In Memoriam: Deaths in the 1940s

Mohandas Karamchand Gandhi (Mahatma Gandhi) was born on October 2, 1869, into a Hindu Modh family in Porbanadar, Gujarat, India. His father, named Karamchand Gandhi, was the Chief Minister (diwan) of the city of Porbanadar. His mother, named Putlibai, was the fourth wife; the previous three wives died in childbirth. Gandhi was born into the vaishya (business caste). He was 13 years old when married Kasturbai (Ba) Makhanji, through his parents arrangement. They had four sons. Gandhi learned tolerance and non-injury to living beings from an early age. He was abstinent from meat, alcohol, and promiscuity.

Gandhi studied law at the University of Bombay for one year, then at the University College London, from which he graduated in 1891, and was admitted to the bar of England. His reading of "Civil Disobedience" by David Thoreau inspired his devotion to the principle of non-violence. He returned to Bombay and practiced law there for a year, then went to South Africa to work for an Indian firm in Natal. There Gandhi experienced racism: he was thrown off a train while holding a valid first class ticket and pushed to third class. Later he was beaten by a stagecoach driver for refusing to travel on the foot-board to make room for a European passenger. He was barred from many hotels because of his race. In 1894, Gandhi founded the Natal Indian Congress. They focused on the Indian cause and British discrimination in South Africa. In 1897, Gandhi brought his wife and children to South Africa. He was attacked by a mob of racists, who tried to lynch him. He refused to press charges on any member of the mob. Gandhi became the first non-white lawyer to be admitted to the bar in South Africa.

During the South African War, Gandhi was a stretcher barer. He organized the Indian Ambulance corps of 300 Indian volunteers and hundreds of associates to serve wounded black South Africans. He was decorated for his courage at the Battle of Spion Kop. At that time Gandhi corresponded with Lev Tolstoy and expressed his admiration of the Tolstoyan principles of non-violence. In 1906 Gandhi, for the first time, organized a non-violent resistance against the Transvaal government's registration act. He called upon his fellow Indians to defy the new law in a non-violent manner and suffer the punishment for doing so. He was jailed on many occasions along with thousands of his supporters. Peaceful Indian protests caused a public outcry and forced the South African General J. C. Smuts to negotiate a compromise with Gandhi. However, Gandhi supported the British in World War I and encouraged Indians to join the Army to defend the British Empire, in compliance with the full citizenship requirement.

Back in India, Gandhi became active in the struggle for Indian Independence. He spoke at the conventions of the Indian National Congress, becoming one of its leaders. In 1918, Gandhi opposed the increasing tax levied by the British during the devastating famine. He was arrested in Champaran, state Bihar, for organizing civil resistance of tens of thousands of landless farmers and serfs. In jail Gandhi was on a hunger strike in solidarity with the famine stricken farmers. Hundreds of thousands of his supporters gathered around the jail. Gandhi was addressed by the people as Mahatma (Great Soul) and Bapu (Father). He was released. Then he represented the farmers in negotiation with the British administration. His effort worked. The tax collection was suspended and all prisoners were released. He declared that all violence was evil after the Amritsar massacre of 379 civilians by British troops, which traumatized the Indian nation. As the leader of the Indian National Congress party Gandhi launched "Swaraj", a campaign for independence and non-cooperation with the British authorities. He urged Indians to replace British goods with their own fabrics and goods. He was imprisoned from 1922-1924, being released after an appendectomy. During that time a Swaraj party was formed by his anxious opponents; it later dissolved back into the Congress.

On New Year's Eve, December 31, 1929, the Indian National Congress unfurled it's flag of independence. Gandhi and Jawaharlal Nehru issued the Declaration of Independence on January 26, 1930. Gandhi planned to achieve stability through the secularization of India, as the only way of uniting Hindus and Muslims in one peaceful nation. The religious divide was growing under the British colonial rule, which prospered from the monopoly on the salt trade. Everyone needed salt. Gandhi wrote to the Viceroy, Lord Irwin: "If my letter makes no appeal to your heart, on the eleventh day of March I shall proceed with co-workers of the Ashram as I can take, to disregard the provisions of the Salt Laws. I regard this tax to be the most iniquitous of all from the poor man's standpoint. As the Independence movement is essentially for the poorest in the land, the beginning will be made with this evil."

From March 12 to April 6, 1930, Gandhi made the famous Satyagraha ("Satya" - truth, "Agraha" - persuasion), The Salt March to Dandi. He walked on foot to the ocean in protest against the British salt monopoly and salt tax. He led thousands of Indians on a 240 mile (400 km) march from Ashram Ahmetabad to the village of Dandi on the ocean to make their own salt. For 23 days the two-mile long procession was watched by every resident along the journey. On April 6, Gandhi raised a grain of salt and declared, "With this, I am shaking the foundations of the British Empire." Gandhi's plan worked because it appealed to people in every region, class, religion, and ethnicity. The successful campaign led to the reaction of the British government and imprisonment of over 60,000 people for making or selling salt without a tax. The British opened fire on the unarmed crowd and shot hundreds of demonstrators. Gandhi was arrested in his sleep on the night of May 4th, 1930. Eventually the British government, represented by Lord Irwin, signed the Gandhi-Irwin Pact in March 1931, agreeing to free all political prisoners. Gandhi was invited to London as the leader of the Indian National Congress, but he was disappointed with the British attempts to destroy his influence by dividing him from his followers.

Gandhi campaigned to improve the lives of the untouchables, whom he called Harijans (the children of God). He promoted equitable rights, including the right to vote in the same electorates as other castes. In 1934 Gandhi survived three attempts on his life. In 1936, he briefly resigned from the party, because his popularity was stifling the diversity of membership; ranging from communists and socialists to religious conservatives and pro-business groups. He returned to the head of the party with the Jawaharlal Nehru presidency. At the beginning of the Second World War Gandhi declared that India could not be a party to this war, unless it has independence. His "Quit India" campaign led to mass arrests on an unprecedented scale of struggle. He was arrested in Bombay (Mumbai) and was held for two years. During his captivity his wife passed away and his secretary also died. Gandhi was released in May of 1944, due to a necessary surgery. His campaign led to a release of over 100,000 political prisoners before the end of the war.

India won independence in 1947, followed by the Indo-Pakistani War of 1947, and partition of India. Gandhi said, "Before partitioning India, my body will have to be cut into two pieces." About one million people died in the bloody riots until partition was reluctantly asserted by Gandhi as the only way to stop the Civil War. He urged the Congress Party to accept partition, and launched his last "fast-into-death" campaign in Delhi, calling for a stop to all violence. Gandhi also called to give Pakistan the 550,000,000 rupees in honor of the partition agreement. He tried to prevent instability and anger against India.

Gandhi was shot three times in the chest and died while on his way to a prayer meeting, on January 30, 1948. His assassins were convicted and executed a year later. The ashes of Mahatma Gandhi were split in portions and sent to all states of India to be scattered in rivers. Part of Gandhi's ashes rest in Raj Ghat, near Delhi, India. Part of Mahatma Gandhi's ashes are at the Lake Shrine in Los Angeles.

Born in Germany in 1929 and raised and raised in Germany and Amsterdam. In 1942, shortly after receiving a diary for her 13th birthday, she and her family were forced to go into hiding to escape Hitler's persecution of the Jews. Hiding with another family and a dentist in an annex behind the building in which her father worked, Anne recorded their lives in her diary almost daily. In addition, she recorded her fights with her mother, her budding relationship with the other family's son, and her own maturation. In 1944, the eight people were discovered and arrested by the Gestapo. They were separated and put in concentration camps. At age 15, Anne died there in March, 1945. Her mother and sister, as well as the other people living with them, also died. Only her father survived; on his return home, he found her diary untouched and had it published in 1947. It was an immediate success, as millions of readers were touched by her indomitable spirit in the face of such chaos. The diary is famous even to this day and was the inspiration for the Broadway play "The Diary of Anne Frank" in 1955. The play was adapted by first time in The Diary of Anne Frank (1959), followed by Anne Frank's Diary (1999), The Diary of Anne Frank (1995) and The Diary of Anne Frank (2016). It inspired four TV movies, The Diary of Anne Frank (1962), The Diary of Anne Frank (1985), The Diary of Anne Frank (1967) and The Diary of Anne Frank (1980). The diary also inspired the mini series The Diary of Anne Frank (1987), The Attic: The Hiding of Anne Frank (1988), Anne Frank: The Whole Story (2001) and The Diary of Anne Frank (2009). In addition, her life inspired Forget Me Not: The Anne Frank Story (1996) (about a Neo Nazi who back in time to meet Anne), My Best Friend Anne Frank (2021) and Mi ricordo Anna Frank (2009) (about her relation with her close friend Hannah Goslar), My Daughter, Anne Frank (2015) (about the relation between Anne and her father Otto) and Where Is Anne Frank (2021), based on the eponymous graphic novel, as well as the biographic documentary Anne Frank Remembered (1995) and Anne Frank, Then and Now (2014).

Alton Glenn Miller was born on March 1, 1904, in Clarinda, Iowa; the son of Lewis Elmer and Mattie Lou Cavender Miller. He started his music studies when his father gave him a mandolin. He soon traded the mandolin for an old horn. In 1916 he switched to trombone. In 1923, he enrolled in the University of Colorado, but after a year, he dropped out of school and moved to Los Angeles, where he joined Ben Pollack's band. He spent most of his time playing gigs and attending auditions.

In 1928, Miller moved to New York, where he played session gigs and made orchestrations. At that time he studied with the Russian musician and mathematician Joseph Schillinger, whose star apprentice was George Gershwin. Miller took Schillinger's instruction on orchestration of a practice exercise, which he developed into the song "Moonlight Serenade", making a small fortune with it. In 1934, Miller joined the Dorsey Brothers' Orchestra for a year, then organized an American band for Ray Noble, and made his debut at the Rainbow Room in New York's Rockefeller Center. The special sound of his band was developed in Miller's orchestration by using the "crystal chorus" and other inventive ways of arrangement.

Miller recorded his own band first time for Columbia Records on April 25, 1935. His instrumental "Solo Hop" reached the Top Ten in 1935, but he did not organize an orchestra under his own name until March of 1937. That band ultimately failed, and in 1938 he reorganized with many different musicians. In 1939, Miller and his new band got an engagement at the Glen Island Casino in New Rochelle, NY, which was a major spot with a radio wire. In 1939, he scored seventeen Top Ten hits, including such songs, as "Sunrise Serenade", "Moonlight Serenade", "Stairway to the Stars", "Moon Love", "Over the Rainbow", "Blue Orchids", "The Man With the Mandolin", and other popular songs, which he composed or orchestrated. Miller scored 31 Top Ten hits in the year 1940, and another 11 Top Ten hits in 1941.

His number one hits included "Song of the Volga Boatmen", "You and I", "Chattanooga Choo Choo", from his first film, 'Sun Valley Serenade'. Miller worked with the vocalists Tex Beneke, Ray Eberle, and the Modernaires with Paula Kelly. On February 10, 1942, Miller was presented with the first ever "Gold record" for "Chattanooga Choo Choo" and scored another 11 Top Ten hits in 1942. That was the first full year of his country's participation in the Second World War.

Although he was well beyond draft age Miller still strongly wanted to use his talents to help the war effort. After being turned down for a Navy commission he applied to the Army and was accepted with the rank of Captain. On September 27, 1942 he gave his last performance as a civilian. The Army assigned him to the Army Air Forces at Yale University in New Haven, Connecticut. He first organized a marching band, then built a large dance band with over two dozen jazz players and 21 string musicians. From January 1943 to June 1944 the Glenn Miller AAF Band made hundreds of live performances, "I Sustain the Wings" radio broadcasts, while previously-unreleased recordings by the former civilian band scored another 10 Top Ten hits in the year 1943. Miller took his band to Britain in June 1944. There he performed for the allied troops and did radio shows. His last recording of 20 new songs was made weeks before his death; it was released only in 1995.

After the liberation of France, now-Major Glenn Miller wanted to bring his music closer to the troops serving on the Continent and arranged to have the band transferred to Paris. He planned to travel ahead of time to prepare for the full orchestra's arrival but bad weather delayed his flight. On December 15, 1944 he accepted an invitation from another officer who was going to Paris on what turned out to be an unauthorized flight. He apparently was unaware that the plane's pilot was inexperienced in winter flying, and more tragically, that the small UC-64 "Norseman" transport had been suffering from fuel-system problems.

The plane never arrived in Paris, and on December 24, 1944 the AAF officially reported it and its crew as MIA (Missing in Action), under the presumption that it had gone down in the English Channel. In 1985, the British Ministry of Defence came up with explanation of Miller's disappearance, claiming that his plane was struck by a British bomb dropped in the waters by returning RAF pilots. Subsequent research has given credence to the alternate hypothesis that the plane crashed due to icing of its fuel system in the cold air over the Channel. However no wreckage, remains, or IDs have ever been found, precluding any definitive explanation. Glenn Miller was eventually officially declared dead; at his daughter's request a memorial tombstone was placed in Memorial Section H, Number 464-A on Wilson Drive in Arlington National Cemetery in April of 1992,

William Claude Dukenfield was the eldest of five children born to Cockney immigrant James Dukenfield and Philadelphia native Kate Felton. He went to school for four years, then quit to work with his father selling vegetables from a horse cart. At eleven, after many fights with his alcoholic father (who hit him on the head with a shovel), he ran away from home. For a while he lived in a hole in the ground, depending on stolen food and clothing. He was often beaten and spent nights in jail. His first regular job was delivering ice. By age thirteen he was a skilled pool player and juggler. It was then, at an amusement park in Norristown PA, that he was first hired as an entertainer. There he developed the technique of pretending to lose the things he was juggling. In 1893 he was employed as a juggler at Fortescue's Pier, Atlantic City. When business was slow he pretended to drown in the ocean (management thought his fake rescue would draw customers). By nineteen he was billed as "The Distinguished Comedian" and began opening bank accounts in every city he played. At age twenty-three he opened at the Palace in London and played with Sarah Bernhardt at Buckingham Palace. He starred at the Folies-Bergere (young Charles Chaplin and Maurice Chevalier were on the program).

He was in each of the Ziegfeld Follies from 1915 through 1921. He played for a year in the highly praised musical "Poppy" which opened in New York in 1923. In 1925 D.W. Griffith made a movie of the play, renamed Sally of the Sawdust (1925), starring Fields. Pool Sharks (1915), Fields' first movie, was made when he was thirty-five. He settled into a mansion near Burbank, California and made most of his thirty-seven movies for Paramount. He appeared in mostly spontaneous dialogs on Charlie McCarthy's radio shows. In 1939 he switched to Universal where he made films written mainly by and for himself. He died after several serious illnesses, including bouts of pneumonia.

Thomas Waller was born in 1904. He was one of the most important pianist in the history of jazz. He studied piano with James P. Johnson, one of the masters of the stride piano in the 1920s. Fats began recording his first piano solos in 1923. He worked in the revue "Hot Chocolates" in the late 1920s as a composer. Along with Duke Ellington, he is one of the most prolific composers in jazz. His best songs are, "Ain't Misbehavin' ", "Honeysuckle Rose", "Black and Blue", "Blue Turned Grey Over You" and "Keepin' Out of Mischief Now". He formed his own group in 1934, Fats Waller and his Rhythm, and recorded many records for RCA Victor. Two of his most notable film appearances were in Stormy Weather (1943) and King of Burlesque (1936). He died in 1943 on a train during a trip to California. He was just 39 years old.

Kent Rogers was born on 31 July 1923 in Houston, Texas, USA. He was an actor, known for Horton Hatches the Egg (1942), All-American Co-Ed (1941) and The Heckling Hare (1941). He died on 9 July 1944 in Pensacola, Florida, USA.

Academy Award-winning composer and songwriter ("Whistle While You Work", "Some Day My Prince Will Come"), and pianist, educated at the University of California. He was a pianist in film theatres, and then came to Hollywood under contract to Walt Disney. Joining ASCAP in 1938, his chief musical collaborators included Ann Ronell and Larry Morey. His other popular-song compositions include "I Bring You a Song", "Love Is a Song", "Who's Afraid of the Big Bad Wolf?", "Spring is in the Air", "Ain't Nature Grand?", "The Golden Youth", "Slow but Sure", "With a Smile and a Song", "I'm Wishing", "Heigh-Ho", "Happy as a Lark", "The Sunny Side of Things", "One Song", and "Baby Mine".

Franklin Delano Roosevelt was born in Hyde Park, New York, to James and Sara Roosevelt. His father was 54 at the time of FDR's birth and already had a grown son, nicknamed "Rosy". Sarah was only 27 when FDR was born. Growing up, FDR had a happy but sheltered childhood. His family was very wealthy and FDR had a very privileged upbringing, with trips to Europe and private tutors. Sara Roosevelt was a loving but domineering and overprotective mother. FDR was a devoted son, but found clever and subtle ways to get around his mother's domination. At 14 he was sent to Groton, an exclusive prep school led by the Rev. Endicott Peabody. FDR did not enjoy his time at Groton, often being teased by the other kids for having a formal and stuffy manner. Since he had a nephew who was older than him, kids at Groton called him "Uncle Frank". He graduated from Groton in 1900 and went to Harvard, where he edited the "Crimson" but failed to be accepted into the Porcellian Social Club. He graduated Harvard in 1903. Soon after that he fell madly in love with his sixth cousin, Eleanor Roosevelt. They married in 1905, with President Theodore Roosevelt giving the bride away. However, from the start Franklin and Eleanor's marriage was not a happy one. She was quiet and shy, whereas he was boisterous and outgoing. The fact that his mother moved into the house next door to theirs, and ran things, did not help. Franklin and Eleanor had six children (one child died in infancy). In 1910 Franklin was elected to the New York State Legislature from Duchess County. There he made a name for himself as a crusading reformer who favored the "average guy" over big business and championed for honest government. In 1913 he was appointed Assistant Secretary of the Navy and served under Josephus Daniels and President Woodrow Wilson. In 1918 he began a love affair with his wife's social secretary, Lucy Mercer. When Eleanor discovered the affair, she was understandably devastated and told Franklin she wanted a divorce. At the urging of his mother, Frankilin chose to save the marriage and promised Eleanor that he would never have anything more to do with Lucy. The damage was done, however, and Franklin and Eleanor never again shared the intimacies of marriage, becoming more like political partners. In 1921 FDR was stricken with polio and paralyzed. He permanently lost the use of his legs, but refused to let that thwart his political ambitions. He spoke at the 1924 Democratic Convention for the candidacy of Alfred E. Smith, then the Governor of New York, calling him the "Happy Warrior". In 1928 FDR was elected Governor of New York and was well placed when the stock market crashed in 1929. As governor he took the lead in providing relief and public works projects for the millions of unemployed in the state. His success as New York's governor made him a strong candidate for the Presidency in 1932. He easily beat incumbent President Herbert Hoover.

When Franklin Roosevelt was sworn in as President on March 4, 1933, more than 15 million Americans were unemployed. Millions more had been hard hit by the Depression and the banking system had collapsed. FDR wasted no time in launching a radical economic recovery program, known as the New Deal. He created the Federal Deposit Insurance Corporation (FDIC), which made the federal government the guarantor of people's bank deposits - not the banks themselves - and allowed drought-stricken farmers to refinance their mortgages, He created public works programs including the Works Progress Administration (WPA) and Civilian Conservation Corps (CCC)--thus making the government the employer of last resort--as well as setting up the Social Security system, instituting a minimum wage, outlawing child labor--a widespread practice at the time, especially in mines, factories and textile mills--and mandating a 40-hour work week with overtime pay. In responding to the Depression, FDR forever changed the role of the federal government in American life. He was easily reelected in 1936, defeating Republican Alf Landon in a landslide. His second term as president was less successful than his first, however. The Supreme Court had ruled a number of New Deal measures unconstitutional. With an electoral mandate in the bank, FDR proposed "packing" the Supreme Court with justices of his political persuasion for every judge over the age of 70 that did not retire. However, Congress refused to pass the Supreme Court packing plan, and from that point on FDR was unable to get Congress to pass much of his legislation. Also, fascism was rising rapidly throughout Europe and Asia. Germany's Adolf Hitler and Italy's Benito Mussolini had both seized power and began to conquer other countries, such as Ethiopia, Austria and Czechoslovakia. FDR was unable to respond to the threats from Europe and Asia, however, because sentiment in the US was strongly isolationist and Congress had passed a series of neutrality laws that gave the President very little power to respond to international aggression. World War II began in September 1939 when Hitler invaded Poland. Nine months later all of Western Europe had fallen to Hitler. The UK and its Commonwealth and Empire was standing alone. FDR wanted to help Britain, but had to move carefully and skillfully. He negotiated a deal in which the US gave Britain 50 old destroyers in exchange for bases in the Western Hemisphere. With World War II underway, FDR took the unprecedented move of seeking a third term as president. He won that term in November 1940, defeating Republican Wendell Willkie. Safely re-elected, he proposed a radical new program for helping Britain, known as Lend-Lease, in which Britain could buy armaments and other supplies from the US but not have to pay for them until after the war. FDR used the analogy of borrowing a neighbor's hose to put out a house fire to sell Lend-Lease. It passed and America became the "arsenal of democracy" as it began to build armaments for Britain and then the Soviet Union, when Hitler invaded it in mid-1941. Roosevelt met Britain's Prime Minister, Winston Churchill, for the first time in August 1941 where they drew up the Atlantic Charter. On December 7, 1941, the Japanese launched a surprise attack on Pearl Harbor, destroying much of America's Pacific fleet. The next day,FDR declared war on Japan, calling December 7 "a date that will live in infamy." America was in the war, and not only against Japan, but also against Germany and Italy. Under FDR's leadership, America quickly transformed itself from a decaying nation of idle factories, impoverished families, abandoned farms and masses of hobos roaming the streets to a nation turning out planes, tanks, guns, military vehicles and other armaments on a scale that quickly dwarfed the capability of Nazi Germany to do the same. World War II also changed American life as blacks got better jobs in the war plants and women began working outside the home in unprecedented numbers. Helped by Eleanor, FDR used the war as a vehicle for social progress, securing better treatment for minorities and women, higher wages and better benefits for workers and a GI bill, which guaranteed a free college education for all American soldiers who fought in the war. In so doing, he created the American middle class of today.

After a series of military defeats, the US and its allies began to win the war. Invasions of North Africa and Italy were launched and the US started retaking islands in the South Pacific it had lost to Japan at the beginning of the war, starting with the Battle of Midway in 1942. FDR met with Churchill several times throughout the war and with Soviet leader Joseph Stalin at Tehran in 1943 and at Yalta in 1945. The Allied invasion of France, known as D-Day, was launched on June 6, 1944. As the war ended, FDR pushed for his dream of a United Nations and for reforms that would ensure that another World War would never happen. The United Nations did come to pass, as well as new global institutions such as the World Bank and IMF. Also, FDR advocated for decolonization of Africa and Asia, leading to the collapse of the old European empires.

Because of the war, FDR felt he had no right to leave the presidency while Americans under his command were still fighting. So he sought a fourth term in 1944. His opponent was the new governor of New York, Thomas E. Dewey, who ran a campaign of innuendo, hinting that FDR was too ill to lead and that his government had gone stale. FDR retaliated with a speech accusing the Republicans of attacking his dog, Fala. FDR won his fourth term in November 1944. In January 1945 he journeyed to Yalta to confer with Churchill and Stalin for the last time, to settle the postwar world and push for Russian participation in the United Nations. By this time FDR was gravely ill. After the Yalta Conference, he traveled to his resort at Warm Springs, Georgia, where he died suddenly of a massive stroke on April 12, 1945. It was revealed that Lucy Mercer, his one-time lover, was with him when he died and that she had secretly visited him in the White House a number of times during his last year.

There was an elaborate funeral for him, with a train procession from Warm Springs to Washington DC, then to Hyde Park, where he was buried.

John Barrymore was born John Sidney Blyth on February 15, 1882 in Philadelphia, Pennsylvania. An American stage and screen actor whose rise to superstardom and subsequent decline is one of the legendary tragedies of Hollywood. A member of the most famous generation of the most famous theatrical family in America, he was also its most acclaimed star. His father was Maurice Blyth (or Blythe; family spellings vary), a stage success under the name Maurice Barrymore. His mother, Georgie Drew, was the daughter of actor John Drew. Although well known in the theatre, Maurice and Georgie were eclipsed by their three children, John, Lionel Barrymore, and Ethel Barrymore, each of whom became legendary stars. John was handsome and roguish. He made his stage debut at age 18 in one of his father's productions, but was much more interested in becoming an artist.

Briefly educated at King's College, Wimbledon, and at New York's Art Students League, Barrymore worked as a freelance artist and for a while sketched for the New York Evening Journal. Gradually, though, the draw of his family's profession ensnared him, and by 1905, he had given up professional drawing and was touring the country in plays. He survived the 1906 San Francisco earthquake, and in 1909, became a major Broadway star in "The Fortune Hunter". In 1922, Barrymore became his generation's most acclaimed "Hamlet", in New York and London. But by this time, he had become a frequent player in motion pictures. His screen debut supposedly came in An American Citizen (1914), though records of several lost films indicate he may have made appearances as far back as 1912. He became every bit the star of films that he was on stage, eclipsing his siblings in both arenas.

Though his striking matinee-idol looks had garnered him the nickname "The Great Profile", he often buried them under makeup or distortion in order to create memorable characters of degradation or horror. He was a romantic leading man into the early days of sound films, but his heavy drinking (since boyhood) began to take a toll, and he degenerated quickly into a man old before his time. He made a number of memorable appearances in character roles, but these became over time more memorable for the humiliation of a once-great star than for his gifts. His last few films were broad and distasteful caricatures of himself, though in even the worst, such as Playmates (1941), he could rouse himself to a moving soliloquy from "Hamlet". He died on May 29, 1942, mourned as much for the loss of his life as for the loss of grace, wit, and brilliance which had characterized his career at its height.

Lou Gehrig is remembered as baseball's "Iron Horse" and used to own the major league record for the 2,130 consecutive games that he played for the New York Yankees between 1925 and 1939, where he had a .340 career batting average, making him one of the greatest hitters of all time. Henry Louis Gehrig was born in the Yorkville section of Manhattan, New York City on June 19, 1903. His parents, Heinrich and Christina Gehrig, were German immigrants. Of their four children, Lou was the only one who survived to adulthood. Growing up as a mama's boy, Lou lived with his parents until he married at the age of 30. Lou attended New York public schools, including the High School of Commerce, where he excelled in baseball, football and swimming. In his senior year, Lou's school won New York's public school baseball championship. They played Chicago's best high school team at Wrigley Field in 1920. The game was a portrait of what was to come: with the bases loaded and two outs in the 9th inning, Lou crushed a 3-2 pitch over the right field to win the game. To fulfill his parents' dream, Lou enrolled at New York's Columbia University in 1922. Because he had briefly played for a professional baseball club the preceding summer, Lou was barred from athletic competitions at Columbia for a year. After sitting out the year, Lou started on the college's baseball and football squads, earning him the nickname "Columbia Lou." When his father lost his job and his mother fell ill, Lou decided to leave college for a professional baseball career. In June 1923, the New York Yankees signed him to a minor league contract. He was assigned to the team's Hartford, Connecticut, farm club where he played for two seasons. Lou was then inserted into the Yankee lineup on June 1, 1925 substituting for their regular first baseman, Wally Pipp. For the next 14 years, Lou did not miss a single game. Even though Lou made an immediate impression in the majors, leading the American League with 20 triples in his second season, it was in 1927 that this six-foot, 210-pound left-hander blossomed as a slugger. He challenged teammate Babe Ruth for the league's home run title. By the end of the season, Lou had hit 47 home runs to Babe Ruth's 60, earning second place. That year, Lou hit .373 and set a major league record by racking up 175 RBIs. Not surprisingly, Lou was voted the league's Most Valuable Player. He also helped the Yankees to win the 1927 World Series against the Pittsburgh Pirates. True to his form, Lou had almost decided to sit out the entire series to stay by his ill mother's side. For the next 13 consecutive seasons, Lou knocked more than 100 home runs, and slugged 46 home runs with 184 RBIs in 1931. On June 3, 1932, Lou hit four home runs in one game against the Philadelphia Athletics, setting another major league record. In 1933, Lou married Eleanor Twitchell, who helped him withstand the rigors of professional baseball. On the eve of his 2,000th consecutive game in 1938, Eleanor suggested that Lou was getting compulsive about the streak and advised him to end his career at 1,999 games. Despite his wife's good intentions, Lou would not be deterred and appeared there and at 130 more games. During 1939 spring training Lou began to experience weakness and problems with coordination. On May 2, 1939, Lou's consecutive game streak finally ended when he removed himself from the team. Suspecting something more than his training was making him feel worn out, Lou entered the Mayo Clinic in Rochester, Minnesota for health tests and on June 19, 1939, his 36th birthday, Lou was diagnosed with amyotrophic lateral sclerosis, a rare incurable muscular disorder which causes the muscular motor functions to degenerate, resulting in atrophying muscles, which in turn can lead to paralysis and ultimately death. New York mayor Fiorello LaGuardia named Lou the city's parole commissioner upon his retirement from baseball in 1939, a job he held until his declining health confided him to his bed in early 1941. Lou Gehrig finally passed away from ALS on June 2, 1941 at the age of 37. His universal renown was so great that amyotrophic lateral sclerosis later became known as Lou Gehrig's Disease.

London-born Virginia Woolf came from a wealthy family and, unlike her brothers, received her education at home, an unusual step for the times. Her parents had both had children from previous marriages, so she grew up with a variety of siblings, stepbrothers and stepsisters. Her father was a well-respected editor and author and the former son-in-law of William Makepeace Thackeray. Author James Russell Lowell was her godfather, and Henry James and George Elliott were regular visitors and guests at the family home. As she recalled later in life, her most pleasant childhood memories were of the summers spent at the family home in Cornwall, by Porthminster Bay (the Godrevy Lighthouse there was the basis for her novel "To the Lighthouse").

The sudden death of Virginia's mother in 1895, when she was 13, and the passing of her sister two years later led to the first of Virginia's mental breakdowns. In 1904 her father died, which caused a complete mental and physical collapse and for a while she was sent to a mental institution to recover. Nervous breakdowns and bouts of severe depression tormented Virginia throughout her life, and the fact that as children she and her sister Vanessa were sexually abused by two of their stepbrothers added to her already considerable feelings of guilt and inferiority.

She studied at London's Kings College, where she became acquainted with such literary figures as Lytton Strachey, Saxon Sydney-Turner and Leonard Woolf. She married Woolf in 1912. Virginia was always ashamed of what she termed her "unattractive countenance", and once wrote that "being wanted [was] a pleasure that I have never felt". In 1922 she met Vita Sackville-West, and the two women began a relationship that lasted for almost ten years. She was said to have written her novel "Orlando" as a love letter to West.

After the publication of her novel "Between the Acts" she fell into a deep depression, exacerbated by the destruction of her London home by Nazi planes during the bombing of that city, and the less than enthusiastic critical reaction to her biography of her close friend Roger Fry. Her condition deteriorated to the point where she was unable to write or even read. She finally had a full-blown nervous breakdown. Unable and unwilling to continue, she wrote a note to her husband saying that "I am certain I am going mad again" and "I shan't recover this time . . . I can't fight any longer . . . I can't go on spoiling your life any longer." On March 28, 1941, she left her home, walked to the banks of the nearby River Ouse, loaded heavy stones into her pockets and walked into the water. She was 59 years old.

Writer, born in Bromley, Kent. He was apprenticed to a draper, tried teaching, studied biology in London, then made his mark in journalism and literature. He played a vital part in disseminating the progressive ideas which characterized the first part of the 20th-c. He achieved fame with scientific fantasies such as The Time Machine (1895) and War of the Worlds (1898), and wrote a range of comic social novels which proved highly popular, notably Kipps (1905) and The History of Mr Polly (1910). Both kinds of novel made successful (sometimes classic) early films. A member of the Fabian Society, he was often engaged in public controversy, and wrote several socio-political works dealing with the role of science and the need for world peace, such as The Outline of History (1920) and The Work, Wealth and Happiness of Mankind

Leadbelly was born on 29 January 1885 in Louisiana, USA. He was a composer, known for The Losers (2010), Spenser Confidential (2020) and The Hitman's Bodyguard (2017). He was married to Martha Promise and Aletha Henderson. He died on 6 December 1949 in New York City, New York, USA.

Leon Schlesinger occupies an odd niche in Hollywood history. He was every bit a studio mogul but occupied a narrow, if extremely lucrative corner of the industry, an animation company. He might have shared this corner with Walt Disney but the two men couldn't have been more different in their professional outlook, yet at one time or another each employed many of the same people, shared rabid anti-union attitudes and paid their talented staffs poorly. Unlike Disney, Schlesinger didn't set out to become a producer of animated cartoons, he owned the immodestly-named Leon Schlesinger Productions, which had evolved out of Pacific Art & Title, which was Warner Brothers' title card outfit back in the silent days. The company was not exclusive to Warner's, but Leon developed a particularly close friendship with Jack L. Warner and as legend has it, when the studio was up against the financial ropes, it was Schlesinger who helped finance The Jazz Singer (1927).

In 1929, Leon was approached by two unemployed 25-year old ex-Walt Disney animators, Hugh Harman and Rudolf Ising, who had produced a novel 3-minute talkie cartoon, 'Bosko The Talk-ink Kid,' a plotless exercise made to demonstrate something Disney hadn't accomplished with his talkie-toon Steamboat Willie (1928): Bosko's voice was lip-synchronized. Harman and Ising had shopped the character and technique around town without any bites until they approached Schlesinger, who feared the vast majority of his rapidly dwindling title card business was about to be completely wiped out as studios converted over to sound. Animation was a natural move. On January 28, 1930 Schlesinger signed a contract with Harman and Ising to deliver a single cartoon within 60 days (!) with options for additional cartoons amounting to a year's production based on monthly delivery (!!). Leon then went to work on Jack Warner and landed a distribution deal and exercised his options. This middleman arrangement was to define Leon Schlesinger for the remainder of his career: unlike Disney he was no visionary -- Leon was simply out for money.

At the beginning of his career as a cartoon mogul, he also found time to briefly act as a producer for Warner's B-western unit, devoted to John Wayne low-budget oaters (these films featured plots and canned shots from earlier Ken Maynard films, complete with matching horses and wardrobes). Back on the animation side, with no small amount of conceit, he wanted his name on everything, despite having no creative input. Leon was simply, and often ruthlessly, committed to making the most money based on the artistic genius of others. And to Schlesinger, the obvious way to accomplish this was to keep his overhead costs to an absolute minimum.

Harman and Ising frequently clashed with Schlesinger over production budgets and color production. Leon predictably balked at cutting into his profits for the sake of art. By 1933, the boys had enough of Leon, quit and quickly signed Bosko to a distribution deal with MGM. Leon was left, except for certain copyrights (the names Looney Tunes, and Merrie Melodies, for example) virtually high and dry -- but not without a plan. Schlesinger, free of partners, quickly rallied. He got Warner's to lease him out a suitable space (the claptrap building was nicknamed 'Termite Terrace') and formed his own studio.

At the depth of the Great Depression, talent came cheap and Leon went about poaching select ex-Herman-Ising staff members such as Friz Freleng and Robert Clampett, along with hand-picked former Disney personnel, arguably the most important early key member of the team was Earl Duvall. Duvall created the first identifiable character of Schlesinger's new studio, a bland Caucasian Bosko-like kid named Buddy, who would appeared in 23 cartoons until 1938.

Schlesinger finally caved to color in 1934 with the 42nd Street (1933)-inspired Honeymoon Hotel, starring a variety of bugs. Schlesinger was acutely aware of Disney's domination of the animation industry -- they had 3-strip Technicolor locked up exclusively through 1936 and it was an open secret there was a Disney animated feature in the works. He countered with every asset cheaply available: Warner's excellent music library and outstanding orchestra and his staff was not bound by Disney's rigid policy of realism. By comparison, Schlesinger's individual production units (each headed by legendary directors like Tex Avery, Frank Tashlin and Chuck Jones) could be positively outrageous.

1936 saw the fortuitous hiring of ex-KGW Radio 'Hoot Owl' announcer Mel Blanc (hired to an exclusive contract some 4 years later) and an increasingly popular roster of new animated stars: Daffy Duck, Porky Pig and, especially Bugs Bunny (formally introduced in 1940). Fiercely anti-union, Schlesinger had few qualms over shutting his newly unionized studio down twice in the early 1940's balking at his animator's demands for higher wages.

Surprisingly, Leon didn't work for Warner's exclusively; he assigned units to work for animated segments of films for Paramount, RKO (Disney's distributor!) and Republic. Schlesinger himself remained as arrogant and egotistical as ever, decidedly non-creative while continuing to rail against spiraling costs, so this early golden age essentially happened despite his presence. Leon decided to sell his company to Warner Brothers in July, 1944 for $700,000.00 and in a measure of true Schlesinger generosity, he rewarded each of his directors a gold pen set and invited them to dinner at his mansion for the first and last time to celebrate their years together. The retired mini-mogul died on Christmas Day, 1949, his public reputation forever cemented by the words, 'A Leon Schlesinger Production' plastered on a multitude of classic cartoons.

David Wark Griffith was born in rural Kentucky to Jacob "Roaring Jake" Griffith, a former Confederate Army colonel and Civil War veteran. Young Griffith grew up with his father's romantic war stories and melodramatic nineteenth-century literature that were to eventually shape his movies. In 1897 Griffith set out to pursue a career both acting and writing for the theater, but for the most part was unsuccessful. Reluctantly, he agreed to act in the new motion picture medium for Edwin S. Porter at the Edison Company. Griffith was eventually offered a job at the financially struggling American Mutoscope & Biograph Co., where he directed over four hundred and fifty short films, experimenting with the story-telling techniques he would later perfect in his epic The Birth of a Nation (1915).

Griffith and his personal cinematographer G.W. Bitzer collaborated to create and perfect such cinematic devices as the flashback, the iris shot, the mask and cross-cutting. In the years following "Birth", Griffith never again saw the same monumental success as his signature film and, in 1931, his increasing failures forced his retirement. Though hailed for his vision in narrative film-making, he was similarly criticized for his blatant racism. Griffith died in Los Angeles in 1948, one of the most dichotomous figures in film history.

Victor Fleming entered the film business as a stuntman in 1910, mainly doing stunt driving - which came easy to him, as he had been a mechanic and professional race-car driver. He became interested in working on the other side of the camera, and eventually got a job as a cameraman on many of the films of Douglas Fairbanks. He soon began directing, and his first big hit was The Virginian (1929). It was the movie that turned Gary Cooper into a star (a fact Cooper never forgot; he and Fleming remained friends for life). Fleming's star continued to rise during the '30s, and he was responsible for many of the films that would eventually be considered classics, such as Red Dust (1932), Bombshell (1933), Treasure Island (1934), and the two films that were the high marks of his career: Gone with the Wind (1939) and The Wizard of Oz (1939). Ironically Fleming was brought in on both pictures to replace other directors and smooth out the troubled productions, a feat he accomplished masterfully. His career took somewhat of a downturn in the '40s, and most of his films, with the exception of Dr. Jekyll and Mr. Hyde (1941), weren't particularly successful. He ended his career with the troubled production Joan of Arc (1948), which turned out to be a major critical and financial failure.

Carole Lombard was born Jane Alice Peters in Fort Wayne, Indiana, on October 6, 1908. Her parents divorced in 1916 and her mother took the family on a trip out West. While there they decided to settle down in the Los Angeles area. After being spotted playing baseball in the street with the neighborhood boys by a film director, Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921). Although she tried for other acting jobs, she would not be seen onscreen again for four years. She returned to a normal life, going to school and participating in athletics, excelling in track and field. By age 15 she had had enough of school, though, and quit. She joined a theater troupe and played in several stage shows, which were for the most part nothing to write home about. In 1925 she passed a screen test and was signed to a contract with Fox Films. Her first role as a Fox player was Hearts and Spurs (1925), in which she had the lead. Right after that film she appeared in a western called Durand of the Bad Lands (1925). She rounded out 1925 in the comedy Marriage in Transit (1925) (she also appeared in a number of two-reel shorts). In 1926 Carole was seriously injured in an automobile accident that resulted in the left side of her face being scarred. Once she had recovered, Fox canceled her contract. She did find work in a number of shorts during 1928 (13 of them, many for slapstick comedy director Mack Sennett), but did go back for a one-time shot with Fox called Me, Gangster (1928). By now the film industry was moving from the silent era to "talkies". While some stars' careers ended because of heavy accents, poor diction or a voice unsuitable to sound, Carole's light, breezy, sexy voice enabled her to transition smoothly during this period. Her first sound film was High Voltage (1929) at Pathe (her new studio) in 1929. In 1931 she was teamed with William Powell in Man of the World (1931). She and Powell hit it off and soon married, but the marriage didn't work out and they divorced in 1933. No Man of Her Own (1932) put Carole opposite Clark Gable for the first and only time (they married seven years later in 1939). By now she was with Paramount Pictures and was one of its top stars. However, it was Twentieth Century (1934) that showed her true comedic talents and proved to the world what a fine actress she really was. In 1936 Carole received her only Oscar nomination for Best Actress for My Man Godfrey (1936). She was superb as ditzy heiress Irene Bullock. Unfortunately, the coveted award went to Luise Rainer in The Great Ziegfeld (1936), which also won for Best Picture. Carole was now putting out about one film a year of her own choosing, because she wanted whatever role she picked to be a good one. She was adept at picking just the right part, which wasn't surprising as she was smart enough to see through the good-ol'-boy syndrome of the studio moguls. She commanded and received what was one of the top salaries in the business - at one time it was reported she was making $35,000 a week. She made but one film in 1941, Mr. & Mrs. Smith (1941). Her last film was in 1942, when she played Maria Tura opposite Jack Benny in To Be or Not to Be (1942). Tragically, she didn't live to see its release. The film was completed in 1941 just at the time the US entered World War II, and was subsequently held back for release until 1942. Meanwhile, Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since.

Although by his own account Benchley was not quite a writer and not quite an actor, he managed to become one of the best-known humorists and comedians of his time. As a Harvard undergraduate, Benchley gave his first comic performance, impersonating a befuddled after-dinner speaker. The act made him a campus celebrity -- and remained in Benchley's repertoire for the rest of his life. (Landing the position of editor of the Harvard Lampoon was the other highlight of his college career.) As a post-graduate journalist, between frequent firings and other disruptions, Benchley made his mark as a theater critic and as writer of whimsical musings on the vagaries of modern life. He served briefly as managing editor of the magazine Vanity Fair, where his lieutenants were Dorothy Parker and Robert E. Sherwood, but he quit to protest Parker's firing. (Benchley, Parker and Sherwood were among the regulars at the so-called Algonquin Round Table, a social circle of New York wits that also included Harpo Marx and George S. Kaufman). Benchley was among the first contributors to The New Yorker, where his work influenced other writers -- such as E.B. White and James Thurber

Within the British colony of expatriate actors in Hollywood during the 1930's, Barnett Parker was among the most stereotypical. Harrowgate College-educated, straight-backed, balding and well-intoned, Parker caricatured a multitude of unctuous, stiff-upper-lip butlers, man-servants or waiters, though his performances could, at times, verge on the brink of being camp. When driven to frustration his characters commonly resorted to incoherent twitter or wild gesticulation.

Parker was trained under Marie Tempest and George Alexander in England. He first acted on Broadway at the Lyceum Theatre as Wilfred Tavish in Arthur Wing Pinero's "The "Mind the Paint" Girl" in 1912. He was well served with further roles in hit plays like "Hobson's Choice" (1915), "Artists and Models" (1924) and "The Red Robe" (1928). He was at first prone to reject film offers, professing to favor acting on stage. Nonetheless, the celluloid medium eventually beckoned, enticing him to sign with the East Coast-based studio Thanhouser in 1915. He worked in films during the daytime (while treading the boards at night) and quickly landed a plum role as a weak socialite, rescuing Gladys Hulette in Prudence, the Pirate (1916). He was seldom thereafter afforded the opportunity for heroic acts. During the 1930's, he was primarily in demand for small roles as dandified or 'silly ass' Britishers, giving value for money in films like Mr. Deeds Goes to Town (1936), Personal Property (1937), Live, Love and Learn (1937) and Broadway Melody of 1938 (1937). Looking rather older than his years, Barnett Parker died at the Cedars of Lebanon Hospital in Los Angeles after multiple heart attacks on August 5, 1941.

James Baskett was born on February 16, 1904 in Indianapolis, Indiana, USA as James Franklin Baskett. He was an actor, known for Song of the South (1946), Revenge of the Zombies (1943) and Policy Man (1938). He was married to Margaret. He died on July 9, 1948 in Los Angeles, California, USA.

In 1902, 16-year-old Wallace Beery joined the Ringling Brothers Circus as an assistant to the elephant trainer. He left two years later after a leopard clawed his arm. Beery next went to New York, where he found work in musical variety shows. He became a leading man in musicals and appeared on Broadway and in traveling stock companies. In 1913 he headed for Hollywood, where he would get his start as the hulking Swedish maid in the Sweedie comedy series for Essanay. In 1915 he would work with young ingénue Gloria Swanson in Sweedie Goes to College (1915). A year later they would marry and be wildly unhappy together. The marriage dissolved when Beery could not control his drinking and Gloria got tired of his abuse. Beery finished with the Sweedie series and worked as the heavy in a number of films. Starting with Patria (1917), he would play the beastly Hun in a number of films. In the 1920s he would be seen in a number of adventures, including The Four Horsemen of the Apocalypse (1921), Robin Hood (1922), The Sea Hawk (1924) and The Pony Express (1925). He would also play the part of Poole in So Big (1924), which was based on the best-selling book of the same name by Edna Ferber. Paramount began to move Beery back into comedies with Behind the Front (1926). When sound came, Beery was one of the victims of the wholesale studio purge. He had a voice that would record well, but his speech was slow and his tone was a deep, folksy, down home-type. While not the handsome hero image, MGM executive Irving Thalberg saw something in Beery and hired him for the studio. Thalberg cast Beery in The Big House (1930), which was a big hit and got Beery an Academy Award nomination. However, Beery would become almost a household word with the release of the sentimental Min and Bill (1930), which would be one of 1930's top money makers. The next year Beery would win the Oscar for Best Actor in The Champ (1931). He would be forever remembered as Long John Silver in Treasure Island (1934) (who says never work with kids?). Beery became one of the top ten stars in Hollywood, as he was cast as the tough, dim-witted, easy-going type (which, in real life, he was anything but). In Flesh (1932) he would be the dim-witted wrestler who did not figure that his wife was unfaithful. In Dinner at Eight (1933) he played a businessman trying to get into society while having trouble with his wife, link=nm0001318]. After Marie Dressler died in 1934, he would not find another partner in the same vein as his early talkies until he teamed with Marjorie Main in the 1940s. He would appear opposite her in such films as Wyoming (1940) and Barnacle Bill (1941). By that time his career was slowing as he was getting up in age. He continued to work, appearing in only one or two pictures a year, until he died from a heart attack in 1949.

Movie roles are sometimes based upon what the audience expects to see. If the role called for the tall stereotypical Englishmen with the stiff upper lip and stern determination, that man would be C. Aubrey Smith, graduate of Cambridge University, a leading Freemason and a test cricketer for England. Smith was 30 by the time he embarked upon a career on the stage. It took another 20 plus years before he entered the flickering images of the movies. By 1915, Smith was over 50 in a medium that demanded young actors and starlets. For the next ten years, he appeared in a rather small number of silent movies, and after that, he faded from the scene. It was in 1930, with the advent of sound, that Smith found his position in the movies and that position would be distinguished roles. He played military officers, successful business men, ministers of the cloth and ministers of government. With the bushy eyebrows and stoic face, he played men who know about honour, tradition, and the correct path. He worked with big stars such as Greta Garbo, Douglas Fairbanks Jr. and Shirley Temple. As for honours, Smith received the Order of the British Empire in 1938 and was knighted in 1944. He continued to work up to the time of his death.

While Charley Chase is far from being as famous as "The Big Three" (Charles Chaplin, Buster Keaton and Harold Lloyd) today, he's highly respected as one of the "greats" by fans of silent comedy.

Chase (real name Charles Parrott) was born in Maryland, USA, in 1893. After a brief career in vaudeville, burlesque, and musical comedy he appeared with Al Christie at Universal Studios as a comedian in 1913 before moving to the Mack Sennett Studios the following year. His career in films did not start off with remarkable success. He played bit parts in a large number of short comedies, coming to notice in 'The Knockout' with Charlie Chaplin, Roscoe "Fatty" Arbuckle, Edgar Kennedy and The Keystone Cops. This was followed by appearing in a number of films written and directed by Chaplin. At the end of 1914 he was one of the stars in the spectacular Tillie's Punctured Romance featuring all the stars on the lot, and which took 14 weeks to shoot. He spent another year with Sennett starring in his own shorts, one of his first being Settled at the Seaside co starring Mae Busch. In 1915he started directing films using his real name and switching to his stage name when starring. He moved to Fox Studios in 1916 where he directed, wrote and starred in comedies some of which featured Chester Conklin. After a couple of further studio moves he rejoined Sennett then went to Paramount before arriving at Hal Roach Studios in 1920 as a director, before Roach realized what a gifted performer he had hired. "I can play anything!" Chase told Roach, and eventually his claim was confirmed. Although Mack Sennett's Keystone studio has earned legendary status as the ultimate factory of comic invention, it can hardly be denied that Roach developed a more refined style of comedy which obviously fitted Chase better (indeed, Sennett's unsophisticated product increasingly lost favor with the movie-going public by the early 1920s, while Roach's studio flourished). During five years, 1924-29, he starred in nearly a hundred two-reelers, most of which were directed by Leo McCarey.

Chase usually portrayed an apparently gentle and charming man who in reality, it eventually turned out, was quite a loser after all. His character was largely inspired by Lloyd Hamilton, another neglected comedian whom Chase had directed in several two-reelers. Among Charley's most memorable shorts are Innocent Husbands, Mighty Like a Moose, and Movie Night.

From the beginning, Charley Chase was a "critics' darling," but none of his movies were remarkably successful at the box office. There is no official "explanation" to this, but one reason may be that Chase, in contrast to the more popular clowns, never starred in any feature during the silent period. On a personal level, Chase was severely hobbled by alcoholism, which is unapparent in his films.

Chase made several promising appearances after the talkies arrived, in 1929-30, especially in Laurel and Hardy's highly acclaimed feature Sons of the Desert (1933). Despite this, he was never offered any further appearances in features. But he continued to perform in shorts and did also direct some of the Three Stooges' early movies. He died in 1940, not yet 47 years of age, of a heart attack. It is reasonable to believe that his early death was to a large extent caused by his addiction to alcohol, a problem which had troubled his family for several years. His brother James, also an actor, had died the year before. The two brothers had been close throughout their lives, although their personal problems frequently affected each other (or perhaps that was the reason for their being so close.) Chase was married to Bebe Eltinge from 1914, a marriage that lasted until his death and produced two daughters, Polly and June.

Chase's silent work was celebrated on DVD in two volumes from Kino Video. At long last his comic genius is being recognized.

In the US from the age of 10, he first worked as a journalist-illustrator for the New York World. Interviewing Thomas A. Edison, he so impressed the inventor with his drawings that Edison suggested he allow some of them to be photographed by the Kinetograph camera. The result was a short film, Edison Drawn by 'World' Artist (1896). Fascinated by the new medium, Blackton bought a Kinetoscope from Edison, went into partnership with a friend, Albert E. Smith, and exhibited films with it. In 1897 they added a third partner, William T. Rock, and the young partners converted the projector into a motion-picture camera and established the Vitagraph Company. They started film production in an open-air studio on the roof of the Morse Building at 140 Nassau Street, New York City. Their first film, The Burglar on the Roof (1898), was about 50 feet long, with Blackton playing the leading role. In 1898, during the Spanish-American War, they produced Tearing Down the Spanish Flag (1898), probably the world's first propaganda film. Smith operated the camera and Blackton was again the actor, tearing down the Spanish flag and raising the Stars and Stripes to the top of a flagpole. Blackton and his partners continued filming fake and real news events, ranging from Spanish-American War footage to coverage of local fires and crimes in New York City. They constantly expanded their activities and soon moved into the world's first glass-enclosed studios, in Flatbush, Brooklyn. Blackton directed most of the production of this early period, including such story films as A Gentleman of France (1905) and Raffles, the Amateur Cracksman (1905), two milestones in the development of the American feature film. Blackton pioneered the single-frame (one turn, one picture) technique in cinema animation, turning out a number of animated cartoons between 1906 and 1910, including the immensely successful Humorous Phases of Funny Faces (1906), The Haunted Hotel (1907), and The Magic Fountain Pen (1909). He also introduced (in 1908, before Griffith) the close shot, a camera position between the close-up and the medium shot. Like Griffith, he emphasized film editing, setting his films apart from most of the products of this very early period. His film editing was especially noteworthy in his 'Scenes Of True Life' series, a realistic group of films he directed beginning in 1908. Next to Griffith, Blackton was probably the most innovative and creative force in the development of the motion picture art, not only as the director of hundreds of films but also as organizer, producer, actor, and animator. He pioneered the production of two- and three-reel comedies and starred in one such series as a character called Happy Hooligan. Beginning in 1908, he also pioneered the American production of distinguished stage adaptations, including many Shakespeare plays and historical re-creations. When the output at Vitagraph became too heavy for one man to handle, he initiated the system (later to be adopted by Ince) of overseeing the work of several underling directors as production supervisor. In 1917 he left active work with Vitagraph and began independent productions. During WWI, he directed and produced a series of patriotic propaganda films, the most famous of which, and which he also wrote, was The Battle Cry of Peace (1915), based on a hypothetical attack on New York City by a foreign invader. Blackton later went to England, where he directed a number of costume pageants, two of them experiments in color. When Vitagraph was absorbed by Warner Bros. in 1926, Blackton retired. He lost his entire fortune in the 1929 crash and was forced to seek work on a government project in California. Later he was hired as director of production at the Anglo-American Film Company, where he worked until his death. Between 1900 and 1915, Blackton was president of the Vitaphone Company, a manufacturer of record players. In 1915 he organized and became president of the Motion Picture Board of Trade, later known as the Association of Motion Picture Producers and Distributors of America. He was also publisher and editor of Motion Picture Magazine, one of America's first film-fan publications.

His mother enrolled him in a dramatic class to overcome his self-consciousness. His gravel voice was exploited by an MGM talent scout. After his test and positive public reaction he was signed to a term contract to Our Gang. His favorite sport was bicycling. After Our Gang was over, Froggy was riding double on a motorized scooter with a friend delivering newspapers on a old three-lane highway in La Puente. Froggy was the passenger, his friend 'John Wilbrand' was driving and did a sudden U-turn into the front of a truck that hit and ended up killing Froggy who died around 6 hours later in the hospital. Froggy's friend John Wilbrand who was driving only suffered minor injuries. His older brother Tom said that he was just a normal type of kid in high school, doing well, when this accident occurred. After the gang, he did try out in some feature films, but he told his mother he wasn't interested in continuing with that. So his career in movies came to an end.