007 James Bond Franchise Production Details

Director /Screenplay Writer: Terence Young
Presenters / Producers: Harry Saltzman, Albert R. "Cubby" Broccoli
Director of Photography: Ted Moore BSC
Production Designer: Ken Adam
Art Director: Syd Cain
Production Manager: L.C. Rudkin
Location Manager: Chris Blackwell
Film Editor: Peter R. Hunt
Main Title Designer: Maurice Binder
Main Title Animation: Trevor Bond
Additional Title Animation: Robert Ellis
First Assistant Director: Clive Reed
Second Assistant Director: David C. Anderson
Third Assistant Director: John Meadows
A Camera Operator: John Winbolt
B Camera Operator: George Pink
Head of Continuity: Helen Whitson
Make-up: John O'Gorman
Hair Stylist: Eileen Warwick
Sound Recordists: Wally Milner, John Dennis
Costumes: Tessa Welborn
Set Dressing: Freda Pearson
Dubbing Editors: Archie Ludski, Norman Wanstall
First Assistant Editor: Ben Rayner
Production Special Effects Supervisor: Frank George
Production Visual Effects Supervisor: Roy Field
Matte Artist: Cliff Culley
Stunt Arranger/Coordinator: Bob Simmons
Composer: Monty Norman
Conductor: Eric Rodgers
Orchestrator: Burt Rhodes
Arranger, "James Bond Theme": John Barry
Trumpet: Derek Watkins
Treatment Writer: Wolf Mankowitz
Screenplay Writers: Richard Maibaum, Johanna Harwood, Berkely Mather
Associate Producer: Stanley Sopel
LDI Producer: Mike Inchalik
LDI Project Manager: R. Patrick Cooper
LDI 4K Film Scanning: John DeSantis Jr
LDI Colorist: Martin A. Grau
LDI Damage Artists: John R. Kopjanski, Jackie Lopez, Alexis Ross, Adam Senate
Filming Dates: 16 January 1962 - 30 March 1962
Camera: Mitchell BNC (35mm Eastman 50T 5250)
AR: 1.66:1 (Spherical)
Budget: 1.1 Million USD
Budget AFI (2020): 9.4 Million USD
Printed on: Eastman 5385
Processed by: Technicolor® Limited, England
"James Bond Theme" Played by: John Barry & Orchestra
Filmed in: Jamaica
Filmed at: Pinewood Studios London, England
2006 Pristine Digital Restoration by: Lowry Digital Images

Director: Terence Young
Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli
Cinematographer: Ted Moore BSC
Film Editor: Peter R. Hunt
Production Manager: Bill Hill
Art Director: Syd Cain
Assistant Director: David C. Anderson
2nd Unit DoP: Bob Kindred
Camera Operator: John Winbolt
Location Manager: Frank Ernst
Production SFX Supervisor: John Stears
Production SFX Assistant: Frank George
Assembly Film Editor: Ben Rayner
Costume Designer: Jocelyn Rickards
Ass't Art Director: Michael White
Titles Designer: Robert Brown
Ass't Titles Designer: Trevor Bond
Screenwriter: Richard Maibaum
Script Adapter: Johanna Harwood
Title Song Writer: Lionel Bart
Composer/Conductor: John Barry
Composer (James Bond Theme): Monty Norman
Trumpet Musician: Derek Watkins
2nd Ass't Director: Terence Churcher
Stunt Work Arranger: Peter Perkins
Associate Producer: Stanley Sopel
2nd Ass't Editor: Stephen Warwick
Add'l SFX Assistant: Joe Fitt
Production VFX Supervisor: Roy Field
Matte Artist: Cliff Culley
Producer (2006 Restoration): John Lowry
Project Manager (2006 Restoration): R. Patrick Cooper
4K Film Scanner (2006 Restoration): John DeSantis Jr
Colorist (2006 Restoration): Joseph Parisella
Restoration Supervisor/Artist (2006 Restoration): Rejyna Douglass-Whitman
Filming Dates: 1 April 1963 - 23 August 1963
Camera: Mitchell BNC (35mm Eastman 50T 5251)
AR: 1.66:1 (Spherical)
Budget: 2 Million USD
Budget AFI (2020): 16.9 Million USD
Printed on: Eastman 5385
Made at: Pinewood Studios, London, England

Director: Guy Hamilton
Director/Associate Producer (Pre-Production): Terence Young
Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli
Production Designer: Ken Adam
Cinematographer: Ted Moore BSC
Cinematographers (Title Sequence): David Watkin, Herbert Spencer
Cinematographer (Insert Shots): Michael Reed BSC
2nd Unit Director (Insert Shots)/Film Editor: Peter R. Hunt
Assembly Film Editor: Ben Rayner
Art Director: Peter Murton
Production Manager: RC Ludkin
Assistant Director: Frank Ernst
Camera Operator: John Winbolt
Action Sequences Supervisor: Bob Simmons
Ass't Art Directors: Michael White, Maurice Pelling
Production SFX Supervisor: John Stears
Production SFX Assistant: Frank George
Titles Designer: Robert Brown
Story Writer: Berkely Mather
Co-Screenwriter: Richard Maibaum
Script Adapter: Johanna Harwood
Title Song Singer: Shirley Bassey
Composer/Conductor: John Barry
Composer (James Bond Theme): Monty Norman
Trumpet Musician: Derek Watkins
2nd Ass't Editor: Richard Jenkins
3rd Ass't Director: Michael G. Wilson
Associate Producer: Stanley Sopel
Draughtsman: Peter Lamont
Production SFX Technicians: Joe Fitt, Bert Luxford
Optical Effects Supervisor: Cliff Culley
Production VFX Supervisor: Roy Field
Matte Artist: Peter Melrose
Producer (2006 Restoration): Mike Inchalik
Project Manager (2006 Restoration): R. Patrick Cooper
4K Film Scanner (2006 Restoration): John DeSantis Jr
Colorist (2006 Restoration): Joseph Parisella
Filming Dates: 20 January 1964 - 21 July 1964
Capture Format: Spherical
Camera: Mitchell BNC (35mm Eastman 50T 5251)
AR: 1.66:1 (EU Int'l Ratio), 1.85:1 (USA Int'l Ratio)
Budget: 3 Million USD
Budget AFI (2020): 25.1 Million USD
Made at: Pinewood Studios, London, England

Director: Terence Young
Presenters/Executive Producers: Harry Saltzman, Albert "Cubby" Broccoli
Production Designer: Ken Adam
Cinematographer: Ted Moore BSC
Supervising Film Editor/2nd Unit Director: Peter R. Hunt
Art Director: Peter Murton
Production Supervisor: David Middlemas
Production SFX Supervisor: John Stears
2nd Unit DoPs: Egil Woxholt, Michael Reed BSC
Key Ass't Director: Gus Agosti
Location Manager: Frank Ernst
A-Camera Operator: John Winbolt
Action Sequences Supervisor: Bob Simmons
Underwater Unit Director: Ricou Browning
Underwater Unit DoPs: Lamar Boren, Edmund Gibson
Film Editor: Ernest Hosler
Assembly Film Editor: Ben Rayner
Ass't Art Director: Michael White
Main Title Designer: Maurice Binder
Composer/Conductor: John Barry
Trumpet Musician: Derek Watkins
Co-Screenwriter: Richard Maibaum
Original Screenwriter/Story Writer: Jack Whittingham
Original Story Writer/Producer: Kevin McClory
Original Story Writer: Ian Fleming
Assistant Director: Richard Jenkins
2nd Ass't Director: Robert Watts
Associate Producer: Stanley Sopel
Stunt Coordinator: Yvan Chiffre
Chief Draughtsman/Set Decorator: Peter Lamont
B-Camera Operator: George Pink
Prop Master: John Chisholm
Production SFX Technician: Bert Luxford
Optical Effects Supervisor: Cliff Culley
Production VFX Supervisor: Roy Field
2nd Unit Camera Operator: Oscar Barber
2nd Unit Director (Aqua Troops Drop): André De Toth
Underwater Unit Camera Operator: Richard Moore
Producer (2006 Restoration): John Lowry
Project Manager (2006 Restoration): Robin Melhuish
4K Film Scanner (2006 Restoration): Randy Martin
Colorist (2006 Restoration): Price Pethel
Filming Dates: 16 February 1965 - 9 July 1965
Cameras: Arriflex & Panavision R-200 (35mm Eastman 50T 5251)
Lenses: Panavision Auto Panatar Anamorphic Primes & B-Series Anamorphic Primes
AR: 1.85:1 (Title Sequence), 2.39:1 (Anamorphic)
Budget: 9 Million USD
Budget AFI (2020): 74 Million USD
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: Lewis Gilbert
Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli
Supervising Film Editor/2nd Unit Director: Peter R. Hunt
Art Director: Harry Pottle
Production Supervisor: David Middlemas
Production SFX Supervisor: John Stears
Action Sequences Supervisor: Bob Simmons
2nd Unit DoPs: Bob Huke BSC, Michael Reed BSC, Egil S. Woxholt
Aerial Unit DoP: John Jordan
Underwater Unit DoP: Lamar Boren
Assistant Director: William P. Cartlidge
Location Manager: Robert Watts
A-Camera Operator: Ernest Day ASC
Assembly Film Editor: Bob Richardson
Set Decorator: David Ffolkes
Main Title Designer: Maurice Binder
Composer/Conductor/Arranger: John Barry
Composer (James Bond Theme): Monty Norman
Title Song Singer: Nancy Sinatra
Trumpet Musician: Derek Watkins
Story Idea Materialist: Geoffrey Jenkins
Add'l Story Materialist: Harold Jack Bloom
Screenwriter: Roald Dahl
Production Designer: Ken Adam
Cinematographer: Freddie Young ASC BSC
2nd Assistant Directors: Terence Churcher, Drummond Riddell
Associate Producer: Stanley Sopel
Film Editor: Thelma Connell
Stunt Coordinator: Donn Draeger
Stunt Fight Coordinator: Peter Fanene Maivia
Stunts: Vic Armstrong
B-Camera Operator: Tony Braun
Assistant Camera: Martin Body
2nd Ass't Camera: Mick Messenger
Ass't Film Editor: Richard Dobson
1st Ass't Editor: Ben Rayner
Production SFX Assistant: Joe Fitt
Effects Engineering Supervisor: Bert Luxford
Production VFX Supervisor: Roy Field
VFX Unit DoP: Martin Shortall
Matte Artists: Peter Melrose, Cliff Culley
Ass't Art Directors: Peter Lamont, Michael White
3rd Ass't Directors: Bill Graf, Rich Jenkins
2nd Unit 1st Ass't Dir: John Quested
2nd Unit Camera Operator: Peter Hurst
2nd Unit Ass't Camera: Adrian Biddle BSC
Producer (2006 Restoration): Alan Silvers
Project Manager (2006 Restoration): R. Patrick Cooper
4K Film Scanner (2006 Restoration): Paul E. Jackson
Colorist (2006 Restoration): Rick Taylor
Filming Dates: 4 July 1966 - March 1967
Camera: Panavision PSR R-200 (35mm Eastman 50T 5251/100T 5254)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 9.5 Million USD
Budget AFI (2020): 74.4 Million USD
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: Peter R. Hunt
Director (Stock Car Sequence): Anthony Squire
Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli
Assistant Director: Frank Ernst
Camera Operator: Alec Mills BSC
Stunt Arranger: George Leech
2nd Unit DoPs: Egil Woxholt, Roy Ford
Aerial Unit DoP: John Jordan
Ski Unit DoPs: Willy Bogner Jr, Alex Barbey
Art Director: Bob Liang
Costume Designer: Marjory Cornelius
Set Decorator: Peter Lamont
Main Title Designer: Maurice Binder
Associate Producer: Stanley Sopel
Production Supervisor: David Middlemas
Production SFX Supervisor: John Stears
Film Editor/2nd Unit Director: John Glen
Cinematographer: Michael Reed BSC
Production Designer: Syd Cain
Composer/Conductor/Arranger: John Barry
Composer (James Bond Theme): Monty Norman
Title Song Singer: Louis Armstrong
Trumpet Musician: Derek Watkins
Add'l Dialogue Writer: Simon Raven
Screenwriter: Richard Maibaum
Production Manager: Hubert Fröhlich
Bond Ski Double: Vic Armstrong
Assistant Camera: Martin Body
Production VFX Supervisor: Roy Field
Rally Driver & Consultant: Erich Glavitza
2nd Unit Ass't Cam: Adrian Biddle BSC
Producer (2006 Restoration): Alan Silvers
Project Manager (2006 Restoration): Stephanie Middler
4K Film Scanner (2006 Restoration): Paul Howarth
Colorist (2006 Restoration): Joseph Parisella
Damage Artist/Supervisor (2006 Restoration): Rejyna Douglass-Whitman
Filming Dates: 21 October 1968 - 23 June 1969
Cameras: Arriflex 35-IIA & Panavision R-200 (35mm Eastman 100T 5254)
Lenses: Panavision B- & C-Series Anamorphic Primes
AR: 1.85:1 (Title Sequence), 2.39:1 (Anamorphic)
Budget: 7 Million USD
Budget AFI (2020): 49.4 Million USD
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: Guy Hamilton
Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli
1st Assistant Director: Derek Cracknell
Key 2nd Ass't Director: Jerome M. Seigel
A-Camera Operator: Bob Kindred
B-Camera Operator: Bill Johnson
2nd Unit Director: Andrew Birkin
Art Directors: Jack Maxsted, Bill Kenney
Set Decorators: Peter Lamont, John Austin
Production SFX Supervisors: Leslie Hillman, Whitey McMahon
Costume Designer for Jill St. John: Don Feld
2nd Unit DoP: Harold Wellman
Production VFX Supervisors: Albert Whitlock, Wally Veevers
Stunt Arrangers: Bob Simmons, Paul Baxley
Location Managers: Bernard Hanson, Eddie Saeta
Main Title Designer: Maurice Binder
Production Managers: Claude Hudson, Milton Feldman
Film Editors: John Holmes ACE, Bert Bates
Production Designer: Ken Adam
Cinematographer: Ted Moore BSC
Optical Cinematographer: Roy Field
Composer/Conductor/Arranger: John Barry
Composer (James Bond Theme): Monty Norman
Title Song Singer: Shirley Bassey
Trumpet Musician: Derek Watkins
Associate Producer: Stanley Sopel
Screenwriters: Richard Maibaum, Tom Mankiewicz
2nd Assistant Director: Richard Jenkins
Stunt Driving Coordinator: Carey Loftin
C-Camera Operator: Joe Jackman
Gaffer: Ross A. Maehl
Ass't Film Editor: Margaret Miller
Ass't Physical Special Effects Supervisor: Bert Luxford
Production SFX Assistants: Arthur Beavis, Peter Pickering
Optical/Projection Effects Supervisor: Charles Staffell
Submarine Model Animator: Jim Danforth
3rd Assistant Director: Raymond Becket
2nd Unit Camera Operator: John Howard
Producer (2006 Restoration): Alan Silvers
Project Manager (2006 Restoration): Robin Melhuish
4K Film Scanner (2006 Restoration): Paul E. Jackson
Colorist (2006 Restoration): Marian A. Grau
Filming Dates: 5 April 1971 - 7 September 1971
Cameras: Arriflex 35-IIA & Panavision PSR R-200 (35mm Eastman 100T 5254)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 7.2 Million USD
Budget AFI (2020): 46.1 Million USD
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: Guy Hamilton
Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli
A-Camera Operator: Bob Kindred
2nd Unit DoP: John Harris
Production Managers (USA Crew): Stephen F. Keston, Steven P. Skloot
Ass't Director (USA Crew): Alan Hopkins
Unit Manager (USA Crew): Michael Rauch
Location Coordinator (USA Crew): Jack Weis
Art Director (USA Crew): Stephen Hendrickson
A-Camera Operator (USA Crew): George Bouillet
B-Camera Operator (USA Crew): Warren Rothenberger
Shark Scenes Supervisor (USA Crew): William Grefe
Supervising Art Director: Syd Cain
Co-Art Director: Peter Lamont, Bob Liang
Production SFX Supervisor: Derek Meddings
Optical Effects Supervisor: Charles Staffell BSC
Film Editors: Bert Bates, Ray Poulton, John Shirley
Stunt Coordinator/2nd Unit Director: Bob Simmons
Stunt Coordinators: Joie Chitwood, Ross Kananga, Jerry Comeaux, Eddie Smith, Bill Bennet
Choreographer: Geoffrey Holder
Costume Designer: Julie Harris
Main Title Designer: Maurice Binder
Production Supervisor: Claude Hudson
Assistant Director: Derek Cracknell
Location Manager: Bernard Hanson
Cinematographer: Ted Moore BSC
Composer/Performer (Title Song): Paul McCartney
Composer (Title Song): Linda McCartney
Performers (Title Song): Wings
Composer (Original Score): George Martin
Composer (James Bond Theme): Monty Norman
Trumpet Musician: Derek Watkins
Screenwriter: Tom Mankiewicz
2nd Ass't Directors: Raymond Becket, Rich Jenkins
Ass't Art Director: John Fenner
Set Decorators: Simon Wakefield, Frederic C. Weiler
1st Assistant Camera: David Wynn-Jones
2nd Assistant Camera: Vinnie Gerardo
Focus Puller: Mike Roberts
Ass't Film Editors: Les Healey, Margaret Miller
Add'l SFX Supervisor: Rick Baker
Production SFX Engineer: Peter Biggs
Production SFX Assistant: Ian Wingrove
2nd Unit 1st Ass't Director: Nicolas Hippisley-Coxe
Legal & Administration Advisor: Michael G. Wilson
Producer (2006 Restoration): Mike Inchalik
Project Manager (2006 Restoration): Stephanie Middler
4K Film Scanner (2006 Restoration): John DeSantis Jr
Colorist (2006 Restoration): Marian A. Grau
Filming Dates: 13 October 1972 - 15 March 1973
Cameras: Arriflex 35-IIC, Panaflex & R-200 (35mm Eastman 100T 5254)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.66:1 (Spherical), 1.85:1 (Blu-Ray)
Budget: 7 Million USD
Budget AFI (2020): 40.9 Million USD
Printed on: Eastman 5381
Made at: Pinewood Studios, London, England
Music Recorded at: Air Studios, London
Attribute: Filmed in Panavision

Director: Guy Hamilton
Presenters/Producers: Albert "Cubby" Broccoli, Harry Saltzman
Assistant Director: Derek Cracknell
2nd Unit Director: Ernest Day
Camera Operator: Bob Kindred
2nd Unit DoP: John Harris
Co-Art Directors: Peter Lamont, John Graysmark
Production SFX Supervisor: John Stears
Miniatures Supervisor: Derek Meddings
Production Assistant: Brian Bailey
Production Coordinator (Bangkok): Santa Pestonji
Film Editors: Ray Poulton GBFE, John Shirley
Main Title Designer: Maurice Binder
Production Supervisor: Claude Hudson
Location Managers: Frank Ernst, Eric Rattray
Production Designer: Peter Murton
Cinematographers: Ted Moore BSC, Oswald Morris BSC
Composer/Conductor/Arranger: John Barry
Composer (James Bond Theme): Monty Norman
Trumpet Musician: Derek Watkins
Title Song Singer: Lulu
Associate Producer: Charles Orme
Screenwriters: Richard Maibaum, Tom Mankiewicz
Stunt Coordinator: WJ Milligan Jr
2nd Ass't Directors: Raymond Becket, Terence Churcher
Ass't Art Director: Ernest Archer
Gaffer/Electrical Supervisor: Bert Bosher
Focus Puller: Mike Roberts
Ass't Film Editor: Graham Farrow
2nd Ass't Editors: Margaret Miller, Anthony Stacey
Production SFX Technician: Ron Cartwright
Optical Effects Supervisor: Roy Field
Matte Artists: Cliff Culley, Doug Ferris
Miniature SFX Assistants: Peter Biggs, Ian Wingrove
2nd 2nd Ass't Director: Andy Armstrong
2nd Unit 1st Ass't Dir: Ray Freeborn
2nd Unit Camera Focus Puller: David Wynn-Jones
Legal & Administration Advisor + Technical Consultant: Michael G. Wilson
Producer (2006 Restoration): Liza Diott
Project Manager (2006 Restoration): Stephanie Middler
Video Masters Supervisor (2006 Restoration): Benjamin Chua
Colorist (2006 Restoration): Brian Borne
Filming Dates: 6 November 1973, 18 April 1974 - 23 August 1974
Cameras: Arriflex 35-IIC, Panaflex & R-200 (35mm Eastman 100T 5254)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.66:1 (Spherical), 1.85:1 (Blu-Ray)
Budget: 7 Million USD
Budget AFI (2020): 36.8 Million USD
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision (as Panavision Equipment)

Director: Lewis Gilbert
Director (Pre-Production): Guy Hamilton
Presenter/Producer: Albert R. "Cubby" Broccoli
Production Manager: David Middlemas
Assistant Director: Ariel Levy
2nd Unit Ass't Dir: Chris Kenny
Location Manager (Egypt): Frank Ernst
Location Manager (Bahamas): Golda Offenheim
Production Coordinator (Canada): Rene Dupont
Naval Advisor: Richard Kennan
Underwater Unit DoP: Lamar Boren
Ski Unit Supervisor/Director of Photography: Willy Bogner
Special Assistant to Cubby Broccoli: Michael G. Wilson
Art Director: Peter Lamont
Ass't Art Dir: Ernie Archer
Production Accountant: Brian Bailey
Camera Operator: Alec Mills BSC
Assembly Film Editor: Alan Strachan
Ass't Film Editor: John Grover
Fashion Consultant: Ronald Paterson
2nd Unit Director: Ernest Day ASC
Film Editor/2nd Unit Director: John Glen
Action Arranger: Bob Simmons
Ski Jump Performer: Rick Sylvester
Special Visual Effects Supervisor: Derek Meddings
Special Optical Effects Supervisor: Alan Maley
SFX Supervisor (Studio): John Evans
Cinematographer: Claude Renoir
Cinematographer (2nd Unit & Special Effects): Robin Browne
Main Title Designer: Maurice Binder
Production Designer: Ken Adam
Composer/Conductor (Original Score & Title Song): Marvin Hamlisch
Composer (Three Add'l Cues): Paul Buckmaster
Composer (James Bond Theme): Monty Norman
Title Song Performer: Carly Simon
Title Song Lyricist: Carole Bayer Singer
Title Song Producer: Richard Perry
Trumpet Musician: Derek Watkins
Associate Producer: William P. Cartlidge
Co-Screenwriter: Richard Maibaum
2nd Ass't Directors: Andy Armstrong, Terence Churcher, Michael Stevenson
Set Decorator: Hugh Scaife
Lighting Advisor (Tanker Scenes): Stanley Kubrick
Production SFX Supervisor: John Gant
Production SFX Technicians: Ron Cartwright, Marc Ratcliffe
Production SFX Assistant: Chris Corbould
Production SFX Trainee: Mark Meddings
Unit Manager: Stefan Zürcher
Camera Operator (Ski Sequence): Kenneth Post
Special Unit DoP: Michael J. Jacobs
Plate Unit Ass't Cam: Shaun O'Dell
Publicity Department Assistant: Barbara Broccoli
Filming Dates: 31 August 1976 - 26 January 1977
Cameras: Arriflex 35-III, Panaflex-X, Gold & Panaflex (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes & Cooke Zooms
AR: 1.85:1 (Title Sequence), 2.39:1 (Anamorphic)
Budget: 14 Million USD
Budget AFI (2020): 59.9 Million USD
Shot on: Eastman Motion Picture Film
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: Lewis Gilbert
Presenter/Producer: Albert R. "Cubby" Broccoli
2nd Unit Director: Ernest Day ASC
Film Editor/2nd Unit Director: John Glen
Production Managers: Jean-Pierre Spiri-Mercanton, Terence Churcher
Art Directors: Max Douy, Charles Bishop
Underwater Unit Director/Director of Photography: Lamar Boren
2nd Unit DoP: Jacques Renoir
VFX Unit DoP: Paul Wilson BSC
Optical FX Unit DoP: Robin Browne
Assembly Film Editor: John Grover
1st Assistant Director: Michel Cheyko
Action Sequences Arranger: Bob Simmons
Production Accountant: Brian Bailey
Location Manager (Brazil): Frank Ernst
Location Manager (Italy): Philippe Modave
Location Manager (USA): John Comfort
Unit Manager (France): Robert Saussier
Unit Manager (UK): Chris Kenny
Production VFX Supervisor: Derek Meddings
VFX Art Director: Peter Lamont
Executive Producer: Michael G. Wilson
Cinematographer: Jean Tournier
Cinematographer (Aerial Parachute Unit Photography): Rande DeLuca
Main Title Designer: Maurice Binder
Production Designer: Ken Adam
Composer (Original Score & Title Song): John Barry
Title Song Performer: Shirley Bassey
Title Song Lyricist: Hal David
Trumpet Musician: Derek Watkins
Associate Producer: William P. Cartlidge
Screenwriter: Christopher Wood
Producer/Screenwriter: Gerry Anderson
A-Camera Operator: Alec Mills BSC
B-Camera Operator: James Devis
C-Camera Operator: Michael Deloire
D-Camera Operator: John Morgan
E-Camera Operator: Guy Delattre
Clapper Loader: Martin Hume
Ass't Art Directors: Marc Frederic, Jacques Douy, Serge Douy, Ernie Archer, John Fenner
Set Decorator: Peter Howitt
Set Designer: Frank Walsh
2nd Unit 1st Ass't Director: Peter Bennett
2nd Unit 2nd Ass't Director: Meyer Berreby
Ass't Director (Models): Gareth Tandy
Key 2nd Ass't Director: Chris Carreras
2nd Assistant Directors: Barbara Broccoli
Production Accountant (France): Paul Beugin
Space Consultant: Eric Burgess
Space Art Director: Harry Lange
Costume Designer: Jacques Fonteray
Ass't Unit Manager (France): Robert Boulic
Ass't Location Manager (Brazil): Andy Armstrong
Stunt Arranger (France): Claude Carliez
Dolby Consultant: John Iles
Process Consultant: Bill Hansard
Optical Effects Supervisor (France): Michel Francois
Process Effects Supervisor (France): Louis Lapeyre
VFX Supervisor (France): Jean Berard
Production SFX Supervisors: John Richardson, John Evans, René Albouze, Serge Pouvianne, Charles-Henri Assola
Add'l SFX Supervisor: Anton Furst
Production SFX Technicians: Chris Corbould, Ron Cartwright, Marc Ratcliffe
Production SFX Trainee: Mark Meddings
Production Assistant: Marguerite Green
Gaffer: Jacques Touilland
Stunt Performer: Paul Weston
Skydiving Stunt Coordinator: Don 'Tweet' Caltvedt
Production Manager (Latin America): Roberto Bakker
2nd Ass't Director (Space Battle): Mike Higgins
2nd Unit Ass't Camera: Tony Woodcock
2nd Unit Aerial Camera Operator: Phil Pastuhov
Action Unit Add'l Ass't Director: Stefano Priori
Aerial Unit Ass't Camera: Stan McClain
Aerial Unit Aviation Consultant: JW 'Corkey' Fornof
Special Unit DoP: Michael J. Jacobs
SFX Unit Camera Assistant: Mike Bulley
VFX Unit Camera Operator: Keith Holland
VFX Unit Ass't Camera: Jon Sorensen
Model Unit Ass't Camera: Peter Versey
Filming Dates: 14 August 1978 - 27 February 1979
Cameras: Arriflex 35-III, Panaflex-X, Gold & Panaflex (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes & Cooke Zooms
AR: 1.85:1 (Title Sequence), 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 34 Million USD
Budget AFI (2020): 121.4 Million USD
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: John Glen
Presenter/Producer: Albert R. "Cubby" Broccoli
2nd Unit Director/Director Of Photography: Arthur Wooster BSC
Underwater Unit Director/Director of Photography: Al Giddings
Aerial Unit Director/Director of Photography: James Devis
Ski Unit Director/Director of Photography: Willy Bogner
Production Supervisor: Bob Simmonds
Production Managers: Mara Blasetti, Phil Kohler, Aspa Lambrou
Production Accountant: Douglas Noakes
1st Assistant Director: Anthony Waye
Camera Operator: Alec Mills BSC
Action Sequences Arranger: Bob Simmons
Driving Stunts Arranger: Remy Julienne
Director of Publicity: Charles Juroe
Art Director: John Fenner
Set Decorator: Vernon Dixon
VFX Unit DoP: Paul Wilson BSC
Film Editor: John Grover
Production VFX Supervisor: Derek Meddings
Cinematographer: Alan Hume BSC
Main Title Designer: Maurice Binder
Production Designer: Peter Lamont
Composer/Conductor (Original Score & Title Song): Bill Conti
Composer (James Bond Theme): Monty Norman
Title Song Performer: Sheena Easton
Title Song Lyricist: Michael Leeson
Title Song Producer: Christopher Neil
Flugel Horn & Trumpet Musician: Derek Watkins
Associate Producer: Tom Pevsner
Executive Producer/Screenwriter: Michael G. Wilson
Screenwriter: Richard Maibaum
Underwater Unit Ass't Camera: Pete Romano ASC
Unit & Location Managers: Vincent Winter, Peter Bennett, Michalis Lambrinos, Redmond Morris, Umberto Sambuco
2nd Unit Ass't Director: Gerry Gavigan
2nd Assistant Directors: Terry Madden, Michael Zimbrich, Gareth Tandy, Tony Broccoli
Add'l Assistant Director: Paul Tivers
Production Assistants: Iris Rose, Sally Ball
Add'l Art Directors: Michael Lamont, Mikes Karapiperis, Franco Fumagali
Ass't Art Director: Ernie Archer
Costume Designer: Elizabeth Waller
2nd Unit A-Camera Operator: Jack Lowin
2nd Unit B-Camera Operator: John Morgan
2nd Unit C-Camera Operator: Dewy Humphreys
2nd Unit D-Camera Operator: Robert Kindred
Production SFX Supervisor: John Evans
Production SFX Technicians: Chris Corbould, Ron Cartwright, Dino Galiano, David Harris. Mark Meddings
Mechanical Engineer: Peter Fern
Prop Master: Brian Humphrey
Optical Effects Supervisor: Michel Francois
Add'l Film Editor: Eric Boyd-Perkins
Assembly Film Editors: Peter Davies, Derek Trigg
Ass't Film Editor: Matthew Glen
Producer (2006 Restoration): Mike Inchalik
Project Manager (2006 Restoration): Andrea Avila
Video Masters Supervisor (2006 Restoration): Dennis Pipelow
Filming Dates: 15 September 1980 - 13 February 1981
Cameras: Arriflex 35-III , Panaflex-X, Gold & Panaflex (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes, E-Series Anamorphic Prototype & Cooke Zooms
AR: 2.39:1 (Anamorphic)
Budget: 28 Million USD
Budget AFI (2020): 79.8 Million USD
Shot on: Eastman Motion Picture Film
Attribute: Filmed in Panavision

Director: John Glen
Director (The Aerial Team): Philip Wrestler
Presenter/Producer: Albert R. "Cubby" Broccoli
2nd Unit Director/Director of Photography: Arthur Wooster BSC
Production SFX Supervisor: John Richardson
Production Supervisor: Hugh Harlow
Production Managers: Philip Kohler, Barrie M. Osborne, Leonhard Gmur, Gerry Levy
Production Accountant: Douglas Noakes
1st Assistant Director: Anthony Waye
A-Camera Operator: Alec Mills BSC
Action Sequences Arranger: Bob Simmons
Driving Stunts Arranger: Remy Julienne
Art Director: John Fenner
Set Decorator: Jack Stephens
Director of Publicity: Charles Juroe
Supervising Film Editor: John Grover
Film Editors: Peter Davies, Henry Richardson
Costume Designer: Emma Porteous
Cinematographer: Alan Hume BSC
Cinematographer (Model Photography): Leslie Dear
Cinematographers (Add'l Photography): Bob Collins, James Devis
Main Title Designer: Maurice Binder
Production Designer: Peter Lamont
Composer/Conductor (Original Score & Song): John Barry
Composer (James Bond Theme): Monty Norman
Song Performer: Rita Coolidge
Song Lyricist: Tim Rice
Trumpet Musician: Derek Watkins
Associate Producer: Tom Pevsner
Executive Producer/Co-Writer: Michael G. Wilson
Co-Writer: Richard Maibaum
Supervisors (The Stunt Team): Martin Grace, Paul Weston, Bill Burton
Coordinator (The Aerial Team): Clay Lacy
Supervisor (The Gymnasts): Susanne Dando
Ringmaster (The Circus): Roberto Germains
Indian Unit Production Advisor: Shama Habibullah
Location Managers: Peter Bennett, Rashid Abassi
2nd Unit Ass't Director: Gerry Gavigan
2nd Assistant Directors: Terry Madden, Tony Broccoli, Michael Zimbrich, Andrew Warren
Ass't Director/Executive Assistant: Barbara Broccoli
Model FX Supervisor: Brian Smithies
Model Unit Director: Julian Parry
2nd Unit A-Camera Operator: Malcolm Vinson
2nd Unit B-Camera Operator: David B. Nowell ASC
2nd Unit C-Camera Operator: Jack Lowin
Add'l Art Director: Michael Lamont
Front Projection Supervisor: Charles Staffell
2nd Unit FX Supervisor: John Evans
Prop Master: David Jordan
Aerial Unit A-Camera Operator: Geoff Mulligan
Aerial Unit B-Camera Operator: Phil Pastuhov
1st Assistant Editor: Matthew Glen
Ass't Film Editor: Nigel Galt
Filming Dates: 10 August 1982 - 25 January 1983
Cameras: Arriflex 35-III, Panaflex-X & Gold (35mm Eastman 250T 5293)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 27.5 Million USD
Budget AFI (2020): 71.5 Million USD
Shot on: Eastman Motion Picture Film
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: John Glen
Director/Cinematographer (Ski Sequence): Willy Bogner
Presenter/Producer: Albert R. 'Cubby' Broccoli
2nd Unit Director/Director Of Photography: Arthur Wooster BSC
Production SFX Supervisor: John Richardson
Production Supervisor: Anthony Waye
Production Managers: Philip Kohler, Leonhard Gmur, Serge Torbull, Jon Thor Hannesson
Unit Manager: Iris Rose
Production Accountant: Douglas Noakes
1st Assistant Director: Gerry Gavigan
A-Camera Operator: Michael Frift
Action Sequence Arranger: Martin Grace
Driving Stunts Arranger: Remy Julienne
Art Director: John Fenner
Set Decorator: Crispian Sallis
Makeup Supervisor: George Frost
Director of Marketing: Charles Juroe
Film Editor: Peter Davies
Costume Designer: Emma Porteous
Cinematographer: Alan Hume BSC
Cinematographer (Model Photography): Leslie Dear
Cinematographers (Add'l Photography): Jan D'Alquen, Egil Woxholt
Main Title Designer: Maurice Binder
Production Designer: Peter Lamont
Composer/Conductor (Original Score & Title Song): John Barry
Composer (James Bond Theme): Monty Norman
Composers/Performers (Title Song): Duran Duran
Title Song Producer: Bernard Edwards
Trumpet Musician: Derek Watkins
Associate Producer: Tom Pevsner
Screenwriter: Richard Maibaum
Screenwriter/Producer: Michael G. Wilson
Supervisors (The Stunt Team): M. James Arnett, Bob Simmons, Claude Carliez
Add'l Stunts (The Stunt Team): Simon Crane
Eiffel Tower Jump Performer (The Aerial Team): BJ Worth
Pilot (The Aerial Team): Marc Wolff
A-Camera Op (The Aerial Team): David Butler
B-Camera Op (The Aerial Team): Peter Allwork
C-Camera Op (The Aerial Team): Doug Milsome
2nd Unit Ass't Director: Peter Bennett
5th Assistant Director: Terry Madden
9th Assistant Director: Barbara Broccoli
Add'l Ass't Directors: Michael Lamont, Ken Court, Alan Tomkins, Serge Douy
Ass't Set Decorator: Jille Brown
Production SFX Technicians: Chris Corbould, Neil Corbould, Nick Finlayson, R. Bruce Steinheimer, Andy Williams
Computer FX Supervisor: Ira Curtis Coleman
Model Unit Director: Julian Parry
VFX Unit Optical Camera Operator: Alan Church
Prop Master: John Chisholm
2nd Unit A-Camera Operator: Malcolm Vinson
2nd Unit B-Camera Operator: Robert Hillmann
A-Camera Focus Puller: Simon Hume
B-Camera Focus Puller: Michael Evans
Boom Operator: Ken Nightingall
Front Projection Supervisors: Charles Staffell BSC, Roy Moores BSC
Add'l Film Editors: Henry Richardson, John S. Smith
Producer (2006 Restoration): Liza Diott
Project Manager (2006 Restoration): Andrea Avila
Video Masters Supervisor (2006 Restoration): Alexis Ross
Filming Dates: 3 August 1984 - 14 January 1985
Cameras: Arriflex 35-III & Panaflex Gold (35mm Eastman 400T 5294)
Lenses: Panavision E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 30 Million USD
Budget AFI (2020): 72.3 Million USD
Printed on: Eastman 5384
Shot on: Eastman Motion Picture Film
Made at: Pinewood Studios, London, England
Attribute: Filmed in Panavision

Director: John Glen
Presenter / Producer: Albert R. "Cubby" Broccoli
Production Supervisor: Anthony Waye
Production Accountant: Douglas Noakes
Director of Marketing: Charles Juroe
Production Managers: Philip Kohler, Sparky Greene, Arno Ortmair, Leonhard Gmur, Denise O'Dell
Unit Manager: Iris Rose
First Assistant Director: Gerry Gavigan
A Camera Operator: Michael Frift
Sound Recordist: Derek Ball
Head of Continuity: June Randall
Production Controller: Reginald A. Berkshire
Art Director: Terry Ackland-Snow
Set Decorator: Michael Ford
Construction Manager: Anthony Graysmark
Make-up Supervisor: George Frost
Hairdressing Supervisor: Ramon Gow
Electrical Supervisor: John Tythe
Stunt Supervisor: Paul Weston
Horse Master: Greg Powell
Driving Stunts Arranger: Remy Julienne
Aerial Stunts Arranger: B.J. Worth
Film Editors: John Grover, Peter Davies
Sound Editor: Colin Miller
Costume Designer: Emma Porteous
Casting Director: Debbie McWilliams
Second Unit Director & Photographer: Arthur Wooster BSC
Special Visual Effects Supervisor: John Richardson
Optical Camera Operator: Alan Church
Director of Photography: Alec Mills BSC
Director of Photography, Model Photography: Leslie Deer
Director of Photography, Aerial Unit & Additional Photography: Phil Pastuhov
Director of Photography, Additional Photography: Tom Sanders
Main Title Designer: Maurice Binder
Production Designer: Peter Lamont
Composer, Conductor & Soundtrack Producer: John Barry
Composer, James Bond Theme: Monty Norman
Associate Producers: Tom Pevsner, Barbara Broccoli
Screenplay Writer: Richard Maibaum
Screenplay Writer & Producer: Michael G. Wilson
The Stunt Team: Doug Robinson, Nick Wilkinson, Simon Crane, Elaine Ford
Aerial Stunts Team: Jake Brake, Garry Carter, Jake Lombard, Dan O'Brien
Snow Stunts Team: John Falkiner, Ida Huber, Rene Seiler, Herman Sporer
Location Managers: Nick Daubeny, John Bernard, Arie Bohrer, Stefan Zurcher, Driss Gaidi
Moroccan Production Liaison: Zakaria Alaoui
Gibraltar Production Liaison: Joseph Viale
Second Unit Key First Assistant Director: Terry Madden
Second Unit Head of Continuity: Jean Bourne
Second Assistant Director: Callum McDougall
Key Third Assistant Director: Adam Walton
Third Assistant Directors: Crispin Reece, Nick Heckstall-Smith, Terry Blyther
Second Unit First Assistant Director: Urs Egger
First Assistant Director, Morocco: Ahmed Hatimi
Second Assistant Director, Morocco: Mohamed Hassini
Assistant Accountant: Allan Davies
Location Accountants: Jane Meagher, Christl Kirchner
Location Transport Managers: Arno Esterez, Andy Grosch
Production Co-Ordinators: Pam Parker, Janine Lodge, Daniela Stibitz, Ihsanne Khalafaoui, Brenda Ramos, Dawn Severdia, May Capsaskis
Secretary to Mr. Broccoli: Sandra Frieze
Secretary to Mr. Wilson: Joanna Brown
Secretary to Mr. Juroe: Amanda Schofield
Location Production Secretaries: Sophie Koekenhoff, Hind Hanif, Sonja Beutura
U.S. Contacts: Mary Stellar, Tina Banta
Additional Art Directors: Michael Lamont, Ken Court, Fred Hole, Bert Davey, Thomas Riccabona, Peter Manhard
First Assistant Art Director: James Morahan
Second Assistant Art Director: Ted Ambrose
Third Assistant Art Director: Dennis Bosher
Additional Set Decorators: Tal Schneider, Anne Seibel
First Assistant Set Decorator: Julie Brown
Second Assistant Set Decorator: Christoph Kanter
Additional Construction Managers: Ken Pattenden, Alfred Dobsak
Prop Master: Bert Hearn
Production Buyers: Sid Palmer, Peter Palmer
Production Buyer, Austria: Johannes Slapa
Sketch Artist: Roger Deer
Cheif Sculptor: Fred Evans
Second Unit A Camera Operator: Malcolm Macintosh
B Camera Operator: Michael Anderson
C Camera Operator: Fred Waugh
D Camera Operator: Peter Rohe
A Camera Focus Puller: Frank Elliott
B Camera Focus Puller: Michael Evans
C Camera Focus Puller: Nicholas Wilson
D Camera Focus Puller: Dan McKinny
E Camera Focus Puller: Horst Becker
Clapper Loader: Simon Mills
A Camera Grip: Chunky Huse
B Camera Grip: Ken Atherfold
C Camera Grip: Richard Haw
Video Effects Supervisor: Richard Hewitt
Front Projection Supervisor: Roy Moores
Boom Operator: Ken Nightingall
Production Second Sound Mixer: Adrian S. Fry
Additional Sound Recordists: Brian Marshall, Roby Guever
Music Editor: Alan Killick
Sound Editors: Vernon Messenger, Derek Holding, Peter Musgrave
First Assistant Editor: Matthew Glen
Second Assistant Editor: John Nuth
Third Assistant Editor: Wayne Smith
First Assistant Sound Editor: William Barringer
Second Assistant Sound Editor: Ross Adams
Third Assistant Sound Editor: Robert Gavin
Fourth Assistant Sound Editor: Mark Mostyn
Additional Sound Effects: Jean-Pierre Lelong
Head of Orchestrations: Nicholas Raine
Music Mixer: Dick Lewzey
Trumpet: Derek Watkins
Re-Recording Mixers: Graham Hartstone, John Hayward, Nicolas Le Messurier
Costume Supervisor: Tiny Nicholls
Make-up Team: Naomi Donne, Eric Allwright, Edwin Erfmann
Hairdressers: Helen Lennox, Barbara Sutton
Aerial Unit Liaison: Marc Wolff
Safety Climber: Hamish MacInnes
Production Special Effects Supervisors: Chris Corbould, Joss Williams, Brian Smithies, Ken Morris, Willy Neurer, Mark White
Production Special Effects Technicians: Neil Corbould, Matthew Harlow, Anton Prickett, Nick Finlayson, Andy Williams
Production Special Effects Assistant: Simon Cockren
Special Effects Assistant, Austria: Tommy Vögel
Special Effects Technician, Austria: Uli Nefzer
Model Unit Special Effects Technician: Julian Parry
Armourer: Simon Atherton
Modelmaker: Terrence Reed
Unit Publicist: Geoff Freeman
Stills Photographers: Keith Hamshere, George Whitear
Publicity Assistant: Rebecca West
Hats Provider: David Schilling
LDI Producer: John Lowry
LDI Project Manager: R. Patrick Cooper
LDI Head of Video Masters: Jeff Schiffman
LDI Damage Artists: Jim Corbin, Rejyna Douglas-Whitman, Greg Gomberg, Nicholas A. Herr, Jackie Lopez, Mario Martinez, Sherry G. Price, Benton Wong
Filming Dates: 29 September 1986 - 13 February 1987
Cameras: Arriflex 35-III, Panaflex Gold & Platinum (35mm Eastman 125T 5247/400T 5294)
Lenses: PANAVISION® Primo Anamorphic Prototype, C-, E-Series AL Primes & Anamorphic Cooke Zooms
AR: 2.39:1 (Anamorphic)
Budget: 40 Million USD
Budget AFI (2023): 107.2 Million USD
Printed on: Eastman 5384
Costumes Made by: Bermans & Nathans
Horses Provided by: L.A. Societe R.E.H.A.
Travel & Transport by: Renown Freight, The Travel Company, D & D International Locations + Location Facilities
Location Catering by: Rafael Hosteleria Internacional & The Location Caterers
CIA Boat Provided by: Spectral Marine
Military Dioramas by: Little Lead Soldiers
Floral Arrangements by: Kenneth Turner Flowers
Swimwear Provided by: Gottex
Whitaker's Villa Designed by & Located at: Forbes Magazine & Palais El Mendoub, Tangier
Color Provided by: Technicolor®
Title Opticals by: Screen Opticals
Sound Re-Recording by & Made at: Pinewood Studios, London, England
Original Soundtrack Album Available on: W.B Records
Music Recorded at: C.T.S. London
Made on Location in: Gibraltar, Austria, Morocco, U.S.A., Italy & England
2006 Pristine Digital Restoration by: Lowry Digital Images
Attribute: Filmed in PANAVISION®

Director: John Glen
Director & Photographer, Underwater Scenes: Ramon Btavo
Presenter & Producer: Albert R. "Cubby" Broccoli
Key Production Supervisor: Anthony Waye
Production Accountant: Douglas Noakes
Stunt Co-Ordinator: Paul Weston
Driving Stunts Arranger: Remy Julienne
Aerial Stunt Supervisor: 'Corkey' Fornof
Director of Marketing: Charles Juroe
Production Supervisor, Mexico: Hector Lopez
Key Production Manager: Philip Kohler
Unit Manager: Iris Rose
First Assistant Director: Miguel Gil
Key Second Assistant Director: Miguel Lima
A Camera Operator: Michael Frift
Sound Recordist: Edward Tise
Head of Continuity: June Randall
Electrical Supervisor: John Tythe
Supervising Art Director: Michael Lamont
Set Decorator: Michael Ford
Construction Manager: Anthony Graysmark
Make-up Supervisors: George Frost, Naomi Donne
Hairdressing Supervisor: Tricia Cameron
Film Editor: John Grover
Sound Editor: Vernon Messenger
Second Unit Director & Photographer: Arthur Wooster BSC
Costume Designer: Jodie Tillen
Main Title Designer: Maurice Binder
Casting Directors: Jane Jenkins CSA, Janet Hirshenson CSA
Composer & Conductor, Original Score: Michael Kamen
Composer, James Bond Theme: Monty Norman
Special Visual Effects Supervisor: John Richardson
Optical Effects Supervisor/Camera Operator: Alan Church
Optical Camera Operator: Craig Chandler
Model Unit Special Effects Supervisor: Julian Parry
Director of Photography: Alec Mills BSC
Director of Photography/Operator, Aerial Team: Phil Pastuhov
Director of Photography, Underwater Unit: Andrew Cooper
Production Designer: Peter Lamont
Associate Producers: Tom Pevsner, Barbara Broccoli
Writer & Producer: Michael G. Wilson
Writer: Richard Maibaum
Stunt Team Supervisors: Gerardo Moreno, Marc Boyle, Art Malesci
The Stunt Team: Simon Crane, Jake Lombard, Steve Dent
Parachute Stunt Co-Ordinator, Aerial Team: B.J. Worth
Helicopter Pilot, Aerial Team: Ken Calman
U.S. Coast Guard Technical Advisor, Aerial Team: John McElWain
U.S. Coast Guard Helicopter Pilots, Aerial Team: Randy Meade, Neil Hughes, R. Allen
Underwater Team Co-Ordinator: Rita Sheese
Location Managers, Underwater Team: Nicole Kolin, Tony Broccoli
A Camera Assistant, Underwater Team: Pepe Flores
Special Effects Supervisor, Underwater Team: Daniel Dark
Special Consultants to the Producers: Sparky Greene, Jillian Palenthorpe
Production Manager: Efren Flores
Production Manager (Mexicali): Crispin Reece
Location Manager (Mexicali): Laura Aguilar
Production Co-Ordinator: Loolee DeLeon
Production Co-Ordinator (Mexicali): Georgina Heath
2nd Assistant Director: Callum McDougall
Production Assistants: Ignacio Cervantes, Marcia Perskie, Gerardo Barrera, Monica Greene
Production Secretary: Ileana Franco
Casting Director (Mexico): Claudia Becker
Accountants: Jane Meagher, Rosa Maria Gomez
Assistant Accountant: Andrew Noakes
Assembly Editor: Matthew Glen
Film Editor (Mexico): Carlos Puente
Sound Editors: Peter Musgrave, Mark Auguste
Music Editor: Andrew Glen
First Assistant Editor: John Nuth
Second Assistant Editor: Wayne Smith
Third Assistant Editor: Ross Adams
Fourth Assistant Editor: Richard Fettes
Fifth Assistant Editor: Mark Mostyn
Sixth Assistant Editor: Rob Green
Additional Sound Effects: Jean-Pierre Lelong
Re-Recording Mixers: Graham Hartstone, John Hayward
Music Mixer: Dick Lewzey
Head of Music Programming: Stephen McLaughlin
Trumpet: Derek Watkins
Art Director: Dennis Bosher
First Assistant Art Director: Neil Lamont
Second Assistant Art Director: Richard Holland
Third Assistant Art Director: Andrew Ackland-Snow
Fourth Assistant Art Director: Hector Romero
Sketch Artist: Roger Deer
Graphics Artist: Robert Walker
Sculptor: Daniel Miller
Scenic Artist: Gilly Noyes-Court
A Camera Focus: Frank Elliott
Second A Camera Operator (Mexico): Donald Bryant
Second B Camera Operator (Mexico): Tim Ross
A Camera Grip: Chunky Huse
Boom Operator: Martin Trevis
Costume Supervisors: Barbara Scott, Hugo Pena
Wardrobe Master (Mexico): Enrique Villavicencio
Make-up Artist: Norma Webb
Special Effects Supervisors (Mexico): Laurencio Cordero, Sergio Jara
Special Effects Supervisor (1st Unit): Neil Corbould
Production Special Effects Technicians: Peter Pickering, Clive Beard, Nick Finlayson
Shark Puppet Operator: Jeffrey S. Farley
Animatronic Supervisor: Hal Miles
Director of Publicity: Saul Cooper
Stills Photographer: Keith Hamshere
Production Buyer: Ron Quelch
Prop Master: Bert Hearn
Stand-by Propman: Bernard Hearn
Armourers: Harris Bierman, Tony Didio
Transport Manager: Arthur Dunne
Transport Captain (Mexico): Mauro Venegas
London Contact: Amanda Schofield
Los Angeles Contact: Linda Brown
Second Unit 1st Assistant Directors: Terry Madden, Sebastian Silva
Second Unit 2nd Assistant Director: Marcia Gay
Second Unit Head of Continuity: Sue Field
Second Unit A Camera Operator: Malcolm Macintosh
Second Unit A Camera Focus: Michael Evans
Second Unit A Camera Grip: Ken Atherfold
Second Unit Stills Photographer: George Whitear
Second Unit Special Effects Supervisor: Chris Corbould
Second Unit Special Effects Technicians: Andy Williams, Paul Whybrow
Second Unit Make-up/Hair Supervisor: Di Holt
Second Unit Stand-by Propman: Rodney Pincott
Production Supervisor, Florida: Ned Kopp
Production Co-Ordinator, Florida: Patricia Madiedo
Location Manager, Florida: Colette Hailey
Location Accountant, Florida: Jack Descent
Second A Camera Operator, Florida: John Elton
Art Director, Florida: Ken Court
Set Decorators, Florida: Richard Helfritz, Frederick Weiler
Special Effects Co-Ordinator, Florida: Larry Cavanaugh
Special Effects Technician, Florida: R. Bruce Steinheimer
Electrical Supervisor, Florida: Norman Zuckerman
Key Grip, Florida: Eddie Knott III
Costume Supervisor, Florida: Robert Chase
Marine Co-Ordinator, Florida: Lorentz Hills
Transport Co-Ordinator, Florida: Joyce Lark
Head of Freight Service: Jose Vasquez A.
Animals Supplier: Carlos Renero
Jewellery Supplier: Sheila Goldfinger
Music Consultant: Joel Sill
LDI Producer: John Lowry
LDI Lead Project Manager: Andrea Avila
LDI Project Manager R. Patrick Cooper
LDI Head of Video Masters: Alexis Ross
LDI Damage Artists: Rachel J. Clement, Alfonso Guerrero Jr, Louise Keating, Javier Lopez, Katrin Mooney, Adam Senate, Martina Wilson, Daniel Wolfe
Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman 125T 5247/400T 5294)
Lenses: PANAVISION® Primo Anamorphic Prototype, E-Series Anamorphic Primes & Anamorphic Cooke Zooms
AR: 2.39:1 (Anamorphic)
Budget: 32 Million USD
Budget AFI (2023): 66.9 Million USD
Printed on: Eastman 5384
Aerial Team Camera Helicopter by: French Aircraft Agency
Music Performed by: National Philharmonic Orchestra, London
Camera Equipment (Mexico City) by: Tratafilms
Camera Equipment (Miami) by: Cine Video Tech
Film Stock Provided by: Kodak Mexicana
Lighting & Transport by: Servicos Filmicos
Travel Services by: Travel Shop International & The Travel Company
Freight Services by: Vital International Freight Services & Renown Freight
Catering by: Alimentacion Filmica Especializada
Medical Services by: Lifestar International
Weapons by: Stembridge Gun Rentals
Gun Holsters by: Galco International
Color Provided by: Deluxe®
Prints Provided by: Technicolor®
Title Opticals by: General Screen Enterprises
Sound Re-Recording by: Pinewood Studios
Music Recorded at: C.T.S. London
Original Motion Picture Soundtrack Album Available on: MCA Records, Cassettes and Compact Discs
Made at: Churubusco Studios, Mexico City
Made on Location in: Mexico & Florida, U.S.A.
2006 Pristine Digital Restoration by: Lowry Digital Images
Attribute: FILMED IN PANAVISION®

Director: Martin Campbell
Cinematographer: Phil Meheux BSC
Production Designer: Peter Lamont
Stunt Coordinator: Simon Crane
2nd Unit Director: Ian Sharp
2nd Unit DoP: Harvey Harrison BSC
Additional Unit Director/Director of Photography: Arthur Wooster BSC
VFX DoP: Paul Wilson BSC
A-Camera Operator: Roger Pearce
Alpine Unit Camera Operator: Tim Wooster
Production SFX Supervisor: Chris Corbould
Miniature FX Supervisor: Derek Meddings
VFX Team Member: Steven Begg
Composer: Eric Serra
Trumpet Musician: Derek Watkins
Film Editor: Terry Rawlings ACE
Costume Designer: Lindy Hemming
3rd Assistant Director: Christian Moore
Cameras: Arriflex 35-III, 35-IIIC, Panaflex Gold, GII, Platinum & Panastar (35mm Eastman EXR 50D 5245/200T 5293/500T 5298)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Cooke Super Pana Zooms & Nikon Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 60 Million USD
Budget AFI (2020): 102 Million USD
Shot on: Eastman Motion Picture Film
Attribute: Filmed in Panavision

Director: Roger Spottiswoode
Cinematographer: Robert Elswit ASC
Production Designer: Allan Cameron
Stunt Coordinator/2nd Unit Director: Vic Armstrong
2nd Unit DoP: Jonathan Taylor ASC
Aerial Unit DoP: Adam Dale
Add'l Cinematographer: Eddie Collins
Underwater Unit DoP: Pete Romano ASC
Camera Operators: Martin Kenzie BSC, Tim Wooster
Production SFX Supervisor: Chris Corbould
Composer: David Arnold
Trumpet Musician: Derek Watkins
Film Editors: Michel Arcand, Dominique Fortin
1st Ass't Editor/Production VFX Editor: Andrew MacRitchie
Costume Designer: Lindy Hemming
Camera: Panaflex GII (35mm Eastman EXR 100T 5248/200T 5293/Kodak Vision 200T 5274/500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 110 Million USD
Budget AFI (2020): 177.5 Million USD
Shot on: Eastman/Kodak Motion Picture Film
Attribute: Filmed in Panavision

Director: Michael Apted
Associate Producer: Nigel Goldsack
Financial Controller: Andrew Noakes
Production Executive: David Pope
Key First Assistant Director: Gerry Gavigan
2nd Unit Key First Assistant Director: Terry Madden
Script Supervisor: Nikki Clapp
Sound Mixer: Chris Munro
Supervising Sound Editor: Martin Evans
A Camera Operator: David Worley
Unit Manager: Iris Rose
Production Supervisors: Philip Kohler, Janine Modder, Hugh Harlow
Location Production Managers: Terry Bamber, John Bernard, Tim Lewis, Ali Akdeniz, Yousaf Bokhari, Carlos Taillefer
Makeup Supervisor: Linda De Vetta
Hairdressing Supervisor: Colin Jamison
Electrical Supervisor: Kevin Day
Stills Photographer: Keith Hamshere
Publicity & Marketing: Anne Bennett
Supervising Art Director: Neil Lamont
Set Decorator: Simon Wakefield
Construction Coordinator: Peter G. Williams
Art Directors: Andrew Ackland-Snow, Steve Lawrence, Fred Hole, Simon Lamont, Mark Harris, Jim Morahan
Director of Photography: Adrian Biddle BSC
Director of Photography, 2nd Unit Photography: Jonathan Taylor ASC
Director of Photography, Miniature Photography: Paul Wilson BSC
Director of Photography, Underwater Photography: Tim Wooster
Directors of Photography, Additional Photography: Robin Vidgeon BSC, Martin Kenzie BSC, John Palmer
Directors of Photography, Additional Underwater Photography: Mike Valentine BSC, Pete Romano ASC
Director of Photography, Visual Effects: Stefan Lange
Aerial Unit Coordinator: Marc Wolff
Additional Unit Director & Photographer: Arthur Wooster BSC
Miniatures Supervisor: John Richardson
Production Visual Effects Supervisor: Mara Bryan
Casting Director: Debbie McWilliams
Main Title Designer: Daniel Kleinman
Production Special Effects Supervisor: Chris Corbould
Stunt Co-ordinator: Simon Crane
Second Unit Director: Vic Armstrong
Costume Designer: Lindy Hemming
Film Editor: Jim Clark
Production Designer: Peter Lamont
Composer/Music Producer: David Arnold
Composer, "James Bond Theme": Monty Norman
Writer, "The World is Not Enough": Don Black
Line Producer: Anthony Waye
Screenplay / Story Writers: Neal Purvis, Robert Wade
Screenplay Writers: Bruce Feirstein, Dana Stevens
Producers: Michael G. Wilson, Barbara Broccoli
U.S. Casting Directors: Linda Lowry, John Brace
Additional Casting Directors: Kate Dowd, Resa Kes
Stunt Supervisor: Sean McCabe
Stunts Performers: Gary Powell, Wade Eastwood, Mark Southworth, Mark Mottram, Mark Henson, Tom Struthers, David Cronnelly, Jo McLaren, Sarah Donahue, Andy Bennett, Paul Heasman, Marc Cass, Paul Herbert, Lee Sheward, Jamie Edgell
Stunt Skiers: Candice Gild, Francine Moreillon, Stephan Dan, Yan Andre
Powered Parachute Pilots: Tim Le Blanc, Julian Spencer, Allan Hewitt, John Bix, Pete McLaughlin
Powered Parachute Engineers: Tracey Wagner, Jack McCornack, Sharon Westcott
Location Consultants, KanZaman: Denise O'Dell, Mark Albela
Location Consultants, Silkway Entertainment: Michael Hoomani, Ali Hoomani
Location Unit Managers: Alex Sutherland, Gilles Castera, Trevor Ingman
Location Managers: Richard Sharkey, Russell Lodge, Javier Balaguer, David Boardman, Salva Yague, Simon Marsden, Joanna Beckett, Liz Roberts, Bahadir Atay
Key 2nd Assistant Directors: Paul Taylor, Keith Young, Geoff Dinben
Second Unit Second Assistant Director: Mark Layton
First Assistant Director: Jesus Delgado
Second Unit First Assistant Director: Julia Waye, Kieron Phipps
Second Assistant Director: Manuel Lopez Cañizarez
Third Assistant Director: Simon Emanuel, Elliott Meddings, Christopher Brosnan
Second Unit Third Assistant Director: Carlos Fidel, John West, Inma Cabrero, Marco Aguilar
Second Unit Additional Third Assistant Director: Alex Oakley
Production Coordinators: Elena Zokas, Paige Wingrove, Bi Benton, Patricia Reed-Douglas, Joyce Turner, Anna Cassima
Assistant Coordinator: Kate Garbett
2nd Unit Script Supervisor: Sharon Mansfield
MGM Representative: Marge Rowland
Development Executive: Simon Mathew
Dialogue Coach: Sandra Frieze
U.S. Contact: Michael Tavares
Crowd Casting Director: Ray Knight
Assistant to the Producers: Celia Irvin
Line Producer's Assistant: Chloë Barbier
Producers' Assistant: Judi Proctor
Mr Apted's Assistant: Polly Hope
Mr Armstrong's Assistant: Emily Johnson
Mr Brosnan's Assistant: Laura Pizzo
Production Secretaries: Catherine Sardella, Mayte Mendiri
Equipment Wrangler: Jeremy Pelzer
Production Assistant: Clare Black
Floor Runner: Nick Simmonds
Floor Runner/Second Unit Production Assistant: James Armstrong
Stand-ins: Dean Taylor, Emma Stokes
Production Runners: Nick Joscelyne, Gail Fisher, Kate Lewis
Stunts' Assistant: Aine Stacey
Casting Assistant: Millie Chadbon
Mr Brosnan's Trainer: Simon Waterson
Location Accountants: Douglas Noakes, Jo Pond, Fenella Maguire, Anamarie Gonzaga, Carlos Ayesa
Cast Accountant: Jill Ryan
1st Assistant Accountant: Sarah Trowse
B Camera Operators: Peter Field, Gary Spratling ACO
Second Unit A Camera Operator: Mike Frift
Second Unit B Camera Operator: Martin Hume
A Camera Focus: Adam Biddle, Ashley Bond, Nigel Permane
B Camera Focus: Robert Binnall, Sean Connor, John Kairis
C Camera Focus: Frank Elliott, John Gamble ACO
Second Unit A Camera Focus: Mike Evans, Kenny Groom
Underwater Unit Camera Focus: Jason Wrenn
Aerial Unit Camera Focus: James Swanson
A Camera Loaders: Robert Palmer, Ben Perry
B Camera Loaders: Jim Apted, Sam Barnes
Second Unit A Camera Loaders: Marc Atherfold, Nigel Seal, Paul Wheeldon
Second Unit B Camera Loader: Simon Heck
Video Playback Operators: Stephen Lee, Scott Holland
2nd Unit Sound Mixer: Ian Munro
Boom Operators: Andrew Griffiths, Tim Worth
Sound Maintenance: Jim McBride
Assistant Art Directors: Peter Francis, Dominic Masters
Storyboard Artists: Martin Asbury, Temple Clark, John Greaves
Concept Illustrators: Dominic Lavery, Robert Cowper
Graphic Designer: Carol Kupisz
Art Department Coordinator: Katie Gabriel
Draughtsmen: Stephen Bream, Peter Dorme, James Hambidge, Patsy Johnson, Steve Morahan, Mike Bishop
Buyer: Ron Quelch
Assistant Buyer: Katrina Duce
Researcher: Celia Barnett
Additional Set Decorators: Richard Roberts, Sharon Cartwright
Art Department Assistants: Mark Bartholomew, Alex Smith, Jessie Hepple
Visual Effects & First Assistant Editor: Andrew MacRitchie
First Assistant Editor: Simon Cozens
Avid First Assistant Editor: Mark Sanger ACE
Avid Second Assistant Editor: Tania Clarke
Second Assistant Editors: Paul Apted, Marianne Jenkins
Third Assistant Editors: Sophie Sorenson, Rus Ekkel
Dialogue Editor: John Cochrane
ADR Editor: John Ireland
Foley Editor: Peter Holt
Effects Editors: Peter Bond, Andy Kennedy
Music Editor: Dina Eaton
Associate Music Editor: Dominic Gibbs
Assistant Sound Editors: Piers Lawrence, Robert Ireland, Alastair Sirkett
Post Production Supervisors: Michael Solinger, Jatinderpal Choman
Assistant Construction Coordinator: Paul Hayes
Construction Buyer: Gary Hymes
Construction Assistant: Sarah Robinson
Special Effects Floor Supervisors: Steve Hamilton, Andy Williams
Workshop Supervisors, Special Effects: Nick Finlayson, Paul Knowles, Roy Quinn
Senior Special Effects Technicians: Ian Biggs, Richard Brown, Paul Clancy, Pascal Declero, Dave Eltham, David Eves, John Holmes, Dave Knowles, Steven Lewis, Stephen Lloyd, James Machin, Peter Notley, Steve Onions, Andy Smith, Richard Todd, John Vanderpool, Brian Warner, Leslie Wheeler, Tim Willis
Wire Effects Supervisor: Stephen Crawley
Stunt Wire Rigger: Kevin Welch
Buyer/Administrator, Special Effects: Lynne Corbould
Special Effects Crew: Bruce Armstrong, John Arnett, Keith Arnold, Ron Cartwright, Michael Fox, Steve Hutchinson, Dave Keen, Steve Knowles, James Lee, Ian Lowe, Ian Mitchell, Luke Murphy, Tom Murtagh, Jason Reed, Anthony Richards, Stuart Robinson, Andy Warner, Ian Whittaker, Brian Cole, Simon Donaldson, Nick Bonathan, Jeff Knight, Andy Simm
Model Unit Art Director Supervisor: Michael Lamont
Model Unit Art Director: Mike Boone
Model Unit Art Department Assistant: Alexandra Walker
Model Unit Coordinator: Ronese Richardson
Model Unit Dive Supervisor/Stunt Double, Bahamas: Gavin McKinney
Model Unit Workshop Supervisor: Nigel Brackley
Model Unit Effects Floor Supervisor: Digby Milner
Model Unit Senior Technicians: Paul Stephenson, Peter Aston, Nigel Blake, William Dawson, Gregory Morgan, Nigel Nixon, Brian Smithies, Richard Thompson, Paul Whybrow
Model Unit Technicians & Engineers: Anthony Phelan, Matthew Harlow, Marcus Richardson, Peter Seymour-Howell
Model Unit Sculptors: Fred Evans, Bryn Court, John Blakeley
Model Unit Supervising Greenery: Tracey Curtis
Senior Vice-President of Marketing: John Parkinson
Publicity Manager: Amanda Schofield
Marketing Manager: Meg Simmonds
Unit Publicist: Geoff Freeman
2nd Unit Stills Photographer: Jay Maidment
Stills Coordinator: Sarah Horsell
Publicity Assistant: Patricia O'Reilly
Assistant, Stills: Milica Kastner
Costume Designer's Assistants: David Crossman, Jacqueline Durran
Wardrobe Masters: Dan Grace, Colin Wilson, David Croucher
Makeup: Jane Royle
2nd Unit Makeup: Rebecca Lafford
2nd Unit Makeup/Hair: Barry Richardson
Hairdresser: Jan Jamison
2nd Unit Hair: Hilary Haines
Mr Brosnan's Makeup: Bron Roylance
Mr Brosnan's Hairdresser: Rick Provenzano
Supervising Dressing Props: Jamie Wilkinson
Chargehand Standby Props: diamond Wilkinson
Prop Stores: Derek Creedon
Electrical Gaffers: Mike Chambers, Ray Potter, Brandon Evans, William Pochetty, George Vince, Bernie Prentice, Gary Colkett
Visual Effects Producer: Sharon Lark
Cinesite (Europe) Digital Effects Producer: Alex Bicknell
Cinesite (Europe) Compositor Supervisor: John Lockwood
Cinesite (Europe) Coordinator: Clare Norman
Cinesite (Europe) Paint Leads: Keith Devlin, Alex Smith
Cinesite (Europe) 2D Lead Compositors: Lisa Moore, David Williams
Cinesite (Europe) 2D Compositors: Chris Gibbons, David Man
Cinesite (Europe) 3D Animation: Sheila Dunn, Hayden Jones
Cinesite (Europe) Digital Imaging: John Benn, Pete Williams, Roland Watson
MPC Head of Production: Michael Elson
MPC Senior Producer: James Lamb
MPC Line Producer: Kristin Emblem
MPC Software Development: Jonathan Stroud
MPC Senior Compositors: Tom Wood, Ed Hawkins, Paul Conway
MPC Compositors: Gregory Salter, Jelena Stojanovic, Simon Terry, Gavin Digby
MPC Animation Supervisor: Nigel Hardwidge
MPC Animators: Chas Jarrett, Richard Morris, Jake Mengers
MCC Supervisor: Angus Cameron
MCC Producer: Angie Wills
MCC Film Controller: Andrew Jeffery
MCC Film Scanner: John Grant
MCC 2D Leads: Helen Ball, Robin Huffer, Ed Plant, Chris Harding, Sean Danischevsky, Richard Little
MCC 3D Supervisor: Gary Coulter
MCC 3D Animation: Ian Anderson, Carolyn Garrett, Royston Wolcox
Main Titles Producer, Spectre Vision: David Botterell
Negative Cutting: Sylvia Wheeler
DDA Safety Consultants: Cyril Gibbons, Jake Edmonds
Dive Coordinator: Dave Shaw
Dive Supervisor: Peter McClue
Mountain Safety Guide: Denis Ducroz
Helicopter Rescue Pilot: Pascal Brun
Aerial Unit Safety: Mike Woodley
Transport Coordinator: Tony Bradley
BMW Technical Assistance: Werner Kleeberger, Stefan Fitterer
Action Vehicle Coordinator: Darren Litten
Bond's Boat Engineer: Doug Riddle
Supervising Modeller, Action Boats: Peter Bohanna
Chief Sculptor, Action Boats: Pierre Bohanna
Marine Coordinators, Action Boats: Chris Livett, Chas Newens
Sunseeker Driver, Action Boats: Jamie Baker
Aerial Unit Helicopter Pilots: Francis Coz, Bernard Seguy, Jean Yves Le Caijne
Aerial Unit Aircraft Pilots: Eric Nicholas, Jeff Ronzevalle, Mark Vella Tomlin, Joseph Aguilina
Aerial Unit Camera Helicopter Pilot: David Arkell
Aerial Unit Flying-Cam Pilot: Emmanuel Previnaire
Aerial Unit Safety Engineers: Tom Clode, Steve North
Aerial Unit A Camera Operator: John Marzano
Aerial Unit B Camera Operator: Simon Werry
Aerial Unit C Camera Operator: Dave Arnold
Aerial Unit Balloon Pilots: Simon Askey, Sue Cardin, Alan Jones
Aerial Unit Balloon Coordinator: Caroline Coward
Ski Photography Consultant: Stefan Zürcher
Ski Rig Assistant: Ernst Michel
Ski A Camera Operator: Jean-Pierre Bassin
Ski B Camera Operator: Dan Ferrer
Foley Mixer, Shepperton Studios: Ed Colyer
Orchestrator & Conductor: Nicholas Dodd
Programming: Steve Hilton
Score Recordist & Mixer: Geoff Foster
Music Assistant: Greg Wilson
Trumpet: Derek Watkins
LDI Producer: Liza Diott
LDI Project Manager: Andrea Avila
LDI Video Masters: Alexis Ross
LDI Damage Artists: Patrick Almanza, Anthony DiMatteo, Nicholas A. Herr, Dylan Hucklesby, Sean G. Jamieson, Bruce Peecher Jr, Aurelio Vera Jr, Martina Wilson
Filming Dates: 17 January 1999 - June 1999
Cameras: PanArri 435 & Panaflex Gold (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 500T 5279/800T 5289)
Lenses: Panavision® C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 135 Million USD
Budget AFI (2020): 209.9 Million USD
Crowd Casting by: 20-20 & Osca
Edited on AVID Supplied by: Edit Hire
Weapons Supplied by: Baptys
Electrical Equipment Supplied by: AFM Lighting
Visual Effects & Main Title Digital Effects by: Cinesite (Europe), Moving Picture Company, Magic Camera Company + Smoke & Mirrors
Main Titles Produced By: Spectre Vision
Opticals by: General Screen Enterprises
Videographics by: Useful Companies
Post Production Script By: SAPEX Scripts, London
Fire & Safety by: David Deane Associates
Colour by: Deluxe
Cameras & Lenses Supplied by: Panavision UK
Originated on Motion Picture Film from: Kodak Motion Picture Film
Sound Re-Recorded/Made at: Pinewood Studios, London, England
Foley Mixing by: Shepperton Studios
Score Recorded & Mixed at: Air Studios London
Soundtrack Album Available on: Radioactive Records/MCA Records
Made on Location in: France, Spain, Turkey, Azerbaijan, The Bahamas, London & at the Millennium Dome at Greenwich
2006 Pristine Digital Restoration by: Lowry Digital Images
Attribute: Filmed in Panavision®

Director: Lee Tamahori
Financial Controller: Andrew Noakes
Production Executive: David Pope
Key First Assistant Director: Gerry Gavigan
Second Unit Key First Assistant Director: Terry Madden
Script Supervisor: Anna Worley
Sound Mixer: Chris Munro
Supervising Sound Editor: Martin Evans
A Camera Operator: Peter Robertson
Post Production Supervisor: Michael Solinger
Unit Manager: Iris Rose
Production Supervisor: Janine Modder
Location Production Supervisors: Philip Kohler, Mark Albera, Chris Brock
Location Consultant, On Location Services / Location Production Supervisor: Glenn Beadles
Production Managers: Terry Bamber, Tim Lewes
Publicity & Marketing: Anne Bennett
Makeup Supervisor: Paul Engelen
Hairdressing Supervisor: Colin Jamison
Wardrobe Supervisor: Graham Churchyard
Stills Photographer: Keith Hamshere
Supervising Art Director: Simon Lamont
Set Director: Simon Wakefield
Construction Manager: Paul Hayes
Prop Master: Ty Tieger
Electrical Supervisor: Eddie Knight
Art Directors: Mark Harris, James Hambidge, Fred Hole, Jim Morahan, Stephen Scott, Alan Tomkins
Director of Photography: David Tattersall BSC
Director of Photography, Second Unit Photography: Jonathan Taylor ASC
Director of Photography, Model Unit Photography: Paul Wilson BSC
Director of Photography, Aerial Photography: John Marzano
Director of Photography, Underwater Photography: Mike Valentine BSC
Director of Photography, VFX: Stefan Lange
Additional Unit Directors & Photographers: Shaun O'Dell, Arthur Wooster BSC, Don King
Production Model Effects Supervisor: John Richardson
Production Visual Effects Supervisor: Mara Bryan
Casting Director: Debbie McWilliams
Main Title Designer: Daniel Kleinman
Production Special Effects Supervisor: Chris Corbould
Co Stunt Coordinator: George A. Aguilar
Second Unit Director / Stunt Coordinator: Vic Armstrong
Costume Designer: Lindy Hemming
Film Editor: Christian Wagner
Production Designer: Peter Lamont
Composer: David Arnold
Composer, "James Bond Theme": Monty Norman
Performer, "Die Another Day": Madonna
Co Producer: Callum McDougall
Executive Producer: Anthony Waye
Writers: Neal Purvis, Robert Wade
Producers: Michael G. Wilson, Barbara Broccoli
Casting Directors, U.S. Casting Services: Jane Jenkins CSA, Janet Hirshenson CSA
Stunt Supervisor: Mark (Franklin) Henson
Stunt Performers: Mark Mottram, Amanda Foster, Nikki Berwick, Ben Bellman, Maurice Lee, Vincent Wong, Richard Wu, Ray De Haan, George Cottle
Sword Master: Bob Anderson
Fencing Doubles & Armourers: Steve Paul, Jonathan Weekes, Johanna Maynard, Ben Paul, Tom Froud
Stunt Coordinator & Specialist Surfer: Laird Hamilton
Specialist Surfers: Dave Kalama, Darrick Doerner
Talent Coordinator: Jane Kachmer
Parachute Coordinator: Allan Hewitt
Location Consultant, KanZaman: Denise O'Dell
Location Consultant, Saga Film Productions: Jon Thor Hannesson
Location Consultant, October Pictures: Chu Chen On
Location Managers: Simon Marsden, Felix Rosell, Joel Cockrill
Key Second Assistant Directors: Paul Taylor, Keith Young, Toby Hefferman
Location Assistants: Lee Robertson, Harry Ponsonby, Tom Stourton
First Assistant Director: Jose Maria Sinde
Second Assistant Directors: Adrian Tonyton, Kate Newport
Second Unit First Assistant Director: Julia Waye
Third Assistant Directors: Ben Burt, James Armstrong
Second Unit Third Assistant Directors: Terence Madden, Jo Schotting
Co Third Assistant Director: Emma Stokes
Production Coordinators: Kate Garbett, Virginia Murray, Judy Britten, Elena Zokas, Bi Benton, Margarita McDermott
Dialogue Coach: Andrew Jack
Second Unit Script Supervisor: Sharon Mansfield
Stunt Department Coordinator: Aine Henson
Development Executive: Gregg Wilson
Assistant to the Producers: Emma Donovan
Mr Tamahori's Assistant: Sasha Turjak
Mr Brosnan's Assistant: Nicola Conlon
U.S. Contact: Michael Tavares
Executive Producer's Assistants: Allison Odell, Cate Arbied
Crowd Casting Director, Oriental Casting: Joon H. Kim
Crowd Casting Director, CBA: Ray Knight
Spanish Casting Director: Camilla-Valentine Isola
Casting Assistant: Millie Chadbon
Mr Brosnan's Trainer: Michael Bell
Equipment Coordinator: Jess Lewington
Additional Script Supervisors: Zoë Morgan Louise Wade
Production Assistant: Alex Klien
Runners: Jonny Benson, Matt Cooke, Anna Skrein, Kelly Spearman
Continuity FT2: Natalie Lovatt
Standins: Dean Taylor, Monique Johnson
Location Production Assistants: Douglas Noakes, Linda Bowen, Carlos Ayesa
B Camera Operators: Peter Field, Gary Spratling ACO
Second Unit A Camera Operator: Tim Wooster
Additional Unit A Camera Operator: Richard Tindall
Additional Unit B Camera Operator: Michael Graber
Underwater Unit A Camera Operator: Sonny Miller
A Camera Focus: Carlos De Carvalho
B Camera Focus: Rawdon Hayne
C Camera Focus: John Gamble ACO
Second Unit B Camera Focus: Sean Connor, Simon Heck, Brad Larner
Second Unit C Camera Focus: Chas Bain
Underwater Unit A Camera Focus: David Homcey
Underwater Unit B Camera Focus: Jai Mansson, Mike Weisbrod
Underwater Unit C Camera Focus: Phil Nordblum
A Camera Loader: Jennie Paddon
B Camera Loader: Shaun Cobley
Second Unit A Camera Loaders: Spencer Murray, Marc Atherfold, Alan Hall
Second Unit B Camera Loaders: Dean Morrish, Paul Wheeldon
Additional Unit A Camera Loaders: Peter O'Connor, Miles Proudfoot, Basil Smith
Video Playback Operators: Stephen Lee, Kevin Brookner, Richard Copeman, Trevor Cairns
Second Unit Sound Mixer: Ian Munro
Effects Sound Mixer: Andrew Griffiths
Sound Maintenance: Jim McBride, Paul Munro
Second Film Editor: Andrew MacRitchie
Production Visual Effects Editor: Mark Sanger ACE
Avid First Assistant Editor: Tania Clarke
Avid Second Assistant Editor: James Herbert
Film First Assistant Editor: Kevin Holt
Film Second Assistant Editors: Jo-Anne Dixon, Deborah Richardson
First Assistant Visual Effects Editor: Geraint Richards
Second Assistant Visual Effects Editor: Billy Campbell
Visual Effects Editors Assistant: Alex Fenn
Sound Effects Editors: David Evans, Dominic Gibbs, Michael Crouch
Dialogue Editor: John Cochrane
ADR Editor: Daniel Laurie
Foley Editors: Peter Holt, Robin Quinn
Music Editor: Dina Eaton
Assistant Sound Editor: Paul Apted
Assistant Music Editor: Samantha Southwick
Standby Art Directors: Susan Whitaker, Rob Cowper
Concept Artists: Ravi Bansal, Dominic Lavery
Decor & Lettering Artists: Katie Gabriel, Emily Johnson
Translite Photographer: Alan White
Assistant Art Director: Paul Kirby
Film Stylist: Martin Asbury
Graphic Design: Carol Kupisz
Storyboard Artist: Tracey Wilson
Scenic Artist: Dave Packard
Draughtsman: Edward Ambrose, Rosie Hardwick, Stuart Kearns, Jason Knox-Johnston, Stephanie Morahan
Junior Draughtsmen: Alice Biddle, Martin Foley, Alex Smith
Additional Set Decorators: Richard Roberts, Ute Bergk
Buyer: Mike King
Assistant Buyer: Katrina Duce
Mr Brosnan's Make-up: Bron Roylance
Ms Berry's Make-up: Mary Burton
Mr Brosnan's Hairdresser: Rick Provenzano
Ms Berry's Hairdresser: Sterfon Demings
Costume Design Assignments: Andrea Cripps, Jacqueline Durran, Guy Speranza
Costume Coordinator: Martin Mandeville
Costume Assistants: Gabriella Loria, Debbie Scott
Assistant Construction Manager: Peter G. Williams
Construction Buyer: Garry Hayes
Construction Coordinator: Nikola Short
Special Effects Floor Supervisors: Steve Hamilton, Peter Notley
Workshop Supervisors, Special Effects: Nick Finlayson, Paul Knowles, Roy Quinn, Andy Smith
Senior Special Effects Technicians: Ian Biggs, Richard Brown, Paul Clancy, Michael Dunleavy, Ian Corbould, Paul Corbould, Dave Eltham, Peter Fern, Kevin Herd, John Holmes, Peter Hutchinson, Steve Hutchinson, Dave Keen, Ian Lowe, Tom Murtagh, Martin Neill, Richard Todd, John Van Der Pool, Brian Warner, Les Wheeler, Tim Willis, Lee Winter
Wire Effects Supervisor: Steve Crawley
Buyer/Administrator, Special Effects: Lynne Corbould
Model Unit Art Director Supervisor: Michael Lamont
Model Unit Art Director: Ken Court
Model Unit Workshop Supervisor: Robbie Scott
Model Unit Buyer: Norman Baillie
Model Unit Effects Floor Supervisor: John Evans
Model Unit Motion Control Supervisor (Cinesite Europe): Mile Talarico
Model Unit Motion Control Operators: Ian Menzies, Ben Goldschmeid
Model Unit Senior Special Effects Technicians: Nik Cooper, Jason MacCameron, Tim Mitchell, Roger Nichols, Ron Hone
Model Unit Effects Animatronic Designers & Engineers: Dave Miller, Melvin Pearson, Matt Veale
Model Unit Senior Modelers: Nigel Blake, Greg Morgan, Brian Smithies
Model Unit Model Construction Supervisors: Steve Brown, Keith Dyett, Graham Pearce, Paul Garbett
Aerial Unit Coordinator: Mike Woodley
Helicopter Pilot/Advisor, Aerial Units: Marc Wolff
Wescam Assistant, Aerial Units: J. Glyn Williams
Flying-Cam® Operator, Aerial Units: Phillipe Piron
Flying-Cam® Pilot, Aerial Units: Bruno Ziegler
Hovercraft Pilots, Aerial Units: John Gifford, Robert Trussler
Engineer, Aerial Units: Damian Sidnell
Helicopter Pilots, Aerial Units: Don Shearer, Simon Oliphant-Hope, Peter Barnes, Peter Hall
Diving Supervisor: Peter McClue
Dive Coordinator: Dave Shaw
Lead Diver: Guy Drayton
Assistant Prop Master: Martin Kingsley
Prop Making Supervising Modeller: Oliver Hodge
Prop Making Senior Modellers - Ice Furniture: Steve Deahl, Paul Knight
Prop Making Buyer: Jemima Prest
Swords: Richard Hooper
Electrical Gaffers: Steve Costello, Ronnie Phillips, Will Pochetty, Terry Montague
Supervising Electrical Rigger: Clive (Titch) Goble
Visual Effects Producer: Sharon Lark
Production VFX Coordinator: James Lamb
VFX Computer/Video Supervisor: Chris McBride
Visual Effects Videographic Senior Designer: Mark Bowey
Visual Effects Videographic Designers: Alec East, Rob Rae, Lauri Vassinen
Visual Effects Video Technicians: Peter Jones, Jeremy Engler, Tom Crawford
Cinesite (Europe) VFX Producer: Alex Bicknell
Cinesite (Europe) Line Producer: Ken Dailey
Cinesite (Europe) Ice Wave Supervisors: Dottie Starling, David Rey
Cinesite (Europe) Coordinators: Martin Gabriel, Paul Ladd
Cinesite (Europe) Head of 3D: Steve Street
Cinesite (Europe) 3D Leads: Douglas Harsch, Jon Neill
Cinesite (Europe) 3D Animators: Gavin Graham, Michael Grobe
Cinesite (Europe) 2D Lead Compositors: Keith Devlin, Sue Rowe, Chris Lance, Simon Haslett, Michael Harbour, Adam Gascoyne
Cinesite (Europe) 2D Compositors: Mark Richardson, David Sewell
Cinesite (Europe) Scanning & Recording: John Benn, Simon Hughes, Susannah O'Riordan, Stuart Pearson
Cinesite (Europe) Research & Development: Jeremy Hall, Peter Vesley, Andy Whittock
Cinesite (Europe) Production Manager: Noreen Irwin
Cinesite (Europe) Production Support: Iain Irvin-Powell, Rebecca Sammut, James Etherington
Cinesite (Hollywood) Digital Effects Supervisor: David Lingenfelser
Cinesite (Hollywood) Digital Compositor: Serena Namarone
Cinesite (Hollywood) VFX Producer: Karl Rumpf
Cinesite (Hollywood) Digital Mastering Colourist: Jill Bogdanowicz ASC
DNEG Digital Supervisor: Richard Bain
DNEG Technical Supervisor: Martin Hill
DNEG 3D Supervisor: Matthias Lindahl
DNEG VFX Producer: Matthew Plummer
DNEG Digital Compositors: Jeremy Hattingh, Jody Johnson, Alice Mitchell, Tom Rolfe, Ciaran Crowley
DNEG 3D Animators: Alex Wuttke, Graham Jack, Becky Waters, Ina Hurst, Jenny Strand, Hege Berg
DNEG Head of 3D: Paul J. Franklin
MPC VFX Producer: Stefan Drury
MPC Lead Compositors: Paul Bayliss, Doug Larmour
MPC 3D Animator: Sylvain Delaine
Framestore CFC Executive Producer: Drew Jones
Framestore CFC VFX Supervisors: Pedro Sabrosa, Tom Debenham
Framestore CFC VFX Producer: Tim Keene
Framestore CFC Compositing Leads: Paul Norris, John Sharpe, Victor Wade, Scott Marriott
Framestore CFC VFX Editorial: Boz Lowrie
Framestore CFC VFX Coordinator: Charles Howell
Framestore CFC Digital Lab - Producer: Jan Hogevold
Framestore CFC Supervisor: Alisdair McCuish
Framestore CFC Colourist: Adam Glasman
Unit Publicist: Geoff Freeman
Second Unit Publicist: Geraldine Moloney
Eon Publicity Manager: Katherine McCormack
Second Unit Stills Photographer: Jay Maidment
Stills Coordinator: Sarah Horsell
Publicity Runner: Samantha Langton
Main Titles Producer, Spectre: Johnnie Frankel
End Title Design: Pauline Hume
Health & Safety Consultant: David Deane
Action Vehicle Coordinator: Darren Litten
Transport Coordinator: Tony Bradley
Facility Vehicle Coordinator: Albert Smith
Premier Caterers Supervisor: Peter Titterrell
Premier Caterers Additional Catering: Rafael Hosteleria
Unit Manager, Iceland Unit: Leifur B. Dagfinnsson
Iceland Unit Production Contact: Helga Reykdal
Iceland Unit Location Manager: Arni Paul Hansson
Iceland Unit Facility Manager: Jon Gardarson
Iceland Unit Assistant Location Manager: Tomas Tomasson
Iceland Unit Production Assistant: Gagga Jonsdottir
Iceland Unit Location Production Assistant: Silja Hauksdottir
Iceland Unit Assistant Accountant: Gudmunder Petursson
Iceland Unit Assistant Art Director: Gunnar Palsson
Iceland Unit Assistant SFX Floor Supervisor: Eggert Ketilsson
Iceland Unit Helicopter Pilot: Jon K. Bjornsson
Iceland Unit Stunt Drivers: Valdimar Johannsson, Alexander Karason
Iceland Unit Transport Captain: Beggi Helgason
Iceland Unit Safety Consultants: David Rootes, Bjorn Ingi Jónasson
Product Placement: Keith Snelgrove, David Wilson
Coordinators, Product Placement: Sarah Robinson, Paige Chaytor
Panavision® London Assistant Managing Director: Hugh Whittaker
Sound Re-Recording Mixers: John Hayward, Graham V. Hartstone Richard Pryke, Ric Le Messurier
Foley Mixer, Shepperton Studios: Ed Colyer
Score Orchestrator & Conductor: Nicholas Dodd
Programming: Stephen Hilton, Rob Playford
Score Recordist & Mixer: Geoff Foster
Orchestra Contractor: Isobel Griffiths
Trumpet: Derek Watkins
LDI Producer: Liza Diott
LDI Project Manager: Alexis Ross
LDI Video Masters: Andrea Avila
LDI Damage Artists: Rachael J. Clement, Destry Dorro, Donna Dubuc-Curtis, Eric Francisco, Bridgid I. O'Donnell, Bruce Peecher Jr, Aurelio Vera Jr, Daniel Wolfe
Filming Dates: 14 January 2002 - July 2002
Cameras: Arriflex 435, Panaflex XL & Millennium (35mm Kodak Vision 320T 5277)
Lenses: Panavision® Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Helicopter Shots)
Budget: 142-145 Million USD
Budget AFI (2022): 220-224.7 Million USD
Printed on: Kodak Vision 2383
Parachute Stunts by: "Team X" British National Parachute Team
Crowd Casting by: Oriental Casting & CBA Representaciones
Edited on AVID Supplied by: Edit Hire
Non Linear Support by: Root 6 Limited
MD600 & MD900 Helicopters by: Eastern Atlantic Helicopters
Aerial Coordination by: Flying Pictures
Parachutes by: Skyscience
Switchblades by: Kinetic Aerospace, Griffon Hovercraft & Osprey Hovercraft
Weapons Supplied by: Bapty
Electrical Equipment Supplied by: AFM Lighting
Main Titles, Visual Effects & Digital Effects Produced by: Cinesite (Europe), Cinesite (Hollywood), Double Negative, Moving Picture Company, Framestore CFC, Mill Film & Spectre
Additional Videographics by: AVC Productions
Map Data Provided by: Hong Kong Sar Government
Opticals by: General Screen Enterprises
Post Production Script By: SAPEX Scripts
Location Security by: The Movie Lot
Catering by: Premier Caterers
Colour by: Deluxe
Shot on: Kodak Motion Picture Film
Sound Re-Recorded at/Made at: Pinewood Studios, London, England
Foley Mixing by: Shepperton Studios
Score Recorded & Mixed at: Air Studios, London
Soundtrack Album Available on: Warner Bros. Records
Made on Location in: Spain, Iceland, Maui & Norway
2006 Pristine Digital Restoration by: Lowry Digital Images
Attribute: Filmed in Panavision®

Director: Martin Campbell
Free Running Stunts: Sébastien Foucan
Associate Producer / Financial Controller: Andrew Noakes
Production Executive: David Pope
A Camera Operator: Roger Pearce
Second Unit First Assistant Director: Terry Madden
Script Supervisor: Jean Bourne
Publicity and Marketing: Anne Bennett
Promotions: Keith Snelgrove
Assistant Producer: David G. Wilson
Sound Recordist: Chris Munro
Electrical Supervisor: Eddie Knight
Stills Photographer: Jay Maidment
Makeup Supervisor: Paul Engelen
Hairdressing Supervisor: Christine Blundell
Wardrobe Supervisor: Dan Grace
Visual Effects and Miniature Supervisor: Steven Begg
Supervising Art Director: Simon Lamont
Prop Master: Ty Teiger
Construction Manager: Stephen Bohan
Post Production Supervisor: Michael Solinger
Unit Production Manager: Jeremy Johns
Second Unit Production Manager: Terry Bamber
First Assistant Director: Bruce Moriarty
Casting Director: Debbie McWilliams
Stunt Coordinator: Gary Powell
Special Effects and Miniature Effects Supervisor: Chris Corbould
Main Title Designer: Daniel Kleinman
Second Unit Director/Director Of Photography: Alexander Witt ASC
Costume Designer: Lindy Hemming
Film Editor: Stuart Baird ACE
Director of Photography: Phil Méheux BSC
Director of Photography, Venice Plates: Peter Field
Director of Photography, Aerial Photography: John Marzano
Director of Photography, Underwater Photography: Mike Valentine BSC
Director of Photography, Additional Animal Photography: Warwick Sloss
Production Designer: Peter Lamont
Composer / Soundtrack Producer: David Arnold
Composer, "The James Bond Theme": Monty Norman
Performer, Writer & Producer, "You Know My Name": Chris Cornell
Executive Producers: Anthony Waye, Callum McDougall
Screenplay Writers: Neal Purvis, Robert Wade, Paul Haggis
Producers: Michael G. Wilson, Barbara Broccoli
Assistant Stunt Coordinator: Markos Rounthwaite
Stunt Coordinator's Assistant: Nicola Short
Stunts: Ben Cooke, Nikki Berwick, Adam Kirley, Kai Martin, Marvin Stewart-Campbell, Glenn Foster, Lee Morrison, Diz Sharpe, Rowley Irlam, John Kerr, Kier Beck, Curtis Rowland Small, Maurice Lee
UK Production Manager: Janine Modder
Location Production Manager: Chris Brock
Second Assistant Directors: Toby Hefferman, Ben Dixon, Terence P. Madden
Location / Unit Managers: Alex Gladstone, Robin Higgs, Jo Beckett, Steven Harvey, Chris Cussen, David Boardman, Linzi Baltrunas, Eddie Folcarelli, Gavin Milligan, Russell Lodge, Joan Carroll
Production Coordinators: Mona Benjamin , Judy Britton, Siobhan Lyons, Lulu Morgan, Paige Chaytor
Assistants: Usha Chaman, Kelly Taylor-Dias, Arabella Gilbert
Executive Assistant to the Producers: Emma Reynolds
Executive Producers' Assistants: David Lobatto, Catrin Cooper, Lucie Ryan
Assistant to Mr. Campbell: Katy Farzanrad
Assistant to Mr. Witt: Heather Banta
Dialogue Coach to Eva Green: Roisin Carty
Dialogue Coach: Sandra Frieze
Mr. Craig's Trainer: Simon Waterson
Assistant to Mr. Craig: Veronika Hladíkova
Second Unit Script Supervisors: Lori Wyant, Minta Townshend
Crowd Second Assistant Director: Michael Michael
Third Assistant Director: Paul Sacks
Second Unit Third Assistant Directors: Bryn Lawrence, Andy Madden
Casting Associate: Reg Poerscout-Edgerton
U S. Casting Services: Jane Jenkins CSA, Janet Hirshenson CSA
Additional Casting Director, Italy: Beatrice Kruger
Additional Casting Director, France: Stephane Foenkinos
Additional Casting Director, Germany: Annette Borgmann
Additional Casting Director, Spain: Camilla Valentine Isola
Extras Casting Directors: Ann Koska, Sally King, Heather Carey
Stand-ins: Brendan Lundeen, Jason Norwood
Poker Adviser: Thomas Sambrook
Executive Accountant: John Roebuck
Location Production Accountant: Douglas Noakes
Accounts Coordinator: Christine Brisley
Accounts Assistant: Natalie Edwards
B Camera Operator: Rodrigo Gutierrez ACO
Second Unit A Camera Operator: Clive Jackson
Additional Unit Camera Operator: Roberto Contreras
Camera Operator, Additional Second Unit: Robert Steadman
A Camera Focus: Leigh Gold
Second Unit A Camera Focus: Basil Smith
Second Unit B Camera Focus: Keith McNamara, Robert Palmer
A Camera Loader: Sacha Jones
B Camera Loaders: Sam Barnes, Ed Jones
Clapper Loaders: Stephen 'Wee Wee' Andrews, Ross McNamara
Central Loader: Sarah Woodward
Second Unit B Camera Loader: Charlie Herranz
Video Playback: John Bowman, Andy Shields, David Toft
Video Assist: Neal Law, Dominic Rau
Second Unit Sound Mixer: Ian Munro
Boom Operators: Steve Finn, Paul Munro
Sound Maintenance: Jim McBride
First Assistant Editor: Kate Baird
Production Visual Effects Editor: Billy Campbell
Second Assistant Editors: Jo-Anne Dixon, Gregg Wilson, Mark Burton
First Assistant Visual Effects Editor: Laura Jennings
Supervising Sound Editor: Eddy Joseph
Overall Re-Recording Mixer: Mike Prestwood Smith
Sound Designer: Martin Cantwell
Re-Recording Mixer: Mark Taylor
Dialogue Editor: Simon Chase
ADR Editor: Colin Ritchie
Foley Editor: Alex Joseph
Sound Editorial: Carol Jones
Foley Mixer: Nigel Heath
ADR Mixer: Peter Gleaves
Voice Casting Directors: Brendan Donnison, Vanessa Baker
Supervising Music Editor: Dina Eaton
Music Editor: Dominic Gibbs
First Assistant Music Editor: Robin Whittaker
Music Recordist & Mixer: Geoff Foster
Orchestrator & Conductor: Nicholas Dodd
Programming: Rob Playford
Music Preparation: Jill Streeter
Ethnic Percussion: Peter Lockett
Orchestra Contractor: Isobel Griffiths
Trumpet: Derek Watkins
Post-Production Coordinator: Joylon Haverson
Main Titles Producer, Rattling Stick: Johnnie Frankel
End Titles Design: Pauline Hume
Art Directors: Dominic Masters, Fred Hole, Peter Francis, Steven Lawrence, Alan Tomkins
Art Department Storyboard Artist: Martin Asbury
Assistant Art Directors: Guy Bradley, Neal Callow
Art/Product Placement Coordinator: Sarah Robinson
Art Department Conceptual Artist: Julian Caldow
Art Department Scenic Artist: David Packard
Art Department Decor & Lettering Artist: Julian Walker
Assistant Costume Designers: Maria Tortu, Gabriella Loria
Bond's Costumer: Mark Sutherland
2nd Unit Wardrobe Master: Brendan Handscombe
Set PA's: Hannah Brown, Joe Barlow, Stella Ampatzi, Eileen Yip, Emilie Bauer, Darren O'Connell, Emily Hobbs
Production Runner: Jon Roper
Editing Trainee: Jake Cook
Miniature Unit Art Director Supervisor: James Hambidge
Miniature Unit Art Director: Michael Lamont
Miniature Unit First Assistant Director: Mark Harrison
Miniature Unit Set Decorator: Molly Sole
Miniature Unit Script Supervisor: Laura Miles
Miniature Unit Floor Runner: Tania Gordon
Miniature Unit Senior Draughtsman: Peter Dorme
Miniature Unit Video Operator: Gavin McKenzie
Miniature Unit Director of Photography: Peter Talbot
Miniature Unit A Camera Operator: Karl Morgan
Miniature Unit B Camera Operator: Alex Howe
Miniature Unit Floor Supervisor: Stefan Lange
Miniature Unit Focus Puller: Simon Hume
Miniature Unit A Camera Loader: Barny Crocker
Miniature Unit B Camera Loader: Richard Copeman
Miniature Unit Motion Control Operators: Ian Menzies, Ben Schmeid
Miniature Unit Model Makers: Bill Pearson, Christopher Trice, Chris Hayes, Vincent Jenkins, John Payne, Richard Cheal, Andy Rolfe
Visual Effects and Miniature Producer: Sharon Lark
Visual Effects Assistant Coordinators: Katie Houston, Jack Hughes
AVC Computer & Video Supervisor: Chris McBride
AVC Creative Supervisor: Andrew Booth
AVC Graphic Designers: Neil Pinkawa, David Hicks
AVC Technician: Martin Caulton
PCC Visual Effects Consultant: Kent Houston
PCC Digital Visual Effects Supervisor: John Paul Docherty
PCC Digital Effects Producers: Diane Kingston, Marianne Speight
PCC Head of CG: Ditch Doy
PCC Senior Compositor: Richard Bain
PCC Digital Effects Coordinator: Nick Bedford
PCC Roto Lead: Martin Body
PCC Production Assistants: Mark Bradley, Ed Hall
PCC Administrators: Clare Johanna Downie, Andrew Kingston
PCC Head of 2D: Paul Round
Framestore-CFC Colourist: Adam Glasman
Framestore-CFC Producer: Maria Stroka
Framestore-CFC Head of Digital Lab: Ben Baker
Framestore-CFC Executive Producer: Jan Hogevoid
Framestore-CFC Digital Assembly: Mike Morrison
Framestore-CFC Scanning & Recording: Jerome Dewhurst
DNEG Visual Effects Supervisor: Mark Michaels
DNEG Visual Effects Studio Manager: Peter Hanson
Baseblack Visual Effects Supervisor: Val Wardlaw
Baseblack Visual Effects Producer: Stephen Elson
Cinesite (Europe) Visual Effects Producer: Paul Edwards
Cinesite (Europe) Composite Supervisor: Keith Devlin
Cinesite (Europe) Projectionist: James Breen, Jan Meade
Cinesite (Europe) Film Lineup: John Benn
Cinesite (Europe) Head of Imaging: Mitch Mitchell
Cinesite (Europe) Scanning & Recording Supervisor: Lorraine Johnson
Cinesite (Europe) Business Development Producer: Ben Flatter
MPC Visual Effects Supervisor: Angela Barson
MPC Visual Effects Executive Producers: Michael Elson, Drew Jones
MPC Visual Effects Producer: Julia Wigginton Stannard
MPC Visual Effects Coordinator: Paul Driver
MPC Visual Effects Editor: Aled Robinson
MPC Head of Visual Effects: Clwyd Edwards
MPC Animation Coordinator: Julian Blom
MPC Visual Effects Film Editorial: Paul Alexiou
1st Unit Publicist: Linda Gamble
2nd Unit Publicist: Katherine McCormack
Second Unit Stills: Susie Allnutt
Product Placement Manager: Jenni McMurrie
Set Decorators: Lee Sandales, Simon Wakefield
Assistant Set Decorator: Julie Pitt
Assistant Prop Master: Martin Kingsley
Supervising Armourer: Richard Hooper
Special Effects & Miniature Effects Floor Supervisors: Peter Notley, Ian Lowe
Special Effects & Miniature Effects Workshop Supervisors: Roy Quinn, Paul Knowles, Kevin Herd, Tom Murtagh
Special Effects & Miniature Effects Wire Supervisor: Stephen Crawley
Special Effects & Miniature Effects Coordinator Buyer: Lynne Corbould
Special Effects & Miniature Effects Computer Systems Designers: Dan Stanton, Zoe Smallwood
Special Effects & Miniature Effects Storeman: David Cook
Senior Effects Technicians: Richard Brown, Paul Clancy, Stephen Cullane, David Eltham, Nick Finlayson, Darrell Guyon, Dave Keen, Steven Lewis, Jim Machin, Jason McCameron, Tim Mitchell, Richard Todd, John Van Der Pool, Lee Winter
Production Effects Technicians: Andy Aitken, Bruce Armstrong, John Arnitt, Caimin Bourne, Conway Wickliffe
Special Effects & Miniature Effects Animatronic Designers: Richard Gregory, Christopher Howes, Jamie Jackson-Moore, Tim Jordan, Ian Mitchell, Jason Reed, Andy Simm
Special Effects & Miniature Effects Wireman: David Williams
Production Special Effects Rigger: Jim Busby
Special Effects & Miniature Effects Trainees: Michael Badley, Peter Britten
Rigging Gaffers: Lee Knight, Ronnie Phillips
2nd Unit Gaffers: Ray Potter, Vince Madden
Assistant Construction Manager: Seamus O'Sullivan
Construction Supervisor, Bahamas: Davie Lowery
Construction Coordinator: Catherine Haugh
Picture Aircraft Coordinator, Aerial Units: Mike Woodley
Aerial Unit Coordinator & Helicopter Pilot: Marc Wolff
Helicopter Pilot, Aerial Units: David Paris
Wescam Technician, Aerial Units: Glyn Williams
Safety Coordinators, Aerial Units: Steve North, Tom Clode
Flying Pictures Coordinators, Aerial Units: Andy Stephens, Barney Wrightson
Picture Vehicles Coordinator: Darren Litten
Action Vehicles Technicians: Toby Sinclair, Gary Weekes
Underwater Unit A Camera Assistant: Dean Morrish
Underwater Unit B Camera Assistant: Ed Lukas
Underwater Unit C Camera Assistant: James Lewis
Underwater Unit Electrician: Mark Campany
Underwater Unit Overall Coordinator: Francois Valentine
Underwater Unit Coordinator: Dave Shaw
Underwater Unit Supervisor: Dean Mills
Underwater Unit Assistant: Phoebe Rudomino-Dustiacka
Marine Coordinator: Richard Carliss
Marine Coordinator, Bahamas: Stuart Cove
Gentle Jungle Coordinator: Paul 'Sled' Reynolds
Animals Assistant Coordinator: Carrie L. Park
Birds & Animals Coordinator: Gary Hero
Supervisor for K.N.B EFX Group: Greg Nicotero
K.N.B. Puppeteers: Shannon Shea, David Wogh
Co-Producers, Czech Republic Crew: Matthew Stillman, David Minkowski
Production Manager, Czech Republic Crew: Jasmina Torbati
Unit Manager/Transport Coordinator, Czech Republic Crew: Jiri Husak
2nd Unit Production Manager, Czech Republic Crew: Jana Hrbkova
2nd Unit - Unit Manager, Czech Republic Crew: Silvia Janculova
Production Coordinator, Czech Republic Crew: Katka Silna
Location Manager, Czech Republic Crew: Pavel Mrkouos
2nd Unit Location Manager, Czech Republic Crew: Petr Skvor
First Assistant Director, Czech Republic Crew: Mirek Lux
Second Assistant Directors, Czech Republic Crew: Jakub Dvorak, Martin Sebik, Martina Gottsanhova
Location Accountant (Italy): Peter Ziak
B Camera Operator/Steadicam, Czech Republic Crew: Jaromir Sedina
2nd Unit & B Camera Operator, Czech Republic Crew: Milan Chadima
B Camera Focus, Czech Republic Crew: Jan Carda
2nd Unit & B Camera Focus, Czech Republic Crew: Frantisek Novak
B Camera Loader, Czech Republic Crew: Petr Zavrel
2nd Unit & B Camera Loader, Czech Republic Crew: Jan Skriecka
Camera Trainee, Czech Republic Crew: Vaclav Sramek
Video Operator - 2nd Unit, Czech Republic Crew: Viktor Lonek
Video Assistants, Czech Republic Crew: Karel Schneiberg, Michal Chadima
Publicity Assistant, Czech Republic Crew: Lucie Hasalova
Stills Coordinator, Czech Republic Crew: Evzenie Fastnerova
Publicity Runner, Czech Republic Crew: Elmar David
Editing Assistant, Czech Republic Crew: Martin Hubacek
Sound Assistant, Czech Republic Crew: Tomas Cervenka
Casting Directors, Czech Republic Crew: Sona Tichácková, Ivan Vorlicek
Extras Casting Director, Czech Republic Crew: Jirí Hrstka
Casting Coordinator, Czech Republic Crew: Jirí Zevera
Costume Supervisor, Czech Republic Crew: Hana Kucerová
Costume Coordinator, Czech Republic Crew: Dita Valentinová
Design Assistant, Czech Republic Crew: Gabriela Horská
2nd Unit Standby, Czech Republic Crew: Zuzana
Art Director, Czech Republic Crew: David Baxa
Standby Art Director, Czech Republic Crew: Klára Hobulova
Art Department Coordinator, Czech Republic Crew: Gabriela Dolenská
Assistant to Designer, Czech Republic Crew: Jakub Eliásik
Graphic Assistant, Czech Republic Crew: Jan Kotík
Set Decoration Coordinator, Czech Republic Crew: Marija Nikolic
Props Supervisor, Czech Republic Crew: Jiri Zucek
Props Coordinator, Czech Republic Crew: Barbora Barova
Props Buyer, Czech Republic Crew: Pavel Hemmy
Action Vehicle Coordinator, Czech Republic Crew: Jiri Fleischer
Assistant Action Vehicle Coordinator, Czech Republic Crew: Lukas Bergmann
Special Effects Coordinator, Czech Republic Crew: Pavel Sanger
Special Effects Buyer, Czech Republic Crew: Jan Trnka
Special Effects Senior Technician, Czech Republic Crew: Jiri Vater
Electrical Gaffer, Czech Republic Crew: Valcav Cermak
Rigging Gaffer, Czech Republic Crew: Jaroslav Hromadka
Dimmer Operator, Czech Republic Crew: Darryl Polk
Construction Coordinator, Czech Republic Crew: Martina Ter-Akopowa
Assistant, Czech Republic Crew: Slávek Vankát
C/Hand Carpenter, Czech Republic Crew: Jirí Jelínek
C/Hand Plasterer, Czech Republic Crew: Tony Kollman Bursíková
Line Producer, Italian Crew: Guido Cerasuolo
Production Manager, Italian Crew: Sabrina Allaria
Unit Manager (Venice): Fabrizio Cerato
Unit Manager (Como): Claudio Lucchese
Production Coordinator, Italian Crew: Claudia Cimmino
Location Manager (Como): Simona Serafini
Location Manager (Venice): Luisa Amendola
Co-First Assistant Director, Italian Crew: Giorgia Marangoni
First Assistant Director, Italian Crew: Lisa Romano
Second Assistant Director, Italian Crew: Lorenzo Marangoni
Art Director, Italian Crew: Susanna Codognato
Set Decorator, Italian Crew: Flavio Bertini
Dressing Prop, Italian Crew: Daniel Bacciu
Props Buyer, Italian Crew: Paolo Cusin
Armourer, Italian Crew: Massimo Cardajoli
Special Effects Supervisor, Italian Crew: Gino De Rossi
Grip, Italian Crew: Marco Alzetta
Marine Coordinator, Italian Crew: Francesco Anfodillo
Co-Gaffer, Italian Crew: Elvis Pasqual
Head Grip, Italian Crew: Werner Bacciu
Visual Effects & Aerial Unit First Assistant Director: Luca Lachin
Unit Manager, Visual Effects & Aerial Unit: Marco Zanon
Transport Manager (UK): Tony Bradley
Transport Manager: Gerry Turner
Transport Manager (Bahamas): Steven O. Symmonett
Unit Nurse: Nicky Gregory
Security Consultant: Dave Allison
Premier Catering Supervisor: Peter Titterrell
Filming Dates: 30 January 2006 - 21 July 2006
Cameras: Arricam LT, ST, Arriflex 235 & 435 (35mm Eastman Double-X 5222/Kodak Vision 200T 5274/500T 5279)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 150 Million USD
Budget AFI (2020): 192.7 Million USD
Printed on: Kodak Vision 2383
Extras Casting by: Mad Dog Casting
Sound Re-Recorded at: De Lane Lea Post Production LTD.
Score Recorded at: Air Lyndhurst, London
AVID Supplied by: London Editing Machines
Main Titles Produced by: Rattling Stick
Computer & Video Effects Provided by: AVC Productions
Visual Effects by: Peerless Camera Company, Double Negative, Baseblack, Fuzzy Goat, Cinesite (Europe) & Moving Picture Company
Digital Intermediate by: Framestore-CFC
Weapons Supplied by: Crowntower LTD.
Electrical Equipment Supplied by: AFM
Animals Puppeteering by: K.N.B EFX Group
Score Album Available on: Sony Classical
Daniel Craig's Tailored Clothing by: Brioni
Cranes Supplied by: Panavision
Shot on: Kodak Motion Picture Film
Color by: Deluxe
Filmed at: Barrandov Studios , Prague, Czech Republic and Pinewood Studios, London, England
Filmed on Location in: The Czech Republic, The Bahamas, Italy & England
Attribute: Filmed with Panavision® Cameras And Lenses

Director / Screenplay Writer: Marc Forster
Director, Tosca Production: Philipp Himmelmann
Screenplay Writer: Daniel Craig
Associate Producer/Financial Controller: Andrew Noakes
Production Executive: David Pope
A Camera / Steadicam Operator: George Richmond BSC
Script Supervisor: Nikki Clapp
Second Unit Director of Photography: Shaun O'Dell
Second Unit First Assistant Director: Terry Madden
Sound Recordist: Chris Munro
Electrical Supervisor: Eddie Knight
Production Manager, UK: Janine Modder
Makeup Supervisor: Paul Engelen
Hairdressing Supervisor: Zöe Tahir
Bond Girls' Makeup & Hair: Naomi Donne
Wardrobe Supervisor: Lindsay Pugh
Supervising Art Director: Chris Lowe
Overall Set Decorator: Anna Pinnock
Overall Prop Master: Barry Gibbs
Construction Manager: Stephen Bohan
Stills Photographer: Karen Ballard
Publicity and Marketing: Anne Bennett
Promotions: Keith Snelgrove
Post Production Supervisor: Michael Solinger
Production Visual Effects Producer: Leslie Lerman
Assistant Producer: Gregg Wilson
Casting Director: Debbie McWilliams
Unit Production Manager: Jeremy Johns
Second Unit Production Manager: Terry Bamber
First Assistant Director: Michael Lerman
Special Effects Supervisor / Coordinator: Chris Corbould
Production Visual Effects Designer / Unit Director: Kevin Tod Haug
Stunt Coordinator: Gary Powell
Second Unit Director, Panama: Simon Crane
Second Unit Director: Dan Bradley
Costume Designer: Louise Frogley
Editors: Matt Chessé ACE, Richard Pearson ACE
Director of Photography / C Camera Operator: Roberto Schaefer ASC AIC
Director of Photography: Steven Parker
Production Designer: Dennis Gassner
Composer: David Arnold
Composer, James Bond Theme: Monty Norman
Performer / Writer / Producer, "Another Way to Die": Jack White
Performer, "Another Way to Die": Alicia Keys
Executive Producers: Anthony Waye, Callum McDougall
Screenplay & Story Writers: Paul Haggis, Neal Purvis, Robert Wade
Story Writer / Producer: Michael G. Wilson
Screenplay Writer: Joshua Zetumer
Producer: Barbara Broccoli
European Casting Services: Kate Dowd
Assistant Stunt Coordinators: Rob Inch, Rowley Irlam, Gianluca Petrazzi, Evangelos Grecos
Stunt Coordinator's Assistant: Nicola Short
Head Stunt Rigger: Diz Sharpe
Fight Trainer: Marvin Stuart Campbell
Stunts: Lee Morrison, Nikki Berwick, Ben Cooke, Kai Martin
Production Manager - Panama: Angus More Gordon
Production Manager - Chile: Chris Brock
Second Assistant Directors: Toby Hefferman, Ben Dixon, Terence P. Madden
Unit Manager, 2nd Unit: David Cain
Location Consultant: Gusmano Cesaretti
Location Managers: James Grant, Martin Joy, David Pinnington, Nick Fulton
Unit Managers: Matt Jones, Mally Chung, Philip Clark, Eddie Folcarelli
Assistant Location Managers: David Seaton, Lucy Williams, John West
Production Coordinators: Clarissa Newman, Judy Britten, Paige Chaytor, Lulu Morgan, Philie Naughten
Contracts: Iris Rose
Travel: Hannah Godwin
Assistant Coordinators: Bertie Spiegelberg, Arabella Gilbert
Production Runners: Tom Asquith, Declan O'Brien, Charlie Salmon
2nd Unit Script Supervisor: Zöe Morgan
Additional First Assistant Director: George Walker
First Assistant Director, Title Sequence: Jeff Taylor
Crowd Second Assistant Director: Michael Michael
Third Assistant Directors: Joe Barlow, Adam Byles
Casting Associate: Reg Poerscout-Edgerton
Additional Casting Director, U.S.: Francine Maisler CSA
B Camera Operator: Mark Milsome
C Camera Operator: Chaz Baines
Second Unit A Camera Operators: Peter Field, Gary Spratling ACO
Second Unit B Camera Operator: Graham Hall ACO
Second Unit C Camera Operator: Peter Robertson
Second Unit A Camera Operator / Aerial Unit Camera Operator: Simon Jayes SOC ACO
Gocam Operator: J. Patrick Daily
A Camera Focus: Jonathan "Chunky" Richmond
B Camera Focus: Harry Bowers
C Camera Focus: David Cozens
Second Unit A Camera Focus: John Gamble ACO
Second Unit B Camera Focus / Palio Unit Focus: Chris Bain
Second Unit B Camera Focus: Marc Atherfold
Second Unit C Camera Focus: Spencer Murray
A Camera Loader: Will Humphries
B Camera Loader: Sebastian Barraclough
C Camera Loader: Chris Clarke
Second Unit A Camera Loaders: Russell Kennedy, Mark Gilmer
Second Unit B Camera Loader: Alan Hall
Second Unit C Camera Loader: Dean Morrish
Central Loader: Tom Taylor
Second Unit Central Loader: Simon Surtees
Ultimate Arm Camera Operator, Boat: George Peters
Ultimate Arm Operator, Boat: Michael Nelson
Ultimate Arm Head Technician, Boat: Lev Yevstratov
Ultimate Arm Stunts, 2nd Unit: Dean Bailey
Ultimate Arm Camera Operator, 2nd Unit: Greg Baldi
Ultimate Arm Operator, 2nd Unit: Michael Barnett
Ultimate Arm Remote Head Technician, 2nd Unit: Alex Bunin
Video Playback: John Bowman
Second Unit Video Playback: Andy Shields
Boat Unit Video Playback: Dillon Jones
Video Assist: Tom Elgar, Sam Malone
Second Video Assist: Dominic Ray
Second Unit Sound Mixer: Ian Munro
Boom Operator: Steve Finn
Second Unit Boom Operator: Paul Munro
Sound Maintenance: Jim McBride
Key First Assistant Editor: Martin Corbett
Production Visual Effects Editor: Derek Burgess
First Assistant Editors: Tom Harrison-Read, Robin Gonsalves
Second Assistant Editor: Laurence Johnson
Post Production Coordinator: Anita M. Patel
VFX First Assistant Editor: Simon Davis
VFX Second Assistant Editor: Richard Ketteridge
Editing Apprentice: Max Malagoni
Supervising Sound Editor: Eddy Joseph
Re-Recording Mixers: Mike Prestwood Smith, Mark Taylor
Sound Designers: Jimmy Boyle, Martin Cantrell
ADR Supervisor: Simon ChaseDialogue Editor: Colin Ritchie
Foley Supervisor: Alex Joseph
Cutting Edge Lab Contact: Clive Noakes
Cutting Edge Lab Color Timer: David Rees
End Titles Designer: Pauline Hume
Supervising Music Editor: Dina Eaton
Music Editor: Robin Whittaker
Music Editor - Tosca: Mike Hicham
Music Recordist & Mixer: Geoff Foster
Orchestrator & Conductor: Nicholas Dodd
Programming: Rob Playford, Steve Hilton
Additional Arrangements: Michael Price
Music Preparation: Jill Streater
Ethnic Percussion & Programming: Peter Lockett
Orchestra Contractor: Isobel Griffiths
Trumpet: Derek Watkins
Visual Effects Associate Producer: Tracey Gibbons
Visual Effects Coordinators: Anna Panton, Natalie Lovatt
Visual Effects Data Wranglers: Jon Brown, Holly Gosnell, Adrian Ratley
Visual Effects Runner: Ben Aghdami
Visual Effects Post Vis Supervisor: Gunnar Hansen
Visual Effects Post Vis Artist: Matt Tinsley
Art Directors: Paul Inglis, John King, James Foster, Marco Rubeo, Mike Stallion
Art Director, Airplanes: Mark Harris
Standby Art Directors: Peter James, Neal Callow
Assistant Art Directors: Matt Robinson, Dean Clegg, Gavin Fitch, Sandra Phillips
Storyboards: Martin Asbury
Graphics: Heather Pollington
Graphics Assistant: Laura Grant
Art Department Researcher: Celia Barnett
Art Department Coordinator: Anna Skrein
Art Department Assistants: Will Savage, Rosie Moutrie
Assistant Costume Designer: Guy Speranza
Bond's Costumer: Mark Sutherland
Wardrobe 2nd Unit Supervisor: Miloslav Skorepa
Wardrobe 2nd Unit Key Costume: Melisa Layton-Skorepa
Costume Coordinator: Sheena Wichary
Wardrobe Researcher: Katie Driscoll
Wardrobe Runner: Peter Goyen
2nd Unit Makeup & Hair: Andrea Finch, Norma Webb
Additional Makeup & Hair: Anita Burger
Makeup & Hair Engineer: Alex Rouse
VP, Marketing: Stephanie Wenborn
Publicist: Katherine McCormack
2nd Unit Publicist: Heather Banta
2nd Unit Stills: Susie Allnutt
Stills Assistant: Gemma Pratt
Product Placement Manager: Jenni McMurrie
Publicity & Marketing Coordinator: Sara Aghdami
Set Decorating Production Buyer: Mike King
Set Decorating Assistant Buyer: Charlotte Crosbie
Set Decorating Drapes Master: Cleo Nethersole
Assistant Set Decorators: Fergus Clegg, Sophie Newman, Sophie Phillips, Alessandra Querzola
Assistant Prop Master: Darryl Peterson
Props Coordinator: Hayley Gibbs
Props Assistant: Carl Peters
Special Effects Floor Supervisors: Peter Notley, Ian Lowe
Special Effects Workshop Supervisors: Kevin Herd, Paul Knowles, Roy Quinn, Andy Smith
Special Effects Wire Supervisor: Stephen Crawley
Special Effects Coordinator / Buyer: Lynne Corbould
Production Special Effects Technicians: Bruce Armstrong, Ian Biggs, David Brighton, Richard Brown, Paul Clancy, Stephen Cullane, David Eltham, Nick Finlayson, Dave Ford, John Holmes, Chris Homes, David King, Steven Lewis, Tom Murtagh, Lee Rider, Paul Taylor, Richard Todd, John Van Der Pool, Cameron Waldbauer, Steve Warner, Lee Winter
Production Effects Technician: Scott Armstrong
Special Effects Animatronic Designers: Richard Gregory, Phil Ashton, Nick Bonathan, Tim Jordan, Jason Reed, Andy Simm
Special Effects Consultant Engineer: Alan Cavell
Special Effects Explosives Engineer: Charles Adcock
Production SFX Riggers: Jim Busby, Mark Godleman
Special Effects Storeman: David Cook
Special Effects Trainees: Peter Britten, Alexander Fabre, Tom Goodman
Special Effects Assistant: Emma Kay Vauter
Specialist Wire Rigs Coordinator: Kevin Mathews
Specialist Wire Rigs Supervisor: Dave Williams
SWR Winch Programmer: Vernon "Keone" Kim
SWR Wiremen: Clive Goble, Peter Graffham
Action Vehicle Supervisor: Graham Kelly
Action Vehicle Coordinators: Ian Clarke, Sean Thornton
Action Vehicles Workshop Supervisor: Jason Marsh
Action Vehicles Logistics Coordinator: Shelly O'Mahony
Action Vehicles Assistant: Nicoletta Perdikos
Rigging Gaffer: Ronnie Phillips
2nd Unit Gaffer: Michael McDermott
Electrical Rigger H.O.D.: Bill Beenham
Electrical Equipment Supplied by: Panalux
Boat Unit Director of Photography: Josh Bleibtreu ASC
UK & Chile Coordinator, Aerial Teams: Mike Woodley
UK & Chile DC-3 Pilot, Aerial Teams: Frank Moss
UK & Chile Liaison, Aerial Teams: Terry Sherman, Simon O'Connell
Italy Coordinator & Pilot, Aerial Teams: Marc Wolff
Aerial Unit Director of Photography, Italy: John Marzano
Aerial Unit Camera First Assistant, Italy: Glyn Williams
Italy Unit Utility, Aerial Teams: Steve North
Production Supervisor, Aerial Unit - Mexico: Mike Fantasia
Production Manager, Aerial Unit - Mexico: Omar Veytia
Aerial Unit Director of Photography, Mexico: David B. Nowell ASC
Aerial Unit Coordinator & Aerostar Pilot, Mexico: Craig Hosking
First Assistant Director, Aerial Unit - Mexico: Michael Salven
Second Assistant Director, Aerial Unit - Mexico: Robert E. Kay
Location Manager, Aerial Unit - Mexico: Gabriel Perez
A Camera Operator, Aerial Unit - Mexico: Joseph F. Valentine
B Camera Operator, Aerial Unit - Mexico: Johnny E. Jensen
Snakehead Operators, Aerial Unit - Mexico: Ronald Goodman, Dwayne McClintock
A Camera Focus, Aerial Unit - Mexico: John Kairis
B Camera Focus, Aerial Unit - Mexico: Donny Steinberg
A Camera Loader, Aerial Unit - Mexico: Scott Ronnow
B Camera Loader, Aerial Unit - Mexico: Jay C. Hager
C Camera Loader, Aerial Unit - Mexico: Michael Dallatorre
Spacecam Technicians, Aerial Unit - Mexico: Andrew Sych, Philip Rothwell
RF Technicians, Aerial Unit - Mexico: Greg "Noodles" Johnson, Craig Proctor
Video Assist, Aerial Unit - Mexico: Kevin Boyd
Pilot (DC-3), Aerial Unit - Mexico: Skip Evans
Pilot (Marchetti), Aerial Unit - Mexico: Steve Hinton
Pilot (Huey), Aerial Unit - Mexico: John Scanlon
Pilot (A-Star No. 1), Aerial Unit - Mexico: Cliff Fleming
Pilot (A-Star No. 2), Aerial Unit - Mexico: Bruce Benson
Co-Pilots, Aerial Unit - Mexico: Mike Patlin, Cory Fleming
Ground Coordinator, Aerial Unit - Mexico: Robert Hosking
Mechanics, Aerial Unit - Mexico: Mike Avalos, Steve Hinton Jr
Coordinator, Aerial Unit - Mexico: Laura Veytia
Set PA, Aerial Unit - Mexico: Iris Muzzo
Line Producer, Italy Crew: Guido Cerasuolo
Production Manager, Italy Crew: Gianluca Leurini
Unit Managers, Italy Crew: Fabrizio Cerato, Roberto Leone, Marco Greco
Assistant Production Managers, Italy Crew: Giorgia Passarelli, Fabio Mancini
Coordinator, Italy Crew: Claudia Cimmino
Supervising Location Manager, Italy Crew: Simona Serafini
Location Managers, Italy Crew: Francesco Papi, Achim Staage, Nicola Fedrigoni
Location Consultants, Italy Crew: Francesca Nannini, Alessandro Falassi
Construction Consultant, Italy Crew: Luca Venturi Singeco
Location Coordinator, Italy Crew: Anna Offelli
Assistant Location Managers, Italy Crew: Bruno Keller, Daniele Di Biasi
Accountant, Italy Crew: Marco Mattei
First Assistant Director, Italy Crew: Luca Lachin
Second Assistant Director, Italy Crew: Franco Basaglia
Second Second Assistant Director, Italy Crew: Pierantonio Micciarelli
Crowd Second Assistant Director, Italy Crew: Tiziana Kinkela
Crowd Marshall, Italy Crew: Matteo Bertocchi
Action Vehicles Coordinator, Italy Crew: Matteo Cottardis
Assistant (Action Vehicles), Italy Crew: Alfred "Fredi" Schmid
SFX Technicians, Italy Crew: Gino Di Rossi, Franco Ragusa, Stefano Corridori
Costume Assistant, Italy Crew: Lucilla Simbari
Marine Coordinator, Italy Crew: Francesco Anfodillo
Gaffer, Italy Crew: Patrizio Bramucci
Production Managers, Panama Crew: Anel Moreno, Victor Barriga
Coordinators, Panama Crew: Raisa De Alba, Victor Chen
Action Vehicles Buyer, Panama Crew: Lucas Poveda
Special Effects Buyer, Panama Crew: Heriberto Martinez
Assistants (Special Effects), Panama Crew: Abraham Morales, Jose Gabriel Tapia
Art Department Coordinator, Panama Crew: Merixell Lombada
Stillking Films Representative: Bud Thiesen
Production Manager, Chile Crew: Ely Fenner
Coordinator, Chile Crew: Maria Paz Zedan
First Assistant Director, Chile Crew: Rene Martin
Second Assistant Director, Chile Crew: Max Morales
Location Manager, Chile Crew: Ronald Siefer
Assistant Location Manager, Chile Crew: Fernando Toledo
Art Department Assistant, Chile Crew: Marcela Urivi
Production Manager, Austria Crew: Leonhard Gmur
Coordinator, Austria Crew: Sylvia Schaffler
Location Managers, Austria Crew: Daniel Knapp, Arnold Bucher
First Assistant Director, Austria Crew: Björn Grunler
Second Assistant Director, Austria Crew: Stefan Zurcher
Conductor, Tosca Production: Ulf Schirmer
Set Designer, Tosca Production: Johannes Leiacker
Costume Designer, Tosca Production: Jorge Jara
Lighting Designer, Tosca Production: Davy Cunningham
Choreography, Tosca Production: Rosita Steinhauser
Video Design, Tosca Production: Evita Galandu, Ueli Nuesch, Thomas Wollenberger
First Assistant Director, Tosca Production: Rebecca Scheiner
Project Supervisor, Tosca Production: Stefan Rippl
Premier Caterers Supervisor: Peter Titterrell
Premier Caterers 2nd Unit Supervisor: Carole Bulmer
Premier Caterers Chefs: Tony Judd, Diego Pages
Premier Caterers Craft Service: Christine Perrett
Premier Caterers Coordinator: Caroline Moore
HD Dailies Colourists: Darren Rae, Jamie Payne, Lee Bennett
Head of Production Dailies: Jon Gray
Ascent 142 Head of Department: Patrick Malone
Ascent 142 Producers: Erin McGookin, Rob Farris
Ascent 142 Technical Supervisor: Laurent Treherne
Ascent 142 Colourist: Rob Pizzey
Ascent 142 On-Line Editors: Rob Gordon, Emily Greenwood, Jon Ellis
Ascent 142 Bureau Manager: John Palmer
Ascent 142 Digital Film Transfer: Michael Deming
CO3 Los Angeles Producer: Des Carey
CO3 Los Angeles Colourist: Stephen Nakamura
CO3 Los Angeles Executive Producer: Stefan Sonnenfeld ASC
CO3 Los Angeles Co-Producer: Missy Papageorge
Nvizage Supervisor: Nic Hatch
Nvizage Lead: Martin Chamney
Nvizage Artists: Michelle Blok, Isabel Cody, Faraz Hameed
Painting Practice Supervisor: Dan May
Painting Practice Technical Breakdown: Seeta Lingam
Painting Practice Senior: Jason Wen
Painting Practice Character Artist: Emiliano Nanfaro
Painting Practice Artists: John Hill, Krzysztov Nemiec
Painting Practice 3D Modeller: Jim Gaffney
DNEG Supervisors: Ged Wright, Alex Wuttke, Victor Wade
DNEG CG Supervisor: Dan Kripac
DNEG Senior Producer: Jennifer Silver
DNEG Line Producer: Kim Phelan
DNEG Coordinator: Karen Clarke
DNEG Modeller: Jon Veal
DNEG Texture Artist: Andy Middleton
DNEG Animator: Aysha Madina
DNEG Matte Painter: Diccon Alexander
DNEG Editor: Peter Oliff
DNEG Studio Head: Peter Hanson
DNEG CG Effects Leads: Ciaran Devine, Michael Waltl, Timo-Pecco Nieminen, Michael Parker, Nick Petit
DNEG Matchmove Supervisor: Joel Prager
DNEG Event Capture Research & Development: Oliver James, Ted Waine
MPC Producer: Victoria Mowlam
MPC Executive Producers: Christian Roberton, Drew Jones
MPC VFX Supervisor: Angela Barron
MPC Supervisors: Mark Curtis, Kevin Hahn, Niall Flynn
MPC Senior Coordinator: Philip Greenlow
MPC Model/Texture Artist: Martin Hession
MPC Matte Painter: Patrick Zentis
MPC FX Artists: Nicola Danese, Claire Pegorier
MPC Lighting Artists: Nic Birmingham
MPC Matchmove Supervisor: Anthony Abejuro
MPC Editorial Assistant: Chris Coupland
MPC Roto Prep Supervisor: Christine Trojanello
MPC Coordinator: Lorna Dumba
MPC Lead: Benedict Gillingham-Sutton
Framestore Supervisor: Jon Thum
Framestore Environment Supervisor: Martin Macrae
Framestore Producer: Tim Keene
Framestore Coordinator: Jon Keene
Framestore Lead Compositors: Mark Bakowski, Christian Kaestner, Anthony Smith
Framestore Lighting TD's: JP Li, Ben Loch, Patrick Lowry, Chris King, Ben White
Framestore FX TD: Joe Thornley
Framestore Modeller: Myles Asseter
Framestore Digital Matte Painters: Danny Geursten, David Swift
Framestore Environment TD: Hiroaki Muramoto
Framestore Texture Artist: Sweekim Lai
Framestore Editorial: Turea Blyth
Framestore Camera Trackers: Lee Dexter, Simon Carlile, Carl Jackson, Melvyn Polayah
Framestore Avid Operator: Lars Vinther
Machine Supervisors: John Lockwood, Steve Street
Machine Producer: Standish Millennas
Machine Senior Compositor: Keith Devlin
Machine R&D Technology: Pete Medrow
Machine 3D Artists: Felipe Canfora, Sandra Guarda
Daniel Craig's Tailored Clothing: Tom Ford
Filming Dates: 16 August 2007 - 8 May 2008
Cameras: Arricam LT, ST, Arriflex 235, 435 Advanced, D-21, Bell & Howell Eyemo & Sony CineAlta HDW-F900R (35mm Kodak Vision2 200T 5217/Vision3 500T 5219)
Lenses: Arri Master Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)(HDCAM SR & Digital 4K: Two Scenes)
Budget: 200-230 Million USD
Budget AFI (2022): 258.9-297.8 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Main Titles & Visual Effects Designed & Produced by: MK12, The Ebeling Group, Double Negative, Moving Picture Company, Framestore & Machine
Foley Recorded at: Shepperton Studios & Universal Sound
ADR Recorded & Sound Mixed at: De Lane Lea & Real World Post
Sound Editorial & Supervision by: Soundelux London
AVIDS Supplied by: Pivotal Post
Negative Cutting at: Cutting Edge
Music Recorded at: Air Lyndhurst, London
Catering by: Premier Caterers LTD
Digital Intermediate Provided by: Ascent 142 Features & CO3 Los Angeles
Previs by: Nvizage & Painting Practice
Camera Equipment Provided by: Keslow Camera, Dalsa Digital Cinema & ARRI Media
Aerial Cameras by: Spacecam Systems
Soundtrack on: J. Records
Shot on: Kodak Motion Picture Film
Colour by: Deluxe
Filmed at: Pinewood Studios, London, England
Filmed on Location in: Italy, Mexico, Panama, Chile, Austria & England

Director: Sam Mendes
Co-Producer / Financial Controller: Andrew Noakes
Co-Producer: David Pope
Script Supervisor: Jayne-Ann Tenggren
Sound Recordist: Stuart Wilson
Electrical Supervisor: John Higgins
Second Unit First Assistant Director: Terry Madden
Makeup Designer: Naomi Donne
Hair Designer: Zöe Tahir
Mr. Craig's Makeup: Donald Mowat
Wardrobe Supervisor: Gordon Harmer
Publicity & Marketing: Stephanie Wenborn
Promotions: Keith Snelgrove
Supervising Art Director: Chris Lowe
Overall Set Decorator: Anna Pinnock
Overall Prop Master: Jamie Wilkinson
Construction Manager: Stephen Bohan
Stills Photographer: François Duhamel
Production Visual Effects Producer: Leslie Lerman
Production Supervisor: Janine Modder
Location Production Managers: Chris Brock, Angus More Gordon, Anthony Waye
Second Unit Production Manager: Terry Bamber
Post Production Supervisor: Michael Solinger
Visual Effects And Miniature Supervisor: Steven Begg
Associate Producer: Gregg Wilson
Unit Production Manager / Executive Producer: Callum McDougall
Unit Production Manager: Jeremy Johns
First Assistant Director: Michael Lerman
Casting Director: Debbie McWilliams
Main Titles Designer: Daniel Kleinman
Special Effects And Miniature Effects Supervisor / Splinter Second Unit Director: Chris Corbould
Stunt Coordinator / Underwater Second Unit Director: Gary Powell
Second Unit Director / Director of Photography: Alexander Witt ASC ACC
Costume Designer: Jany Temime
Film Editor: Stuart Baird ACE
Film Editor / First Assistant Editor: Kate Baird
Director of Photography / 'A' Camera Operator: Roger Deakins ASC BSC
Director of Photography, Title Sequence: John Mathieson BSC
Director of Photography, Visual Effects Plate Photography: Stefan Lange
Production Designer: Dennis Gassner
Composer / Music Conductor: Thomas Newman
Composer, James Bond Theme: Monty Norman
Performer / Writer, "Skyfall": Adele
Writer / Producer, "Skyfall": Paul Epworth
Writers: Neal Purvis, Robert Wade, John Logan
Producers: Michael G. Wilson, Barbara Broccoli
US Casting Consultant: Debra Zane CSA
US Casting Assistant: Shayna Markowitz
UK Casting Assistant: Lucy Hellier
Assistant Stunt Coordinators: Mark Mottram, Lee Morrison, Peter White
Fight Choreographer: Nikki Berwick
Fight Trainer: Roger Yuan
Head Stunt Rigger: Diz Sharpe
Stunt Department Coordinator: Ami Verge
Stunts: Ben Cooke, Andy Lister, Damien Walters, Scott Armstrong, Vi-Dan Tran
'A' Camera First Assistant: Andy Harris
'A' Camera Grip: Bruce Hamme
'A' Camera Key Grip: Gary Hymns
Digital Imaging Technician: Joshua Gollish
Re-Recording Mixers: Scott Millan, Greg P. Russell
Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers MPSE
Music Editor: Bill Bernstein
Video Playback: John Bowman
Second Assistant Directors: Ben Dixon, Stewart Hamilton, Terence P. Madden
Location Managers: James Grant, Russell Lodge, Martin Joy, Richard Hill, Matt Jones
Unit Managers: Mally Chong, Duncan Broadfoot, Jon Roper, John West, Charlie Simpson
Unit Manager, 2nd Unit: Fraser Fennell-Ball
Assistant Location Managers: Lindsay Powell, Julia Tomlinson
Location Coordinator: Kate Garbett
Location Secretary: Emily Cordier
Location Scouts: Philip Lobban, Elliot Meddings, Piers Dunn, Gordon McIntyre, Catherine Geray, Colm Nolan
Location Assistants: Katrina Day, Jodie Gregory, Aliihsan Alkan, Matthew Craufurd, Ben Firminger, Charlie Hayes, Jonathan Hills
Production Coordinators: Hannah Godwin, Paige Chaytor, Lulu Morgan, Stephanie Bamberg, Karl Caffrey, Denise Hanrahan
Travel: Helen Caffrey
Assistant Production Coordinators: Bertie Spiegelberg, Arabella Gilbert, Declan O'Brien
2nd Unit Script Supervisor: Susie Jones
Additional Script Supervisor: Sharon Mansfield
Additional First Assistant Director: Nick Heckstall-Smith
Second Second Assistant Directors: Chloe Chesterton, Joey Coughlin, Andy Madden, Ray Kenny
Crowd Second Assistant Director: Michael Michael
Second Unit Second Assistant Director: William Dodds
Third Assistant Directors: Clare Glass, Tom Edmondson
Base Third Assistant Director: Eileen Yip
Splinter/Miniature Unit Director of Photography: Peter Talbot
'B' Camera / Steadicam Operator: Peter Cavaciuti SOC ACO
Second Unit "A" Camera Operators: Clive Jackson, Peter Field
Second Unit "B" Camera / Steadicam Operators: Julian Morson ACO, Tony Jackson
Splinter / Miniature Unit Camera Operator: Karl Morgan
Second Unit "C" Camera Operator: Simon Finney ACO
"B" Camera First Assistant: John Jordan
Second Unit "A" Camera First Assistants: Jem Rayner, Rene Adefarasin, Jonathan Webb
Second Unit "B Camera First Assistants: Dean Thompson
Splinter / Miniature Unit Camera First Assistant: Simon Heck
Second Unit "C" Camera First Assistants: David Cozens, Spencer Murray
"A" Camera Second Assistant: Sacha Jones
"B" Camera Second Assistant: Ryan Taggart
Second Unit "A" Camera Second Assistant: Ben Plant
Second Unit "B" Camera Second Assistants: Tobias Marshall, Phil Hardy, Dora Krolikowska
Second Unit "C" Camera Second Assistants: Frankie Ferrari, Dean Morrish, Paul Wheeldon
Central Loaders: Susan MacDonald, Sarah Armstrong
"A" Camera Trainee: Cenay Said
"B" Camera Trainee: Ashlea Downes
Second Unit "A" Camera Trainee: Dan Gamble
Second Unit "B" Camera Trainee: Alex Bender
Additional Digital Imaging Technicians: Simon Jones, Nye Jones
Second Unit Digital Imaging Technicians: Peter Marsden, Mustafa Tyebkhan
DIT Trainee: Adam McGrady
Second Unit DIT Trainee: Ali Youssef
Data Technicians: William Snow, Dom Evans, Nicoletta Perdikos
Specialist Rigging: Gavin Weatherall
Ultimate Arm Crane Operator: George Peters
Ultimate Arm Operator: Michael Nelson
Ultimate Arm Technician: Paul Bashour
Ultimate Arm Driver: Robert King
Additional Video Playback. Martin "Sharky" Ward, Andrew Haddock
Assistant Video Playback: Richard Shean, Jamie Starr, James Wade
Video Assistants: William Gardner, Leya Ward
Second Unit Sound Mixer: Timothy White
Splinter Unit Sound Recordist: Paul Paragon
Boom Operators: Grin Beaton Lloyd Dudley
Sound Maintenance: Thomas Fennell
Production Visual Effects Editor: Laura Jennings
Second Assistant Editor: Myles Robey
Third Assistant Editor: Mike Clark-Hill
VFX First Assistant Editor: Ed Hall
Editing Trainee: George Mitchell
Editing Runner: Portia Barnett-Herrin
Post Production Coordinator: Juan Carlos A. Vasquez
Supervising ADR Editors: Chris Jargo, Simon Chase
Supervising Foley Editor: Chris Jaeger
Post Production Sound Chief Engineer: Mike Novitch
Rattling Stick Main Titles Producer: Johnny Frankel
End Titles Design: Pauline Hume, Ian Grech
Music Consultant: Randall Poster
Music Editor and Additional Source Music: Tony Lewis
Music Recordist & Mixer: Simon Rhodes
Assistant Engineer: Lewis Jones
Technical Coordination: Ernest Lee, Lewis Morison
Orchestrations: J.A.C. Redford
Additional Orchestrations: Steven Bernstein, Peter Boyer, Carl Johnson
Additional Arrangements and Programming: Simon Franglen
Music Preparation: Jill Streater
Orchestra Leader: Thomas Bowes
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Charlotte Mathews
Trumpet: Derek Watkins
Music Coordinator: Meghan Currier
Visual Effects Associate Producer: Chloe Grysole
Visual Effects Coordinator: Samantha Townend
Visual Effects Lead Data Wrangler / Compositor: Jack Hughes
Visual Effects Data Wranglers: Giles Harding, Erran Lake, Alex Collings
Visual Effects Compositor: Matt Tinsley
Visual Effects Assistant: Izzy Field
Visual Effects Lidar: Plowman Craven
Art Directors: Paul Inglis, James Foster, Neal Callow, Dean Clegg, Jason Knox-Johnston, Marc Homes, Mark Harris
Standby Art Director: Peter James
VFX Art Director: Phil Sims
Assistant Art Directors: Andrew Bennett, Mary Mackenzie
Model Makers: Rob Jose, Liam Georgensen
Storyboards: Jim Cornish, Jane Clark, Martin Asbury, John Davies
Art Coordinator: Anna Skrein
Publicity and Marketing Coordinator: David Coupland
Unit Publicist: Heather Callow
2nd Unit Publicist: Linda Gamble
2nd Unit Stills: Jason Roland
Publicity and Marketing Assistant: Jessica Simmonds
Splinter / Miniature Unit Stills: Susie Allnutt
Assistant Set Decorators: Fergus Clegg, Sophie Newman
Set Decorating Assistant: Rachel Corbould
Assistant Prop Master: John Fox
Props Coordinator: Mia Summerville
Military Advisor: Christopher Leccia
Special Effects Floor Supervisors: Peter Notley, Iain Lowe, Paul Corbould
Special Effects Workshop Supervisors: Kevin Herd, Paul Knowles, Tom Murtaugh, Roy Quinn
Special Effects Wire Supervisor: Stephen Crawley
Special Effects Coordinator / Buyer: Lynne Corbould
Production Special Effects Technicians: Ian Corbould, Nick Finlayson, Jason Leinster, Paul Taylor, Richard Todd, John Van Der Pool, Lee Winter
Senior FX Technician: Ian Corbould
Special Effects Animatronic Designers: Richard Gregory, Paul Bentman, Alexander MacBride, Luke Murphy, Jason Reed, Andrew Simm, Phoebe Tait
Special Effects Consulting Engineer: Alan Cavell
Special Effects Modeller: Toby Marrow
Production SFX Rigger: Mark Godleman
Action Vehicles Supervisor: Darren Litten
Action Vehicles Workshop Supervisor: Stephen Spink
Action Vehicles Department Coordinator: Lorraine Edwards
Production Special Effects Medic: Dave Adamthwaite
Electrical Rigging Gaffer: Wayne Leach
Electrical Additional Gaffer: Eddie Knight
Additional Casting Director, Bosnia: Timka Grahic
Additional Casting Director, China: Zoe Thompson
Additional Casting Director, Germany: Annette Borgmann
Additional Casting Director, Sweden: Tusse Lande
Underwater Unit Director of Photography: Mike Valentine BSC
Underwater Unit Coordinator: François Valentine
Underwater Unit Diving Coordinator: Dave Shaw
Underwater Unit Assistant Diving Coordinator: Phoebe Rudomino
Underwater Unit Diving Supervisor: Tony French
Marine Coordinator: Ian Creed
Marine Supervisor: Michael Thorpe
Blind LTD Supervisor: Andrew Booth
Blind LTD Screen Graphics Designers: Ian Sargent, Shawn Yue, Joe White
Blind LTD 3D Artist: Gabor Ekis
Computer Digital Playback Supervisor: Chris McBride
Computer Digital Playback Technician: Jon Hall
Helicopter Pilots, Aerial Team: Marc Wolff, William Samuelson
Aerial Unit Directors of Photography: John Marzano, Adam Dale
Technicians, Aerial Team: Glyn Williams, David Arms
Safety Advisors, Aerial Team: Steve North, Tom Clode, Phil Pickford
Coordinators, Aerial Team: Andy Stephens, Lucia Foster-Found
Aviation Consultants, Aerial Team: Mike Woodley, Ian McEwan
Pilot, Flying-Cam: Jan Sperling
Camera Operator, Flying-Cam: Emmanuel Previnaire
Telemetry Operator, Flying-Cam: Remy Castiaux
Camera Assistant, Flying-Cam: Thomas Wilski
AgustaWestland Project Managers: Richard Folkes, Nigel Guppy
Pilots, AgustaWestland: Andy Strachan, Don MacLane
Production Supervisor, Turkish Crew: Ali Akdeniz
Production Accountant, Turkish Crew: Ethan Ozugol
Production Managers, Turkish Crew: Menderes Demir, Aksel Kamber
Coordinator, Turkish Crew: Nevra Kocoglu
First Assistant Director, Turkish Crew: Ahmet Uygen
Second Assistant Directors, Turkish Crew: Melisa Kutray, Hasret Arpaci
Third Assistant Directors, Turkish Crew: Burak Mujdeci, Tuci Zenginkinet
Extras Casting Director, Turkish Crew: Pinar Celik
"A" Camera Operator, Turkish Crew: Erkan Yilmaz
"B" Camera Operator, Turkish Crew: Tolga Kultar
Camera First Assistant, Turkish Crew: Hakan Tezer
Camera Second Assistant, Turkish Crew: Tayman Tekin
Digital Imaging, Turkish Crew: Muge Alper
Camera Assistant, Turkish Crew: Joseph Yancey
Grip, Turkish Crew: Hasan Ormanler
Grip Assistants, Turkish Crew: Bayram Bal, Emre Selcik
Gaffer, Turkish Crew: Ali Salim Yasar
Boom Operator, Turkish Crew: Hasan Sayin
Location Managers, Turkish Crew: Erhan Alpoundar, Umut Alkan
Props Supervisor, Turkish Crew: Cagri Aydin
Train Coordinator, Turkish Crew: Tolga Dundar
Action Vehicles Assistant, Turkish Crew: Tolga Senturk
Fathiye Unit Production Manager: Funda Odemis
Fathiye Unit Coordinator: Tuba Gulmez
Fathiye Unit First Assistant Director: Özge Toprak
Fathiye Unit Second Assistant Director: Onur Bilgetay
Fathiye Unit Third Assistant Director: Mahir Erdem
Fathiye Unit Location Manager: Levent Oztekin
Fathiye Unit Electrical Supervisor: Durmus Oztekin
Fathiye Unit Marine Assistant: Cihan Cankaya
Champion Star Executives: Bill Kong, Doris Tse
Line Producer, Shanghai Crew: Chiu-Wah Lee
Production Managers, Shanghai Crew: April Ye, Kim-Hung Fan
Production Supervisors, Shanghai Crew: Feng-Lei Chen, Ivan Lam
Coordinators, Shanghai Crew: Wing Or, Cindy Chan
Assistant Production Managers, Shanghai Crew: Q. Leung, Tracy Yip
Production Assistants, Shanghai Crew: Ling Miao, Max Yang
Accountants, Shanghai Crew: Edmond Foon, Sheilla Tse
First Assistant Director, Shanghai Crew: Sylvia Liu
Second Assistant Director, Shanghai Crew: Dillon Xiang
Transport & Action Vehicle Coordinator, Shanghai Crew: Martin Lau
Stunt Coordinator, Shanghai Crew: Joe Chi
Location Managers, Shanghai Crew: Fan-Hua Meng, Hai-Sheng Wang, Hong Zhao
Premier Caterers Supervisor: Peter Titterrell
Premier Caterers Chef: Tony Judd
Premier Caterers Coordinator: Caroline Moore
Catering Supervisor: Michael O'Farrell
Chefs: Michael Cox, Richard Carmen
Conservation Consultant: Simon Nobes
Town Planning Consultant: Janet Long
Near Set Dailies Technicians: Tom Mitchell, Jody Neckles
EFilm Colourist: Marc Lulkin
EFilm Operators: John Bush, Lindsey Morrow
EFilm Dailies Project Manager: Alex Parrett
Company 3 Colourists: Mitch Paulson ASC, Adam Glasman
Company 3 On-Line Editor: Emily Greenwood
Company 3 Head of Department: Patrick Malone
Company 3 Producer: Rob Farris
Company 3 Assistant Producer: Cheryl Goodbody
Company 3 Assistants: Peter Collins, Aurora Shannon
Company 3 Technical Supervisor: Laurent Treherne
Company 3 Film Bureau: Fiorenza Bagnariol, Timothy P. Jones, Laura Pravone, Gordon Pratt
Company 3 Data Manager: Dan Helme
Company 3 Systems Administrator: Neil Harrison
Executive Producer for Company 3: Stefan Sonnenfeld ASC
DNEG Supervisor: Andrew Whitehurst
DNEG Producer: Melinka Thompson-Godoy
DNEG Executive Producer: Dominic Sidoli
DNEG 3D Supervisor: Bruno Baron
DNEG Senior 2D Supervisor: Steve J. Sanchez
DNEG Line Producer: Paul Driver
DNEG Coordinators: Genevieve Claire, Sara Khangaroot, Emma Moffat
DNEG Editor: Samwise Lane
DNEG CG Supervisors: David Basalla, Pascal Loef, Nick Pitt-Owen
DNEG 2D Supervisors: Mike Brazelton, John Galloway, Jason Halverson
DNEG Matchmove Supervisor: Ryan Seymour
DNEG Digital Matte Painter: Nathan Hughes
DNEG Animator: Andy McEvoy
DNEG FX Lead: Pablo Gimenez
DNEG 3D Leads: Chi Kwong Lo, Gal Rotter, Fabio Zangla
DNEG Compositing Leads: Eva Matthes, Michael Ranalletta, Dan Snape, Jan Van De Laar, Helen Wood
DNEG Roto/Prep Lead: Thomas Steiner
DNEG Data Manager: Miles Drake
DNEG Research and Development: Matthew Warner
DNEG Tech Department: Daire Byrne
MPC Supervisor: Arundi Asregadoo
MPC Producer: Philip Greenlow
MPC 2D Supervisor: Matthew Packham
MPC CG Supervisor: Sheldon Stopsack
MPC Line Producer: Gracie Edscer
MPC Coordinators: Lara Lom, Claire McLaughlin, Holly Price
MPC Digital Leads: Richard Baillie, Benjamin Bratt, Dan Copping, Brad Floyd, Dave Griffiths, Sameer Malik, Jerome Martinez, Mayek Rancel, Martin Riedel, Izzy Buco, Isabelle Rouselle, Peter Salter
Cinesite Supervisor: Jon Neill
Cinesite Producer: Carrie Rishel
Cinesite CG Supervisors: Axel Axelson, Richard Bell
Cinesite Compositing Supervisors: Zave Jackson, Helen Newby
Cinesite Coordinator: Michelle Rose
Cinesite Lead Animator: Tom O'Flaherty
Cinesite Animators: Paul Lee, Dimitar Bakalov
Cinesite CG Lighting Artists: Nikos Gatos, Mark Stepanek
Cinesite Rigger: Rick Boyle
Cinesite Lead FX TD: Jan Berner
Cinesite Roto/Prep Artist: Oliver Hager
Cinesite Photography: Paul Amiras, Aviv Yaron
Cinesite Editor: Andrew Stevens
PCC Supervisor: Paul Docherty
PCC Producer: Diane Kingston
PCC CG Artists: Robert Loudil, Tim Ollive, Roger Rosa
PCC Digital Matte Artist: Jim Bowers
PCC Senior Compositor: Paul Round
PCC Editor: Simon Gretton
Nvizible Producer: Kristopher Wright
Nvizible Supervisor: Hugh MacDonald
Nvizible CG Supervisor: Martin Chamney
Nvizible Coordinator: Lisa Kelly
Nvizible CG Lead: Stefan Gerstheimer
Nvizible Animator: David Beyan
Lola|VFX Supervisor: Edson Williams
Lola|VFX CG Supervisors: Colin Strause, Greg Strause
Lola|VFX Producer: Thomas Nittmann
Lola|VFX Lighting TD: TJ Burke
Lola|VFX Character TD: David Michaels
Lola|VFX Lead Compositor: Loeng Wong-Savun
Lola|VFX Senior Lighting TD: Yuji Yagasaki
Bluebolt 2D Supervisor: Ed Hawkins
Bluebolt Compositors: Jan Gilfoyle, Niki Papp, Simon Rowe, Fani Yassiadi
Bluebolt Coordinator: Mark Webb
Daniel Craig's Tailored Clothing: Tom Ford
Cameras: Alexa M, Alexa Plus, Alexa Studio & Red Epic (2.8K ARRIRAW)
Lenses: Arri Master Primes & Angenieux Optimo Zooms
AR: 1.90:1 (IMAX Version), 2.39:1 (3-Perf Super 35mm)(5K Redcode RAW: Some Shots)
Budget: 150-200 Million USD
Budget AFI (2022): 182.1-242.8 Million USD
Printed on: Kodak Vision 2383
Editing Equipment and Support by: Hireworks
Main Titles Produced by: Rattling Stick
Music Recorded & Mixed At: Abbey Road Studios & Sphere Studios, London
Music Preparation by: Global Music Services
Electrical Equipment Supplied by: Panalux
Computer Graphics Design and Animation by: Blind LTD
Aerial Team Camera Helicopters by: Flying Pictures & GDH Aviation Turkey
Close Range Aerial Photography by: Flying-Cam
Turkish Production Services by: Anka Films
Turkish Crew Air Ambulance Service by: Skyline Aviation
Chinese Production Services by: Champion Star Pictures Limited
UK Catering by: Premier Caterers LTD
Turkish Catering by: Bunk Catering & Turkuaz Catering
Cinemascan Digital Dailies Provided by: EFilm
Digital Intermediate Provided by: Company 3 London
Previz & Visual Effects by: MPC, Destroy All Monsters, Double Negative, Cinesite, Peerless Camera Company, Nvizible, Lola|VFX & Bluebolt
Camera & Grip Equipment Supplied by: Panavision London & ARRI Media
Prints Provided by: Deluxe Laboratories London
Score Album on: Sony Classical
Filmed at: Pinewood Studios & Longcross Studios, London, England
Filmed on Location in: Turkey, China, Japan, Scotland & England
Attribute: Filmed in Panavision

Director: Sam Mendes
Co-Producer: Daniel Craig
Co-Producers: Andrew Noakes, David Pope
A Camera Operator: Lukasz Bielan SOC
Sound Recordist: Stuart Wilson
Electrical Supervisor: David Smith
Second Unit Production Manager: Russell Lodge
Second Unit First Assistant Director: Terry Madden
Supervising Location Manager: Emma Pill
Re-Recording Mixers: Scott Millan, Gregg Rundolf
Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers MPSE
Associate Film Editor: John Lee
Post Production Supervisor: Michael Solinger
Make Up Designer: Naomi Donne
Hair Designer: Zoe Tahir
Mr. Craig's Make Up: Donald Mowat
Wardrobe Supervisor: Kenny Crouch
Publicity and Marketing: Stephanie Wenborn
Promotions: Jenni McMurrie
Supervising Art Director: Chris Lowe
Set Decorator: Anna Pinnock
Prop Master: Ben Wilkinson
Construction Manager: Stephen Bohan
Stills Photographer: Jonathan Olley
Production Visual Effects Producer: Leslie Lerman
Key Unit Production Manager: Angus More Gordon
Unit Production Manager (UK): Janine Modder
Location Production Managers: Nick Laws, Nick Fulton, Martin Joy, James Grant
Production Visual Effects Supervisor: Steven Begg
Associate Producers: Gregg Wilson, Jayne-Ann Tenggren
Unit Production Manager/Executive Producer: Callum McDougall
First Assistant Director: Michael Lerman
Key Second Assistant Director: Ben Dixon
Casting Director: Debbie McWilliams CSA
Main Titles Designer: Daniel Kleinman
Special Effects & Miniature Effects Supervisor: Chris Corbould
Stunt Coordinator: Gary Powell
Second Unit Director: Alexander Witt ASC ACC
Costume Designer: Jany Temime
Film Editor: Lee Smith ACE
Director of Photography: Hoyte van Hoytema ASC NSC FNF
Production Designer: Dennis Gassner
Composer/Conductor: Thomas Newman
Performer, "Writing's on the Wall": Sam Smith
Screenplay & Story Writers: John Logan, Neal Purvis, Robert Wade
Screenplay Writer: Jez Butterworth
Producers: Michael G. Wilson, Barbara Broccoli
==============
Cinematographer (The Edge Crew): Ronald Hersey
US Casting Consultant: Debra Zane CSA
Fight Arranger: Oliver Schneider
Ass't Stunt Coordinators: Lee Morrison, Craig Silva
Ass't Fight Arrangers: Yves Girard, Patrick Vo
Training Coordinator: Nikki Berwick
Stunt Department Coordinator: Ami Verge
Production Supervisors: Hannah Godwin, Kate Garbett, Lulu Morgan
Add'l 1st Ass't Directors: Dominic Fysh, George Walker
2nd Assistant Directors: Terence Madden, Joey Coughlin, Chloe Chesterson
3rd Assistant Director: Frazer Fennell-Ball
4th Assistant Director: Holly Gardner
5th Assistant Director: Eileen Yip
6th Assistant Director: Clare Glass
7th Assistant Director: Mark Cockren
8th Assistant Director: Robert Madden
Production Executive (Mexico): Tony Broccoli
2nd Unit DoP: Jallo Faber
2nd Unit Add'l DoP: Alan Stewart BSC
VFX/Miniature Unit DoP: Peter Talbot
B-Camera/Steadicam Operator: Julian Morson ACO
2nd Unit A-Camera Operators: Clive Jackson, Gary Spratling, Peter Field
Add'l Camera Operator: Carlos de Carvalho
1st Assistant A-Camera: Julian Bucknall
1st Assistant B-Camera: Leigh Gold
2nd Unit 1st Ass't A-Camera: Dean Thompson, Chris Summers
2nd Unit 1st Ass't B-Camera: Sean Connor
Digital Imaging Technician: Peter Welch
2nd Unit 2nd Ass't C-Camera: Tom Wade
2nd Unit 2nd Ass't A-Camera: Bruno Witt
Wire Camera Operator: Gavin Weatherall
Stunt Driver (The Edge Crew): Robert Dean Bailey
Edge Arm Operator: Jason Tubbs
Edge Head Technician: Patrick Redmond
Rigging Gaffer: Warren Evans
2nd Unit Gaffer: Eddie Knight
Production VFX Editor: Billy Campbell
1st Assistant Editor: Emma McCleave
Ass't Film Editor: Jeremy Richardson
Apprentice Film Editor: Gemma Bourne
Post-Production Coordinator: Juan Carlos Vasquez
Art Directors: Ben Collins, Dean Clegg, Andrew Bennett, Mark Harris
Standby Art Directors: Pete James, Oliver Van Der Vijver
3D Set Designer: Gregory Fangeaux
Co-Set Decorator: Sophie Newman
Ass't Prop Master: Matthew Cooke
Music Editors: Bill Bernstein, Yann McCullough, Peter Clarke
Score Recordist/Mixer: Simon Rhodes
Creative Supervisor (Graphics): John Hill
Motion Graphics Lead: Barry Corcoran
Senior Concept Designer (Graphics): Simon Cassels
CG Supervisor (Graphics): Andy McNamara
Executive Producer (Graphics): Kristy May Currie
Head of Operations (Graphics): Joce Capper
Head of Production (Graphics): Jules Pye
Digital Playback Supervisor: Chris McBride
Development Consultant: Peter Ettedgui
SFX Floor Supervisors: Peter Notley, Ian Lowe
SFX Lead Workshop Supervisor: Kevin Herd
SFX Workshop Supervisors: Daniel Homewood, Thomas Murtagh, Roy Quinn, John Van Der Pool
SFX Wire Supervisor: Stephen Crawley
Production SFX Coordinator/Buyer: Lynne Corbould
Production SFX Technician: Tony Edwards
SFX Consulting Engineer: Alan Cavell
Production SFX Modeler: Toby Marrow
Production SFX Assistant: Abigail Hindle
SFX Administrative Assistant: Felicity Corbould
Camera Helicopter Pilots (Aerial): Fred North, Craig Hosking
Camera Helicopter Pilot/Aviation Consultant (Aerial): Marc Wolff
Aerial Unit DoPs: Hans Bjerno ASC, John Marzano
Aviation Consultant (Aerial): Mike Woodley
Aerial Unit Consultant (Mexico): Charlie Arneson
Associate VFX Supervisor: Andrew Whitehurst
VFX Production Managers: Samantha Townend, Ben Aghdemi
Production VFX Coordinator: Simon Bennett-Leyh
Production VFX Data Wranglers: Jack Hughes, Giles Harding, Wesley Froud, Ed Price
VFX Lead Post-Visualization Artist: Matt Tinsley
Production VFX Assistant: Matthew Ness
ILM Senior Visual Effects Supervisor: Mark Bakowski
ILM Visual Effects Supervisor: Chris Harvey
ILM Associate Visual Effects Supervisor: Greg Kegel
ILM Animation Supervisor: Michael Eames
ILM Visual Effects Producers: Tim Keene, Claudia Lecaros
ILM CG Supervisor: Laurent Hugueniot
ILM Generalist Supervisor: Clement Gerard
ILM Compositing Supervisors: Dan Snape, Matt Lane
ILM Visual Effects Editor: Conor Byrne
ILM FX Supervisor: Pete Kyme
ILM CG Leads: Casey Yahnke, Edmund Kolloen, Enrik Pavdeja, Kate Lee, Jo Plaete
ILM CG Animation Supervisor: Gang Trinh
ILM CG FX Technical Director: Amit George Kuruvilla
ILM CG Layout Lead: John Sissen
ILM CG Generalist Lead: Kevin George
ILM CG Digital Matte Lead: Stephen Ellis
ILM Visual Effects Production Manager: Laurel Montgomery
ILM Visual Effects Line Producer: Edward Randolph
ILM Production Coordinators: Angelika Schierz, Sam Hodge, Samantha Dark, Shawn Smolensky, Timothy Trimmings, YiShan Koh
ILM Production Assistants: Andrew Draper, Justine Watkins, Rebecca Jones
ILM Additional Editor: Nicolas Anastassiou
ILM Senior Head of Production: Randal Shore
ILM General Manager & EVP: Lynwen Brennan
ILM Head of Production: Sue Lyster
DNEG VFX Supervisor: Jonathan Knight
DNEG VFX Producer: Ken Dailey
DNEG Compositing Supervisor: Daniel Rauchwerger
DNEG Lead Sequence Lighter: Anthony Chadwick
MPC Senior VFX Supervisor: Mark Curtis
MPC VFX Supervisor: Jessica Norman
MPC VFX Producer Laura Schultz
MPC 2D Supervisor: Jan Dubberke
MPC CG Supervisor: Bryan Litson
MPC VFX Production Managers: Georgina Street, Nick Thompson
Cinesite VFX Supervisor: Zave Jackson
Peerless VFX Producer: Drew Jones
Peerless VFX Supervisor: Paul Round
Peerless VFX Line Producer: Robert Vassie
Peerless VFX Editor: Simon Gretton
Peerless Junior Compositor: Danit Klibansky
Bluebolt VFX Supervisor: Stuart Bullen
Bluebolt VFX Producer: Jan Guilfoyle
Bluebolt VFX Coordinator: Panos Theodoropoulos
Bluebolt Compositors: Finlay Duncan, Daniel Gardner
Supervising Dialogue & ADR Editor: Chris Jargo
Rattling Stick Main Titles Producer: Johnnie Frankel
Framestore Main Title Sequence VFX Supervisor: William Bartlett
End Titles Designers: Pauline Hume, Ian Grech
Mexican Co-Producer (Mexico Crew): Stacy Perskie Kaniss
Unit Production Manager (Mexico Crew): Rafael Cuervo
Production Manager (Mexico Crew): Gildardo Martinez
1st Ass't Director (Mexico Crew): Javier Clave
2nd Ass't Directors (Mexico Crew): Stephanie Correa, Miguel Necoechea
3rd Ass't Directors (Mexico Crew): Eric Calatayud, Alejandro Aguado
Stunt Coordinator (Mexico Crew): Gerardo Moreno
C-Cam Op (Mexico Crew): Luis David Sansans AMC
A-Cam Op (Mexico Crew): Marc Bellver
B-Cam Ops (Mexico Crew): Felipe Perez-Burchard, Eduardo Flores Torres AMC, Kenji Katori
Gaffer (Mexico Crew): Carlos Sanchez
Art Director (Mexico Crew): Carlos Jacques
Set Decorator (Mexico Crew): Daniela Rojas
Ass't Set Decorator (Mexico Crew): Mariana Castaneda
Prop Master (Mexico Crew): Patricia Cuevas
SFX Supervisor (Mexico Crew): Alejandro Vasquez
Action Vehicle Coordinators (Mexico Crew): Ricardo Gallarzo, Hector Salomon
Music Arranger (Mexico Crew): Yamil Rezc
Line Producer (Italy Crew): Roberto Malerba
Italian Production Consultant (Italy Crew): Enzo Sisti
Production Manager (Italy Crew): Erik Paoletti
Aerial Unit Coordinator (Italy Crew): David Ambroni
1st Ass't Director (Italy Crew): Inti Carboni
Add'l 1st Ass't Dir (Italy Crew): Alessia Silvetti
2nd Ass't Directors (Italy Crew): Nicola Marzano, Chiara Frosi, Alice Filippi, Luca John Rosati
3rd Ass't Director (Italy Crew): Jacopo Ardemagni
Art Director (Italy Crew): Tamara Marini
Set Decorator (Italy Crew): Anca Gabriela Rafan
Prop Master (Italy Crew): Stefano Carbonaro
Gaffer (Italy Crew): Stefano Marino
Rigging Gaffer (Italy Crew): Pino Meloni
Action Vehicle Coordinator (Italy Crew): Alex Wayaffe
SFX Coordinator (Italy Crew): Franco Ragusa
Stunt Coordinator (Italy Crew): Franco Salamon
Austrian Line Producer (Austria Crew): Wolfgang Ramml
Production Manager (Austria Crew): Jasmina Torbati
Production Supervisor (Austria Crew): Ernst G. Vogl
Production Coordinator (Austria Crew): Irene Kainz
Aerial Unit Coordinator (Austria Crew): Marcel Tinzl
3rd Ass't Director (Austria Crew): Marie-Therese Hildenbrandt
SFX Supervisor (Austria Crew): Matthias Brandhofer
Snow Consultant (Austria Crew): Stefan Zurcher
Ass't Consultants (Austria Crew): Ernst Michel, Flavio Schneider
Moroccan Line Producer (Morocco Crew): Zak Alaoui
Ass't Art Director (Morocco Crew): Sami Gaidi
1st Ass't Directors (Morocco Crew): Ahmed Hatimi, Tarik Ait Ben Ali
2nd Ass't Director (Morocco Crew): Yann Mari-Faget
3rd Ass't Director (Morocco Crew): Hamza Regragui
Key Location Manager (Morocco Crew): Driss Gaidi
Set Decorator (Morocco Crew): Abdenbi Izlaguen
SFX Assistants (Morocco Crew): Brahim Ait, Abdella Ouali
Picture Vehicles Coordinator (Morocco Crew): Mounir Badia
DI Colorist: Greg Fisher
CO3 Head of Operations: Clare McGrane
CO3 Head of Production: Todd Kleparski
DI Senior Producer: Kim Honeyman
DI Ass't Producer: Kira Fitzpatrick
DI Technical Supervisor: John Quartel
DI Editors: Emily Greenwood, Stuart Nippard, Mike Austin
DI Assistants: Lucie Barbier, Chris Francis
DI Film Bureau: Fiorenza Bagnariol, Laura Pavone, Dan Perry, Robert Roach
DI Data Wranglers: Dan Helme, Gavin McCarron
DI Systems Administrator: Adam Davies
DI Executive Producer: Stefan Sonnenfeld ASC
Dailies Colorist: Darren Rae
Additional Dailies Colorist: James Slattery
Head of Production (Dailies): Jon Gray
Dailies Producers: John Bush, Steve McGowan, Alex Parrett
Dailies Operators: Jo Barker, Aaron Coot, John Maltby, Doychin Margoevski
Filming Dates: 6 December 2014 - 5 July 2015
Cameras: Arriflex 235, 435 ES, Alexa 65, XT M, VistaVision, Panaflex XL2 & Red Epic Dragon (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 3.4K/6.5K ARRIRAW)
Lenses: Panavision Primo AL & SL Primes, C-, E-Series Anamorphic Primes, Anamorphic Telephoto Zoom, Anamorphic Wide-Angle 2:1 Zoom, Primo 70 Primes, Arri Master Anamorphic Primes & Zeiss Master Primes
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Mexico Sequence)(Panavision Super 70: Ending Bridge Scene)(6K Redcode RAW: Aerial Shots)
Budget: 245-300 Million USD
Score Recorded & Mixed at: Abbey Road Studios
Main Visual Effects & Animation Provided by: Industrial Light & Magic, Moving Picture Company, Double Negative, Cinesite + Peerless
Visual Effects Provided by: Bluebolt
Main Title Sequence Designed by Framestore
Digital Intermediate Provided by: Company 3
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision

Director / Screenplay / Story Writer: Cary Joji Fukunaga
Co-Producer: Daniel Craig
Co-Producers: Andrew Noakes, David Pope
A Camera / Steadicam Operator: Jason Ewart
Production Sound Mixer: Simon Hayes AMPS CAS
Electrical Supervisor: David Sinfield
Publicity and Marketing: Stephanie Wenborn
Promotions: Jenni McMurrie
Stills Photographer: Nicola Dove
Post Production Supervisor: Michael Solinger
Re-Recording Mixers: Paul Massey, Mark Taylor
Supervising Sound Editor: Oliver Tarney
Overall Visual Effects Producer: Mara Bryan
Overall Visual Effects Editor: Billy Campbell
First Assistant Editors: Martin Corbett, Elise Anderson
Hair & Makeup Designer: Daniel Phillips
Personal Hair Stylist to Mr. Craig: Zoe Tahir
Personal Make-Up to Mr. Craig: Polly Earn
Costume Supervisor: Sarah Robinson
Supervising Art Director: Chris Lowe
Set Decorator: Veronique Melery
Construction Manager: Stephen Bohan
Prop Master: Ben Wilkinson
Key Unit Production Manager: Katherine Tibbetts
Supervising Location Manager: Ben Piltz
Location Production Managers: Matt Jones, Martin Joy
Second Unit First Assistant Director: Dominic Fysh
Associate Producer: Gregg Wilson
Production Visual Effects Supervisor: Charlie Noble
Unit Production Manager: Chris Brock
First Assistant Director: Jon Mallard
Key Second Assistant Director: Matthew Sharp
Casting Directors: Debbie McWilliams, Jemima McWilliams
Main Titles Designer: Daniel Kleinman
Special Effects & Action Vehicles Supervisor: Chris Corbould
Supervising Stunt Coordinator: Oliver Schneider
Stunt Coordinator: Lee Morrison
Second Unit Director / Director of Photography: Alexander Witt ASC ACC
Costume Designer: Suttirat Anne Larlarb:
Film Editors: Tom Cross ACE, Elliot Graham ACE
Director of Photography: Linus Sandgren ASC FSF
Production Designer: Mark Tildesley
Composer: Hans Zimmer
Composer, Unused Music: Dan Romer
Composer, Additional Music/Score Producer: Steve Mazzaro
Performer / Writer, "No Time to Die": Billie Eilish
Writer, "No Time to Die": Finneas O'Connell
Executive Producer: Chris Brigham
Screenplay / Story Writers: Neal Purvis, Robert Wade
Screenplay Writers: Phoebe Waller-Bridge, Paul Haggis
Producers: Michael G. Wilson, Barbara Broccoli
Second Unit Stunt Coordinators: Yves Girard, Boris Martinez
Assistant Stunt Coordinators: Pete White, James Edgell
Stunt Department Manager: Matthew Star Sampson
Stunt Department Coordinator: Leah Breckman
Fight Coordinator: Patrick Vo
Head Stunt Rigger: Grant Wiesinger
Assistant Head Stunt Rigger: Marc Mailley
Stunt Riggers: Voytek Modrzewski, Scott Hillier, Johnny Waligh, Charles Ramsay, Will Dent, Tolga Kenan, Ilko Iliey
Bike Ramp Team: George Eccleston, John Bailey
Stunt Grounds Work: Justin Barclay
Stunt Health and Safety Advisor: Kameren Melford
Stunt Department Assistant: Arif Macaco
Fight Arranger: Gregory Loffredo
Lead Bond Stunt Double: Jean-Charles Rousseau
Production Supervisor: Samuel Sharpe
Additional Production Supervisors: Samantha Arnold, Lulu Morgan
Production Coordinator: Adele Steward
Additional Production Coordinators: Kirsty Squibb, Monique Brown, Stefania Monetti
Script Supervisor: Sylvia Parker
Second Unit Script Supervisor: Susie Jones
Assistant Script Supervisors: Jenny Wood, Marie Lacey
Consultants, Script: Nick Cuse, Jenny Robins
Partnerships Licensing Consultants, Finck Global: Niki Turner, Suzy Littlejohn, Samantha Blanchard
Eon Head of Creative: Heather Callow
Licensing: Michael Tavares
Eon Publicist: Rosie Moutrie
Splinter Unit Director of Photography: Jo Eken Torp FSF
A Camera Operator: Chris Plevin
B Camera Operators: Ossie McLean, Oliver Loncraine
Second Unit A Camera Operators: Clive Jackson, Gary Spratling ACO
Second Unit C Camera Operators: Tim Wooster, Peter Field
Splinter Unit Camera First Assistant: Endre Torp
IMAX Technicians: Stuart MacFarlane, Mike Hintermeister
Panavision Technicians: Amanpreet Sahota, Raymond Fisher, Francesco Scopellti
Second Unit Gaffer: Toby Tyler
Rigging Gaffer: Toom O'Sullivan
2nd VFX Editor: Carlo Milillo
Senior Art Director: Mark Harris
Ass't Prop Master: Matthew Cooke
Ass't Set Decorator (JAM & IT): Luc Grootaert
Junior Ass't Set Decorator: Alice Phelps
SFX Floor Supervisors: Ian Lowe, John Van Der Pool
Production SFX & Action Vehicles Buyer & Coordinator: Lynne Corbould
SFX Workshop Supervisors: John Arnitt, Michael Fox, Kevin Herd, Dan Homewood, Tom Murtaugh
Action Vehicle Supervisor: Neil Layton
Wire SFX Supervisor: Steve Crawley
SFX Consulting Engineer: Alan Cavell
Automation Senior SFX Technicians: Andrew Smith, Alex MacBride
Production SFX Technician: Toby Marrow
SFX Ass't Technician: Marc Headland
Animatronic Model Designer: Lindsay Harris
Production SFX Rigger: Jim Bubsy
Picture Vehicle Coordinator: Gary Weekes
Picture Vehicle Department Coordinator: Mandy Weekes
Picture Vehicle Workshop Supervisor: Andy Ellis
Water Safety Supervisor: James Mitchell-Clyde
Picture Aircraft Coordinator: Steven Moth
Aerial Unit DoP: John Marzano
Aerial Unit Camera Operator: Phil Arntz
Drone Unit DoP/A-Cam Op: Andrew Rowlands SOC
Drone Unit B-Camera Operator: Steve Koster
Drone Unit C-Camera Operator: Stephen Oh
Co-Supervising Sound Editor: James Harrison
Sound FX Designers: Michael Fentum, Bryan Bowen, Eilam Hoffman
Music Supervisor: Randall Poster
Supervising Music Editor: Chris Benstead
Electric Guitar Musician: Johnny Marr
Trumpet Musician: Arturo Sandoval
2nd VFX Producer: Anna V. James
2nd Unit VFX Supervisor: Richard Bain
VFX Production Manager: Alex Belgeonne
Senior VFX Coordinator: Lisa Wakeley
Production VFX Data Wrangler: Steven Barham
TPO VFX Supervisor: Matthew Tinsley
DNEG VFX Supervisor: Joel Green
DNEG VFX Producer: Paul Edwards
DNEG Global Head of Production: Rohan Desai
DNEG Senior Stereo Supervisor: Barry O'Brien
DNEG Stereo Producer: Richard Edwards
DNEG Senior Vice President (Stereo): Lindsay Kaiser
DNEG Head of Production: Gaurav Jain
Framestore VFX Supervisor: Jonathan Fawkner
Framestore VFX Producer: James Turner
Framestore Creative Supervisors (Main Titles): Stephen Goalby, Jules Janaud
Framestore Head of 2D (Main Titles): Suzanne Jandu
Framestore Main Titles Producer: Victoria Lovejoy
ILM Senior VFX Supervisor: Jeff White
ILM Lead VFX Supervisor: Mark Bakowski
ILM VFX Supervisor: Gerard Diefenthal
ILM Associate VFX Supervisor: Bruno Baron
ILM Compositing Supervisors: Denis Scolan, Siskit Boonyodom
ILM VFX Producer: Rob Shears
ILM CG Supervisor: Steve Ellis
ILM Production Managers: Kane Stewart, Eranke Weerasuriya
ILM Lighting Technical Directors: Boyan Baynov, Leonardo Bianchi
ILM Animation Supervisor: Gang Trinh
ILM Lead Compositor: Wesley Roberts
ILM VFX Production Manager: Donna Smith
ILM VFX Line Producer: Guillaume Roche
ILM VFX Production Coordinator: Lauren Nichol
ILM Senior VFX Coordinator: Matteo Veglia
Cinesite VFX Supervisor: Salvador Zalvidea
Cinesite VFX Producer: Martina Silharova
Cinesite VFX Editor: Chris Learmonth
Cinesite VFX Production Manager: Peter Orliff
Lola VFX Supervisor: Loeng Wong-Savun
Lola VFX Compositing Supervisor: Edson Williams
Lola VFX Executive Producer: Thomas Nittmann
Lola VFX Accountant: Jamie Lefebvre
Lola VFX Producers: Allison Glennon, Allison Paul
Lola VFX Pipeline Engineers: Scott Jepson, Jason Gandhi
Lola VFX Editor: John Polyson
Lola VFX Matte Painters: Sun Lee, Rob Olsson
Blind CG Supervisor: Andrew Booth
Blind CG Producer: Helen Baker
Blind Screen Graphics Designer: Miles Corless
Territory Studio VFX Supervisor: Andrew Popplestone
Territory Studio Graphics Supervisor: Clayton Welham
Territory Studio Motion Graphics Artist: Sam Keehan
Territory Studio Graphics Producer: Amy Smith
Territory Studio Executive VFX Producer: Tom McLaughlin
Rattling Stick Main Titles Producer: Johnnie Frankel
End Titles Designer: Matt Curtis
Line Producer (Norway): Per-Henry Borch
Unit Production Manager (Norway): Tor Arne Øvrebø
Gaffer (Norway): Thor Erik Løkken
Supervising Location Manager (Norway): Jonas Fylling Christiansen
Ice Consultant (Norway: Ice Work): Thomas Orderud
Ass't Set Decorator (Norway): Hedda Virik
SFX Supervisor (Norway): Pål Morten Hverven
Line Producer (Jamaica): Natalie Thompson
Art Director (Jamaica): Michelle 'Sim' Clarke
Ass't Set Decorator (Jamaica): Donna Noble
Floor 3rd Ass't Dir (Jamaica): Kurt Wright
Gaffer (Jamaica): Earl Brown
Props Master (Jamaica): Michele Braham
Ass't Props Master (Jamaica): Dwight 'Courtney' Durant
Ass't Picture Vehicle Coordinator (Jamaica): Jason Lawson
SFX Supervisor (Jamaica):Dwight Ramsay
SFX Technician (Jamaica): Byron Smith
Production Manager (Scotland): Mally Chung
Line Producer (Italy): Enzo Sisti
Production Manager (Italy): Vito Colazzo
Art Director (Italy): Tamara Marini
Ass't Art Director (Italy): Romolo Pompa
Co-1st Ass't Director (Italy): Gwyn Sannia
1st Ass't Director (Italy: West Coast): Leopoldo Pescatore
2nd Ass't Director (Italy): Alessandra Fortuna
Supervising Location Manager (Italy): Robin Melville
Props Master (Italy): Antonio Murer
Picture Vehicle Coordinator (Italy): Mike O'Shea
SFX Supervisor (Italy): Pasquale Catalano
SFX Pyrotechnic Supervisor (Italy): Danilo Bollettini
Stunt Coordinator (Italy): Franco Maria Salamon
Ass't Stunt Coordinator (Italy): Giorgio Antonini
Exec Producer (Faroe Islands): Jon Bjarni Gudmundsson
Production Manager (Faroe Islands): Jon Hammer
Supervising Digital Colorist: Matt Wallach
Add'l Finishing Colorist: Chris Francis
Senior Finishing Editor: Tom Sudgen
Finishing Editors: Stuart Nippard, Nikoleta Lanakova, Shing Hong Chan, Mike Austin
Finishing Producers: Leigh Myers, Hannah Perkins, Laura Metcalfe
Finishing Coordinator: Francois Kamffer
CO3 Production Coordinator: Cody Cardarelli
Executive Finishing Producer: Stefan Sonnenfeld ASC
Dailies Producer: Gemma Saunders
CO3 Head of Imaging: Paul Doogan
CO3 Head of Production: Todd Kleparski
CO3 Account Executive: Jon Gray
CO3 Head of Operations: Claire McGrane
Vision3 Stereoscopic Supervisor: Chris Parks
Vision3 Stereo Producer: Vanessa Anderson
Vision3 Stereo Production Manager: Peter Amies
Vision3 Stereographer: Angus Cameron
Vision3 3D Editor: Steven Mates
Vision3 3D Coordinators: Katie Mitchell, Anders Johannes Bendstrup
Filming Dates: March 2019 (2nd Unit Filming), 28 April 2019 - 25 October 2019, December 2019 (Pick-Up Shots)
Cameras: Arriflex 235, 435 ES, 765, IMAX MKIV, MSM 9802, Panaflex XL2 & System 65 Studio (35mm/65mm 50D 5203/250D 5207/500T 5219)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, Sphero 65 Primes, Hasselblad Primes & Zeiss 765 Primes
AR: 1.43:1 (IMAX Laser Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic)
Budget: 250-301 Million USD
EPK Provided by: The Workhouse Picture Company
Social and Digital Media Capture by: Accelerated Intelligence
Shot on: Kodak Motion Picture Film
Score Recorded at: Air Lyndhurst
Score Mixed at: Remote Control Productions
In-House Visual Effects Provided by: TPO VFX
Visual Effects, Graphics, Animation, Main Title Sequence & 3D Stereo Conversion Designed by: Industrial Light & Magic, Double Negative, Framestore, Cinesite, Lola VFX, Blind LTD + Vision3
Color, Finish & Dailies Provided by: Company 3
Attribute: Filmed in Panavision/IMAX