CEO: Stefan Sonnenfeld ASC
Drone Unit Camera Operator: Scott Montgomery
VFX Producers: Beth Howe, Tom Ford
VFX Coordinators: Alexa Forr, Chelsea Johnston
VFX Unit Production Managers: Josh Carlton, Colleen Murphy, Matthew Silver Schitkowiz
In-House VFX Supervisor: John Weckworth
NetFX VFX Supervisor: Jiwoong Kim
NetFX VFX Producer: Joyce Au
NetFX VFX Executive Producer: Rebecca West
Crafty Apes VFX Supervisor: Steve Dinozzi
Crafty Apes VFX Plate Unit Supervisor: Nicholas Johnson
Crafty Apes VFX Producer: Wes Dorough
Crafty Apes VFX Executive Producer: Chris LeDoux
Bot VFX Supervisor: Sean Pollack
Bot VFX CG Supervisor: Persie Erach Jalganowala
Bot VFX 3D Supervisor: Bala Morarji TP
Bot VFX Roto Prep Supervisor: Balaji Parthiban
Bot VFX Prep Supervisor: Sasi Kumar
Bot VFX Roto Supervisor: Suresh Manickam
Bot VFX Producer: Hetal Jain
Bot VFX Associate Producer: Swetha Madapuri
Executive in Charge of Visual Effects (Bot VFX): Hitesh Shah
Rodeo VFX Supervisors: Francois Dumoulin, Thomas Hullin
Rodeo VFX Producer: Melanie La Rue
Rodeo Executive VFX Supervisor: Sebastien Moreau
Rodeo Executive VFX Producer: Chad Nixon
Rodeo Effects Supervisor: Sominik Kirouac
Mels VFX Supervisor: Jonathan Piche-Delorme
Mels Add'l VFX Supervisor: Alexandre Tremblay
Mels VFX Producer: Cynthia Mourou
BUF VFX Art Director: Pierre Buffin
BUF VFX Supervisor: Natasha Leroux
BUF VFX Producer: Philippe Lepine
Add'l VFX Illustrator/Concept Artist: Houston Sharp
Add'l VFX Concept Artist: Joseph Christopher Pepe
VFX Matte Painter: Steven Messing
Filming Dates: 11 March 2019 - 1 September 2019 (Shot back-to-back with Parts I & II)
Camera: Alexa Mini (3.4K ARRIRAW)
Lenses: Panavision T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Sore Recorded at: Abbey Road Studios & The Church Studios
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision

Director: Augustine Frizzell
Executive Producers: Felicity Jones, Shalaine Woodley, Jojo Meyers
Composer: Daniel Hart
Cinematographer: George Steel BSC
Film Editor: Melanie Oliver
Production Designer: James Merifield
Costume Designer: Anna Robbins
2nd Unit Director: James M. Johnston
Senior SFX Supervisor: Neal Champion
Senior VFX Supervisor: Murray Barber
Senior VFX Executive Producer: Clare Norman
Stunt Coordinator: Neil Finnighan
Drone Unit Camera Operator: Alejandro Maestra
Picture Car Coordinator: Michael Geary
Filming Dates: 1 November 2019 - 15 December 2019
Camera: Red Monstro (8K Redcode RAW)
AR: 2.39:1 (Anamorphic)

Director: Peter Thorwarth
Producer/2nd Unit Director: Benjamin Munz
Cinematographer: Yoshi Heimrath
Cinematographer (Cologne & Airport Unit): Maximilian Hoever
Production Designer: Uwe Stanik
Film Editor: Knut Hake
Costume Designer: Dvoráková Terezie
Overall Senior VFX Supervisor: Niels Rinke
Composer: Dascha Dauenhauer
Stunt Coordinator: Radek Bruna
Ass't Stunt Coordinator: Michal Patek
Fight Choreographer: Jan Loukota
Add'l Camera Operator: Christoph Greiner
Steadicam Operator: Daniel Vagenknecht
Senior SFX Supervisor: Kamil Jaffar
2nd Unit DPs: Carlo Jelavic, Maher Maleh, Peter Matjasko
Germany Unit Set Decorator: Julien Weizenhöfer
Scanline VFX Supervisor: Falk Büttner
Scanline VFX Associate VFX Supervisors: Jan Krupp, Roland Langschwert, Leonardo Costa
Scanline VFX Department Coordinator: Laura Jane Dart
Scanline VFX Producer: Katharina Hofmann
Scanline VFX Executive Producer: Michel Mielke
Scanline VFX Associate VFX Producer: Caro Giessler
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: Hawk65 Anamorphic Primes & Vantage Nikkor Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes)
Budget: 17.7 Million USD
Visual Effects Provided by: Scanline VFX
Attribute: Camera Equipment Provided by Vantage Film

Director/Story Writer: Peter Winther
Producer: Lars P. Winther
Cinematographer: Tom Camarda
Production Designer: Travis Zariwny
Film Editor: Robin Gonsalves
Composer: Sacha Chaban
Unit Production Manager: Michael D. Jones
1st Assistant Director: Matthew D. Smith
Stunt Coordinator: Brett Sheerin
1st Assistant B-Camera: Nick Bianchi
Gaffer: Thomas Pugh
Senior SFX Supervisor: Chris Bailey
VFX Artist: May Satsuki Asai
Add'l Film Editor: David Heinz
Dailies & Supervising DI Colorist: Jonny Revolt
AR: 2.39:1

Director: Vince Marcello
Composer: Patrick Kirst
Dance Choreographers: Paul Becker, Tori Caro
Costume Designer: Neil McClean
Film Editor: Paul Millspaugh ACE
Production Designer: Iñigo Navarro
Cinematographer: Anastas Michos ASC GSC
Executive Producer: Joey King
Unit Production Manager: Michele Weisler
1st Assistant Director: Tony McLeod
Line Producer: Darren Cameron
Stunt Coordinator: Mick 'Stuntie' Milligan
On-Set Dance Choreographer: Natalie Fisher
Durban Unit Stunt Coordinator: Jako Van Heerden
Set Decorator: Lisa Hart
A-Camera Operator: Gaopie Kabe
B-Camera Operator: Meike Chinnery
C-Camera Operator: Akene Farmer-Michos
C-Camera Operator/2nd Unit B-Camera Operator: Guy Hodgen
Steadicam Operator: Sarel Pretorius
Add'l Operators: Philip Francis, Eeb Hajee
Senior SFX Supervisor: Andrew Robertson
Senior SFX Coordinator: Lee Groenweld
Picture Vehicle Coordinator: Jason Furness
2nd Unit Director: Hank Amos
2nd Unit DP: George Amos
2nd Unit Stunt Coordinator: Vernon Willemse
2nd Unit Terra Cam Operator: Stefan Van Zyl
LA Unit Stunt Coordinator: James M. Churchman
LA Unit A-Camera Operator: Calum McFarlane
LA Unit B-Camera Operator: Will Dearborn
Mexico Unit Drone DP: Aleph Alighieri
Mexico Unit A-Camera Operator: Luis Aldana
Mexico Unit B-Camera Operator: Rene Marin
SF Unit 1st Ass't Camera: Jeph Folkins
1st Ass't Editor/Add'l Film Editor: Franz Königswieser
Senior VFX Producers: Tyler Cordova, Jeff Winkle
CoSA VFX Supervisor: Chris Lance
CoSA VFX Producer: Jason Spratt
Folks Senior VFX Supervisor: Wayne England
Folks VFX Producers: Marie-Pierre Boucher, Sarah Wormsbecher
NetFX VFX Supervisor: Filip Sustek
NetFX VFX Producer: Tara DeSimone
Motif Studios VFX Supervisor: Craig Parker
Motif Studios VFX Producer: Jacques Bock
Wylie Co. Executive VFX Producer: Jake Maymudes
Wylie Co. VFX Supervisor: Patrick Heinen
Crafty Apes VFX Supervisor: Tim LeDoux
Crafty Apes Co-VFX Supervisor: Brandon Nelson
Crafty Apes VFX Producer: Molly Pabian
Crafty Apes VFX Executive Producer: Jason Sanford
Colorist: John Persichetti
Senior VFX Executive: Petra Mcelvenny
Filming Dates: 1 April 2019 - 17 August 2019 (Shot back-to-back with TKB2)
Camera: Millennium DXL2 (6K Redcode RAW)
Lenses: Panavision Primo Spherical Primes & PVintage Spherical Primes
AR: 2.20:1 (Super 35mm)
Attribute: Filmed in Panavision

Director: Ferdinando Cito Filomarino
Composer: Ryuichi Sakamoto
Cinematographer: Sayombhu Mukdeeprom
Film Editor: Walter Fasano
Production Designer: Elliott Hostetter
Costume Designer: Giulia Piersanti
Senior SFX Supervisor: Adrian Popescu
Senior VFX Supervisor: Kev Cahill
Crafty Apes VFX Supervisor: Christian Wood
Senior VFX Producer: Suzanne C. Robertson
On-Set VFX Producer: Virginia Cefaly
VFX Executive Producer: Chris LeDoux
Weta VFX Producer: Rene Sekula
Weta VFX Executive Producer: David Conley
Stunt Coordinator: Steve Griffin
Stunt Performer/Stunt Coordinator: Babis Hawk Konstantinou
Stunt Driver/Stunt Coordinator: Kaloian Vodenicharov
Camera Operator: Christos Douros
B-Camera Operator: Massimiliano Kuveiller
Colorist: Alessandro Pelliccia
Cameras: Arricam LT, ST, Arriflex 235, 435 & 535 (35mm Kodak Vision3 500T 5219)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 1.85:1 (4-Perf Super 35mm)
Visual Effects Provided by: Weta Digital

Director: Brian Andrew Mendoza
Casting: Denise Chamian CSA
Co-Producers/Screenwriters: Gregg Hurwitz, Philip Eisner
Composer: Steven Price
Costume Designers: Michael Ground, Luca Mosca
Film Editors: Matt Chesse ACE, Michael McCusker ACE, Brad Besser
Production Designer: Andrew Menzies
Cinematographer: Barry Ackroyd BSC
Cinematographer/A-Camera Operator (LA Add'l Photography Unit): Thomas Scott Stanton
Executive Producer/Unit Production Manager: Mark Kamine
Producers: Jason Momoa, Brad Peyton
1st Assistant Director: Michele Ziegler
2nd Assistant Director: Xanthus Valan
Associate Producer: James Mendoza
Stunt Coordinator: Jon Valera
Stunt Coordinator (Add'l Photography)/Fight Coordinator: Jeremy Marinas
Supervising Art Director: Bryan Felty
Senior Graphic Designer: J. Simon Jones
Set Decorator: Cynthia La Jeunesse
Underwater Unit DP: Pete Romano ASC
A-Camera/Steadicam Operator: Will Arnot SOC
C-Camera Operator: Markus Mentzer
1st Assistant A-Camera: Jimmy Jensen
1st Assistant B-Camera: Hector Rodriguez
Gaffer: Kelly Clear
Senior SFX Supervisor: JD Schwalm
Senior SFX Coordinator: Ken Gorrell
Picture Car Coordinator: Ed Coennen
2nd 2nd Ass't Director: Harry Beckstead
2nd Unit Director: Chris O'Hara
2nd Unit DPs: Paul Hughen ASC, Bruce McCleery ASC
2nd Unit Camera Operator: Reid Murphy
B-Camera (LA Add'l Photography Unit)/2nd Unit A-Camera Operator: Maurice Keith McGuire SOC
2nd Unit A-Camera Operator: Kent Harvey SOC
2nd Unit 1st Ass't A-Camera: Brad Peterman
2nd Unit B-Camera Operators: John Garrett, Jeff Garton
2nd Unit D-Camera Operator: John Moyer SOC
Aerial Unit DP: Hans Bjerno ASC
Aerial Unit Camera Operator: Dan Godar
Aerial Unit Shotover Technician: Dane Bjerno
Unit Production Manager (LA Add'l Photography Unit): Will Greenfield
Set Decorator (LA Add'l Photography Unit): Lynda Burbank
B-Camera Operator (LA Add'l Photography Unit): Per Larsson
SFX Supervisor/Coordinator (LA Add'l Photography Unit): Jeremy Hays
On-Set VFX Supervisor (LA Add'l Photography Unit): Andre Bustanoby
Senior VFX Producer: Jacob Eaton
VFX Producers: Ketan Karekar, Sonia Marques
Redefine Senior VFX Supervisors: Andrew Simmonds, Sunil Kamath
Redefine VFX Producers: Jignesh Mehta, Bakshad Amrolia
Senior Finishing DI Colorist: Walter Volpatto
Finishing DI Producer: Vanessa Galves
Finishing DI Editor: Chris Doerr
Finishing DI Coordinators: Kelsea Williams, Caroline Chadbourne
Dailies Colorist: Shane O'Connor
Company 3 CEO: Stefan Sonnenfeld ASC
Filming Dates: 11 November 2019 - 11 February 2020
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 2.39:1 (Super 35mm)
Score Recorded at: Air Studios, London
Visual Effects Provided by: Redefine
Color, Finishing & Dailies Provided by: Company 3
Attribute: Camera Equipment Provided by Arri Rental

Director: Cedric Nicolas-Troyan
Producer: David Leitch
Cinematographer: Lyle Vincent
Production Designer: Dominic Watkins
Costume Designer: Audrey Fisher
Film Editors: Elísabet Ronaldsdóttir ACE, Sandra Montiel
Composer: Nathan Barr
Senior VFX Supervisor: Björn Mayer
Senior VFX Producer: Taylor W. Rockwell
Co-Producer/Unit Production Manager: Anthony J. Vorhies
1st Assistant Director: KC Colwell
Stunt Coordinator/2nd Unit Director: Jonathan Eusebio
2nd Unit Stunt Coordinator: Spencer Sano
Thailand Unit Stunt Coordinator: Seng Kawee
Supervising Art Director: Charlie Revai
A-Camera Operator: Frank Larson
Add'l Film Editor: Jim Carretta
Senior SFX Supervisor: David Neil Trifunovich
2nd Unit DP: Michael Svitak
2nd Unit Camera Operator: Thitinun Lerdkijsakul
2nd Unit Steadicam Operator: Watcharawit Ya-Inta
Hawaii Unit Set Decorators: Kaanoipono Cabrinha, Linda Lee Sutton
Japan Unit Aerial DP: Jitsu Toyoda
Unit Production Manager (LA Unit: Add'l Photography)/Line Producer: Bruce Wayne Gillies
LA Unit SFX Supervisors (Add'l Photography): Roy Cancino, Quinton Farina
Senior Finishing Colorist: Tom Poole ASC
DI Producer: Dean Mozian
Finishing Editor: John Diesso
Head of Production for Company 3: Margaret Lewis
VFX Executive: Petra McElvenny
Mr. X Inc. VFX Supervisor: Eric Robinson
Filming Dates: September 16, 2019 - November 29, 2019
Camera: Sony CineAlta Venice (AXS-R7)
Lenses: Panavision C-, T-Series Anamorphic Primes, Super High Speed Anamorphic Primes & Hawk V-Lite 1.3x Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision

Director: David Yarovesky
Producer: Sam Raimi
Cinematographer: Robert McLachlan ASC CSC
Production Designer: Anastasia Masaro
Senior VFX Supervisor: Matt Glover
Senior VFX Producer: Crystal Dowd
Costume Designer: Autumn Steed
Film Editor: Peter Gvozdas
Composer: Michael Abels
Stunt Coordinators: Shelley Cook, Robert Racki
Senior SFX Coordinator: Duncan Orthner
Senior VFX Coordinator: Katie Hoyt
Executive in Charge of Production: Paddy Kelly
Supervising Digital Colorist: Mitch Paulson ASC
Filming Dates: October 14, 2020 - December 17, 2020
Lenses: Hawk65 Vintage '74 Anamorphic Primes & V-Lite 1.3x Vintage '74 Anamorphic Primes
AR: 2.39:1 (Anamorphic)

Director: Theodore Melfi
Cinematographer: Lawrence Sher ASC
Production Designer: Stephanie Hamilton
Film Editors: Matt Friedman, Peter Teschner
Composer: Benjamin Wallfisch
Costume Designer: Susie DeSanto
Stunt Coordinator: Luci Romberg
Camera Operator: Micky Froehlich SOC
Senior SFX Supervisors: Mark R. Byers, Ken Rudell
DI Colorist: Mike Sowa ASC
Filming Dates: 2 August 2019 - 19 September 2019
Cmaeras: Arricam LT & ST (35mm Kodak Vision3 500T 5219)
Lenses: Leitz Summilux-C Primes
AR: 2.39:1 (3-Perf Super 35mm)
Visual Effects Provided by: Crafty Apes

Director: Santiago Menghini
Producer: Jonathan Cavendish
Executive Producer: Andy Serkis
Cinematographer: Stephen Murphy BSC ISC
Production Designer: Chris Richmond
Film Editor: Mark Towns
Composer: Mark Korven
Costume Designer: Ana Ioneci
Stunt Coordinator: Ciprian Dumitrascu
A-Camera Operator: Liviu Pojoni Jr
B-Camera Operator: Cosmin Fericeanu
B-Camera/Steadicam Operator: Roger Tooley
SFX Makeup Designer: Ionel Popa
Art Director (US Portion Unit): Jim Warren
Colorist: Dan Moran
Camera: Sony CineAlta Venice (AXS-R7)

Director: Antoine Fuqua
Producer: Jake Gyllenhaal
Cinematographer: Maz Makhani
Production Designer: Peter Wenham
Film Editor: Jason Ballantine
Senior VFX Supervisor: Mike Stillwell
Senior VFX Producer: Mary Hayden
Composer: Marcelo Zarvos
Costume Designer: Daniel Orlandi
Stunt Coordinator: Lin Oeding
Stunt Performer: Nico Woulard
A-Camera/Steadicam Operator: James Goldman
B-Camera Operator: Christian Gibson
C-Camera Operator: Luke Rocheleau
Add'l Camera Operators: Mobolaji Olaoniye, TJ Williams Jr
On-Set VFX Supervisor: Corey Turner
Senior SFX Supervisor: Mark Hawker
Senior Finishing Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: Adam Nazarenko
Filming Dates: 1 November 2020 - 24 November 2020
Cameras: Arri Alexa (Digital)
Lenses: Hawk Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Color & Picture Finish Provided by: Company 3

Director: Patrick Brice
Writer: Henry Gayden
Producers: Shawn Levy, James Wan
Cinematographer: Jeff Cutter
Production Designer: William Arnold
Film Editor: Michel Aller
Composer: Zachary Dawes
Senior VFX Supervisor/2nd Unit Director: Jonathan MacPherson
2nd Unit Director/Director of Photography: Ronald Hersey
Stunt Coordinator: Dan Shea
VFX Supervisor: David Crawford
Add'l VFX Supervisor: Jimmy Udo
Senior SFX Coordinator: Paul Benjamin
Picture Car Coordinator: Andrew Anderson
Art Director (Add'l Photography): Craig Humphries
B-Camera Operator (Add'l Photography): Andrew Thompson
Senior Supervising Colorist: Maxine Gervais
Associate Digital Colorist: Jeff Pantaleo
Senior Finishing Editor: Erik Kaufmann
Filming Dates: 22 August 2019 - 18 October 2019

Director: Adam Randall
Cinematographer: Eben Bolter BSC
Production Designer: Jeremy Reed
Composers: Drum & Lace, Ian Hultquist
Costume Designer: Donna Maloney
Stunt Coordinators: Casey Adams, Chelsea Bruland
Fight Coordinator: Michael Yahn
A-Camera/Steadicam Operator: Orlando Duguay
SFX Consultant: Donnie Dean
Senior SFX Supervisor: Matt Kutcher
Senior SFX Coordinator: Matthew Brady Harris
LA Unit On-Set VFX Supervisor: Daniel Jeannette
Senior VFX Coordinator: Katie Hoyt
Executive in Charge of Visual Effects: Paddy Kelly
Filming Dates: February 2020, September 2020
Camera: Alexa Mini (Digital)
Lenses: Caldwell Chameleon Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 21.7 Million USD
Attribute: Camera Equipment Provided by Arri Rental

Director/Producer: Matthias Schweighöfer
Screenwriter/Story Writer: Shay Hatten
Story Writer/Producer: Zack Snyder
Producers: Deborah Snyder, Wesley Coller, Misha Bukowski
Cinematographer: Bernhard Jasper
Film Editor: Alexander Berner
Composers: Hans Zimmer, Steve Mazzaro
Costume Designer: Stephanie Portnoy Porter
2nd Unit Director: Matthew Rugetti
2nd Unit Director/Director of Photography: Ralph Kaechele
Unit Production Manager: Jan R. Martin
Stunt Coordinator: Josef Jelínek
Stunt Performer/2nd Unit Stunt Coordinator: Marek Svitek
Camera Operator: Jan Loukota
Add'l Film Editor: Philipp Thomas
Filming Dates: September 2020 - December 2020
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: Nikon Nikkor Primes
AR: 2.00:1 (Super 35mm)
Attribute: Camera Equipment Provided by Vantage Film

Director: Jeymes Samuel
Co-Writer: Boaz Yakin
Producers: Shawn "Jay-Z" Carter, James Lassiter
Cinematographers: Sean Bobbitt BSC, Mihai Malaimare Jr
Production Designer: Martin Whist
Costume Designer: Antoinette Messam
Senior VFX Supervisor: Kris Wood
Senior VFX Producer: David PI James
2nd Unit Director: GA Aguilar
Stunt Coordinators: Richard Bucher, Keith Woulard
Co-Stunt Coordinator: Johnny Yang
Utility Stunts/Fight Choreographer: Aviel Ayoung
Utility Stunts: Nico Woulard
B-Camera/Steadicam Operator: David Chameides
Senior SFX Coordinator: Brandon K. McLaughlin
2nd Unit DP: Lukasz Jogalla
2nd Unit B-Camera/Steadicam Operator: John C. Lerman
Drone Unit Camera Operator: Ryan Bushman
Senior Finishing Colorist: Tim Stipan ASC
Filming Dates: September 2020 - 16 December 2020, July 2021 (Add'l Photography)
Capture Format: Anamorphic/Super 35mm/Panavision Super 70 Hybrid
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision Primo ALZ3 Hubble (270-840mm) Zoom, Primo SL125mm, Primo 70 (200-400mm) Zoom, Primo Artiste 150mm, G28mm, H12mm, T-Series Anamorphic Primes, Panaspeed Spherical Primes, APO Panatar Anamorphic Primes, Ultra Panatar 40mm, Lightweight 17.5-34mm + 27-68mm Zooms, Helios 58mm + 85mm Primes & Sphero 65 180mm
AR: 2.39:1 (Final Aspect Ratio)
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision

Director: Hernán Jiménez
Producer: Joseph McGinty Nichol (McG)
Cinematographer: Shane Hurlbut ASC
Cinematographer (Add'l Photography): Michael Svitak
Production Designer: Patrick M. Sullivan Jr
Film Editor: Priscilla Nedd-Friendly ACE
Costume Designer: Anninka Velie
Composer: Mark Orton
Camera Operator: Mark Miller
A-Camera/Steadicam Operator: Brett Manyluk
Senior VFX Producer: Rebecca Matkaluk
Senior VFX Coordinator: Casey Roberts
Digital Colorist: Mark Griffith
Filming Dates: 5 October 2020 - 24 November 2020
Camera: Red Gemini (5K Redcode RAW)
Lenses: Leitz Summicron-C Primes & Canon Zooms

Director/Writer/Producer: Rebecca Hall
Producer: Forest Whitaker
Cinematographer: Eduard Grau ASC
Production Designer: Nora Mendis
Film Editor: Sabine Hoffman
Costume Designer: Marci Rodgers
Composer: Devonté Hynes
Stunt Coordinator: Chris Cenatiempo
A-Camera/Steadicam Operator: Aaron Brown
B-Camera Operator: Derek Means
Senior VFX Supervisor: David Tecson
Senior SFX Supervisor: Eugene Hitt
DI Coordinator: Kyle Flannery
Supervising Colorist: Joe Gawler
Colorist: Roman Hankewycz
Ass't Colorist: Sam Fischer
DI Producer: James Reyes
Camera: Alexa Mini (2.8K ARRIRAW)
Lenses: Lomo Anamorphic Primes
AR: 1.33:1 (Anamorphic: Final Aspect Ratio), 2.66:1 (Anamorphic: Shooting Aspect Ratio)
Attribute: Camera Equipment Prodvided by Arri Rental

Director: Rawson Marshall Thurber
Producer: Dwayne "The Rock" Johnson
Cinematographer: Markus Förderer ASC BVK
Cinematographer (Rome Car Chase Unit): Jonathan Taylor ASC
Cinematographer (London Add'l Photography): Roger Vernon CSC
Production Designer: Andy Nicholson
Film Editor: Michael L. Sale ACE
Composer: Steve Jablonsky
Add'l Music: Sven Faulconer
Costume Designer: Mary E. Vogt
Senior VFX Supervisor: Richard R. Hoover
Senior VFX Producer: Blondel Aidoo
Supervising Stunt Coordinator/2nd Unit Director: George Cottle
Associate Producer/Unit Production Manager: Mika Saito
Executive in Charge of Production: Basil Bryant Grillo
Health & Safety Manger: Robert 'Skid' Skidmore
Stunt Coordinator: Doug Coleman
Stunt Co-Coordinator: Brian Machleit
Fight Coordinator: Jackson Spidell
Stunts/Stunt Previs/Ass't Fight Coordinator: Nick Benseman
Supervising Art Directors: Jason Knox-Johnston, Rory Bruen
Set Decorators: Larry Dias, Danielle Berman
A-Camera/Steadicam Operator: Geoffrey Haley SOC
Add'l B-Camera Operator/2nd Unit C-Camera Operator: Ian Clampett
C-Camera/Steadicam Operator: Mark La Bonge
B-Camera Operator (London Add'l Photography)/C-Camera Operator: Jesse Roth SOC
VFX Supervisor: Kate Yang
Senior VFX Data Wrangler: Caleb Baltensperger
2nd Unit VFX Data Wrangler: Robert C. Rhodes
Senior VFX Concept Artist: Luca Gabriele Rossetti
Personal Make-Up Artist for Gal Gadot: Sarah Brock
Hair & Make-Up Artist for Gal Gadot: Claire Burgess
Aerial Unit Camera Operator: Dan Godar
Drone Unit Camera Operator: Scott Montgomery
Underwater Unit Camera Operators: Bill McClelland, Sean Ruggeri
2nd Unit DP: Carlos De Carvalho ASC BSC
2nd Unit A-Camera Operators: Matt Petrosky SOC, Keith Peterman
2nd Unit B-Camera Operator: Tiko Pavoni
2nd Unit 1st Ass't A-Camera: Hayden Pazanti
Unit Production Manager (Italy Unit): Filippo Baldasso
Italy Unit Stunt Coordinator: Giorgio Antonini
Italy Unit SFX Supervisor: Danilo Bollettini
Italy Unit SFX Coordinator: Lucia Guidano
Supervising Stunt Coordinator/2nd Unit Director (Rome Car Chase Unit): Gregg Smrz
Rome Car Chase Unit Stunt Coordinator: Karl Van Moorsel
Art Director (London Add'l Photography): Kevin C. Lang
ILM CG Supervisor: Steve Sauers
ILM Senior Effects Technical Director: Matthieu Chardonnet
ILM Roto/Paint Artist: Eugene Matthew Cheong
ILM Lead Model Maker: Mike Hong
ILM Senior Layout Artist: Felder Kwek
ILM Digital Resource Manager: Betty Shaw
Framestore VFX Colorist: Colin P. Brown
Senior Finishing Colorist: Walter Volpatto
Filming Dates: January 3, 2020 - March 2020 (Pre-Covid Lockdown), September 14, 2020 - November 18, 2020, August 2021 (London Add'l Photography)
Cameras: Red Komodo & Ranger Monstro (6K/8K Redcode RAW)
Lenses: Panavision APO Panatar Anamorphic Primes & Ultra Panatar Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 160-200 Million USD
Visual Effects Provided by: Industrial Light & Magic + Framestore
Color & Picture Finish Provided by: Company 3
Attribute: Filmed in Panavision

Director/Producer: Lin-Manuel Miranda
Producers: Ron Howard, Brian Grazer
Co-Producer/Unit Production Manager: Deb Dyer
Cinematographer: Alice Brooks ASC
Production Designer: Alex DiGerlando
Film Editors: Myron Kerstein ACE, Andrew Weisblum ACE
Composer: Jonathan Larson
Senior VFX Supervisor: John Bair
Senior VFX Producer: Lisa Kelly
Stunt Coordinator: Scott Burik
Art Director: Deborah Wheatley
A-Camera/Steadicam Operator: Michael Fuchs
Digital Imaging Technician: Abby Levine
Add'l On-Set VFX Supervisor: Renuka Ballal
Senior VFX Coordinator: Sophie-Ann Price
Senior SFX Coordinator: Jeff Brink
2nd Unit DP: James Gucciardo
Underwater Unit Camera Operator: Sean P. Gilbert
A-Camera Operator (Add'l Photography): Stanley Fernandez Jr
Senior Finishing Colorist: Stephen Nakamura
Filming Dates: March 2020 - April 2020 (Pre-Covid Lockdown), October 2020 - November 2020
Camera: Millennium DXL2 (7K Redcode RAW)
Lenses: Panavision G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision

Director: Halle Berry
Cinematographer: Frank G. DeMarco
Cinematographer/Camera Operator: Joshua Reis
Production Designer: Elizabeth J. Jones
Film Editor: Jacob Craycroft
Costume Designer: Mirren Gordon-Crozier
Composer: Terence Blanchard
Score Production Consultant: Celeste Chada
Stunt Coordinator: William Cote
Camera Operator: Ramulas Burgess
Post-Production Executive: Perri Silver
DI Colorist: Jack Lewars
Filming Dates: November 2019 - 20 December 2019