Harry Potter & Fantastic Beasts Wizarding World Production Details
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- 11 titles
- DirectorChris ColumbusStarsDaniel RadcliffeRupert GrintEmma WatsonAn orphaned boy enrolls in a school of wizardry, where he learns the truth about himself, his family and the terrible evil that haunts the magical world.Director/Executive Producer: Chris Columbus
Screenwriter: Steve Kloves
Producer: David Heyman
Executive Producer: Mark Radcliffe
Co-Executive Producer: Michael Barnathan
Executive Producer/Add'l 1st Ass't Director: Duncan Henderson
Cinematographer: John Seale ASC ACS
Production Designer: Stuart Craig
Film Editor: Richard Francis-Bruce ACE
Composer: John Williams
Production VFX Supervisor/2nd Unit Director: Robert Legato ASC
Costume Designer: Judianna Makovsky
Co-Producer: Tanya Seghatchian
Associate Producer: Paula DuPré Pesmen
Associate Producer/Unit Production Manager: Todd Arnow
Production Supervisor: Janine Modder
1st Assistant Director: Chris Carreras
2nd Unit Director: David R. Ellis
Production SFX Supervisor: John Richardson
Creature & Makeup FX Designer: Nick Dudman
2nd VFX Supervisor: Nick Davis
Production VFX Producers: Cari Thomas, Karen M. Murphy
Stunt Coordinator: Greg Powell
Animal Coordinator: Gary Gero
Key 2nd Ass't Director: Robert Grayson
Unit Production Manager (2nd Unit)/Add'l 2nd Ass't Director: RJ Mino
Supervising Art Directors: Neil Lamont, John King
Art Directors: Michael Lamont, Simon Lamont, Andrew Ackland-Snow, Lucinda Thompson
Ass't Art Directors: Dominic Watkins, Gary Tomkins
Set Decorator: Stephanie McMillan
Scenic Art Director: Steven Sallybanks
2nd Assistant Director: Michael Stevenson
Co-2nd Ass't Director: Fiona Richards
3rd Assistant Director: Michael Michael
Add'l 3rd Ass't Director: Ian Dray
A-Camera Operator: Peter Robertson
B-Camera Operator: Pete Cavaciuti ACO
2nd Assistant B-Camera: Derek Walker
Prop Master: Barry Wilkinson
Ass't Prop Master: Jamie Wilkinson
Preview Consultant: Katherine Quittner
Supervising Gaffer: John Higgins
Ass't Costume Designer: Rosemary Burrows
Production Consultant: Nisha Parti
SFX Floor Supervisors: Rick Thompson, Tim Wilson
SFX Workshop Supervisor: Paul Stephenson
JHCS Project Supervisor: Jamie Courtier
JHCS Creatures Producer: Myf Hopkins
JHCS Head of Creature Design: Sharon Smith
JHCS Workshop Supervisor: Geoff Paige
JHCS Art Finish Supervisor: Tracy Kneale
JHCS Electronic Supervisor: Julian Manning
JHCS Mould Shop Supervisor: Kenny Wilson
JHCS Skin Technology Supervisor: Mari Fraser
JHCS Motion Base Supervisor: Verner Gresty
JHCS Prop Manufacturing Supervisor: Mark Woollard
Associate VFX Supervisor: Michael D. Kanfer
VFX Post-Production Supervisor: Tracey Gibbons
VFX Plate Supervisor: David Takemura
VFX Production Supervisor: Marcia Gay
2nd Unit DoP: Gavin Finney BSC
2nd Unit Production Supervisor: Russell Lodge
2nd Unit Key 1st Ass't Dir: Josh Robertson
2nd Unit 1st Ass't Director: Jamie Christopher
2nd Unit 2nd Ass't Director: Dan John
2nd Unit 3rd Ass't Director: Nick Shuttleworth
2nd Unit Camera Operator: Simon Finney ACO
2nd Unit 2nd Ass't A-Camera: Sam Renton ACO
2nd Unit Gaffer: David Smith
2nd Unit SFX Floor Supervisor: Digby Milner
Score Orchestrator: Conrad Pope
Music Copyist: Mark Graham
Digital Music Recordist: Dennis S. Sands
Model Unit Supervisor (Moco & Model Unit): Robert Scott
Model Build Unit Coordinator (Moco & Model Unit): Sarah Jane Griggs
Model Unit DoP (Moco & Model Unit): Nigel Stone BSC
1st Ass't Dir of Models (Moco & Model Unit): David Pearson
Model Unit Coordinators (Moco & Model Unit): Sally Ross, Johnny Bronson
Model Unit Gaffer (Moco & Model Unit): John Rogers
Motion Control Unit Producer (Moco & Model Unit): Rob Delicata
3D Motion Control Previz Supervisor (Moco & Model Unit): Chris Shaw
SPI VFX Supervisor: Jim Berney
SPI Animation Supervisor: Eric Armstrong
SPI VFX Producer: Crys Forsyth-Smith
SPI VFX Executive Producer: Debbie Denise
SPI VFX Digital Producer: John F. Clinton III
SPI CG Supervisors: Mark Lambert, Seth Maury, Dave A. Smith, Peter G. Travers
SPI VFX Animation Production Manager: Daniel Kuehn
SPI VFX Digital Coordinator: Jennifer Juen
SPI VFX Production Coordinator: Eric Scott
ILM VFX Supervisor: Roger Guyett
ILM Animation Supervisor: David Andrews
ILM VFX & Animation Producer: Denise Ream
ILM CG Supervisor: Gerald Gutschmidt
ILM Compositing Supervisor: Marshall Richard Krasser
ILM CG Sequence Supervisor: Hilmar Koch
ILM Lead Sequence Supervisors: Doug Sutton, Michael Di Como
ILM Technical Director: Russell Earl
ILM Sequence Supervisor: Raul Essig
ILM Animators: Scott Benza, Paul Kavanagh
ILM VFX & Animation Coordinator: Peter Nicolai
ILM 3D Matchmove Supervisor: Selwyn Eddy III
ILM General Manager: Jim Morris
ILM Digital Timing Supervisor: Kenneth Smith
Mill Film VFX Supervisor: Karl Mooney
Mill Film VFX Executive Producer: Antony Hunt
Mill Film VFX Producers: Paul Edwards, Angela Hunt
Mill Film Compositing Supervisor: Simon Stanley-Clamp
R&H VFX Supervisor: Richard E. Hollander
R&H VFX Producer: Joyce Cox
R&H DFX Supervisor: Mark Rodahl
R&H Senior Animation Supervisor: Craig Talmy
R&H Co-Senior Lighting Supervisor: Pauline Tso
R&H 3D Compositing Supervisor: Harry Lam
R&H VFX Production Manager: Julie Orosz
MPC Head of VFX Production: Michael Elson
MPC VFX Producer: Martin Hobbs
MPC CG Animation Supervisor: Chas Jarrett
CFC VFX Executive Producer: Drew Jones
CFC Digital VFX Supervisor: Robert Duncan
CFC VFX Producer: Dominic Sidoli
CFC Supervising CG Animator: Dominic Parker
CFC Compositing Artist: Jonathan Fawkner
DNEG Stereo Supervisor-2020 3D Version: Barry O'Brien
DNEG Stereo Producer - 2020 3D Version: Rich Edwards
Filming Dates: September 29, 2000 - March 23, 2001
Cameras: Panaflex XL, Millennium & Platinum (Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 125 Million USD
Budget AFI (2021): 184.7 Million USD
Printed on: 35mm Kodak Vision 2383
Animal & Troll Animatronics Provided by: Jim Henson's Creature Shop
Main Visual Effects Provided by: Industrial Light & Magic, Sony Pictures Imageworks, Rhythm & Hues Studios + Moving Picture Company
Additional Visual Effects Provided by: Mill Film, Cinesite, Computer Film Company + Smoke & Mirrors
2020 3D Stereo Conversion Provided by: Double Negative
Attribute: Filmed with Panavision Cameras & Lenses - DirectorChris ColumbusStarsDaniel RadcliffeRupert GrintEmma WatsonHarry Potter lives his second year at Hogwarts with Ron and Hermione when a message on the wall announces that the legendary Chamber of Secrets has been opened. The trio soon realize that, to save the school, it will take a lot of courage.Director/Executive Producer: Chris Columbus
Screenwriter: Steve Kloves
Producer: David Heyman
Executive Producers: Mark Radcliffe, Michael Barnathan, David Barron
Cinematographer: Roger Pratt BSC
Production Designer: Stuart Craig
Film Editor: Peter Honess ACE
Composer: John Williams
Conductor/Arranger: William Ross
Production VFX Supervisors: Jim Mitchell, Nick Davis
Costume Designer: Lindy Hemming
Co-Producer: Tanya Seghatchian
Associate Producer: Paula DuPré Pesmen
Unit Production Manager: Bernard Bellew
1st Assistant Director: Chris Carreras
2nd Unit Director: Peter MacDonald
Production SFX Supervisor: John Richardson
Creature & Makeup FX Designer: Nick Dudman
Production VFX Producers: Christian Kubsch, Theresa Corrao
Stunt Coordinator: Greg Powell
Animal Coordinator: Gary Gero
Key 2nd Ass't Director: Robert Grayson
Supervising Art Directors: Neil Lamont, Lucinda Thomson, John King
2nd Assistant Directors: Michael Stevenson, Fiona Richards
Co-2nd Ass't Director: Sue Wood
3rd Assistant Director: William Dodds
Add'l 3rd Ass't Director: Michael Michael
A-Camera Operator: Peter Taylor
B-Camera Operator: Trevor Coop
C-Camera/Steadicam Operators: Alf Tramontin, Pete Cavaciuti ACO
Steadicam Operator: Simon Baker
1st Assistant A-Camera: Simon Hume
Prop Master: Barry Wilkinson
Ass't Prop Master: Jamie Wilkinson
SFX Workshop Supervisor: Paul Stephenson
SFX Floor Supervisor: Digby Milner
Wire Effects Coordinator: Kevin Welch
2nd Unit DoP: Mike Brewster
2nd Unit 1st Ass't Director: Jamie Christopher
2nd Unit 2nd Ass't Director: Simon Emanuel
2nd Unit A-Camera Operator: Ken Coles
2nd Unit B-Camera Operators: Gary Spratling, Stefan Stankowski
Music Copyist/Librarian: Mark Graham
Production VFX Coordinator: Daniel Barrow
ILM Senior VFX Supervisor: Bill George
ILM Animation Supervisor: David Andrews
ILM VFX Producer: Sandra L. Scott
ILM VFX Associate Supervisor: Douglas Smythe
ILM Sequence Supervisor: Howard Gersh
ILM Lead Quidditch Animator: Paul Kavanagh
ILM Animator: Kevin Martel
ILM Digital Color Timing Supervisor: Kenneth Smith
ILM VFX Production Coordinator: Margaret Lynch
ILM VFX Production Assistant: Amber Kirsch
ILM General Manager: Jim Morris
Mill Film VFX Supervisor: Tim Burke
Mill Film Digital VFX Supervisor: Simon Stanley Camp
Mill Film VFX Coordinator: Laya Armian
Mill Film CG Line Producer: Charlie Bradbury
MPC VFX Producer: Martin Hobbs
MPC VFX Supervisor: Tom Wood
MPC CG Supervisor: Chas Jarrett
Framestore CFC Animation Supervisor: Michael Eames
Framestore CFC CG Supervisor: Sally Goldberg
Framestore CFC DFX Supervisors: Robert Duncan, Mark Nelmes
Framestore CFC Animation Sequence Supervisor: Quentin Miles
Framestore CFC CG Sequence Supervisor: Ben Morris
Framestore CFC CG Effects Supervisor: Justin Martin
Framestore CFC DFX Sequence Supervisor: Tom Debenham
Framestore CFC VFX Line Producers: Dominic Sidoli, Lucy Killick
Cinesite DFX Supervisor: John Lockwood
Cinesite DFX Line Producer: Antoinette Perez
Cinesite DFX Producer: Stuart McAra
Mill Film Model Unit Supervisor: José Granell
Mill Film Model Unit DoP: Nigel Stone BSC
Home Video Remastering Colorist: Mark Wilkinson
Digital Compositor (2017 4K HDR Restoration): Simon Richardson
Filming Dates: November 18, 2001 - July 26, 2002
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 100 Million USD
Budget AFI (2021): 145.4 Million USD
Printed on: Fuji Film
Visual Effects Provided by: Industrial Light & Magic, Moving Picture Company, Framestore CFC + Cinesite
Visual Effects & Model Unit Photography Provided by: Mill Film
Attribute: Filmed with Panavision Cameras and Lenses - DirectorAlfonso CuarónStarsDaniel RadcliffeEmma WatsonRupert GrintHarry Potter, Ron and Hermione return to Hogwarts School of Witchcraft and Wizardry for their third year of study, where they delve into the mystery surrounding an escaped prisoner who poses a dangerous threat to the young wizard.Director: Alfonso Cuaron
Screenwriter: Steve Kloves
Producers: David Heyman, Chris Columbus, Mark Radcliffe
Executive Producers: Michael Barnathan, Callum McDougall
Cinematographer: Michael Seresin BSC
Cinematographer (2nd Unit): Peter Hannan BSC ACS
Production Designer: Stuart Craig
Film Editor: Steven Weisberg ACE
Composer/Conductor: John Williams
Orchestrator: Conrad Pope
Production VFX Supervisors: Roger Guyett, Tim Burke
Costume Designer: Jany Temime
Associate Producer: Paula DuPré Pesmen
Associate Producer/1st Ass't Director: Chris Carreras
2nd Unit Director: Peter MacDonald
Unit Production Manager: Tim Lewis
Creature & Makeup FX Designer: Nick Dudman
Production SFX Supervisor: John Richardson, Stephen Hamilton
Production VFX Producers: Theresa Corrao, Emma Norton
Sound Designer/Co-Supervising Sound Editor: Richard Beggs
Set Decorator: Stephanie McMillan
Animals Supervisor: Gary Gero
Production Controller: John Trehy
Post-Production Supervisor: Jessie Theile
Previz Editor/Add'l Film Editor: JC Bond IV
Stunt Coordinator: Greg Powell
Stunts: Paul Herbert, David Holmes, Gary Powell
Production Manager: David Carrigan
Production Manager (2nd Unit): Russell Lodge
Key 2nd Ass't Director: Robert P. Grayson
Supervising Art Director: Neil Lamont
Senior Art Director: Andrew Ackland-Snow
Art Directors: Steven Lawrence, Alan Gilmore, Gary Tomkins, Alex Walker
Ass't Set Decorator: Lee Sandales
Prop Master: Barry Wilkinson
Ass't Prop Master: Jamie Wilkinson
2nd Assistant Directors: Fiona Perry-Richards, Michael Stevenson
Co-2nd Ass't Director: Jane Burgess
3rd Assistant Directors: William Dodds, Tom Brewster, Philippa Hunt, Ali Morris
Add'l 3rd Ass't Directors: Michael Michael, Jannette Boyle, Nick Shuttleworth
A-Camera Operator: Simon Finney ACO
B-Camera/Steadicam Operator: Alistair Rae
1st Assistant A-Camera: Robert Binnall
2nd Assistant A-Camera: Robert Palmer
2nd Assistant B-Camera: Paul Wheeldon
2nd Assistant C-Camera: Chris Dale
Add'l Steadicam Operator: Alf Tramontin
Camera Crane Operator: Colin Hazell
Gaffer: Peter Bloor
Location Managers: Nicholas Daubeny, Mark Somner, Robin Higgs, Jonathan Hook
Ass't Location Manager: David O'Reilly
Production VFX Editor: Matthew Glen
Ass't VFX Editor: Wayne Smith
Co-Supervising Sound Editor: David Evans
Post-Production Coordinator: Katie Reynolds
Ass't Post-Production Coordinator: Holly Thornton
Wardrobe Master (2nd Unit): Tom Hornsby
Makeup Designer: Amanda Knight
Chief Hairdresser & Designer: Eithne Fennell
Production Coordinators: Judy Britton, Katie Garbett
SFX Workshop Supervisor: Paul Stephenson
SFX Floor Supervisors: Dominic Tuohy, Ian Lowe
SFX Supervising Engineers: Brian Morrison, David Hunter, Mike Durkan, Mark Bullimore
Production SFX Coordinator: Stephanie Leavitt
Production SFX Technician: Marcus Richardson, Noah Meddings, Matt Harlow
Wire FX Coordinator: Kevin Welch
Physical Magic Consultant: Paul Kieve
Underwater Puppetry Consultant: Basil Twist
Sup Animatronic Model Designers: Chris Barton, Gary Pollard
Makeup & CFX Coordinator: Lyn Nicholson
Animatronic Fabrication Supervisor: Day Murch
Animatronic Mold Making Supervisor; Barry Fowler
Creature Movement Consultant: Ailsa Berk
2nd Unit 1st Ass't Director: Jamie Christopher
2nd Unit 2nd Ass't Director: Simon Emanuel
2nd Unit 3rd Ass't Director: Lyndsay Bullock
2nd Unit A-Camera Operator: Stefan Stankowski
2nd Unit Add'l A-Camera Operator: Ken Coles
2nd Unit B-Camera Operator/Add'l DoP: David Morgan
2nd Unit B-Camera Operator/Rigging Grip: Darren Holland
2nd Unit B-Camera Operator: Nic Milner
2nd Unit Steadicam Operator: Derek Walker
2nd Unit Add'l Steadicam Operators: Paul Edwards, Rupert Power
2nd Unit 1st Ass't B-Camera: Oliver Loncraine
2nd Unit 2nd Ass't A-Camera: Marc Atherfold
2nd Unit 2nd Ass't B-Camera: Michael Hannan
2nd Unit 2nd Ass't C-Camera: Luke Coulter
2nd Unit 2nd Ass't D-Camera: Martin Lewis
2nd Unit Add'l DoP: Mike Brewster
2nd Unit Pilot/Aerial Coordinator: Marc Wolff
2nd Unit Aerial DoP: John Marzano
2nd Unit Wescam Technician: Glyn Williams
2nd Unit Gaffer: Perry Evans
2nd Unit Rigging Gaffer: Jimmy Smart
2nd Unit SFX Floor Supervisors: Digby Milner, Martin Neill
2nd Unit SFX Senior Technician: Tony Phelan
2nd Unit SFX Technicians: Ceri Nicholas, Luke Murphy, Nick Joscelyne
2nd Unit Production Coordinators: Natasha Gormley, Kate Ledger
Music Editors: Ken Wannberg, Peter Myles
Score Mixer: Shawn Murphy
Supervising Digital Colorist: Peter Doyle ASC
2nd Supervising Digital Colorist: Peter Hunt
Lead Finishing Colorist: Mel Kangleon
Tech Ops Supervisor: Grace Lan
Custom DI Database Artist: Harald Brendal
VFX Production Manager: Lorea Hoye
Production VFX Coordinators: Marion Davey, Richard Yeomans, Dan Barrow
Supervising Previz Editor: Simon Burchell
Previz Editor: Anthony Zwartouw
Moco Supervisor: Chris Shaw
ILM Senior VFX Supervisor: Bill George
ILM VFX Senior Animation Supervisor: David Andrews
ILM Senior VFX Producer: Sandra Scott
ILM CG Supervisors: Euan McDonald, Michael Di Como, Kevin Sprout
ILM Lead Animators: Steve Rawlins, Paul Kavanagh
ILM Comp Supervisor: Dorne Huebler
ILM Character Rigging Supervisor: Greg Maguire
ILM Animators: Bruce Dahl, Michael Easton
ILM CG Sequence Supervisors: Tom Fejes, Bruce Powell, Anthony Shafer
ILM Lead Digital Cloth Simulation, CG Lighting & FX Artists: Steve Sauers, Michael Balog
ILM CG Lighting & FX Artists: Steve Braggs, David Marsh
ILM CG Lighting & DFX Artist: Paul Churchill
ILM Comp Sequence Supervisors: Stella Bogh, Patrick Brennan, Mark Casey, Jay Cooper, Dean Yorke
ILM Compositors: Colin Campbell, Tim Gibbons, Jeff Wozniak
ILM Concept Illustrator: Jules Mann
ILM Lead Matte Painter: Susumu Yukuhiro
ILM Matte Painter: Vanessa Cheung, Max Dennison, Giles Hancock, Pamela Hobbs
ILM Lead CG Modeler: Michael Koperwas
ILM CG Modelers: Lioudmila Golynskaia, Alyson Markell
ILM Lead Texture Painter: Steve Walton
ILM Lead Matchmover: Kerry Lee
ILM Lead Roto Artist: Katherine Baird
ILM VFX Digital Color Timer: Bruce Vecchitto
ILM Software Development TDs: Simon Eves, Alan Trombla
ILM Software Development Artist: Paul Schneider
ILM VFX Coordinators: Stacey Shear, Leigh Ann Fan, Amber Kirsch
ILM VFX Editor: Lorelei David
ILM Ass't VFX Editor: Anthony Lucero
ILM General Manager: Jim Morris
MPC VFX Supervisor: Paddy Eason
MPC CG Supervisors: Simon CLutterback, Peter Muyzers
MPC VFX Producers: Merrin Jensen, Michelle Corney, Michael Elson
MPC VFX Coordinators: Christian Robertson, Sally Spencer, James Prosser, Andy Stevens, Chris Baker, Matthew Sagar
MOC Software Development Shader Writer: Anders Langlands
MPC CG Modelers: Ben Thompson, Stephane Paris, Clwyd Edwards, Max Wood, Giles Davies
MPC Texture Painters: Andy Middleton, Balasz Kiss, Tim Ledbury, John Wallin
MPC Riggers: Matt Hicks, Chris Petts, Fred Chapman
MPC Lighting Supervisors: Ian House, Stuart Love, Caine Dickinson
MPC Lighting Technical Director: Patric Roos
MPC CG FX Supervisors: Chris M. Anthony, Ciaran Devine, Emanuele D'Arrigo
MPC
MPC CG FX Technical Director: R. James Healy
MPC Animation Supervisors: Jason McDonald, Rob Hemmings, Jeremy Lazare
MPC Animators: Greg Fisher, Gang Trinh
MPC Comp Supervisors: Charley Henley, Niki Wakefield, Ian Fellows
Framestore CFC VFX Supervisor: Carl Mooney
Framestore CFC CG Supervisor: David Lomax
Framestore CFC Animation Supervisor: Michael Eames
Framestore CFC Lighting Supervisor: Andy Kind
Framestore CFC Character Rigging Supervisor: Felix Balbas
Framestore CFC CG FX Supervisor: Rob Allman
Framestore CFC VFX Producer: Angela Hunt
Framestore CFC DFX Producers: Sarah Dowland, Scott Griffin
Framestore CFC VFX Coordinators: Lizi Bedford, Tracey Leadbetter
Framestore CFC VFX Editor: Lars Vinther
Framestore CFC Software Developer: Alex Parkinson
Framestore CFC Animators: Pablo Grillo, Max Solomon
Framestore CFC Character Riggers: Wayde Duncan-Smith, Martin Persons, Oskar Wahlberg
Framestore CFC Senior Technical Director: Mark Hodgkins
Framestore CFC Technical Directors: John Roberts-Cox, Julien Stuart-Smith
Framestore CFC Comp Supervisors: Areito Echevarria, Adrian De Wet
Framestore CFC Compositors: Christian Manz, Rob Duncan, David Bowman, Richard Roberts
Framestore CFC Matchmovers: Mark Tudor-Williams, Chris King, Helena Masand
Framestore CFC Hippogriff Moco Rig Sup: Guy Hudson
Framestore CFC Hippogriff Moco Rig TDs: Robert Deas, Philippe Le Prince, Andy Walker
Framestore CFC Hippogriff Moco Rig Designer: David Dunsterville
Framestore CFC Hippogriff Moco Rig Operator: Ian Menzies
Framestore CFC Hippogriff Moco Rig Line Producer: Rupert Porter
Cinesite VFX Supervisor: Simon Stanley-Clamp
Cinesite VFX Producer: Catherine Duncan
Cinesite DFX Producer: Clare Norman
Cinesite 3D CG Supervisor: Royston Williams
Cinesite Production Developer: Gill Roberts
Cinesite Model Unit Supervisor: Jose Granell
Cinesite Executive Miniatures Producer: Antony Hunt
Cinesite Model Unit Producer: Brenda Coxon
DNEG VFX Supervisors: Charlie Noble, Mark Michaels, Richard Clarke
DNEG VFX Producers: Dominic Sidoli, Jennifer Wood, Matt Holben
DNEG CG Artist: Alison Wortman
DNEG Digital Compositor: Jeremy Hattingh
Base Black VFX Supervisor: Val Wardlaw
Cinesite Model Unit DoP: Nigel Stone BSC
Cinesite Model Workshop Supervisor: Nigel Travessey
Cinesite Model Unit 1st Ass't Camera: David Pearson
Cinesite Model Unit Gaffer: John Rogers
VFXCO Moco Supervisor/Producer: Rob Delicata
VFXCO Moco Operator: Jay Mallet
VFXCO Moco Clapper Loader: Ray Moody
VFXCO Moco Camera Operator: George Theophanous
VFXCO Moco DoP: Malcolm Woodridge
Digital Mastering Colorist: Patrick C. Miller
Home Video Remastering Colorist: Mark Wilkinson
Filming Dates: 17 February 2003 - 28 November 2003
Cameras: Arricam LT, ST & Arriflex 435 Advanced (35mm Kodak Vision 200T 5274/Vision2 500T 5218)
Lenses: Cooke S4 Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 130 Million USD
Budget AFI (2021): 180 Million USD
Score Recorded & Mixed at: Abbey Road Studios, London
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Framestore CFC, Double Negative + Moving Picture Company
Visual Effects, Miniature Construction & Photography Provided by: Cinesite
Made at: Shepperton Studios, London
Attribute: Cameras and Lenses by JDC - DirectorMike NewellStarsDaniel RadcliffeEmma WatsonRupert GrintHarry Potter finds himself competing in a hazardous tournament between rival schools of magic, but he is distracted by recurring nightmares.Director: Mike Newell
Screenwriter: Steve Kloves
Producer: David Heyman
Cinematographer: Roger Pratt BSC
Cinematographer (2nd Unit): Mike Brewster
Cinematographer (Cinesite Model Unit): Nigel Stone BSC
Cinematographer (ILM Model Photography): Patrick Sweeney
Production Designer: Stuart Craig
Film Editor: Mick Audsley
Co-Producer/2nd Unit Director: Peter MacDonald
Composer/Orchestrator: Patrick Doyle
Composer (Hedwig's Theme): John Williams
Conductor/Orchestrator: James Shearman
Orchestrators: John Bell, Lawrence Ashmore
Music Sup/Score Producer: Maggie Rodford
Production VFX Supervisor: Jim Mitchell
Costume Designer: Jany Temime
Assoc. Producer/1st Ass't Dir: Chris Carreras
Associate Producer: John Trehy
Unit Production Manager: Tim Lewis
Creature & Makeup FX Designer: Nick Dudman
Production SFX Supervisor: John Richardson
Production VFX Producer: Theresa Corrao
Music Supervisor: Matt Biffa
Sound Designer & Supervising Sound Editor: Randy Thom
Supervising Art Director: Neil Lamont
Set Decorator: Stephanie McMillan
Animals Supervisor: Gary Gero
Post-Production Supervisor: Jessie Thiele
Choreographer: Wayne McGregor
Stunt Coordinator: Greg Powell
Stunts: David Holmes, Rowley Irlam, George Cottle
Production Manager: David Carrigan
Production Manager (2nd Unit): Russell Lodge
Key 2nd Ass't Director: Robert P. Grayson
Senior Art Director: Andrew Ackland-Snow
Standby Art Director: Martin Foley
Ass't Art Directors: Christian Huband, Tom Still
Creature Designers: Paul Catling, Adam Brockbank
Conceptual Artist: Iain McCaig
Co-Set Decorator: Lee Sandales
Prop Master: Barry Wilkinson
Ass't Prop Master: Jamie Wilkinson
2nd Assistant Directors: Fiona Perry, Will Dodds
Co-2nd Ass't Director: Jane Burgess
3rd Assistant Directors: Tom Brewster, Philippa Hunt, Michael Michael
Add'l 3rd Ass't Director: Stewart Hamilton
3rd Ass't Dir/License Coordinator: Ali Morris
A-Camera Operator: Peter Taylor
B-Camera Operators: Trevor Coop, Gary Spratling ACO
Steadicam Operator: Alf Tramontin
1st Assistant A-Camera: Simon Hume
1st Assistant C-Camera: Robert Palmer
2nd Assistant A-Camera: Sam Renton ACO
2nd Assistant B-Camera: Sacha Jones
2nd Assistant C-Camera: Lewis Hume
Key Grip: David Appleby
Gaffer: Chuck Finch
Rigging Gaffer: Dave Ridout
Location Manager: Sue Quinn
Unit Location Manager: Mark Somner
Ass't Location Manager: Aurelia Thomas
1st Ass't Editor & Add'l Film Editor: Dan Roberts
Production VFX Editor: Matthew Glen
Ass't VFX Editor: Wayne Smith
Supervising Sound Editor: Dennis Leonard
Re-Recording Mixers: Tom Johnson, Mike Prestwood Smith
Post-Production Coordinator: Katie Reynolds
Ass't Post-Production Coord.: Holly Thornton
Makeup Designer: Amanda Knight
Chief Makeup Artist: Clare Le Vesconte
Production Coordinator: Winnie Wishart
Ass't Prod Coordinators: Vicky Bishop, Tony Davis
Prod Studio Coordinator: Alex Klein
Stunt Secretary: Rebecca Rae
Set Assistants: Sara Levy, Jaesung Oh
SFX 1st Floor Supervisor: Dominic Tuohy
SFX Workshop Supervisor: Paul Stephenson
Production SFX Coordinator: Rosie Richardson
Wire FX Coordinator: Kevin Welch
Makeup & CFX Coordinator: Lyn Nicholson
Makeup & CFX Buyer: John Lambert
Sup Animatronic Designers: Guy Stevens, Chris Barton
Performance Systems Sup: Matt Denton
Supervising Sculptor: Julian Murray
Fabrication Supervisor: Elizabeth Murray
Key Prosthetic Makeup Artists: Mark Coulier, Shaune Harrison
Mold Making Supervisor: Barry Fowler
2nd Unit 1st Ass't Director: Jamie Christopher
2nd Unit 2nd Ass't Director: Sallie Hard
2nd Unit 3rd Ass't Director: Lyndsay Bullock
Unit Location Manager (2nd Unit): Robin Higgs
2nd Unit Prod Coordinators: Natasha Gormley, Kate Garbett
2nd Unit Standby Art Director: Stephen Swain
2nd Unit A-Camera Operator: Nic Milner
2nd Unit B-Camera Operator: Stefan Stankowski
2nd Unit C-Camera Operator: Ken Coles
2nd Unit Steadicam Operator: Paul Edwards
2nd Unit Underwater DoP: Tim Wooster
2nd Unit Underwater Cam Op: Jason Bulley
2nd Unit Underwater A-Cam Focus Puller: Sean Connor
2nd Unit Aerial Coordinator: Marc Wolff
2nd Unit Aerial DoP: Adam Dale
2nd Unit A-Cam Key Grip: Darren Holland
2nd Unit Gaffer: Peter Goddard
2nd Unit SFX Floor Supervisor: Martin Neill
2nd Unit SFX Sr Technicians: Ian Biggs, Luke Murphy
2nd Unit SFX Technician: Noah Meddings
2nd Unit Diving Coordinator: Dave Shaw
2nd Unit Diving Supervisor: Pater McClue
Cinesite Model Unit Supervisor: Jose Granell
Cinesite Model Unit Exec Prod: Antony Hunt
Cinesite Model Unit Producer: Brenda Coxon
Cinesite Model W/Shop Supervisor: Nigel Trevessey
Cinesite Model Unit 1st Ass't Cam: David Pearson
Cinesite Model Unit Gaffer: John Rogers
Cinesite Lead VFX Supervisor: Simon Stanley-Clamp
Cinesite Lead CG Supervisor: Ivor Middleton
Cinesite Lead VFX Producers: Martin Gabriel, Clare Norman
Cinesite 3D Digital Artists: John Roberts-Cox, Simon Bunker, Fernando Moreno
Cinesite 2D Digital Artists: Adam McInnes, Matt Kasmir, Denis Scolan
Ass't Music Supervisor: Lucy Evans
Supervising Music Editor: Graham Sutton
Music Editors: Gerard McCann, Robin Whittaker
Score Recordist & Mixer: Nick Wollage
Supervising Digital Colorist: Peter Doyle ASC
Lead Finishing Colorist: Maxine Gervais
Tech Ops Supervisor: Grace Lan
DI Systems Administrator: Niklas Aldergren
Add'l VFX Supervisors: Tim Burke, Richard Stammers
2nd VFX Producer: Emma Norton
VFX Production Manager: Dan Barrow
Production VFX Coordinator: Richard Yeomans
VFX Miniature Model Prod Ass't: Shelly Lloyd-James
Previz Editor: Simon Burchell
Previz Ass't Editor: Tony Zwartouw
Supervising Previz Artist: Paul Fulker
ILM Senior VFX Supervisor: Tim Alexander
ILM Dragon, Ship & World Cup Animation Sup: Steve Rawlins
ILM VFX Producer: Jill Brooks
ILM CG Supervisor: Doug Smythe, Robert Weaver
ILM Comp Supervisor: Patrick Tubach
ILM CG Modeling Supervisor: Ken Bryan
ILM Character Rigging Sup: Eric Wong
ILM Supervising Matte Painter: Giles Hancock
ILM Lead Texture Artist: Terry Molatore
ILM Matchmove Lead: Alia Agha
ILM Rotoscoping Lead: Lance Baetkey
ILM Animators: Kevin Martel, Jakub Pistecky
ILM Lead Digital Artists: Seam Mackenzie, Joakim Arnesson, Tom Martinek
ILM Digital Artists: Michael Balog, Tami Carter, Paul Churchill, Steve Sauers, Todd Vaziri
ILM Lead Matte Painter: Barry Williams
ILM Matte Painters: Bryant Griffon, Kevin Page, Yusei Uesegi
ILM CG Modelers: Simon Cheung, Jack Haye, Alyson Markell
ILM Matchmover: Selwyn Eddy III
ILM VFX Coordinators: Julie Creighton, David Gray
ILM VFX Editor: Nicolas Anastassiou
ILM Technical Support: Christopher Balog, Lorelei David, Kris Wright
ILM Previz Artist: Larry Chandler
ILM Senior SFX Technician: Geoffrey Heron
ILM Model Stagehands: Joe Fulmer, Brad Jerrell
ILM General Manager: Jim Morris
Framestore CFC VFX Supervisor: Tim Webber
Framestore CFC CG Supervisor: David Lomax
Framestore CFC VFX Producer: Sarah Dowland
Framestore CFC Anim. Supervisors: Pablo Grillo, Max Solomon
Framestore CFC CG Producer: Robin Saxen
Framestore CFC VFX Coordinators: Lizi Berford, Caroline Howes
Framestore CFC VFX Editor: Lars Vinther
Framestore CFC Animator: Craig Bardsley
Framestore CFC Character Rigging Sup: Felix Barras
Framestore CFC CG Sequence Supervisors: Andy Kind, Rob Allman, Justin Martin, Andrew Rawling
Framestore CFC Sup Matte Painter: Jason Horley
Framestore CFC Comp Supervisors: Adrian De Wet, Christian Manz, Ivan Moran, Pedro Sabrosa, Areito Echevarria
Framestore CFC Matchmover Sup: Mark Tudor-Williams
Framestore CFC Ass't VFX Editors: Alex Muth, Tom Partridge
MPC Lead VFX Supervisor: Ben Shepherd
MPC Lead VFX Producer: Merrin Jensen
MPC Supervisors: Charley Henley, Nicolas Aithadi, Uel Hormann, Clwyd Edwards, Caine Dickinson, Ferran Domenech
MPC VFX Prod Team: Gemma Thompson, Tim Pounds-Cornish, Gemma Jones, Julia Wigginton, Paul Alexiou, Stuart Messinger
MPC Software Development & Technical Support: James Turner, Barry Kane, Lee Kerley
MPC CG Modeling & Character Rigging: Max Wood, Fred Chapman, Tom Reed
MPC Add'l Artists: Ian Wood, Dan Neal, Patric Roos
DNEG Senior VFX Supervisor: John Moffatt
DNEG CG Supervisor: Richard Clarke
DNEG VFX Supervisor: Mark Michaels
DNEG VFX Producer: Dominic Sidoli
DNEG VFX Editorial Coordinator: Sona Pak
DNEG VFX Coordinator: Tracey Leadbetter
DNEG Matchmover: Dan Wood
DNEG Lead 3D Artist: David Vickery
DNEG CG Artist: Emily Cobb
DNEG VFX Team: Gavin Graham, Ged Wright, Guy Williams, Jakob Schmidt, Ken McGaugh, Pete Bebb, Andrew Lockley, Jeremy Hattingh
BUF Lead VFX Supervisor: Stephane Ceretti
BUF VFX Sequence Supervisor: Laurens Ehrmann
BUF VFX Supervisor: Stephane Nazé
BUF VFX CG Artist: Lucas Salton
RSP Senior VFX Supervisor: Tony Clark ACS
RSP VFX Producer: James Whitlam
RSP VFX Supervisor: Tim Crosbie
RSP Compositor: William Gammon
RSP Add'l VFX Artist: Nicholas Hannah
RSP CG Supervisor: Dan Kripac
Orphanage VFX Supervisor: Jonathan Rothbart
Orphanage Exec VFX Prod.: Marc Sadeghi
Orphanage Assoc. VFX & CG Sup: Kevin Baillie
Orphanage VFX Production Manager: Dennis Cooper
Orphanage Lead Compositor: Alex Prichard
VFX Co Moco Cameramen: Malcolm Woodridge, Jay Mallet
VFX Co Encoding Crane & Moco Operator: Digna Nigoumi
Dedicated to: Mary Selway
Filming Dates: 4 May 2004 - 18 March 2005
Cameras: Arricam LT, ST & Arriflex 435 (35mm Kodak Vision 250D 5246/200T 5274/Vision2 500T 5218/SFX 200T)
Lenses: Cooke S4 Primes, Arri Variable Primes, Angenieux Optimo Zooms & Canon Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 150 Million USD
Budget AFI (2022): 221.3 Million USD
Printed on: Kodak Vision 2383
Miniature Construction & Photography, Visual Effects + Super 2K Scanning & Recording Provided by: Cinesite
Score Performed by: The London Symphony Orchestra
Score Recorded & Mixed at: Air Lyndhurst Studios
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Framestore CFC, Moving Picture Company, Double Negative, Rising Sun Pictures, BUF Compagnie + The Orphanage
Motion Control Provided by: VFX Co
Acknowledgement: No dragons were harmed in the making of this movie.
Made at: Shepperton Studios, London
Attribute: Cameras & Lenses Supplied by JDC - DirectorDavid YatesStarsDaniel RadcliffeEmma WatsonRupert GrintWith their warning about Lord Voldemort's return scoffed at, Harry and Dumbledore are targeted by the Wizard authorities as an authoritarian bureaucrat slowly seizes power at Hogwarts.Director: David Yates
Story Writer: Joanne Kathleen Rowling
Producer: David Heyman
Executive Producer: Lionel Wigram
Cinematographer: Slawomir Idziak PSC
Cinematographer (2nd Unit): Mike Brewster
Cinematographers (Add'l 2nd Unit Photography): Nic Milner, Stefan Stankowski
Cinematographer (Cinesite Miniatures): Nigel Stone BSC
Production Designer: Stuart Craig
Film Editor: Mark Day ACE
Co-Producer: John Trehy
Composer (Score): Nicholas Hooper
Composer (Hedwig's Theme): John Williams
Conductor/Orchestrator: Alistair King
Orchestrators: Julian Kershaw, Geoff Alexander, Simon Whiteside, Bradley Miles
Score Producer: Darrell Alexander
Production VFX Supervisor: Tim Burke
Costume Designer: Jany Temime
Associate Producer & Unit Production Manager: Tim Lewis
2nd Unit Director: Stephen Woolfenden
1st Assistant Director: Cliff Lanning
Production Manager: Simon Emanuel
Production Manager (2nd Unit): Russell Lodge
Production SFX Supervisor: John Richardson
Creature & Makeup FX Designer: Nick Dudman
Production VFX Producer: Emma Norton
2nd VFX Supervisor: Chris Shaw
Model Unit Supervisor: Jose Granell
Supervising Sound Editor: James Mather
Supervising Art Director: Neil Lamont
Set Decorator: Stephanie McMillan
Animals Supervisor: Gary Gero
Head of Production Publicity: Vanessa Davies
Post-Production Supervisor: Katie Reynolds
Stunt Coordinator: Greg Powell
Stunts: David Holmes, George Cottle, Rowley Irlam, Rob Inch, Mike Lambert
Key 2nd Ass't Director: Matthew Sharp
Senior Art Director: Andrew Ackland-Snow
Art Directors: Mark Bartholomew, Alastair Bullock, Gary Tomkins
Art Dept. Coordinator: Jodie Jackman
On-Set Art Directors: Martin Foley, Stephen Swain
Specialist Researcher: Celia Barnett
Archivist: Chris Lunney
Prop Conceptual Artist: Miraphora Caruso
Prop Master: Barry Wilkinson
Ass't Prop Master: Ben Wilkinson
2nd Assistant Directors: Rob Burgess, Jane Burgess, Ben Lanning
3rd Assistant Directors: Nick Simmonds, Ali Morris
Key Set Prod Assistant: Nick Starr
A-Camera & Steadicam Operator: Jeremy Hiles
B-Camera Operator: Wojciech Staron
1st Assistant A-Camera: Kim Seber
1st Assistant B-Camera: Henryk Jedynak
2nd Assistant A-Camera: Tom McFarling
2nd Assistant B-Camera: Francesco Ferrari
2nd Assistant C-Camera: Fionn Comerford
2nd Assistant D-Camera: Gerry Conway
Key Grip: Steve Ellingworth
Gaffer: James McGuire
Rigging Gaffer: David Ridout
Supervising Location Manager: Sue Quinn
Unit Location Managers: Mark Somner, Steven Harvey
Ass't Location Managers: Aurelia Thomas, Pippa Bullock
1st Assistant Editors: Tania Clarke, Deborah Richardson
Add'l 1st Ass't Editor: Alex Fenn
2nd Assistant Editors: Tom Kemplen, Mark Cullis
Production VFX Editor: Matt Glen
VFX Ass't Editor: Tobias Lloyd
Sound Designer: Andy Kennedy
Co-Sound Designer: James Boyle
Supervising Digital Colorist: Peter Doyle ASC
DI Operations Supervisor: Grace Lan
Lead Digital Colorist: Gabriel Dedic
Add'l Post-Prod Supervisor: Jessie Thiele
Costume Supervisor: Graham Churchyard
Makeup Designer: Amanda Knight
Hair Designer: Colin Jamison
Production Coordinator: Winnie Wishart
Ass't Prod Coordinators: Vicky Bishop, Tony Davis, Alex Klein
Stunt Secretary: Jade Gordon
Production Accountant: Gary Nixon
Department Coordinator: Nicky Coats
SFX Ass't Supervisor: Stephen Hamilton
SFX Main Unit Floor Supervisor: Ricky Farns
Production SFX Coordinator: Rosie Richardson
Production SFX Buyer: Peter Aston
SFX Flying Wire Coordinator: Kevin Welch
SFX Flying Wire Technician: Alan Perez
Makeup & CFX Coordinator: Jenny Weight
Makeup & CFX Buyer: John Lambert
2nd Unit 1st Ass't Directors: Dominic Fysh, Jamie Christopher, Lee Tailor, Paul Taylor
2nd Unit 2nd Ass't Director: Lyndsay Rogers
2nd Unit 3rd Ass't Director: Jane Ryan
2nd Unit Production Coordinators: Natasha Gormley, Kate Garbett
2nd Unit Steadicam Operator: Paul Edwards
2nd Unit C-Camera Operator: Peter Versey
2nd Unit 1st Ass't A-Camera: John Ferguson
2nd Unit 1st Ass't B-Camera: Marc Atherfold
2nd Unit 1st Ass't C-Camera: Clive Mackey
2nd Unit 1st Ass't D-Camera: Miles Proudfoot
2nd Unit 2nd Ass't A-Camera: Ray Meere
2nd Unit 2nd Ass't B-Camera: David Mackie
2nd Unit 2nd Ass't C-Camera: Martin Lewis
2nd Unit 2nd Ass't D-Camera: Luke Coulter
2nd Unit 2nd Ass't E-Camera: Alfie Biddle
2nd Unit Gaffer: Wick Finch
2nd Unit Key Grip: Darren Holland
2nd Unit Aerial Coordinator: Marc Wolff
Aerial Helicopter Pilot (2nd Unit): Will Samuelson
Aerial Wescam Operator (2nd Unit): Adam Dale
Aerial Wescam 1st Tech (2nd Unit): Charlie Woodburn
Aerial Wescam 2nd Tech (2nd Unit): Glyn Williams
Executive Producer (Cinesite Miniatures): Antony Hunt
Cinesite Model Unit Producer: Brenda Coxon
Cinesite Model W/Shop Sup: Nigel Trevessey
Cinesite Model Unit 1st Ass't A-Cam: Dave Pearson
Gaffer (Cinesite Miniatures): John Rogers
HOD Rigger (Cinesite Miniatures): Dan Webster
Ass't Music Supervisor: Richard Nelson
Supervising Music Editor: Graham Sutton
Music Editors: Sophie Cornet, Robin Whittaker
Score Programmer: Allan Jenkins
Score Recordist & Mixer: Peter Cobbin
Ass't Music Mixer: Sam Okell
2nd VFX Producer: Theresa Corrao
Add'l VFX Supervisor: Gavin Toomey
Senior VFX Coordinator: Laya Armian
Production VFX Coordinators: Richard Yeomans, Sarah L. Smith, Nicholas Atkinson
Ass't VFX Coordinator: Shelly Lloyd-James
Production VFX Compositor: Simon Burchell
VFX Previz Artist: Anthony Zwartouw
VFX Match Move Technician: Mike Woodhead
DNEG Senior VFX Supervisor: Paul Franklin
DNEG Senior VFX Producer: Dominic Sidoli
DNEG 2D & 3D Supervisors: Eamonn Butler, Jelena Stojanovic, Joline McCaffrey, Justin Martin, Richard Clarke
DNEG Lead Artists: Adam Paschke, Andrew Whitehurst, Colin McEvoy, David Vickery, Ged Wright
DNEG VFX Production Team: Claudia Dehmel, Kate Phillips, Moriah Etherington-Sparks, Richard Diver, Tracey Leadbetter
DNEG Lighting Team: Adrian Thompson, Alex Seaman, Alison Wortman
DNEG Matchmover: Huw J. Evans
DNEG Compositing Team: Alastair Crawford, Claire Inglis, Dan Snape, John J. Galloway, Scott Pritchard
DNEG Rotoscope & Prep Artists: Graham Page, Claire McLachlan
DNEG Software Development: Peter Kyme
MPC Senior VFX Supervisor: Greg Butler
MPC Senior VFX Producer: Jason Heapy
MPC Supervisors: Ferran Domenech, Charley Henley, Clwyd Edwards
MPC VFX Production Team: Michael Elson, Julia Wigginton, Gemma James, Jane Ellis, Kristy Wilson, Ale Robinson
MPC Lighting & Comp Sequence Leads: Peter Szewcyck, Doug Larmour, Stuart Lashley
MPC Animator & FX Lighting Matchmove Artist: Alexis Wajsbrot
MPC Comp & Roto Artist: Arundi Asregadoo,
MPC Modeler, Concept Illustrator & Character Rigging Matchmove Artist: Tim Ledbury
MPC Software Dev & Tech Support: Anders Langlands
ILM VFX Supervisor: Tim Alexander
ILM VFX Animation Supervisor: Steve Rawlins
ILM VFX Producer: Stephanie Hornish
ILM Digital Production Supervisor: Robert Weaver
ILM Comp Supervisor: Sean MacKenzie
ILM Character Rigging Supervisor: Eric Wong
ILM CG Modeling Supervisor: Ken Bryan
ILM Supervising Matte Painter: Giles Hancock
ILM CG Supervisor John Walker
ILM Lead Digital Artists: Jeff Saltzman, Lance Baetkey, John Hansen, Joe Ceballos, Michael Balog, Lana Lam
ILM Digital Artists: Kevin Martel, Steve Nichols, Joshua Ong, Nelson Sepulveda, Bruce Vecchitto
ILM VFX Coordinator: Brian Barlettani
ILM VFX Editors: Jerome Bakum, Tony Pitone
Framestore CFC VFX Supervisor: Craig Lyn
Framestore CFC VFX Producer: Amy Beresford
Framestore CFC CG Supervisor: Ben White
Framestore CFC Animation Sup: Max Solomon
Framestore CFC Comp Supervisor: Alex Payman
Framestore CFC VFX Coordinator: Lucinda Keeler
VFX Co Moco Team: Jay Mallet, Danny Murphy, Elliot Wyn Jones
IMAX 3D Digital Stereoscopic Compositor: Michael Kaelin
Filming Dates: 6 February 2006 - 12 December 2006
Cameras: Arricam LT, ST & Arriflex 435 (35mm Kodak Vision2 50D 5201/250D 5205/500T 5218)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Super 35mm)(IMAX Digital 3D: 20-Minute Finale)
Budget: 150-200 Million USD
Budget AFI (2022): 201.6-268.9 Million USD
Miniature Construction & Photography + Scanning & Recording Provided by: Cinesite
Score Recorded & Mixed at: Abbey Road Studios
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Double Negative, Moving Picture Company + Framestore CFC
Motion Control Provided by: VFX Co LTD
IMAX 3D Stereo Conversion Provided by: Michael Kaelin & Associates
Attribute: Cameras & Lenses by JDC - DirectorDavid YatesStarsDaniel RadcliffeEmma WatsonRupert GrintAs Harry Potter begins his sixth year at Hogwarts, he discovers an old book marked as "the property of the Half-Blood Prince" and begins to learn more about Lord Voldemort's dark past.Director: David Yates
Screenwriter: Steve Kloves
Producer: David Heyman
Executive Producer: Lionel Wigram
Cinematographer: Bruno Delbonnel ASC AFC
Cinematographer (2nd Unit): Mike Brewster
Cinematographer (Cinesite Miniatures): Nigel Stone BSC
Production Designer: Stuart Craig
Film Editor: Mark Day ACE
Co-Producer: John Trehy
Composer/Conductor (Original Score): Nicholas Hooper
Composer (Hedwig's Theme & Original Quidditch Theme): John Williams
Conductor/Orchestrator (Original Score): Alistair King
Orchestrators (Original Score): Jeff Atmajian, Geoff Alexander, Simon Whiteside, Daryl Griffith
Score Producer: Darrell Alexander
Production VFX Supervisor: Tim Burke
Costume Designer: Jany Temime
Associate Producer & Unit Production Manager: Tim Lewis
2nd Unit Director: Stephen Woolfenden
1st Assistant Director: Jamie Christopher
Production Manager: Simon Emanuel
Production Manager (2nd Unit): Russell Lodge
Makeup & CFX Designer: Nick Dudman
Production SFX Supervisor: John Richardson
Production VFX Producer: Emma Norton
2nd VFX Supervisor: Chris Shaw
Model Unit Supervisor: Jose Granell
Supervising Digital Colorist: Peter Doyle ASC
Supervising Sound Editor: James Mather
Supervising Art Director: Neil Lamont
Supervising Set Decorator: Stephanie McMillan
Animals Supervisor: Gary Gero
Head of Production Publicity: Vanessa Davies
Post-Production Supervisor: Katie Reynolds
Stunt Coordinator: Greg Powell
Stunt Performers: David Holmes, Marc Mailley
Key 2nd Ass't Director: Matthew Sharp
Senior Art Director: Andrew Ackland-Snow
Art Directors: Al Bullock, Gary Tomkins, Martin Foley, Molly Hughes
Art Dept. Coordinator: Jodie Jackman
On-Set Art Directors: Stephen Swain, Ashley Winter
Draughtsmen: Alex Smith, Denise Ball, Emma Vane
Junior Draughtsmen: Ashley Lamont, Ketan Walker, Elizabeth Loach
Archivist: Elicia Scales
Props Concept Artist: Miraphora Mina
Specialist Researcher: Celia Barnett
Production Buyer: Lucinda Sturgis
Set Decorator: Rosie Goodwin
Ass't Prod Buyer: Rose Windsor
Supervising Prop Master: Barry Wilkinson
Ass't Prop Master: Ben Wilkinson
HOD Supervising Modeler: Pierre Bohanna
2nd Assistant Directors: Jane Burgess, Stewart Hamilton, Jane Ryan
3rd Assistant Directors: Eileen Yip, Rachael Tottingham, Ali Morris
A-Camera Operator: Jeremy Hiles
1st Assistant A-Camera: Carlos de Carvalho
1st Assistant B-Camera: John Jordan
2nd Assistant B-Camera: Kate Filby
2nd Assistant A-Camera: Ryan Taggart
Camera Trainee/2nd Ass't A-Cam: Luke Selway
Key Grip: Steve Ellingworth
A-Camera Grip: Russell Diamond
B-Camera Best Boy Grip: Dave Wells
B-Camera Grip Trainee: Glenn Dunning
Add'l Grip Trainee: Liam Ellingworth
Techno Crane Operator: Russell O'Connor
Flight Head Technician: Andy Thomson
Gaffer: Robert Chuck Finch
Rigging Gaffer: Dave Ridout
B-Camera Best Boy: Billy Merrill
Best Boy Floor Chargehand Electrician: Richard Merrell
C-Camera Best Boy: Steve Finch
Video Assist Coordinator: Bob Bridges
Video Assist Operator: Stuart Bridges
Production Sound Mixer: Stuart Wilson
Supervising Location Manager: Sue Quinn
Unit Location Manager: Mark Somner
Location Coordinator: Lucy Foulds
1st Assistant Editors: Kate Baird, Hermione Byrt
Add'l 1st Ass't Editor: Alex Fenn
2nd Assistant Editor: Simon David Kenny
Production VFX Editor: Matthew Glen
VFX Assistant Editor: Wayne Smith
Add'l VFX Ass't Editor: Lisa Thompson
Sound FX Editors: Dominic Gibbs, Michael Fentum, Andy Kennedy, Jed Loughran
Add'l Sound FX Editor: Samir Foco
Foley Editor: Derek Trigg
Re-Recording Mixers: Stuart Hilliker, Mike Dowson
DI Operations Supervisor: Grace Lan
Lead Digital Colorist: Mel Kangleon
Post-Production Coordinator: Helen Grover
Wardrobe Master: Neil Murphy
Makeup Designer: Amanda Knight
Hair Designer: Lisa Tomblin
Hair Colorist: Jennifer Harling
Production Coordinator: Winnie Wishart
Ass't Prod Coordinators: Vicky Bishop, Alex Klein
Stunt Secretary: Jade Gordon
Production Accountant: Gary Nixon
VFX Dept. Accountant: Nicky Coats
SFX Ass't Supervisor: Stephen Hamilton
SFX Main Unit Floor Supervisor: Ricky Farns
Production SFX Coordinator: Rosie Richardson
Production SFX Buyer: Peter Aston
SFX Flying Wire Coordinator: Kevin Welch
SFX Flying Wire Technicians: Alan Perez, Andy Weller
Makeup & CFX Coordinator: Georgie Gardner
Makeup & CFX Buyer: John Lambert
Supervising Sculptor: Julian Murray
Supervising Fabricator: Janet Burns
Key Prosthetic Makeup Artists: Paul Spateri, Mark Coulier
Key Mold Makers: Mel Coleman, Jamie Iovino
Ass't Supervising Modeler: John Weller
Head Animal Trainer: Jules Tottman
Inferi Movement Coordinator: Mike McGunn
Fan Mail Coordinator: Christine Preston
H&S Coordinator: Jake Edmonds
Weather Consultant: Richard Wild
2nd Unit 1st Ass't Director: Dominic Fysh
2nd Unit 2nd Ass't Director: Emma Stokes
B Unit Ass't Director (2nd Unit): Scott Bunce
2nd Unit 3rd Ass't Director: Andy Madden
2nd Unit Production Coordinators: Kate Garbett, Tony Davis
2nd Unit A-Camera Operator: Stefan Stankowski
2nd Unit Steadicam Operator: Paul Edwards
2nd Unit 1st Ass't A-Camera: John Ferguson
2nd Unit 2nd Ass't A-Camera: Ray Meere
2nd Unit 2nd Ass't B-Camera: Martin Lewis
2nd Unit 2nd Ass't C-Camera: Jon Gower
B Unit Camera Operator (2nd Unit): Nic Milner
B Unit 1st Ass't Camera (2nd Unit): Marc Atherfold
B Unit 2nd Ass't Camera (2nd Unit): David Mackie, Alfie Biddle
2nd Unit Gaffer: Wick Finch
2nd Unit A-Camera Best Boy: Tom O'Sullivan
2nd Unit BB Electrician: Perry Cullen
B Unit Gaffer (2nd Unit): Joe Fred Brown
B Unit Electricians (2nd Unit): Robert Dunning, Aaron Keating
2nd Unit Key Grip: Darren Holland
2nd Unit SFX Floor Supervisor: Steve Hutchinson
2nd Unit SFX Senior Technician: Luke Murphy
2nd Unit SFX Technicians: Nick Joscelyne, Noah Meddings
2nd Unit Video Operators: Dan Hartley, Sam Sale
2nd Unit Video Trainee: Luke Finnegan
B Unit Standby Rigger (2nd Unit): Rob Weller
Aerial Unit Coordinator: Marc Wolff
Aerial Unit Wescam Operator: Adam Dale
Aerial Unit Wescam 1st Tech: Charlie Woodburn
Aerial Unit Wescam 2nd Tech: J. Glyn Williams
Unit Production Manager (Norwegian Unit): Per Henry Borch
Norwegian Unit 1st ADs: Jarle Tangen, Anders Reime
Norwegian Unit Prod Assistants: Sandra Jebsen, Meghan Beaton, Jeanette Busch
Norwegian Unit Stunt Engineer: Brian Naunton
Underwater Unit DoP: Tim Wooster
Underwater Unit Focus Puller: Sean Connor
Underwater Unit B-Cam Clapper Loader: Richard Copeman
Underwater Unit A-Cam Clapper Loader: Simon Heck
Underwater Unit Clapper Ass't: Alice Hobden
Underwater Unit Gaffer: Bernie Prentice
Underwater Unit Best Boy: Pip Keeling
Underwater Unit Electrician: Mark Keeling
Underwater Unit Diving Coordinator: Dave Shaw
Underwater Unit Ass't Diving Coord: Phoebe Rudomino
Underwater Unit Diving Supervisor: Dean Mills
Underwater Unit Head Diver: Peter Harcourt
Executive Producer (Cinesite Miniatures): Antony Hunt
Model Unit Producer (Cinesite): Brenda Coxon
Model W/Shop Supervisors (Cinesite): Doug Bishop, John Murphy
Model Unit 1st Ass't A-Cam (Cinesite): Dave Pearson
Gaffer (Cinesite Miniatures): John Rogers
HOD Rigger (Cinesite Miniatures): Dan Webster
Cinesite Comp Supervisor: Andy Robinson
Cinesite CG Supervisor: Ivor Middleton
Cinesite VFX Producer: Chloe Grysole
Cinesite VFX Coordinator: Gareth Murphy
Cinesite VFX Editor: Andy Stevens
Score Mixer & Recordist: Peter Cobbin
Ass't Score Mixer: Sam Okell
Ass't Music Supervisor: Nicole Wilson
Orchestra Leader: Marcia Crayford
Supervising Music Editor: Allan Jenkins
Music Editor: Robert Houston
Add'l VFX Supervisor: John Moffatt
VFX Production Supervisor: Rich Yeomans
Production VFX Coordinators: Sona Pak, Ed Dark, Nicholas Atkinson
VFX Dept. Compositor: Simon Burchell
VFX Match Move Technicians: Olly Young, Steve Petrie
ILM Senior VFX Supervisor: Tim Alexander
ILM VFX Animation Supervisor: Marc Chu
ILM Senior VFX Producer: Jill Brooks
ILM Associate VFX Supervisor; Robert Weaver
ILM VFX Art Director: Aaron McBride
ILM CG Supervisors: Willi Geiger, Kevin Sprout
ILM Comp Supervisor: Nelson Sepulveda
ILM Supervising Matte Painter: Barry Williams
ILM CG Modeling Supervisor: Ken Bryan
ILM Character Rigging Supervisor: Michael Balog
ILM Animation Layout Supervisor: John Levin
ILM Rotoscoping Supervisor: Lance Baetkey
ILM Supervising Texture Artist: Jean Bolte
ILM VFX Production Supervisor: Laura Moore
ILM VFX Editor: Jim Milton
ILM Lead Sequence Supervisor: Kevin Barnhill
ILM Lead DFX Supervisor: Chris Horvath
ILM Lead Digital Modeler: Lana Lan
ILM Animator: Charles Allneck
ILM Digital Production Supervisors: Philippe Rebours, Patrick Tubach
ILM Digital Matte Supervisor: Richard Bluff
ILM Sequence Supervisor: Douglas Smythe
ILM Layout Supervisor: Jason Snell
ILM Add'l VFX Supervisors: John Knoll, Lindy De Quattro
ILM CG Sequence Supervisor: Nigel Sumner
ILM Matchmover: Selwyn Eddy III
ILM VFX Sequence Supervisor: David Marsh
ILM Associate Animation Supervisor: Kevin Martel
ILM Color Timing Supervisor: Bruce Vecchitto
ILM Animation Sequence Supervisor: Jakub Pistecky
ILM VFX Coordinators: Stacy Bissell, Brian Barlettani
ILM VFX Executive Producer: Gretchen Libby
MPC Senior VFX Supervisor: Nicholas Aithadi
MPC Senior VFX Producer: Oliver Money
MPC Supervisors: Guillaume Rocheron, Marian Mavrovic, Ferran Domenech
MPC VFX Coordinators: Kristy Wilson, Christina Graham, Gracie Edscer, Lorna Dumba
MPC VFX Production Assistant: Lindsay Weir
MPC VFX Asset Dept. Prod Manager: Helen Clare
MPC Lead FX Tech Director: Alexis Wajsbrot
DNEG Senior VFX Supervisors: Paul Franklin, Paul Riddle
DNEG VFX Executive Producer: Dominic Sidoli
DNEG 2D & 3D Supervisors: Dayne Cowan, Gavin Graham, Philip Johnson, Pete Jopling, Philippe Le Prince, Mattias Lindahl, Jelena Stojanovic
DNEG Lead 2D Artist: Robin Beard
DNEG Lead VFX Artists: Vanessa Boyce Gratton, Jason Harris, Adrian Thompson
DNEG Lead Digital Compositors: Ciaran Crowley, Tom Rolfe
DNEG Lead Digital Comp Artist: John J. Galloway
DNEG Lead DFX Artist: John Kilshaw
DNEG Lead Comp Artist: Richard R. Reed
DNEG Lead Compositors: Dan Snape, Ben Taylor
DNEG VFX Line Producers: Claudia Dehmel, Kate Phillips
DNEG VFX Coordinator: Darryl Li
DNEG VFX Production Assistant: Michael Lim
DNEG VFX Producers: Stuart McAra, Andy Taylor
RSP Senior VFX Supervisor: Gregory Yipes
RSP Senior VFX Producer: Charlotte Loughnane
RSP Supervisors: Adam Paschke, Phil Barrenger, Tony Thorne
RSP VFX Coordinator: Jennie Zeiher
RSP VFX Production Manager: Lena Scanlan
RSP VFX Editor: Alex Meddick
Framestore VFX Supervisor: Jonathan Fawkner
Framestore Lead Lighting TD: Alex Hessler
Framestore VFX Animator: Philip Morris
Luma Pictures Executive VFX Supervisor: Payam Shohadai
Luma Pictures VFX Supervisor: Vincent Cirelli
IMAX 3D Digital Stereo Compositor: Michael Kaelin
Filming Dates: 24 September 2007 - 17 May 2008
Cameras: Arricam LT & ST (35mm Kodak Vision2 200T 5217/500T 5218)
Lenses: Panavision/Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Super 35mm)(IMAX Digital 3D: 12-Minute Opening)
Budget: 250 Million USD
Budget AFI (2022): 324.8 Million USD
Printed on: Kodak Vision 2383
Visual Effects, Miniature Construction & Photog + Scanning & Recording Provided by: Cinesite
Score Recorded & Mixed at: Abbey Road Studios
Main Visual Effects & Animation Provided by: Industrial Light & Magic, Rising Sun Pictures, Double Negative + Moving Picture Company
Additional Visual Effects Provided by: Framestore & Luma Pictures
IMAX 3D Conversion Provided by: Michael Kaelin & Associates
Attribute: Filmed in Panavision - DirectorDavid YatesStarsDaniel RadcliffeEmma WatsonRupert GrintHarry Potter is tasked with the dangerous and seemingly impossible task of locating and destroying Voldemort's remaining Horcruxes. Harry must rely on Ron and Hermione more than ever, but dark forces threaten to tear them apart.Director: David Yates
Screenwriter: Steve Kloves
Producer: David Heyman
Executive Producer: Lionel Wigram
Cinematographer: Eduardo Serra ASC AFC
Cinematographer (2nd Unit): Mike Brewster
Production Designer: Stuart Craig
Film Editor: Mark Day ACE
Co-Producer: John Trehy
Co-Producer/Unit Production Manager: Tim Lewis
Composer/Conductor/Score Producer: Alexandre Desplat
Composer (Hedwig's Theme): John Williams
Orchestrator/Score Producer: Conrad Pope
Orchestrators: Nan Schwartz, Clifford J. Tasner, Jean-Pascal Beintus
Production Senior VFX Supervisor: Tim Burke
Costume Designer: Jany Temime
Production Manager: Simon Emanuel
1st Assistant Director: Jamie Christopher
2nd Unit Director: Stephen Woolfenden
Production Manager (2nd Unit): Russell Lodge
1st Ass't Director (2nd Unit): Dominic Fysh
Special Makeup Effects Designer: Nick Dudman
Production SFX Supervisor: John Richardson
Production VFX Producer: Emma Norton
Production VFX Supervisors: Chris Shaw, John Moffatt
Supervising Digital Finishing Colorist: Peter Doyle ASC
Supervising Sound Editor: James Mather
Supervising Art Director: Neil Lamont
Supervising Set Decorator: Stephanie McMillan
Supervising Construction Manager: Paul Hayes
Chief Animal Trainer: Gary Gero
Head of Production Publicity: Vanessa Davies
Animation Supervisor (The Deathly Hallows): Ben Hibon
Add'l Film Editor: Philip Kloss
1st Assistant Editors: Kate Baird, Hermione Byrt
Post-Production Supervisor: Katie Reynolds
Stunt Coordinator: Greg Powell
Stunt Performers: Sarah Franzl, Rowley Irlam, Marc Mailley, David Holmes, Eunice Huthart, Mark Mottram, CC Smiff
Key 2nd Ass't Director: Matthew Sharp
Senior Art Director: Andrew Ackland-Snow
Art Directors: Al Bullock Mark Bartholomew, Gary Tomkins, Martin Foley, Molly Hughes, Christian Huband, Kate Grimble, Peter Dorme, Ashley Winter
Art Dept. Coordinator: Jodie Jackman
On-Set Art Directors: Oliver Roberts, Stephen Swain
Draughtsmen: Alex Smith, Andrew Palmer, Emma Vane, Julia Dehoff
Junior Draughtsmen: Ashley Lamont, Andrew Proctor
Archivist: Elicia Scales
Props Concept Artist: Miraphora Mina
Graphic Designers: Eduardo Lima, Lauren Wakefield
Specialist Researcher: Celia Barnett
Set Decorator: Rosie Goodwin
Production Buyer: Lucinda Sturgis
Ass't Prod Buyer: Rose Gilman
Supervising Prop Master: Barry Wilkinson
Ass't Prop Master: Ben Wilkinson
HOD Supervising Modeler: Pierre Bohanna
2nd Assistant Directors: Stewart Hamilton, Jane Ryan, Ali Morris
3rd Assistant Directors: Eileen Yip, Rachael Tottingham, Amy Stares
A-Camera Operator: Mike Proudfoot
B-Camera Operators: David Morgan, David Worley
Steadicam Operator: Alf Tramontin
1st Assistant A-Camera: Robert Dibble
1st Assistant B-Camera: Brad Larner
1st Assistant Steadicam: Miles Proudfoot
2nd Assistant A-Camera: Tom Taylor
2nd Assistant B-Camera: Tim Morris
2nd Assistant Steadicam: Sally Wright
Key Grip: Denny Atherfold
Best Boy Grip: David Cross
A-Camera Grip: Ron Nichols
B-Camera Grip: Andy Hopkins
Steadicam Grip: Andy Edridge
Crane Technician: James Folly
Head Technician: Jon Buxton
Gaffer: Robert Chuck Finch
A-Camera Best Boy: Billy Merrell
B-Camera Best Boy: Richard Merrell
Steadicam Best Boy: Steve Finch
Rigging Gaffer: David Ridout
A-Camera Rigging BB: Sam Bloor
B-Camera Rigging BB: Robert Brock
Video Assist Coordinator: Bob Bridges
Video Assist Operator: Stuart Bridges
Production Sound Mixer: Stuart Wilson
Supervising Location Manager: Sue Quinn
Location Managers: Mark Somner, Michael Harm, Lee Robertson, Steven Harvey
Ass't Loc Managers: Peter Bardsley, Jon Roper
Location Coordinator: Lucy Foulds
Add'l 1st Ass't Editors: Adam Gough, Alex Fenn
2nd Assistant Editor: Myles Robey
Production VFX Editor: Matthew Glen
VFX Ass't Editor: Wayne Smith
2nd VFX Ass't Editor: Henry Kemplen
Sound Designers: Michael Fentum, Dominic Gibbs
Re-Recording Mixers: Stuart Hilliker, Mike Dowson
Add'l Re-Recording Mixer: Adam Scrivener
Mix Technician: James Doyle
DI Finishing Supervisor: Grace Lan
Lead Finishing Colorist: Mel Kangleon
Finishing Technology Officer: Niklas Aldergren
Post-Production Coordinator: Helen Grover
Makeup Designer: Amanda Knight
Hair Designer: Lisa Tomblin
Production Coordinator: Winnie Wishart
Stunt Secretary: Jade Gordon
Production Accountant: Gary Nixon
VFX Dept. Accountant: Nicky Coats
SFX Ass't Supervisor: Stephen Hamilton
SFX Main Unit Floor Supervisors: Ricky Farns, John Van Der Pool, Peter Notley
Production SFX Coordinator: Rosie Richardson
Production SFX Buyer: Peter Aston
Flying Wire Coordinator: Kevin Welch
Makeup FX Coordinator: Georgie Gardner
W/Shop Supervisor & Makeup FX Buyer: John Lambert
Art Finishing Supervisor: Paula Eden
Supervising Standby Propman: Simon Wilkinson
Supervising Senior Modeler: John Weller
Studio Manager: Daniel Dark
Ass't Studio Manager: Oliver Greetham
Maintenance Supervisor: Paul Verney
Maintenance Supervising Electrician: John McCarthy
Safety Coordinator: Jake Edmonds
Weather Consultant: Richard Wild
2nd Unit Production Coordinators: Kate Garbett, Tony Davis
2nd Unit 2nd Ass't Director: Emma Stokes
B Unit 1st Ass't Dir (2nd Unit): Scott Bunce
2nd Unit Stunt Dept. 1st AD: Bryn Lawrence
2nd Unit 3rd Ass't Director: Tom Edmondson
2nd Unit A-Cam Ops: Stefan Stankowski, Gary Spratling
2nd Unit Steadicam Operator: Paul Edwards
2nd Unit 1st Ass't A-Camera: John Ferguson
2nd Unit 2nd Ass't A-Camera: Ray Meere
2nd Unit 2nd Ass't Steadicam: Martin Lewis
B Unit Camera Operator/Director of Photography (2nd Unit): Nic Milner
B Unit 1st Ass't Cameramen (2nd Unit): Marc Atherfold, Spencer Murray
B Unit 2nd Ass't Cameramen (2nd Unit): David Mackie, Francesco Ferrari
2nd Unit Camera Trainee: Richard Jakes
2nd Unit Key Grip: Darren Holland
2nd Unit Gaffer: Wick Finch
2nd Unit A-Camera BB: Tom O' Sullivan
2nd Unit Steadicam BB: Perry Cullen
B Unit Gaffer (2nd Unit): William Finch
2nd Unit Video Operators: Dan Hartley, Richard Shein
2nd Unit SFX Floor Supervisor: Steve Hutchinson
2nd Unit SFX Senior Technician: Luke Murphy
2nd Unit SFX Technicians: Nick Joscelyne, Noah Meddings
Aerial Unit Coordinator: Marc Wolff
Aerial Unit Helicopter Pilot: Will Samuelson
Aerial Unit Wescam Operator: Adam Dale
Aerial Unit Wescam 1st Tech: Charlie Woodburn
Aerial Unit Wescam 2nd Tech: J. Glyn Williams
Aerial Unit Safety Engineer: Stephen J. North
Underwater Unit DoP: Tim Wooster
Underwater Unit A-Cam Op: Sean Connor
Underwater Unit 1st Ass't A-Cam: Nigel Permane
Underwater Unit 1st Ass't B-Cam: Alex Howe
Underwater Unit 2nd Ass't A-Cam: Rich Copeman
Underwater Unit 2nd Ass't B-Cam: Alice Hobden
Underwater Unit Gaffers: Wayne King, Mark Campany
Underwater Unit Electricians: Aaron Keating, Bob Johnson
Underwater Unit Diving Coordinator: Dave Shaw
Underwater Unit Ass't Diving Coord: Phoebe Rudomino
Underwater Unit Diving Supervisor: Dean Mills
Choreographer: Anthony Van Laast
Parseltongue Consultant: Francis Nolan
Score Mixers & Recordists: Peter Cobbin, Sam Okell
Technical Score Engineer: Lewis Jones
Ass't Tech Score Engineers: John Barrett, Paul Pritchard
Orchestra Leader: Carmine Lauri
Score Coordinators: Ninon Desplat, Xavier Forclori
Supervising Music Editor: Gerard McCann
Music Editors: Peter Clarke, Allan Jenkins, Stuart Morton
Score Editors: Kristy Whalley, Rob Houston
Music Copyist & Librarian: Mark Graham
MIDI Programmer: David Walter
MIDI Supervisor: Matt Biffa
Cinesite 2D Supervisor: Andy Robinson
Cinesite CG Supervisor: Holger Voss
Cinesite VFX Producer: Chloe Grysole
Cinesite VFX Coordinator: Jane Ellis
Previz Animation Supervisor: Ferran Domenech
VFX Production Supervisor: Richard Yeomans
Production VFX Coordinators: Kingsley Cook, Edward L. Dark, Jo-Ann Evans
VFX Data Coordinator: Nicholas Atkinson
VFX Dept. Compositors: Simon Burchell, Mike Illingworth
VFX Matchmove Technicians: Jack Hughes, Erran Lake, Justin Peer, Olly Young
MPC VFX Supervisor: Nicolas Aithadi
MPC VFX Producer: Oliver Money
MPC CG Supervisor: Matthew Middleton
MPC Comp Supervisor: Marian Mavrovic
MPC VFX Line Producer: Sabrina Scalfari
MPC Production Coordinators: Ross Johnson, Samantha Haines, Alex Kerridge, Melanie Martin, Crystal Hadcroft, Chris Jestico, Alex Carr, Mette Walter, Est Donnelly, Tim Pounds-Cornish
DNEG Senior VFX Supervisor: David Vickery
DNEG Senior VFX Producer: Charlotte Loughnane
DNEG Production Supervisors: Sean Stranks, Rick Leary, Alex Seaman, Emma Larsson, Steven Godfrey, Christine Wong, Sarah Middleton, Nick Dacey, Leanne Young
Framestore VFX Supervisor: Christian Manz
Framestore VFX Prod Sup: Aimee Dadswell
Framestore Animation Supervisor: Pablo Grillo
Framestore CG Supervisor: Andrew Kind
Framestore Storybook Sequence Sup: Dale Newton
Framestore Character Animator: Mathieu Vig
Framestore Digital Systems Administrator: James Healy
Framestore Senior Digital Compositor: Adam Rowland
Framestore Digital Modeling Supervisor: Ben Lambert
Framestore Digital Compositor: Kyle McCulloch
Framestore VFX Editor: Tom Partridge
Base Black VFX Executive Producer: Steve Elson
Base Black VFX Supervisor: Matthew Twyford
Base Black VFX Production Supervisors: Mark Webb, Kate Phillips
Base Black VFX Editor: Robbie Lee
Base Black Head of Technology: Paul Nendick
RSP VFX Supervisor: Sean Mathieson
RSP VFX Producer: Martin Wiseman
RSP DFX Supervisors: Cam Langs, Ed Hawkins
RSP Sequence Supervisors: Dennis Jones, Nick Epstein, Nick Pill, Mark Wendell, Ben Roberts, Owen Klatte
RSP VFX Prod Team: Marie-Cecile Dahan, Nick Murphy, Gemma Jones, Anna Creasy, Georgina Lovering, Helen Clare
Filming Dates: 19 February 2009 - 12 June 2010 (Shot back-to-back with Part II)
Cameras: Arricam LT & ST (35mm Kodak Vision2 250D 5205/Vision3 500T 5219)
Lenses: Panavision/Cooke S4 Primes
AR: 1.78:1 (Amazon Release), 2.39:1 (4-Perf Super 35mm)
Budget: 250-300 Million USD (Shared with Part II)
Budget AFI (2022): 319.6-383.5 Million USD
Printed on: Kodak Film
Score Recorded & Mixed at: Abbey Road Studios
Score Performed by: The London Symphony Orchestra
Visual Effects & Film Scanning Provided by: Cinesite
Main Visual Effects Provided by: Moving Picture Company, Double Negative, Framestore & Rising Sun Pictures
Additional Visual Effects Provided by: Rise FX & Gradient FX
Motion Control Provided by: VFX Co
2D to 3D Conversion Provided by: String Theory VFX
Made at: Pinewood Studios, England
Attribute: Filmed in Panavision - DirectorDavid YatesStarsDaniel RadcliffeEmma WatsonRupert GrintAs the battle between the forces of good and evil in the wizarding world escalates, Harry Potter draws ever closer to his final confrontation with Voldemort.Director: David Yates
Screenwriter: Steve Kloves
Producer: David Heyman
Executive Producer: Lionel Wigram
Cinematographer: Eduardo Serra ASC AFC
Cinematographer (2nd Unit): Mike Brewster
Production Designer: Stuart Craig
Film Editor: Mark Day ACE
Co-Producer: John Trehy
Co-Producer/Unit Production Manager: Tim Lewis
Composer/Conductor/Score Producer: Alexandre Desplat
Composer (Hedwig's Theme & Original Cues): John Williams
Composer (Dumbledore's Farewell): Nicholas Hooper
Orchestrator/Score Producer: Conrad Pope
Orchestrators: Clifford J. Tasner, Jean-Pascal Beintus, Bill Newlin
Production Senior VFX Supervisor: Tim Burke
Costume Designer: Jany Temime
Special Makeup Effects Designer: Nick Dudman
Production Manager: Simon Emanuel
1st Assistant Director: Jamie Christopher
2nd Unit Director: Stephen Woolfenden
Production Manager (2nd Unit): Russell Lodge
1st Ass't Director (2nd Unit): Dominic Fysh
Associate Producer: Roy Button
Production SFX Supervisor: John Richardson
Production VFX Producer: Emma Norton
Production VFX Supervisors: Chris Shaw, John Moffatt
Supervising Digital Finishing Colorist: Peter Doyle ASC
Supervising Sound Editor: James Mather
Supervising Art Director: Neil Lamont
Supervising Set Decorator: Stephanie McMillan
Supervising Construction Manager: Paul Hayes
Chief Animal Trainer: Gary Gero
Head of Production Publicity: Vanessa Davies
1st Assistant Editors: Kate Baird, Hermione Byrt
3D Producer: Debbi Bossi
3D Stereographer: Hugh Murray
Post-Production Supervisor: Katie Reynolds
Stunt Coordinator: Greg Powell
Stunt Performers: Sarah Franzl, Rowley Irlam, Marc Mailley, David Holmes, Mark Mottram, CC Smiff, Rob Inch
Stunt Coord (Add'l Elements Unit)/Stunt Performer: Eunice Huthart
Key 2nd Ass't Director: Matthew Sharp
Senior Art Director: Andrew Ackland-Snow
Art Directors: Al Bullock Mark Bartholomew, Gary Tomkins, Martin Foley, Molly Hughes, Christian Huband, Kate Grimble, Peter Dorme, Ashley Winter
Art Dept. Coordinator: Jodie Jackman
On-Set Art Directors: Oliver Roberts, Stephen Swain
Draughtsmen: Alex Smith, Andrew Palmer, Emma Vane, Julia Dehoff
Junior Draughtsmen: Ashley Lamont, Andrew Proctor
Archivist: Elicia Scales
Props Concept Artist: Miraphora Mina
Graphic Designers: Eduardo Lima, Lauren Wakefield
Specialist Researcher: Celia Barnett
Set Decorator: Rosie Goodwin
Production Buyer: Lucinda Sturgis
Ass't Prod Buyer: Rose Gilman
Supervising Prop Master: Barry Wilkinson
Ass't Prop Master: Ben Wilkinson
HOD Supervising Modeler: Pierre Bohanna
2nd Assistant Directors: Stewart Hamilton, Jane Ryan, Ali Morris
3rd Assistant Directors: Eileen Yip, Rachael Tottingham, Amy Stares
A-Camera Operator: Mike Proudfoot
B-Camera Operators: David Morgan, David Worley
Steadicam Operator: Alf Tramontin
1st Assistant A-Camera: Robert Dibble
1st Assistant B-Camera: Brad Larner
1st Assistant Steadicam: Miles Proudfoot
2nd Assistant A-Camera: Tom Taylor
2nd Assistant B-Camera: Tim Morris
2nd Assistant Steadicam: Sally Wright
Key Grip: Denny Atherfold
Best Boy Grip: David Cross
A-Camera Grip: Ron Nichols
B-Camera Grip: Andy Hopkins
Steadicam Grip: Andy Edridge
Crane Technician: James Folly
Head Technician: Jon Buxton
Gaffer: Robert Chuck Finch
A-Camera Best Boy: Billy Merrell
B-Camera Best Boy: Richard Merrell
Steadicam Best Boy: Steve Finch
Rigging Gaffer: David Ridout
A-Camera Rigging BB: Sam Bloor
B-Camera Rigging BB: Robert Brock
Video Assist Coordinator: Bob Bridges
Video Assist Operator: Stuart Bridges
Video Links Operator: Don Brown
Production Sound Mixer: Stuart Wilson
Production Assistant: Jamie Wolpert
Supervising Location Manager: Sue Quinn
Location Managers: Mark Somner, Steven Harvey, Lee Robertson
Ass't Loc Managers: Peter Bardsley, Jon Roper
Location Coordinator: Lucy Foulds
Add'l Film Editor: Philip Kloss
Add'l 1st Ass't Editors: Adam Gough, Alex Fenn
2nd Assistant Editor: Myles Robey
Production VFX Editor: Matthew Glen
VFX Ass't Editor: Wayne Smith
2nd VFX Ass't Editor: Henry Kemplen
Sound Designers: Michael Fentum, Dominic Gibbs
Re-Recording Mixers: Stuart Hilliker, Mike Dowson, Adam Scrivener
Mix Technician: James Doyle
DI Finishing Supervisor: Grace Lan
Lead Finishing Colorist: Mel Kangleon
DI Systems Administrator: Niklas Aldergren
Colorist Finishing Assistant: Maria Chamberlain
Post-Production Coordinator: Helen Grover
Ass't Post-Prod Coordinator: Gemma Nicholson
Makeup Designer: Amanda Knight
Hair Designer: Lisa Tomblin
Production Coordinator: Winnie Wishart
Ass't Prod Coordinators: Vicky Bishop, Alex Klein, Katie Byles
Stunt Secretary: Jade Gordon
Production Accountant: Gary Nixon
VFX Dept. Accountant: Nicky Coats
SFX Ass't Supervisor: Stephen Hamilton
SFX Main Unit Floor Supervisor: Ricky Farns
Production SFX Coordinator: Rosie Richardson
Production SFX Buyer: Peter Aston
Flying Wire Coordinator: Kevin Welch
Makeup FX Coordinator: Georgie Gardner
W/Shop Supervisor & Makeup FX Buyer: John Lambert
Art Finishing Supervisor: Paula Eden
Supervising Standby Propman: Simon Wilkinson
Supervising Senior Modeler: John Weller
Studio Manager: Daniel Dark
Ass't Studio Manager: Oliver Greetham
Maintenance Supervisor: Paul Verney
Maintenance Supervising Electrician: John McCarthy
Safety Coordinator: Jake Edmonds
Weather Consultant: Richard Wild
2nd Unit Production Coordinators: Kate Garbett, Tony Davis
2nd Unit 2nd Ass't Director: Emma Stokes
B Unit 1st Ass't Dir (2nd Unit): Scott Bunce
2nd Unit Stunt Dept. 1st AD: Bryn Lawrence
2nd Unit 3rd Ass't Director: Tom Edmondson
2nd Unit A-Cam Ops: Stefan Stankowski, Gary Spratling
2nd Unit Steadicam Operator: Paul Edwards
2nd Unit 1st Ass't A-Camera: John Ferguson
2nd Unit 2nd Ass't A-Camera: Ray Meere
2nd Unit 2nd Ass't Steadicam: Martin Lewis
B Unit Camera Operator/Director of Photography (2nd Unit): Nic Milner
B Unit 1st Ass't Cameramen (2nd Unit): Marc Atherfold, Spencer Murray
B Unit 2nd Ass't Cameramen (2nd Unit): David Mackie, Francesco Ferrari
2nd Unit Camera Trainee: Richard Jakes
2nd Unit Key Grip: Darren Holland
2nd Unit Gaffer: Wick Finch
2nd Unit A-Camera BB: Tom O' Sullivan
2nd Unit Steadicam BB: Perry Cullen
B Unit Gaffer (2nd Unit): William Finch
2nd Unit Video Operators: Dan Hartley, Richard Shein
2nd Unit SFX Floor Supervisor: Steve Hutchinson
2nd Unit SFX Senior Technician: Luke Murphy
2nd Unit SFX Technicians: Nick Joscelyne, Noah Meddings
2nd Unit Aerial Coordinator: Marc Wolff
Aerial Helicopter Pilot (2nd Unit): Will Samuelson
Aerial Wescam Operator (2nd Unit): Adam Dale
Aerial Wescam 1st Tech (2nd Unit): Charlie Woodburn
Aerial Wescam 2nd Tech (2nd Unit): J. Glyn Williams
Aerial Safety Engineer (2nd Unit): Stephen J. North
1st Ass't Dir (Add'l Elements Unit): Nick Heckstall-Smith
1st Ass't Dir (Add'l Elements Unit: SFX Shoot): Finn McGrath
2nd Ass't Dir (Add'l Elements Unit): Ben Dixon
3rd Ass't Dir (Add'l Elements Unit): Ray Kenny
Underwater Unit DoP: Tim Wooster
Underwater Unit A-Cam Op: Sean Connor
Underwater Unit 1st Ass't A-Cam: Nigel Permane
Underwater Unit 1st Ass't B-Cam: Alex Howe
Underwater Unit 2nd Ass't A-Cam: Rich Copeman
Underwater Unit 2nd Ass't B-Cam: Alice Hobden
Underwater Unit Gaffers: Wayne King, Mark Campany
Underwater Unit Electricians: Aaron Keating, Bob Johnson
Underwater Unit Diving Coordinator: Dave Shaw
Underwater Unit Ass't Diving Coord: Phoebe Rudomino
Underwater Unit Diving Supervisor: Dean Mills
Parseltongue Consultant: Francis Nolan
Score Mixers & Recordists: Peter Cobbin, Sam Okell
Technical Score Engineer: Lewis Jones
Ass't Tech Score Engineers: John Barrett, Aled Jenkins, Patrick Phillips
Supervising Music Editor: Gerard McCann
Music Editors: Kristy Whalley, Peter Clarke, Allan Jenkins, Stuart Morton
Orchestral Contractor: Marc Stevens
Orchestral Coordinators: Jemma Bogan, Carina McCourt
Orchestra Leader: Carmine Lauri
Chorus Masters: Terry Edwards, Ben Parry
Music Copyists & Librarians: Mark Graham, David Hage
Score Editor: Rob Houston
MIDI Programmer: David Walter
Score Coordinators: Ninon Desplat, Xavier Forclori
Cinesite VFX Exec Producer: Courtney Vanderslice-Law
Cinesite Senior DFX Supervisor: Andy Robinson
Cinesite DFX Supervisor: Holger Voss
Cinesite VFX Producer: Chloe Grysole
Cinesite Senior VFX Coordinator: Jane Ellis
Cinesite VFX Coordinator: Louise Hutchinson
Cinesite VFX Editor: Andy Stevens
Cinesite Production Accountant: Roisin Byrne
Cinesite Lead Tracking Artist: John Sissen
Cinesite Lighting Supervisor: Nikos Gatos
Cinesite Senior Sequence Lead: Martin Ciastko
Cinesite Sequence Lead: Thomas Dyg
VFX Production Supervisor: Richard Yeomans
VFX Turnover Supervisor: Olly Young
Production VFX Coordinators: Kingsley Cook, Edward L. Dark
VFX Data Coordinator: Nicholas Atkinson
VFX Production Assistant: Erran Lake
VFX Dept. Compositors: Simon Burchell, Mike Illingworth, Jack Hughes
VFX Match Move Technician: Justin Peer
3D Production Supervisor: Gavin Round
3D VFX Production Supervisor: Jo-Ann Evans
3D Ass't Editor: Nadia Naimi
3D 2nd Ass't Editor: Catherine Williams
3D Coordinators: Richard Edwards, Kate Renwick
3D VFX Coordinator: Victoria Albanese
3D Ass't Coordinator: Jack Daniels
3D Base Light Operators: Risto Jankkila, Olli Leppanen
3D Colorist: Greg Fisher
DNEG Senior VFX Supervisor: David Vickery
DNEG VFX Executive Producer: Dominic Sidoli
DNEG Senior VFX Producer: Charlotte Loughnane
DNEG 2D Supervisor: Sean Stranks
DNEG CG Supervisor: Rick Leary
DNEG Comp Sequence Supervisor: Robin Beard
DNEG FX Animation Supervisor: Alex Seaman
DNEG Creature Lead TD: Gavin Harrison
DNEG VFX Sequence Producer: Trace Leadbetter
DNEG VFX Line Producers: Fay Hancocks, Darryl Li
DNEG VFX Coordinators: Katy Mummery, Sarah Cripps Middleton, Katie Bell, Erin Kim, Mariana Mandelli
DNEG VFX Production Coordinator: Jules Lister
MPC VFX Supervisor: Greg Butler
MPC VFX Producer: Oliver Money
MPC DFX Supervisor: Jessica Norman
MPC CG Supervisor: Max Wood
MPC VFX Animation Sup: Ferran Domenech
MPC VFX Line Producer: Gracie Fisher
MPC VFX Stereographer: Damien Fagnou
MPC VFX Editor: Crystal Hadcroft
MPC VFX Production Coordinators: Ross Johnson, Alex Kerridge, Julian Bloomfield, Melanie Martin, Est Donnelly, Tim Pounds-Cornish, Abigail Mendoza, Kayleigh Harding, Charlie Stewart
MPC Lead DFX Artists: David Griffiths, , Sam Bassett, Axel Bonami, Aaron Lawn
Framestore VFX Supervisor: Andrew Kind
Framestore VFX Producer: Aimee Dadswell
Framestore VFX Coordinators: Daniel Booty, Lucy Drewett
Framestore 2D Supervisor: Christian Kaestner
Framestore VFX Editor: Lukasz Bukowiecki
Framestore Pipeline Lead: Henry Bush
Framestore Digital Modeling Supervisor: Ben Lambert
Lola VFX Supervisor: Clark Parkhurst
Lola VFX Technical Supervisor: Edson Williams
Lola VFX Coordinator: Max Leonard
Lola VFX Producer: Thomas Nittmann
Lola VFX Matte Painter: Rob Olsson
Lola VFX Digital Compositor: Chris Ingersoll
Lola VFX Flame Artist: Holli Alvarado
Gradient FX VFX Supervisor: Olcun Tan
Filming Dates: 19 February 2009 - 12 June 2010 (Shot back-to-back with Part I), December 2010 (Add'l Photography)
Cameras: Arricam LT & ST (35mm Kodak Vision2 200T 5217/500T 5218)
AR: 1.78:1 (Amazon Release), 2.39:1 (4-Perf Super 35mm)
Budget: 250-300 Million USD (Shared with Part I)
Budget AFI (2022): 309.8-371.8 Million USD
Printed on: Kodak Vision 2383
Score Recorded & Mixed at: Abbey Road Studios
Score Performed by: The London Symphony Orchestra
Visual Effects & Film Scanning Provided by: Cinesite
Visual Effects Provided by: Double Negative, Moving Picture Company, Framestore & Lola VFX
Motion Control Provided by: VFX Co
3D Digital Services Provided by: Prime Focus Film, Pixel Magic, Sassoon Film Digital, Animal Logic ICO VFX, Genre8 & IE FX
Made at: Pinewood Studios, England
Special Thanks: IMAX Corporation
Attribute: Filmed in Panavision - DirectorDavid YatesStarsEddie RedmayneKatherine WaterstonAlison SudolIn 1926, magizoologist Newt Scamander arrives in New York during his worldwide tour to research and rescue magical creatures as something mysterious leaves trails of destruction in the city, threatening to expose the wizarding world.Director/Screenwriter: David Yates
Screenwriter/Producer: Steve Kloves
Story Writer/Producer: David Heyman
Producer: Lionel Wigram
Executive Producer/Unit Production Manager: Tim Lewis
Cinematographer: Philippe Rousselot ASC AFC
Production Designer: Stuart Craig
Film Editor: Mark Day ACE
Composer: James Newton Howard
Composer (Hedwig's Theme): John Williams
Orchestra & Choir Conductor/Orchestrator: Pete Anthony
Orchestrator: John Ashton Thomas
Score Producer: Sven Faulconer
Production VFX Supervisors: Tim Burke, Christian Manz
Costume Designer: Colleen Atwood
Co-Producer/Unit Production Manager: Michael Sharp
1st Assistant Director: Josh Robertson
Key 2nd Ass't Director: Ben Howard
2nd Unit Director: Stephen Woolfenden
2nd Unit DoP: Jean-Philippe Gossart AFC
Sound Designer/Supervising Sound Editor: Glenn Freemantle
Associate Production Designer: James Hambidge
Makeup & Hair Designer: Fae Hammond
Stunt Coordinator: Eunice Huthart
Ass't Stunt Coordinators: David Fisher, Leos Stransky
Stunt Rigging Coordinator: Grant Wiesinger
Choreographer: Wayne McGregor
A-Camera Operator: Des Whelan ACO
B-Camera/Steadicam Operator: Vince McGahon ACO
1st Assistant A-Camera: Matt Windon
2nd Assistant A-Camera: Will Morris
1st Assistant B-Camera: Max Glickman
Post-Production Executive: Marianne Jenkins
Post-Production Supervisor: Tim Grover
VFX Creature Animation Development Supervisor/Framestore Senior Animation Supervisor: Pablo Grillo
Production VFX Producer: Olly Young
VFX Line Producer: Nicky Coates
VFX Consulting Producer: Emma Norton
VFX Production Manager: Richard Wilson
VFX Data Coordinator: Benjy Riehl
Production VFX Data Wranglers: Nicky Walsh, Erran Lake
Production Supervisor (VFX Plate Unit; NY): Charbel Youssef
Location Manager (VFX Plate Unit; NY): Charles Zalben
Set Decorator: Anna Pinnock
2nd Assistant Director: Tom Brewster
2nd 2nd Ass't Directors: Candida Marlowe, Annie Hitchcock
Supervising Location Manager: Sue Quinn
Location Managers: Dan Whitty, Georgette Turner
Studio Unit Manager: Kevin Jenkins
Unit Location Manager: Drew Payne
Chief Lighting Technician: Chuck Finch
Ass't Chief Lighting Tech: Richard Merrill
Rigging Gaffer: Tommy Finch
Key Grip: Steve Ellingworth
Production SFX Supervisor: David Watkins
SFX Workshop Supervisor: Jim Machin
SFX Floor Supervisor: Alistair Williams
Production SFX Coordinator: Victoria Cadiou
Production SFX Rigger: Jamie Lee
SFX Breakaway Carpenter: Benjamin Clark
Production SFX Driver: Robert Reader
Prop Master: Ben Wilkinson
Ass't Prop Master: Matthew Cooke
Senior Supervising Modeler: James Barr
Action Vehicle Coordinator: Alex King
Ass't Action Vehicle Coordinator: Alex Barrett
2nd Unit Production Manager: Tony Davis
2nd Unit 1st Ass't Directors: Toby Ford, Dominic Fysh
2nd Unit 2nd Ass't Director: Terence Madden
2nd Unit 2nd 2nd Ass't Directors: Mark Cockren, Tom Browne
2nd Unit Production Coordinator: Aneta Chalas
2nd Unit Art Directors: Susan Whitaker, Suzanne Austin
2nd Unit Dailies DoP: Carlos de Carvalho
2nd Unit A-Camera Operator: Stefan Stankowski
2nd Unit B-Camera/Steadicam Operator: Jason Ewart
2nd Unit Chief Lighting Tech: Wick Finch
2nd Unit Ass't Lighting Tech: Will Finch
2nd Unit SFX Floor Supervisor: Peter Haran
2nd Unit SFX Lead Technician: Nicholas Joscelyne
Stereo Supervisor: Chris Parks
Stereo Producer: David Fowler
Stereographer: Angus Cameron
Stereo Production Manager: Jim Long
Stereo 3D Conform Editor: David Johnston
Stereo 3D Editor: Martin Corbett
Stereo Coordinators: Gareth Pearce, Kira Fitzpatrick
Supervising Music Editor: Jim Weidman
Music Editors: Alan Jenkins, David Olson
Music Supervisor: Karen Elliott
Score Recordist: Shawn Murphy
Score Recordist/Mixer: Peter Cobbin
Score Mixer: Kristy Whalley
Synth Programmer: Clay Duncan
DI Supervising Finishing Colorist: Peter Doyle ASC
Lead Finishing Colorist: Mel Kangleon
DI Finishing Editor: Katie McCulloch
DI Executive Finishing Producer: Matt Adams
DI Finishing Producer: Paula Crickard
Framestore VFX Supervisors: Andy Kind, Stephane Nazé
Framestore Senior VFX Producers: Nick King, Imke Fehrmann
Framestore CG Supervisors: Ben Loch, Ben Huber, François Lord, Mathieu Bertrand
Framestore Animation Supervisors: Kev Spruce, Laurent Laban
Framestore 2D Supervisors: Julien Goldsbrough, Anthony Luigi Santoro
DNEG Compositing Supervisor: Robin Beard
DNEG VFX Supervisor: Pete Bebb
MPC VFX Supervisor: Ferran Domenech
MPC VFX Producer: Anton Agerbo
MPC Add'l Supervisors: Damien Stumpf, Arundi Asregadoo, Marco Foglia, Tristan Zerafa, Paul Nelson
MPC VFX Production Manager: Marie-Helene Weiss
Rodeo FX VFX Executive Producers: Sébastien Moreau, Jordan Soles
Rodeo FX VP of Production: Isabelle Langlois
Method Studios VFX Supervisors: Nordin Rahhali, Andrew Hellen
Method Studios VFX Producer: Rachael Wheeler
Method Studios DFX Supervisor: Hamish Schumacher
Method Studios VFX Production Manager: Pauline Burns
Method Studios VFX Coordinators: Ann-Marie Bloomaert, Nathaniel Barr
Method Studios CG Supervisors: Michael Comly, Mike Borgstrom
Image Engine VFX Executive Producer: Charlene Eberle
Ima Eng. VFX Supervisor: Martyn Culpitt
Ima Eng. Asset Supervisor: Barry Poon
Cinesite VFX Supervisor: Andrew Morley
Cinesite Comp Supervisor: Helen Newby
Cinesite CG Supervisor: Steve Moncur
PFW Stereo Supervisor: Barry O'Brien
PFW VFX Producers: Richard Edwards, Yi Yang
Stereo D Stereographer: Nick Brown
Stereo D Stereo Producer: Mark Simone
Filming Dates: 17 August 2015 - January 2016
Cameras: Alexa XT & XT Studio (2.8K ARRIRAW)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes & Anamorphic Wide-Angle 2:1 (40-80mm) Zoom
AR: 1.90:1 (IMAX 3-D Version: Frame Break), 2.39:1 (Anamorphic)
Budget: 175-200 Million USD
Printed on: Kodak Vision 2383
Score Recorded & Mixed at: Abbey Road Studios, London & Air Lyndhurst Studios, London
Visual Effects Provided by: Framestore, Double Negative, Moving Picture Company, Rodeo FX, Method Studios, Image Engine, Cinesite & Milk VFX
Stereoscopic 3D Conversion Provided by: Vision 3, Prime Focus World, Stereo D & Legend3D
Attribute: Filmed in Panavision - DirectorDavid YatesStarsEddie RedmayneKatherine WaterstonDan FoglerGellert Grindelwald plans to raise an army of wizards to rule over non-magical beings. In response, Newt Scamander's former professor, Albus Dumbledore, seeks his help to stop him.Director: David Yates
Writer/Producer: Joanne Kathleen Rowling
Producers: David Heyman, Steve Kloves, Lionel Wigram
Executive Producer & UPM: Tim Lewis
Executive Producer: Danny Cohen
Cinematographer: Philippe Rousselot ASC AFC
Production Designer: Stuart Craig
Film Editor: Mark Day ACE
Composer & Score Producer: James Newton Howard
Production VFX Supervisors: Christian Manz, Tim Burke
Costume Designer: Colleen Atwood
Co-Producer & Unit Prod Manager: Michael Sharp
Associate Producer & 1st AD: Josh Robertson
Key 2nd Assistant Director: Tom Brewster
2nd Unit Director: Stephen Woolfenden
2nd Unit DoP: Jean-Philippe Gossart AFC
Sup. Sound Editor-Designer: Glenn Freemantle
Makeup & Hair Designer: Fae Hammond
Stunt Coordinator: Eunice Huthart
Ass't Stunt Coordinator: Marc Mailley
Fight Choreographer: Mike Lambert
Stunt Performer: Leos Stransky
Movement Choreographer: Alexandra Reynolds
Choreographer: Wayne McGregor
Supervising Art Director: Martin Foley
Art Directors: Christian Huband, Les Tomkins
A Cam/Steadicam Operator: Vince McGahon ACO
1st Assistant A Camera: Max Glickman
2nd Assistant A Camera: Ben Casciello-Rogers
B Camera Operator: Iain Struthers
B-Camera 1st ACs: Nathan Mann, Tobias Eedy
2nd Assistant B Camera: Lawrence Beckwith
Central Loader: Alex Teale
Digital Imaging Technician: Peter Welch
Post-Production Executive: Marianne Jenkins
Post-Production Supervisor: Tim Grover
1st Assistant Editor: Mark Burton
2nd Ass't Editors: Elise Anderson, Samuel Clough
1st Appreciate Film Editor: Jose Carretas
Production VFX Editor: Steve Pang
VFX 1st Assistant Editor: Beaumont Loewenthal
VFX 2nd Assistant Editor: Mandy Eyley
Production VFX Producer: Olly Young
VFX Line Producer: Nicky Coates
VFX Moco Supervisor: Chris Shaw
VFX Production Manager: Richard Wilson
Senior VFX Coordinator: Annabel Wright
VFX Assistant Coordinator: George Bootman
Production VFX Data Wranglers: Erran Lake, Aaron Merritt
VFX Ass't Data Wranglers: Amber Fullwood, Harveen Bahia
Line Producer (VFX Paris Plate Unit): John Bernard
Supervising Music Editor: Jim Weidman
Music Editors: Allan Jenkins, David Olson
Re-Record Mixer/Sound Design Editor: Niv Adiri
Re-Recording Mixers: Andy Nelson, Ian Tapp
Set Decorator: Anna Pinnock
Ass't Set Decorators: Sophie Newman, James Fendy, Fergus Clegg, Rebecca Pilkington
Production Supervisor: Pamela Joyce
Production Coordinator: Emma Hazell
Assistant Production Coordinator: Craig Jamieson
Digital Asset Coordinator: James Tilbury
Physical Asset Coordinator: David Stafford-Clark
Post-Production Coordinator: Diarmuid Hughes
Stunt Dept. Coordinator: Ami Verge
Associate Producer: Rob Silva
2nd 2nd ADs: Danni Lizaitis, Annie Hitchcock
3rd Assistant Directors: Grant Butler, Alex Irvine
Supervising Location Manager: Sue Quinn
Unit Location Manager: Drew Payne
Studio Unit Manager: Neil Grigson
Production VFX Accountant: Ewan Taylor
Chief Lighting Technician: Chuck Finch
Assistant CLTs: Richard Merrill, Steven Wood
Rigging Gaffer: Tommy Finch
Rigging Best Boys: Tony Jones, George White
HOD Electrical Rigger: Kenneth Richards
Supervising Electrical Rigger: Tony Roberts
Key Grip: Steve Ellingworth
Production SFX Supervisor: David Watkins
Special FX Floor Supervisor: Alistair Williams
Special FX Workshop Supervisor: Jason Marsh
Production SFX Coordinator: Victoria Cadiou
Production SFX Designers: Jack Lennie, Simon Rafferty
Prop Master: Ben Wilkinson
Ass't Prop Master: Matthew Cooke
HOD Prop Modeler: Pierre Bohanna
Ass't HOD Prop Modeler: James Barr
Sup. Prop Modelers: Stuart Meridew, Christopher Eldridge, Terry Whitehouse, Steve Wotherspoon
Unit Publicist: Stacy Mann
Animal Coordinators: Gill Raddings, Hayden Webb
Supervising Creature Puppeteer: Robin Guiver
Picture Vehicle Supervisor: Alex King
Ass't Picture Vehicle Coordinator: Alex Barrett
2nd Unit Production Manager: Danny Gulliver
2nd Unit 1st Assistant Director: Toby Ford
2nd Unit 2nd Assistant Director: Adam Byles
2nd Unit 2nd 2nd Ass't Director: Jason Rickwood
2nd Unit Dailies DoP: Carlos de Carvalho
2nd Unit Prod Coordinator: Jake Holdsworth
2nd Unit Art Director: Suzanne Austin
2nd Unit A Camera Operator: Peter Batten ACO
2nd Unit 1st Assistant A Camera: Derrick Peters
2nd Unit 2nd Assistant A Camera: Felix Pickles
2nd Unit Chief Lighting Technician: Wick Finch
2nd Unit Ass't Chief Lighting Technic.: Will Finch
2nd Unit Key Grip: Pablo Frasson
2nd Unit BB Grip: Kirk Thornton
2nd Unit Special FX Floor Supervisor: Iain Hutton
2nd Unit SFX Senior Technician: Jonathan Wilson
2nd Unit Special FX Technician: Christopher Giles
1st Ass't Director (Add'l Photog): Ben Howard
2nd Ass't Director (Add'l Photog): Dave Keadell
1st Ass't B Camera (Add'l Photog): Andy Banwell
VFX Data Wrangler (Add'l Photography): Rebecca Saunders
Stereo Supervisor: Chris Parks
Stereo Producer: Gilbert James
Stereo 3D Editor: Martin Corbett
Stereo 3D Data Manager: Tristan Hay
Stereo 3D Conform Editor: Peter Amies
3D Stereographer: Angus Cameron
Stereo 3D Coordinators: Ashlin Green, India Renziehausen
Stereo 3D Technical Support: Paul Douglas
3D Conversion Ass't Line Producer: Melissa Espina
Score Orchestrator/Conductor: Pete Anthony
Score Orchestrators: John Ashton Thomas, Philip Klein, Peter Boyer, Jon Kull, Jeff Atmajian
Score Recordist: Shawn Murphy
Score Mixers: Peter Cobbin, Kristy Whalley
Music Preparation Lead: Mark Graham
DI Supervising Finish Colorist: Peter Doyle ASC
Lead Finishing Colorist: Mel Kangleon
DI Finishing Editor: Jenny-Jayne Cachero
DI Executive Finishing Producer: Matt Adams
DI Finishing Producer: Colin Davis
Framestore VFX Supervisors: Andy Kind, Nicolas Chevallier
Framestore VFX Set Supervisor: Rob Duncan
Framestore Animation Supervisors: Nathan McConnel, Kyle Dunlevy
Framestore VFX CG Supervisors: Kevin Sears, Benjamin Loch
Framestore Comp Supervisors: Oliver Armstrong, Anthony Luigi Santoro
Framestore VFX Producers: Rob Shears, Becky Pownall, Audrey Boivin
Framestore VFX Coordinator: Diana Cobo Castrillo
Framestore VFX Art Director: Martin Macrea
DNEG VFX Supervisor: Tom Proctor
DNEG VFX Producer: Charlotte Loughnane
DNEG DFX Supervisors: Laurence Priest, Kedar Knot
DNEG Comp Supervisors: Martin Reidel, Avinash Bhandary
DNEG Animation Supervisor: Colin McEvoy
DNEG CG FX Supervisor: Tom Bolt
DNEG VFX Coordinator: Emma Rider
DNEG VFX Line Producers: Tamas Simmons, Phoebe Sutherland
DNEG Environ/General Sup: Nacho Thomas
DNEG Stereoscopic Supervisor: Rohan Tirkey
DNEG Stereo Prod Coordinator: Graham Tailleur
DNEG Lead Stereoscopy Compositor: Sabin Sasidharan
Rodeo FX VFX Supervisor: Arnaud Brisebois
Rodeo FX VFX Producer: Melanie La Rue
Rodeo FX CG Supervisor: Fabrice Vienne
Rodeo FX VFX Exec Producer: Sébastien Moreau
Rodeo FX VP of Production: Isabelle Langlois
Rodeo FX VP of Development & Technologies: Jordan Soles
Ima Eng. VFX Supervisor: Martyn Culpitt
Ima Eng. Comp Supervisor: Daniel Elophe
Ima Eng. Animation Supervisor: Jeremy Messana
Ima Eng. VFX CG Supervisors: Kai Pedersen, Edmond Engelbrecht
Ima Eng. VFX Exec Producer: Shawn Walsh
Ima Eng. VFX CG Asset Sup: Barry Poon
Ima Eng. Layout Supervisor: Lee Alexander
Ima Eng. Supervising VFX Editor: Ted Proctor
Ima Eng. VFX Production Manager: Ana Ramos
Ima Eng. FX Supervisor: Denys Shchukin
Method Studios VFX Supervisor: Nordin Rahhali
Method Studios VFX Producer: Darcie Muangman
Method Animation Supervisor: Stephen Clee
Lola VFX Supervisor: Jason Adam Schaefer
Lola VFX Executive Producer: Mark Stern
ILM Conceptual Development Artists: Jason Horley, Max Kostenko
Genre8 Stereo Supervisor: Barry O'Brien
Genre8 Stereo Producers: Paul Becker, Richard Edwards, Rohan Desai
Stereo D Stereographer: Nick Brown
Stereo D Stereo Producers: Vincent De Febo, Steve Stransman
Stereo D Stereo & Prod Supervisors: Ryan Hirsh, Lukas Stabile, Aditi Joshi, Yael Majors
Stereo D Post-Production Supervisor: Jason Pomerantz
Stereo D Senior Prod Coordinator: Elliesse Cuniff
Stereo D Ass't Stereo Editor: Ryan Faulkner
Stereo D Element QC Artist: Tyler Rice
Stereo D Stereoscopic Compositor/QC Sup: Chris Myerchin
Stereo D 3D Depth Artists: Miriam Alvarez, Anne Bot
Stereo D 3D Pipeline Artist: Victoria Mothersill
Stereo D Depth Lead: Holly Gunn
Stereo D Stereo Prod Coordinator: Jessica Pearce
Stereo D Line Producer Parthasarathy Raman
Stereo D Technical Director: Keerthana Ramani
Legend3D Sr Systems Administrator: Jeremy Preissner
Deluxe Senior Stereoscopic Compositor: Ryan Ramsey
Digital Artist (IMAX Version): Ryan D. Romero
Filming Dates: 3 July 2017 - 20 December 2017, May 2018 - June 2018 (Add'l Photography)
Cameras: Alexa 65 & Mini (3.4K/6.5K ARRIRAW)
Lenses: Arri Prime 65-S, Leitz Thalia Primes & Summicron-C Primes
AR: 1.90:1 (IMAX 3-D Version: Frame Break), 2.39:1 (Arri 765)(Open-Gate Super 35mm: Some Shots)
Budget: 200 Million USD
Score Recorded at: Abbey Road Studios, London
Visual Effects, 3D Stereo Conversion & Conceptual Development Provided by: Industrial Light & Magic, Framestore, Double Negative, Image Engine, Method Studios, Lola VFX, Genre8 + Stereo D
Stereoscopic Supervision Provided by: Vision 3 LTD
Attribute: Camera Equipment Provided by Arri Rental - DirectorDavid YatesStarsEddie RedmayneJude LawEzra MillerAlbus Dumbledore knows that Gellert Grindelwald is moving to take control of the wizarding world. Unable to stop him alone, he asks Newt Scamander to lead an intrepid team on a dangerous mission.Director/Story Writer: David Yates
Director (Main Title Sequence): Nic Benns
Screenwriter/Producer: Steve Kloves
Producers: David Heyman, Lionel Wigram
Producer & Unit Production Manager: Tim Lewis
Executive Producer: Danny Cohen
Executive Producer & UPM: Michael Sharp
Cinematographer & A Cam Op: George Richmond BSC
Production Designers: Stuart Craig, Neil Lamont
Film Editor: Mark Day ACE
Composer & Score Producer: James Newton Howard
Production Visual FX Supervisor: Christian Manz
Costume Designer: Colleen Atwood
Key 1st AD & Associate Producer: Josh Robertson
Key 2nd Assistant Director: David Keadell
2nd Unit Director: Stephen Woolfenden
Sup. Sound Designer-Editor: Glenn Freemantle MPSE
Supervising Stunt Coordinator: Rowley Irlam
Co-Stunt Coordinator: Roy Taylor
Assistant Stunt Coordinator: Rob Cooper
Stunt Riggers: Peter Robinson, David Williams
Movement Choreographer: Alexandra Reynolds
Sup. Art Directors: Martin Foley, Alistair Bullock
Sr Art Directors: Alex Baily, Paul Laugier, Gary Tomkins
Graph Designers: Eduardo Lima, Miraphora Mina
Ass't Graph Designer: Propella Woodward-Gentle
Art Department Researcher: Phil Clark
A Camera 1st Assistant: David Cozens
A Camera 2nd Assistant: Chloe Harwood
B Camera/Steadicam Operator: Chris Bain ACO
B Camera 1st Assistant: Will Morris
B Camera 2nd Assistant: Ali Youssef
Central Loader: Aaran Leach
Digital Imaging Technician: Joshua Callis-Smith
Digital Imaging Technic. (Dailies): Howard Colin
Aerial Unit DoP: Jeremy Braben BSC
Post Production Supervisor: Anna Lynch
1st Ass't Editors: Mark Burton, Samuel Clough
2nd Assistant Editor: Pavithra Ramani
1st Apprentice Editor: Ellie Adams
Production Visual Effects Producer: Olly Young
Visual Effects Line Producer: Nicky Coats
Production VFX Editors: Henry Kemplen, Myles Robey
Visual Effects On Set Supervisor: Robert Duncan
Visual Effects Production Manager: Dan Moody
Sr VFX Coordinators: Lydia Bland, Sam Girdler, Ali Ingham
Production VFX Coordinator: George Bootman
Production Visual FX Data Wrangler: Tim Leask
Visual FX Ass't Data Wrangler: Hattie Williams
Visual Effects Production Assistant: Ben Jansen
VFX Set Prod Assistants: Aidan Amin, Nick Brown
Visual Effects Digital Artist: Mark O'Kane
Visual FX Previsualization Editor: Mandy Eyley
Tracking Supervisors (VFX): Chris Hodge, Sonia Wakefield
In House Senior Compositor: Howard Protheroe
VFX Array Camera Technician: Jonte Beswick
VFX Camera Array Data Manager: Giulio Strata
VFX Camera Array Stitch Technician: Matt Hicks
Supervising Sound Editor: Ben Barker
Supervising Dialogue/ADR Editor: Gillian Dodders
Costume Co-Designer: Mark Sutherland
Costume Supervisor: Charlotte Finlay
Assistant Costume Designer: Charlotte Child
Costume Coordinator: Zoe Le Moullec
Makeup, Hair & Prosthetics Designer: Jeremy Woodhead
Crowd Makeup & Hair Supervisor: Julia Vernon
Key Crowd Makeup & Hair Artist: Laura Morse
Set Decorator: Anna Pinnock
Assistant Set Decorator: Sophie Newman
Set Dec Coordinator: Alex Aspden
Production Manager: Pamela Joyce
Production Coordinator: Emma Hazell
Ass't Production Coordinator: Felicity Thorpe
Prod Coord (Add'l Photog)-Ass't Prod Coord: Al Steele
Digital Asset Coordinator: James Tilbury
Physical Asset Coordinator: David Stafford-Clark
Post Production Coordinator: Amy Djordjevic
Stunt Department Coordinator: Joanne Fox
Associate Producer: Rob Silva
2nd 2nd Assistant Director: Danni Lizaitis
Crowd 2nd 2nd Assistant Director: Ann Hitchcock
Base 3rd Assistant Director: Marlon Beyer Rieger
Supervising Location Manager: Sue Quinn
Production Location Manager: Dan Whitty
Production Assistant Loc Manager: Jodie Gregory
Unit Location Manager: Allihsan Alkan
Assistant Location Manager: Dan Peacock
Studio Unit Location Manager: Kevin Jenkins
Studio Unit Manager: Gregor Sharp
Ass't Studio Unit Managers-Coordinators: Jess Woodland, Hannah McCarthy
Assistant Studio Unit Manager: Shaun Rogers
Production Controller: Gary Nixon
Production Accountant: Alistair McNeal
Production Visual FX Accountant: Jayne Barton
Chief Lighting Technician: Stephen Mathie
Ass't CLTs: Adrian MacKay, Steven O'Donoghue
Dimmer Board Operator: Simon Baker
Rigging Gaffer: Dave Ridout
Supervising Rigging Electrician: Mike King
HOD Electrical Rigger: Michael Redmond
Supervising Practical Lighting Lead: Rob Monger
Key Grip: Steve Ellingworth
Production SFX Supervisor: Alistair Williams
Special FX Workshop Supervisor: Jason Marsh
Special Effects Floor Supervisor: Chris Giles
SFX Ass't W/Shop Supervisor: Julian Butterfield
Production Special FX Coordinator: Katie Gabriel
Special FX Design Co-Leads: Alex Fabre, Simon Rafferty
SFX Lead Sr Techs: George Buckleton, Peter Britten
SFX Sr Technicians: Julio Navarro, John Pilgrim
Supervising Prop Master: Steven Morris
Production Assistant Prop Master: Jack Salkeld
Props Workshop Supervisor: Christian Short
Supervising Creature Puppeteer: Tom Wilton
Production Creature FX Supervisor: Cristian Hinz
Picture Vehicle Supervisor: Alex King
Picture Vehicle Coordinator: Alex Barrett
Covid Compliance Unit Leads: Kim Whittaker, Rosy Barker
2nd Unit DoP: Tim Wooster
Unit Prod Manager (2nd Unit): Danny Gulliver
2nd Unit 1st Assistant Director: Zoe Liang
2nd Unit 2nd ADs: Gayle Dickie, Jan Zalar
2nd Unit Floor 2nd 2nd AD: Barney Shakespeare
2nd Unit Prod Coordinator: Grace B. Woodward
2nd Unit Standby Art Director: Suzanne Austin
2nd Unit Steadicam Operator: John Ferguson
2nd Unit A Camera Operator: Stefan Stankowski
2nd Unit A Camera 1st Assistant: Sean Connor
2nd Unit A Cam 2nd Assistant: Glenn Coulman
2nd Unit B Camera 1st Assistant: Simon Heck
2nd Unit B Camera 2nd Assistant: Richard Davis
2nd Unit Digital Imaging Technician: Paul Deane
2nd Unit VFX On Set Supervisor: Richard Bain
2nd Unit VFX Data Wrangler: Amber Fullwood
2nd Unit VFX Ass't Data Wrangler: Sam Barnett
2nd Unit VFX Production Assistant: Caitlin Collins
2nd Unit Chief Lighting Tech: Michael Chambers
2nd Unit Ass't Chief Lighting Tech: John Walker
2nd Unit Dimmer Board Operator: Jamie Fletcher
2nd Unit SFX Floor Supervisor: Nick Joscelyne
2nd Unit Special Effects Technician: Leon Callard
Brazil Unit Production Manager: Valeria Costa
Berlin Unit A Cam 2nd AC: Tatjana Hafenbraedl
Berlin Unit C Camera 1st AC: Michael Schneider
VFX Supervisor (China Shoot): John Dietz
2nd Ass't Dir (Add'l Photog; Berlin): Ben Bischof
Supervising Music Editor: Jim Weidman
Score Producer & Synth Programmer: Michael Dean Parsons
Score Co-Producer & Synth Programmer: Tobin Pugash
Score Orchestrator & Conductor: Pete Anthony
Score Orchestrators: Peter Boyer, Jeff Atmajian, Philip Klein, Jon Kull
Score Conductor: Gavin Greenaway
Score Recordist: Shawn Murphy
Score Mixers: Peter Cobbin, Kristy Whalley
Heads of Music Preparation: Mark Graham, Dave Hage
DI Supervising Colorist: Rob Pizzey
DI Editor & Assistant Colorist: Sara Buxton
DI Executive Producer: Jonathan Collard
DI Producer: Evangeline White
DI Head of Production: Rob Farris
Dailies Op-2nd Unit Colorist: Michael Davis
Main Title Sequence Designer: Miki Kato
End Credits Coordinator: Helen Beuselinck
EVP (Physical Production): Kevin Trehy
EVP (Visual Effects): Anne Putnam Kolbe
VP (Post Production): Tim Grover
Vice President (Music): Karen Elliott
Framestore VFX Supervisors: Benjamin Loch, Stephane Naze
Framestore VFX Supervising Producer: Coline Six
Framestore VFX Producers: Mass Meo, Natalie Miller
Framestore Animation Supervisors: Aulo Licinio, Nathan McConnel
Framestore VFX CG Supervisors: Laurie Brugger, Kevin Sears
Framestore VFX Add'l CG Supervisor: Benjamin Magana
Framestore Comp Supervisors: Laureline Silan, Chris Zeh
Framestore VFX Art Directors: Dan Baker, Martin Macrae
Framestore Post-Vis Supervisor: Jon Allen
Framestore VFX Editorial Leads: Anna Penn, Jamie Outlaw-Whitton, Therese Skundberg Fidje
Framestore VFX Line Producer: Danielle Pickup
Framestore VFX Colorist: Colin P. Brown
Digital Domain Visual FX Supervisor: Jay Barton
Digital Domain DFX Supervisor: Brian Gazdik
Digital Domain Visual FX Producer: Sarah Swick
Digital Domain VFX CG Supervisor: Attila Szalma
Digital Domain Comp Supervisor: Paul Chapman
Digital Domain Animation Sup: Marco La Torre
Digital Domain Digital PM: Margaret Cardell
Digital Domain Pipeline Supervisor: Rafe Sacks
Digital Domain Int. Dept. Supervisor: Sam Nixon
Digital Domain Digital VFX Producer: Ali Luong
IED Visual Effects Supervisor: Martyn Culpitt
IED Compositing Supervisor: Okan Ataman
IED Animation Supervisor: Jeremy Mesana
IED Visual FX CG Supervisor: Timothy Nassauer
IED VFX Coordinator: Chris Vermeulen
IED BG Prep Supervisor: Michael Jeff Baldemoro
RISE VFX Supervisor: Oliver Schulz
RISE VFX CG Supervisor: Niklas Roth
RISE VFX Effects Supervisor: Akin Goecmenli
RISE VFX Compositing Supervisor: Oliver Hohn
RISE VFX Producer: Katrin Arndt
RISE VFX Coordinators: Viktoria Gutheil, Belén Heydt, Anja Nusbaum
RISE VFX Executive Producer: Florian Gellinger
RISE VFX Editor: Laura El Alam
RISE VFX Head of 3D: Oliver Markowski
RISE VFX Head of 2D: Falk Hofmann
RISE VFX Head of Pipeline: Sebastian Elsner
RISE VFX Head of HR: Marian Dobrunz
OOU Sr VFX Supervisor: Louis Laflamme-Fillion
OOU Senior VFX Producer: Ashlee Sutherland
OOU VFX Coordinator: Carlijn Hoogstad
OOU Roto/Prep Supervisor: Jenny Gauc
OOU 2D Supervisor: Kenn Hedin Kalvik
Raynault VFX Exec Producer: Charlene E Douglas
T3F Visualization Coordinator: Delphine Volny
Panavision SVP of Opt Engineering: Dan Sasaki ASC
Filming Dates: 20 September 2020 - February 2021
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Panavision Ultra Vista 1.65x AL Primes
AR: 2.39:1 (Anamorphic)
Budget: 200 Million USD
Score Recorded at: Abbey Road Studios & Air Studios, London
Visual Effects Provided by: Framestore, Digital Domain, RISE VFX Studios, Image Engine Design & Rodeo FX
Visualization Provided by: The Third Floor
Attribute: Filmed in Panavision
