Remember great german speaking actors from A to Z

Although somewhat forgotten these days, Max Adalbert was a great name of the German theater at he beginning of the twentieth century. Born Max Kampf in Danzig (now Gdansk in Poland) Max Adalbert worked in Lübeck, St. Gallen (Switzerland), Vienna and Berlin (Kleines Theater, Reinhardt-Bühnen). During the silent period he appeared in two masterpieces by Fritz Lang 'Der müde Tod' and 'Dr. Mabuse der Spieler'. After a few years solely devoted to the boards Adalbert successfully returned to the cinema. He was very good in 'Mein Leopold' but it is 'Der Hauptmann von Köpenick' that earned him most acclaim. A heart attack brutally broke this virtuous circle.

Life companion was the actress Hansi Burg. Their relationship started in 1925. They separated in 1935 due to the pressure of the German Nazi government. In 1938 she went into exile in Switzerland (later London). Shortly after this she married the Norwegian Erich Blydt. Burg returned to Germany and Albers in 1946. They lived together until his death 1960. She died 15 years later.

Ewald Balser was born on 5 October 1898 in Elberfeld [now Wuppertal], Germany. He was an actor, known for Rembrandt (1942), Sauerbruch - Das war mein Leben (1954) and Spionage (1955). He was married to Ernestine Bauer and Vera Balser-Eberle. He died on 17 April 1978 in Vienna, Austria.

Classically-trained actor, former chemist, whose formative years on the stage were spent in Bern (Switzerland) and, from 1909, the Deutsches Theater Berlin under Max Reinhardt's direction. Specialised in Shakespearean roles ('Richard III', 'Hamlet') and was a famous interpreter of the plays of Henrik Ibsen. He delivered his screen debut in a silent version of 'Dr.Jekyll and Mr.Hyde' (Der Andere (1913)). Bassermann remained active in motion pictures throughout the 1920's, also frequently appearing on stage in Austria and Switzerland. His wife, Elsa Bassermann, nee Schiff, was Jewish, and the discrimination shown towards her in his native country so outraged him that he emigrated with her to the United States in 1939.

At the age of 72, he carved out another career in Hollywood as a celebrated character actor. It took him some time to come to terms with the English language, but he was soon cast in a small part in Dr. Ehrlich's Magic Bullet (1940), as Dr.Robert Koch. He also played a sympathetic chemistry professor in Knute Rockne All American (1940). That same year, he appeared as Van Meer in Alfred Hitchcock's Foreign Correspondent (1940) and was promptly nominated for an Academy Award as Best Supporting Actor. His distinguished-looking countenance and serious demeanour lent itself to being assigned a variety of consular or professorial roles: he was excellent as Consul Magnus Barring in A Woman's Face (1941) with Joan Crawford; Professor Jean Perote in Madame Curie (1943); and a dying German music teacher in Rhapsody in Blue (1945).

At the age of 83, he made a triumphant return to the German/Austrian stage in Ibsen plays. Albert Bassermann died of a heart attack en route from New York to Zurich on May 15 1952.

Heinz Bennent was born on 18 July 1921 in Stolberg, Germany. He was an actor, known for Possession (1981), The Last Metro (1980) and Im Jahr der Schildkröte (1988). He was married to Paulette Renou. He died on 12 October 2011 in Lausanne, Vaud, Switzerland.

Martin Benrath was born on 9 November 1926 in Berlin-Lankwitz, Germany. He was an actor, known for Der Laden (1998), Stalingrad (1993) and Morituri (1965). He was married to Marianne Klein. He died on 31 January 2000 in Herrsching am Ammersee, Bavaria, Germany.

Hans Christian Blech was born on 20 February 1915 in Darmstadt, Germany. He was an actor, known for The Longest Day (1962), Battle of the Bulge (1965) and Wer zu spät kommt - Das Politbüro erlebt die deutsche Revolution (1990). He was married to Erni Wilhelmi. He died on 5 March 1993 in Munich, Bavaria, Germany.

Dieter Borsche was born on 25 October 1909 in Hannover, Germany. He was an actor and director, known for Die große Versuchung (1952), Fanfaren der Liebe (1951) and No Greater Love (1952). He was married to Ursula Willick, Monika Drum and Ursula Poser. He died on 5 August 1982 in Nuremberg, Bavaria, West Germany.

Rolf Boysen was born on 31 March 1920 in Flensburg, Germany. He was an actor, known for Das Vergnügen, anständig zu sein (1966), Pontius Pilatus (1966) and Michael Kohlhaas (1969). He died on 16 May 2014 in Munich, Bavaria, Germany.

This lean, incisive, basso-voiced Swiss actor with the unsettling mephistophelean countenance was the son of a Galician-Jewish merchant. Pinkas Braun began his chosen vocation at the age of eighteen as an extra with the Zürcher Schauspielhaus (embracing what he considered the 'order and discipline' inherent in a theatrical career). A member of the company's ensemble from 1945 to 1956, Braun featured in numerous premieres of plays by Brecht (who played a pivotal role in his training as an actor), Camus, Dürrenmatt and Frisch. Braun's personal favorite and his critically most acclaimed performance was as Shylock in Shakespeare's "The Merchant of Venice". On the screen, his looks and voice naturally predetermined him for arch villainy. At the very least, he would be cast as sinister schemers, occasionally mitigated by a charming blend of rascality. Braun found his widest audience during the 1960's in several lurid adaptations of crime thrillers by Edgar Wallace which have since acquired a substantial cult following: Secret of the Red Orchid (1962) (as a wealthy orchid collector and blackmail victim); The Door with Seven Locks (1962) (as the criminally insane Dr. Staletti); The Curse of the Yellow Snake (1963) (Fing-Su, demonic leader of a murderous sect of Chinese snake-worshippers). At his scene-stealing best, Braun took full acting honours as the ruthless Percyval Glyde in a superbly-mounted TV mini-series, Die Frau in Weiß (1971), based on the classic novel by Wilkie Collins. As the owner of a distinctively sonorous voice he was guaranteed regular employment in radio drama or for synchronisation (notably, as William of Baskerville, chief protagonist of Umberto Eco's "The Name of the Rose"). Braun also established a reputation as a theatrical director of note and as the leading translator into German of the complete works of Edward Albee.

In the cast list of The Magnificent Seven (1960), you will find several names that doubtless you know well: Charles Bronson, Steve McQueen, and Yul Brynner. But there is one name that you will have difficulty pronouncing, let alone identifying as an actor you have seen before. That man is Horst Buchholz, and he was one of the few German actors to have a considerable success in both Hollywood and in Europe. One would hardly guess that he was sought out to act in one of the most famous films of all time, only to have to turn it down due to a scheduling conflict - Lawrence of Arabia (1962)

Horst Buchholz was born in Berlin, Germany, in the year 1933. His father was a German shoemaker, while his mother was born to Danish parents. Buchholz was put in a foster home in Czechoslovakia after World War II broke out in Europe, but he returned to Berlin the moment he had the chance. Realizing his talent in acting, Buchholz dropped out of school to perfect his acting skills. After moving from East Berlin to West Berlin, he became well-known for his work in theatre and on the radio. In 1952 he turned to film, and after a series of small roles, he found a larger one in the Julien Duvivier film Marianne of My Youth (1955). He was praised for his role in the romantic/drama film Sky Without Stars (1955) by Helmut Käutner, but it was the lead role in the comedic Confessions of Felix Krull (1957) that made him an established German actor.

He followed this breakthrough role with the romantic film Two Worlds (1958) and the thriller Wet Asphalt (1958), where the handsome young actor plays a former criminal who associates himself with a journalist. Now a familiar face in his country, Buchholz pursued making foreign films. His first non-German film was the British film Tiger Bay (1959). The film is about a girl who witnesses a seaman named Korchinsky (Buchholz) murder his girlfriend. The film won praise in both Germany and Britain, but it was Buchholz' next foreign film that secured his name in the history of classic films. This film was the epic western The Magnificent Seven (1960) directed by John Sturges. Buchholz played Chico, the inexperienced Mexican youth that wants to be a gunman and abandon his past. Buchholz starred alongside such legends as Charles Bronson and Yul Brynner. both of whom had strong European roots. The film was a hit, first in Europe, then was re-distributed in the States to a much higher profit. The film gained massive popularity, and even now is treasured as a classic.

Buchholz could now find good and steady work nationally and internationally, which is something few actors could do at the time. He worked on the romantic film Fanny (1961), which is based on a trilogy of plays written by legendary writer Marcel Pagnol. Buchholz plays the role of Marius, a passionate but unsure youth who must choose between the girl he loves, and the life at sea he has always wanted. The film was a fine success, nominated for five Oscars, including Best Picture and Best Actor for Charles Boyer (who plays Buchholz' onscreen father).

It was at this point in his film career where he was sought as the first choice to play the role of Sherif Ali in David Lean's legendary film Lawrence of Arabia (1962). However, Buchholz had to turn it down, as he had already signed up for another film, which turned out to be the Oscar-nominated comedy One, Two, Three (1961) (directed by Billy Wilder). The film was once again a fine success to add to Buchholz' career, but ultimately gained nowhere near as much of a status as David Lean's film. Buchholz also made the Italian film The Empty Canvas (1963) in which he plays an untalented artist who begins a love affair with a young model. Throughout his in the early 60s, Buchholz had made a name for himself, acting in one Oscar-nominated film after another and showing off his talent as an actor. However, the success he had reached was not to last.

Buchholz continued with film, including the James Bond spoof That Man in Istanbul (1965) and the crime film Johnny Banco (1967). He starred in the B-movie failure that was The Young Rebel (1967). Buchholz rebounded with the fiery film The Saviour (1971) in which he plays a man who claims to be organizing resistance against the Nazis. He also played Johann Strauss in the Golden Globe-nominated musical The Great Waltz (1972). which was sadly another failure.

The rest of the 1970s and the early 1980s were spent mostly on television and movies released for television, whether it be foreign (Dead of Night (1977), Return to Fantasy Island (1978)) or German (Derrick). Buchholz found mild success again when he returned to the big screen with the WW II espionage film Code Name: Emerald (1985) in which he plays alongside such stars as Ed Harris and Max von Sydow. After this film, Buchholz returned to European movies, such as And the Violins Stopped Playing (1988) in which a group of gypsies flee Nazi persecutors. After taking a supporting role in the fantasy film Faraway, So Close! (1993), Buchholz acted in one of his most well known films: the Oscar-winning Italian film Life Is Beautiful (1997) which was directed by and starred Roberto Benigni. Buchholz played the role of a doctor who befriends Benigni's character and frequently duels with him in riddles. This choice of role proved to be an echo of Buchholz' taste in choosing his projects in earlier years; the film won best foreign film that year, and was also nominated for Best Picture. Thanks to his gift for languages, Buchholz was able to dub himself in the foreign releases of the film.

Buchholz continued making films and television appearances until 2002, by which time he was sixty-eight years old. He died the next year, in Berlin, of pneumonia. Berlin had been the city of his heart, and was buried there in honour of that fact. Horst Buchholz had been a renowned German actor, and had gained credibility in the United States and other countries. He was a varied performer, acting all kinds of roles in his life, but was always a proud German to the last.

Horst Caspar was born on 20 January 1913 in Radegast, Saxony-Anhalt, Germany. He was an actor, known for Begegnung mit Werther (1949), Friedrich Schiller - Der Triumph eines Genies (1940) and Burning Hearts (1945). He was married to Antje Weisgerber. He died on 27 December 1952 in Dahlem, Berlin, Germany.

Paul Dahlke was born on 12 April 1904 in Groß-Streitz, Pomerania, Germany [now Strzezenice, Zachodniopomorskie, Poland]. He was an actor, known for Confessions of Felix Krull (1957), Flying Classroom (1954) and Dubrovsky (1959). He was married to Elfe Gerhart and Doris Schacht. He died on 24 November 1984 in Salzburg, Austria.

René Deltgen was born on 30 April 1909 in Esch-sur-Alzette, Luxembourg. He was an actor, known for The Tiger of Eschnapur (1959), No Way Back (1953) and Journey to the Lost City (1960). He was married to Anita Irene Wapordjieff and Elisabeth Scherer. He died on 29 January 1979 in Cologne, North Rhine-Westphalia, West Germany.

Ernst Deutsch was born on 16 September 1890 in Prague, Bohemia, Austria-Hungary [now Czech Republic]. He was an actor, known for The Third Man (1949), Der Prozeß (1948) and Isle of the Dead (1945). He was married to Anuschka Fuchs. He died on 22 March 1969 in West Berlin, West Germany.

With his whitish blond crew-cut, slow, menacing drawl and Germanic manner, Van Eyck was destined to be typecast as stereotypically scowling, arrogant Nazi officers. This was ironic, because he was an avowed anti-fascist who had left Germany in 1931 -- two years before Adolf Hitler came to power. The son of an aristocratic Prussian land owner, his father had intended him to embark on a military career. Instead, Peter spent his education in Berlin, where he trained as a musician.

In 1937, Van Eyck arrived in New York via Havana, Cuba, and became acquainted with the composer Aaron Copland. This led to a collaboration, as well as solo efforts, as composer and lyricist on a variety of songs for revue and cabaret. He also moonlighted as a pianist in bars and nightclubs. Around this time, he also began to work as a stage manager and arranger for Irving Berlin. Not afraid to try any job that came along, he tried his hand at driving a truck, and this, somehow, led him to Hollywood where he became a protege of the director Billy Wilder. Wilder prompted him to appear in front of the camera. In 1943, Peter commenced his career in films, by this time, as a naturalized American citizen. For the remainder of the decade, he had little to do but act an assembly line of parts as German officers and Gestapo henchmen in films like Five Graves to Cairo (1943) and Address Unknown (1944).

After the war, Van Eyck returned to Germany, where he was ironically cast as an American officer in Hallo, Fräulein! (1949). He also appeared in the comedy Royal Children (1950) ,with Jenny Jugo), as yet another American. He gave one of his very best performances in the role of Bimba in Henri-Georges Clouzot's high octane thriller The Wages of Fear (1953). In this famous French classic, he played one of a group of daredevil truck drivers traversing an impenetrable South American jungle with a deadly load of nitroglycerin.

Down the track, he found other good roles: as the womanising Frenchman Fribert in Rosemary (1958); as a police inspector investigating a famous murder in Dr. Crippen lebt (1958),aka ('Dr.Crippen lives'); a starring role as Paul Decker, who attempts the perfect murder of his wife in The Snorkel (1958); and one of two industrialist brothers in Helmut Käutner''s The Rest Is Silence (1959).

During the 60's, Van Eyck appeared increasingly in international co-productions of variable quality. Having settled in Switzerland and maintaining a residence in Paris, he was ideally placed to alternate between French, English and German film roles. He made three potboilers about the master criminal Dr. Mabuse which were extremely popular in Germany. His best performances during this period were as the East German intelligence officer Mundt, who is the target of The Spy Who Came in from the Cold (1965) and as Colonel General von Brock in the absorbing war drama The Bridge at Remagen (1969), which was also his last film.

Van Eyck died near Zurich in July,1969, of septicemia, just short of his 58th birthday.

O.W. Fischer was born on 1 April 1915 in Klosterneuburg, Austria-Hungary. He was an actor and director, known for Ich suche dich (1956), Arms and the Man (1958) and Ludwig II: Glanz und Ende eines Königs (1955). He was married to Anna Usell. He died on 29 January 2004 in Lugano, Ticino, Switzerland.

Rudolf Forster was born on 30 October 1884 in Gröbming, Austria-Hungary. He was an actor, known for Das Glas Wasser (1960), The Threepenny Opera (1931) and Wälsungenblut (1965). He was married to Wilhelmine Karoline Klara Schachschneider and Eleonora von Mendelssohn. He died on 25 October 1968 in Bad Aussee, Styria, Austria.

The blond, steely-eyed bad guy of European westerns and potboilers was born in Lübeck, Germany, the son of a porcelain painter. Horst Frank financed his acting studies by working part-time as a babysitter and night watchman. He actually failed his final exams at the Musikhochschule Hamburg, but nonetheless managed to secure an acting position in his home town. For some time after, his work was primarily confined to small parts on stage and in radio. His first screen role saw him as a cowardly pilot in Der Stern von Afrika (1957). Frank then won a critic's award for his next role as member of a U-Boat crew in the war drama Haie und kleine Fische (1957).

Of athletic, lithe build and owner of a somewhat cold, hypnotic gaze (with a voice to match), Frank soon found himself typecast to disturbingly good effect as psychotic murderers in German and international productions (The Black Panther of Ratana (1963), Das Mädchen vom Moorhof (1958), Der Greifer (1958)). Alternatively, he proved an ideal henchman for spaghetti westerns (Bullets Don't Argue (1964), Johnny Hamlet (1968) and Django, Prepare a Coffin (1968)). Frank didn't seem to mind turning out copies of the same negative in a seemingly endless gallery of ruthless killers and impassive assassins. He did so with relish well into the 1980's and 90's, enjoying guest spots on popular TV crime time shows like Tatort (1970) and Derrick (1974). If Horst Frank was in the cast, you knew pretty much from the start 'whodunnit'.

Behind the menacing heavy, there was a family man and author of poems and chansons. In addition to his screen acting, Frank lent his voice to dubbing work (for the likes of fellow tough guys Jack Palance, Ernest Borgnine and Chuck Connors); and to radio, where he voiced Captain Nemo in "20,000 Leagues Under the Sea" and "The Mysterious Island".

Likely because of his lack of work in major American or British productions, Frank never quite achieved the international recognition he undoubtedly deserved. He died quite suddenly in May 1999 of a brain hemorrhage, just short of his 70th birthday.

Uwe Friedrichsen was born on 27 May 1934 in Altona (now Hamburg), Germany. He was an actor, known for Maximilian von Mexiko (1970), Spaß beiseite - Herbert kommt! (1979) and Stadt ohne Sheriff (1972). He was married to Ute Papst and Nathalie Emery. He died on 30 April 2016 in Hamburg, Germany.

Tall, portly built German born actor (and talented violinist) who notched up over 100 film appearances, predominantly in German-language productions. He will forever be remembered by Western audiences as the bombastic megalomaniac "Auric Goldfinger" trying to kill Sean Connery and irradiate the vast US gold reserves within Fort Knox in the spectacular "James Bond" film Goldfinger (1964). However, due to Fröbe's thick German accent, his voice was actually dubbed by English actor, Michael Collins.

While commonly perceived as cold hearted & humourless from his Goldfinger (1964) portrayal, quite to the contrary, Fröbe was a jovial man and a wonderful comedic performer. His light hearted talents can be best viewed in The Ballad of Berlin (1948), Der Tag vor der Hochzeit (1952), Chitty Chitty Bang Bang (1968), and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). Fröbe also portrayed dogged detective Kriminalkommissar Kras/Lohmann pursuing the evil Dr. Mabuse in The 1,000 Eyes of Dr. Mabuse (1960), The Return of Dr. Mabuse (1961) and The Terror of Doctor Mabuse (1962).

Ernst Fritz Fürbringer was born on 27 July 1900 in Brunswick, Germany. He was an actor, known for Titanic (1943), Wallenstein (1978) and Vienna Blood (1942). He was married to Lizzi Rademacher. He died on 30 October 1988 in Munich, Bavaria, West Germany.

Bruno Ganz was an acclaimed Swiss actor who was a prominent figure in German language film and television for over fifty years. He is internationally renowned for portraying Adolf Hitler in the Academy Award-nominated film Downfall (2004).

Ganz was born in Zürich, to a Swiss mechanic father and a northern Italian mother. He decided to pursue an acting career by the time he entered university. He debuted at the theatre in 1961, and gained a reputation as a reflective, charismatic and technically brilliant stage actor. In 1970, he and Peter Stein founded the theatre company 'Schaubühne' in Berlin, Germany. On stage, Ganz portrayed Dr. Heinrich Faust in Peter Stein's staging of Faust, Part One and Faust, Part Two in 2000.

In cinema, Ganz became one of the best-known and most acclaimed actors in the German language, collaborating with many of the most respected European actors and directors of his time. He also starred in international features that reached a global audience. His film debut was The Gentleman in the Black Derby (1960). He also starred in Unknown (2011), The Counselor (2013), and The Party (2017).

Ganz died from cancer on 16 February 2019 at his home in the village of Au, in Wädenswil, Switzerland.

Götz George, born in Berlin in 1938, is the son of the famous actor Heinrich George and his wife, the actress Berta Drews. After first appearances on the stage of Berlin's Hebbel Theater during his childhood, Götz George was trained as an actor by the recognized teacher Else Bongers. At the age of 15, Götz George started his career as a movie actor. In 1960 he received his first major award (the Bundesfilmpreis) for his appearance in the film 'Jacqueline' (directed by Wolfgang Liebeneiner), followed by the German Critics Award in 1961. A year later he received the public "Bambi"-award as the most popular German actor. Between 1959 and 1969 Götz George appeared in 26 cinema features, among them 'Kirmes' (directed by Wolfgang Staudte), 'Das Mädchen und der Staatsanwalt' (director Jürgen Goslar), 'Liebe will gelernt sein' (director Kurt Hoffmann), 'Sie nannten ihn Gringo' (director Roy Rowland) and 'Ostwind' (director Jean-Luc Godard). George's next movie production was 'Aus einem Deutschen Leben', directed by Theodor Kotulla, in 1977, where he gave a highly praised performance as the KZ commander Rudolf Höss. The movies 'Abwärts' in 1984 and 'Zahn um Zahn' in 1985 (the latter based on the TV-series 'Schimanski') were both successful at the box office and among critics. In 1985, George received the German Cinema Award (Charlie-Chaplin-Schuh) and the Gold Ribbon (Bundesfilmpreis) as best German movie actor. After starring in 'Zabou' in 1987 (another 'Schimanski'-adaption for cinema) and the action thriller 'Die Katze' in 1988, Götz George appeared in 'Der Bruch', the first East-West-German co-production for cinema, directed by Frank Beyer in 1988. The location of his next film was Argentina, where he starred in the movie 'Blauäugig', produced in 1989 under the direction of Reinhard Hauff. In 1991 George played a lead role in Helmut Dietl's comedy 'Schtonk', a big success in Germany among audience and critics, and official German nomination for the Oscar. For this performance, George again received the Gold Ribbon (Bundesfilmpreis) as best actor. Perhaps his most prominent achievement, however, was the role of the serial killer Fritz Haarmann in Romuald Karmakar's movie 'Der Totmacher', for which he received the Coppa Volpi, the actor's award of the Venice Film Festival in 1995 and, once more, the Gold Ribbon (Bundesfilmpreis) in 1996. In the same year he again appeared in another highly successful film by Helmut Dietl, 'Rossini'. In early 1997, George starred in the movie 'Das Trio', directed by Hermine Huntgeburth, and during the last two months he was filming the thriller 'Solo für Klarinette', directed by Nico Hofmann, a movie adaption of the successful novel by Elsa Lewin. In summer of 1998, Götz George starred as Josef Mengele in Roland Suso Richter's film 'After the Truth / Nichts als die Wahrheit'. In 2000 he played the advertiser Eddie Kaminski in the feature film 'Commercial Man', directed by Lars Kraume, he was strange bird Heinrich in 'Gott ist tot' (2001, written and directed by Kadir Sözen) and designer Jost in 'Maria an Callas' (2004/5, written and directed by Petra K. Wagner).

During the seventies, Götz George worked for television and theater. Among others, notable stage appearances were in 'Troilos und Cressida' (as Troilus), in 'Martin Luther und Thomas Münzer' (as Luther), in 'Endstation Sehnsucht' ('A Streetcar Named Desire' - as Kowalski), in 'Dantons Tod' (as Danton) and in 'Platonow' (as Platonow). Though Götz George has been a popular German movie actor for four decades, he gained his perhaps most unique popularity for the impersonation of the police detective Horst Schimanski in the 'Tatort' TV-series from 1981 to 1991. Aside from their success in Germany, the 'Schimanski' films have introduced George to TV-audiences worldwide: 427 million people have watched so far. Moreover, George's appearances in numerous other successful TV features have made him the most well-known and mostly decorated German actor of our time. After a six-year-intermission, Schimanski returned to German TV-screens in the end of 1997 and has been continued since. Other successful TV-appearances include 'Schulz & Schulz' (1989-93), 'Das Schwein' (1994), 'Der Sandmann' (1995), and 'Die Bubi Scholz Story' (1997). In 1999 Götz George was shooting for the TV feature film 'Die Spur meiner Tochter' in Marocco.The year 2000 started with two further 'Schimanski' movies and was closed with shoots for the TV movie 'Liebe macht blind' in South Africa. ), 'Vinzenz & Claire' followed in 2002. In 2003 und 2004 Götz George starred in 'Blatt & Blüte' (director: Michael Kreindl), 'Alpenglühen I+II' (director: Hajo Gies), and in 'Einmal so, wie ich will' (Regie: Vivian Naefe) along with the suspense-packed feature 'Geheimnissvolle Freundinnnen', filmed by young director Oliver Elias. In 2002 Götz George played one of the leads in the TV movie 'Mein Vater', which won the Emmy Award for best foreign feature film in 2003. The 'Schimanski'-episodes 'Der Golem' and 'Asyl' were nominated for the Emmy in 2004.

Heinrich George was born on 9 October 1893 in Stettin, Pomerania, Germany [now Szczecin, Zachodniopomorskie, Poland]. He was an actor and producer, known for Metropolis (1927), Burning Hearts (1945) and Die Degenhardts (1944). He was married to Berta Drews. He died on 25 September 1946 in Soviet Special Camp No. 7, Oranienburg, Brandenburg, Germany.