Goldfinger 1964 premiere

Long before Bea Arthur, Estelle Getty and company showed up in 1980s TV households, Hollywood had, in effect, its own original "Golden Girl"...literally...in the form of stunning British actress Shirley Eaton. Although she found definitive cult stardom in 1964 with her final golden moment in a certain "007" film, Shirley was hardly considered an "overnight success". For nearly a decade, she had been out and about uplifting a number of 1950s and early 1960s British dramatic films and slapstick farce. Shirley became quite a sought-after actress internationally but, by the end of the decade, the dark-browed blonde beauty intentionally bade Hollywood and her acting career a fond and permanent farewell. She has never looked back.

Born in Edgware, Middlesex, England on January 12, 1937 (some references incorrectly list her birth year as 1936), Shirley Jean Eaton began on stage as a youth, making her debut at age 12 in "Set to Partners" (1949) and following it up the following year with Benjamin Britten's "Let's Make an Opera". Her first on-camera work was on TV in 1951, but it didn't take long before the pretty teen began to provide fleeting, decorative interest on film. Under contract to Alexander Korda in her early career, she found an encouraging break with minor parts in such comedies as Doctor in the House (1954) and The Love Match (1955). She quickly rose to co-star status in the droll features, Panic in the Parlor (1956), Three Men in a Boat (1956), Your Past Is Showing (1957) and Doctor at Large (1957), while appearing opposite such top stars as Peter Sellers and Dirk Bogarde, among others.

Upon Korda's death in 1956, Shirley briefly joined the Rank Organization. Every once in awhile, she relished playing a fetching villainess in a drama, such as in The Girl Hunters (1963) when not playing it straight as the beautiful foil caught up in some of Britain's finest madcap farces, which included the highly popular "Carry On" movies. Trained also in ballet and voice, Shirley was afforded a great chance to sing and dance with the film, Life Is a Circus (1960), and managed to grace the BBC as well in a few of their musical formats of the 1950s.

Shirley's career hit international status, of course, when she played "Jill Masterson", one of a bevy of beauties linked to titular archvillain Gert Fröbe in the film, Goldfinger (1964). And like many of the Bondian girls before and since, her character dearly paid for her furtive romantic clinches with Sean Connery's magnetic "James Bond". Shirley's memorable 24-karat gold death scene (She was found by Bond, painted head to toe in gold paint, and had "died of skin suffocation".), became the eye-catching draw for the movie. The image was splattered everywhere -- on movie posters, in press junkets and in publicity campaigns. Despite the formidable attention the movie received in the form of Honor Blackman's high-kicking "Pussy Galore" character and Shirley Bassey's famous rendition of the title song playing the airwaves, it was Eaton's gilded visuals that became THE iconic image of not only the movie but the whole "007" phenomena.

In its wake, Hollywood beckoned and Shirley immediately won a number of female leads in melodrama, crime yarns, war stories and rugged adventures. Adding to the mesmerizing Ivan Tors scenery in such movies as Rhino! (1964) and the underwater epic, Around the World Under the Sea (1966), she appeared opposite some of Hollywood best-looking and talented leading men, including Harry Guardino and Robert Culp of the afore-mentioned Rhino! (1964), and Hugh O'Brian in the classic whodunnit, Ten Little Indians (1965). During this highly productive time, her co-stars ranged from comedy legend Bob Hope in Eight on the Lam (1967) to horror icon Christopher Lee in The Blood of Fu Manchu (1968). Shirley's film career ended with her participation as "Sumuru", the ambitious leader of an all-woman's society called "Femina", in both The Million Eyes of Sumuru (1967) and The Girl from Rio (1969). Many of her movies remain interesting to the public today as they are a product reflective of their times, and a number of them, like she, have achieved cult status.

After Shirley's self-imposed retirement, she, first and foremost, dedicated herself to her family. The widow of building contractor Colin Rowe (they were married in 1957; he died in 1994), she has two sons, Grant and Jason, and is the proud grandmother of five. She also developed a special knack for writing and, in 1999, published her autobiography entitled "Golden Girl". In 2006, she marketed an "intimate diary" of poems. These days, the spectacular Shirley can be glimpsed from time to time at film festivals that very much appreciate her cult celebrity. She also enjoys painting and has made a return to the stage in recent years.

Maurice Kaufmann was born on 29 June 1927 in Gorleston, Norfolk, England, UK. He was an actor, known for Gorgo (1961), Die! Die! My Darling! (1965) and A Shot in the Dark (1964). He was married to Honor Blackman. He died on 21 September 1997 in London, England, UK.

Billed as "the black-haired volcano", sloe-eyed Laya Raki made international headlines in the 1950s, both on and off the screen. She was born Brunhilde Marie Joerns near Brunswick in Germany, the daughter of a German vaudevillian and circus artiste who earned his living with magic acts and acrobatics. Her Javanese mother left when she was five years old. Life was tough in the immediate aftermath of the war in occupied Germany and seventeen-year old Laya made ends meet by cashing in on the fad for erotic cabaret by performing striptease, initially at the Monte Carlo club in Berlin. With a solid background in ballet and having followed in her father's footsteps as an acrobat, she found herself perfectly suited to performing all manner of exotic and alluring dances. She was even credited with introducing the Cuban mambo to German audiences. With her long dark mane and high cheekbones, sultry and curvaceous Laya became an overnight success and photographed well as a pin-up. In 1948, she adopted her stage name, primarily based on her admiration for the (sadly short-lived) Ufa star La Jana. With her new-found fame as Germany's most popular night club performer came engagements in Scandinavia, Switzerland and Italy. Then film offers followed.

Hamburg-based producer Walter Koppel was first to secure her services for the comedy Die Dritte von rechts (1950), directed by Géza von Cziffra . There were several more pictures which showcased her hoofing and pirouetting skills, but nothing of note until 1953. A conman (bigamist and serial fraudster Arthur Howard Rowson, posing as big-time producer and director 'Major Michael Howard') effectively shanghaied Laya to London with offers of $500 per week and a personal contract. By the time she arrived in England, the German press had already begun circulating a story that she had been kidnapped. With her picture now in English papers, the penniless Rowson was quickly exposed and ended up 'doing porridge' at the Old Bailey. Fortunately for Laya (who was also without funds and unemployed), the old adage that pretty much all publicity is good publicity proved to be true. George H. Brown , a genuine producer at Rank, was on the lookout for an exotic-looking gal and was on hand to sign Laya for his upcoming picture Land of Fury (1954), being filmed at Pinewood Studios. The 22-year old would star opposite Jack Hawkins as the daughter of a Maori chief and perform a traditional dance. Since Laya had, as contemporary papers put it, "never been closer to New Zealand than the English Channel" local Maoris in Britain protested with their own war dance. That minor controversy notwithstanding, Laya went on to act and dance in other films, including the big budget MGM epic Quentin Durward (1955), starring Robert Taylor. She also had leading roles in the Austrian romance Roter Mohn (1956) (by now almost typecast, as a gypsy dancer) and in the West German comedy Küß mich noch einmal (1956) .

Publicity followed her everywhere. By the early 60s, Laya had been on the cover of Picturegoer, Parade, Vue, People and other magazines and postcards, usually wearing bikinis or other (trademark) revealing or scanty outfits. This all added to her popularity, as did a wardrobe malfunction in June 1961 at a hotel wine presentation during the Berlin Film Festival when her dress split open.

With acting lessons under her belt, Laya guested in American TV shows, including Hawaiian Eye (1959), Tales of Wells Fargo (1957) and I Spy (1965). Between 1963 and 1965, she provided the glamour element to Crane (1963), a British adventure series filmed partly on location in Morocco. In it, she was cast as Halima, a local dancer who works as bartender for the eponymous hero, played by Patrick Allen. She had few decent roles offered to her after that and she retired from the screen a year later in 1966. Until his death in 2005, Laya Raki was married to Australian actor Ron Randell. She appeared with him on stage in a 1971 Sydney production of "Come Live with Me". Her second husband was Duane O. Wood, a former vice president of Lockheed International.

The son of an accountant and the youngest of three boys, Ronald Egan Randell (pronounced Randall, not Ran-DELL) was born in Sydney on October 8, 1918, and began his six-decade-long career as a young teen on radio for the Australian Broadcasting Commission. He promptly moved to the stage and made his debut in the 1937 production of "Quiet Wedding" with the Minerva Theatre Group. He stayed with the company for several years while appearing intermittently in war propaganda short films.

Diagnosed with tuberculosis, Ron took a necessary trip to the United States and the Mayo Clinic for treatment. While there he found some work on both the stage and in radio and earned an unbilled bit part in the film noir classic To Have and Have Not (1944). Eventually returning to his native Australia, Ron won a starring role in the biopic Pacific Adventure (1946) as aviator Charles "Smithy" Kingsford-Smith which led to a Hollywood contract and transatlantic move back to the States. He made a strong impression in the film It Had to Be You (1947) in support of Ginger Rogers and Cornel Wilde, and went on to play both hero and villain in both leading and supporting capacities.

Randell had a short span of two runs starring as super-sleuth "Bulldog Drummond" in Bulldog Drummond at Bay (1947) and Bulldog Drummond Strikes Back (1947) and was handed a one-picture offer as the reformed title jewel thief in The Lone Wolf and His Lady (1949). As a top support, he played a doctor in the melodrama The Sign of the Ram (1948) starring real-life wheelchair-bound actress Susan Peters and competed with Glenn Ford and Willard Parker over Joe Keyes in the enjoyable comedy David Atkins.

Ron's quality of pictures lessened into the early 1950's. In the U.S. he appeared in such forgettable "B" films as Make Believe Ballroom (1949), Omoo-Omoo the Shark God (1949), Tyrant of the Sea (1950), Counterspy Meets Scotland Yard (1950), Lorna Doone (1951), China Corsair (1951), The Brigand (1952), Captive Women (1952), The Mississippi Gambler (1953), Desert Sands (1955), Quincannon, Frontier Scout (1956) and The She-Creature (1956). He also played a minor role as composer Cole Porter in the musical Kiss Me Kate (1953). Maintaining a transatlantic career as well, he vied onstage with Laurence Harvey's Christopher Isherwood over the affections of Julie Harris's Sally Bowles in the British drama I Am a Camera (1955), a precursor to the musical "Cabaret." On TV, he was given the lead as a captain in the British war adventure series O.S.S. (1957).

Into the next decade, the actor was handed the gangster-turned-mutant lead in the sci-fi flick Most Dangerous Man Alive (1961) and took on the supporting role of Lucius, the Centurion who tries to save Jesus at his trial in King of Kings (1961). On TV, he guest starred as a number of suave, sometimes shady but cultivated gents in such series as "Checkmate," "Tales of Wells Fargo," "Perry Mason," "The Outer Limits," "The Alfred Hitchcock Hour," "The Farmer's Daughter," "The Wild, Wild West," "Bewitched," "Rawhide," "Bonanza," "Mission: Impossible," "The Mod Squad," "Mannix" and "The F.B.I."

As for the Broadway stage, Ron would enjoy a number of healthy successes with "The Browning Version" (1949), a revival of "Candida" (1952), "The World of Suzie Wong" (1958), "Butley" (1972), "Sherlock Holmes" (1975), "Mrs. Warren's Profession" (1976) and "Bent" (1979). He continued his stage career, in fact, well into the 1990s, including a stint with the late Tony Randall's National Actors Theater (NAT). This included playing Rowley opposite Randall's Sir Peter Teazle in "The School for Scandal" (1995) at the Lyceum Theatre. He became a United States citizen on June 15, 1959.

Randell died following complications of a stroke in a Los Angeles assisted facility at age 86 on June 11, 2005. He was survived by his longtime third wife, exotic-looking actress Laya Raki, once billed as "the black-haired volcano." He had no children from his three marriages.

This cosmopolitan actress is best remembered for appearing as different characters in two early James Bond films. Multilingual Nadezda "Nadja" Poderegin hailed from Kraljevo, a town in present day Serbia (then Yugoslavia). Her father, a Ukrainian-born scientist and lecturer, was killed during World War II when she was just nine years old. With her mother and sister Nadja subsequently resettled in Yugoslavia's capital. She abandoned plans for a career in journalism after commencing studies at Belgrade's Academy of Dramatic Arts (eventually graduating with a B.A.) and was soon featured in a few locally made films.

Her first major role (after shortening her surname to "Regin") was in Das Haus an der Küste (1954), a German-Yugoslav co-production, filmed around picturesque Dubrovnik. It gained some international exposure via distribution through the Rank Organisation and this led to more substantial film offers in Germany. For much of the 50s, Nadja appeared near the top of the bill in a string of romantic dramas and comedies opposite well-seasoned German and Austrian stars like Curd Jürgens, Rudolf Prack, Theo Lingen and Peter Pasetti.

Following her marriage to a Polish war veteran, Nadja moved to Britain. Having a natural aptitude for picking up languages quickly, she added English to her repertoire within a few months, though (by her own admission) her accent tended to restrict her "to either sexy parts or as a spy". Her own favourite film role was the (typically British) wartime comedy Don't Panic Chaps (1959) (starring Dennis Price and George Cole) in which she provided the romantic spark.

She later had guest spots opposite Patrick McGoohan in Danger Man (1960) and Roger Moore in The Saint (1962) before landing a small role as the girlfriend of MI 6 station chief Kerim Be (Pedro Armendáriz) in From Russia with Love (1963). Arguably, Nadja's best known role was as the double-crossing belly-dancer Bonita in Goldfinger (1964). A memorable scene has James Bond (played by Sean Connery) preempting an assailant's attack by catching his reflection in one of Bonita's eyes (photographed in close-up), then spinning her around and using her as a shield.

She swapped the acting profession in the 1970s to work behind the cameras as a script reader/consultant for Rank and Hammer studios. In tandem with her sister, she set up a publishing company (Honeyglen Publishing Ltd) in 1980 and latterly published her own e-book novel "The Victims and the Fools" under the name Nadja Poderegin.

Shapely, dark haired British actress who appeared in a number of sensual film and TV roles that showcased her beauty. She is probably best recognizable as Miss Caruso, the beautiful young Italian agent sleeping with James Bond in the opening of Live and Let Die (1973) whose blue dress zipper meets its match in Bond's magnetic watch. Prior to this, she had worked with Roger Moore in an early TV appearance and he recommended her for the role.

Henrietta Tiarks was born on 5 March 1940 in the UK. She was previously married to Russell, Henry Robin Ian.

Shirley Bassey was born in Tiger Bay, Cardiff, Wales, and raised in the nearby working class neighborhood of Splott. Her mother was originally from Yorkshire, and her father was a Nigerian seaman who left the family when she was less than two. She later helped to support her family by working in an Enamelware factory. She made her professional debut at 16 appearing in a touring revue "Memories of Al Jolson". Her first major hit was "The Banana Boat Song," and she later sang "Goldfinger" in the James Bond movie Goldfinger (1964). Her younger daughter died of drowning in 1985. She currently lives in Monte Carlo.

Tall, portly built German born actor (and talented violinist) who notched up over 100 film appearances, predominantly in German-language productions. He will forever be remembered by Western audiences as the bombastic megalomaniac "Auric Goldfinger" trying to kill Sean Connery and irradiate the vast US gold reserves within Fort Knox in the spectacular "James Bond" film Goldfinger (1964). However, due to Fröbe's thick German accent, his voice was actually dubbed by English actor, Michael Collins.

While commonly perceived as cold hearted & humourless from his Goldfinger (1964) portrayal, quite to the contrary, Fröbe was a jovial man and a wonderful comedic performer. His light hearted talents can be best viewed in The Ballad of Berlin (1948), Der Tag vor der Hochzeit (1952), Chitty Chitty Bang Bang (1968), and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). Fröbe also portrayed dogged detective Kriminalkommissar Kras/Lohmann pursuing the evil Dr. Mabuse in The 1,000 Eyes of Dr. Mabuse (1960), The Return of Dr. Mabuse (1961) and The Terror of Doctor Mabuse (1962).

Beate Bach was born in 1947. She is an assistant director, known for Die Hamburger Krankheit (1979), Jack Holborn (1982) and Beautiful and Wild on Ibiza (1980).

One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.

Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.

Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.

TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.

Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.

Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."

In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.

Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.

The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"

Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.

Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".

Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.

However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).

As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.

Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Elizabeth Ercy, Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.

Jacqueline Jones was born on 19 June 1934 in Ealing, London, England, UK. She is an actress, known for The Cool Mikado (1963), The Avengers (1961) and The Road to Hong Kong (1962). She was previously married to Erwin Leonard Cutler and Colin Warman.

Gloria Paul was born on 28 February 1940 in London, England, UK. She is an actress, known for The Three Fantastic Supermen (1967), Darling Lili (1970) and Mister Zehn Prozent - Miezen und Moneten (1968).

Harry Saltzman was born on 27 October 1915 in Sherbrooke, Québec, Canada. He was a producer and production manager, known for Dr. No (1962), Goldfinger (1964) and You Only Live Twice (1967). He was married to Tanya Morris, Jacqueline Colin and Adriana Ghinsberg. He died on 28 September 1994 in Neuilly-sur-Seine, Hauts-de-Seine, France.

Albert Romolo Broccoli was born in Astoria, Queens (New York City) on April 5th, 1909. His mother and father, Cristina and Giovanni Broccoli, raised young Albert in New York on the family farm. The family was in the vegetable business, and Albert claimed one of his uncles brought the first broccoli seeds into the United States in the 1870's. Albert's cousin Pat DiCicco gave him the nickname "Cubby" after a comic strip character named Kabibble. Cubby worked in a pharmacy and then as a coffin-maker, but a trip to see his cousin in Los Angeles gave him an ambition for film stardom. Pat was an actor's agent, and introduced Cubby to such stars as Randolph Scott, Cary Grant and Bob Hope.

In 1940, at the age of 31, Cubby married actress Gloria Blondell. That same year the head of 20th Century-Fox offered him an assistant director position on The Outlaw (1943), directed by Howard Hawks and produced by his good friend Howard Hughes. After this initial job opportunity Cubby became the top assistant director at Fox. He went on to serve as A.D. on such films as The Song of Bernadette (1943) and The Black Swan (1942). When World War II began, Cubby joined the U.S. Navy, where he met future film producer Ray Stark, and together they become heads of entertainment for the troops. Cubby and Gloria decided to end their marriage in 1945, but remained good friends. After the war Cubby determined to get back into the movie business.

In 1946 his cousin Pat worked out the financing for a project called Avalanche (1946), on which Cubby served as production manager. The film spawned a partnership between Cubby and director Irving Allen. Broccoli and Allen later formed Warwick Productions, which eventually became a very successful independent production company based in London, England. After the poor response to "Avalanche", however, Broccoli worked various odd jobs, including selling Christmas trees in California, and eventually took a job as a talent agent, where he represented, among others, Robert Wagner and Lana Turner.

In 1951 Cubby married Nedra Clark. That same year he left the talent agency and, together with his partner Allen, reformed Warwick to make Paratrooper (1953). The film, released in the US as "Paratrooper", was very profitable. Broccoli and Allen become the most successful independent producers in England, turning out such hits as Safari (1956), Zarak (1956) and The Bandit of Zhobe (1959). Cubby and Nedra wanted to start a family but, according to the doctor, Nedra was unable to become pregnant. They instead adopted a young baby boy named Tony. Shortly afterwards Nedra became pregnant after all, and gave birth to a girl, whom they named Tina. Unfortunately, Nedra died in New York shortly afterwards. Cubby was now a widower with two children to raise. He spent months trying to get new film projects off the ground and support his family.

Cubby met Dana Wilson at a New Year's Eve party and there was an instant attraction. The two fell in love and, after five weeks, Cubby proposed marriage. Dana flew to London and started a new life with Cubby. However, things were about to turn sour for him. After making The Trials of Oscar Wilde (1960), which was financed out of his and Allen's own pockets, the two went bankrupt due to the poor box-office returns because of adverse reaction to the subject matter--Oscar Wilde's homosexuality. The film wasn't allowed to be advertised in the US and never made back its production costs during initial release. Cubby and Allen ended their partnership after the failure of the film. On June 18, 1960, Dana gave birth to a baby girl, Barbara Broccoli. One night Dana asked Cubby if there was something he really wanted to do. Cubby replied. "I always wanted to film the Ian Fleming James Bond books."

Cubby then managed to meet with Harry Saltzman, the man who held the option to the books. Together they formed Eon Productions Ltd. and Danjaq S.A. to make the first James Bond film, Dr. No (1962). However, they needed financing. The two men flew to New York and met with Arthur Krim, the head of United Artists. Within the hour Broccoli and Saltzman had a deal to make the first 007 film adventure. Despite the small budget of $1 million, the producers insisted on filming on location in Jamaica and using the then virtually unknown Sean Connery in the title role. Bond became the most successful film series in history and made Cubby Broccoli a household name.

Together with Saltzman, Broccoli produced From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), On Her Majesty's Secret Service (1969), Diamonds Are Forever (1971), Live and Let Die (1973) and The Man with the Golden Gun (1974). After nine years as partners, Saltzman sold his share of Eon/Danjaq to United Artists and Cubby became the sole producer of the James Bond films. He later brought in his stepson, Michael G. Wilson, and his daughter Barbara, making it a true family affair. Broccoli's last non-Bond film was Chitty Chitty Bang Bang (1968). He had purchased the rights to this Ian Fleming story when he got the 007 book option. They brought in songwriters Richard M. Sherman and Robert B. Sherman, who were under contract to Disney, to write the music for this musical.

In 1982 Broccoli received the Irving G. Thalberg Award for his long and successful producing career. The award was presented by Roger Moore at the Academy Awards ceremony. Broccoli stated that it was one of the happiest days of his life and was very pleased to have received such a great honor. He stopped during his speech to thank all of the hundreds of crew technicians and actors who have helped make his films possible. In 1990 he was honored by having his star placed on the Hollywood Walk Of Fame and was even honored by the Queen of England for his contribution to cinema and the British community. Broccoli's last film was Licence to Kill (1989). He had heart problems throughout the early 1990s and was unable to go to the set of GoldenEye (1995).

Cubby's last years were spent at his home in Beverly Hills, surrounded by his children and grandchildren. Despite awards, honors and an amazing film career, the most important thing in his life was his family. After undergoing a triple-bypass in 1995, Cubby Broccoli passed away on Thursday, June 27, 1996, surrounded by loved ones. He was 87 and was one of the best-loved and most respected producers in Hollywood. No one ever had anything bad to say about Cubby and, according to many, he was a gentleman who cared about every one of his cast and crew and was the last true film producer. Albert R. "Cubby" Broccoli's legacy lives on thanks to his family, which carries on the tradition of making the James Bond films.

Novelist and actress, Dana Broccoli, began her career as an actress on the New York and Boston stage and later moved to Los Angeles, where she met and married film producer Albert R. Broccoli. They moved to London and, together, they formed a film company, Danjaq LLC, which acquired the James Bond franchise and the "Chitty Chitty Bang Bang" property.

She said that she and Cubby had the happiest professional time whilst filming Chitty Chitty Bang Bang (1968) in England in 1967. It gives her great joy to be working again with Richard M. Sherman and Robert B. Sherman, the composers and lyricists who created the original score, and to watch the development of "Chitty Chitty Bang Bang" as a musical for the London Palladium stage under the brilliant creative team and a wonderful cast.

Dana Broccoli has written two novels, Scenario for Murder and Florinda. In June 2000, she wrote the adaptation of her novel "Florinda" for the London stage musical La Cava.