The Wiz 1978 (NY) premiere

Best known as the the lead singer of the popular 1960s singing group The Supremes, Diana Ernestine Earle Ross was born on March 26, 1944, in Detroit, Michigan, the second of six children of African-American parents Ernestine Lillian (Moten), a schoolteacher, and Fred Earl Ross, who served in the army. After being raised in housing projects for most of the late 1940s and early 1950s, Diana started singing in the gospel choir of a Baptist church. With friends Mary Wilson, Florence Ballard and Barbara Martin, she formed a vocal group, The Primettes, at age 15. After Barbara had departed the group, the remaining three girls inked a deal with Motown Records and were renamed The Supremes. Ross wasn't picked to become the group's lead singer until Motown honcho Berry Gordy decided that the time was exactly right, and from then on he described the group as "Diana Ross and the Supremes." From 1965 to 1969 the group had a string of #1 records. In late 1969 Gordy announced that Ross would be leaving the group for a solo career. In the third week of 1970 she played her last concert with The Supremes and started working with the songwriting team of Nick Ashford and Valerie Simpson. Ross' first two songs by the team reached #1 on both the pop and R&B charts, justifying her move. Prior to starting a family of her own, she won the title role in the Billie Holiday biopic Lady Sings the Blues (1972), which was extremely successful at the box office, and had the distinction of being nominated for an Academy Award for her first film. The movie's soundtrack reached #1 on the U.S. charts. Despite fame and fortune, her next two big films,Mahogany (1975) and The Wiz (1978), didn't meet with the same success. However, she had a #1 hit single with "Mahogany" to make up for it. In February 1976, just before another #1 hit with "Love Hangover," she was stunned when her singing partner and friend, Florence Ballard, died after complications from a combination of alcohol abuse and long-term depression, which led to cardiac arrest. Ballard was only 32 years old and Ross was devastated by the loss.

After recovering from Ballard's death, Ross went on to focus on her singing career and continued having more #1 songs, including "Upside Down". The following year she performed the theme song from Endless Love (1981), which was composed by Lionel Richie. That same year she left Motown Records and signed contracts with various record companies across the globe, and formed her own production company. The following year she released "Silk Electric," on which she sang "Muscles," a song written and produced by Michael Jackson.

After she sang a tribute song dedicated to the late Marvin Gaye, Ross scored another #1 song in 1986 in the UK with "Chain Reaction," which brought back her days as the member of The Supremes , and was written and produced by The Bee Gees. Unlike the song she sang when Florence died, this song was about how she became accustomed to Marvin over the years. After an eight-year absence, in 1989 she came back to Motown. Ross had gained more fame through concert appearances over the years, and in April 1993 she became a best-selling author with her first and only children's book, "When You Dream," which featured a CD with four songs that were dedicated to the book. That same year she was declared by the Guinness Book of World Records to be the most successful female singer of all times. Two years later she was honored with the Heritage Award for Lifetime Achievement on the Soul Train Awards. After receiving those honors, she came back to the studio in 1999 with "Every Day Is A New Day," and the song reached the UK Top 10. The following year, with Mary Wilson--the only other surviving original Supremes member--she planned to book a Supremes reunion tour, but this was eventually canceled.

She was arrested in 2002 in Tucson, Arizona, for driving under the influence and after pleading guilty was sentenced to two days in jail, 36 hours of counseling and one year probation. Today she is hard at work finishing her forthcoming book, "Upside Down: Wrong Turns, Right Turns and the Road Ahead."

Ed Koch was born on 12 December 1924 in Bronx, New York City, New York, USA. He was an actor, known for We Own the Night (2007), The Muppets Take Manhattan (1984) and The First Wives Club (1996). He died on 1 February 2013 in Manhattan, New York City, New York, USA.

Berry Gordy was born on 28 November 1929 in Detroit, Michigan, USA. He is a composer and producer, known for Guardians of the Galaxy (2014), Charlie's Angels (2000) and Wild Card (2015). He was previously married to Grace Easton, Raynoma Singleton and Thelma Louise Coleman.

Richard Tyler is known for Can't Stop the Music (1980).

Lena Calhoun Horne was born June 30, 1917, in Brooklyn, New York. In her biography she stated that, on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven, her mother returned and the two traveled around the state which meant that Lena was enrolled in numerous schools. For a time she also attended schools in Florida, Georgia and Ohio. Later she returned to Brooklyn.

Lena quit school when she was 14 and got her first stage job at 16 dancing and later singing at the famed Cotton Club in Harlem, a renowned theater in which black performers played before white audiences immortalized in The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots. Before long, her talent resulted in her playing before packed houses.

If Lena had never made a movie, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearance on Broadway, Hollywood came calling. At 21 years of age, Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South since most theaters in the South refused to show films that portrayed blacks in anything other than subservient roles to whites. Most movie studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles and who could blame her?

In 1943, MGM loaned Lena to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box office. Her rendition of the title song became a major hit on the musical charts. In 1943, she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all black production. Rumors were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. However, that was not the only feud on that picture. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the movie was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood, especially Lena.

Lena's musical career flourished, but her movie career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time. Even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed because they would not let blacks stay there. After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969 as Claire Quintana in Death of a Gunfighter (1969). Nine years later, she returned to the screen again in the all black musical The Wiz (1978) where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television appearing in A Century of Women (1994) and That's Entertainment! III (1994).

Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, it's fair to say that it would have been much bigger and come much sooner. Even taking those factors into account, Lena Horne is still one of the most respected, talented and beautiful performers of all time.

Sidney Lumet was a master of cinema, best known for his technical knowledge and his skill at getting first-rate performances from his actors -- and for shooting most of his films in his beloved New York. He made over 40 movies, often complex and emotional, but seldom overly sentimental. Although his politics were somewhat left-leaning and he often treated socially relevant themes in his films, Lumet didn't want to make political movies in the first place. Born on June 25, 1924, in Philadelphia, the son of actor Baruch Lumet and dancer Eugenia Wermus Lumet, he made his stage debut at age four at the Yiddish Art Theater in New York. He played many roles on Broadway in the 1930s and also in the film ...One Third of a Nation... (1939). After starting an off-Broadway acting troupe in the late 1940s, he became the director of many television shows in the 1950s. Lumet made his feature film directing debut with 12 Angry Men (1957), which won the Golden Bear at the Berlin Film Festival and earned three Academy Award nominations. The courtroom drama, which takes place almost entirely in a jury room, is justly regarded as one of the most auspicious directorial debuts in film history. Lumet got the chance to direct Marlon Brando in The Fugitive Kind (1960), an imperfect, but powerful adaptation of Tennessee Williams' "Orpheus Descending". The first half of the 1960s was one of Lumet's most artistically successful periods. Long Day's Journey Into Night (1962), a masterful, brilliantly photographed adaptation of the Eugene O'Neill play, is one of several Lumet films about families. It earned Katharine Hepburn, Ralph Richardson, Dean Stockwell and Jason Robards deserved acting awards in Cannes and Hepburn an Oscar nomination. The alarming Cold War thriller Fail Safe (1964) unfairly suffered from comparison to Stanley Kubrick's equally great satire Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), which was released shortly before. The Pawnbroker (1964), arguably the most outstanding of the great movies Lumet made in this phase, tells the story of a Holocaust survivor who lives in New York and can't overcome his experiences in the Nazi concentration camps. Rod Steiger's unforgettable performance in the title role earned an Academy Award nomination. Lumet's intense character study The Hill (1965) about inhumanity in a military prison camp was the first of five films he did with Sean Connery. After the overly talky but rewarding drama The Group (1966) about young upper-class women in the 1930s, and the stylish spy thriller The Deadly Affair (1967), the late 1960s turned out to be a lesser phase in Lumet's career. He had a strong comeback with the box-office hit The Anderson Tapes (1971). The Offence (1973) was commercially less successful, but artistically brilliant - with Connery in one of his most impressive performances. The terrific cop thriller Serpico (1973), the first of his films about police corruption in New York City, became one of his biggest critical and financial successes. Al Pacino's fascinating portrayal of the real-life cop Frank Serpico earned a Golden Globe and the movie earned two Academy Award nominations (it is worth noting that Lumet's feature films of the 1970s alone earned 30 Oscar nominations, winning six times). The love triangle Lovin' Molly (1974) was not always convincing in its atmospheric details, but Lumet's fine sense of emotional truth and a good Blythe Danner keep it interesting. The adaptation of Agatha Christie's Murder on the Orient Express (1974), an exquisitely photographed murder mystery with an all-star cast, was a big success again. Lumet's complex crime thriller Dog Day Afternoon (1975), which Pauline Kael called "one of the best "New York" movies ever made", gave Al Pacino the opportunity for a breathtaking, three-dimensional portrayal of a bisexual man who tries to rob a bank to finance his lover's sex-change operation. Lumet's next masterpiece, Network (1976), was a prophetic satire on media and society. The film version of Peter Shaffer's stage play Equus (1977) about a doctor and his mentally confused patient was also powerful, not least because of the energetic acting by Richard Burton and Peter Firth. After the enjoyable musical The Wiz (1978) and the interesting but not easily accessible comedy Just Tell Me What You Want (1980), Sidney Lumet won the New York Film Critics Circle Award for his outstanding direction of Prince of the City (1981), one of his best and most typical films. It's about police corruption, but hardly a remake of Serpico (1973). Starring a powerful Treat Williams, it's an extraordinarily multi-layered film. In his highly informative book "Making Movies" (1995), Lumet describes the film in the following way: "When we try to control everything, everything winds up controlling us. Nothing is what it seems." It's also a movie about values, friendship and drug addiction and, like "Serpico", is based on a true story. In Deathtrap (1982), Lumet successfully blended suspense and black humor. The Verdict (1982) was voted the fourth greatest courtroom drama of all time by the American Film Institute in 2008. A few minor inaccuracies in legal details do not mar this study of an alcoholic lawyer (superbly embodied by Paul Newman) aiming to regain his self-respect through a malpractice case. The expertly directed movie received five Academy Award nominations. Lumet's controversial drama Daniel (1983) with Timothy Hutton, an adaptation of E.L. Doctorow's "The Book of Daniel" about two young people whose parents were executed during the McCarthy Red Scare hysteria in the 1950s for alleged espionage, is one of his underrated achievements. His later masterpiece Running on Empty (1988) has a similar theme, portraying a family which has been on the run from the FBI since the parents (played by Christine Lahti and Judd Hirsch) committed a bomb attack on a napalm laboratory in 1971 to protest the war in Vietnam. The son (played by River Phoenix in an extraordinarily moving, Oscar-nominated performance) falls in love with a girl and wishes to stay with her and study music. Naomi Foner's screenplay won the Golden Globe. Other Lumet movies of the 1980s are the melancholic comedy drama Garbo Talks (1984); the occasionally clichéd Power (1986) about election campaigns; the all too slow thriller The Morning After (1986) and the amusing gangster comedy Family Business (1989). With Q&A (1990) Lumet returned to the genre of the New York cop thriller. Nick Nolte shines in the role of a corrupt and racist detective in this multi-layered, strangely underrated film. Sadly, with the exception of Night Falls on Manhattan (1996), an imperfect but fascinating crime drama in the tradition of his own previous genre works, almost none of Lumet's works of the 1990s did quite get the attention they deserved. The crime drama A Stranger Among Us (1992) blended genres in a way that did not seem to match most viewers' expectations, but its contemplations about life arouse interest. The intelligent hospital satire Critical Care (1997) was unfairly neglected as well. The courtroom thriller Guilty as Sin (1993) was cold but intriguing. Lumet's Gloria (1999) remake seemed unnecessary, but he returned impressively with the underestimated courtroom comedy Find Me Guilty (2006) and the justly acclaimed crime thriller Before the Devil Knows You're Dead (2007). In 2005, Sidney Lumet received a well-deserved honorary Academy Award for his outstanding contribution to filmmaking. Sidney Lumet tragically died of cancer in 2011.

Amy Lumet was born on 18 November 1964 in London, England, UK. She is a producer, known for Making Mr. Right (1987), Cobalt 60 (2015) and Moving Stories (2018). She was previously married to P.J. O'Rourke.

Jenny Lumet was born on 2 February 1967 in New York City, New York, USA. She is a producer and writer, known for Rachel Getting Married (2008), The Mummy (2017) and The Man Who Fell to Earth (2022). She has been married to Alexander Weinstein since 2 May 2007. They have one child. She was previously married to Bobby Cannavale.

Hugh Carey was born on 11 April 1919 in Park Slope, Brooklyn, New York City, New York, USA. He was married to Evangeline Gouletas and Helen Twohy. He died on 7 August 2011 in Shelter Island, New York, USA.

Nancy Reagan was born on 6 July 1921 in New York City, New York, USA. She was an actress, known for Hellcats of the Navy (1957), Night Into Morning (1951) and Donovan's Brain (1953). She was married to Ronald Reagan. She died on 6 March 2016 in Los Angeles, California, USA.

One cool, eternally classy lady, Candice Bergen was elegantly poised for trendy "ice princess" stardom when she first arrived on the '60s screen, but she gradually reshaped that débutante image in the '70s, both on- and off-camera. A staunch, outspoken feminist with a decisive edge, she went on to take a sizable portion of those contradicting qualities to film and, most particularly, to late 1980s TV.

The daughter of famed ventriloquist Edgar Bergen and former actress and "Chesterfield Girl" model Frances Bergen (née Westerman), Candice Patricia Bergen was born in Beverly Hills, California, of Swedish, German, and English descent. At the age of six, she made her radio debut on her father's show. She attended Westlake School for Girls in Los Angeles, the Cathedral School in Washington D.C. and then went abroad to the Montesano (finishing) School in Switzerland. Although she began taking art history and creative drawing at the University of Pennsylvania, she did not complete her studies.

In between she also worked as a Ford model in order to buy cameras for her new passion--photography. Her Grace Kelly-like glacial beauty deemed her an ideal candidate for Ivy League patrician roles, and Candice made an auspicious film debut while still a college student portraying the Vassar-styled lesbian member of Sidney Lumet's The Group (1966) in an ensemble that included the debuts of other lovely up-and-comers including Kathleen Widdoes, Carrie Nye, Joan Hackett and Joanna Pettet.

Film offers started coming her way, both here and abroad (spurred by her love for travel). Other than her top-notch roles as the co-ed who comes between Jack Nicholson and Art Garfunkel in Carnal Knowledge (1971) and her prim American lady kidnapped by Moroccan sheik Sean Connery in The Wind and the Lion (1975), her performances were deemed a bit too aloof to really stand out among the crowd. During this time, she found a passionate second career as a photographer and photojournalist. A number of her works went on to appear in an assortment of magazines including Life, Playboy and Esquire.

Most of Candice's 1970s films were dismissible and unworthy of her talents, including the campus comedy Getting Straight (1970) opposite the hip counterculture star of the era -- Elliott Gould; the disturbingly violent Soldier Blue (1970); the epic-sized bomb The Adventurers (1970); T.R. Baskin (1971); Bite the Bullet (1975); The Domino Principle (1977), Lina Wertmüller's long-winded and notoriously long-titled Italian drama A Night Full of Rain (1978); and the inferior sequel to the huge box-office soaper Love Story (1970), entitled Oliver's Story (1978) alongside original star Ryan O'Neal. Things picked up toward the second half of the decade, however, when the seemingly humorless Candice made a clever swipe at comedy. She made history as the first female guest host of Saturday Night Live (1975) and then showed an equally amusing side of her in the dramedy Starting Over (1979) as Burt Reynolds' tone-deaf ex-wife, enjoying a "best supporting actress" Oscar nomination in the process. She and Jacqueline Bisset also worked well as a team in George Cukor's Rich and Famous (1981), in which her mother Frances could be glimpsed in a Malibu party scene.

Candice made her Broadway debut in 1985 replacing Sigourney Weaver in David Rabe's black comedy "Hurlyburly". In 1980 Candice married Louis Malle, the older (by 14 years) French director. They had one child, Chloe. In the late 1980s, Candice hit a new career plateau on comedy television as the spiky title role on Murphy Brown (1988), giving great gripe as the cynical and competitive anchor/reporter of a TV magazine show. With a superlative supporting cast around her, the CBS sitcom went the distance (ten seasons) and earned Candice a whopping five Emmys and two Golden Globe awards. TV-movie roles also came her way as a result with colorful roles ranging from the evil Arthurian temptress "Morgan Le Fey" to an elite, high-classed madam -- all many moons away from her initial white-gloved debs of the late 60s.

Husband Malle's illness and subsequent death from cancer in 1995 resulted in Candice maintaining a low profile for an extended period. In time, however, she married a second time (since 2000) to Manhattan real estate developer Marshall Rose and returned to acting with a renewed vigor (or vinegar), with many of her characters enjoyable extensions of her sardonic "Murphy Brown" character. As for TV, she joined the 2005 cast of Boston Legal (2004) playing a brash, no-nonsense lawyer while trading barbs with a much less serious William Shatner, earning an Emmy nomination in the process. In 2018, Candice revisited her Murphy Brown character in a revised series form with many of the cast back on board. The show, however, was cancelled after only one season.

Candice also ventured into the romantic comedy film genre with a spray of crisp supports -- sometimes as a confidante, sometimes as a villain. Such films include Miss Congeniality (2000), Sweet Home Alabama (2002), The In-Laws (2003), Sex and the City (2008), The Women (2008), Bride Wars (2009), A Merry Friggin' Christmas (2014), Rules Don't Apply (2016), The Meyerowitz Stories (2017), Home Again (2017) and Book Club (2018).

Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.

Marion Javits was born on 19 January 1925 in Detroit, Michigan, USA. She was an actress, known for Who Was That Lady? (1960), The Tonight Show Starring Johnny Carson (1962) and The Match Game (1962). She was married to Jacob Javits. She died on 28 February 2017 in Manhattan, New York City, New York, USA.

Born Roy Frowick Halston on April 23, 1932 in Des Moines, Iowa, Halston was a product of America's heartland. He led a classic Iowa childhood playing in soap box derby races, fishing, visiting farms, and the like. Halston took an interest in sewing from his mother, and from an early age he showed a special interest in making hats. Halston would make his own for his mother and sister (his first hat appeared on the cover of Harper's Bazaar in 1960). Halston attended Indiana University in 1952 for one semester. The family moved to Chicago in late 1952 where Halston enrolled in a night course at the Chicago Art Institute and took a day job as a window dresser. Halston continued to design hats and finally obtained his break when a small story on his fashionable creations appeared in the Chicago Daily News. It was at this time that his middle name Halston, would become his professional moniker. His hat sales took off and he began designing for a celebrity and show biz clientele. In 1957, Halston opened his first major shop, the Boulevard Salon, on the second floor of 900 Michigan Avenue. In 1959 Halston left Chicago for NYC to work for the famed French milliner Lilly Daché, where he proved to be a hardworking and dedicated employee. He was named co-designer at Daché after only one year. Following that Halston accepted a position at Bergdorf Goodman, a fashionable New York department store, where he charmed his clients and made a grand name for himself. After two-years at Bergdorf he succeeded in becoming the store's first designer to have his name placed in the hats he designed. He became adept at courting and manipulating the press at Bergdorf's. In 1962 he designed the famous pill box hat worn by Jackie Kennedy at the President's Inaugural making the Halston name a household word. Later that year he was bestowed the Coty's Fashion Critics Award. In 1966 Halston designed his first ready to wear collection for Bergdorf Goodman and while there Halston continued creating magic with his hat creations. Women's Wear Daily heralded him as "New York's Top Milliner". He opened his own salon in 1968 and became the toast of New York's fashion society. His close circle of friends and clients would come to include some of the most alluring and fascinating men and women in the world, among them Liza Minnelli, Barbara Walter, Martha Graham, Jacqueline Kennedy Onassis, Andy Warhol and Elizabeth Taylor. Halston's career sky-rocketed during the 1970's and his designs set the standard for American designers. He was the undisputed high priest of fashion. The Halston name became synonymous with classically cut, simple, spare and elegant designs, a phenomenally successful fragrance line Halston by Halston for women X12 and Z14 for men, and the fabric known as "Ultra suede". His designs became ubiquitous as we went on to design and license his name on thirty-one different licensing products including a range of home linen, uniforms for Braniff International Airlines and a line of luggage for Hartmann. Throughout most of the seventies he epitomized the glamour, as well as the decadence of the era, becoming a central figure in the nightlife scene of New York's Studio 54 disco.

Barbara Walters was born on 25 September 1929 in Boston, Massachusetts, USA. She was a producer and writer, known for The Barbara Walters Summer Special (1976), 20/20 (1978) and The View (1997). She was married to Merv Adelson, Lee Guber and Robert Henry Katz. She died on 30 December 2022 in Manhattan, New York City, New York, USA.

Sy Weintraub was born on 28 May 1923 in New York City, New York, USA. He was a producer, known for Tarzan (1966), Tarzan Goes to India (1962) and Tarzan and the Jungle Boy (1968). He was married to Linda Palmer and Marjorie Horne. He died on 4 April 2000 in Los Angeles, California, USA.

Warner LeRoy was born on 5 March 1935 in Hollywood, California, USA. He was married to Kathleen O'Reilly and Gen LeRoy. He died on 22 February 2001 in New York City, New York, USA.

Linda LeRoy Janklow was born on 17 April 1938 in Hollywood, California, USA. She is an actress, known for Still of the Night (1982). She has been married to Mort Janklow since 27 November 1960. They have three children.

Mabel King was best-known for the role of Mama on the 1970's sitcom What's Happening!, but she also appeared in the films The Jerk with Steve Martin and The Wiz with Michael Jackson. Before What's Happening!, she portrayed the Wicked Witch of the West in the Broadway version of The Wiz.

Michael Joseph Jackson was born on August 29, 1958 in Gary, Indiana, and entertained audiences nearly his entire life. His father, Joe Jackson (no relation to Joe Jackson, also a musician), had been a guitarist, but was forced to give up his musical ambitions following his marriage to Michael's mother Katherine Jackson (née Katherine Esther Scruse). Together, they prodded their growing family's musical interests at home. By the early 1960s, the older boys Jackie, Tito and Jermaine had begun performing around the city; by 1964, Michael and Marlon had joined in.

A musical prodigy, Michael's singing and dancing talents were amazingly mature, and he soon became the dominant voice and focus of the Jackson 5. An opening act for such soul groups as the O-Jays and James Brown, it was Gladys Knight (not Diana Ross) who officially brought the group to Berry Gordy's attention, and by 1969, the boys were producing back-to-back chart-busting hits as Motown artists ("I Want You Back," "ABC," "Never Can Say Goodbye," "Got to Be There," etc.). As a product of the 1970s, the boys emerged as one of the most accomplished black pop / soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco phenomenon.

Solo success for Michael was inevitable, and by the 1980s, he had become infinitely more popular than his brotherly group. Record sales consistently orbited, culminating in the biggest-selling album of all time, "Thriller" in 1982. A TV natural, he ventured rather uneasily into films, such as playing the Scarecrow in The Wiz (1978), but had much better luck with elaborate music videos.

In the 1990s, the downside as an 1980s pop phenomenon began to rear itself. Michael grew terribly child-like and introverted by his peerless celebrity. A rather timorous, androgynous figure to begin with, his physical appearance began to change drastically, and his behavior grew alarmingly bizarre, making him a consistent target for scandal-making, despite his numerous charitable acts. Two brief marriages -- one to Elvis Presley's daughter Lisa Marie Presley -- were forged and two children produced by his second wife during that time, but the purposes behind them appeared image-oriented.

Michael Jackson died on June 25, 2009 in Los Angeles, California. His passion and artistry as a singer, dancer, writer and businessman were unparalleled, and it is these prodigious talents that will ultimately prevail over the extremely negative aspects of his troubled adult life.

Melba Moore has shot to super-stardom in the early 1970s with her debut album ("I Got Love"), that garnered her a 1971 Grammy nomination for Best New Artist, the following year, she also scored with a variety television show that co-starred Clifton Davis. Despite the show's being a modern success, the real-life couple fell victim through an ongoing self-destruction, hence, it was canceled. She was also in a crisis, when her career was put to an end, before it took a few years for her to comeback.

A four-time Grammy nominee and one-time Tony Award winner, prior to being a singer/actress, Melba Moore also made guest appearances on nearly all of the following shows: The David Frost Show (1969), Soul Train (1971), The Mike Douglas Show (1961), Dinah! (1974), The Dick Cavett Show (1968), 13 appearances on The Tonight Show Starring Johnny Carson (1962), Captain Kangaroo (1955), The Tim Conway Show (1980), Solid Gold (1980), among many others.

Born Melba Hill in New York City, New York, to a very popular musical family, for the time being, she was raised in Harlem, New York, and until aged 9, despite of her parents divorce, her mother remarried Clement Moorman, who introduced her to several agents, while she was growing up, in Newark, New Jersey, where she had been raised, where she attended school, there. Prior to Melba's birth, her mother penned the #1 song "Don't Stop Now". Although her biological father encouraged her to pursue a career in music, it was actually her stepfather/saxophonist, Teddy Hill, who insisted on young Melba to do it, which successfully he did, which gave her a four decade career on the map. In her early years, she even learned how to play the piano. In 1967, after graduation from college, she won the original role of Dionne (when, unfortunately Donna Summer lost the role to her) in the musical, "Hair" with Ronnie Dyson and Diane Keaton, whom Moore replaced her in the role of Sheila. In 1970, she won a Tony Award for Best Performance by a Featured Actress in a Musical for her role in Purlie, which she portrayed Lutiebelle.

After her successful, short-lived series The Melba Moore-Clifton Davis Show (1972), she went on sabbatical, then, formed Hush Productions, her own production company. This was 1 year after, when in 1974, she signed with Buddah Records, before Epic Records, which allowed her to make some records over the next decade, and had some chart topping hits with "This Is It," which reached #2 on the U.S. dance charts, which was also popular in the UK, a country that was used for that song. Other chart toppers that Melba scored over the years of the Disco-R&B era were, "Lean On Me," "Make Me Believe In You," "You Stepped Into My Life," "Let's Stand Together," and "Take My Love." Unlike fellow singer Donna Summer, Moore struggled to garner some disco hits of the 1970s.

The 1980s saw Moore made a remarkable turn in her career, as she signed with Capitol Records, in 1982, and scored such hits as "Love's Comin' At Ya," which was a major song in the UK and in Europe. She also scored such songs with "Keepin' My Love Satisfied," "Love Me Right," "Read My Lips," (which she was nominated for her fourth Grammy) and "When You Love Me Like This." She also starred in her own series Melba (1986), for CBS, a show that was canceled unexpectedly. The following year, Moore also had a recurring role on the long-running Falcon Crest (1981), opposite Oscar Award-winner Jane Wyman. At the end of the decade, Moore also garnered some songs with, "Do You Really (Want My Love)," and "Lift Every Voice and Sing".

In the mid-1990s, Moore traveled with Gospel Play called, "Mama I'm Sorry" aside Gospel's sisterly duo of Erica and Tina Atkins that was Written and Produced by Michael Matthews.

With a total of 11 U.S. Top 10 Hits (singles and albums) on the Billboard Pop/R&B,Disco/Dance, Album charts combined, over a period of 40 years, Melba Moore is one of the most enduring artists of the 21st century.

By the late 1990s, Melba Moore was back where she felt she belonged, reaching out and entertaining America through her acting, her singing and her comedy.

In 2003, Moore was featured in the film, The Fighting Temptations (2003), which starred Cuba Gooding Jr. and Beyoncé. In 2007, she landed a role in the Broadway revival of Ain't Misbehavin'. In 2009, independent label, Breaking Records released the EP Book of Dreams, in which Moore was featured. That same year Moore told her life story on TV-One's Unsung and later that year released her first R&B album in nearly 20 years, a duet release with Phil Perry called, The Gift of Love.

Leslie Uggams was born on 25 May 1943 in New York City, New York, USA. She is an actress, known for Deadpool (2016), Deadpool 2 (2018) and American Fiction (2023). She has been married to Grahame Pratt since 16 October 1965. They have two children.

Valerie Simpson was born on 26 August 1945 in The Bronx, New York, USA. She is a composer and actress, known for The Bodyguard (1992), Guardians of the Galaxy (2014) and Crazy Rich Asians (2018). She was previously married to Nick Ashford.

Nick Ashford was born on 4 May 1942 in Fairfield, South Carolina, USA. He was a composer and actor, known for The Bodyguard (1992), Guardians of the Galaxy (2014) and Crazy Rich Asians (2018). He was married to Valerie Simpson. He died on 22 August 2011 in Manhattan, New York City, New York, USA.