Strange Days 1995 (LA) premiere

Actor Ralph Nathaniel Twisleton-Wykeham-Fiennes was born on December 22, 1962 in Suffolk, England, to Jennifer Anne Mary Alleyne (Lash), a novelist, and Mark Fiennes, a photographer. He is the eldest of six children. Four of his siblings are also in the arts: Martha Fiennes, a director; Magnus Fiennes, a musician; Sophie Fiennes, a producer; and Joseph Fiennes, an actor. He is of English, Irish, and Scottish origin.

A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre. Fiennes first worked on screen in 1990 and then made his film debut in 1992 as Heathcliff in Emily Brontë's Wuthering Heights (1992), opposite Juliette Binoche. 1993 was his "breakout year". He had a major role in the controversial Peter Greenaway film The Baby of Mâcon (1993), with Julia Ormond, which was poorly received. Later that year he became known internationally for portraying the amoral Nazi concentration camp commandant Amon Goeth in Steven Spielberg's Schindler's List (1993). For this he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor. He did not win, but did win the Best Supporting Actor BAFTA Award for the role, as well as Best Supporting Actor honors from numerous critics groups, including the National Society of Film Critics, and the New York, Chicago, Boston, and London Film Critics associations. His portrayal as Göth also earned him a spot on the American Film Institute's list of Top 50 Film Villains. To look suitable to represent Goeth, Fiennes gained weight, but he managed to shed it afterwards. In 1994, he portrayed American academic Charles Van Doren in Quiz Show (1994). In 1996, he was nominated for the Academy Award for Best Actor for his performance as Count Almásy the World War II epic romance, and another Best Picture winner, Anthony Minghella's The English Patient (1996), in which he starred with Kristin Scott Thomas. He also received BAFTA and Golden Globe nominations, as well as two Screen Actors Guild (SAG) Award nominations, one for Best Actor and another shared with the film's ensemble cast.

Since then, Fiennes has been in a number of notable films, including Strange Days (1995), Oscar and Lucinda (1997), the animated The Prince of Egypt (1998), István Szabó's Sunshine (1999), Neil Jordan-directed films The End of the Affair (1999) and The Good Thief (2002), Red Dragon (2002), Maid in Manhattan (2002), The Constant Gardener (2005), In Bruges (2008), The Reader (2008), co-starring Kate Winslet, Kathryn Bigelow's Oscar®-winning The Hurt Locker (2008), Clash of the Titans (2010), Mike Newell's screen adaptation of Charles Dickens'Great Expectations (2012), with Helena Bonham Carter and Jeremy Irvine, and Wes Anderson's The Grand Budapest Hotel (2014).

He is also known for his roles in major film franchises such as the Harry Potter film series (2005-2011), in which he played the evil Lord Voldemort. His nephew, Hero Fiennes Tiffin played Tom Riddle, the young Lord Voldemort, in Harry Potter and the Half-Blood Prince (2009). Ralph also appears in the James Bond series, in which he has played M, starting with the 2012 film Skyfall (2012).

In 2011, Fiennes made his directorial debut with his film adaptation of Shakespeare's tragedy political thriller Coriolanus (2011), in which he also played the title character, opposite Gerard Butler and Vanessa Redgrave. Fiennes has won a Tony Award for playing Prince Hamlet on Broadway.

In 2015, Fiennes played a music producer in Luca Guadagnino's A Bigger Splash (2015), starring opposite Tilda Swinton and Matthias Schoenaerts, and in 2016, Fiennes starred in Joel and Ethan Coen's Hail, Caesar! (2016).

Since 1999, Fiennes has served as an ambassador for UNICEF UK.

Captivating, gifted, and sensational, Angela Bassett's presence has been felt in theaters and on stages and television screens throughout the world. Angela Evelyn Bassett was born on August 16, 1958 in New York City, to Betty Jane (Gilbert), a social worker, and Daniel Benjamin Bassett, a preacher's son. Bassett and her sister D'nette grew up in St. Petersburg, Florida with their mother. As a single mother, Betty stressed the importance of education for her children. With the assistance of an academic scholarship, Bassett matriculated into Yale University. In 1980, she received her B.A. in African-American studies from Yale University. In 1983, she earned a Master of Fine Arts Degree from the Yale School of Drama. It was at Yale that Bassett met her husband, Courtney B. Vance, a 1986 graduate of the Drama School.

Bassett first appeared in small roles on The Cosby Show (1984) and Spenser: For Hire (1985), but it was not until 1990 that a spate of television roles brought her notice. Her breakthrough role, though, was playing Tina Turner, whom she had never seen perform before taking the role, in What's Love Got to Do with It (1993). Bassett's performance earned her an Academy Award nomination and a Golded Globe Award for Best Actress.

Born on August 21, 1939, the son of a displaced musician, Harlem-born actor Clarence Williams III was raised by his musical grandparents, the legendary jazz and boogie-woogie composer/pianist Clarence Williams, who wrote such classics as "T'Aint Nobody's Business If I Do" and "Baby, Won't You Please Come Home," and blues singer Eva Taylor. While attending a local YMCA as a teen, Williams became interested in dramatics.

After a two-year hitch with the U.S. Air Force, he started his acting career, making a minor New York stage debut with "The Long Dream" in 1960. He continued impressively with roles in "Walk in Darkness" (1963), "Sarah and the Sax" (1964) and "Doubletalk" (1964), and capped his early career with a Theatre World Award and Tony-nomination for the three-person play "Slow Dance on the Killing Ground" (1964). Continuing on with powerful work in "Does a Tiger Wear a Necktie?" (1966) and "King John," Vietnam-era Hollywood finally began to take notice of his "angry young man" charisma.

His casting as former delinquent-turned-undercover cop Linc Hayes on the highly popular TV cop series Mod Squad (1968) along with fellow white partners Michael Cole and Peggy Lipton was a huge break for all three relative unknowns. Sporting a huge Afro, paisley shirts, dark shades and spouting catchprase language like "dig it" and "solid," the gap-toothed Linc (and his mod partners) showed the requisite anti-establishment defiance and coolness to attract the hip generation--while still playing good guys.

Following the series' demise in 1973, he purposely avoided the "blaxploitation" Hollywood scene and returned to the stage, notably on Broadway opposite Maggie Smith in Tom Stoppard's play "Night and Day" (1979). In the 80s he launched an enviable character career in films, often playing a cool, streetwise character or threatening menace. Among his better-known on-screen assignments is the role of Prince's abusive father in Purple Rain (1984), a burnt-out political activist in the spoof I'm Gonna Git You Sucka (1988), the recurring part of Roger Hardy in the twisted cult TV series Twin Peaks (1990), a good-guy cop in Deep Cover (1992), an rioter in the Attica-themed mini-series Against the Wall (1994) and Wesley Snipes heroin-addicted dad in Sugar Hill (1993), among others. Powerful roles on such shows as "Law & Order," "Profiler" and "Judging Amy" has kept him strongly in the limelight.

Millennium acting work included solid performances in the films Reindeer Games (2000), Ritual (2000), Blue Hill Avenue (2001), The Extreme Team (2003), Constellation (2005), The Blue Hour (2007),The Way of War (2009), A Day in the Life (2009), The Butler (2013) and American Nightmares (2018), as well as his interesting role as mysterious book store manager Philby in the lengthy Mystery Woman (2003) series of TV movies (2003-2007). Clarence also made guest appearances on TV programs, "Cold Case," "Memphis Beat," "Justified" and "Empire," to name a few.

Wed to wife Kelly until his death, Clarence was first married to actress Gloria Foster (1967-1984). The two appeared together in the movie The Cool World (1963). Following their divorce, they remained friendly and, upon her death in 2001, it was he who made the formal announcement.

Tyne Daly was born on 21 February 1946 in Madison, Wisconsin, USA. She is an actress and writer, known for Judging Amy (1999), Spider-Man: Homecoming (2017) and Cagney & Lacey (1981). She was previously married to Georg Stanford Brown.

American actor and director, arguably best known for his role as the quietly spoken, resolute Tom Harvey, great-grandson of Kunta Kinte, in Alex Haley's award-winning miniseries Roots (1977) and Roots: The Next Generations (1979). Georg Stanford Brown was born in Havana, Cuba. When he was seven, his family moved to Harlem in New York. He dropped out of school, aged sixteen, moving to Los Angeles a year later. Hoping for an easy wicket, Brown enrolled at Los Angeles City College to study theater arts. He found this much to his liking and went on to further studies at the American Musical and Dramatic Academy in Manhattan, on the side making ends meet as a school janitor to help with his tuition fees. During this time, Brown met his future wife, the actress Tyne Daly (of Cagney & Lacey (1981) fame). Their marriage lasted from 1966 to 1990 and produced three daughters.

Brown began acting on stage six months after completing his studies. Returning to L.A., he made his first credited appearance on screen as the Haitian rebel leader Henri Philipot in the Richard Burton/Elizabeth Taylor drama The Comedians (1967). He acquired mostly smaller supporting roles in other feature films until being third-billed as one of a group of inmates plotting an escape from a maximum security prison in the Gene Wilder-Richard Pryor comedy Stir Crazy (1980)]. Rather more prominent on the small screen by the late 60s, Brown came to the fore in guest spots on several prime-time detective/action shows. He made his breakthrough, starring as Officer Terry Webster in Aaron Spelling's police procedural drama series The Rookies (1972). After four seasons (1972-76) in the role of Webster, Brown decided to concentrate on working behind the camera, a move encouraged by Spelling. Brown, nonetheless, continued to act sporadically throughout the next three decades. Aside from Roots, he had notable roles in the miniseries North & South: Book 1, North & South (1985) (as Virgilia's headstrong husband Garrison Grady, eventually killed at Harper's Ferry) and as a visitor to Linc's (1998) bar (rapacious DC lobbyist Johnnie B. Goode). His voice has also featured in the animated series The Legend of Calamity Jane (1997) and Electric City (2012).

As a director, Brown has helmed a slew of made-for-television movies, in addition to multiple episodes of Starsky and Hutch (1975), Charlie's Angels (1976), Hill Street Blues (1981), Cagney & Lacey (1981) and Dynasty (1981). He was nominated for three Primetime Emmy Awards, winning one for the top-rated final season five episode of Cagney & Lacey, entitled 'Parting Shots'.

Harry Robinson Hamlin is an American actor of stage, television and films. He was born in 1951, in Pasadena, California, to Berniece (Robinson), a socialite, and Chauncey Jerome Hamlin, Jr., an aeronautical engineer. He graduated from Yale University in 1974 with degrees in Drama and Psychology and was later awarded a Master of Fine Arts in acting from The American Conservatory Theatre in San Francisco. Though awarded an ITT-Fullbright scholarship in acting in 1977 he opted instead to make his feature film debut in Stanley Donen's comedy spoof "Movie Movie" opposite George C. Scott for which he received his first Golden Globe nomination. Best known for his roles a Perseus in "Clash of the Titans" with Lawrence Olivier and Michael Kusac in the Emmy winning TV series "LA Law", he is the son of Chauncey Jerome Hamlin Jr. who helped design the Saturn V rocket with Dr.Wernher Von Braun at Rocketdyne and North American Aviation. He is the grandson of Chauncey Jerome Hamlin who founded the Buffalo Museum of Science in Buffalo, New York. Chauncey Hamlin was also a president of the American Association of Museums and created the International Council of Museums.

Lisa Deanna Rinna was born on July 11, 1963 in Newport Beach, California and raised in Medford, Oregon to Lois Rinna & Frank Rinna, she has an older half-sister: Nancy Rinna. As an actress, she is best known for her roles as Billie Reed on the NBC daytime soap opera, Days of Our Lives (1965) and Taylor McBride on Fox's television drama, Melrose Place (1992). Since 2014, Rinna has been a cast member on Bravo's hit reality television series, The Real Housewives of Beverly Hills (2010). Other television credits include being a contestant on NBC's The Celebrity Apprentice and ABC's Dancing with the Stars, as well as guest-starring roles on Entourage, The Middle, Veronica Mars, Community & 8 Simple Rules. Rinna made her Broadway debut in Chicago as Roxie Hart on June 2007. She was the host of Soapnet's talk show, SoapTalk (2002) for which she earned four Emmy nominations for Outstanding Talk Show Host. Rinna has also written three books: Starlit, The Big, Fun, Sexy Sex Book and The New York Times best-seller Rinnavation. Her other ventures include a fashion line for QVC named The Lisa Rinna Collection and the cosmetics collection Rinna Beauty.

Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.

Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).

She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.

Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.

As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.

James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University before switching to English, and eventually dropping out. He then drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and had his first experience as a director with a two week stint on Piranha II: The Spawning (1982) before being fired.

He then wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a low budget independent film, but Cameron's superb, dynamic direction made it a surprise mainstream success and it is now regarded as one of the most iconic pictures of the 1980s. After this came a string of successful, bigger budget science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from different social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time until 12 years later, Avatar (2009), which invented and pioneered 3D film technology, and it went on to beat "Titanic", and became the first film to cost two billion dollars until 2019 when Marvel took the record.

James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.

Michael Connell Biehn was born on July 31, 1956 in Anniston, Alabama, to Marcia (Connell) and Don Biehn, a lawyer. He grew up in Lincoln, Nebraska, and at age 14 moved with his family to Lake Havasu, Arizona, where he won a drama scholarship to the University of Arizona. He left prematurely two years later to pursue an acting career in Hollywood. His first big role was as a psychotic fan stalking Lauren Bacall in The Fan (1981) and later appeared in The Lords of Discipline (1983). He hit the big-time when he was cast as Kyle Reese, the man sent back through time to stop Arnold Schwarzenegger in James Cameron's The Terminator (1984). This established a good working relationship with Cameron, a relationship that should have catapulted Biehn to international stardom. He starred in Cameron's subsequent films, Aliens (1986) and The Abyss (1989), the latter a standout performance as unstable Navy SEAL officer Lt. Hiram Coffey. In the 1990s he starred in films like Navy Seals (1990), K2 (1991) and was particularly memorable as Johnny Ringo in Tombstone (1993). Biehn is married and the father of five sons.

Kathy Najimy was born and raised in San Diego, California. She is the daughter of Samia (Massery) and Fred Najimy, a postal worker, both of Lebanese ancestry. Kathy attended Crawford High School, and began her film career in the early 1990s, with several minor roles. Kathy got her breakthrough screen role as "Sister Mary Patrick" in Sister Act (1992). She reprised this role in 1993 in Sister Act 2: Back in the Habit (1993). She is most notably known as the voice of "Peggy Hill" on King of the Hill (1997).

Kathy lives in Los Angeles with her husband, actor/singer Dan Finnerty (the Dan Band) and their daughter, Samia Najimy Finnerty.

Brigitte Bako was born on 15 May 1967 in Montreal, Quebec, Canada. She is an actress and writer, known for G-Spot (2005), Strange Days (1995) and A Man in Uniform (1993).

Ray Manzarek was born on 12 February 1939 in Chicago, Illinois, USA. He was a director and composer, known for Army of the Dead (2021), Strange Days (1995) and The X Files (1998). He was married to Dorothy Manzarek. He died on 20 May 2013 in Rosenheim, Bavaria, Germany.

Chad Lowe is an American actor, director, and producer.

He was born Charles Davis Lowe II in Dayton, Ohio, to Barbara Lynn (Hepler), a school teacher, and Charles Davis Lowe, a trial lawyer. He is the younger brother of actor Rob Lowe. Chad first appeared opposite Rob in the movie Oxford Blues (1984), in which he played a computer hacker. He quickly followed this up with a starring role in Silence of the Heart (1984) opposite childhood friend and fellow actor Charlie Sheen. Silence of the Heart (1984) is a dark drama about the problems teenagers often face and the subsequent danger of suicide relating to these problems. It was the first film to properly address the subject. The film also features then up-and-coming actors Sherilyn Fenn and Casey Siemaszko.

There Must Be a Pony (1986), a drama shot for TV, saw Chad starring alongside Elizabeth Taylor and Robert Wagner. He then co-starred with Donald Sutherland and Mia Sara in the occult horror film Apprentice to Murder (1988). Chad saw the eighties out with the thriller True Blood (1989) with Jeff Fahey, James Tolkan, and Sherilyn Fenn.

Next, he and Tommy Lee Jones headlined the long-running Hallmark Hall of Fame (1951) anthology, in the TV Movie segment 'April Morning' (1987). The movie is based upon the novel by the late Howard Fast and is set during the American Revolution or American War of Independence (1775-1783).

He worked steadily throughout the nineties, acting in both TV and film. In 1990 he starred with David Soul and Edward Herrmann in the TV drama So Proudly We Hail (1990). The witty drama An Inconvenient Woman (1991) followed the next year. Chad then played Charlie Sykes in the oddball fantasy-comedy-horror road movie Highway to Hell (1991).

But his role as AIDS victim Jesse McKenna in Life Goes On (1989) (1991-1993) is perhaps his most well-known. He starred with Bill Smitrovich and Patti LuPone. His performance won him an Emmy Award.

In 2000 Chad played country and western legend John Denver in Take Me Home: The John Denver Story (2000), a movie based on the musician's life and book.

Chad then starred with Richard Gere and Diane Lane in the ambitious thriller, Unfaithful (2002). He has since clocked up over sixty film and TV roles including recurring roles in ER (1994) and 24 (2001) with Kiefer Sutherland.

Chad is married to Kim Painter and they have a daughter, Mabel.

He is (2010) starring in the hit TV series Pretty Little Liars (2010).

Hilary was born in Lincoln, Nebraska, to Judith Kay (Clough), a secretary, and Stephen Michael Swank, who served in the National Guard and was also a traveling salesman. Her maternal grandmother, Frances Martha Dominguez, was of Mexican descent, and her other roots include German, English, and Scottish. During her early childhood, her family moved to Spokane, Washington, and when she was six, to Bellingham, Washington.

Hilary was discovered as a child by producer Suzy Sachs, who coached her in acting. When she was nine years old, she starred in her first play as "Mowgli" in "The Jungle Book". She began to appear regularly in local theater and school plays. She went to school in Bellingham, where she lived with her family, until she was 16. She competed in the Junior Olympics and Washington State championships in swimming; she ranked 5th in the state in all-around gymnastics (which would come in handy for starring in The Next Karate Kid (1994) years later). In 1990, Hilary and her mother moved to Los Angeles, where she enrolled in South Pasadena High School, and started acting professionally. She appeared in Buffy the Vampire Slayer (1992) but The Next Karate Kid (1994), where she got the part competing against hundreds of other actresses, was her breakout role. Ever since then, she has been much in demand and has worked non-stop in movies. She won the Best Actress Oscar for playing "Brandon Teena" in Boys Don't Cry (1999). In addition to the Oscar, Hilary won the Golden Globe Award for "Best Actress in a Drama" and "Best Actress" prizes from The New York Film Critics, The Los Angeles Film Critics, The Chicago Film Critics and The Broadcast Film Critics Association. She also won the "Breakthrough Performance" prize from The National Board of Review.

Hilary then appeared in supporting roles opposite Cate Blanchett and Keanu Reeves in Sam Raimi's The Gift (2000) and opposite Al Pacino and Robin Williams in Christopher Nolan's Insomnia (2002). Hilary then starred as "Alice Paul" in HBO's Iron Jawed Angels (2004), which told the story of the women's suffragist movement and she was honored with both SAG and Golden Globe nominations for her performance in this film. In 2004, Hilary starred opposite Clint Eastwood and Morgan Freeman as the title character in Eastwood's Million Dollar Baby (2004); the story of a young woman's quest to realize her dream of becoming a professional boxer. For this performance, she was honored with her second Academy Award for "Best Performance by an Actress in a Leading Role" and has garnered "Best Actress" prizes from the National Society of Film Critics, the Screen Actors Guild, The Broadcast Film Critics, and a Golden Globe for "Best Lead Actress in a Drama".

Hilary Swank is the third youngest woman in history to win two Academy Awards for "Best Performance by an Actress in a Leading Role".

She subsequently had a supporting role opposite Scarlett Johansson and Josh Hartnett in Brian De Palma's The Black Dahlia (2006), starred in Freedom Writers (2007), the true story of Long Beach schoolteacher, Erin Gruwell, The Reaping (2007) for Warner Brothers, and reunited with her Freedom Writers (2007) writer/director, Richard LaGravenese, starring in the film adaptation of Cecelia Ahern's novel, P.S. I Love You (2007).

An aficionado for anything that involves the outdoors, she enjoys: sky diving, river rafting and skiing.

A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member of the British avant garde cultural group, Art and Language. Kathryn is the only child of the manager of a paint factory and a librarian.

Widely respected among peers for his fearless commitment, Michael Anthony Claudio Wincott was born to an English father and Italian mother in Scarborough, a working class suburb of Toronto. His career began fortuitously in 1976 at the CBC, cast by Deidre Bowen, Clare Walker and director Mike Newell as the troubled protagonist, Cole Buckley, opposite Kate Reid in writer Rochelle Kosar's Earthbound. He continued his novitiate in the city's leading contemporary theaters, working with Ken Gass at Factory Theatre Lab, Bill Glassco at The Tarragon Theatre and William Lane at Toronto Free Theatre. Supported by grants from The Ontario Arts Council and The Canada Council of The Arts, he moved to New York City to study on a full scholarship at The Juilliard School where he performed, among other roles, Teddy in Mark Medoff's When You Comin' Back Red Ryder?, Flute in Shakespeare's A Midsummer Night's Dream, Soranzo in John Ford's T'is Pity She's A Whore and Tilden in the school's much-lauded first production of a Sam Shepard play, Buried Child. In the spring following graduation, he began a rewarding relationship with Joseph Papp's Public Theater both on and off Broadway with his creation of the role of Kent in Eric Bogosian's Talk Radio. He last appeared onstage in New York opposite John Malkovich, originating the role of Stubbs in Shepard's States of Shock. He has worked with some of cinema's most gifted reprobates, including Anthony Hopkins, Gary Oldman, Julian Schnabel, Gerard Depardieu, Jim Jarmusch, Ridley Scott, Richard Burton, Robert Mitchum, Dennis Hopper, Michael Cimino, Robert De Niro, Sean Penn, John Hurt, Javier Bardem, Benicio Del Toro, Terrence Malick and Oliver Stone. Among those he hasn't, he has expressed a wish to work with the great French actress, Isabelle Huppert. "The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion" Albert Camus

Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.

She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).

She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.

Born in Gary, Indiana in 1964, and moved to Los Angeles at a young age. Theresa Randle began her performing career by studying dance (traditional, modern, jazz) and comedy. She entered Beverly Hills High School, with a special program for the exceptionally gifted. At the end of college she earned her first role at the Los Angeles Inner City Cultural Center and was seen in commercials. Theresa was also involved in acting on the stage, with roles in such productions as "In Command of the Children", "Sonata", "6 Parts of Musical Broadway" and "Fight the Good Fight".

In 1987 she got her first big-screen break with Maid to Order (1987). For the next three years she appeared (in small roles) in such movies as Easy Wheels (1989) and Heart Condition (1990), with Denzel Washington). She continued in small roles by great directors such as Abel Ferrara (King of New York (1990)) and Spike Lee (Jungle Fever (1991) and Malcolm X (1992)). In 1995 she starred in Beverly Hills Cop III (1994) and Bad Boys (1995) (with Will Smith). In 1996 she earned her first starring role in Spike Lee's Girl 6 (1996), playing a young, out-of-work actress who gets caught up in the seductive, yet dark, world of phone sex.

She has also appeared in Space Jam (1996), with Michael Jordan (and a bevy of classic Warner Bros. cartoon characters) and recently in the film adaptation of the comic strip Spawn (1997), with Martin Sheen).

David Alan Grier was born in Detroit, Michigan, to Aretas Ruth (Dudley), a schoolteacher, and William Henry Grier, a psychiatrist and writer. He trained in Shakespeare at Yale University, where he received an MFA from the Yale School of Drama.

Grier began his professional career on Broadway as Jackie Robinson in "The First", for which he earned a Tony nomination for Best Featured Actor in a Musical and won the Theatre World Award (1981). He then joined the Broadway cast of "Dreamgirls", before going on to star opposite Denzel Washington in "A Soldier's Play", for which both actors reprised their roles in the film adaptation titled A Soldier's Story (1984). He appeared in Robert Altman's Streamers (1983) as "Roger", a role for which he won the Golden Lion for Best Actor at the Venice Film Festival (1983).

His television work is highlighted by a turn as a principal cast member on the Emmy Award-winning In Living Color (1990) (1990-1994), where he helped to create some of the show's most memorable characters, "DAG" (2000-2001) and "Life with Bonnie" (2002-2004), for which he earned Image and Golden Satellite nominations. David also created, wrote and executive-produced a show for Comedy Central called Chocolate News (2008). Grier also won America's votes as a smooth, debonair, and outrageously irreverent contestant on ABC's smash hit, Dancing with the Stars (2005), in 2009. But Grier didn't hang up his dance shoes just then - he later appeared in the Wayans Brothers' spoof movie, Dance Flick (2009), which hit theaters in May 2009.

In Grier's first book, "Barack Like Me: The Chocolate Covered Truth" (Touchstone / Simon & Schuster; October 6, 2009), the acclaimed comedian expounds on politics, culture and race while recounting his own life story in this edgy, timely, timeless, and hilarious memoir and look at all things Barack Obama.

Grier returned to his theatrical roots 2009/2010; he starred in David Mamet's acclaimed play, "Race", opposite James Spader and Kerry Washington, at the Ethel Barrymore Theatre on Broadway for which he received a Tony Award nomination.

He has been named one of Comedy Central's "100 Greatest Stand-ups of All Time".

After this feisty, highly offbeat actress from Chattanooga, Tennessee, broke into TV in the 1980s, she immediately set herself apart from the norm with a prime role as new owner Bud Cort's female friend in the bizarre mini-movie Bates Motel (1987). This rather inauspicious beginning would also set Lori Petty off on a career as a kinetic fighter and a misfit, types for which she would be best known.

Lori was born on October 14, 1963, and spent her childhood traveling the US with her father, a Pentecostal minister. Her keen talents first lent themselves toward being a graphic artist in Omaha, Nebraska, but an impulsive desire to act quickly took precedence and soon she was off to New York, where she took acting classes and pounded the pavement for jobs.

Going nowhere fast, she eventually headed for Los Angeles and finally found an "in". Following a number of mediocre TV roles, she won a bit of attention on the short-lived series Booker (1989) as a lippy secretary, then hit pay dirt in secondary roles as an outrageous Cyndi Lauper wannabe in Cadillac Man (1990) and as Patrick Swayze's ex-girlfriend/waitress who hooks up with Keanu Reeves in Point Break (1991).

It looked like mainstream stardom might happen for the tomboy actress, especially after getting cast as Geena Davis' bratty baseball-playing sister in the highly successful A League of Their Own (1992). However, while Lori proved to be an intriguing, kooky sort, she also proved more difficult to cast. Such disparate roles as a kind-hearted animal trainer in Free Willy (1993) and the sole female recruit in Pauly Shore's inane comedy In the Army Now (1994) only proved the point.

She seemed bent towards playing scrappy, hard-edged figures alongside the big action guys but started off on the wrong foot when she was replaced by Sandra Bullock in Sylvester Stallone's Demolition Man (1993) due to "artistic differences". She did play a lone female cop in the thriller The Glass Shield (1994), then found her true calling as the bizarre cartoon heroine Tank Girl (1995), which was billed as "a post-apocalyptic comedy." Playing along the same hard lines, Lori portrayed an FBI agent who teams up with a Tokyo policewoman Yûki Amami in the crime thriller Countdown (1996); played a butch lesbian in the social comedy Relax... It's Just Sex (1998); and an aggressive, tough-talking stripper at odds with the Mafia in the potboiler The Arrangement (1999). She ended the decade on TV as Max, a motel clerk, in the crime drama fantasy series Brimstone (1998).

Into the millennium, the crop-haired, tough-as-nails actress continued to take it to the limit. Following roles in the action films Firetrap (2001) and Route 666 (2001), Lori co-starred alongside the similarly tough-styled Gina Gershon in Prey for Rock & Roll (2003) as members of a punk rock band. She later starred in the creature vs. human horror opus Cryptid (2006); had a small part (First Murderer) in a contemporary Hollywood updating of Shakespeare's Richard III (2007); a deputy in the cross-country sports movie Chasing 3000 (2010); a doctor in the horror thriller Dead Awake (2016); a starring role as a lady Marine in Fear, Love, and Agoraphobia (2018); and a campy role in the low-budget horror flick A Deadly Legend (2020).

On TV, Lori would be seen as a guest in such shows as "The Beast," "NYPD Blue," "CSI: NY," "Masters of Horror," "House," "Prison Break," "Hawaii Five-0," and, more notably, in the recurring and amusing role of loony, paranoiac Lolly in the women's prison series Orange Is the New Black (2013). On the other side of the camera, the still-single Lori wrote and directed the film The Poker House (2008) starring Jennifer Lawrence, a re-dramatization of Lori's teenage years in Iowa. The film earned awards at the Los Angeles Film Festival

When someone told Brad Johnson he'd come a long way, his usual response was, "Well, I had a long way to come." Born on a small ranch in Tucson, Johnson, the son of a horse trainer/used car salesman, did everything from shoeing horses to repossessing cars to serving as a hunting and fishing guide. His humble beginnings nurtured his modesty and quiet strength and had critics comparing him to John Wayne, Clint Eastwood and James Stewart.

Brad's route to stardom was speedy, dramatic and somewhat circuitous. He joined the Pro Rodeo circuit in 1984 and was spotted wrestling steers in Wyoming by a casting director looking for cowboys to use as extras in a beer commercial. After this first break came a three-year run as the Marlboro Man, then numerous Calvin Klein print ads and more commercials. After a serious knee injury sidelined his rodeo career, Johnson headed for Hollywood.

Within five months of his arrival, Roger Corman cast him to star in Nam Angels (1989). Soon after, Steven Spielberg discovered Johnson and offered him the coveted role of Ted Baker, Holly Hunter's love interest in Always (1989). When asked about her co-star, Holly described Brad as "all twisted steel and sex appeal." The Spielberg film led Johnson to Paramount for John Milius's Flight of the Intruder (1991). An exclusive three-picture deal at Paramount followed.

With 60 hours of television, 11 pilots and over 25 films to his credit, there was no slowing down. Johnson's Los Angeles-based High Lonesome Productions and his producing partner Lou Pitt had several projects in different stages of production.

Brad lived with his wife Laurie and their eight children on a ranch in the mountains of Colorado.

Gina Marsh was born in July 1964. She is a producer and production manager, known for Giri/Haji (2019), A Very English Scandal (2018) and Broadchurch (2013).

Elizabeth Avellán is a Producer of bold narrative diversified content. She is Co-Owner and Vice President of Troublemaker Studios. In addition to producing family and genre films that have collectively grossed over a billion and a half dollars in box office, she has played a primary role in developing Austin, Texas as a thriving film community. Avellán began her producing career when she co-founded Los Hooligans Productions in 1991 with Robert Rodriguez as the two began their feature film project "El Mariachi." Made for just $7,000, "El Mariachi," was the winner of the 1993 Audience Awards at the Sundance and Deauville Film Festivals. Over the past twenty years, she has produced such films as the "Spy Kids" franchise, "Sin City," "Predators," "Machete," "Desperado," "From Dusk Till Dawn," "Once Upon a Time in Mexico" among others. Also, very excited to be producing "Spy Kids Armageddon" together with Rodriguez and their 5 children in 2022-23. Through her EYA Productions banner, she produced the holiday feature film, "Angels Sing". She also executive produced several projects including "Blacktino" that world premiered at SXSW Film Festival and "Secuestro Express" which was released by Miramax Films. Avellán is dedicated to creating opportunity for undiscovered voices while working diligently with seasoned craftsmen and established filmmakers. She is enthusiastically focused on Latina / Latino storytelling which is very dear to Elizabeth's heart. She has produced 3 independent films during the past 2 years, "The Blazing World" - premiered at the Sundance Film Festival in 2021, "Deadland" premiered at SXSW 2023, "Switch Up" premiered at SXSW 2024 with this ethos of creating opportunities for undiscovered voices and diversity among the cast and the crews. Infusing possibility in the next generation is a mission which comes naturally to Elizabeth, who is the mother of 6 children. Passionate about her adopted hometown of Austin, education and children's welfare, she is on the board and supports several organizations. Those boards include Capital Area Statues, which commissions unique statues for the capital city; ConnectHer and the ConnectHer Film Festival, whose mission is to elevate the status of women and girls everywhere; and The Austin Film Society. Avellán is originally from Caracas, Venezuela, where her grandfather, Gonzalo Veloz Mancera, was the pioneer of commercial television. At the age of thirteen, she moved to Houston, Texas with her family and later graduated from Rice University. She resides in Austin, Texas with her children.

Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.

Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.

In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).

Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).

His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.

After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.

After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.

Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.

In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).

Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.

Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.