Director Résumé: Michael Bay

Composer / Music Producer / Songwriter: Jim Steinman
Cinematographer: Daniel Pearl ASC
Producer: Scott Gardenhour
Makeup Artist: Bob Keane
Filming Dates: July 1993 - August 1993
Camera: Arriflex 35-II- (35mm Eastman 250D 5297, EXR 50D 5245, EXR 500T 5296)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom & SLZ11 24-275mm Zoom
AR: 1.33:1 (4-Perf 35mm Spherical)
Budget: 4-4.5 Million USD
Budget AFI (2022): 8.2-9.2 Million USD
Produced by: Propaganda Films

Composer: Jonathan Elias
Editor: Thomas Muldoon
Cinematographer: Mark Plummer
Producers: Scott Gardenhour, Cindy Epps
Writer: Chuck McBride
Radio Announcer Voice Actor: Rob Paulsen
Negative Format: 4-Perf 35mm Film
AR: 1.33:1 (Spherical)
Produced by: Propaganda Films

Casting Directors: Francine Maisler CSA, Lynn Kressel CSA
Composer: Mark Mancina
Composers, Additional Music: Nick Glennie-Smith, Christopher Ward
Music Supervisors: Michael Dilbeck, Happy Walters
Costume Designer: Bobbie Read
Film Editor: Christian Wagner
Production Designer: John Vallone
Director of Photography: Howard Atherton BSC
Executive Producers: Bruce S. Pustin, Lucas Foster
Story Writer: George Gallo
Screenplay Writers: Michael Barrie, Jim Mulholland, Doug Richardson
Screenplay Writers, Script Revisions: Dick Clement, Ian Le Frenais, Larry Ferguson, James Toback
Producers: Don Simpson, Jerry Bruckheimer
Stunts: Chuck Picerni Ji., Steven Picerni, Troy Robinson
Unit Production Manager: Christopher Cronyn
1st Assistant Director: Bruce G. Moriarty
2nd Assistant Director: Jonathan M. Watson
Art Director: Peter Politanoff
Set Decorator: Kate Sullivan
Camera Operators: Doug O'Neons, Craig Haagensen
First Assistant Camera: Michael Klimchak
First Assistant "B" Camera: John D. McGowan
Second Assistant Camera: Warner Wacha
Second Assistant "B" Camera: Peter Manno
Aerial Unit Camera Operators: Dylan Goss, Michael Kelem
Chief Lightning Technician: Gary Ryan
Assistant Chief Lightning Technician: Biff DeLany
Key Grip: Barry J. Ryan
Stunt Coordinator/2nd Unit Director: Ken Bates
2nd Second Assistant Director: Jeffrey T. Barabe
Production Special Effects Coordinator: Richard Lee Jones
Production Special Effects Foreman: Mark Banich
Chief Pyro Technician: Michael Meinardus
Production Coordinator: Lois Walker
Location Manager: Samuel P. Tedesco
Prop Master: Charles P. Guanci Jr
Assistant Prop Master: Eric Weiler
1st Assistant Film Editor: H. Dwight Raymond IV
Apprentice Editor: Jordan Dawes
Supervising Sound Editor: Robert Henderson
Music Editor: Curtis Roush
Assistant Music Editor: J.J. George
Production Mixer: Peter J. Devlin
Re-recording Mixers: Kevin O'Connell, Rick Kline
Technical Advisor: MJR. Nelson Oramas
Unit Publicist: Carol Green
Still Photographer: Jon Farmer
Color Timer: David Orr
2nd Unit Director/Director of Photography: Peter Lyons Collister ASC
2nd Unit Film Crew 1st Assistant Director: Barry Waldman
2nd Unit Film Crew 2nd Assistant Director: Lisandra Soto
2nd Unit Film Crew 1st Assistant Camera: Peter Mercurio
2nd Unit Film Crew 2nd Assistant Camera: Michael B. McGowan
2nd Unit Film Crew Chief Lightning Technician: Eugene Moffatt
2nd Unit Film Crew Key Grip: Jamie Klein
Music Consultant: Jeffrey Pollack
Music Orchestrator: Bruce Fowler
Score Mixer: Alan Meyerson
Colorist, 2015 4K Restoration/Telecine Colorist: Stefan Sonnenfeld ASC
Filming Dates: June 27, 1994 - August 31, 1994
Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 50D 5245, 100T 5248, 200T 5293 & 500T 5298)
Lenses: Panavision® Primo Spherical Primes, SLZ 17.5-75mm Zooms & SLZ11 24-275mm Zooms
AR: 1.85:1 (4-Perf 35mm)
Budget: 19-23 Million USD
Budget AFI (2025): 39.6-47.9 Million USD
Hi-Def Telecine/2015 4K Restoration by: Company 3
Attribute: Filmed with Panavision® Cameras & Lenses

Camera Operator: Michael Bay
Executive Producer: Sean Connery
Casting Directors: Heidi Levitt, Billy Hopkins
Composer/Score Arranger/Conductor: Nick Glennie-Smith
Composer/Score Arranger: Hans Zimmer
Composer, Additional Music/Score Producer: Harry Gregson-Williams
Composer, "The Chase": Don Harper
Costume Designer: Bobbie Read
Editor: Richard Francis-Bruce ACE
Production Designer: Michael White
Director of Photography: John Schwartzman ASC
Director of Photography, Underwater Photography: Pete Romano ASC
Director of Photography, Additional Photography: Mauro Fiore ASC AIC
Executive Producers: William Stewart, Louis A. Stroller
Story/Screenplay Writers: David Weisberg, Douglas S. Cook
Screenplay Writers: Mark Rosner, Jonathan Hensleigh, Quentin Tarantino, Aaron Sorkin, Scott Rosenberg, Dick Clement, Ian Le Frenais
Producer/Dedicated in Loving Memory to: Don Simpson
Producer: Jerry Bruckheimer
Stunt Coordinator/Associate Producer/Second Unit Director: Kenny Bates
Assistant Stunt Coordinator: Steve Picerni
Mr. Connery Stunt Double: Michael Vendrell
Mr. Cage Stunt Double: Webster Whinery
Stunts: Ivan Bates, Andy Gill, Jack Gill, Steve Kelso, Mic Rodgers
Associate Producer/Unit Production Manager: Barry Waldman
First Assistant Directors: George Parra, Jerry Grandey
Key Second Assistant Director/Underwater Unit First Assistant Director: John G. Scotti
Additional Editors: Glen Scantlebury ACE, Mark Goldblatt ACE
Production Visual Effects Supervisor: Hoyt Yeatman ASC
Executives in Charge of Production: Bruce Hendricks, Ron Lynch, Mike Stenson
Technical Advisor: Harry Humphries
Production Coordinator: Diane Sabatini
Assistant Production Coordinator: John Labib
Second Second Assistant Director: Darin Rivetti
Script Supervisors: Karen Golden, Jeanne Byrd
Costume Supervisor: James Tyson
Department Head/Makeup for Mr. Connery: Peter Robb-King
Mechanical Design: Eric Fiedler
Project Coordinator: Errin Vasquez
Camera Operator "A": Mitch Dubin SOC ACO
Camera Operator "B"/Steadicam: Chris Haarhoff SOC ACO
First Assistant Cameras: Chris Duskin SOC, Rob Sweeney, Karl Owens
Second Assistant Cameras: Thom Lairson, Charles Katz
Film Loaders: Eric Amundsen, Tim Gaylord
Camera Operator "VistaVision": Mark Gutterud
First Assistant Editor: Robert Charles Lusted
Second Assistant Editor: Howard Davis
Assistant Editors: Laura P. Krasnow, Jim Schulte, Tom Barrett
Apprentice Editors: Tim Amyx, Deidre Leonard
Avid Assistant Editors: David Reale, Jennifer Mangan, Todd E. Miller, Lindsay Mofford, Tracy Adams
Post-Production Assistant: Christopher Marino
Supervising Sound Editor: George Watters II
Rerecording Mixers: Kevin O'Connell, Greg P. Russell
Supervising Music Editor: Bob Badami
Music Editor: John Finklea
Assistant Music Editor: Shannon Erbe
Supervising ADR Editor: Juno J. Ellis
Supervising Foley Editor: Victoria Martin
Sound Design: Christopher Boyes
Chief Lightning Technician: Andy Ryan
Assistant Chief Lightning Technician: Brian Evans
Rigging Gaffer: Dave Christensen
"B" Unit Gaffer: Louis Ramos
Insert Unit Gaffer: Willie E. Dawkins
Best Boy Grip: Les T. Tomita
Prop Master: Tommy Tomlinson
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Production Special Effects Coordinator: Michael Meinardus
Production Special Effects Foreman: Robert Henderson
Shop Foreman: Robert Cole
Supervising Art Director: Mark Mansbridge
Art Director: Ed Mc Avoy
Set Designers: John Berger, Cosmas Demetriou, Mick Cukurs
Storyboard Artist: Robert Consing
Set Decorator: Rosemary Brandenburg SDSA
Location Manager: Lisa Blok-Linson
Assistant Location Managers: Randy Flosi, Val Kim
Alcatraz Liaison: Warren White
Key Production Assistant: Kristen Ploucha
Casting Associates: Monika Mikkelsen, Lisa Fields CSA, Ann Goulder
DQI Visual Effects Producer: Rae Griffith
DQI Executive Producer: Dennis Hoffman
DQI Production Coordinator: Michele Dani Linse
DQI Effects Photography Supervisor: Scott Beattie
DQI Effects Photography: Kevin Fitzgerald, Rick Johnson, Craig Moore, Brian Mussetter
DQI Special Effects: John Gray
DQI Editor: Scott Sohan
DQI Assistant Editor: Kenton Hulme
DQI Model Shop Supervisor: Jim Mc Geachy
DQI Model Shop Coordinator: Warren Farina
DQI Engineering Supervisor: Fred Iguchi
DQI Engineering: Rick Stern
DQI Digital Effects Supervisor: Dan DeLeeuw
DQI 3D Technical Supervisor: Darin Hollings
DQI 2D Technical Supervisor: Blaine Kennison
DQI Compositing Art Director: Marlo Pabon
DQI Data Management: Rory Hinnen
DQI Head of Digital Technology: Rob Burton
DQI Digital Department Supervisor: Mitch Dobrowner
Video Image Production Coordinator: Cara Latzel
Video Image Graphics Coordinator: Patti Cerami
SF Unit Production Supervisor: Nancy King
SF Unit Location Manager; Jonathan Shedd
SF Unit Assistant Location Manager: Stefanie Lee Pleet
Alcatraz Location Manager: Michael Allison
SF Unit Rigging Gaffer: Bobby Powell
Second Unit First Assistant Director: K. C. Hodenfield
Second Unit Second Assistant Director: Jeff Okabayashi
Second Unit Director of Photography - Alcatraz: Peter Collister ASC
Second Unit First Assistant Camera - Alcatraz: Peter Mercurio
Second Unit First Assistant Cameras: Heather Page, Gary Katsuya Uchino
Second Unit Key Production Assistant: Adam Glickman
Second Unit Production Assistant: Heidi Fugeman
Underwater Unit Technician: Chip Matheson
Underwater Unit First Assistant Camera: Wayne Baker
Underwater Unit Gaffer: Pat Murray
Aerial Unit Directors of Photography: Larry Blanford, David B. Nowell ASC
Aerial Unit First Assistant Director: Craig Pinckes
Aerial Unit First Assistant Camera: David Daunt
Aerial Unit Camera Technician: Steven J. Winslow
Aerial Unit Wescam Technician: David Koster
Aerial Unit Gyrosphere Technician: Richard Burton
Aerial Unit Sikorsky Operator: Bill Hackler
Aerial Unit Helicopter Pilots: Robert "Bobby Z." Zajonc, Chuck Tamburro, Mike Tamburro
Executive in Charge of Music for Walt Disney Pictures: Kathy Nelson
Score Orchestration: Bruce Fowler, Suzette Moriarty, Ladd Mc Intosh, Walt Fowler
Score Recordist/Mixer: Alan Meyerson
Assistants to Composers: Emma Burnham, Marc Streitenfeld, Justin Burnett
Title Design: Robert Dawson
BVI Optical Effects Supervisor: Mark Dornfeld
BVI Optical Line Up: William Koshowany
BVI Optical Camera: James Sleeper
Negative Cutter: Mary Beth Smith
Color Timers: Terry Claborn, David Orr
Colorists: Ken Schwartz, Stefan Sonnenfeld ASC
Panavision® Lens Technician: Dan Sasaki ASC
Filming Dates: Oct 19, 1995 - Jan 19, 1996
Cameras: Arriflex 35-III, Moviecam Compact, Panaflex GII, Platinum & VistaVision (35mm Eastman EXR 100T 5248, 200T 5293 & 500T 5298)
Lenses: Panavision® Primo Spherical Primes, SLZ 17.5-75mm Zooms, SLZ11 24-275mm Zooms & Frazier Lens System
AR: 2.39:1 (4-Perf Super 35mm)(8-Perf VistaVision: Special Visual Effects)
Budget: 70-75 Million USD
Budget AFI (2025): 142.3-152.5 Million USD
Printed on: Eastman EXR 2386
Visual Effects by: Dream Quest Images
Video Displays by: Video Image
Score Production Services by: Media Ventures
Optical Effects & Titles: Buena Vista Imaging
Prints by: Technicolor®
Produced & Distributed on: Eastman Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision® Cameras & Lenses

Producer: Michael Bay
Casting Director: Bonnie Timmerman
Music Supervisor/Executive in Charge of Music: Kathy Nelson
Music Supervisor: Bob Badami
Composer: Trevor Rabin
Composer, Additional Music: Harry Gregson-Williams
Costume Designers: Michael Kaplan, Magali Guidasco
Production Visual Effects Supervisors: Pat McClung, Richard Hoover
Editors: Mark Goldblatt ACE, Chris Lebenzon ACE, Glen Scantlebury ACE
Production Designer: Michael White
Director of Photography: John Schwartzman ASC
Director of Photography, AP: Janusz Kaminski ASC
Director of Photography, Underwater Photography: Pete Romano ASC
Directors of Photography, DQI Units: Mike Talarico, Scott Campbell, Philip Timme, Tony Cutrono
Director of Photography, International Unit: Mark Plummer
EP/Story/Screenplay Writer: Jonathan Hensleigh
Executive Producers: Jim Van Wyck, Chad Oman
Producers: Jerry Bruckheimer, Gale Anne Hurd
Adaptation Writers: Tony Gilroy, Shane Salerno
Story Writer: Robert Roy Pool
Screenplay Writers: J.J. Abrams, Paul Attanasio, Ann Biderman, Scott Rosenberg, Robert Towne
Unit Production Manager / Associate Producer: Barry Waldman
First Assistant Director: K.C. Hodenfield
Second AD/Second Unit First AD: Jeff Okabayashi
Associate Producer: Pat Sandston
Associate Producer/Stunt Coordinator/Second Unit Director: Ken Bates
Narration: Charlton Heston
Mr. Willis Stunt Double: Terry Jackson
Executive in Charge of Production: Joe Roth
Production Supervisor: Diane Sabatini
Production Associate: Jennifer Klein
Production Coordinator: Jennifer Campbell
Second Second AD: Nick Satriano
Script Supervisor: Karen Golden
Supervising Art Director: Geoff Hubbard
Art Director: Lawrence A. Hubbs
Assistant Art Directors: Douglas J. Meerdink, Ron Mendell
Set Designer: Kevin Ishioka
Storyboard Artist: Robert Consing
Vehicle Designer: Harald Becker
Production Visual Effects Accountant: Kimberly Jase
Camera Operator "A": Mitchell Amundsen
Camera Operator "B"/Steadicam: David Emmerichs SOC
First Assistant "A" Camera: Richard Mosier
Second Assistant "A" Camera: Thom Lairson
First Assistant "B" Camera: Heather Page
Second Assistant "B" Camera: Charles Katz
Film Loaders: Daniel McFadden, Brad Simpson
Libra Head Operator: Nick Philips
Libra Head Technician: Chad L. Rivetti
Product Placement: David B. Leener
Additional Editor: Michael Miller
Associate Editors: Roger Barton ACE, Todd Miller
Supervising VFX Editor: Jim May ACE
Production Digital Effects Producer: Michael Cooper
Assistant VFX Editor: Jason Aimee Gaudio
Film First Assistant Editor: Ladd Lanford
Second Assistant Editor: Corinne Villa
Avid Assistant: Joel Negron ACE
Assistant Editor: Chris Marino
Apprentice Editor: Olivia Patton
Post Production Coordinators: Kelly Breidenbach, Kristin Parker
Music Editor: Will Kaplan
Additional Music Editor: Shannon Erbe
Supervising Sound Editor: George Watters II
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Sound Designer: Christopher Boyes
Chief Lightning Technician: Andy Ryan
Assistant Chief Lightning Technician: Brian Evans
Rigging Gaffer: Jeffrey P. Soderberg
Key Grip: Les Tomita
Production Special Effects Supervisor: John Frazier
Special FX Set Foreman: Jim Schwalm
Production Special Effects Foremen: David Amborn, Danny Cangemi, Tom Frazier
Prop Master: Charles M. Stewart
Set Decorator: Rick Simpson
Location Managers: Richard Klotz, James M. Morris
Underwater Unit First AC: Brad Peterman
Second Assistant Camera, Topside: Eric P. Jones
Underwater Unit Gaffer: Patrick Murray
Aerial Unit Directors of Photography: David B. Nowell ASC, Kurt Soderling SOC
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Aerial Unit Helicopter Pilots: David William Paris, Dirk Vahle, Al Cerullo, Clay Lacy
Aerial Unit Wescam Technicians: David Arnold, Dan Kelly
Asteroid Consultant: Ivan Bekey
NASA Consultant: Joseph P. Allen
Mission Control Advisor: Jerry Bostick
Technical Advisor: Harry Humphries
Casting Associate: Lisa Fields CSA
Executive Assistant to Mr. Bruckheimer: Kristieanne Reid
Staff Assistant: Matthew Cohan
Video Graphics Art Supervisor: Richard Lupton Jr.
Production Computer Graphic Artist: W. Kent Demaine
Video Playback Operators: Monte Swann, Alfred Ainsworth
Prop Shop/Electronic FX Supervisor: Gustavo Ferreyra
Prop Shop Foreman: Andrew Weder
Industrial Design/CAD Person: Todd Cherniawsky
DQI Senior Visual Effects Producer: Rae Griffith-Gagnon
DQI Production Manager: Crys Forsyth-Smith
DQI Executive Producer: Keith Shartle
DQI Senior Digital Effects Supervisor: Darin Hollings
DQI Digital Compositing Supervisor: Marlo Pabon
DQI Modeler: Chris Keene
DQI Compositors: Craig Seitz, Jeff Olm
DQI Digital Color Timer: Jay Cox
DQI Digital Systems Administration: James Healy
DQI Scanning & Recording Technician: Doug Delaney
DQI Head Of Digital Technology: Rob Burton
DQI Digital Department Supervisor: Mitch Dobrowner
DQI Visual Effects Editor: Amy Pawlowski
DQI Visual Effects Assistant Editor: Kenton Hulme
DQI Concept Artist: Michael Meaker
DQI Director of Miniature Photography, Motion Control First Unit: Scott Beattie
DQI First AC, MC First Unit: Ron Annunziata
DQI Gaffer, MC First Unit: Martin Hall
DQI Stage Coordinator, MC First Unit: David Lavitt
DQI Survey Technician, MC First Unit: Matt Mueller
DQI Camera Technician, MC First Unit: Shawn Jolicoeur
DQI First AC, MC Second Unit: Mark Gutterud
DQI First Camera Assistant, High-Speed Miniatures Unit: Michael May
DQI Special Effects Coordinators, High-Speed Miniatures Unit: John Gray, John Stirber
DQI Special Effects Lead, High-Speed Miniatures Unit: Terry King
DQI Pyrotechnician, High-Speed Miniatures Unit: Roy Downey
DQI Visual Effects Art Director: Mike Stuart
DQI Miniatures Set Designer: Susan Hippen
DQI Lead Model Maker: Curt S. Engleman
DQI Model Shop Supervisor: Smokey Stover
DQI Model Shop Coordinator: Warren Farina
DQI Executive PM: Liz Ralston
DQI Visual Effects Supervisor, Paris Destruction Sequence: Hoyt Yeatman ASC
DQI PM, Paris Destruction Sequence: David James
DQI Digital Effects Supervisor, Paris Destruction Sequence: Dan DeLeeuw
DQI Digital Compositing Supervisor, Paris Destruction Sequence: Blaine Kennison
DQI Special Effects Coordinator, Paris Destruction Sequence: Richard Helmer
DQI Special Effects Supervisor, Paris Destruction Sequence: Bill Schirmer
DQI Special Effects Lead, Paris Destruction Sequence: John Ziegler
DQI Camera Operator, Paris Destruction Sequence: Kevin Fitzgerald
DQI VFX Shoot Crew Compositing Supervisor: Adam Howard
DQI VFX Shoot Crew Visual Effects Project Supervisor: David Sanger
Plate Unit Cinematographer, DQI VFX Shoot Crew: Timothy Angelo
DQI VFX Shoot Crew Motion Control Operator: Chris Dawson
DQI VFX Shoot Crew First AC: Brian Mussetter
DQI VFX Shoot Crew Plate First AC: James Thibo
DQI VFX Shoot Crew Gaffer: Dennis McHugh
Cinesite Compositing Supervisor: Kevin Lingenfelser
Cinesite Digital Compositors: David Lingenfelser, Patrick Tubach
Cinesite CGI Senior Animator: Lubo Christov
Cinesite Digital Production Assistant: Tim T. Cunningham
CFC Digital Effects Supervisor: Rob Hodgson
TS Visual Effects Supervisor: Bruce Nicholson ASC
Blue Sky Visual Effects Supervisor: Richard E. Hollander
Blue Sky Visual Effects Producer: Josh R. Jaggars
Blue Sky 3D Animation: Bryan Hirota
DD Visual Effects Supervisor: Erik Nash
DD Visual Effects Creative Supervisor: Robert Legato ASC
DD Visual Effects Producer: Cari Thomas
DD Digital Compositing Supervisor: Mark O. Forker
DD Digital 3D Supervisor: Matthew E. Butler
DD Digital Production Manager: Lisa Spence
DD Digital Compositor: Darren Poe
DD Visual Effects Editor: Debra Wolff
DD Camera Assistant: Heather Roberts
DD Chief Lightning Technician: Tony Anderson
DD Pyro/Special Effects Crew Chief: Joe Viskocil
MW Visual Effects Supervisor: Craig Barron ASC
MW Visual Effects Producer: Krystyna Demkowicz
DM Digital Effects Supervisor: Bryan Gill
DM Digital Compositors: Brian Hanable, Bob Wiatr
BVI Visual Effects Supervisor: Mark Dornfeld
Miniatures Supervisor: Alan Faucher
Assistant Miniatures Supervisor: Erika McKee
Vision Crew Miniatures Producer: Evan Jacobs VES
Physical Effects Supervisor: Richard Stutsman
KSC/Florida Unit Production Coordinator: Leslie S. Stevens
Second Unit Director of Photography: Mauro Fiore ASC
Second Unit First AC: Chris Schenck
Second Unit Second AC: Harry Zimmerman
Production Supervisor, Galveston & JSC/Houston Units: Nancy Jean King
Galveston Second AC: Eric Amundsen
Unit Production Manager, NYC Unit: Carl Clifford
NYC Unit Chief Lightning Technician: William O'Leary
NYC Unit Aerial Director of Photography: Larry Blanford
NYC Unit Vista Vision First AC: James R. Belletier
NYC Unit Vista Vision Second AC: Zsolt Kadar
International Unit Associate Producer: Scott Gardenhour
France Aerial Coordinator: Fred North
Music Programming: Steve Jablonsky
Score Supervisor: Paul Linford
Score Recordist: Steve Kempster
Score Mixer: Alan Meyerson
Score Conductor: Gordon Goodwin
Score Orchestrations: Bruce Fowler
Title Design: Robert Dawson
Negative Cutter: Mary Beth Smith
Color Timer: Bob Kaiser
Panavision® Optical Engineer: Dan Sasaki ASC
Modern VideoFilm Telecine Colorist: Skip Kimball
Company 3 Colorist: Stefan Sonnenfeld ASC
Filming Dates: 08/27/1997 - 01/29/1998
Cameras: Arriflex 35-III, 435, Bell & Howell Eyemo, Panaflex Lightweight, Platinum, Panastar & VistaVision (35mm Eastman EXR 100T 5248, 200T 5293 & Kodak Vision 500T 5279)
Lenses: Panavision® C- & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Print), 2.39:1 (Anamorphic)(4-Perf Super 35mm: Some Shots)(8-Perf VistaVision: Special Effects)
Budget: 100-140 Million USD
Budget AFI (2025): 195.7-274 Million USD
Printed on: Kodak Vision 2383 & Eastman EXR 2386
Digital Visual Effects & Animation by: Dream Quest Images, Digital Domain & Matte World
Music Production Services by: Media Ventures
Produced & Distributed on: Eastman Film
Prints by: Technicolor®
Telecine by: Modern VideoFilm
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®

Producer/Camera Operator: Michael Bay
Screenplay/Story Writer/Executive Producer: Randall Wallace
Screenplay Writers, Script Revisions: Dick Clement, Ian Le Frenais
Producer: Jerry Bruckheimer
Executive Producers: Mike Stenson, Chad Oman
Executive Producer/Second Unit Director: Bruce Hendricks
Executive Producer/Unit Production Manager: Barry Waldman
Director of Photography: John Schwartzman ASC
Director of Photography, Additional Photography & Second Unit: Mitchell Amundsen
Director of Photography, Visual Effects - ILM Miniatures Unit/Camera Operator "B": Kim Marks
Directors of Photography, Visual Effects - ILM Miniatures Unit: Marty Rosenberg, Carl Miller, Vance Piper, Ray Gilberti
Production Designer: Nigel Phelps
Film Editors: Chris Lebenzon ACE, Steven Rosenblum ACE, Mark Goldblatt ACE, Roger Barton ACE
Production Visual Effects Supervisor/Second Unit Director: Eric Brevig
Costume Designer: Michael Kaplan
Composer: Hans Zimmer
Composers, Additional Arrangements: Klaus Badelt, Steve Jablonsky, James S. Levine, Geoff Zanelli
Casting Director: Bonnie Timmerman
Unit Production Manager: Kelly Van Horn
First Assistant Director/Associate Producer: K.C. Hodenfield
Second Assistant Director: Jeff Okabayashi
Music Supervisors: Bob Badami, Kathy Nelson
Associate Producers: Pat Sandston, Jennifer Klein
Associate Producer/Stunt Coordinator: Kenny Bates
Additional Casting Director: Lisa Fields
ILM Senior Visual Effects Producers: Ned Gorman, Janet Lewin
ILM Co-Visual Effects Supervisor: Ed Hirsh
ILM Visual Effects Associate Supervisor: Ben Snow
Stunt Co-Coordinators: Steve Picerni, Andy Gill
Stunt Riggers: Richard Epper, Frank Torres, Kurt Bryant, Christian Fletcher, Jay Krueger
Mr. Gooding's Stunt Double: Tierre Turner
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Chief Pilot: Steve Hinton
Aerial Unit Director/Director of Photography: David B. Nowell ASC
Production Supervisors: Trevor Waterson, Tina Newman
Supervising Production Coordinator: Lisa Kearsley
Assistant Production Coordinator: Elona Tsou
Second Second Assistant Director: Steve Battaglia
Script Coordinator & Research Associate, Bay Films: Matthew Cohan
Supervising Art Director: Martin Laing
Art Directors: Jon Billington, William Ladd Skinner
Set Designer: Luis G. Hoyos
Visual Consultant: Robert Consing
Illustrator: Guy Dyas
Graphic Illustrator: François Audouy
Graphic Designer: Susan A. Burig
Executive in Charge of Production for JBF: Kristieanne Reid
Technical Advisor: Harry Humphries
Japanese Technical Advisors: Dick Lamont, Ben Miller
Researcher: Vanessa Bendetti
Camera Operator "A"/Steadicam: Robert Presley SOC
First Assistant "A" Camera: Richard Mosier
Second Assistant "A" Camera: Thomas D. Lairson Jr.
First Assistant "B" Camera/Steadicam: Gregory Irwin
Second Assistant "B" Camera: Charles Katz
Additional Second Assistant Camera: Jerry Patton
Film Loader: Daniel McFadden
Vista Vision Camera Assistant: Chris Schenck
Plate Unit 1st AC/ILM Miniatures Unit Camera Assistant: John Gazdik
Aerial Unit Camera First Assistant: Scott C. Smith
Aerial Unit Gyrosphere First Assistant: Richard B. Burton
Aerial Unit Camera Second Assistant: Eric C. Turner
Underwater Unit Director of Photography: Pete Romano ASC
Underwater Unit Camera First Assistant: Eric Tremel
Underwater Unit Camera Assistant: Chip Matheson
Libra Head Operator: Chad L. Rivetti
Camera Technician: Jian Cong
SWS: Effects Supervisor: John Rosengrant
SWS On-Set Supervisor/Key Artist: Scott Stoddard
SWS On-Set Support: Kevin McTurk
SWS Art Department Coordinator/Key Artist: Greg Figiel
SWS Key Artists: Carey Jones, Shane Mahan
SWS Key Mechanical: Alan Scott
SWS Production Coordinator: Stiles White
Product Placement: David B. Leener
Production Sound Mixer: Peter J. Devlin
Chief Lightning Technician: Andrew Ryan
Assistant Chief Lightning Technician: David Christensen
Set Electrician/Underwater Unit Gaffer: William Cueto
Rigging Gaffer: Jeffrey P. Soderberg
Key Grip: Les T. Tomita
Additional Editor: Jim May ACE
Associate Editor: Joel Negron ACE
Avid Assistant Editors: Tony Ciccone, Robert Malina
First Assistant Editor: Clay Rawlins
Post Production Coordinator: Tami R. Goldman
Production Special Effects Supervisor: John Frazier
Special FX Set Coordinator: Jim Schwalm
Special FX General Foreman: David Amborn
SPFX 2nd Unit Set Coordinator: Danny Cangemi, Bill Aldridge
Production Special Effects: Tom Frazier, Howard Frazier
Supervising Sound Editors: George Watters II, Christopher Boyes
Re-Recording Sound Mixers: inch Kevin O'Connell Greg P. Russell
Sound Editor: Chris Scarabosio
Sound Designer: Ethan Van Der Ryn
Asst. Sound Editor: Del Spiva MPSE
Supervising Prop Master: Charles M. Stewart
Set Decorator: Jennifer Williams
Set Decorating Coordinator: Alan Day
Supervising Location Manager: Richard Klotz
Location Manager: Michael J. Burmeister
Texas Location Manager: Todd Christensen
Conceptual Advisor to Mr. Bay: Mark Palansky
Key Set Staff Assistant: Chris Castaldi
ILM Computer Graphics Supervisor: Michael Bauer
ILM Compositing Supervisor: Marshall Krasser
ILM Visual Effects Art Director: Alex Jaeger
ILM CG Sequence Supervisors: Joel Aron, Steve Braggs, Hayden Landis, David Horsley
ILM Animation Leads: Scott Benza, Scott Witrz
Special Makeup Effects Designed and Created by: Stan Winston Studio
Sound Design Services by: Skywalker Sound
ILM Physical Model Supervisor: Michael Lynch
ILM Technical Director: Russell Earl
ILM Lead CG Viewpainter: Ron Woodall
ILM Lead CG Modeler: Peter Basic
ILM CG Viewpainters: Scott Bonnenfant, Tony Sommers
ILM 3D Matchmove Supervisor: Terry Chostner
ILM Technical Lead Matchmover: Jeff Saltzman
ILM Location Matchmover: Randy Jonsson
ILM Digital Paint and Roto Supervisor: Katherine Baird
ILM Visual Effects Editor: Greg Hyman
ILM Digital Timing Supervisor: Kenneth Smith
ILM Visual Effects Coordinators: Lindsey Cline, David Gray, Susan Greenhow
ILM Digital Matte Artist: Bob Scifo
ILM Miniatures Unit Practical Effects Supervisor: Geoff Heron
ILM Miniatures Unit Production Supervisor: David Dranitzke
ILM Miniatures Unit Practical Effects Foreman: Robert Clot
ILM Miniatures Unit Camera Assistant: Rich McKay
ILM Motion Capture Technicians: Alex Frazao, Neha Wickramasekaran
ILM Plate Coordinator: Margaret B. Lynch
ILM Production Assistant: Danielle Hazan
ILM Production Accountant: Pam Knott
ILM Visual Effects Assistant Editor: Paul Vega
ILM Animatic Artist: Lawrence Chandler
ILM Senior Staff: Patty Blau, Gail Currey, Chrissie England, Jim Morris, Cliff Plumer
AVE Visual Effects Supervisor: Nathan McGuinness
AVE Visual Effects Producer: Kathy Chasen-Hay
AVE Executive Producer: Emma McGuinness
AVE Inferno Lead: Pierre LaQuerre
AVE Inferno Artist: Phil Brennan
AVE Editorial: Kristopher Kasper
AVE Production Coordinator: Jacqui Livingston
AVE 2D Artists: Patrick Kavanaugh, Chris Trioanello
AVE 2D/3D Coordinator: Jeff Werner
AVE Data Wrangler: Justin Dominguez
Miniature Aircraft Coordinator: Lee Von Der Hey
Miniature Aircraft Builders: Stu McAfee, Lyle Larson
Assistant to Lee Von Der Hey: Kristina Gyure
Second Unit First Assistant Director: Bruce Moriarty
Second Unit Second Assistant Director: Emily McGovern
Second Unit Camera Operator: Michael Stone
Second Unit 1st Assistant Camera "A": Alan Disler
Second Unit 1st Assistant Camera "B": Scott Rathner
Second Unit 2nd Assistant Camera "A": Eric Amundsen
Second Unit 2nd Assistant Camera "B": Mark Gerasimenko
Second Unit Loaders: Jai Manson, Richard J. Brock
Hawaii Unit Production Coordinator: Pamela Gossage
Hawaii Unit Assistant Production Coordinator: Lisa Davidson
Hawaii Unit Supervising Art Director: Geoff Hubbard
Hawaii Unit Art Director: Mark W. Mansbridge
Hawaii Unit Military Consultant: Captain David M. Kennedy USN RET.
Baja Unit Executive Producer: Scott Gardenhour
Baja Unit Production Supervisor: Christine Fransen
Unit Production Manager, Baja Unit: Hector Lopez
Baja Unit Assistant Unit Manager: Lily Flaschner
Baja Unit Assistant Production Coordinator: Rachael Lin Gallaghan
Baja Unit Set Decorator: Hugo Reyes
England Unit Line Producer: Selwyn Roberts
England Unit Production Coordinator: Emily Stillman-Scarr
England Unit Location Manager: Bill Darby
UK Casting Director, England Unit: Priscilla John CDG
England Unit 1st Assistant Director: Mary Soan
England Unit 2bd Assistant Director: Michael Stevenson
England Unit Camera Assistant: David Morgan
England Unit Prop Master: John Palmer
England Unit Gaffer: Terry Porter
England Unit Aerial Coordinator: Stephen Grey
England Unit Flight Coordinator: Lou De Marco
Score Recordist and Mixer: Alan Meyerson
Score Conductor: Gavin Greenaway
Supervising Orchestrator: Bruce Fowler
Orchestrations: Walter Fowler, Ladd McIntosh, Suzette Moriarty
On-Camera Production Music Recordist: Joseph Magee
Title Design: Robert Dawson
Color Timer: Robert Kaiser
Company 3 Digital Color Timer: Stefan Sonnenfeld ASC
Panavision® Lens Technician & Designer: Dan Sasaki ASC
Filming Dates: April 4, 2000 - Sep 15, 2000
Cameras: Arriflex 35-III, 435, Bell & Howell Eyemo, Panaflex XL, Platinum, Panastar & Photo-Sonics 4ML (35mm Eastman Double-X 5222, EXR 50D 5245, Kodak Vision 200T 5274, 320T 5277 & 500T 5219)[8mm & 16mm Eastman Double-X 7222)
Lenses: Panavision® C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Aerial & Visual Effects Shots)(Super 8mm & Spherical 16mm: Some Scenes)
Budget: 140 Million USD
Budget AFI (2025): 251.2 Million USD
Special Visual Effects & Animation by: Industrial Light & Magic + Asylum Visual Effects
Miniature Aircraft: Lee Von Der Hey Special Effects & Custom Scenery
Music Production Services by: Media Ventures
Digital Color Timing: Company 3
Produced and Distributed on: Eastman Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®

Camera Operator: Michael Bay
Casting Directors: Billy Hopkins, Suzanne Smith, Kerry Barden
Costume Designers: Deborah Lynn Scott, Carol Ramsey
Music Supervision: Kathy Nelson, Bob Badami
Composer, Score: Trevor Rabin
Composer, Additional Score: Steve Jablonsky
Composer, Additional Music/Executive Music Consultant: Dr. Dre
Composer, Additional Dr. Dre Music: Mike Elizondo
Editors: Mark Goldblatt ACE, Thomas Muldoon, Roger Barton ACE
Production Designer: Dominic Watkins
Director of Photography: Amir Mokri
Director of Photography, Second Unit Additional Photography: David Golia
Executive Producers: Mike Stenson Chad Oman, Barry Waldman
Producer: Jerry Bruckheimer
Story Writers: Marianne Wibberley, Cormac Wibberley, Ron Shelton, Jerry Stahl
Screenplay Writers: John Lee Hancock, Judd Apatow, Larry Ferguson, George Gallo, Tony Gilroy, Brian Helgeland
Unit Production Manager: John H. Starke
Key First Assistant Director: John Scotti
First Assistant Director: Julian Wall
Key Second Assistant Director: Doug Plasse
Second Assistant Director: Joseph E. Lotito
Associate Producers: Pat Sandston, Don Ferrarone, Matthew Cohan
Production Visual Effects Supervisor/2nd Unit Director: Rob Legato ASC
Production Visual Effects Supervisor: Carey Villegas
Stunt Coordinators: Steve Picerni, Andy Gill
Stunts: Jack Gill
Aerial Unit Coordinator: Alan Purwin
Aerial Unit Pilots: Alan Guthery, Dirk Vahle, James W. Gavin
Art Directors: Bradford Ricker, J. Mark Harrington, David Seth Lazan
Set Decorator: Jennifer Williams
Prop Master: Charlie Guanci Jr.
"A" Camera/Steadicam Operator: David Emmerichs SOC
"B" Camera Operator: Phil Carr-Forster
¹st Assistant Camera: John Grillo, Gregory Irwin
2nd Assistant Camera: Don Duffield, Richard J. Brook
Camera Loader: Michael Watson
Aerial Unit Director of Photography David B. Nowell ASC
Underwater Unit Director of Photography: Pete Romano ASC
Chief Lightning Technician: Joseph F. Warren
Rigging Gaffer: Jeffrey P. Soderberg
Sound Mixer: Peter J. Devlin
Production Special Effects Supervisor: John Frazier
Production Special Effects Coordinators: Jim Schwalm, Dan Cangemi
Production Special Effects Foremen: Tom Frazier, Bruce Hayes, David Amborn
Production Supervisor: Trevor Waterson
Executive in Charge of Production for JBF: Kristieanne Reid
Production Coordinator: Elona Tsou
Visual Consultant/Storyboard Artist/2nd Unit Director: Robert Consing
Production Previz Artists: Scott Meadows, Oliver Moore
Set Designer: Gina B. Cranham
Art Department Coordinator: Bruce B. Bisbey
Product Placement: David B. Leener
Technical Advisors: Harry Humphries, Bill Erfurth, Eladio Paez
Transportation Consultant: Bryce Williams
Post Production Supervisor: Tami R. Goldman
Post Production Additional Editor: Jason Hellmann
Post Production Visual Effects Editor: Jeff Beattie
Post Production Avid Assistant Editor: Christine Kim
Post Production 1st Assistant Editor: David Feldman
Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell
Supervising Sound Editor: George Watters II
Music Editors: Jennifer Nash, Katie Greathouse
Score Conductor and Orchestrator: Gordon Goodwin
Orchestra Mixer: Steve Kempster
Score Midi Programming: Clay Duncan, Trevor Morris
Color Timer: Robert Kaiser
2nd Unit Director/Stunt Coordinator: Spiro Razatos
Second Unit Director of Photography: Mitchell Amundsen
Second Unit First Assistant Director: Darin Rivetti
Second Unit Second Assistant Directors: Mark Constance, Basil Grillo
Second Unit 1st Assistant "A" Camera: John Michael Klimchak SOC
Second Unit 2nd Assistant "A" Camera: Arturo Garcia
Second Unit Camera Loader: Agnes E. Rodriguez
Second Unit Gaffers: Michael Walsh, Justin Holdsworth
Puerto Rico Unit Production Supervisor: Ellen S. Gordon
Puerto Rico Unit Production Coordinator: Eric M. Vega
Puerto Rico Unit Art Director: Richard Fojo
SPI Senior Visual Effects Producer: David Taritero
SPI Visual Effects Executive Producer: Jenny Fulle
SPI Senior CG Supervisor: Layne Friedman
SPI Visual Effects Production Coordinator: Elizabeth Hitt
SPI Visual Effects Editor: Allen Cappuccilli
SPI IAC Production Manager: Dawn Guinta
SPI IAC Coordinator: Jason Anderson
SPI Production Assistant: Chris Antonini
SPI Digital Lead: Francis Liu
SPI Compositors: Bonjin Byun, Clint Colver, Aaron Smith
SPI Lead Animator: Gary Abrahamian
SPI Animator: Brian Schlinder
SPI Pre-Vis Animator: Renato Dos Anjos
SPI Animation Support: Makes Napoeowski
SPI Roto Artists: Nathalie Gonthier, Michael Kaelin
SPI Matchmove Artists: Rachel Nicoll, David Spencer
SPI Lead Production Services Technician: Alfredo R. Barcia
SPI Senior Production Services Technician: Ned Wilson
SPI Resource Administrator: John Sanders
SPI Systems Engineering Manager: Alberto Velez
SPI Editorial Coordinator: Nikki Bell
SPI Video Editorial Coordinator: Amy Adams
SPI Video Editor: Ray Wong
SPI Negative Cutter: Boyd Steer
SPI Assistant Visual Effects Editor: James Bluma
SPI Film Input Output Supervisor: Dennis Webb
SPI Digital Color Timer: Paul McGhee
SPI Visual Effects Plate Producer: Cari Thomas
SPI Development CG Supervisors: Sean Phillips, David Smith
SPI Development Production Manager: Daniel Kuehn
Digital Backlot Digital Matte Painters: Robert Stromberg, Bob Scifo
Asylum Senior VFX Supervisor: Nathan McGuinness
Asylum VFX Supervisor: David Jones
Asylum Executive VFX Producers: Emma McGuinness, Blondel Aidoo
Asylum VFX Producer: Jamie Stevenson
Asylum Compositors: Mark Loso, Joe Ken, Joel Behrens
Asylum Designers: Simon Cassels, Justin Blampied
Asylum Editorial: Kosta Saric, Zachary Justman
NDS Miniature Effects Supervisor: Ian Hunter
NDS Executive Producer: Shannon Blake Gans
Pacific Title VFX Coordinator: Phillip Hoffman
Pacific Title VFX Supervisor: Mark Freund
Pacific Title Assistant VFX Supervisor: Carrie Spillane
Pacific Title VFX Producer: Ladd Lanford
Pacific Title Color Timer: Larry Flynn
Company 3 Digital Colorist/Telecine Colorist: Stefan Sonnenfeld ASC
Company 3 Assistant Colorists: Mark Osborne, Shane Harris
Company 3 Producers: Missy Papageorge, Thatcher Peterson, Steve Mora
Company 3 Post Supervisor: Erik Rogers
Company 3 Digital On-Line Editor: John Scheer
Company 3 Assistant On-Line Editor: Chris Reichel
Filming Dates: July 2002 - December 2002
Cameras: Arriflex 435 ES, Bell & Howell Eyemo, Cine SL 35, Panaflex XL, GII, Platinum & Sony Handycam CCD-TRV208E PAL Hi8 (35mm Eastman EXR 50D 5245, Kodak Vision 250D 5246, 200T 5274 & 500T 5279)
Lenses: Panavision® Primo Spherical Primes, SLZ 17.5-75mm Zooms, SLZ11 24-275mm Zooms & SLZ3 Hubble 135-420mm Zooms
AR: 1.78:1 (Open Matte), 2.39:1 (4-Perf Super 35mm)(VHS: Some Scenes)
Budget: 130 Million USD
Budget AFI (2025): 224.4 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Precision Driving by: Bill Young's Precision Drivers
Laser Film Recording by: EFilms
Special Visual Effects & Animation Services by: Sony Pictures Imageworks, Digital Backlot, Asylum & Pacific Title
Additional Visual Effects Photography and Miniatures by: New Deal Studios & Millisecond Cinematography
Special Effects Makeup/Prosthetics by: KNB Effects
Digital Intermediate/Hi-Def Telecine by: Company 3
Color by: Technicolor®
Shot on: Kodak Motion Picture Film
Attribute: Filmed with Panavision® Cameras & Lenses

Producer/Camera Operator: Michael Bay
Casting Director: Denise Chamian CSA
Composer/Score Producer: Steve Jablonsky
Composer, Additional Music/Music Conductor: Blake Neely
Composers, Additional Music: Trevor Morris, Clay Duncan, Ramin Djawadi
Production Visual Effects Supervisor/Additional Second Unit Director: Eric Brevig
Costume Designer: Deborah Lynn Scott
Editors: Paul Rubell ACE, Christian Wagner
Production Designer: Nigel Phelps
Director of Photography: Mauro Fiore ASC AIC
Director of Photography, Second Unit Underwater Photography: Pete Romano ASC
Director of Photography, ILM VFX: Kim Marks
Executive Producer: Laurie MacDonald
Executive Producer: Steven Spielberg ACE
Producers: Walter Parkes, Ian Bryce
Story/Screenplay Writer: Caspian Tredwell-Owen
Screenplay Writers: Alex Kurtzman, Roberto Orci
Production Manager / Associate Producer: Steven P. Saeta
First Assistant Director / Associate Producer: Josh McLaglen
Second Assistant Directors: Maria Battle Campbell, Steve Battaglia
Second Unit Director / Associate Producer/Stunt Coordinator: Ken Bates
Associate Producer: Heidi Fugeman Lindelof
Associate Producer: Matthew Cohan
Production Visual Effects Producer: Shari Hanson
Lincoln Double: Kevin Dorman
Stunt Co-Coordinator: Kurt Bryant
Aerial Unit Coordinator / Pilot: Alan Purwin
Aerial Unit Pilots: David Paris, David Calvert-Jones, Peter McKernan
Crew Supervising Art Director: David Sandefur
Crew Art Directors: Jon Billington, Sean Haworth, Martin Whist
Crew Assistant Art Directors: Julian Ashby, Thomas O. Frohling
Crew Set Decorator: Rosemary Brandenburg SDSA
Crew A-Camera Operator: David Emmerichs SOC
Crew B-Camera Operator: Phil Carr-Forster
Crew C-Camera Operator: Maurice McGuire SOC
Crew Aerial Unit Director of Photography: David B. Nowell ASC
Crew First Assistant Camera: Lawrence W. Nielsen, Brad Peterman, David W. Rickert
Crew Second Assistant Camera: Richard Masino, Mika Michaels, Ryotaro Kinno
Crew Film Loader: Todd Avery
Crew Chief Lightning Technician: Michael Bauman
Crew Rigging Gaffer: Jeffrey P. Soderberg
Crew Key Grip: Les Tomita
Crew Prop Master: Steve Melton
Crew Special Effects Supervisor: John Frazier
Crew Special Effects Coordinator: James D. Schwalm
Crew Special Effects Foremen: David Amborn, Bruce D. Hayes, James G. Thomas
Crew Special Effects Technicians: Danny Cangemi, Eric Frazier, Howard Frazier, JD Schwalm, Richie Schwalm
Crew Prop Shop Supervisor: Andrew Weder
Crew Special Effects Accountant: Katrissa Peterson
Crew Graphic Designer: David E. Scott
Crew Storyboard Artist: Robbie Consing
Crew Pre-Vis Artists: Laurent Lavigne, Robin Roepstorff
Crew Assistant Set Decorator: Amanda Moss Serino
Crew Technical Advisor: Harry Humphries
Head of Feature Production: Michael Grillo
Production Executive: Steven R. Molen
Executive Production Coordinator: Jennifer Sanger
Post Production Executive: Martin Cohen
Post Production Supervisor: Mark Graziano
Post Production Coordinator: Lisa Marie Serra
Casting Executive: Leslee Feldman
Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers
Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell
Additional Editors: Roger Barton ACE, John Murray, Tom Muldoon
Associate Editors: Nina Ruscio, Todd Miller
First Assistant Editor: Ken Blackwell ACE
Second Assistant Editors: Adam Kimmerlin, Paul Parsons
Post FX Supervisor: Rob Yamamoto
Post Production Assistant: Sam Restivo
Supervising ADR Editor: Chris Jargo
Supervising Foley Editor: Chris S. Jaeger MPSE
Supervising Music Editor: Dan Pinder
Music Editor: Del Spiva MPSE
Assistant Music Editor: Mario Vitale
Score Producer: Hans Zimmer
Nightmare Sequence Music Design: Mel Wesson
Score Recordist and Mixer: Alan Meyerson
Score Orchestrators: Bruce Fowler, Y. Suzette Moriarty, Ladd McIntosh
Choir Conductor: Alistair King
Choir Recordist: Nick Wollage
Negative Cutter: Gary Burritt
Color Timer: Dale Grahn
Additional Second Unit Director: Mark Palansky
Second Unit First Assistant Director: Rich T. Sickler
Second Unit Director of Photography: Mitchell Amundsen
Second Unit First Assistant Camera: Michael Klimchak
Second Unit Second Assistant Camera: Robert Baek
ILM Digital Production Supervisor: Christopher Townsend
ILM Additional Visual Effects Supervisor: Ed Hirsh
ILM Animation Supervisor: Scott Benza
ILM TD Supervisor: Hayden Landis
ILM Compositing Supervisor: Dorne Huebler
ILM Inferno Supervisor: Mark Casey
ILM Model / Miniature Supervisor: Brian Gernand
ILM Sequence Supervisors: David Marsh, Polly Ing, Doug Sutton, Jon Alexander
ILM Visual Effects Art Director: Alexander Jaeger
ILM Digital Model Supervisors: Bruce Holcomb, Michael Koperwas
ILM Creature Development Lead: Andrew Buecker
ILM Visual Effects Editor: Nicolas Anastassiou
ILM Digital Matte Lead: Johan Thorngren
ILM Matchmove Lead: Talmage Watson
ILM Digital Paint & Roto Lead: Jiri Jacknowitz
ILM Animators: Paul Kavanaugh, Kevin Scott, David Shirk
ILM VFX Production Manager: Susan Greenhow
ILM VFX Production Coordinator: Damien Carr
ILM VFX Coordinators: Laura Denicke, Ryan Mayeda, Katie Lynch
ILM VFX Production Assistant: Shane O'Connor
ILM Assistant Editor: Lorelei David
ILM VFX First Assistant Camera: Vance Piper
ILM Practical Effects Supervisor: Geoffrey Heron
BBD Visual Effects Supervisor: Will Robbins
BBD Lead Creative: Kent Demaine
BBD Computer Playback Producer: Karin Levinson
BBD Lead Designer: Mark Coleran
BBD Flame Lead: Max Harris
BBD 2D Artists: Paul Luna, Jordan Vine
Asylum Senior Visual Effects Supervisor: Nathan McGuinness
Asylum Visual Effects Supervisor: Marc Varisco
Asylum Visual Effects Executive Producer: Emma McGuinness
Asylum Visual Effects Producer: Kimberly Covate
Asylum Design: Simon Cassels
Asylum CG Supervisor Dottie Starling
Asylum Visual Effects Editor: Kosta Saric
KNB Project Supervisors: Greg Nicotero, Howard Berger
KNB Project Coordinator: Michael S. Deak
Company 3 Executive Producer and Colorist: Stefan Sonnenfeld ASC
Company 3 Executive Producer, Digital Intermediates: Carrie Holecek
Company 3 Digital Intermediate Editor: Dylan Carter
Company 3 Color Assistant / Dailies Colorist: Mark T. Osborne
Company 3 Digital Intermediate Producer: David Feldman
Company 3 DI Assistant: Nick Hasson
Company 3 VFX Digital Intermediate Producer: Des Carey
Film Data Interface: April Lewis
Film Data Management: Marilyn Sommer
Negative Assembly and Prep. For DI: Allen Glass II
Panavision® Lens Technician: Dan Sasaki ASC
Filming Dates: Oct 24, 2004 - Feb 22, 2005
Cameras: Arriflex 235, PanArri 435, Bell & Howell Eyemo, Photo-Sonics 4ER, Panaflex XL, GII + Platinum (35mm Kodak Vision2 500T 5218, Vision 250D 5246)
Lenses: Panavision® Primo Anamorphic Primes, Converted Primo Close Focus Anamorphic Primes (35mm/42mm), ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E-Series Anamorphic Primes, Angenieux HR 48-480mm Anamorphic Zooms, Kenworthy Snorkel Lens System, Anamorphic Frazier Lens System & Canon Zooms
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Some Shots)
Budget: 126 Million USD
Budget AFI (2025): 204.9 Million USD
Printed on: Kodak Vision 2383
Score Mixed at: Remote Control Productions
Choir Recorded at: Air Lyndhurst Studios, London
Special Visual Effects & Animation by: Industrial Light & Magic, Black Box Digital + Asylum
Special Make-Up Effects by: KNB EFX Group
Digital Intermediate Provided by: Company 3
Film Data Interface & Management for DI: US Computamatch & Sommerware Systems
Filmed in Part at: Downey Studios, Downey, California
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision®

Executive Producer/Camera Operator: Michael Bay
Screenplay/Story Writers: Roberto Orci, Alex Kurtzman
Story Writer: John Rogers
Producer: Lorenzo Di Bonaventura
Producers: Tom DeSanto, Don Murphy
Producer: Ian Bryce
Executive Producer: Steven Spielberg ACE
Executive Producers: Brian Goldner, Mark Vahradian
Director of Photography: Mitchell Amundsen
Director of Photography, Additional Photography/"B" Camera Operator: Chris Duskin SOC
Director of Photography, Kerner Optical: Pat Sweeney
Production Designer: Jeff Mann
Editors: Paul Rubell ACE, Glen Scantlebury ACE, Thomas A. Muldoon
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Composers, Additional Music: Lorne Balfe, Clay Duncan
Production Visual Effects Supervisor: Scott Farrar ASC
Casting Directors: Janet Hirshenson CSA, Jane Jenkins CSA, Michelle Lewitt CSA
Co-Producer/Unit Production Manager: Allegra Clegg
Co-Producer/Stunt Coordinator/Second Unit Director: Ken Bates
First Assistant Director: Simon Warnock
Key Second Assistant Director: Frederick A. Usher III
Second Assistant Director: Brian F. Relyea
Associate Producers: Matthew Cohan, Michelle McGonagle
Production Visual Effects Producer: Shari Hanson
Production Animation Supervisor: Scott Benza
Music Supervisor: Dave Jordan
Stunt Co-Coordinator: Frank Torres
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Pilots: David Calvert Jones, Kevin LaRosa, Peter McKernan, David William Paris, Dirk Vahle
Art Directors: Sean Haworth, Beat Frutiger, Kevin Kavanaugh
Assistant Art Directors: Martha Johnson, Page Buckner
Set Decorators: Larry Dias, Rosemary Brandenburg SDSA
"A" Camera/Steadicam Operator: David Emmerichs SOC
"B"Camera Operators: Phil Carr-Forster, Thom Owens
Aerial Unit Director of Photography: David B. Nowell ASC
First Assistant Camera: R. Todd Schlopy, Michael Klimchak SOC, Stephen Wong
Second Assistant Camera: Eric Amundsen, William McConnell
Film Loaders: Milan "Miki" Janicin, Jonny Shier
Librahead Operator: Rocky Babcock
Russian Arm Operator: Brooks P. Guyer
News Videographer: Jack Kney
Supervising Sound Editor: Ethan Van Der Ryn
ADR Supervisor/Supervising Sound Editor: Mike Hopkins
Re-Recording Mixers: Kevin O'Connell, Greg P. Russell
Production Sound Mixer: Peter J. Devlin CAS
Playback Graphics Supervisor: Rick Lupton
Lead Playback Operator: C. Alexander Sears
Chief Lightning Technician: Andy Ryan
Lighting Programmer: Joshua Thatcher
First Company Grip: Les Tomita
Supervising Prop Master: Drew Petrotta
Production Special Effects Supervisor: John Frazier
Production Special Effects Coordinator: Jim Schwalm
Special Effects Co-Coordinator: Dan Cangemi
Production Special Effects Forepersons: David Amborn, Al Di Sarro, Bruce D. Hayes, Mark T. Noel
Production Special Effects Technicians: Eric Frazier, Howard B. Frazier, J.D. Schwalm
Production Supervisors: Matthew J. Birch, Daren Hicks
Production Accountant: Denise Morgan McGrath
Key Location Manager: Ilt Jones
Location Manager: Michael J. Burmeister
Assistant Location Manager: Jonathan "JJ" Hook
Product Placement Coordinator: David B. Leener
Military Advisor: Harry Humphries
Casting Executive: Leslee Feldman
Production Previsualization Supervisor: Steven F. Yamamoto
Production Previsualization Artists: Rob Dressel, Chris Williams
Lead Robot Illustrator: Ben Proctor
Illustrators: James Clyne, Robert Woodruff
Lead Set Designer: Richard Mays
Set Designers: John Berger, Andrew L. Jones
Graphic Designers: François Audouy, Zachary Fannin
Storyboard Artist: Robert Consing
Art Department Coordinator: Cindy Peters
Transportation Coordinator: Randy Peters
Transportation Captain: Joey Freitas
Picture Vehicle Supervisor: Steve Mann
Additional Editing: John Murray, Todd Miller
Associate Editor: Ken Blackwell ACE
First Assistant Editor: Calvin Wimmer
Assistant Editors: Adam Kimmerlin, Jim Schulte
Apprentice Editor: Edward Albolote
Post Production Supervisor: Rob Yamamoto
Post Production Coordinator: Danielle Daly
Sound Designer: Erik Aadahl MPSE
Additional Re-Recording Mixer: Beau Borders
Music Recordist & Mixer: Alan Meyerson
Score Conductor: Nick Glennie-Smith
Score Orchestrators: Bruce Fowler, Suzette Moriarty, Walt Fowler, Rick Giovinazzo, Elizabeth Finch, Ken Kluger
Supervising Music Editor: Ramiro Belgardt
Music Programming: Jay Flood, TJ Lindgren
Ambient Music Design: Mel Wesson
Choir Conductor: James Brett
ILM Associate Visual Effects Supervisor: Russell Earl
ILM Digital Production Supervisor: Jeff White
ILM Digital Compositing Supervisor: Patrick Tubach
ILM Senior TD Supervisor: Hilmar Koch
ILM Digital Supervisors: Jon Alexander, Richard Bluff, Terry Chostner, Michael Conte, Beth D'Amato, Leandro Estebecorena, Dave Fogler, Gerald Gutschmidt, David Hisanaga, Erich Ippen, Tom Martinek, Tim Naylor, Nigel Sumner, Jeff Sutherland, Doug Sutton, Todd Vaziri, Ron Woodall, Jeff Wozniak
ILM Visual Effects Art Director: Alex Jaeger
ILM Senior Production Manager: Peter Nicolai
ILM Lead Animators: Peter Daulton, C. Michael Easton, Paul Kavanaugh, Shawn Kelly, Glen McIntosh, Rick O'Connor, Tim Waddy
ILM Associate Production Manager: Damien Carr
ILM Senior Production Coordinators: Chrysta Marie Burton, Ryan Wiederkehr
ILM Senior VFX Editor: Mike Gleason
ILM Senior Staff: Vicki Dobbs-Beck, Chrissie England, Lynwen Brennan, Miles Perkins
Kerner Optical First Camera Assistant: Dennis Rogers
Kerner Optical Stage Crew: Ron Janusch, Tom Cloutier
Kerner Optical Special Effects Supervisor: Geoff Heron
Kerner Optical Special Effects Crew: Matt Heron, Phil Heron, Ben Nichols
Kerner Optical Model Supervisor: Brian Gernand
Digital Domain Visual Effects Supervisor: David Prescott
Digital Domain Animation Supervisor: Dan Taylor
Digital Domain Visual Effects Producer: David P.I. James
Digital Domain Digital Producer: Michelle Jacobs
Digital Domain Computer Graphics Supervisor: David Hodgins
Digital Domain Compositing Supervisor: Paul Kirwan
Digital Domain Visual Effects Concept Artist: Class Henke
Digital Domain CG Effects Animation Lead: Jason Iverson
Digital Domain CG Effects Animators: Youngil Pyo, Thomas Reppen
Digital Domain Character Set-Up Lead: Paul Jordan
Digital Domain Character Set-Up Artist: Mattias Jervill
Digital Domain CG Modeling & Texture Lead: Jonathan Gerber
Digital Domain CG Lighting Lead: Diana Sear
Digital Domain CG Lighting Artists: Charles Abou Aad, Robert A.D. Frick
Digital Domain 3D Integration Leads: Ross McKenzie, Som Shankar
Digital Domain 3D Integration Artist: Geoffrey Baumann
Digital Domain Technical Developer: Frank Gallego
Digital Domain Senior Lead Compositor: Joe Farrell
Digital Domain Digital Compositing Lead: Marc Morissette
Digital Domain Digital Compositor: Michael Melchiorre
Digital Domain Digital Rotoscope/Paint Lead: Joshua H. Johnson
Digital Domain Visual Effects Editor: Lawrence Klein
Digital Domain Digital Coordinator: Elizabeth Hitt
Asylum Visual Effects Supervisor: Nathan McGuinness
Asylum Visual Effects Producer: Kathy Chasen-Hay
Asylum Visual Effects Coordinator: Frank Spiziri
Asylum Title Designer: Simon Cassels
Asylum Compositing Supervisor: Joe Ken
Asylum Compositors: Steve Muangman, Chris Moore
Asylum Avid Editor: Kosta Saric
KNB Show Supervisors: Howard Berger, Greg Nicotero
KNB Shop Supervisors: Mike Deak, Wayne Toth
KNB Mold Supervisor: Jim Leonard
Company 3 Executive Producer/Colorist: Stefan Sonnenfeld ASC
Company 3 On-Line Editor: Rob Doolittle
Company 3 VFX Digital Intermediate Producer: Des Carey
Company 3 Digital Intermediate Producers: Erik Rogers, Missy Papageorge
Company 3 DI Technologist: Mike Chiado
Company 3 Dailies Colorist: Adrian Delude
Company 3 DI Assist: Will Harris, Dan Goslee
Company 3 DI Scanning: Ian Turpen
Company 3 DI Account Executive: Jackie Lee
Company 3 DI Data Management: Liam Ford
Company 3 Negative Assembly & Preparation for DI: Marilyn Sommer
Color Timer: Jim Passon
Panavision® Senior Technical Advisor: Dan Sasaki ASC
Filming Dates: Apr 19, 2006 - Oct 4, 2006
Cameras: Arriflex 235, 35-IIC, 435 Xtreme, Bell & Howell Eyemo, Panaflex XL, Platinum & Photo-Sonics 4ER (35mm Kodak Vision2 250D 5205 & 500T 5218)
Lenses: Panavision® Primo Custom SL25mm, SLZ 17.5-75mm Zooms, ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E-Series Anamorphic Primes, Close Focus Anamorphic 60mm, Cooke 3:1 Zooms, 10:1 Zooms, 2400-3800mm Zooms, Angenieux HR 10:1 25-250mm Spherical Zooms, 10:1 50-500mm Anamorphic Zooms & AWZ2 40-80mm Zooms
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Some Shots)
Budget: 145-200 Million USD
Budget AFI (2025): 222.1-306.4 Million USD
Printed on: Kodak Vision 2383
Music Score Mixed at: Remote Control Productions
Special Visual Effects & Digital Animation by: Industrial Light & Magic, Digital Domain + Asylum
Models & Miniatures by: Kerner Optical
Special Makeup Effects & Animatronics by: KNB EFX Group
Digital Intermediate Provided by: Company 3
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision®

Executive Producer/Camera Operator/Script Consultant: Michael Bay
Screenplay Writer: Ehren Kruger
Screenplay/Story Writers: Roberto Orci, Alex Kurtzman
Producer: Lorenzo Di Bonaventura
Producers: Tom DeSanto, Don Murphy
Producer: Ian Bryce
Executive Producer: Steven Spielberg ACE
Executive Producers: Brian Goldner, Mark Vahradian
Director of Photography: Ben Seresin ASC BSC
Director of Photography, Egypt/Jordan/Paris Units: Amr Farouk
Director of Photography, Visual Effects - Kerner Optical: Pat Sweeney
Production Designer: Nigel Phelps
Editors: Roger Barton ACE, Paul Rubell ACE, Joel Negron ACE, Thomas A. Muldoon
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Composers, Linkin Park: Chester Bennington, Brad Delson, Joe Hahn, Mike Shinoda, Rob Bourdon
Composer, Additional Music: Lorne Balfe
Production Visual Effects Supervisor/Second Unit Director: Scott Farrar ASC
Casting Director: Denise Chamian CSA
Co-Producer/Unit Production Manager: Allegra Clegg
Key First Assistant Director/Associate Producer: K.C. Hodenfield
First Assistant Director: Bruce G. Moriarty
Key Second Assistant Director: Chris Castaldi
Second Assistant Director: Hope M. Garrison
Associate Producers: Matthew Cohan, Michelle McGonagle
ILM Senior Animation Supervisor: Scott Benza
ILM Senior Visual Effects Producer: Wayne Billheimer
Co-Producer/Stunt Coordinator/Second Unit Director: Ken Bates
Additional Stunt Coordinator: Robert Brown
Stunt Co-Coordinator: Troy Robinson
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Pilots: Kevin LaRosa, Dirk Vahle
Military Air Bosses: Lt. Col. Mike "Pigpen" Hernandez, Lt. Col. Bill "Ajax" Peris
Crew Supervising Art Director: Jon Billington
Crew Art Directors: Julian Ashby, Sean Haworth, Naaman Marshall, Ben Proctor
Crew Assistant Art Directors: N.C. Page Buckner, Martha Johnston, Robert W. Joseph
Crew Set Decorator: Jennifer Williams
Crew "A" Camera/Steadicam Operator: Jacques Jouffret ASC
Crew "B" Camera Operators: Phil Carr-Forster, Daniel Gold SOC
Crew First Assistant Photographers: John Connor, Trevor Loomis, John Kairis
Crew Second Assistant Photographers: Jesse Roth SOC, James Goldman, Walrus Howard
Crew Loader: Sarah Brandes
Crew Aerial Unit Director of Photography: David B. Nowell ASC
Crew Pursuit Camera Operator: Brooks Guyer
Crew Pursuit Arm Operator: Brian Perry
Crew Remote Head Operators: Rocky Babcock, Jeff Comfort
Crew IMAX Technician: Wayne Baker
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl MPSE
Supervising Dialogue/ADR Editor: Mike Hopkins
Re-Recording Mixers: Greg P. Russell, Garry Summers
Associate Editor: Calvin Wimmer
Video Assist Operator: Daniel P. Moore
Playback Graphics Supervisor: Rick Lupton
Lead Playback Operator: C. Alexander Sears
Chief Lightning Technician: Michael Bauman
Assistant Chief Lightning Technician: Michael Bonnaud
Lighting Technicians: Tommy Dangcil, Luis Moreno
Chief Rigging Electrician: Dennis Lootens
First Company Grip: Les Tomita
Supervising Prop Master: Drew Petrotta
Ass't. Prop Master: Rick Chavez
Production SFX Supervisor: John Frazier
Production SFX Coordinator: Jim Schwalm
Production SFX Forepersons: Danny Cangemi, David Amborn
Production SFX Technicians: Eric Frazier, Howard Frazier, Bruce Hayes, JD Schwalm
Costume Supervisor: Lisa Nora Lovaas
Production Supervisor: Daren Hicks
Production Accountant: Denise Morgan McGrath
Key Location Manager: Ilt Jones
Location Manager: JJ Hook
Product Placement Coordinator: David B. Leener
Military Advisor: Harry Humphries
Casting Exec: Leslee Feldman
Production Previs Supervisor: Steven Yamamoto
Production Previs Artists: Robert Dressel, Chris Williams, Kyle Robinson
Illustrators: Ryan Church, Steve Jung, Ryan Meinerding, Josh Nizzi
Lead Set Designer: C. Scott Baker
Set Designers: Jann Engel, Luis G. Hoyos, Richard F. Mays
Graphic Designer: Zachary Fannin
Transportation Coordinator: Randy Peters
Transportation Captain: Joey Freitas
Picture Car Coordinator: David Urich
Associate to Mr. Bay: Michael Kase
Second AD, East Coast/Desert Southwest Units/Second Unit First AD: Steve Battaglia
Second AD, East Coast/Desert Southwest Units: Jeff Okabayashi
Art Director, East Coast/Desert Southwest Units: Lauren Polizzi
Assistant Art Directors, East Coast/Desert Southwest Units: Iain McFadyen, A. Todd Holland
Special Effects Coordinator, East Coast/Desert Southwest Units: Bruno Van Zeebroeck
Special Effects Foreperson, East Coast/Desert Southwest Units: Al Di Sarro
Aerial Unit Coordinator/Pilot, Egypt/Jordan/Paris Units: Fred North
Aerial Unit Pilot, Egypt/Jordan/Paris Units: Peggy North
Ass't. Location Manager, Egypt/Jordan/Paris Units: Rob Swenson
CLT, Egypt/Jordan/Paris Units/Aerial Unit Camera Operator: Robert Bruce McCleery ASC
Visual Consultant, Egypt/Jordan/Paris Units: Said El Marouk
First AD, AP: Eugene Davis
Aerial Unit Camera Operator, AP: Richard Brooks Burton
Gaffer, AP: Christopher Prampin
Post Production Supervisor: Mark Graziano
Additional Editing: Glen Scantlebury ACE
Assistant Editor: Vince Filippone
Apprentice Editor: Edward Albolote
Second Assistant Editors: Peter Gvozdas ACE, Matt Evans
Post Coordinator: Danielle Daly
Production VFX Consultant: Thomas Elder-Groebe
Post Assistant: Tommy Aagaard
Foley Editor: Jonathan Klein
Supervising Music Editor: Ramiro Belgardt
Music Editor: Alex Gibson
Music Consultant: Bob Badami
Music Recordist & Mixer: Alan Meyerson
Music Conductor: Nick Glennie-Smith
Score Orchestrations: Bruce Fowler, Suzette Moriarty, Walter Fowler, Rick Giovinazzo, Elizabeth Finch
Add'l. Music Arrangements: Matt Margerson
Music Programming: Jay Flood
Ambient Music Design: Clay Duncan, Andrew Kawczynski
Featured Vocalist: Lisbeth Scott
Choir Conductor: Gavin Greenaway
ILM Associate VFX Supervisor: Jeff White
ILM Associate Animation Supervisor: Rick O'Connor
ILM Digital Production Supervisor: Jason Smith
ILM Digital Compositing Supervisor: Nelson Sepulveda
ILM TD Supervisors: Gerald Gutschmidt, David Hisanaga, Douglas Sutton
ILM Digital Supervisors: Richard Bluff, David Fogler, Steve Sauers, Timothy Brakensiek, Ben O'Brien, Amy Shepard, Terry Chostner
ILM VFX Art Directors: Alex Jaeger, Yanick Dusseault
ILM Lead Animators: Steve Aplin, Jean-Denis Haas, Greg Towner, Michael Easton, Shawn Kelly l
ILM Digital Leads: Steve Braggs, Thomas Fejes, Robert Hoffmeister, Anthony Rispoli, Rene Garcia, Polly Ing, Nigel Sumner, Willi Geiger, Francois Lambert, Meghan Thornton, David Marsh, Jeff Wozniak
ILM Visual Effects Editor: Lorelei David
ILM VFX Sr Production Manager: Erin O'Connor
ILM Plate Coordinator: Ryan Wiederkehr
ILM Plate Match Mover: Duncan Blackman
ILM Production Coordinators: Stacy Bissell, Hui Ling Chang, Joseph Bell
ILM Production Assistants: Lauren Carara, Lee Briggs
ILM Global PM: Brian Barlettani
ILM Executive Producer: Gretchen Libby
ILM Sr. Staff Chrissie England, Vicki Dobbs-Beck, Miles Perkins
Digital Domain VFX Supervisor: Matthew Butler
Digital Domain Animation Supervisor: Dan Taylor
Digital Domain VFX Producer: Julian Levi
Digital Domain VFX Plate Supervisor: Kelly Port
Digital Domain Digital Producer: Michelle Jacobs
Digital Domain CG Supervisor: Paul George Palop
Digital Domain Comp Supervisor: Lou Pecora
Digital Domain VFX Concept Artist: Joe Farrell
DD Character Set-Up Lead: Richard Grandy
DD Character Animation Lead: Erik Gamache
DD CG Effects Animation Leads: Stuart D. Gordon, Phillip Prahl
DD CG Effects Animator: Nordin Rahhali
DD CG Modeling Lead: Melanie Okamura
DD CG Texture Lead: Cathy Morin
DD CG Lighting Lead: Charles Abou Aad
DD 3D Integration Lead: David Niednagel
DD 3D Integration Artist: Scott Gsop Edelstein
DD Digital Comp Leads: Ted Andre, Joel Behrens
DD Digital Compositor: Justin Van Der Lek
DD Digital Matte Painter: Glenn Holbrook
DD Digital R/P Lead: Viviana Kim
DD Digital Plate Restoration: Janice Barlow Collier
DD VFX Editor: Francisco Ramirez
DD VFX Coordinator: Bron Barry
DD Digital Coordinator: David Masure-Bosco
Asylum VFX Supervisor: Nathan McGuinness
Asylum VFX EPs: Kathy Chasen-Hay, Emma McGuinness
Asylum VFX Producer: Elizabeth Hitt
Asylum VFX Coordinator: Christine Felman
Asylum Compositor: Joe Ken
Asylum CG Producer: David Samija
Asylum Lighter: Aaron Vest
Asylum Animator: Michael Shelton
Asylum R/P Supervisor: Elissa Bello
Asylum Lead Designer: Simon Cassels
Asylum Designer: Tony Meister
Asylum VFX Editor: Kosta Saric
KNB Supervisors: Greg Nicotero, Howard Berger
KNB Shop Foreman: Michael Deak
KNB Mechanical Supervisor: Wayne Toth
KNB Painter: Michael McCarty
CO3 EP/Colorist: Stefan Sonnenfeld ASC
CO3 LA On-Line Editors/VFX Artists: Sal Catanzaro, Alex Romano
CO3 LA DI Producer: Erik Rogers
Company 3 LA Producer: Missy Papageorge
CO3 LA DI Assists: James Cody Baker, Dan Goslee
CO3 LA Dailies Colorist: Adrian Delude
CO3 LA Dailies Assist: Brandon Mikulka
CO3 LA Jr. Conform Artist: Peter R. Berg
CO3 LA Lab Color Timer: Jim Passon
Special Thanks: Hans Zimmer
Filming Dates: May 3, 2008 - Nov 2, 2008
Negative Format: 4-Perf 35mm Anamorphic/Super 35mm, 8-Perf VistaVision & 15-Perf 65mm IMAX/Iwerks
Film Stocks: 35mm/65mm Kodak Vision3 500T 5219, 35mm Kodak Vision2 200T 5217 & Ektachrome 100D 5285
Cameras: Arriflex 235, 435 ES, Beaumont VistaVision, IMAX MSM 9802, MKIII, Iwerks 1W5A, Panaflex XL2 & Platinum
Lenses: Panavision® C-, E-, G-Series AL Primes, ATZ 70-200mm Zooms, AWZ2 40-80mm Zooms, Angenieux Optimo Zooms, Canon Zooms & Hasselblad Primes
AR: 143:1 (IMAX 70mm Version: Some Scenes), (1.78:1 (IMAX Blu-ray Version: Some Scenes), 2.39:1
Budget: 200-210 Million USD
Budget AFI (2025): 296.1-310.9 Million USD
Printed on: Kodak Vision 2383
Music Score Mixed at: Remote Control Productions
Special Visual Effects & Digital Animation by: Industrial Light & Magic, Digital Domain + Asylum
Models, Miniatures & Special Effects Provided by: Kerner Optical
Animatronics by: KNB EFX Group
Digital Intermediate, Visual Effects & Dailies by: Company 3 LA
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision®

Executive Producer/Camera Operator: Michael Bay
Screenplay/Story Writer: Ehren Kruger
Screenplay Writer: Jenni Konner
Producer: Lorenzo Di Bonaventura
Producers: Tom DeSanto, Don Murphy
Producer: Ian Bryce
Executive Producer: Steven Spielberg ACE
Executive Producers: Brian Goldner, Mark Vahradian
Director of Photography: Amir Mokri
Director of Photography, Crew Additional Africa Photography: Matt Aeberhard
Director of Photography, Chicago Unit Wingsuit Cinematography: Rob Bruce
Director of Photography, Visual Effects - Kerner Optical: Pat Sweeney
Production Designer: Nigel Phelps
Editors: Roger Barton ACE, William Goldenberg ACE, Joel Negron ACE
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Composers, Additional Music: Jacob Shea, Andrew Kawczynski
Production Visual Effects Supervisor/Visual Effects Aerial Unit Director: Scott Farrar ASC
Casting Director: Denise Chamian CSA
Co-Producer/Second Unit Director/Stunt Coordinator: Ken Bates
Co-Producer/Unit Production Manager: Allegra Clegg
First Assistant Director: Simon Warnock
Second Assistant Directors: Steve Battaglia, Brian F. Relyea
Associate Producers: Matthew Cohan, Michael Kase
ILM Senior Animation Supervisor: Scott Benza
ILM Senior Visual Effects Producer: Wayne Billheimer
Digital Domain Senior Visual Effects Supervisor: Matthew Butler
Digital Domain Senior Visual Effects Producer: Michelle Winze
Associate Editor: Calvin Wimmer
Additional Editing: Thomas A. Muldoon
Co-Stunt Coordinator: Kurt Bryant
Wingsuit Flying Coordinator: JT Holmes
Wingsuit Safety: Paul Borne
Aerial Unit Coordinator / Pilot: Alan Purwin
Aerial Unit Pilot: Fred North
Crew Supervising Art Director: Richard L. Johnson
Crew Set Decorator: Jennifer Williams
Crew Arr Directors: Ben Proctor, Julian Ashby, Kevin Ishioka
Crew "A" Camera / Steadicam Operator: Jacques Jouffret ASC
Crew "B" Camera Operator: Lukasz Bielan SOC
Crew First Assistant Photographers: Brad Peterman, John Kairis
Crew Second Assistant Photographers: John Garrett, Walrus Howard
Crew Film Loader: Sarah Brandes
Crew Aerial Unit Director of Photography: David B. Nowell ASC
Crew Pursuit Camera Operator: Brooks Guyer
Crew First Assistant Camera, Pursuit: Jorge Sanchez
Crew 3D Engineer: David A. Canning
Crew 3D Stereographer: Manning Tillman
Crew 3D IO / Convergence: Daniel Taylor
Crew 3D Assistant Engineer: Kevin Mills
Crew 3D Digital Supervisor: Derek Schweickart
Crew 3D DI Operators: Dave Watro, Thomas J. Cabela
Crew 3D Camera Loader: Ross Coscia
Supervising Sound Editor: Ethan Van Der Ryn
Supervising Sound Editor: Erik Aadahl MPSE
Supervising Dialogue / ADR Editor: Mike Hopkins
Re-Recording Mixers: Greg P. Russell, Gary Summers, Jeffrey J. Haboush
Stereographer / 3D Supervisor: Corey Turner
Production 3D Producer: Michelle McGonagle
Additional First Assistant Director: K.C. Hodenfield
Sound Mixer: Peter J. Devlin CAS
Playback Graphics Supervisor: Rick Lupton
Lead Playback Operator: C. Alexander Sears
Chief Lightning Technician: Joseph Warren
First Company Grip: Les Tomita
Supervising Prop Master: Gary Tuers
Production Special Effects Supervisor: John Frazier
Production Special Effects Coordinator: James Schwalm
Production Special Effects Forepersons: Al Di Sarro, David Amborn, Martin Montoya
Production Special Effects Buyer: H. Barclay Aaris
Production Special Effects Purchaser: Cynthia Braga
Production Special Effects Technicians: Howard Frazier, Bruce Hayes, Richard Schwalm
Costume Supervisor: Lisa Nora Lovaas
Production Supervisor: Daren Hicks
Production Coordinator: Mika Saito
Production Accountant: Denise Morgan McGrath
Supervising Location Manager: Ilt Jones
Location Manager: JJ Hook
Location Manager - Detroit: David Rumble
Location Managers - D.C.: John Latenser V, Matthew D. Noonan
Assistant Location Manager: Leann Emmert
Product Placement Coordinator: David B. Leener
Military Advisor: Harry Humphries
Production Previsualization Supervisor: Steven F. Yamamoto
Production Previsualization Artists: Jill Ambrosino, Chris Williams
Illustrators: George Hull, Ryan Church, Josh Nizzi, Aaron Sims
Storyboard Artist: Robert Consing
Set Designers: Todd Cherniawsky, Jann K. Engel, Martha Johnston, Greg Papalia
Digital Set Designer: Andrew Reeder
Graphic Designer: Susan A. Burig
Transportation Coordinator: Randy Peters
Transportation Captain: Joey Freitas
Picture Car Coordinator: David Urich
Associate to Mr. Spielberg: Kristie Macosko Krieger
Chicago Unit Location Manager: Al Cohn
Chicago Unit "C" First Assistant Photographer: Peter Kuttner
Chicago Unit "C" Second Assistant Photographer: Shannon Dewolfe
Chicago Unit Special Effects Supervisor: John D. Milinac
Chicago Unit Special Effects Foreperson: Steven Bunyea
Chicago Unit Prop Master: Michael D. Gianneschi Sr.
First Assistant Editors: Jackson Yu, Joe Galdo
Assistant Editors: Rick Grayson, Jim Schulte
Apprentice Editor: Edward Albolote
3D VFX Editor: Jason Quentin Gaudio
3D Asst. VFX Editors: William Paley, Justin Shaw
3D QC Technician: Kim Lorang
3D Data I/O Coordinator: Matt Brooks
3D Production Coordinator: Chrysta Marie Burton
3D Production Assistant: Kevin Chapman
Supervising Foley Editor: Jonathan Klein
Supervising Music Editor: Alex Gibson
Music Editor: Ryan Rubin
Music Recordist and Mixer: Alan Meyerson
Score Conductor: Nick Glennie-Smith
Supervising Orchestrator: Bruce Fowler
Score Orchestrators: Walter Fowler, Yvonne S. Moriarty, Rick Giovinazzo
Score Additional Arrangements: Nathan Whitehead, Tom Gire
Ambient Music Design: Clay Duncan, Stephen Hilton
Choir Conductor: Gavin Greenaway
ILM Co-Visual Effects Supervisor: Jeff White
ILM Associate Animation Supervisor: Rick O'Connor
ILM Digital Production Supervisor: Nigel Sumner
ILM Digital Compositing Supervisor: Jeff Sutherland
ILM TD Supervisors: Kevin Barnhill, David Hisanaga, Doug Sutton
ILM Stereo Supervisor: Sean MacKenzie
ILM Singapore Visual Effects Production Supervisor: Stuart McAra
ILM Singapore Visual Effects Supervisor: Brennan Doyle
ILM Singapore Animation Supervisor: Cedric Lo
ILM Digital Supervisors: Michael Balog, Richard Bluff, Terry Chostner, David Dally, David Fogler, Patrick Roos
ILM Visual Effects Art Directors: Yanick Dusseault, Alex Jaeger
ILM Lead Animators: Charles Allneck, Mais Kayser, Shawn Kelly
ILM Digital Leads: Jason Billington, David Marsh, Tom Martinek, Anthony Rispoli, Todd Vaziri, Jeff Wozniak
ILM Visual Effects Editor: Lorelei David
ILM Visual Effects Lead Production Manager: Brian Barlettani
ILM Visual Effects Location Coordinator: Lee Briggs
ILM Visual Effects Location Matchmove Technician: Duncan Blackman
ILM Senior Staff: Gretchen Libby, Khuyen Dang, Curt Miyashiro, Jessica Teach
Digital Domain Animation Supervisor: David Andrews
Digital Domain Digital Effects Supervisors: David Hodgins, Darren M. Poe
Digital Domain Computer Graphics Supervisors: Mårten Larsson, Hanzhi Tang
Digital Domain 3D Stereoscopic Supervisor: Thad Beier
Digital Domain Visual Effects Concept Artist: Claas Henke
Digital Domain Digital Environment Lead: David Niednagel
Digital Domain Digital Environment Artist: Glenn Holbrook
Digital Domain Compositing Lead: Ted Andre
Digital Domain Digital Plate Restoration: Lisa Yu
Digital Domain Visual Effects Senior Staff: Lisa Beroud
Legend 3D Senior Conversion Stereographer: Barry Sandrew Ph. D.
Legend 3D Senior Visual Effects Supervisor: Scott Squires
Legend 3D Visual Effects Supervisor: Tony Baldridge
Legend 3D Additional Visual Effects Supervisor: Jared Sandrew
Legend 3D Lead Conversion Stereographer: Cyrus Gladstone
Legend 3D Stereo Visual Effects Manager: Jeff Olson
Legend 3D Stereo Supervisors: Vince Niebla, James Prola
Legend 3D Compositing Supervisor: Shawn Barnett
Legend 3D Additional Compositing Supervisor: Adam Ghering
Legend 3D Associate Stereo Supervisor: Josh Perry
In-Three Stereoscopic Supervisor: Matt DeJohn
In-Three Senior Stereographer: Todd Napier
In-Three Stereoscopic Visual Effects Supervisor: Mike Miller
In-Three Stereoscopic Production Manager: Gary Carrillo
Prime Focus View-D™ Senior Stereographer: Jeremy Nicolaides
Prime Focus View-D™ Stereoscopic Supervisor: Ritesh Ricky Aggarwal
Method Studios Stereo Production Manager: Whitney Gearing
Method Studios Stereographer: Steven S. Shapiro
Method Studios Stereo Compositing Supervisor: Troy Moore
CO3 Executive Producer / Colorist: Stefan Sonnenfeld ASC
Company 3 LA 2D DI Production Manager: Erik Rogers
Company 3 LA 3D DI Production Manager: Kaila Baghernejad
Company 3 LA Digital Conform: Matthew W. Johnson VES, Rudy Lopez
Company 3 LA Color Assist: James Cody Baker, Dan Goslee, Travis Flynn, Paul Sage
Company 3 LA 3D Pipeline Technologist: Dylan Carter
Company 3 LA Dailies Colorist: Adrian Delude
Company 3 LA Dailies Production Manager: Arthur Tremeau
Screening Technical Supervisor: Anthony Davis
Color Timer: Jim Passon
Dolby Sound Consultant: Jason Bales
Filming Dates: May 17, 2010 - Nov 9, 2010
Shooting Formats: 35mm Anamorphic, Dual-Strip 3D & 8-Perf VistaVision
Cameras: Arri Alexa 3D, Arriflex 235, 435, Panaflex Lightweight, Platinum, Beaumont VistaVision, Red One MX, Silicon Imaging SI-2K & Sony CineAlta F35 3D (35mm Kodak Vision3 50D 5203, 500T 5219, 2.8K ARRIRAW, 4.5K Redcode RAW & 1080p/24 HDCAM SR)
Lenses: Panavision® Primo ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E-, G-Series Anamorphic Primes & Arri Master Primes
AR: 2.39:1
Budget: 195 Million USD
Budget AFI (2025): 275.3 Million USD
Printed on: Kodak Vision 2383
Music Score Mixed at: Remote Control Productions
Special Visual Effects & Digital Animation by: Industrial Light & Magic + Digital Domain
Models, Miniatures & Special Effects Provided by: Kerner Optical
3D Conversion Services by: Legend 3D
Dimensionalized by: In-Three
View-D™ Stereo Creation by: Prime Focus
Stereoscopic 3D Alignment & Correction by: Method Studios
Digital Intermediate, Dailies & Visual Effects by: Company 3 LA
Shot on: Kodak Motion Picture Film
Fusion 3D Technology by: Cameron / Pace Designs
Attribute: Filmed in Panavision®

Producer/C-Camera Operator: Michael Bay
Screenwriters: Christopher Markus, Stephen McFeely, Scott Rosenberg
Original Article Writer: Pete Collins
Producers: Ian Bryce, Donald De Line
Exec Producers: Matt Cohan, Scott Gardenhour
Cinematographer: Ben Seresin ASC BSC
Production Designer: Jeffrey Beecroft
Film Editors: Thomas Muldoon, Joel Negron ACE
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Casting: Denise Chamian CSA
Co-Producer/Unit Prod Manager: Alma Kuttruff
Co-Producer: Michael Kase
Key 1st Assistant Director: Chris Castaldi
Key 2nd Ass't Directors: Christian Clarke, Steven Battaglia
Film Editor (Main Title Sequence): Rachel Fowler
Associate Film Editor: Calvin Wimmer
Co-Costume Designer: Colleen Kelsall
Stunt Coordinators: Troy Robinson, Ken Bates
Stunts/Transport Captain: Joey Freitas
Stunts: Benjamin Rowe, Tanoai Reed, Hank Amos
Art Director: Sebastian Schroeder
Set Decorator: Jay Hart
"A" Cam/Steadicam Operator: Jacques Jouffret
"B" Camera Operator: Darin Moran
"A" 1st Ass't Photographer: Gregory Irwin
"B" 1st Ass't Photographer: Michael Klimchak
"B" Add'l 1st Ass't Photog: John J. Ellingwood
"A" 2nd Ass't Photographer: John R. Woodward
"B" 2nd Ass't Photographer: William McConnell
"A" Add'l 2nd Ass't Photog: Tulio Duenas
"C" Add'l 2nd Ass't Photog: Carla Sosa
Film Loader: Sean Lunski
Digital Imaging Technician: Brook Willard
Location Data Technician: Alex Martin
Underwater Unit DoP: Peter Zuccarini
Video Operator: Dave Deever
Production Accountant: Denise Morgan McGrath
Production Supervisor: Daren Hicks
Supervising Location Manager: Jonathan JJ Hook
Production Location Manager: Susy Ragnarrson
Production Coordinator: Natalie Angel
Ass't Prod Coordinator: Lisa L. Martin
1st Assistant Director: KC Hodenfield
2nd Assistant Director: Tony Griffin
2nd 2nd Ass't Director: Michael E. Saunders
Chief Lighting Technician: Joseph F. Warren
Ass't Chief Lighting Tech: Christopher T. Warren
Chief Rigging Electrician: Marc Wostak
Ass't Chief Rigging Electrician: Ken Palladino
Electrician: Brett A. Mabry
"A" Dolly Grip Operator: Alan Shultz
"B" Dolly Grip Operator: Jack Glenn
Production SFX Supervisor: John Frazier
Production SFX Coordinator: John Wosner
Production SFX Forepersons: Danny Cangemi, Bruce E. Merlin
Production SFX Techs: James Carter, Jeremy S. Brock
Costume Supervisor: Ariel Gold
KNB EFX Project Supervisors: Greg Nicotero, Howard Berger
KNB EFX Set Supervisor: Mike McCarty
KNB EFX Special Makeup FX Artist: Lee Grimes
Ass't Art Director: Richard Fojo
Art Dept. Coordinator: Jeremy McGuire
Graphic Designers: Vivian Galainena, R. Scott Purcell
On Set Scenic Artist: Carla Bailey
Ass't Set Decorator: Kevin Kropp
Supervising Lead Person: Jon Bush
Lead Person: Frank A. Raffa Jr
Set Dec Coordinator: Annette Mason
Supervising Prop Master: Philip Schneider
Ass't Prop Masters: Romain Gateau, Mark Brown
Transport Captain: Danny P. Taylor
Aerial Unit Coord & Helicopter Pilot: David Paris
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Space Cam Technician: Andrew Sych
Product Placement Advisor: David Leener
Production Previz Artist: Steven Yamamoto
Safety Consultant: Richard Momii
Police Tech Advisors: Roy Rutland, Bill Erfurth
Water Safety Consultants: Jon Krieg, Alex Edlin, John Rottger
1st Assistant Editor: Joe Galdo
2nd Assistant Editor: Meagan Costello
3rd Assistant Editor: Edward Albolote
Assistant Editor: Peter Gvozdas ACE
Re-Recording Mixers: Scott Millan, Jeff Harboush, Greg P. Russell
Supervising Sound Editors & Sound Designers: Ethan Van Der Ryn, Erik Aadahl
Dialogue/ADR Supervisor: David Bach
Supervising Foley Editor: Jonathan Klein
Music Editor: Alex Gibson
Score Mixer: Jeff Biggers
Ambient Music Designer: Clay Duncan
1st Ass't B-Cam (Add'l Photog): Stephen Taylor-Wehr
ILM Senior VFX Supervisor: Pablo Helman
ILM VFX Executive Producer: Wayne Billheimer
ILM VFX Production Manager: Laura Moore
ILM Comp Supervisor: Jon Alexander
ILM VFX Editor: Lorelei David
ILM 1st Ass't VFX Editor: Sam Willing
ILM VFX Production Accountant: Kim Bianco
ILM Technical Director: Jason Holt
ILM VFX Production Assistant: Mike Lichtenstein
ILM Color Science/Imaging R&D Sup.: Robert Molholm
Base FX CG Supervisor: Nick Hsieh
Base FX VFX Producer: Tolly Swallow
Base FX Technical Director: Martin Sawtell
Base FX Sr Compositor: Juan Ignacio Salgado
ILM Concept Artist: Thang Le
ILM EVP & General Manager: Lynwen Brennan
ILM Production Supervisor: Curt Miyashiro
ILM Exec in Charge of Finance: Khuyen Dang
Rodeo FX VFX Coordinator: Nancy Lamontagne
Rodeo FX VFX Prod Assistants: Eric Larivee, Marianne Roberge
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Erik Rogers
CO3 Digital Conform Editor & Finishing Artist: Matthew Johnson
DI Finishing Technologist: Michael Chiado
CO3 Color Finishing Assistant: James Cody Baker
CO3 Head of Finishing Production: Devin Sterling
CO3 Finishing Account Executive: Jackie Lee
CO3 Supervising Color Technician: Joachim Zell ASC
Pro Films Title Designers: Kyle Cooper, Lisa Bolan
Panavision VP of Optical Engineering: Dan Sasaki ASC
RED Epic Camera Designer: Jarred Land ASC
Filming Dates: 2 April 2012 - 2 June 2012
Cameras: Arriflex 435, Panaflex XL2, Phantom Gold & Red Epic (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219, HD Video & 4K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes & Angenieux Optimo 12x Anamorphic Zooms
AR: 2.39:1 (Anamorphic)
Budget: 26 Million USD
Printed on: Kodak Vision 2383
Special Makeup Effects Provided by: KNB EFX Group
Sound Editorial Services Provided by: E²
Special Visual Effects & Animation Provided by: Industrial Light & Magic + Rodeo FX
Additional Visual Effects Provided by: Base FX
Digital Intermediate Finishing Provided by: Company 3
Main & End Titles Designed and Produced by: Prologue Films
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision (as Cameras & Lenses)

Executive Producer/Camera Operator: Michael Bay
Writer: Ehren Kruger
Producer: Lorenzo Di Bonaventura
Producers: Tom DeSanto, Don Murphy
Producer: Ian Bryce
Executive Producer: Steven Spielberg ACE
Executive Producers: Brian Goldner, Mark Vahradian
Director of Photography: Amir Mokri
Production Designer: Jeffrey Beecroft
Editors: William Goldenberg ACE, Roger Barton ACE, Paul Rubell ACE
Composer: Steve Jablonsky
Composers, Additional Music - Imagine Dragons: Ben McKee, Daniel Wayne Sermon, Dan Reynolds, Daniel Platzman
Composer, Additional Music Production: Hans Zimmer
Composers, Additional Music: Jacob Shea, Joseph Trapanese, David Fleming, Michael Yezerski
Production Visual Effects Supervisor: Scott Farrar ASC
Casting Director: Denise Chamian CSA
Co-Producer/Unit Production Manager: Allegra Clegg
First Assistant Director/Co-Producer: K.C. Hodenfield
Second Assistant Director: Jeff Okabayashi
Co-Producers: Matthew Cohan, Michael Kase
ILM Senior Animation Supervisor: Scott Benza
ILM Senior Visual Effects Producer: Wayne Billheimer
Associate Editor: Calvin Wimmer
Additional Editing: Thomas A. Muldoon, David Brenner ACE
Production Special Effects Supervisor: John Frazier
Stunt Coordinator/Second Unit Director: Mike Gunther
Second Unit Director: Phil Nielson
Second Unit Director/Director of Photography: Peter Lyons Collister ASC
Autobot/Deception Drivers: Corey Eubanks, Kyle Woods
Autobot/Deception Driver/Transport Coordinator: Randy Peters
Autobot/Deception Driver/Transport Captain: Joey Freitas
Pursuit Systems Driver: Mike Majesky
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Pilots: David Paris, Fred North
Associate Producer: Regan Riskas
Production Supervisor: Daren Hicks
Supervising Art Director: Mark W. Mansbridge
Set Decorator: Rosemary Brandenburg SDSA
Art Directors: Sebastian Schroeder, Ben Proctor, William Ladd Skinner, David E. Scott
"A" Camera/Steadicam Operator: Jacques Jouffret ASC
"B" Camera Operators: Lukasz Bielan, John Skotchdopole
Pursuit Camera Operator/Second Unit DP: Brooks Guyer
First Assistant Photographers: Brad Peterman, John Kairis, John Ellingwood, Michael Klimchak SOC
Second Assistant Photographers: Hayden Pazanti, Casey Howard
Aerial Unit Director of Photography: David B. Nowell ASC
Additional Second Unit DP: Matt Aeberhard
On-Set 3D Stereographer: Matthew Blute
3D Engineers: Don Presley, Markus Lanxinger
3D Rig Technicians: Seth Gallagher, Celine Tricart
Digital Imaging Technicians: Steve Freebairn, Zach Hilton
IMAX Technician: Jamie Alac
Supervising Sound Editors/Designers: Ethan Van Der Ryn, Erik Aadahl MPSE
Sound Re-Recording Mixers: Greg P. Russell, Scott Millan, Jeffrey J. Haboush
Production Coordinator: Christie Kwan
Product Placement Coordinator: David Leener
Sound Mixer: Peter J. Devlin CAS
Video Assist Operator: Dave Deever
Playback Graphics Supervisor: Rick Lupton
Playback Supervisor: C. Alexander Sears
Chief Lightning Technicians: Joseph Warren, Russell Ayer
Electrician: Brett A. Mabry
First Company Grip: Michael Coo
Flying Camera Programmer: J. Patrick Daily
Aerial Unit Camera System Technician: Peter Graf
Supervising Prop Master: Drew Petrotta
Assistant Prop Master: Rick Chavez
Production SFX Coordinators: Jim Schwalm, Mark Hawker
Production SFX Forepersons: David Amborn, Craig Tex Barnett, Garry Cooper, Thomas Homsher, Martin Montoya, Eric Rylander, Andy Weder
Production Special Effects Buyer: H. Barclay Aaris
Production SFX Technicians: Steven Bunyea, Lou Carlucci, Bruce D. Hayes, Mark T. Noel
Fire Department Liaison: Roy Dean
Costume Supervisor: Lisa Lovaas
Supervising Location Managers: Ilt Jones, JJ Hook
Location Managers: Al Cohn, James Crawley, Douglas Dresser, David Rumble
Associate to Mr. Spielberg: Kristie Macosko Krieger
Military Advisor: Harry Humphries
Production Previs Supervisor: Steven Yamamoto
Production Previs Coordinator: Jill Ambrosino
Production Previs Artists: Chris Williams, Ben Nelson, Huang Phan
Assistant Art Director: Mark L. Waters
Robot Consultants: Vitaly Bulgarov, Wes Burt
Illustrators: Josh Nizzi, Steve Jung, Warren Manser, Steven Messing
Lead Set Designer: Joseph Hiura
Set Designers: Scott Baker, Robert Cox, Rob Johnson
Graphic Designers: Zachary Fannin, R. Scott Purcell
Additional Set Decorator: Missy Parker
Assistant Set Decorators: Karen Frick, Kevin Kropp, David Hack
Picture Car Coordinator: Tom Rebber
Second Unit First AD: Dieter Busch
Second Unit Second AD: Vince Gonzalez
Second Unit Edge DP: Hans Bjerno
HK Line Producer: Chu Chen On
Unit Production Manager, HK Unit: Debra James
HK Unit PM: Ivan Lam
HK Unit Assistant PM: Connie Cheung
Unit Manager, HK Unit: Steven Ng
HK Unit First AD: Sylvia Liu
HK Unit Second AD: Lemon Liu
HK Unit First AC: Billy Ko
HK Unit Second AC: Max Lai
HK Unit 3D Camera Assistant: Jayco Lau
HK Unit Visual Effects/Plate DP: Dean Head AXS
Hong Kong Unit Location Manager: Debbie Lam
China Co-Producer: Longfei Liang
China Line Producers: Dan Xu, Yi Li
China Mainland Unit Production Supervisors: Elona Tsou, Chris Chan, Crystal Liao
Wulong Co-Producer: Dany Wolf
LA Unit First AD: Adam Druxman
LA Unit Second AD: Marc Newland
LA Unit First AC: Darrin DeLoach
LA Unit Second AC: Steven Tong
LA Unit SFX Coordinator: Eric Frazier
First Assistant Editor: Joe Galdo
Second Assistant Editor: Kenny Krauss
Assistant Editors: Edward Albolote, Andrew Eisen ACE, Peggy Eghbalian, Brett Schlaman
Apprentice Editor: Christian Sharaf
Production 3D Producer: Oopie Parraco
Production 3D Editor: Craig Tanner
3D First Assistant Editor: Latham Robertson
3D Second Assistant Editors: Wayan Palmieri, Dawn Marquette
3D Production Supervisor: Phelicia Sperrazzo
3D Asst Coordinator: Chris Gaede
Junior 3D Coordinator: Alicia Drury
S3D Pablo Artist: Jerry Steele
3D Database Manager: Matt Brooks
2D/3D VFX Artist: Lucas De La Torre
3D Data I/O Technician: Mack Robinson
3D PA: Josh Land
E² Supervising Foley Editor: Jonathan Klein
Music Editors: Bryan Elliott Lawson, John Finklea, Alex Gibson
Music Conductor: Nick Glennie-Smith
Supervising Orchestrator: Bruce Fowler
Orchestrators: Walter Fowler, Yvonne S. Moriarty
Music Recordist and Mixer: Jeff Biggers
Technical Score Engineer/Add'l Recording: Lori Castro
Scoring Editor: David Channing
Add'l Recording: Alan Meyerson
Music Sound Design: Eddie Jeffreys
Ambient Music Design: Jon Aschalew
ILM Co-Visual Effects Supervisor: Patrick Tubach
ILM Lead Animation Supervisor: Rick O'Connor
ILM Singapore VFX Supervisor: Mohen Leo
ILM On-Set VFX Supervisor: Jeff White
ILM CG Supervisors: Doug Smythe, Doug Sutton
ILM Digital Comp. Supervisor: Jeff Sutherland
ILM Sr VFX Art Director: Alex Jaeger
ILM Digital Supervisors: Michael Balog, Terry Chostner, Dave Dally, Sean MacKenzie, Andy Proctor, Anthony Rispoli, Adrian Saint Girons, Steve Sauers
ILM Visual Effects Editor: Lorelei David
ILM VFX PMs: Brian Barlettani, Kevin Field, Laura Moore, Emily Williams
ILM Digital Asset Supervisor: Dave Fogler
ILM Singapore VFX Associate Producer: Danielle Rubin
ILM Lead Animators: Charles Allneck, Kyle Dunlevy, C. Michael Easton, Shawn Kelly, David Shirk, Edward Zhou
ILM Digital Leads: Paolo Acri, Joakim Arnesson, Christopher Balog, Jason Billington, Steve Braggs, Thomas Fejes, David Gottlieb, Shane Roberts
ILM VFX Location Coordinator: Brian Holligan
ILM VFX Location Matchmove Technicians: Duncan Blackman, Will McCoy
ILM VFX Associate Production Managers: Lee Briggs, Winston Ng, Andrea Sorset
ILM VFX Concept Artist: James Clyne
ILM Senior Staff: Lynwen Brennan, Paul Ryan, Jessica Teach
ILM Creative Director/Sr. VFX Supervisor: John Knoll
Atomic Fiction VFX Supervisor: Kevin Baillie
32Ten Model Dept. Supervisor: Sean House
32Ten VFX Producer: Tom Partridge
Method VFX Supervisors: Ollie Rankin, Greg Steele
Method VFX Producers: Jinnie Pak, Karey Maltzhan
Method VFX PMs: Curtis Tsai, Chelsea Kammayer
Method CG Supervisor: Sean Schur
Method Comp. Supervisors: Hamish Schumacher, Troy Moore
Prime Focus VFX Supervisor: Nigel Denton-Howes
Prime Focus VFX Production Supervisor: Mark Van Ee
Prime Focus VFX Coordinator: Marc Mason
Prime Focus Head of Production: Rohan Desai
Prime Focus Exec. Staff: Pat Sandston
KNB Supervisors Greg Nicotero, Carey Jones
Legend 3D Stereo VFX Supervisor: Tony Baldridge
Legend Executive Staff: Chris Longo, Matt Akey
Legend 3D Conversion Stereographer: Cyrus Gladstone
Legend 3D Assoc. Stereographer: Jenny Dolan
PFV View-D™ Stereoscopic Supervisor: Ben Murray
PFV View-D™ Stereo PM: Chad Cortvriednt
PFV Assoc. Stereoscopic Supervisor: Ritesh Aggarwal
PFV PM: Cassius Vaz
PFI View-D™ Sr. Stereographer Supervisor: Jim Philip
PFI View-D™ Sr. PM: Frank Mascarenhas
CO3 EP/Colorist: Stefan Sonnenfeld ASC
CO3 DI Senior Manager: Erik Rogers
CO3 DI Manager: Brian Murkland
CO3 Digital Conform: Matt Johnson VES, Dan Goslee
CO3 DI Assistant: John Tripp
CO3 Dailies Colorist: Shane Harris
CO3 Dailies Supervisor: Arthur Tremeau
Special Thanks: Scott Gardenhour
Dolby Atmos Consultant: Bryan Pennington
Filming Dates: May 28, 2013 - Nov 5, 2013
Cameras: Arriflex 235, 435 ES, Panaflex XL2, Phantom 65 IMAX 3D, Red Epic Dragon & Epic Dragon 3D (35mm Kodak Vision3 50D 5203, 250D 5207, 500T 5219, 4K IMAX Digital 3-D & 6K Redcode RAW)
Lenses Panavision® Primo ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E-, G-Series AL Primes, IMAX 3-D Primes & Leica Summilux-C SL Primes
AR: 1.90:1/2.00:1 (IMAX 3D/Laser & 3D Blu-ray Version: Some Scenes), 2.39:1 (Anamorphic)
Budget: 210 Million USD
Budget AFI (2025): 281.7 Million USD
Printed on: Kodak Vision 2383
Sound Editorial by: E²
Visual Effects & Animation by: Industrial Light & Magic, Atomic Fiction, Method, Prime Focus + Tippett Studio
Models, Miniatures & Special Effects Provided by: 32Ten Studios
Special Makeup Effects by: KNB EFX Group
3D Conversion by: Legend 3D & Prime Focus World
View-D™ Stereo Creation by: Prime Focus Vancouver & Prime Focus India
Digital Intermediate Provided by: Company 3
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision®

Producer/D-Camera Operator: Michael Bay
Executive Producers: Scott Gardenhour, Matthew Cohan
Cinematographer: Dion Beebe ASC ACS
Production Designer: Jeffrey Beecroft
Film Editors: Pietro Scalia ACE, Michael McCusker ACE, Calvin Wimmer
Costume Designer: Deborah Lynn Scott
Composer: Lorne Balfe
Executive Music Producer: Hans Zimmer
Casting: Denise Chamian CSA
Co-Producer: Michael Kase
Co-Producer/Stunt Coordinator: Kenny Bates
Unit Production Manager: Jasmine Torbati
1st Assistant Director: Simon Warnock
Key 2nd Ass't Director: Nick Shuttleworth
2nd Assistant Director: Charlie Reed
Associate Producer/Military Advisor: Harry Humphries
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl
Sound Re-Recording Mixer: Greg P. Russell
Special Thanks: Doug Brandt
Supervising Art Director: Sebastian Schroeder
Set Decorator: Karen Frick
A-Camera/Steadicam Operator: Roberto De Angelis
B-Camera Operator: Peter Robertson
C-Camera Operator: Damien Beebe
1st Assistant B-Camera: Alan Hall
2nd Assistant A-Camera: Dan Gamble
Film Loader: Ian Jackson
Chief Lighting Technicians: John Buckley, Martin Smith
Ass't Chief Lighting Technician: Gary Owen, Adrian Bartolo
Production SFX Supervisor: Terry Glass
Production SFX Coordinator: Zuzu Milfort
Chief SFX Technician: Terry Flowers
SFX Pyrotechnics Technicians: Jaime Murrell, R. Bruce Steinheimer
Post-Production Assistant: Ryan W. Jackson
In-House VFX Compositor: Jerry Steele
Lead Set Designer: Robert Cox
Picture Vehicles Supervisor: Ian Clarke
Workshop Supervisor: Richard Marshall
Floor Supervisor: Michael Davie
Electronic Music Programmer: Clay Duncan
Aerial Unit Helicopter Pilot: Fred North
Aerial Unit Consultant: David B. Nowell ASC
Aerial Unit DoP: Steven Desbrow
Aerial Unit Add'l DoP: Hans Bjerno ASC
Aerial Unit Camera Operator: Davide Tiraboschi
Morocco Unit Line Producer: Jimmy Abounouom
Morocco Unit Production Manager: Sana El Kilali
Morocco Unit Production Supervisor: Rebecca Deelo
Morocco Unit Art Directors: Marco Trentini, Aziz Bermaine
Morocco Unit Chief Lighting Technician: Driss Marzak
Morocco Unit SFX Coordinator: Ali Aquermim
Morocco Unit Action Vehicle Coordinator: Khalid Smour
ILM Senior VFX Supervisor: Scott Farrar ASC
ILM VFX Executive Producer: Wayne Billheimer
ILM Co-VFX Supervisor: Dan Seddon
ILM Digital Compositing Supervisor: Paolo Acri
ILM VFX Editor: Lorelei David
ILM VFX Associate Producer: Brian Barlettani
ILM Singapore VFX Producer: Georgie Uppington
ILM VFX Concept Artist: Lubo Hristov
CO3 Finishing Supervisor/Senior Colorist: Stefan Sonnenfeld ASC
DI Senior Supervisor: Erik Rogers
Digital Conform Artist: Matthew W. Johnson
DI Technologist: Mike Chiado
DI Assistant: John Tripp
Head of Finishing Production: Andy Kaplan
Finishing Account Executive: Jackie Lee
Filming Dates: 26 April 2015 - 12 July 2015
Cameras: Arriflex 235, 435 & Red Epic Dragon (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 6K Redcode RAW)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom, Anamorphic Wide-Angle 2:1 Zoom & Vantage One Spherical Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Shots)
Budget: 50 Million USD
Printed on: Kodak Vision 2383
Score Recorded at: Lyndhurst Hall, Air Studios, London
Score Mixed at: Remote Control Productions
Digital Intermediate Finishing Provided by: Company 3
Visual Effects & Animation Provided By: Industrial Light & Magic
Additional Visual Effects Provided by: Base FX
Attribute: Filmed in Panavision (as Cameras and Lenses)

Executive Producer: Michael Bay
Screenplay/Story Writers: Art Marcum, Matt Holloway, Ken Nolan
Story Writer: Akiva Goldsman
Producer: Lorenzo Di Bonaventura
Producers: Tom DeSanto, Don Murphy
Producer: Ian Bryce
Executive Producer: Steven Spielberg ACE
Executive Producers: Brian Goldner, Mark Vahradian
Director of Photography: Jonathan Sela ASC
Production Designer: Jeffrey Beecroft
Editors: Mark Sanger ACE, John Refoua ACE, Debra Neil-Fisher ACE, Roger Barton ACE, Adam Gerstel, Calvin Wimmer
Composer: Steve Jablonsky
Composers, Additional Music: David Fleming, Luke Richards, Gary Dworetsky
Production Visual Effects Supervisor: Scott Farrar ASC
Costume Designer: Lisa Nora Lovaas
Casting Director: Denise Chamian CSA
Unit Production Manager: Samson Mucke
Key First Assistant Director/Co-Producer: K.C. Hodenfield
Key First Assistant Director: Jeff Okabayashi
Second Assistant Director: Jason Roberts
Co-Producers: Matthew Cohan, Michael Kase
Associate Producers: JJ Hook, Daren Hicks, Harry Humphries
ILM Visual Effects Executive Producer: Wayne Billheimer
ILM Senior Visual Effects Supervisor: Jason Smith
ILM Senior Animation Supervisors: Paul Kavanaugh, Rick O'Connor
Additional Editing: Julie Monroe ACE
Second Unit Director/Stunt Coordinator: Mike Gunther
Second Unit Director: Spiro Razatos
Splinter Unit Director/Second Unit Director of Photography: Peter Lyons Collister ASC
Production Special Effects Supervisor: John Frazier
Battle Coordinator: Rob Inch
Autobot/Deception Drivers Corey Eubanks, Mike Johnson, Kyle Woods
Autobot/Deception Driver/Transportation Coordinator: Randy Peters
Autobot /Deception Driver/Transportation Captain: Joey Freitas
Pursuit Systems Driver: Mike Majesky
Go Cart Drivers: Ken Bates, Tom Erickson
Aerial Unit Director of Photography: David B. Nowell ASC
Aerial Unit Coordinator/Pilot: Fred North
Aerial Unit Helicopter Pilot: Ben Skorstad
Aerial Unit Camera Systems Technician: Peter Graf
Drone Unit Director of Photography: Michael FitzMaurice
Drone/Lear Jet Pilot: Kevin LaRosa II
Drone Unit Technicians: Eric Dvorsky, Stephen Scherba
Crew Supervising Art Director: Tom Reta
Crew Set Decorators: Karen Frick, Richard Roberts
Crew Senior Art Director: Sebastian Schroeder
Crew Art Director: David E. Scott
Crew "A" Camera/Steadicam Operator: Jacques Jouffret ASC
Crew "B" Camera Operator: Lukasz Bielan SOC
Crew First Assistant Photographers: Jimmy Jensen, John Kairis, John Ellingwood
Crew Second Assistant Photographers: Casey Howard, Justin Zaffaro
3D Live Action Stereographer: Matthew Blute
3D Additional Live Action Stereographer: Don Presley
3D Engineer/Pablo Artist: Rafiel Chait
3D IMAX Technician: Jamie Alac
3D Technician: Nigel Nally
3D Camera Utility: Grace Thomas
Digital Imaging Technicians: Steve Freebairn, Zach Hilton
Supervising Sound Editors/Sound Designers: Ethan Van Der Ryn, Erik Aadahl MPSE
Sound Re-Recording Mixers: Greg P. Russell, Gary Summers, Jeffrey P. Haboush
Product Placement Coordinator: David Leener
Sound Mixer: Peter J. Devlin CAS
First Assistant Director: Mark Cotone
Chief Lightning Technician: John Buckley
Electrician: Tommy Dangcil
First Company Grip: J. Michael Popovich
Supervising Prop Master: Guillaume Delouche
Production Special Effects Coordinator: Jim Schwalm
Production Special Effects Forepersons: Dave Amborn, Craig Barnett, Steven Bunyea, Eric Frazier
Special Effects Office Coordinator: Cynthia Braga
Production Previsualization Supervisors: Steven Yamamoto, Mike Makara
Production Previsualization Coordinator: Jill Ambrosino
Production Previsualization Artist: Huan Phan
Illustrators: Josh Nizzi, Steve Jung, Steven Messing, Warren Manser
Concept Artist: Wes Burt
Lead Vehicle Designer: Mark Yang
Set Designers: Robert Woodruff, Rob Johnson
Graphic Designers: R. Scott Purcell, Zachary Fannin
Second Unit First Assistant Director: Steve Battaglia
Michigan Unit Location Manager: David Rumble
United Kingdom Unit Supervising Art Director: Jason Knox-Johnston
United Kingdom Unit Art Directors: Tom Still, Anthony Caron-Delion
UK Casting Director: Priscilla John CDG
United Kingdom Unit Camera Operator: Oliver Loncraine
United Kingdom Unit First Assistant Photographers: Julian Bucknall, Ray Meere
United Kingdom Unit Second Assistant Photographers: Sean Kisch, David Pearce, Jack Sands, Alex Collings
United Kingdom Unit 3D Trainee: Tom Gamble
United Kingdom Unit Third Assistant Director: Rob Madden
United Kingdom Unit Stunt Third Assistant Director: Donald Bentley
United Kingdom Unit Chief Lightning Technician: Martin Smith
United Kingdom Unit Prop Master: Graeme Purdy
United Kingdom Unit Special Effects Supervisor: Terry Glass
United Kingdom Unit SPFX Floor Supervisor: Terry Flowers
United Kingdom Unit SPFX Lead Workshop Supervisor: David Payne
United Kingdom Unit SPFX Senior Technician/Designer: Wes Moore
United Kingdom Unit SPFX Prep Supervisor: Tony Auger
United Kingdom Unit Supervising Location Manager: Chris Moore
United Kingdom Unit Picture Car Coordinator: Ian Clarke
United Kingdom Unit Stunt Coordinator/Second Unit Director: Nicholas McKinless
United Kingdom Unit Stunt Department Coordinator: Fern Webster
United Kingdom Unit Assistant Stunt Coordinator: Stuart Clark
United Kingdom Unit Swordmaster: CC Smiff
United Kingdom Unit Rehearsal Supervisor: Florian Robin
Associate Editor: Joe Galdo
Production Visual Effects Editor: Steve Robertz
First Assistant Editor: Eric Brodeur
Assistant Editors: Edward Albolote, Jim Schulte
Apprentice Editor: Ryan W. Jackson
3D Production Coordinator: Chance Tanner
3D Assistant Coordinator: Elden Avila
Production 3D Editor: Latham Robertson
3D Assistant Editors: Matt Evans, Michael Rostker
3D Compositors: Lucas De La Torre, Michael Pugh
3D Pablo Artist: Seth Gallagher
3D Data Manager: Matt Brooks
In-House Compositors: Jerry Steele, John Weckworth
MPC Visual Effects Associate: Pat Sandston
E² Supervising Foley Editor: Jonathan Klein
Music Editors: Alex Gibson, Bryan Lawson, Dan DiPrima
Music Recordist & Mixer: Jeff Biggers
Music Conductors: James Sale, Nick Glennie-Smith
Supervising Orchestrator: Bruce Fowler
Orchestrators: Walter Fowler, Rick Giovinazzo, Yvonne Moriarty
Additional Arrangements: Max Aruj, Steffen Thum
ILM Senior Visual Effects Producer: Ryan Wiederkehr
ILM Lead Visual Effects Supervisors: Jeff Capogreco, Julian Foddy, Dave Fogler
ILM Lead Animation Supervisors: Scott Benza, Mathew Cowie, Chris Lentz, Jance Rubinchik
ILM CG Supervisors: Christoph Ammann, Tim Belsher, Jeremy Bloch, Timothy Brakensiek, Dominic Drane, Doug Smythe
ILM Digital Compositing Supervisors: Paolo Acri, Jason Porter, Scott Pritchard
ILM Visual Effects Art Directors: Ryan Church, Thang Le
ILM Visual Effects Editor: Lorelei David
ILM Visual Effects Producers: Brian Barlettani, Sophie Cullen, Cabral Rock
ILM Visual Effects Associate Producer: Christopher Bannister
ILM Visual Effects Production Managers: Maggie Leung, Rachel Reed, Lucy Tanner, Yimi Tong
ILM Lead Animators: Charles Allneck, Shawn Kelly
ILM VFX Location Coordinator: Joe Statham
ILM VFX Location Matchmove Technicians: Duncan Blackman, Will McCoy
ILM Visual Effects Associate Production Manager: Brooke Meacham
ILM London Head of Production: Sue Lyster
ILM Executive Staff: François Chardavoine, Randal Shore, Jessica Teach
MPC Visual Effects Supervisor: Sheldon Stopsack
MPC Senior Visual Effects Producer: Philip Greenlow
MPC Visual Effects Producer: Christoph Roth
MPC CG Supervisor: Leah Beevers
MPC Stereo Supervisor: Holly Aldersley
MPC Visual Effects Production Manager: Ben Harrison
PFW Global Head of Production: Rohan Desai
PFW Senior Stereo Supervisors: Ritesh Ricky Aggarwal, Jimmy Philip
PFW Stereo Production Manager: Cassius Vaz
PFW Stereo TD: Charlie Luce
PFW India Stereo Executive: Gaurav Jain
CO3 Executive Producer/Colorist: Stefan Sonnenfeld ASC
Company 3 Finishing Producers: Erik Rogers, Christina De Guzman
Company 3 Finishing Editor: Matthew Johnson VES
Company 3 3D Convergence Artist: Jared Pecht
Company 3 Color Assistants: John Tripp, Giovanni DiGiorgio
EC3 Colorist: Adrian Delude
EC3 Additional Colorist: Matt Wallach
EC3 Dailies Operator: Alexis Ross
EC3 Dailies Producer: Arthur Tremeau
Dolby Atmos Consultant: Bryan Arenas
Shooting Format: IMAX 3-D, Panavision® & Hawk Anamorphic
Filming Dates: May 25, 2016 - Dec 4, 2016
Cameras: Arri Alexa IMAX, Arriflex 416 Plus, Red Epic Dragon, Helium Bayhem, Weapon Dragon & Weapon Helium (16mm Kodak Vision3 500T 7219, 6.5K ARRIRAW & 6K/8K Redcode RAW)
Lenses: Panavision® Primo ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E-, G-Series Anamorphic Primes, ATZ 70-200mm Zooms, Leica Summilux-C Spherical Primes, Hawk65 Anamorphic Primes, V-Lite16 Anamorphic Primes, Vantage One Spherical Primes & Arri Prime 65
AR: 1.85:1 (Original Ratio), 1.90:1/2.00:1 (Most Scenes), 2.28:1 (Some Shots), 2.39:1 (One Shot)
Budget: 217-260 Million USD
Sound Editorial by: E²
Visual Effects & Animation by: Industrial Light & Magic, Atomic Fiction, Scanline VFX + MPC
3D Conversion by: Prime Focus World
Digital Intermediate Provided by: Company 3
Dailies Services Provided by: EC3
Captured with: Alexa IMAX Cameras
Attribute: Filmed in Panavision®

Producer/C-Camera Operator: Michael Bay
Writers/Executive Producers: Rhett Reese, Paul Wernick
Producer: Ian Bryce
Executive Producer: Matthew Cohan
Executive Producer/Unit Production Manager: Garrett Grant
Cinematographer: Bojan Bazelli ASC
Production Designer: Jeffrey Beecroft
Film Editors: Roger Barton ACE, William Goldenberg ACE, Calvin Wimmer
Costume Designer: Jany Temime
Composer/Score Producer: Lorne Balfe
Music Supervisors: Dave Jordan, Trygge Toven
Production VFX Supervisor: Richard Hoover
Casting: Denise Chamian CSA
1st Assistant Director: Michael Saunders
Co-Producer: Michael Kase
Co-Producer/Consulting Location Manager: Jonathan JJ Hook
Co-Producer/Production Executive: Marco Valerio Pugini
Stunt Coordinators/2nd Unit Directors: Gregg Smrz, Kenny Bates
Fight Coordinator: Andy Cheng
Associate Producer: Katie Halott
Supervising Art Directors: Sebastian Schroeder, Tamara Marini
Set Decorator: Bille Azis
Art Director: Anshuman Prasad
A-Camera/Steadicam Operator: Roberto De Angelis
B-Camera Operator: Lukasz Bielan SOC
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Add'l DoP: Hans Bjerno ASC
Underwater Unit DoP: Pete Romano ASC
Supervising Sound Editors/Sound Designers: Ethan Van DER Ryn, Erik Aadahl
Sound Re-Recording Mixer: Kevin O'Connell
Product Placement Coordinator: David Leener
Gaffer: Martin Smith
Production SFX Supervisor: Terry Glass
SFX Floor Supervisor: Terry Flowers
Previsualization Supervisor: Barry Howell
Previsualization Coordinator: Lauren Zimmer
Senior Concept Illustrator: Thomas Pringle
Supervising Graphic Designer: R. Scott Purcell
Transportation/Picture Car Coordinator: Joey Freitas
Picture Car Supervisor: Ian Clarke
Splinter Unit DoP: John Gamble ACO
Splinter Unit 1st Ass't Camera: Harry Gamble
Italy Unit 1st Ass't Director: KC Hodenfield
Italy Unit Senior Art Director: Saverio Sammali
Italy Unit Gaffer: Daniele Verdenelli
Italy Unit SFX Supervisor: Daniel Acon
Italy Unit SFX Office Coordinator: Antongiulio Dell'Orco
Italy Unit SFX Consultant: Richard Helmer
Italy Unit Picture Car Coordinator: Matteo Gottardis
Budapest Unit Co-Producers: Ildiko Kemeny, David Minkowski
Budapest Unit Art Director: Geza Kerti
Budapest Unit Gaffer: Atilla Bilik
Budapest Unit SFX Supervisor: Gábor Kiszelly
Abu Dhabi Unit 1st Ass't Director: Mark Cotane
Abu Dhabi Unit Set Decorator: Rob Cameron
Abu Dhabi Unit SFX Supervisor: Mark Roberts
Abu Dhabi Unit SFX Consultant: Rory Inker
Production VFX Producer: Pat Sandston
VFX Studio Executive: Jennifer Silver
In-House VFX Artists: Jerry Steele, Nick Reynolds
ILM VFX Supervisor: Jason Snell
ILM Animation Supervisors: Scott Benza, Zaini Mohamed Jalani, Cedric Lo
ILM VFX Producers: Lee Briggs, Laurence Berkani
ILM Executive VFX Producer: Luke O'Byrne
ILM Add'l VFX Supervisors: John Knoll, Paolo Acri
ILM CG Supervisor: Barry Kane
ILM Compositing Supervisor: Walter Gilbert
ILM VFX Associate Producer: Alé Melendez
ILM VFX Production Managers: Keith Anthony-Brown, Claudia Li
ILM VFX Editor: Sam Willing
ILM Senior Creature TD: Natapon Huangsakuncharoen
ILM Digital Resource Manager: Betty Shaw
ILM Executive VFX Producer: Randal Shore
ILM External Ass't Technical Director: Rick Yang
Raynault VFX Producer: Jacinthe Côté
Raynault VFX Line Producer: Catherine Gaucher
Raynault VFX Compositing Supervisor: Vincent Poitras
Raynault VFX Pipeline TD: Simon Ouellet
Raynault VFX Art Director: Mathieu Raynault
Scanline Munich VFX Supervisor: Jan Krupp
Scanline Munich CG Supervisors: Omid Arzhang, Sylvain Theroux
Scanline Munich Matchmove Supervisor: Ando Avila
Scanline Munich 3D Generalist: André Cabaco
Scanline Munich Compositing Supervisors: Sean Heuston, Franz Schiller
Scanline Munich FX Supervisor: Ivo Klaus
Scanline Munich Animation Supervisor: Christian Kratzert
Scanline VFX Munich Production Manager: Mei Lee Lim
Scanline Munich Add'l VFX Supervisor: Martin Lipmann
Scanline Munich VFX Coordinators: Stefanie Ramsdale, Amelie Thomas
Scanline Munich VFX Art Director: Yanick Dusseault
Scanline Munich Head of Production: Antoine Marbach
Scanline VFX Munich VFX Executive Producer: Michel Mielke
Scanline VFX Munich Matte Painting Supervisor: Benjamin Ross
Scanline VFX LA VFX Executive Producer: Jasmin Hasel
Scanline VFX LA Pipeline TD: Colin McGuire
Base FX VFX Producer: Aaron Cowan
Base FX Animation Supervisor: Richard Oey
Base FX VFX Production Coordinators: Audrey Sook Yan Chan, Eugene Ting
Base FX Supervisor: Mitul Patel
Base FX Pipeline Technical Directors: Eunice Chen, Pavithira Raj Pardiban
Base FX Bidding Producer: Tolly Swallow
Stereo D VFX Coordinator: Samira Khan
Stereo D Production Coordinator: Trent Newton
Stereo D Technical Director: Shane Saravia
Deluxe Stereo D Production Coordinator: Aidan Waugh
Deluxe Production Coordinator: Kisholay Ray
Virtuos Lighting Director: Kristian Pedlow
BOT VFX Associate Producer: Rajesh Babu
Hula Hoop VFX Producer: Priyanka Balasubramanian
3rd Floor VP of Visualization: Dane Allan Smith
CO3 Executive Producer/Senior Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Moises Cruz
DI Finishing Editor: Matthew Johnson
DI Add'l Finishing Colorist: Bryan Smaller
CO3 VP of Global Long Form Production: Nick Monton
CO3 Head of Finishing Production: Erik Rogers
Filming Dates: 30 July 2018 - 5 December 2018
Cameras: Arriflex 35-IIC, Phantom Flex4K, Red Komodo Bayhem, Monstro, Raven, Weapon Helium Bayhem & Sony CineAlta Venice (35mm Kodak Vision3 500T 5219, 4K Phantom RAW, 6K AXS-R7 & 4.5K/6K/8K Redcode RAW)
Lenses: Panavision Primo Anamorphic Primes, T-Series Anamorphic Primes & Vantage One Bayhem Spherical Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Bayhem Unit)
Budget: 150 Million USD
Partially Shot on: Kodak 35mm Film
Main Visual Effects & Animation Provided By: Industrial Light & Magic
Additional Visual Effects Provided by: Raynault VFX, Scanline Munich, Base FX, Stereo D, Virtuos & Yannix
Digital Intermediate Finishing Provided By: Company 3
Attribute: Filmed in Panavision

Producer: Michael Bay
Screenplay Writer: Chris Fedak
Producer: Bradley J. Fischer
Producer: Ian Bryce
Producers: William Sherak, James Vanderbilt
Executive Producers: Michael Kase, Tomas Radoor, Rene Ezra, Laeta Kalogridis, Tracey Nyberg
Executive Producer/Unit Production Manager: Mark Moran
Director of Photography: Roberto De Angelis
Production Designer: Karen Frick
Editors: Pietro Scalia ACE, Doug Brandt, Calvin Wimmer
Costume Designer: Lisa Nora Lovaas
Composer, Original Score/Score Producer: Loren Balfe
Composer, Additional Music/Lead Orchestrator: Adam Price
Casting Directors: Denise Chamian CSA, Liz Ludwitzke
Visual Consultant: Jeffrey Beecroft
First Assistant Director: Steve Battaglia
Second Assistant Director: Alison Troy
Production VFX Supervisor: Robert Legato ASC
2nd Unit Director / Stunt Coordinator: Mike Gunther
"Danny" Stunt Double: Dan Mast
"Will" Stunt Double: Sli Lewis
"Cam" Stunt Double: Hannah Betts
Production Supervisor: Donald Reynolds
Camera Operator / 2nd Unit DP: Brooks P. Guyer
"A" First Assistant Camera: Brad Peterman
"B" First Assistant Camera: John Holmes
"A" Second Assistant Camera: Chris Sloan
"B" Second Assistant Camera: Mark Connelly
Loader: Mark Lim
Digital Imaging Technician: Steve Freebairn
Digital Utility: Zach Madden
Still Photographer: Andrew Cooper
Sound Mixer: Mike Piotrowski
Boom Operator: Scott Solan
Sound Utility: Rene Defrancesch, Brandon Loulias
Aerial Unit Director of Photography: David B. Nowell ASC
Aerial Unit Coordinator / Helo Pilot: Fred North
Aerial Unit LAPD Helo Pilots: Ben Skorstad, Cliff Fleming
Aerial Unit Camera Technician: Peter Graf
Aerial Unit Ground Coordinator: Garret Dalton
Aerial Unit Microwave Technician: Dave Arms
Drone Unit Coordinator: Dave DiLillo
Drone Unit Pilots: Drew Roberts, Colin Burgess
FPV Drone Pilots, Drone Unit: Alex Vanover, Jordan Temkin
Drone Unit Camera Operators: Brian Wulf, Kyle Bullington
Drone Unit Technicians: Caden McMahon, George Lymberopuos, Ben Stefanides
E2 Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl MPSE
E2 Re-Recording Mixers: Tom Ozanich, Beau Borders
Gaffer: Michael Ambrose
Chief Lightning Tech: Charlie Schneider
Lighting Programmer: Nig Jones
Systems Tech: Joel Sutherland
Fixtures Foreperson: Greg Mayer
Fixtures Best Boy: Edwin Lool
Fixtures Technicians: Stephen Galvin, Micah Lopez
Rigging Gaffer: Luis Moreno
Rigging Best Boy: Greg Lopez
Rigging Lighting Control Sub-Foreman: Jean-Baptiste "JB" Leconte
Overall Prop Master: Drew Petrotta
Production Special Effects Supervisor: Eric Frazier
Special Effects On-Set Coordinator: Craig "Tex" Barnett
Special Effects Set Foreman: Lucas Wimer
Special Effects Set Tech: Matt Paullin
Lead Pyrotech: David Barker
Pyrotech: Danny Cangemi
Special Effects Gang Boss: Eric Smith
Special Effects Shop Coordinator: Armando Gonzalez
Special Effects Office Coordinator: Cynthia Braham
Supervising Location Manager: Rob Gibson
Makeup Department Head: Donald Mowat
Lead Advisor: Jamie McBride
Paramedic Advisor: Dannie Wurtz
Technical Advisor: Mario Cortez
KNB EFX Group: Howard Berger, Carey Jones, Alex Diaz
Bay Films PA: Mia Hill
Art Director: Jace Ford
Assistant Art Directors: Chad Bailey, Sean Falkner
Concept Artist: Sebastian Schroeder
Set Designers: Ernest Avila, Sam Page
Graphic Designers: Scott Purcell, Nate Carlson
Associate Producer: David B. Leener
Post Production Supervisor: Stephanie Ito
Post Production Coordinator: Stephanie Coats
Production Computer Graphics Supervisor: Rick Lupton
Additional Editors: Paul Rubell ACE, Ben Snyder
Assistant Editor: Edward Albolote
Associate Editor: Kevin Hickman
Production VFX Data Wrangler: Michael Legato
In House Visual Effects: Nick Reynolds, Jerry Steele
DNEG Co-Head of Production: Griboshin Chandran
DNEG Executive Producer: Corey Turner
DNEG VFX Supervisors: Rif Dagher, Serkan Zelzele
DNEG CG Supervisors: Jean-Paul Rovela, Amjad Ahmed Shaikh
DNEG Lead Comp Supervisor: Carlos Miras Sepulveda
DNEG Compositing Supervisor: Anand Rajesh Madishetty
DNEG Producers: Alizee Plourde, Ketan Yatin Karekar
DNEG Production Managers: Sameep Sunil Choudhari, Graham Tailleur
DNEG Department Production Coordinator: Zainab Khan
DNEG Production Assistant: Antoine Vigneault
DNEG HOD Layout: Huck Hur
DNEG Layout Artist / Animator: David Villenueve
DNEG Animation Lead: Deepak Chudasama
DNEG Animation Supervisor: Stanley Selvamani
DNEG Animators: Pratik Parab, Surendar Gaur, Andrew Lam
DNEG Camera Track Lead: Nikhil Patel
DNEG Compositing Lead: Benoit Imbert
DNEG DMP Artist: Nicolas Gazette
Opsis Executive Producer: Henrik Fett
Opsis Producer: Lena Bahra
Opsis Head of Production: Michael G. Jackson
Opsis VFX Producer: Dan Levitan
Opsis Co-VFX Supervisor: Justin Jones
Opsis Production Manager: Tim Weber
Opsis VFX Editor: William Appleby
Music Editor: Alex Gibson
Score Conductor: Gavin Greenaway
CO3 Executive Producer/Colorist: Stefan Sonnenfeld ASC
CO3 Finishing Producers: Erik Rogers, Ricardo Ramirez
CO3 Finishing Editor: Matthew Johnson VES
CO3 Image Scientist: John Quartel
CO3 Technologist: Mike Chiado
CO3 Additional Colorist: Tyler Roth
CO3 Color Assistant: John Tripp
CO3 Finishing Executive: Jackie Lee
CO3 Head of Production: Laura Geucherian
CO3 Dailies Colorist: Shane O'Connor
CO3 Dailies Operator: Jack Tashdjian
CO3 Dailies Producer: Matt Riera
CO3 Dailies Workflow: Jon Mendenhall
CO3 Dailies Manager: Leeza Diott
Main Titles Designer: Matt Curtis
Additional Editing: Roger Barton ACE
RED Digital Cinema President: Jarred Land ASC
Panavision® SVP, Optical Engineering: Dan Sasaki ASC
Filming Dates: January 11, 2021 - March 18, 2021
Cameras: Red Komodo Bayhem & Weapon Helium Bayhem (6K/8K Redcode RAW)
Lenses: Panavision® Primo ALZ11 48-550mm Zooms, E180mm, T-Series Anamorphic Primes, ALZ10 42-425mm Zooms, H-Series Spherical Primes & Hawk Vantage One Bayhem Spherical Primes
AR: 2.39:1 (Anamorphic)(3-Perf LF Super 35mm: Some Shots)
Budget: 40 Million USD
Sound Editorial by: E2
Special Makeup Effects by: KNB EFX Group
VFX Effects by: DNEG & Opsis
Score Recorded & Mixed at: Abbey Road Studios
Color Finish: CO3
Cameras & Lenses Provided by: Panavision® Woodland Hills, Red Digital Cinema & Hawk Vantage Film
Attribute: Filmed in Panavision®