Amadeus 1984 premiere

Thomas Edward Hulce was born in Detroit, Michigan, and grew up in Plymouth, MI, where he was raised with his two sisters and older brother. He is the son of Joanna (Winkleman), who had sung professionally, and Raymond Albert Hulce, who worked for Ford. He has English, German, and Irish ancestry. Wanting to be a singer, Tom had to make a switch in plans when his voice began changing. Knowing that if he wanted to be in show business he needed to become an actor, Tom began taking the necessary steps almost immediately.

When asked once why he chose acting Tom replied, "Because someone told me I couldn't." It is determination like this that has helped him achieve his respected position in the acting community to this day. Tom set goals early on. Graduating from school at 19 years old, he gave himself a decade to succeed as an actor. Working in Ann Arbor as usher and ticket seller with a small theatrical company was a start. It was around this time he saw the first play and actor that made him realize that acting was "cool." Christopher Walken was in a play in Stratford, Ontario. The performance made quite an impression on Tom.

While Mr. and Mrs. Hulce weren't totally sold on the idea of their son becoming a thespian, Tom had determination and headed off for the training he knew he'd need if he was going to achieve his goal. He studied at the North Carolina School of the Arts in Winston-Salem; at Booth Bay Harbor, Maine; Sarasota, Florida; and spent a summer in England before heading off to New York City to try his hand at Broadway. Within a month after his arrival, Tom was chosen to understudy the role being performed by Peter Firth in the Broadway play "Equus." He had originally been hired to play one of the horses, but it was decided that his time was better spent learning the understudy role and so he never donned the horse's attire.

Tom had pangs of guilt where this role was concerned. On one hand he wanted the role ... badly. On the other hand he wondered what would happen if Peter left the role; could he fill those shoes? When the time came, nine months after being hired, Tom found out that it was up to him to play the role as his own. He wasn't expected to be another Peter Firth... he had been hired to play the role his way. "... it actually went quite well, " Tom recalled. "I realized I was a different actor and that I would tackle the part in my own way." And tackle it he did! Equus has a few "firsts" for Tom. One, it was his first big role; two, it was his first Broadway role and third, it was his first nude performance. For nine minutes Tom and his costar, Roberta Maxwell, were naked in a scene that seemed impossible for the stage a decade earlier (1960s). In a past interview Tom reflected, "It's so skillfully written and developed that it doesn't seem an unusual thing to do. There's no embarrassment, I just don't think about it at all." During the run of "Equus," Tom turned down a big television offer, to the delight of the director and cast. At that time in Tom's life the stage was all there was, and he was going to do it right! Other plays that followed "Equus" were George S. Kaufman's "Butter and Egg Man," Arthur Miller's "Memory of Two Mondays," along with such works as "Julius Caesar," "Romeo and Juliet," Shaw's "Candida," and Chekhov's "The Sea Gull," and, again on Broadway in his Tony nominated role in Aaron Sorkin's "A Few Good Men."

Tom has even directed the off-Broadway musical "Sleep Around Town" at Playwrights Horizon. Back in 1977 Tom landed his first motion picture role in the film about the day James Dean died, September 30, 1955 (1977). This was to be the first of a long line of period films. His next was National Lampoon's National Lampoon's Animal House (1978). Set in the 1960's, Tom played "Pinto" along with such comedy alumni as 'John Belushi', Tim Matheson, and Donald Sutherland.

1984 gave him the role that put him on the map. The title role of Wolfgang Amadeus Mozart in the Oscar-winner Amadeus (1984) was such a wonder that it even boosted the sales of Mozart's music by 30%! Filmed in Prague, it was eerie for Tom to actually be standing in the very spot where the original Amadeus had stood conducting the opera Tom was recreating for the film. Dressed in a purple velvet jacket, knickers, and white hose, wearing a bushy white wig and doling out a hilarious laugh (often likened to that of a hyena's) Tom's portrayal of the "man-child" musical genius was an Oscar-nominated performance.

Tom has been in many more films set in the past: Those Lips, Those Eyes (1980)(1950s), Shadowman (1988) (World War II), Mary Shelley's Frankenstein (1994) (1800s), Wings of Courage (1995)(1930's), and Disney's The Hunchback of Notre Dame (1996)(1500s). Tom appeared in Echo Park (1985) with Susan Dey, a film that had a struggle to get released remains one of Tom's best performances and one that he is quite proud of. Another film that Tom feels a lot of pride for is Dominick and Eugene (1988). Starring with Ray Liotta and Jamie Lee Curtis, Tom played Dominick Luciano, a mentally handicapped twin brother to Liotta's Eugene. The young man works as a garbage collector to help put his brother through medical school so he can become a "rich doctor" and they can afford to get a "house by a lake." Tom spent time studying people in a Pittsburgh neighborhood and handicapped people in an occupational training center so he could master the innocence and determination that the lead role required. He received the Best Actor award at the Seattle Fest for his performance.

Murder in Mississippi (1990) was Tom's second television movie (the first was Forget-Me-Not-Lane (1974) (aka "Neli, Neli"), a Hallmark Hall of Fame production). Playing the role of Michael Schwerner, the New York social worker and Freedom Fighter who is murdered by K.K.K. members in 1964 during Freedom Summer, Tom received an Emmy nomination and his third Golden Globe nomination.

The Inner Circle (1991) (aka "The Projectionist") took Tom to Russia where he was Ivan Sanshin, the private film projectionist to Stalin within the Kremlin walls. Based on a true story, Ivan was a perfect example of how many were blinded to the horrific conditions that men like Stalin conducted and followed in ignorant loyalty. While there, Tom was fortunate to meet and spend time with Alexander Ganshin, upon whose life the film was based.

The next three years held special items for Tom. His portrayal of Peter Patrone, in T.N.T.'s The Heidi Chronicles (1995), earned him an Emmy for Outstanding Supporting Actor in a Miniseries or Special, and 1994 and 1996 brought two of Tom's last period pieces. Mary Shelley's Frankenstein (1994) had Tom playing opposite Kenneth Branagh as Victor Frankenstein's college chum, Henry. And 1996 was a whole new experience for Tom. Disney was looking for someone special to portray their gentle Quasimodo in their newest full feature animation motion picture, The Hunchback of Notre Dame (1996).

Tom had never done voiceover work for a full film; to sing before a microphone was one thing, but to do song and voice for someone that he couldn't watch while performing was a whole new experience for him. Herecalled that when he first auditioned he thought it strange that the producers and director stood looking at the floor while he sang...until he noticed they were looking at sketches of Quasimodo and were trying to "feel" if he sounded like their bell ringer.

1998 saw Tom returning to the stage but this time as director again, as he undertook the enormous task of bringing John Irving's 1985 novel, "The Cider House Rules", to the stage. An 8-hour production which required the audience two days to see the whole performance, it was quite an undertaking. Co-directing with Jane Jones (of "BookIt" in Seattle, Washington) Tom took the play from its Seattle opening to the Mark Taper Forum in Los Angeles, California where it received wonderful reviews.

During the past recent years Tom has resided in Seattle, Washington where he owns his own home. He figures he could live in Los Angeles or New York - the acting hubs - but in Seattle, he's near the things he loves. "Up in Seattle people look after their lives in a way you can't do in New York or Los Angeles," he says. But no matter where he calls home, we can always count on Tom for bringing us into a world that will thrill, excite, fascinate, move and inspire us either through his films, the stage, or his beautiful singing.

A legendary actor with 50 celebrated years of film, television and producing experience, Michael Douglas is known for his era-defining roles and enduring cultural impact.

In addition to his career accomplishments, Douglas has remained a steadfast public servant, activist and philanthropist dedicated to peace and human welfare, democracy, gun control advocacy, support of the arts and support of nuclear disarmament. In 1998, former United Nations Secretary-General Kofi Annan appointed Douglas as a Messenger of Peace for his commitment on disarmament issues, including nuclear non-proliferation and halting the illicit trade in small arms and light weapons.

Since his earliest acting work on Hail, Hero! (1969) and The Streets of San Francisco (1972) Douglas has played some of the most memorable and enigmatic American anti-heroes of the last half century. He is most known for his iconic screen roles, like his Academy Award-winning turn as Gordon Gekko Wall Street (1987) as well as the critically and commercially acclaimed films Fatal Attraction (1987), The American President (1995), Basic Instinct (1992), Traffic (2000) and Romancing the Stone (1984). He is also a prolific producer with credits on politically relevant and socially influential motion pictures like One Flew Over the Cuckoo's Nest (1975), The China Syndrome (1979), Traffic (2000) the television series: The Kominsky Method (2018) and an upcoming limited series where Douglas portrays Benjamin Franklin (2024) during his nine years in France lobbying for French aid for the American Revolution.

With a passion for complex protagonists and darkly humorous undercurrents, Douglas has received numerous accolades for his work, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, AFI Life Achievement Award, two French César Awards for Career Achievement and, most recently, the Palme d'or d'honneur for lifetime achievement at the 76th Annual Festival de Cannes as well as the Satyajit Ray Lifetime Achievement Award for Excellence in Cinema at the Goa Film Festival in India.

Michael Douglas was born in New Brunswick, New Jersey, to actors Diana Douglas (Diana Love Dill) and Kirk Douglas (born Issur Danielovitch). His paternal grandparents were Belarusian Jewish immigrants, while his mother was born in Bermuda, the daughter of a local Attorney General, Lieutenant Colonel Thomas Melville Dill; Diana's family had long been established in both Bermuda and the United States. Douglas's parents divorced when he was six, and he went to live with his mother and her new husband. Only seeing Kirk on holidays, Michael attended Eaglebrook School in Deerfield, Massachusetts, where he was about a year younger than all of his classmates.

Douglas attended the elite preparatory Choate School and spent his summers with his father on movie sets. Although accepted at Yale, Douglas attended the University of California, Santa Barbara. Deciding he wanted to be an actor in his teenage years, Michael often asked his father about getting a "foot in the door" Kirk was strongly opposed to Michael pursuing an acting career, saying that it was an industry with many downs and few ups, and that he wanted all four of his sons to stay out of it. Michael, however, was persistent, and made his film debut in his father's film Cast a Giant Shadow (1966).

After receiving his B.A. degree in 1968, Douglas moved to New York City to continue his dramatic training, studying at the American Place Theatre with Wynn Handman, and at the Neighborhood Playhouse, where he appeared in workshop productions of Pirandello's Six Characters in Search of an Author (1976) and Thornton Wilder's Happy Journey (1963). A few months after he arrived in New York, Douglas got his first big break, when he was cast in the pivotal role of the free-spirited scientist who compromises his liberal views to accept a lucrative job with a high-tech chemical corporation in the CBS Playhouse production of Ellen M. Violett's drama, The Experiment, which was televised nationwide on February 25, 1969.

Douglas' convincing portrayal won him the leading role in the adaptation of John Weston's controversial novel, Hail, Hero! (1969), which was the initial project of CBS's newly organized theatrical film production company, Cinema Center Films. Douglas starred as a well-meaning, almost saintly young pacifist determined not only to justify his beliefs to his conservative parents but also to test them under fire in the jungles of Indochina. His second feature, Adam at Six A.M. (1970) concerned a young man's search for his roots. Douglas next appeared in the film version of Ron Cowen's play Summertree (1971), produced by 'Kirk Douglas'' Bryna Company, and then Napoleon and Samantha (1972), a sentimental children's melodrama from the Walt Disney studio.

In between film assignments, he worked in summer stock and off-Broadway productions, among them "City Scenes," Frank Gagliano's surrealistic vignettes of contemporary life in New York, John Patrick Shanley's short-lived romance "Love is a Time of Day" and George Tabori's "Pinkville," in which he played a young innocent brutalized by his military training. He also appeared in the made-for-television thriller, "When Michael Calls," broadcast by ABC-TV on February 5, 1972 and in episodes of the popular series "Medical Center" and "The F.B.I."

Impressed by Douglas' performance in a segment of The F.B.I. (1965), producer 'Quinn Martin' signed the actor for the part of Karl Malden's sidekick in the police series "The Streets of San Francisco", which premiered in September 1972 and became one of ABC's highest-rated prime-time programs in the mid-1970s. Douglas earned three successive Emmy Award nominations for his performance and he directed two episodes of the series.

During the annual breaks in the shooting schedule for The Streets of San Francisco (1972), Douglas devoted most of his time to his film production company, Big Stick Productions, Ltd., which produced several short subjects in the early 1970s. Long interested in producing a film version of Ken Kesey's grimly humorous novel One Flew Over the Cuckoo's Nest (1975), Douglas purchased the movie rights from his father and began looking for financial backing. After a number of major motion picture studios turned him down, Douglas formed a partnership with Saul Zaentz, a record industry executive, and the two set about recruiting the cast and crew. Douglas still had a year to go on his contract for "The Streets of San Francisco," but the producers agreed to write his character out of the story so that he could concentrate on filming "Cuckoo's Nest."

A critical and commercial success, One Flew Over the Cuckoo's Nest (1975) won five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor and Best Actress, and went on to gross more than $180 million at the box office. Douglas suddenly found himself in demand as an independent producer. One of the many scripts submitted to him for consideration was Mike Gray's chilling account of the attempted cover-up of an accident at a nuclear power plant. Attracted by the combination of social relevance and suspense, Douglas immediately bought the property. Deemed not commercial by most investors, Douglas teamed up with Jane Fonda and her own motion picture production company, IPC Films.

A Michael Douglas-IPC Films co-production, The China Syndrome (1979) starred Jack Lemmon, Jane Fonda, and Michael Douglas and received Academy Award nominations for Lemmon and Fonda, as well as for Best Screenplay. The National Board of Review named the film one of the best films of the year.

Despite his success as a producer, Douglas resumed his acting career in the late 1970s, starring in Michael Crichton's medical thriller Coma (1978) with Genevieve Bujold, Claudia Weill's feminist comedy It's My Turn (1980) starring Jill Clayburgh, and Peter Hyams' gripping tale of modern-day vigilante justice, "The Star Chamber" (1983). Douglas also starred in Running (1979), as a compulsive quitter who sacrifices everything to take one last shot at the Olympics, and as Zach the dictatorial director/choreographer in Richard Attenborough's screen version of the Broadway's longest running musical A Chorus Line (1985).

Douglas' career as an actor/producer came together again in 1984 with the release of the tongue-in-cheek romantic fantasy "Romancing the Stone." Douglas had begun developing the project several years earlier, and with Kathleen Turner as Joan Wilder, the dowdy writer of gothic romances, Danny DeVito as the feisty comic foil Ralphie and Douglas as Jack Colton, the reluctant soldier of fortune. "Romancing the Stone" was a resounding hit and grossed more than $100 million at the box office. Douglas was named Producer of the Year in 1984 by the National Association of Theater Owners. Douglas, Turner and DeVito teamed up in 1985 for the successful sequel The Jewel of the Nile (1985).

It took Douglas nearly two years to convince Columbia Pictures executives to approve the production of Starman (1984), an unlikely tale of romance between an extraterrestrial, played by Jeff Bridges, and a young widow, played by Karen Allen. Starman (1984) was the sleeper hit of the 1984 Christmas season and earned an Oscar nomination for Best Actor for Jeff Bridges. In 1986 Douglas created a television series based on the film for ABC which starred Robert Hays.

After a lengthy break from acting, Douglas returned to the screen in 1987 appearing in two of the year's biggest hits. He starred opposite Glenn Close in the phenomenally successful psychological thriller, "Fatal Attraction," which was followed by his performance as ruthless corporate raider Gordon Gekko in Oliver Stone's Wall Street (1987), earning him the Academy Award for Best Actor.

Douglas next starred in Ridley Scott's thriller Black Rain (1989) and then teamed up again with Kathleen Turner and Danny DeVito in the black comedy The War of the Roses (1989).

In 1988, Douglas formed Stonebridge Entertainment, Inc., which produced Flatliners (1990), directed by Joel Schumacher and starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and Radio Flyer (1992) starring Lorraine Bracco and directed by Richard Donner. Douglas followed with David Seltzer's adaptation of Susan Isaacs' best-selling novel, "Shining Through," opposite Melanie Griffith. In 1992 he starred with Sharon Stone in the erotic thriller from Paul Verhoeven Basic Instinct (1992), one of the year's top grossing films.

Douglas gave one of his most powerful performances opposite Robert Duvall in Joel Schumacher's controversial drama Falling Down (1993). That year he also produced the hit comedy "Made in America" starring Whoopi Goldberg, Ted Danson and Will Smith. In 1994-95 he starred with Demi Moore in Barry Levinson's "Disclosure," based on the best seller by Michael Crichton. In 1995, Douglas portrayed the title role in Rob Reiner's romantic comedy The American President (1995) opposite Annette Bening, and in 1997, starred in The Game (1997) directed by David Fincher and co-starring Sean Penn.

Douglas formed Douglas/Reuther Productions with partner Steven Reuther in May 1994. The company, under the banner of Constellation Films, produced The Ghost and the Darkness (1996), starring Douglas and Val Kilmer, and John Grisham's The Rainmaker (1997), based on John Grisham's best selling novel, directed by Francis Ford Coppola and starring Matt Damon,Claire Danes, Danny DeVito, Jon Voight, Mickey Rourke, Mary Kay Place, Virginia Madsen, Andrew Shue, Teresa Wright, Johnny Whitworth and Randy Travis.

Michael Douglas and Steve Reuther also produced John Woo's action thriller Face/Off (1997) starring John Travolta and Nicolas Cage, which proved to be one of '97's major hits.

In 1998, Michael Douglas starred with Gwyneth Paltrow and Viggo Mortensen in the mystery thriller A Perfect Murder (1998), and formed a new production company, Furthur Films. 2000 was a milestone year for Douglas. "Wonder Boys" opened in February 2000 to much critical acclaim. Directed by Curtis Hanson and co-starring Tobey Maguire, Frances McDormand, Robert Downey Jr. and Katie Holmes, Douglas starred in the film as troubled college professor Grady Tripp. Michael was nominated for a Golden Globe and a BAFTA Film Award for his performance.

"Traffic" was released by USA Films on December 22, 2000 in New York and Los Angeles and went nationwide in January 2001. Douglas played the role of Robert Wakefield, a newly appointed drug czar confronted by the drug war both at home and abroad. Directed by Steven Soderbergh and co-starring Don Cheadle, Benicio del Toro, Amy Irving, Dennis Quaid and Catherine Zeta-Jones, "Traffic" was named Best Picture by New York Film Critics, won Best Ensemble Cast at the SAG Awards, won four Academy Awards (Best Screenplay, Best Editing, Best Director, and Best Supporting Actor for Benicio del Toro) and has been recognized on more than 175 top ten lists.

In 2001, Douglas produced and played a small role in USA Films' outrageous comedy "One Night at McCool's" starring Liv Tyler, Matt Dillon, John Goodman and Paul Reiser and directed by Harald Zwart. "McCool's" was the first film by Douglas' company Furthur Films. Also in 2001, Douglas starred in "Don't Say A Word" for 20th Century Fox. The psychological thriller, directed by Gary Fleder, also starred Sean Bean, Famke Janseen and Brittany Murphy.

In 2002, Douglas appeared in a guest role on the hit NBC comedy "Will & Grace," and received an Emmy Nomination for his performance.

Douglas starred in two films in 2003. MGM/BVI released the family drama "It Runs in the Family," which Douglas produced and starred with his father Kirk Douglas, his mother Diana Douglas his son Cameron Douglas, Rory Culkin and Bernadette Peters. He also starred in the Warner Bros. comedy "The-In Laws," with Albert Brooks, Candice Bergen and Ryan Reynolds.

In 2004, Douglas, along with his father Kirk, filmed the intimate HBO documentary "A Father, A Son... Once Upon a Time in Hollywood". Directed by award-winning filmmaker Lee Grant, the documentary examines the professional and personal lives of both men, and the impacts they each made on the motion picture industry.

In 2005, Douglas produced and starred in "The Sentinel", which was released by 20th Century Fox in April 2006. Based on the Gerald Petievich novel and directed by Clark Johnson, "The Sentinel" is a political thriller set in the intriguing world of the Secret Service. Douglas stars with Keifer Sutherland, Eva Longoria and Kim Bassinger. Douglas then filmed "You, Me & Dupree," starring with Owen Wilson, Kate Hudson and Matt Dillon. The comedy, directed by Anthony and Joe Russo, was released by Universal Pictures during the summer of 2006. In 2007 Douglas made "King of California," co-starring Evan Rachel Wood and is written and directed by Michael Cahill, and produced by Alexander Payne and Michael London.

Michael had two films released in early 2009, "Beyond A Reasonable Doubt" directed by Peter Hyams and "Ghosts of Girlfriends Past" starring Matthew McConaughey and Jennifer Garner and directed by Mark Waters. He followed with the drama "Solitary Man" directed by Brian Koppelman and David Levien, co-starring Susan Sarandon, Danny DeVito, Mary Louise-Parker, and Jenna Fischer, produced by Paul Schiff and Steven Soderbergh. In 2010, Douglas reprised his Oscar-winning role as Gordon Gekko in "Wall Street 2: Money Never Sleeps," earning a Golden Globe for his performance. Again directed by Oliver Stone, he co-starred with Shia Labeouf, Cary Mulligan, Josh Brolin, Frank Langella and Susan Sarandon.

In 2011, Douglas had a cameo role in Steven Soderbergh's action thriller "Haywire."

"Behind the Candelabra," based on the life of '70's/80's musical icon Liberace and his partner Scott Thorson, directed by Steven Soderbergh and costarring Matt Damon, premiered on HBO in May 2013. Douglas won an Emmy, Golden Globe and SAG Award for Best Actor in a television movie or mini series for his performance as the famed entertainer. He followed with the buddy comedy "Last Vegas," directed by John Turtletaub co-starring Robert DeNiro, Morgan Freeman and Kevin Kline and the romantic comedy "And So It Goes," co-starring Diane Keaton directed by Rob Reiner.

Douglas recently starred in and produced the thriller "Beyond The Reach," directed by Jean-Baptiste Leonetti and costarring Jeremy Irvine. He and portrayed Dr. Hank Pym in Marvel's Ant-Man and the Wasp (2018) and Ant-Man and the Wasp: Quantumania (2023) opposite Paul Rudd. The franchise was his first venture into the realm of comic book action adventure.

In 2017, he starred in the spy thriller "Unlocked" starring with Noomi Rapace, Orlando Bloom, John Malkovich and directed by Michael Apted.

In 1998 Douglas was made a United Nations Messenger of Peace by Kofi Annan. His main concentrations are nuclear non-proliferation and the control of small arms. He is on the Board of Ploughshares Foundation and The Nuclear Threat Initiative.

Michael Douglas was recipient of the 2009 AFI Lifetime Achievement as well as the Producers Guild Award that year. In Spring '10 he received the New York Film Society's Charlie Chaplin Award.

Douglas has hosted 11 years of "Michael Douglas and Friends" Celebrity Golf Event which has raised over $6 million for the Motion Picture and Television Fund. Douglas is very passionate about the organization, and each year he asks his fellow actors and to come out and show that "we are an industry that takes care of own".

Douglas is married to Catherine Zeta-Jones. The couple has one son, Dylan, and one daughter, Carys. Douglas also has one son, Cameron, from a previous marriage.

Academy Award-winning actor F. Murray Abraham was born on October 24, 1939 in Pittsburgh, Pennsylvania and raised in El Paso, Texas. His father, Fred Abraham, was a Syrian (Antiochian Orthodox Christian) immigrant. His mother, Josephine (Stello) Abraham, was the daughter of Italian immigrants. Born with the first name "Murray", he added an "F." to distinguish his stage name.

Primarily a stage actor, Abraham made his screen debut as an usher in George C. Scott's comedy They Might Be Giants (1971). By the mid-1970s, Murray had steady employment as an actor, doing commercials and voice-over work. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the villain in one third-season episode of Kojak (1973). His film work of those years also included the roles of a cabdriver in The Prisoner of Second Avenue (1975), a mechanic in The Sunshine Boys (1975), and a police officer in All the President's Men (1976).

Beyond these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had". His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me". Abraham appeared as drug dealer Omar Suárez alongside Pacino again in the gangster film Scarface (1983). He also gained visibility voicing a talking bunch of grapes in a series of television commercials for Fruit of the Loom underwear.

In 1985, he was honored with as Academy Award for Best Performance by an Actor in a Leading Role for the acclaimed role of envious composer Antonio Salieri in Amadeus (1984), an award for which Tom Hulce, playing Mozart in that movie, had also been nominated. He was also honored with a Golden Globe for Best Performance by an Actor in a Motion Picture - Drama, among other awards, and his role in the film, is still considered to be his most iconic as the film's director Milos Forman inspired the work of the role with Abraham's wide range of qualities as a great stage and film actor.

After Amadeus, he next appeared in The Name of the Rose (1986), in which he played Bernardo Gui, nemesis to Sir Sean Connery as William of Baskerville. In the DVD audio commentary, his director on the film, Jean-Jacques Annaud, described Abraham as an "egomaniac" on the set, who considered himself more important than Sean Connery, since Connery did not have an Oscar. That said, the film was a critical success. Abraham had tired of appearing as villains and wanted to return to his background in comedy, as he also explained to People Weekly magazine in an interview he gave at the time of its release.

Jeffrey Duncan Jones was born in Buffalo, New York. He is a very tall, fair-haired character actor who is recognized all over for his excellent work. He is a veteran stage actor having such plays as "The Elephant Man" and Neil Simon's "London Suite" under his belt. His first film role was in The Revolutionary (1970).

Elizabeth Berridge was born on 2 May 1962 in Larchmont, New York, USA. She is an actress and producer, known for Amadeus (1984), Hidalgo (2004) and The Funhouse (1981). She has been married to Kevin Corrigan since 10 March 2001. They have one child.

Milos Forman was born Jan Tomas Forman in Caslav, Czechoslovakia, to Anna (Svabova), who ran a summer hotel, and Rudolf Forman, a professor. During World War II, his parents were taken away by the Nazis, after being accused of participating in the underground resistance. His father died in Mittelbau-Dora, a sub camp of Buchenwald, and his mother died in Auschwitz, at which Milos became an orphan very early on. He studied screen-writing at the Prague Film Academy (F.A.M.U.). In his Czechoslovakian films, Black Peter (1964), Loves of a Blonde (1965), and The Firemen's Ball (1967), he created his own style of comedy. During the invasion of his country by the troops of the Warsaw pact in the summer of 1968, to stop the Prague spring, he left Europe for the United States. In spite of difficulties, he filmed Taking Off (1971) there and achieved his fame later with One Flew Over the Cuckoo's Nest (1975) adapted from the novel of Ken Kesey, which won five Oscars, including one for best direction. Other important films of Milos Forman were the musical Hair (1979) and his biography of Wolfgang Amadeus Mozart, Amadeus (1984), which won eight Oscars.

Karen Jane Allen was born in Carrollton, rural southern Illinois, to Patricia (Howell), a teacher, and Carroll Thompson Allen, an FBI agent. She spent her first 10 years traveling around the country with her parents and two sisters. She was always "the new girl in school." Acting did not really cross Allen's mind until she was in her early 20s, when she saw a Jerzy Grotowski theater production that impressed her so much, she instantly decided to give it a shot. She trained as a classical actress and enrolled at the Actors Studio and with Lee Strasberg in New York City. During this period, she made several student films and directed and acted in several plays. In 1976, she made her first film appearance in the award-winning small film The Whidjitmaker (1976).

Her first major film role came as Katy in 1978's National Lampoon's National Lampoon's Animal House (1978), which became one of the biggest hits of the year, obtained "classic" status, and launched a whole host of young "hot" stars. However, shortly after National Lampoon's Animal House (1978) opened, Allen was struck by a rare and dangerous eyesight condition called keratoconjunctivitis. Luckily, the condition subsided and Allen could continue her dramatic rise to the top. Lead roles in cult favorites like The Wanderers (1979) and the controversial thriller Cruising (1980) followed, as did smaller parts as in Woody Allen's Manhattan (1979). However, it was her performance in Rob Cohen's A Small Circle of Friends (1980), as well as her previously mentioned turn in National Lampoon's Animal House (1978), that caught the eye of a certain Steven Spielberg. He then cast her as the feisty heroine and co-star of Harrison Ford in his big-budget blockbuster Raiders of the Lost Ark (1981), which became a huge hit in 1981-82 and is regarded by many film buffs as the greatest action-adventure film ever made.

Following the huge success of Raiders of the Lost Ark (1981), Allen chose to spend more than two years out of the limelight, concentrating on smaller, more personal projects. She won a major award for her performances on Broadway, won critical acclaim for her portrayal of Abra in the hugely successful ABC production of East of Eden (1981), and had parts in two smaller films: Alan Parker's Shoot the Moon (1982) and Split Image (1982), co-starring James Woods and Peter Fonda. She returned to the mainstream in 1984 with Until September (1984) and Starman (1984), co-starring Jeff Bridges and directed by John Carpenter (of Halloween (1978) fame), but once again decided to leave the limelight for a couple of years to do more stage work and some troubled indie films. While Allen has worked almost constantly since then, giving notable performances in Paul Newman's screen adaptation of The Glass Menagerie (1987), the Christmas hit Scrooged (1988), and Steven Soderbergh's underrated King of the Hill (1993), she has not been able to scale the same dizzy heights as the early 1980s hits. Most of her lead roles in feature films since Starman (1984) have not been that well-received (Animal Behavior (1989), Ghost in the Machine (1993), and The Turning (1992) among them). However, she has been seen to good effect on TV in such films as Challenger (1990), in which she portrayed tragic schoolteacher Christa McAuliffe, and All the Winters That Have Been (1997), co-starring Richard Chamberlain.

She has also made special guest star appearances on such shows as Law & Order (1990), Knots Landing (1979), and Alfred Hitchcock Presents (1985), and in several TV movies, including Hostile Advances: The Kerry Ellison Story (1996) and Secret Weapon (1990). She also played the lead in the CBS series The Road Home (1994). Karen Allen was married to soap star Kale Browne (with whom she co-starred in 'Til There Was You (1997)) in 1988 and they have a son, Nicholas. Apart from acting, Allen is also an accomplished singer, songwriter, and musician. She played in a band with Kathleen Turner, and recorded a duet with Jeff Bridges for the Starman (1984) soundtrack album.

She also writes plays, screenplays, and poetry; owns her own Ashtanga yoga enterprise; and spends time at her Berkshire Mountains farm or Upper West Side Manhattan townhouse. The classically trained actress also has a screenplay called "The Second Coming," which is about to be made into a movie. Most recently she has starred opposite Peter Coyote in The Basket (1999), and appeared in the blockbuster The Perfect Storm (2000), in which she co-starred with George Clooney, Mark Wahlberg, and Diane Lane. In addition to these, she is working on Shaka Zulu: The Citadel (2001) and recently made an independent film, In the Bedroom (2001). Karen Allen is undoubtedly one of the most talented, ambitious, and versatile actresses of the last 20 years. In many ways, her own choices to "go back to theater and smaller projects" are the only things that have really stopped her being a major, major star. Allen was voted one of the most beautiful women in the world in 1983, and is a naturally attractive lady - who often plays characters significantly younger than herself. She also often plays unglamorous types - and there is no one better at portraying real, human, and wholly believable people.

The remarkable, hyper-ambitious Material Girl who never stops re-inventing herself, Madonna has sold over three hundred million records and CDs to adoring fans worldwide. Her film career, however, is another story. Her performances have consistently drawn scathing or laughable reviews from film critics, and the films have usually had tepid, if any, success at the box office. Born Madonna Louise Ciccone in August 1958 in Bay City, Michigan, she moved to New York in 1978 and studied with renowned choreographer Alvin Ailey, joined up with the Patrick Hernandez Revue, formed a pop/dance band called Breakfast Club and began working with then-boyfriend Stephen Bray on recording several disco-oriented songs. New York producer/D.J. Mark Kamins passed her demo tapes to Sire Records in early 1982 and the rest is history. The 1980s was Madonna's boom decade, and she dominated the music charts with a succession of multimillion-selling albums, and her musical and fashion influence on young women was felt around the globe. Madonna first appeared on screen in two low-budget films marketed to an adolescent audience: A Certain Sacrifice (1979) and Vision Quest (1985). However, she scored a minor cult hit with Desperately Seeking Susan (1985) starring alongside spunky Rosanna Arquette. Madonna's next effort with then husband Sean Penn, Shanghai Surprise (1986), was savaged by critics, although the resilient star managed to somewhat improve her standing with her next two films, the offbeat Who's That Girl (1987) (although she did receive decidedly mixed reviews, they weren't as negative as those of her previous effort) and the quirky Damon Runyon-inspired Bloodhounds of Broadway (1989). The big-budget and star-filled Dick Tracy (1990) had her playing bad girl "Breathless Mahoney" flirting with Warren Beatty, but the epic failed to catch fire at the box office. Taking an earthier role, Madonna was much more entertaining alongside Tom Hanks and Geena Davis in A League of Their Own (1992), a story about female baseball players during W.W.II. However, she again drew the wrath of critics with the sexy whodunit Body of Evidence (1993). Several other minor screen roles followed, then Madonna starred as Eva Perón in Evita (1996), a fairly well received screen adaptation of the hugely successful Broadway musical, for which she received a Golden Globe for Best Actress. The Material Girl stayed away from the movie cameras for several years, returning to co-star in the lukewarm romantic comedy The Next Best Thing (2000), followed by the painful Swept Away (2002). If those films weren't bad enough, she was woefully miscast as a vampish fencing instructor in the James Bond adventure Die Another Day (2002). After finally admitting that her acting days were over, Madonna began a directing career in 2008 with the barely remembered Filth and Wisdom (2008) and a year later she reunited with Madonna: Truth or Dare (1991) director Alek Keshishian to develop a script about the relationship between the Duke of Windsor and the Duchess of Windsor that led to his abdication in 1936: the result, a movie named W.E. (2011), starring James D'Arcy and Andrea Riseborough as the infernal but still royal couple, was released in 2011 to lukewarm critics but it gathered one Oscar nomination for costumes and won the Golden Globe for Best Original Song for "Masterpiece".

Anjelica Huston was born on July 8, 1951 to director and actor John Huston and Russian prima ballerina Enrica 'Ricki' Soma. Huston spent most of her childhood overseas, in Ireland and England, and in 1968 first dipped her toe into the world of show business, taking on the lead role of her father's movie A Walk with Love and Death (1969). However, before it was released, her mother died in a car accident, at 39, and Huston relocated to the United States, where the very tall, exotically-beautiful young woman modeled for several years.

While modeling, Huston made sporadic cameo appearances in a couple films, but decided to pursue it as a career in the early '80s. She prepared herself by reaching out to acting coach Peggy Feury and began to get roles. The first notable part was in Bob Rafelson's remake of the classic noir movie The Postman Always Rings Twice (1981) (in which Jack Nicholson, with whom Huston had been living since 1973, was the star). After a few more years of on-again, off-again supporting work, her father perfectly cast her as calculating, imperious Maerose, the daughter of a Mafia don whose love is scorned by a hit man (Nicholson again) in his film adaptation of Richard Condon's Mafia-satire novel Prizzi's Honor (1985). Huston won the Best Supporting Actress Oscar for her performance, making her the first person in Academy Award history to win an Oscar when a parent and a grandparent (her father and grandfather Walter Huston) had also won one.

Huston thereafter worked prolifically, including notable roles in Francis Ford Coppola's Gardens of Stone (1987), Barry Sonnenfeld's film versions of the Charles Addams cartoons The Addams Family (1991) and Addams Family Values (1993), in which she portrayed Addams matriarch Morticia, Wes Anderson's The Royal Tenenbaums (2001) and The Life Aquatic with Steve Zissou (2004). Probably her finest performance on-screen, however, was as Lilly, the veteran, iron-willed con artist in Stephen Frears' The Grifters (1990), for which she received another Oscar nomination, this time for Best Actress. A sentimental favorite is her performance as the lead in her father's final film, an adaptation of James Joyce's The Dead (1987) -- with her many years of residence in Ireland, Huston's Irish accent in the film is authentic.

Endowed with her father's great height and personal boldness, and her mother's beauty and aristocratic nose, Huston certainly cuts an imposing figure, and brings great confidence and authority to her performances. She clearly takes her craft seriously and has come into her own as a strong actress, emerging from under the shadow of her father, who passed away in 1987. Huston married the sculptor Robert Graham in 1992. The couple lived in Venice Beach until Graham's death in 2008.

Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.

Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.

Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).

Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.

The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).

Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.

Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.

Lean, angular-faced and authoritatively spoken lead / supporting actor Roy Scheider obviously never heard the old actor's axiom about "never appearing with kids or animals" lest they overshadow your performance. Breaking that rule did him no harm, though, as he achieved pop cult status by finding, fighting and blowing up a 25-foot-long Great White shark (nicknamed "Bruce") in the mega-hit Jaws (1975) and then electrocuting an even bigger Great White in the vastly inferior Jaws 2 (1978).

Athletic Scheider was born in November 1932 in Orange, New Jersey, to Anna (Crosson) and Roy Bernhard Scheider, a mechanic. He was of German and Irish descent. A keen sportsman from a young age, he competed in baseball and boxing (his awkwardly mended broken nose is a result of his foray into Golden Gloves competitions). While at college, his pursuits turned from sports to theater and he studied drama at Rutgers and Franklin and Marshall. After a stint in the military, Scheider appeared with the New York Shakespeare Festival and won an "Obie Award" for his appearance in the play "Stephen D."

His film career commenced with the campy Z-grade horror cheesefest The Curse of the Living Corpse (1964), and he then showed up in Star! (1968), Paper Lion (1968), Stiletto (1969) and Puzzle of a Downfall Child (1970). In 1971 he really came to the attention of film audiences with his role in the Jane Fonda thriller Klute (1971) and then as Det. Buddy Russo (scoring his first Oscar nomination) alongside fiery Gene Hackman in the crime drama The French Connection (1971). His performance as a tough street cop in that film led him into another tough cop role as NYC Det. Buddy Manucci in the underappreciated The Seven-Ups (1973), which features one of the best car chase sequences ever put on film.

In the early 1970s the Peter Benchley novel "Jaws" was a phenomenal best-seller, and young director Steven Spielberg was chosen by Universal Pictures to direct the film adaptation, Jaws (1975), in which Scheider played police chief Brody and shared lead billing with Robert Shaw and Richard Dreyfuss in the tale of a New England seaside community terrorized by a hungry Great White shark. "Jaws" was a blockbuster, and for many years held the record as the highest-grossing film of all time. Scheider then turned up as the shady CIA agent brother of Dustin Hoffman in the unnerving Marathon Man (1976) and in the misfired William Friedkin-directed remake of The Wages of Fear (1953) titled Sorcerer (1977), before again returning to Amity to battle another giant shark in Jaws 2 (1978). Seeking a change from tough cops and hungry sharks, he took the role of womanizing, drug-popping choreographer Joe Gideon, the lead character of the semi-autobiographical portrayal of director Bob Fosse in the sparkling All That Jazz (1979). It was another big hit for Scheider (and another Oscar nomination), with the film featuring a stunning opening sequence to the tune of the funky George Benson number "On Broadway", and breathtaking dance routines including the "Airotica" performance by the glamorous Sandahl Bergman.

Returning to another law enforcement role, Scheider played a rebellious helicopter pilot in the John Badham conspiracy / action film Blue Thunder (1983), a scientist in the sequel to 2001: A Space Odyssey (1968) simply titled 2010: The Year We Make Contact (1984), a cheating husband who turns the tables on his blackmailers in 52 Pick-Up (1986), a cold-blooded hit man in Cohen and Tate (1988) and a CIA operative in the muddled and slow-moving The Russia House (1990). The versatile Scheider was then cast as the captain of a futuristic submarine in the relatively popular TV series SeaQuest 2032 (1993), which ran for three seasons.

Inexplicably, however, Scheider had seemingly, and slowly, dropped out of favor with mainstream film audiences, and while he continued to remain busy, predominantly in supporting roles (generally as US presidents or military officers), most of the vehicles he appeared in were B-grade political thrillers such as The Peacekeeper (1997), Executive Target (1997), Chain of Command (2000) and Red Serpent (2003).

Brenda Siemer Scheider was born on 11 September 1948. She is an actress and director, known for Dawn of the Mummy (1981), Remington Steele (1982) and Osa (1986). She has been married to Samuel Neustadt since 2012. She was previously married to Roy Scheider.

Eight time Academy Award-nominated actress Glenn Close was born and raised in Greenwich, Connecticut. She is the daughter of Elizabeth Mary H. "Bettine" (Moore) and William Taliaferro Close (William Close), a prominent doctor. Both of her parents were from upper-class families.

Glenn was a noted Broadway performer when she was cast in her award-winning role as Jenny Fields in The World According to Garp (1982) alongside Robin Williams. For this role, a breakthrough in film for Close, she later went on to receive an Academy Award Nomination for Best Supporting Actress. The following year she was cast in the hit comedy The Big Chill (1983) for which she received a second Oscar Nomination, once again for Supporting Actress in the role of Sarah Cooper. In her third film, Close portrayed Iris Gaines a former lover of baseball player Roy Hobbs portrayed by Robert Redford, in one of the greatest sports films of all time, The Natural (1984). For a third time, Close was nominated for the Academy Award for Best Actress in a Supporting Role. Close went on to star in films like The Stone Boy (1984), Maxie (1985) and Jagged Edge (1985). In 1987 Close was cast in the box office hit Fatal Attraction (1987) for which she portrayed deranged stalker Alex Forrest alongside costars Michael Douglas and Anne Archer. For this role she was nominated for the Academy Award and Golden Globe for Best Actress. The following year Close starred in the Oscar Winning Drama Dangerous Liaisons (1988) for which she portrayed one of the most classic roles of all time as Marquise Isabelle de Merteuil, starring alongside John Malkovich and Michelle Pfeiffer. For this role she was nominated once again for the Academy Award and BAFTA Film Award for Best Actress. Close was favorite to win the coveted statue but lost to Jodie Foster for The Accused (1988). Close had her claim to fame in the 1980s. Close starred on the hit Drama series Damages (2007) for which she has won a Golden Globe Award and two Emmy Awards. In her career Close has been Oscar nominated eight times, won three Tonys, an Obie, three Emmys, two Golden Globes and a Screen Actors Guild Award.

Melanie Griffith was born on August 9, 1957 in New York City, to then model/future actress Tippi Hedren and former child actor turned advertising executive Peter Griffith. Her parents' marriage ended when she was four years old and Tippi brought Melanie to Los Angeles to get a new start. Tippi caught the eye of the great director Alfred Hitchcock, who gave her starring roles in The Birds (1963) and Marnie (1964). She married her then-agent, Noel Marshall, in 1964 (they divorced in 1982), and Melanie grew up with three stepbrothers. Meanwhile, her father married Nanita Greene and had two more children: Tracy Griffith and Clay A. Griffith.

Melanie also grew up with tigers and lions, as Tippi and Noel were raising them for the movie Roar (1981), in which the family later starred. Melanie's acting career, however, began as a model at just nine months old in a commercial and she later appeared as an extra in Smith! (1969) and The Harrad Experiment (1973), where she fell in love with her mother's co-star, Don Johnson. She was only 14 years old, while he was a 22-year-old with two annulled marriages. Tippi took a very liberal approach and allowed Melanie to move in with Don at a tender age. Even though Melanie didn't like modeling, she continued to do it to pay the bills. One day she went to meet with director Arthur Penn for what she thought was a modeling assignment. It was actually an audition for his film Night Moves (1975), and Penn gave her the role of a runaway nymphet. She was hesitant, but Johnson encouraged her to take the role. She agreed but was terrified of performing in front of the camera. Penn took a paternal interest in her, and she felt confident and gave a riveting performance, doing racy nude scenes. It immediately typecast her and led to more nymphet roles, with her beautiful nude body a permanent fixture in movies like Ha-Gan (1977) and Joyride (1977). She also married Johnson, eloping in 1976, but the union ended within six months.

Unfortunately, as her career progressed, she became increasingly dependent on drugs and alcohol, a fact well-known to studio executives, who stopped considering her for feature film roles. Melanie started doing television work, where she met her second husband, Steven Bauer, on the set of the TV movie She's in the Army Now (1981). He helped her to overcome her drug and alcohol problems and got her to take acting classes with Stella Adler in New York. The classes paid off, as director Brian De Palma cast her as a porno actress in his murder mystery Body Double (1984) and her sexy, funny performance won her rave reviews and the Best Supporting Actress Award by the National Society of Film Critics and a Golden Globe nomination. Jonathan Demme was so impressed with her performance that he gave her the female lead in Something Wild (1986) without even auditioning her. The film was a commercial failure but quickly became a cult favorite on video and cable, with Melanie again getting critical plaudits and a Golden Globe nomination.

The birth of her first child, Alexander, in 1985, didn't help to save her struggling marriage, and she and Bauer separated shortly thereafter. Melanie was given starring roles in Cherry 2000 (1987) and Stormy Monday (1988), but the films were barely released. Soon writers were asking when the public at large was going to take notice of this unique and talented actress. Melanie's career skyrocketed when Mike Nichols cast her as spunky secretary Tess McGill in Working Girl (1988), a box-office hit for which she received an Oscar nomination as Best Actress and won the Golden Globe Award as Best Actress in a Comedy. However, her ongoing substance abuse had almost destroyed her career yet again, and Nichols pushed her into a rehabilitation clinic. En route to the clinic she called ex-husband Johnson for support, and they reconciled after her release from the clinic. She got pregnant, divorced Bauer and remarried Johnson in 1989, and later that year their daughter Dakota Johnson was born. A sober Melanie now concentrated on her film career: her follow-up to "Working Girl" was John Schlesinger's Hitchcockian urban thriller Pacific Heights (1990). It was a moderate success, but most of the films she chose flopped badly, especially The Bonfire of the Vanities (1990), which reunited her with director Brian De Palma. Even though she gave heartfelt performances in all her films, she was often miscast, with her breathy little-girl voice not helping matters in her role as a spy in Shining Through (1992) and as a homicide detective going undercover in the Hassidic Jewish community in New York City in A Stranger Among Us (1992).

Melanie was charming as a street hooker who befriends a group of elementary students in Milk Money (1994), but the film received negative reviews and performed dismally at the box office. She made a minor comeback with the critics for her supporting role as a desperate housewife in Nobody's Fool (1994), which reunited her with Bruce Willis, her co-star in "Bonfire", and Paul Newman, her co-star from The Drowning Pool (1975). She also earned a Golden Globe nomination for her work in the well-received TV miniseries Buffalo Girls (1995), followed by another hit film, the ensemble Now and Then (1995). Her personal life was making headlines again, though, as she left Johnson because of his own substance-abuse problems, reconciled with him briefly when he became sober, only to leave him again, this time for Antonio Banderas, her married co-star from Two Much (1995). Both she and Banderas created a scandal in 1995 with their torrid romance, and the tabloids followed their every move, including her divorce from Johnson and his divorce from wife Ana Leza. Melanie became pregnant with her third child, and she and Banderas married in 1996. Their daughter Stella Banderas was born, and the notorious couple were forgiven by the public and the media.

Melanie won strong reviews in independent films like Another Day in Paradise (1998), where she played a heroin-using criminal accomplice on the run, and the made-for-cable movie RKO 281 (1999), in which she portrayed actress Marion Davies, a part that garnered her Golden Globe and Emmy nominations as Best Supporting Actress. Melanie became dependent to pain killers, however, returning to rehab in 2000. She wrote about her struggle and recovery in her journal on her official website. Greenmoon Productions, the production company that she formed with Banderas, produced several flops, such as her starring vehicle Crazy in Alabama (1999), directed by Banderas. Her career took another blow when her TV series, Me & George (1998), never even aired. After making Cecil B. Demented (2000) and Forever Lulu (2000), Melanie did a voice-over role in Stuart Little 2 (2002) and played supporting roles in minor films Tempo (2003), as Sylvester Stallone's girlfriend in Shade (2003), and as Barbara Sinatra in All the Way (2003) with Dennis Hopper playing Frank Sinatra, but none of these films made a ripple at the box office. As a result, film and television offers dried up.

In 2003, a resourceful Melanie turned to the Broadway stage, and packed houses with her turn as the murderess "Roxie Hart" in the musical "Chicago," for which she received a rave review from the New York Times theater critic. It renewed her confidence, as she had never sang, danced or been on the Broadway stage before. In 2005 she surprised viewers by playing a mom to two grown women in the TV series Twins (2005), which was canceled after one season. She tried to resurrect her career with another attempt at a TV series, Viva Laughlin (2007), but it was canceled after just two episodes. Melanie didn't act again for the remainder of the decade, because, by self-admission, she couldn't obtain any worthwhile roles. In 2009, she was back in rehab after yet another relapse, emerging after a three-month stay. Professionally, she was faced with more disappointment in 2012 when This American Housewife (2012), a Lifetime series that Banderas produced for her to star in, never aired. She went back to the stage in 2012 and played Scott Caan's mother in a play that he wrote titled "No Way Around but Through." She impressed Caan enough to recommend her to producers of his television show Hawaii Five-0 (2010). Since 2014, she started playing a recurring role as his mother on the show.

Also in 2014, Melanie filed for divorce from Banderas citing "irreconcilable differences" after nearly twenty years together. She never publicly discussed her reasons for the divorce, and she didn't promote her feature film Automata (2014), the final time that she acted with Banderas. It took a year for the divorce to be finalized, during which time, she and Banderas made one important appearance together at their daughter Stella's high school graduation. She also made another public appearance with another ex-husband, Don Johnson, on Saturday Night Live (1975) to support their daughter Dakota, who was the host for that week. Dakota was promoting her star-making turn in Fifty Shades of Grey (2015), thus carrying on the family tradition of being a film actress. Melanie maintains close ties with her three children and her mother Tippi Hedren. She is involved in various charities, including raising funds for Tippi's Shambala preserve, a refuge for wild animals. Melanie also runs a non-profit organization for benefiting burned children. Melanie is single and her children are living on their own, so she has devoted most of her time to seeking out acting roles.

Steven Bauer (born Esteban Ernesto Echevarría Samson) is a Cuban-born American actor. Bauer began his career on PBS, portraying Joe Peña, the son of Cuban immigrants on Qué Pasa, USA (1977-1980) and is perhaps most famous for his role as the Cuban drug lord Manny Rivera in the 1983 crime drama Scarface, in which he starred alongside Al Pacino and Michelle Pfeiffer. He also played the drug cartel leader Eladio Vuente in Breaking Bad and in Better Call Saul and as the retired Mossad agent Avi Rudin in Ray Donovan (2013-2020).

Kathleen Turner was born on June 19, 1954 in Springfield, Missouri to Patsy (Magee) and Allen Richard Turner, a U.S. Foreign Service officer. She graduated from American School in London in 1972. After her father's death, her family moved back to the United States, where Kathleen enrolled at Missouri State University for two years and earned her Bachelor of Fine Arts degree from the University of Maryland Baltimore Country (UMBC) in 1977.

Kathleen made her film debut in Body Heat (1981); her role as relentless Matty Waker brought her astronomical success, and is remembered as one of the sexiest roles in film history. After her initial success, Kathleen continued to flourish with performances in The Man with Two Brains (1983), Romancing the Stone (1984), The Jewel of the Nile (1985), Prizzi's Honor (1985), Peggy Sue Got Married (1986), The War of the Roses (1989), and Serial Mom (1994).

Jay Weiss was previously married to Kathleen Turner.

Roger Daltrey is noted as a founder of the legendary rock band The Who. After leaving London's Acton County Grammar School in 1963, he formed a skiffle band called The Detours, then displayed an early genius by putting together unusual elements into a world-class performance. The unusual elements included Daltrey on vocals, John Entwistle on bass and Pete Townshend on lead guitar. In 1965 they added drummer Keith Moon, and the fabulous line-up was complete. The band was remarkable for the synthesis of personalities: Townshend's art-school sensibilities; Daltrey's down-to-earth interpretation; and Entwistle's and Moon's skill as performers. They were first noted for deafening shows and for smashing their instruments in ferocious displays of auto-destructive art, but they went on to considerable chart success through original songs written by Townshend and the more humor-oriented Entwistle. Townshend wrote the first rock mini-opera for their second album, and after their first tour of America, the band presented the full-length rock opus Tommy, which shattered barriers and established The Who as a major artistic force in the world of music. Daltrey released his first solo album in 1973, and followed that with a number of solo chart successes. He also established a stage and (somewhat offbeat) film career after starring in the movie of Tommy (1975). He pursued films more steadily after the death of drummer Moon, and turned to production with the drama McVicar (1980). The band continued to perform sporadically with different drummers and John Bundrick on keyboard, but returned to full force in the 1990s with the addition of Zak Starkey on drums. Though Townshend is noted as the songwriter and lead guitarist of The Who, Daltrey remains the genius who drives their performances. His energy and stage presence established The Who at the monumental Monterey Pop, Woodstock and Isle of Wight music festivals, and his instincts for production carved their path through the era of stadium rock. The filmography of musical performances stand as the best evidence of Daltrey's brilliance as both a musician and a stage performer.

A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.

She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").

With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).

Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.

Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.

With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.

Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.

Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.

TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).

Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).

Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.

She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.

Marisa Schiaparelli Berenson is an American actress and former model. She appeared on the front covers of Vogue and Time, and won the National Board of Review Award for Best Supporting Actress for her role as Natalia Landauer in the 1972 film Cabaret. The role also earned her Golden Globe and BAFTA Award nominations. Her other film appearances include Death in Venice (1971), Barry Lyndon (1975), S.O.B. (1981), and I Am Love (2009) ....

She portrayed the tragic beauty Lady Lyndon in the Stanley Kubrick film Barry Lyndon (1975). Vincent Canby of The New York Times wrote: "Marisa Berenson splendidly suits her costumes and wigs."

In August 2016, she appeared in a production of Romeo and Juliet at the Garrick Theatre in London, as Lady Capulet.

Berenson is chairman of the board of Culture Project, an organization that sponsors the theater.

Sam Harris' diversified career has run the gamut from actor on Broadway, film and television to writer, singer, songwriter, director, producer, and author.

Known as "the original American Idol," Sam pulled a weekly audience of more than 25 million viewers on the premiere season of "Star Search," winning the title, Grand Champion, and the hearts of America. Jimmy Fallon called Sam's performance of Over the Rainbow "One of the greatest performances ever on television. Ever!"

His debut album, "Sam Harris," and the follow-up, "Sam-I-Am" both reached platinum status. "Standard Time" and "Different Stages" (both produced and conducted by the legendary Peter Matz) have been listed on numerous "Top 100 Records of All Time" lists. Other albums include "The Best of the Motown Sessions," "Revival," "On this Night," "Always," and "Sam Harris Live! - The Best of Christmas." His album "Free" features "Change is on the Way," which was written for and utilized by the Barack Obama Campaign. he co-wrote the anthem "My Reclamation," which was penned in response to Proposition 8, demanding equal LGBTQ marriage rights, and the anti-bullying song, "Don't Yuk my Yum." He can also be heard on numerous guest artist and cast recordings. Rolling Stone Magazine listed him as one of the "100 Greatest Singers of All Time."

Sam has toured extensively in concert and has played to sold-out audiences at major venues including New York's Carnegie Hall, Los Angeles' Universal Amphitheatre, London's West End, with the Boston Pops, and many philharmonics across the country.

On Broadway, Sam received a Drama Desk nomination for his role in Tommy Tune's "Grease" and a Drama-League Award as well as a Tony, Outer Critic's Circle, and Drama Desk nominations for his work in Cy Coleman's "The Life." He also appeared on Broadway in Mel Brooks' "The Producers," and in the Broadway National Tour of Andrew Lloyd Webber's production of "Joseph and the Amazing Technicolor Dreamcoat."

Sam has also starred in such musicals as "Jesus Christ Superstar," "Cabaret," "Hair," "Pippin," "The First Wives Club," "The Jazz Singer," and the self-penned shows "Hard Copy," "Different Hats," and "Revival" as well as the smash hit one man show "Sam," which was the most critically-acclaimed show of the Los Angeles season. In New York, he and long-time friend Liza Minnelli mounted "Schmoolie & Minnooli" - a concert of duets celebrating their friendship and the songs they love.

Sam has appeared at The White House, on numerous television specials and live productions, and has guested on virtually every talk show, his favorite being when he performed a stirring "You'll Never Walk Alone" on "The Oprah Winfrey Show" in the week following September 11th. Oprah said, "Sam could make Jesus walk through the door!"

Sam's chameleonic career took a new turn as the hilarious Perry Pearl on the CBS sitcom, The Class, winning a People's Choice Award and prompting columnist Liz Smith to call him "the comedy breakout character of the television season." He has guest-starred on various series, several films, and was given his own segment on television's EXTRA called "Six Degrees of Sam."

Behind the scenes, Sam co-wrote the sitcom, Down to Earth, which ran for 4 years on TNT, and the Los Angeles stage musical Hurry! Hurry! Hollywood! (both with Bruce H. Newberg). He also co-produced the television special Love Letter to New York, supervised and directed segments of Michael Jackson's 30th Anniversary at Madison Square Garden, wrote music for the award-winning film Little Man, and co-wrote Liza's at the Palace, which won the 2009 Tony Award. He created and directed the concert event, New York's Finest - Broadway's Leading Men to critical acclaim, and he is the co-creator/producer of The Stay Proud Project television series.

His autobiographical book "Ham: Slices of a Life" (Simon & Schuster) received raves across the board and was developed into the one-man musical "Ham: A Musical Memoir," which played to resounding success in New York and Los Angeles, winning three prestigious Ovation Awards for Best Musical, Best Actor, and Best Musical Direction (for longtime colleague Todd Schroeder). HAM was then filmed as the Pasadena Playhouse, debuted in Laemmle Theatres, and is now in wide release on all streaming platforms.

His next book, this time literary fiction entitled "The Substance of All Things," has been praised by prominent book review publications and is in development to become a limited series.

Sam is married to successful businessman, Danny Jacobsen, and they are the proud fathers of Cooper Harris-Jacobsen.

Christine Ebersole was born in Chicago, Illinois, to Marian Esther (Goodley) and Robert Amos Ebersole, a steel company president. She won the 2007 Tony Award for Best Actress in a Musical for her work in "Grey Gardens". Previously, she was awarded the Drama Desk Award, the Outer Critics Circle Award, the Drama League awarded her both a citation and the Outstanding Performance of the Year, and she was named to its dais for 2007. She also received a special citation from the New York Drama Critics' Circle and the Obie for her off-Broadway turn in "Grey Gardens".

Schuyler G. Chapin was born on 13 February 1923 in New York City, New York, USA. He was a producer, known for Bernstein in London: Verdi's Requiem (1970), Great Performances (1971) and Bernstein on Beethoven: A Celebration in Vienna (1970). He was married to Elizabeth Steinway. He died on 7 March 2009 in Manhattan, New York City, New York, USA.

Ed Koch was born on 12 December 1924 in Bronx, New York City, New York, USA. He was an actor, known for We Own the Night (2007), The Muppets Take Manhattan (1984) and The First Wives Club (1996). He died on 1 February 2013 in Manhattan, New York City, New York, USA.