The Works of Director Zack Snyder

Composer: Tyler Bates
Special Makeup Effects Designer: David Leroy Anderson
Costume Designer: Denise Cronenberg
Co-Producer: Michael Messina
Film Editor: Niven Howie ACE
Production Designer: Andrew Neskoromny
Cinematographer: Matthew Leonetti ASC
Cinematographer (2nd Unit Crew): Miroslaw Baszak
Executive Producer/Unit Production Manager: Dennis E. Jones
Producer: Marc Abraham
Screenwriter: James Gunn
Unit Production Manager: Michael MacDonald
1st Assistant Director: Peter D. Marshall
Key 2nd Ass't Director: Eric Potechin
2nd Ass't Director (Main & 2nd Unit Crews): Sara MacDonald
Stunt Coordinator: John Stoneham Jr
Ass't Stunt Coordinator: Matt Birman
Stunt Coordinator (Add'l Photography)/Zombie Fight Choreographer: Damon Caro
Add'l Film Editor: William Hoy ACE
Supervising Art Director: Arv Grewal
Art Director: Steve Shewchuk
Set Designer: William Cheng
A-Camera/Steadicam Operator: Gilles Corbeil
B-Camera Operator: Mike Carella
Chief Lighting Technician: Michael Galbraith
Assistant to Zack Snyder: Wesley Coller
Post-Production Supervisor: Jason Leib
Production VFX Editor: Sharon Smith Holley
Supervising Sound Mixer: Chris Jenkins
Canadian Casting: Robin D. Cook CDC
Production SFX Coordinator: Laird McMurray
Zombie Effects Coordinator: Bob Hall
2nd Unit Director (2nd Unit Crew): Clay Staub
Unit Production Manager (2nd Unit Crew): Marty Dejczak
1st Ass't Director (2nd Unit Crew): Michael Burke
A-Camera Operator (2nd Unit Crew): Perry Hoffman
B-Camera Operator (2nd Unit Crew): JP Locherer
Art Director (2nd Unit Crew): Doug Slater
Executive in Charge of Music for Universal Pictures: Kathy Nelson
Main & End Titles Designer: Kyle Cooper
Mr. X VFX Supervisors: Aaron Weintraub, Dennis Berardi
Mr. X VFX Producer: Eric J. Robertson
Mr. X VFX Designer/Zombie Coach: Patrick Coffey
Mr. X CG Supervisor: Sean Cohen
Senior Finishing Colorist (2017 Remaster): Stefan Sonnenfeld ASC
Filming Dates: June 16, 2003 - September 6, 2003
Cameras: Arriflex 435, Moviecam Compact & SL (35mm Kodak Vision 250D 5246/500T 5279)
Lenses: Zeiss Ultra Primes & Cooke Varotal Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 26 Million USD
Budget AFI (2021): 36.9 Million USD
Visual Effects Provided by: Mr. X
2017 Remaster Provided by: Company 3
Attribute: Camera Systems by Clairmont

Screenwriters: Zack Snyder, Kurt Johnstad, Michael B. Gordon
Producer/Unit Production Manager: Jeffrey Silver
Executive Producers: Deborah Snyder, Thomas Tull
Executive Producer/Consultant: Frank Miller
Cinematographer: Larry Fong ASC
Production Designer: Jim Bissell
Film Editor: William Hoy ACE
Costume Designer: Michael Wilkinson
Composer: Tyler Bates
Production VFX Supervisor: Chris Watts
Unit Production Manager: Jacky Lavoie
1st Assistant Director: Martin Walters
2nd Assistant Director: Francine Langlois
VFX Art Director: Grant Freckelton
Makeup & Creature Effects Designers: Shaun Smith, Mark Rappaport
Associate Producer: Wesley Coller
Supervising Stunt Coordinator & Fight Choreographer: Damon Caro
Stunt/Fight Choreographer: Chad Stahelski
Stunt Coordinator: Stephane Lefebvre
Stunts: David Leitch, Jonathan Eusebio, Tim Rigby
Supervising Re-Recording Mixer: Chris Jenkins
Supervising Art Director: Isabelle Guay
Art Directors: Nicolas Lepage, Jean-Pierre Paquet
Supervising Set Decorator: Paul Hotte
Set Decorators: Agnes Lopsang, Philippe Lord
A-Camera/Steadicam Operator: Daniel Sauvé
B-Camera Operator: Dominique Ricard
1st Ass't B-Camera/Add'l Cinematographer: William Dalgleish
Speed Ramp Technician: Bradley Briggs
Post-Production Supervisor: Andrea Wertheim
Post-Production Consultant: Todd Baillere
Production VFX Editor: George McCarthy
Add'l VFX Editor: Jeremy Bradley
Production VFX Producers: Gayle Busby, Andy Fowler
Production DFX Supervisors: Jake Morrison, Derek Wentworth
VFX Set Surveyor: Blaine Lougheed
Gaffer: Jean Courteau
On-Set Prop Master: Denis Hamel
Production SFX Supervisor: Louis Craig
2nd Unit Director: Clay Staub
2nd Unit DoP: Miroslaw Baszak
2nd Unit Camera Operator: Francois Daignault
2nd Unit Gaffer: John Lewin
2nd Unit VFX Set Surveyor: Gaddy Tisch
Hybride VFX Coordinator: Marie-Claude Aubry
Hybride VFX Bidding Producer: Louise Bertrand
Hybride Lead Technical Director: Marc Bourbonnais
Hybride Technical Director: Mostafa Badran
Animal Logic VFX Supervisor: Kristy Millar
Animal Logic VFX Producer: Chad Malbon
Animal Logic CG Supervisors: Andrew Jackson, Dave Dally
Animal Logic VFX Coordinators: Danielle Rubin, Jayne Herrmann
Hydraulx VFX Supervisors: Colin Strause, Greg Strause
Hydraulx VFX Producer: Michael Tony Meagher
Hydraulz VFX Executive Producer: Scott Michelson
Hydraulx CG Supervisor: Chris Wells
Hydraulx Ass't VFX Coordinator: Clark Parkhurst
Hydraulx Lead Inferno Artist: Bill Kunin
Hydraulx Inferno Artists: Casey Allen, Loeng Wong-Savun
Pixel Magic VFX Supervisor: Raymond McIntyre Jr
Scanline VFX Supervisor: Stephan Trojansky
Scanline CG Supervisor: Danielle Plantec
Scanline 3D Artists: Ivo Klaus, Sebastian Küchmeister
Scanline VFX Producer: Ismat Zaidi
Scanline Lead Sequence Digital Colorist: Gabriel Dedic
BIG VFX Line Producer: Eve Brunet
Lola VFX Supervisor: Edson Williams
Lola VFX Producer: Thomas Nittmann
Lola VFX Coordinator: Ryan Zuttermeister
Meteor Studios VFX Consultant: Ariel Velasco-Shaw
Senior Finishing Producer/Colorist: Stefan Sonnenfeld ASC
Add'l DI Colorist: Jimmy Tom
DI Producers: Des Carey, Missy Papageorge
Ass't DMR Editor (IMAX Version): Wendell Bruno
Filming Dates: 17 September 2005 - 18 December 2005
Cameras: Arriflex 235, 435 ES, Panaflex Millennium, GII, Platinum & Photo-Sonics 4ER (Kodak Vision2 100T 5212/Expression 500T 5229)
Lenses: Panavision Primo Spherical Primes
AR: 2.35:1 (4-Perf Super 35mm)
Budget: 65 Million USD
Budget AFI (2021): 84.3 Million USD
Printed on: Kodak Vision Premier 2393
Visual Effects Provided by: Animal Logic, Hydraulx, Pixel Magic, Scanline & Lola VFX
Additional VFX Photography Provided by: New Deal Studios
Digital Intermediate Finishing Provided by: Company 3
Attribute: Filmed in Panavision (as Cameras and Lenses)

Production VFX Supervisor: John DJ DesJardin
Costume Designer: Michael Wilkinson
Composer: Tyler Bates
Co-Producer: Wesley Coller
Film Editor: William Hoy ACE
Production Designer: Alex McDowell
Cinematographer: Larry Fong ASC
Executive Producer/Unit Production Manager: Herbert M. Gains
Executive Producer: Thomas Tull
Producer: Deborah Snyder
Co-Writers: David Hayter, Alex Kurtzman, Roberto Orci
Unit Production Manager: Jim Rowe
1st Assistant Director: Michael Walters
2nd Assistant Director: Misha Bukowski
Special Makeup Effects Designer: Greg Cannom
Production VFX Producer: Tom Pietzman
Supervising Stunt Coordinator & Fight Choreographer: Damon Caro
Canada Unit Stunt Coordinator: Doug Chapman
Stunts/Co-Fight Choreographers: Richard Cetrone, Matt Rugetti
Re-Recording Mixer: Chris Jenkins
Production Supervisor: Sara Flamm
Post-Production Supervisor: Andrea Wertheim
Supervising Art Director: Francois Auduoy
Art Director: Helen Jarvis
Ass't Art Director: Barbara Wilson
Set Decorator: Jim Erickson
Ass't Set Decorator: Hamish Purdy
Set Designer: Maya Shimoguchi
A-Camera/Steadicam Operator: John Clothier
B-Camera Operator: Trig Singer
Add'l Camera Operator: William Dalgleish
Production VFX Editors: George McCarthy, Joseph Carson
Add'l VFX Editor: Alex Blatt
Post-Production Coordinator: Anna Obropta
VFX Production Supervisor: Tricia Mulgrew
DFX Production Supervisor: P. Whitney Gearin
Production VFX Coordinators: Shandy Lashley, Ximena Melendez
Artistic Supervisor: Todd R. Tucker
Chief Lighting Technician: Denis Brock
Ass't Chief Lighting Technician: Jeffrey Hall
Key Rigging Gaffer: Jarrod Tiffin
Rigging Gaffer: Sierra Hurst
Production SFX Coordinator: Joel Whist
Costume Illustrator: Ryan Meinerding
Senior Finishing Producer/Colorist: Stefan Sonnenfeld ASC
DI Producer: Des Carey
SPI VFX Supervisor: Peter G. Travers
SPI VFX Producer: Eric Scott
SPI Animation Supervisor: Ken McDonald
SPI VFX Production Supervisor: Debbie Denise
SPI DFX Supervisors: Daniel Kramer, David Seager
SPI CG Supervisors: Max Bruce, Darren Lurie
SPI DFX Production Supervisor: Josh Friedman
SPI VFX Editor: Guy Wiedmann
SPI Supervising VFX Coordinator: Keith Luczywo
SPI VFX Coordinators: Jarrod Nesbitt, Elizabeth Schafer
SPI DFX Coordinators: Ian McIntosh, Jean Ho
SPI Motion Capture Supervisor: Joshua Ochoa
SPI CG Modeling Supervisor: Kevin Hudson
SPI India DFX Supervisor: Krishnakant Mishra
SPI India CG Supervisor: Gomathi Ramalingam
SPI India DFX Producer: Navin Venkatesh
MPC VFX Supervisor: Jessica Norman
MPC VFX Producer: Jason Heapy
MPC CG Supervisor: Max Wood
MPC Compositing Supervisor: Matthew Adams
MPC Compositor: Mark Curtis
Intel VFX Supervisor: Lon Molnar
Intel VFX Producer: Darren Bell
Intel VFX Production Supervisor: Chris Nokes
Intel VFX Associate Producer: Josa Porter
Intel VFX Coordinator: Michelle Ledesma
Intel CG Supervisor: Jeff Newton
Intel Compositing Supervisor: Greg Astles
CIS VFX Supervisor: Bryan Hirota
CIS VFX Producer: David Van Dyke
CIS VFX DFX Supervisor: Patrick Kavanaugh
CIS VFX Production Manager: Julia Neighly
CIS VFX CG, Texture & Lighting Supervisor: Diana Miao
CIS VFX Senior Compositor: Gregory Oehler
CIS VFX Effects Technical Director: Scott Chung
CIS VFX Compositor: Randy Brown
NDS VFX Supervisor: Ian Hunter
NDS VFX Producer: David Sanger
NDS Model Unit Supervisors: Forest P. Fischer, Scott Beverly
NDS Miniature Effects Photography Model Unit DoP: Tim Angulo
Filming Dates: 17 September 2007 - 19 February 2008
Cameras: Arriflex 435, Panaflex XL2 & Platinum (35mm Kodak Vision2 100T 5212/500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 130 Million USD
Budget AFI (2021): 158.5 Million USD
Printed on: Kodak Vision Premier 2393
Digital Intermediate Finishing Provided by: Company 3
Visual Effects & Animation Provided by: Sony Pictures Imageworks & Moving Picture Company
Visual Effects Provided by: Intelligent Creatures & CIS VFX Group
Miniature Effects & Photography Provided by: New Deal Studios
Attribute: Filmed with Panavision Cameras and Lenses

Screenwriters: John Orloff, Emil Stern
Producer: Zareh Nalbandian
Executive Producers: Donald DeLine, Deborah Snyder, Chris DeFaria
Composer: David Hirschfelder
Film Editor: David Burrows
Production Designer: Simon Whiteley
Art Director: Grant Freckelton
Supervising Animation Director: Eric Leighton
Supervising Previz & Lensing Director: David Scott
Supervising Head of Story: Alexis Stadermann
Supervising Sound Editor & Designer: Wayne Pashley
Associate Producer: Wesley Coller
Production Digital Supervisors: Aidan Sarsfield, Ben Gunsberger
Production Animation Supervisors: Alex Weight
Production Lighting Supervisor: Craig Welsh
Production Managers: Georgie Uppington, Kacy McDonald, Amber Naismith
Animal Logic Add'l Film Editor: Matt Villa
Animal Logic Add'l Associate Film Editor: Alicia Gleeson
Animal Logic Senior Production Coordinator/DI Coordinator: Sarra Watts
Animal Logic Production Coordinator: Tom Parker
Animal Logic 2nd Add'l Film Editors: Ryan Boucher, Martin Connor
Animal Logic Creative Director: Bruce Carter
Animal Logic Head of Design: Jane Milledge
Animal Logic Front End Department Supervisor: Matt Gindey
Animal Logic Story Coordinator: Olivia Lyne
Animal Logic Supervising Assembly TD: Jeremy Spencer
Animal Logic Assembly Coordinator: Ryan Heelan
Animal Logic Assembly Technical Directors: Andy Coates, Pat Moreira, Yusuf Temel
Animal Logic Supervising Layout Lead: Gavin Boyle
Animal Logic Supervising Layout TD: Jeff Renton
Animal Logic Previz Lead: Kyle Ashley
Animal Logic Layout Coordinators: Bree Kettley, Julie Podolski
Animal Logic Add'l CG Supervisor: Emmanuel Blasset
Animal Logic Character Supervisor: Damien Gray
Animal Logic Environment Supervisor: Greg Jowle
Animal Logic Character & Environment Production Supervisor: Caroline Grubb
Animal Logic Character Coordinator: Rachel Topp
Animal Logic Environment & Matte Painting Supervisor: Sandra Beerenbrock
Animal Logic Character Surfacing Coordinator: Debbie Steer
Animal Logic Modeling Supervisor: Matthew Hughes
Animal Logic Rigging Supervisor: Josh Murtack
Animal Logic Surfacing Supervisor: Yann Provencher
Animal Logic Surfacing Technical Director: Emiliano Padovani
Animal Logic Environment Technical Director: Stephen Sloan
Animal Logic Add'l Asset Technical Director: Andreas Wanda
Animal Logic Supervising Matte Painting Lead: Marcus Levere
Animal Logic Lead Matte Painter: Nathan Hughes
Animal Logic Head of Animation: Eric Guaglione
Animal Logic Animation Production Supervisors: Joanne McIntyre, Sarah McKenzie
Animal Logic Supervising Animation TDs: Raffaele Fragapane, Christian Breitling
Animal Logic Animation Coordinator: Linda Luong
Animal Logic Animation Technical Director: Quentin Ricci
Animal Logic Animation Track Reader: Leaf Nowland
Animal Logic Lead Technical Animator: Andre De Angelis
Animal Logic Lead Crowd Technical Director: Sascha Robitzki
Animal Logic Crowd Technical Directors: Bhakar James, Jo Plaete, Jeremie Passerin
Animal Logic Supervising TD (Character Finaling): Brian Krantz
Animal Logic Lead Technical Director (Character Finaling): Evan Jacobson
Animal Logic Production Coordinator (Character Finaling): Sandra Mondange
Animal Logic Head of Lighting & FX: Matt Jones
Animal Logic Lighting & FX Production Supervisor: Lucinda Glenn
Animal Logic Effects Supervisor: Johnny Ham
Animal Logic Supervising FX Lead: Miles Green
Animal Logic FX Leads: Jeffrey Charles Higgins, Sebastian Quessy
Animal Logic FX Coordinators: Marcus Goodwin, Marsha Mathilda White
Animal Logic FX Technical Assistants: Kate Adams, Gregory Louden, David McCormick
Animal Logic Supervising Character FX TD: Graham Hopkins
Animal Logic Character FX Lead: Daniel CJ Todd
Animal Logic Character FX Coordinator: Lexie Durbridge
Animal Logic Lighting Lead Look Development Technical Director: Steve Agland
Animal Logic Compositing Supervisor: Julien Leveugle
Animal Logic Compositing Coordinator: Rob McDougall
Animal Logic Compositing TDs: Aaron Barclay, Nicolas Dufort
Production Accountant: Sharon Taylor
Supervising Stereoscopic TD: Tim Baier
Stereoscopic Coordinator: Gabrielle Joosten
Post-Production Supervisor: Henry Karjalainen
Digital Colorist: Eric Whipp
Ass't Digital Colorist: Samuel Chynoweth
Animal Logic Head of R&D: Chris Bone
Animal Logic Research Development Supervisor: Justen Marshall
Animal Logic Director of R&D: Guy Griffiths
Production Liaison: Trevor JW Christie
Creative Consultants: Chuck Williams, Warren Coleman
Visual Consultant/Action Coordinator/Designer: Damon Caro
Negative Format: Digital 3D
Production Dates: February 2009 - July 2009
Reference Camera: PanArri 535B (35mm Kodak Vision3
Reference Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 80 Million USD
Budget AFI (2021): 95.9 Million USD
Printed on: Kodak Vision 2383
Produced by: Animal Logic Animation
Attribute: Filmed in Panavision

Theatrical Cut: C
Extended Cut: TBA
Overall Grade: TBA
Producer/Co-Writer: Zack Snyder
Screenwriter: Steve Shibuya
Producer: Deborah Snyder
Executive Producers: Wesley Coller, Chris DeFaria, William Fay
Executive Producer/Unit Production Manager: Jim Rowe
Cinematographer: Larry Fong ASC
Cinematographer (Add'l Photography)/B-Camera Operator: William Dalgleish
Production Designer: Rick Carter
Film Editor: William Hoy ACE
Composers: Tyler Bates, Marius de Vries
Production VFX Supervisor: John DJ DesJardin
Supervising Stunt Coordinator, Action Designer & Fight Choreographer: Damon Caro
Costume Designer: Michael Wilkinson
Unit Production Manager: Brendan Ferguson
1st Assistant Director: Paul Berry
Key 2nd Ass't Director: Misha Bukowski
Production VFX Producer: Tamara Watts Kent
Associate Producer: Andrea Wertheim
Stunt Coordinators: Tim Rigby, James M. Churchman, Paul Leonard, Nick Brannon
Stunts: Heidi Moneymaker
Choreographer: Paul Becker
Re-Recording Mixer: Chris Jenkins
Supervising Art Director: Grant Van Der Slagt
Art Directors: Todd Cherniawsky, Patrick Banister
Ass't Art Director: David Clarke
Set Designers: Jay Mitchell, Jim Ramsey, Bryan Sutton, Sheila Haley, Cheryl Marion, Margot Ready
Set Decorator: Jim Erickson
Ass't Set Decorator: Hamish Purdy
A-Camera Operator: John Clothier
1st Assistant A-Camera: Sean Harding
1st Assistant B-Camera: Dean Morin
Production VFX Editor: George McCarthy
Add'l VFX Editor: Alex Blatt
Music Consultant: Margaret Yen
VFX Production Supervisor: Tricia Mulgrew
VFX Production Coordinators: Matthew Magnolia, Shandy Lashley
VFX Ass't Production Coordinator: James Cochrane
Production VFX Data Wrangler: Blaine Lougheed
Gaffer: Drew Davidson
Rigging Gaffer: Keith Woods
Production SFX Coordinator: Joel Whist
2nd 2nd Ass't Director: Philip Nee Nee
3rd Assistant Director: Rhonda Taylor
Senior Finishing Producer/Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Annie Johnson
Company 3 Online Editor: Rudy Lopez
1st Ass't Director (Add'l Photography): Alysse Leite-Rogers
2nd Ass't Director (Add'l Photography): Gary Hawes
Gaffer (Add'l Photography): Ryan Bailey
Fantasy Sequence Designer: Aaron Sims
Fantasy Sequence Lead Character Designer: Jerad S. Marantz
Fantasy Sequence 3D Artist: Tim Min
Fantast Sequence Lead Environment Designer: Joel Chang
MPC VFX Supervisor: Guillaume Rocheron
MPC VFX Producer: Dawn Brooks MacLeod
MPC Digital Compositing Supervisor: Mark Curtis
MPC Digital CG Supervisor: Christian Paradis
MPC Digital Animation Supervisor: Daryl Sawchuk
MPC Lead Compositor: Ivan Busquets
MPC Compositor: Jose Fernández de Castro
MPC VFX Production Manager: Russell Lum
Pixomondo VFX Supervisor: Rainer Gombos
Pixomondo VFX Producer: Jonathan Stone
Pixomondo VFX Production Supervisor & Compositing Supervisor: Stuart Cripps
Pixomondo VFX Production Supervisors: Sven Martin, Thilo Ewers, Bo Yang
Pixomondo VFX Production Supervisors/Division VFX Supervisors: Damian Doennig, Juri Stanossek
Pixomondo VFX Production Supervisor/CG Effects Supervisor: Mohsen Mousavi
Pixomondo VFX Production Supervisor/CG Supervisor: Boris Schmidt
Pixomondo VFX Production Supervisor/VFX Associate Producer: Boris T. Duepré
Pixomondo VFX Associate Producers/Division VFX Producers: Jan Heinze, Franzisca Puppe, Sebastian Leutner
Animal Logic VFX Supervisor: Andrew Brown
Animal Logic VFX Producers: Luke Hetherington, Edwina Hayes
Animal Logic CG Supervisors: Emmanuel Blasset, Andrew Chapman
Animal Logic VFX Production Supervisors & Coordinators: Damien Carr, Max McNair
Prime Focus VFX Supervisor: Bryan Hirota
Prime Focus DFX Supervisor: Chad Wiebe
Prime Focus VFX Producers: Genevieve West, Wendy Lanning
Prime Focus Senior VFX Coordinator: Andrew Poole
Prime Focus VFX Coordinators: Briana Abey, Crystal Choo
Prime Focus VFX Art Director: Kenneth Nakada
Prime Focus Animation Supervisor: Lyndon Barrois
Prime Focus Lighting & Rendering Supervisor: Andrew Roberts
Prime Focus Compositing Supervisor: Patrick Kavanaugh
Prime Focus 3D Integration Managers: Megan Danderfer, Devin Fairbairn
Dedicated to: Marsha Snyder
Filming Dates: 10 September 2009 - 29 January 2010
Cameras: Arriflex 235, 435 ES, Panaflex XL2 & Photo-Sonics 4ER (35mm Kodak Vision3 500T 5219)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 82 Million USD
Budget AFI (2021): 95.3 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate Finishing Provided by: Company 3
Visual Effects Provided by: Moving Picture Company, Pixomondo VFX, Animal Logic, Prime Focus & Digiscope
Attribute: Filmed in Panavision

Co-Writer: David S. Goyer
Producer/Story Writer: Christopher Nolan
Producers: Charles Roven, Emma Thomas, Deborah Snyder
Executive Producer: Thomas Tull
Executive Producer/Unit Production Manager: Lloyd Phillips
Cinematographer: Amir Mokri
Production Designer: Alex McDowell
Film Editor: David Brenner ACE
Composer: Hans Zimmer
Add'l Composer/Rhythm Designer: Tom Holkenborg (Junkie XL)
Add'l Composers: Andrew Kawczynski, Steve Mazzaro, Atli Örvarsson
Conductor: Nick Glennie-Smith
Co-Producer: Wesley Coller
Production VFX Supervisor: John DJ DesJardin
Costume Designers: James Acheson, Michael Wilkinson
Unit Production Managers: Jim Rowe, Gregor Wilson
1st Assistant Director: Bruce Moriarty
Key 2nd Ass't Director: Misha Bukowski
2nd Assistant Director: Steve Battaglia
Production VFX Producer: Josh R. Jaggars
Supervising Stunt Coordinator/2nd Unit Director: Damon Caro
Stunt Coordinator: Tim Rigby
Post-Production Supervisor: Andrew Wertheim
Stereoscopic Supervisor: Sean Santiago
Associate Producer: Curt Kanemoto
Re-Recording Mixer: Chris Jenkins
Supervising Art Director: Kim Sincalir
Art Director: Chris Farmer
Set Decorator: Anne Kuljian
A-Camera Operator: John Clothier
B-Camera Operator/Vancouver 2nd Unit DoP: William Dalgleish
1st Assistant A-Camera: Brad Peterman
Ass't Film Editor: Carlos M. Castillon
Production VFX Editor: Craig Smith
VFX Production Supervisor: Matthew Magnolia
Production VFX Coordinators: Ana Marie Cruz, William Marlett
VFX Ass't Coordinator: Robin N. Williams
VFX On-Set Coordinators: Blaine Lougheed, Shandy Lashley
Production VFX Executive: Chris DeFaria
Weapons Conceptual Designer: Richard Taylor
Supervising Location Manager: Bill Doyle
Aerial Unit Helicopter Pilot: Alan Purwin
Aerial Unit DoP: David B. Nowell ASC
Production Executive: Jordan Goldberg
Production Associate: Trevor JW Christie
Illinois Unit 2nd 2nd Ass't Director: Andy Spellman
Illinois Unit Production Supervisor: James R. McAllister
Aerial Unit Production Supervisor (Illinois Unit): Lisa Gildehaus
Illinois Unit Art Director: Craig Jackson
Illinois Unit Ass't Art Director: Stephanie Gilliam
Illinois Unit Set Designers: David Krummel, Kerry Sanders
Illinois Unit Graphic Designers: Jason Brietzman, Andrew Campbell
Illinois Unit Set Decorators: Vera Mills, Caroline Perzan
Illinois Unit 1st Ass't Camera: Peter Kuttner
Illinois Unit 2nd Ass't A-Camera: John Garrett
Illinois Unit 2nd Ass't B-Camera: Chris Wittenborn
Illinois Unit Chief Lighting Technician: Joe Warren
Illinois Unit Ass't Chief Lighting Technician: Chris Warren
Illinois Unit Key Grip: Michael J. Coo
Illinois Unit SFX Supervisor: Allen Hall
Illinois Unit Picture Car Coordinator: Dennis McCarthy
Vancouver Unit 2nd 2nd Ass't Director: Gordon Piper
Vancouver Unit 3rd Ass't Directors: Rhonda Taylor, Brian Sepanzyk
Vancouver Unit Supervising Art Director: Helen Jarvis
Vancouver Unit Art Directors: Aaron Haye, Vlad Bina, Dan Hermansen
Vancouver Unit Ass't Art Director: Chris Beach
Vancouver Unit Set Decorator: Hamish Purdy
Vancouver Unit Graphic Designer: Kirsten Franson
Vancouver Unit 1st Ass't Camera: Larry Portmann
Vancouver Unit 2nd Ass't A-Camera: Dan Morrison
Vancouver Unit 2nd Ass't B-Camera: Harold Bernard
Vancouver Unit Chief Lighting Technician: Andrew Davidson
Vancouver Unit Ass't CLT: Robert Brady
Vancouver Unit SFX Coordinator: Joel Whist
Vancouver Unit Picture Car Coordinator: Rick Rasmussen
California Unit Key 2nd Ass't Director: Brandon Lambdin
California Unit 2nd 2nd Ass't Director: Lauren Pasternack
California Unit Camera Operator: Keith Peterman
California Unit 1st Ass't A-Camera: Don Duffield III
California Unit 1st Ass't B-Camera: Dennis Seawright
California Unit 1st Ass't C-Camera: Steve Wolfe
California Unit 2nd Ass't A-Camera: Mark Connelly
California Unit 2nd Ass't B-Camera: Casey 'Walrus' Howard
California Unit 2nd Ass't C-Camera: Doug Price
California Unit 2nd Ass't D-Camera: Jay C. Hager
California Unit Aerial DoP: Michael Kelem
California Unit Electrician/Ass't CLT: Brett Mabry
California Unit VFX Data Wrangler: Mamie S. McCall
Illinois VFX/Plate Unit 1st Ass't Director: Chris Castaldi
Illinois VFX/Plate Unit 2nd Ass't Director: Eric Sherman
Illinois VFX/Plate Unit Aerial Eclipse Technician: David Arms
Vancouver 2nd Unit 1st Ass't Director: Jim Brebner
Vancouver 2nd Unit 3rd Ass't Director: Chad Beliar
Vancouver 2nd Unit CLT: Ryan Bailey
Vancouver 2nd Unit Ass't CLT: Trevor Cabarin
Vancouver 2nd Unit VFX Data Wrangler: Lorna Carmichael
2nd Unit Director/Director of Photography (Vancouver Water Tank Unit): Pete Romano ASC
Vancouver Water Tank Unit 1st AD: Pete Whyte
Vancouver Water Tank Unit 2nd AD: Cindy Smith
Vancouver Water Tank Unit 3rd AD: Tyra Atkins
Vancouver Water Tank Unit 1st ACs: Loren Elkins, Ian Seabrook
Vancouver Water Tank Unit 2nd AC: Waylon Edwards
Vancouver Water Tank Unit CLT: Patrick Moore
Score Wrangler: Bob Badami
Music Consultant: Peter Asher
Drum Orchestra: Pharrell Williams
Supervising Orchestrators: Bruce Fowler, Walter Fowler
Senior Finishing Producer/Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Annie Johnson
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisors: Dan Lemmon, Keith Miller
Weta VFX Producer: Clare Burgess
Weta Animation Supervisor: Daniel Barrett
Weta DFX Supervisor: Thelvin Tico Cabezas
Weta Matte Painter: Éric Hamel
Weta Senior Effects Technical Director: Jason Lazaroff
Weta CG Supervisors: Phillip Leonhardt, Mark Tait
Weta Animators: Jance Rubinchik, Sebastian Trujillo
Weta Effects Technical Director: Adrien Toupet
DNEG VFX Supervisor: Ged Wright
DNEG VFX Producer: Rupert Porter
DNEG CG Supervisor: Rick Leary
DNEG Compositing Supervisor: Tom Proctor
DNEG CG Effects & Environments Supervisors: Malcolm Humphreys, Eugenie Von Tunzelmann
DNEG Animation Supervisor: Neil Glasbey
DNEG Pipeline Supervisor: Justin Martin
DNEG VFX Production Supervisors: Katrina Navassartian, Sarah McKenzie
DNEG Compositor, CG Effects Lighting Artist & Animator: Adam Gailey
MPC VFX Supervisor: Guillaume Rocheron
MPC DFX Supervisor: Anders Langlands
MPC VFX Producers: Doug Oddy, Katherine Smith
MPC 2D Supervisors: Christian Irles, Richard Little
MPC 3D Supervisors: Stephane Paris, Ben White
MPC Animation Supervisor: Daryl Sawchuk
MPC VFX Production Managers: Julia Ferguson, Jennifer Fairweather
Scanline VFX Supervisor: Chad Wiebe
Scanline VFX Producers: Charlene Eberle, James Dornoff
Scanline VFX Production Supervisors: Danielle Plantec, Joel Mendias, Lisa Spence, Stephan Trojansky
Scanline VFX Digital Artist: Alex Lombardi
Legend3D Stereo VFX Supervisor: Jared Sandrew
Legend3D Stereo Producer: Matt Akey
Legend3D Production Supervisor: Tyler Bennink
Legend3D Compositing Supervisor: Matthew Kemper
Legend3D VFX Coordinator: Nicole Matteson
Legend3D Stereo Editor: Nancy Wang
Panavision VP of Optical Engineering: Dan Sasaki ASC
Filming Dates: 1 August 2011 - 20 January 2012
Cameras: Arriflex 235, 435 ES & Panaflex XL2 (35mm Kodak Vision3 509T 5219)
Lenses: Panavision C-, E-Series Anamorphic Primes & Anamorphic Zooms
AR: 2.35:1 (Anamorphic)
Budget: 225 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate Finishing Provided by: Company 3
Main Titles, End Titles & Additional Visual Effects Designed by: Blur Studio
Visual Effects Provided by: Weta Digital, Double Negative, Moving Picture Company & Scanline VFX
3D Conversion Provided by: Genre8 & Legend3D
Attribute: Filmed in Panavision

Casting: Kristy Carlson, Lora Kennedy
Costume Designer: Michael Wilkinson
Production VFX Supervisor: John DJ DesJardin
Composers: Hans Zimmer, Tom Holkenborg (Junkie XL)
Composers (Add'l Music): Ben Wallfisch, Steven Mazzaro, Andrew Kawczynski
Score Conductor: Nick Glennie-Smith
Co-Producers/Unit Prod Managers: Greg Wilson, Jim Rowe
Co-Producer: Curtis Kanemoto
Film Editor: David Brenner ACE
Production Designer: Patrick Tatopoulos
Cinematographer: Larry Fong ASC
Cinematographer (News Unit): Joe Venafro
Exec Producers: Christopher Nolan, Wes Coller, Emma Thomas
Executive Producer/Writer: David S. Goyer
Producers: Charles Roven, Deborah Snyder
Writer: Chris Terrio
Assoc. Producer/Key 1st Ass't Dir: Bruce Moriarty
Key 2nd Ass't Director: Misha Bukowski
Production VFX Producers: Josh R. Jaggers
Supervising Stunt Coordinator/2nd Unit Director: Damon Caro
Sound Designer & Supervisor: Scott Hecker
Re-Recording Mixer: Chris Jenkins
Stunt Coordinator: Tim Rigby
Fight Choreographers: Ryan Watson, Guillermo Grispo
Associate Producer/Post-Production Supervisor: Andrea Wertheim
Associate Producer: Trevor JW Christie
Supervising Art Director: Troy Sizemore
Art Directors: Beat Frutiger, Greg Hooper, Kevin Ishioka, Tom Frohling
A-Camera Operator: John Clothier
B-Camera Operator/2nd Unit DoP: William Dalgleish
C-Camera Operator: Kevin D. Hewitt
Steadicam/Add'l Camera Operator: Andy Leo
Add'l Camera Operator: Geoff George
Digital Imaging Technician/Add'l Camera Operator: Stephen Smith
1st Assistant A-Camera: Bill Coe
2nd Assistant A-Camera: Bobby McMahon
2nd Assistant B-Camera: Trevor Carroll-Coe
Assistant Film Editor: Carlos M. Castillon
Production VFX Editor: Brad Minnich
VFX Ass't Editor: Michael Nouryeh
3D Editor: Brett Schlaman
3D Producer: Zahida Bacchus
VFX Production Supervisor: Tricia Mulgrew
VFX Associate Production Supervisor: Chris Blasko
Production VFX Data Wrangler: Shyam Yadav
Production VFX Coordinator: Robin N. Williams
Ass't Costume Designer: Stephanie Portnoy Porter
Chief Lighting Technician: Jim Grace
Ass't Chief Lighting Technician: Dan Jones
Senior Illustrators: Jay Oliva, Jared Purrington
Lead Set Designer: Tim Earls
Vehicles Set Designer: Joe Hiura
Lead Graphic Designer: Kelly Rae Hemenway
Graphic Designer: Jason Sweers
Specialty Vehicles Technician: Jack Blanchard
2nd 2nd Ass't Directors: Brett Robinson, Stuart Valberg
Add'l 2nd Ass't Director: R. Ben Parker
Production SFX Supervisor: Joel Whist
News Content Producer: Siobhan Walshe
Underwater Unit DoP: Ian Seabrook
Supervising Location Manager: Bill Doyle
Aerial Unit Helicopter Pilot: Alan Purwin
Main Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Add'l DoP: Brian Heller
Specialty Vehicles Designer/Batmobile Designer: Dennis McCarthy
Picture Car Coordinator: Bobby Griffon
Add'l 2nd Unit Director: Clay Staub
2nd Unit Add'l 2nd Ass't Camera: Gregg Horvath
Chicago Unit 2nd Ass't Director: Steve Moore
Chicago Unit SFX Supervisors: John Ziganto, Heather Hylaszek
Chicago Unit Picture Car Coordinator: Michael D. McCarthy
New Mexico Unit 2nd Ass't Director: Jason Roberts
New Mexico Unit Art Director: Patricio Farrell
Score Wrangler: Bob Badami
Supervising Orchestrator: Bruce Fowler
Electric Cello Performer: Tina Guo
Senior Finishing Producer/Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Annie Johnson
Company 3 Digital Conform Editors: Rudy Lopez, Matthew Johnson
MPC VFX Supervisor: Guillaume Rocheron
MPC VFX Producer: David PI James
MPC DFX Supervisor: Mo Sobhy
MPC Animation Supervisors: Ricardo Silva, Richard Spriggs
MPC Compositing Supervisor: Sean Conrad
MPC CG Modeling Supervisor: Giles Davies
MPC VFX Associate Producer: Tyler Kehl
MPC Head of Production: Ross Johnson
MPC Add'l VFX Supervisor: Greg Butler
MPC VFX Exec Producer: Christian Robertson
MPC Pre-Visualization Supervisor: Kyle Robinson
Scanline VFX Supervisor: Bryan Hirota
Scanline VFX Producer: Julie Orosz
Scanline DFX Supervisor: Harry Mukhopadhyay
Scanline VFX DFX Art Director: Nick Crew
Scanline VFX Assoc. Producer: Sheena Johnson
Scanline VFX CG Supervisor: Hannes Poser
Scanline VFX Comp Supervisor: Jep Hill
Scanline VFX Assoc. Producer, Data Wrangler & Photographer: James Dornoff
Scanline VFX Assets Dept. Manager: Ryan Flick
Scanline VFX Executive Producer: Joel Mendias
Scanline VFX Head of Digital Prod: Lisa Spence
Scanline VFX Unit DoP, Tech Director & On-Set Data Acquisitionist: Tim Donlevy
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Keith Miller
Weta Animation Supervisor: Simeon Duncombe
Weta VFX Production Manager: Cole Smith
Weta VFX Executive Producer: David Conley
Weta Head of VFX Production: Cyndi Ochs
Weta CG Supervisor: Daniel Macarin
Weta Senior FX Tech Director: Jason Lazaroff
DNEG VFX Supervisor: Thomas Proctor
DNEG VFX Producer: Antonella Ferrari
DNEG CG Sequence Supervisor: Tom Bracht
DNEG Effects Supervisor: Adam Gailey
Method Studios VFX Supervisor: Olivier Dumont
Method Studios Compositing Supervisor: Troy Moore
Method Studios DFX Supervisor: Douglas Bloom
Method Studios VFX Producer: Lisa Goldberg
Method Studios Digital Matte Painter: Chris Sanchez
Method Studios VFX Coordinator: Crystal Rossmann
Shade DFX Producer: Molly Pabian
Shade VFX Supervisor: Bryan Godwin
Shade CG Supervisor: Gabriel Vargas
Genre8 Senior Stereo Supervisor: Ben Breckenridge
Genre8 Executive Stereo Producer: Paul Becker
Genre8 Stereo Producer: Chad Cortvriendt
Panavision VP of Optical Engineering: Dan Sasaki ASC
Filming Dates: 19 May 2014 - 6 December 2014
Cameras: Alexa XT, Arriflex 416, 435, IMAX MKIII, MSM 9802, Panaflex XL2 & System 65 Studio (3.4K ARRIRAW, 16mm Kodak Vision3 500T 7219 & 35mm/65mm Kodak Vision3 500T 5219)
Lenses: Panavision Primo Anamorphic 11:1 & 3:1 Hubble Zooms, C-, E-Series Anamorphic Primes, Anamorphic Bailey Zooms, Hasselblad Primes & Zeiss 765 Primes
AR: 1.43:1 (IMAX 70mm, IMAX Laser & 2021 Remastered Versions: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(3.4K ARRIRAW, S16mm, 4-Perf S35mm & PS70: Some Scenes)
Budget: 250-300 Million USD
Printed on: Kodak Vision 2383
Physical Training Provided by: Gym Jones
Digital Intermediate Finishing Provided by: Company 3
Main Titles & Visual Effects Provided by: Method Studios
Visual Effects & Pre-Visualization Provided by: Moving Picture Company
Visual Effects Provided by: Scanline VFX, Weta Digital, Double Negative & Shade VFX
Stereo Conversion Provided by: Genre8
Attribute: Filmed in Panavision/IMAX

Cinematographer/Writer/Producer: Zack Snyder
Costume Designer: Stephanie Portnoy Porter
Composer: Tom Holkenborg (Junkie XL)
Add'l Composer: Antonio Di Iorio
Film Editor: David Brenner ACE
Production Designer: Patrick Tatopoulos
Producers: Deborah Snyder, Wesley Coller
Producer/Unit Production Manager: Jim Rowe
2nd Assistant Director: Laura Hoyt
Stunt Coordinator: Damon Caro
Stunts: Ross Kohnstam
Makeup & Hair Designer: Willow Snyder
Set Decorator: Allison Klein
Ass't Film Editor: Carlos M. Castillón
Special Effects Crew: Eli Snyder, Christopher Buchanan, Jonathan Kim, Joseph Servodio
Graphic Designer: Kelly Hemenway
Picture Car Coordinator: Dennis McCarthy
Picture Car Supervisor: Brad Kelly
Senior Finishing Colorist: Stefan Sonnenfeld ASC
Camera: iPhone (FiLMIC Pro App)
AR: 1.78:1 (Spherical)
Color & Finish Provided by: Company 3

Story Writer/B-Camera Operator: Zack Snyder
Costume Designer: Michael Wilkinson
Production VFX Supervisor: John DJ DesJardin
Production VFX Producer: Tamara Watts Kent
Composer/Score Producer/Programmer/Mixer: Tom Holkenborg (Junkie XL)
Co-Producers/Unit Production Managers: Gregor Wilson, Marianne Jenkins
Film Editors: David Brenner ACE, Dody Dorn ACE
Production Designer: Patrick Tatopoulos
Cinematographer: Fabian Wagner ASC BSC
Executive Producers: Christopher Nolan, Emma Thomas, Wesley Coller, Ben Affleck, Curt Kanemoto
Executive Producer/Unit Production Manager: Jim Rowe
Executive Producer/Co-Writer: Chris Terrio
Producers: Charles Roven, Deborah Snyder
Story Writer: Will Beall
Dedicated to: Autumn Snyder
1st Assistant Director: Misha Bukowski
Key 2nd Ass't Directors: Brett Robinson, Ben Howard
Add'l Film Editor: Carlos M. Castillón
2nd VFX Producer: Josh R. Jaggars
Supervising Stunt Coordinator/2nd Unit Director: Damon Caro
Associate Producer/Post-Production Supervisor: Andrea Wertheim
Sound Designers & Supervisors: Scott Hecker, Chuck Michael
Stunt Coordinator: Eunice Huthart
Fight Coordinator: Mike Lambert
Ass't Stunt Coordinator: Marc Mailley
Fight Choreographers: Freddy Bouciegues, Matthew Rugetti
Associate Producers: Madison Weireter, Madison Ainley
Visual Effects Co-Producer: Tricia Mulgrew
Production Supervisor: Matthew Clarke
Supervising Art Directors: Helen Jarvis, Christian Huband
Art Directors: Matt Gray, Keith Pain, Andrew Palmer
Associate Film Editor: Warren Paeff
Production VFX Editor: Brett Schlaman
Add'l VFX Supervisor: Brad Minnich
VFX Production Supervisors: Zack Fox, Robin N. Williams
Production VFX Coordinators: Amy Altvater, Matthew Magnolia, Katie Barker
VFX Ass't Coordinator: Derek Fortuna
2nd VFX Production Supervisor: Patrick Hurd
A-Camera Operator: John Clothier
1st Assistant A-Camera: Matt Windon
1st Assistant B-Camera: Jamie Phillips
Ass't Costume Designer: Stephanie Portnoy Porter
Costume EFX Supervisor: Graham Churchyard
Set Decorator: Dominic Capon
Supervising Location Manager: Amanda Stevens
Chief Lighting Technician: Chuck Finch
Ass't Chief Lighting Technician: Richard Merrill
Rigging Gaffer: Tommy Finch
Production SFX Supervisor: Mark Holt
Ass't SFX Supervisor: Mike Dawson
SFX Floor Supervisor: David Holt
Production SFX Coordinator: Carmila Gittens
Aerial 2nd Unit Director: Clay Staub
Aerial Unit DoP: David B. Nowell ASC
Picture Vehicle Coordinator: Alex King
2nd Unit DoP: Jean-Philippe Gossart AFC
2nd Unit 1st Ass't Director: Phil Booth
2nd Unit Production Supervisor: David Zealey
2nd Unit Art Director: Jason Virok
2nd Unit A-Camera Operators: John Gamble ACO, John Ferguson
2nd Unit B-Camera Operator: Jeremy Hiles
2nd Unit 1st Ass't A-Camera: Jacob Barrie, Adam Coles, Dean Murray
2nd Unit 1st Ass't B-Camera: Rachel Clark
2nd Unit 2nd Ass't B-Camera: Adam Doreny, Harry Young-Jamieson
2nd Unit 1st Ass't C-Camera: David Churchyard
2nd Unit Chief Lighting Technician: Wick Finch
2nd Unit Ass't Chief Lighting Technicians: Chris Stones, Stewart Monteith
Line Producer (Iceland): Finni Johannsson
Unit Production Manager (Iceland): Brian Donovan
Production Manager (Iceland): Rafnar Hermannsson
SFX Supervisor (Add'l Photography): Michael Gaspar
DI Supervising Finishing Colorist: Stefan Sonnenfeld ASC
DI Senior Finishing Colorist: Adam Nazarenko
Finishing Producer: Annie Johnson
Finishing Editor: Matthew W. Johnson
Scanline VFX Supervisors: Bryan Hirota, Julius Lechner
Scanline VFX Producers: Julie Orosz, Ryan Flick
Scanline VFX CG Supervisors: Chris Mulcaster, Ioan Boieriu, Mathew Preveen
Scanline VFX FX Supervisor: Jonathan Friesler
Scanline VFX Animation Supervisor: Clement Yip
Scanline VFX Creature Supervisor: Jim Su
Scanline VFX Compositing Supervisors: Andy Chang, Curtis Carlson, Miles Lauridsen
Scanline VFX DFX Production Manager: Josephine Dwyer
Scanline VFX Modeling Supervisor: Matthew Bullock
Scanline VFX CG Lighting Supervisor: Kevin Couture
Scanline VFX Head of 2D FX: Nick Crew
Scanline VFX Matchmove Supervisor: Evan Fraser
Scanline VFX Add'l VFX Supervisor: Mathew Giampa
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Kevin Andrew Smith
Weta Supervising VFX Producers: David Conley, Steven McKendry, Tom Greene
Weta VFX Producer: Kevin L. Sherwood
Weta Animation Supervisor: Simeon Duncombe
Weta Add'l VFX Supervisor: Anders Langlands
Weta Senior CG Supervisor: Stephen Tong
Weta CG Supervisor: Mark Tait
Weta Effects Supervisor: Adrien Toupet
Weta Lead/Senior Animator: Paul Ramsden
Weta Lead Senior Effects Technical Director: Jason Lazaroff
DNEG Senior VFX Supervisor: Thomas Proctor
DNEG VFX Supervisors: Alexander Seaman, Mike Stillwell
DNEG VFX Producer: Antonella Ferrari
DNEG DFX Supervisors: David Denley, Dalbir Singh
DNEG DFX Production Managers: Liz Mann, Yogita Narsian
DNEG VFX Editor: Alex Creasey
Crafty Apes VFX Supervisor: Tim LeDoux
Crafty Apes VFX Producer: Molly Pabian
Crafty Apes VFX CG Supervisor: Nic Spier
Crafty Apes VFX Compositing Supervisor: Brian Sales
Crafty Apes VFX Senior Production Coordinator: Andrew Kalicki
Crafty Apes VFX Digital Compositor: Blake Goedde
Crafty Apes VFX Matchmove Artist: Joshua Little
Crafty Apes Lead 3D Environment Artist: Matthew Ribeiro
Rodeo FX VFX Supervisor: Sebastien Francoeur
Rodeo FX VFX Producer: Graeme Marshall
Rodeo FX VFX Executive Producer: Chad Nixon
Rodeo FX VFX Project Manager: Nancy Lamontagne
MPC VFX Supervisor: Seth Maury
MPC VFX Producer: Steve Griffith
MPC Lead Effects Technical Director: Ken Beauchamp
MPC Animation Supervisor: David Crispino
MPC Lead Modeler: Giles Davies
Method Studios VFX Producer: Sheena Johnson
Method Studios VFX Supervisor: Sean Konrad
Method Studios Compositing Supervisor: Laurence Lok
Method Studios Add'l VFX Supervisor: Daryl Sawchuk
Pixomondo VFX Supervisors: Thilo Ewers, Sven Martin
Pixomondo VFX Producer: Sebastian Meszmann
Pixomondo Effects Supervisor: Max Nagel
Pixomondo Lead Compositor: Mark Spindler
Pre-Visualization Supervisor: Steven Yamamoto
Pre-Visualization Producer: Jill Ambrosino
Genre8 Sr Stereo Supervisor: Ben Breckenridge
Genre8 Senior Stereo Producers: PAUL BECKER, ROHAN DESAI
Genre8 Stereo Producers: CASSIUS VAZ, MONIKA HADA, PARMINDER GOYAL
Genre8 Stereo Supervisors: JAMES REES, TIM CHOU, JIMMY PHILIP
RED Monstro Camera Designer: Jarred Land ASC
Filming Dates: April 11, 2016 - December 2016, October 2020 (Additional Footage)
Cameras: Arricam LT, ST, Arriflex 235, 435 & Red Monstro (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219)
Lenses: Panavision/Leica Summilux-C Spherical Primes & Canon Rangefinder Primes
AR: 1.33:1 (4-Perf Super 35mm)(8K Redcode RAW: Knightmare Scene)
Budget: 320 Million USD
Orchestra Recorded at: Air Studios London
Digital Intermediate Finishing Provided by: Company 3
Visual Effects Provided by: Scanline VFX, Weta Digital, Double Negative, Crafty Apes VFX, Rodeo FX, Moving Picture Company, Method Studios & Pixomondo
3D Stereo Conversion by: Stereo D & Genre8
Attribute: Filmed in Panavision

Cinematographer/Producer/Co-Writer/B-Camera Operator: Zack Snyder
Production VFX Supervisor: Marcus Taormina
Composer/Score Producer, Programmer, Mixer & Masterer: Tom Holkenborg (Junkie XL)
Costume Designer: Stephanie Portnoy Porter
Film Editor: Dody Dorn ACE
Production Designer: Julie Berghoff
Executive Producer/Unit Production Manager: Bergen Swanson
Producers: Deborah Snyder, Wesley Coller
Screenwriters: Shay Hatten, Joby Harold
Associate Producer/1st Ass't Director: Misha Bukowski
Key 2nd Ass't Director: Jai James
Production VFX Producer: David Robinson
Associate Producer/Post-Production SUpervisor: Andrea Wertheim
Sound Designers & Supervisors: Scott Hecker, Chuck Michael
Supervising Stunt Coordinator/2nd Unit Director: Damon Caro
Stunt Coordinator: Wayne Dalglish
Production Supervisor: Lindsey Feldman
Supervising Art Director: Gregory Hooper
Art Directors: Brett McKenzie, Geoffrey S. Grimsman
Set Designers: C. Scott Baker, Jim Hendrix, Julie Vash, Mark Hitchler, Siobhan Roome
Illustrator/Storyboard Artist: Clay Staub
Storyboard Artist: Jay Oliva
Graphic Designers: Christina Myal, Alan Chao
Set Decorator: Sophie Neudorfer
Prop Master: Brett Andrews
A-Camera/Steadicam Operator: John Clothier
C-Camera Operator/2nd Unit DoP: Ian Seabrook
1st Assistant A-Camera: Trevor Loomis
Aerial Unit Coordinator: Kevin LaRosa
1st Assistant Editor: Carlos M. Castillon
2nd Assistant Editors: Jason Barnes, Jenny Caceras
Production VFX Editor: Alex Hepburn
Music Editor: Michael Bauer
VFX Production Manager: Melissa Franco
VFX Digital Production Manager: Hannah Macklin
VFX Set Coordinator: Shawn Wayman
Production VFX Data Wranglers: Jonas Huerta, Omar Nadir, Pasquale Greco, Cody Ross Gray
Chief Lighting Technician: Dan Jones
Ass't Chief Lighting Technician: Erica Kim
Rigging Chief Lighting Technician: Brian Powell
Makeup Effects Designer: Justin Raleigh
Makeup Effects Supervisor: Mike Ezell
Zombie Horse Makeup Effects Artist: Gabe Bartalos
Production SFX Supervisor: Michael Gaspar
SFX Office Coordinator: Lena Gaspar
Picture Car Coordinator: Jay Vigil
2nd 2nd Ass't Director: David Lerner
Add'l 2nd Ass't Director: Anthony Pelot
2nd Unit 1st Ass't Director: Stuart Valberg
2nd Unit 2nd Ass't Director: Peter McGrew
2nd Unit Add'l Camera Operator: Bill Mitchell
2nd Unit 1st Ass't A-Camera: Don Duffield III
2nd Unit 1st Ass't C-Camera: Jack Ellingwood
2nd Unit 2nd Ass't A-Camera: Jamie Pair
2nd Unit 2nd Ass't B-Camera: Seth Gallagher, Scott O'Neil
2nd Unit Prop Master: Celeste O. Cole
2nd Unit Gaffer: Jesse Cecchini
2nd Unit 2nd 2nd ADs: Denise Harkins, Jon Baran
Unit Production Manager (NJ Unit): Lyn Pinezich
NJ Unit Production Supervisor: R. Scott Sullens
NJ Unit Prop Master: James Meehan
NJ Unit Prop Assistant: Juan Carlos Mendoza
NJ Unit Gaffer: Richard Asbury
NJ Unit Rigging Gaffer: Larry Price
NJ Unit Picture Car Coordinator: Paul Weathered
NJ Unit Add'l 2nd ADs: Max Samu, Blair Howley
LV Unit Aerial DoP: Carston Bell
LV Unit VFX Production Supervisor: Kevin Barrera
LV Unit Location Manager: Frederick G. Schroeder
Ass't Unit Production Manager (LA Unit: Add'l Photography): Bart Lipton
LA Unit Key 2nd AD (Add'l Photography): Neil Lewis
LA Unit Art Director (Add'l Photography): Austin Gorg
LA Unit Senior Set Designer: Steven Light-Orr
LA Unit Set Decorator (Add'l Photography): Gene Serdena
LA Unit A-Camera Operator (Add'l Photography): Consuelo Althouse
LA Unit 1st Ass't Camera (Add'l Photography): Braden Batsford
LA Unit 2nd Ass't Camera (Add'l Photography): Mike Prior
LA Unit 1st Ass't B-Camera (Add'l Photography): Joseph Soria
LA Unit 2nd Ass't B-Camera (Add'l Photography): Blake Collins, Chris Sloan
LA Unit Rigging CLT (Add'l Photography): Rick Carrillo
LA Unit Rigging Ass't CLT (Add'l Photography): Roger Bolanos
LA Unit Production Coordinator (Add'l Photography): Andrew Catania
LA Unit Picture Car Coordinator (Add'l Photography): Dennis McCarthy
LA Unit 2nd 2nd AD (Add'l Photography): Stacy Schrader
LA Unit VFX Production Assistant (Add'l Photography): Mason Moore
Framestore VFX Supervisors: Robert Winter, Joao Sita
Framestore VFX Animation Supervisor: Hennadii Prykhodko
Framestore CG Supervisors: Ben Magana, Kevin Sears, Tom Fonvillars
Framestore Comp Supervisors: Owen Jackson, Jean-Francois Gagne, Laureline Silan
Framestore VFX Producers: Audrey Boivin, Perdita Carvil, Catherine Westgate
Framestore VFX Line Producers: Danielle Pickup, Sarah Essam, Richard Allan-Smith, Jaclyn Abrahante, Caroline Guagliardo
Framestore VFX Coordinators: Emilie Gagnon, Gabrielle Davoine
Framestore On-Set VFX Supervisors: Richard Hoover, Kyle Dunlevy
Mammal Studios VFX Supervisor: Gregory D. Liegey
Mammal Studios VFX Executive Producer: Michele C. Vallillo
Mammal Studios VFX Coordinator: Elijah Watson
Crafty Apes VFX Supervisor: Mark LeDoux
Crafty Apes VFX Producer: Bobby Tucker
Crafty Apes VFX Add'l Supervisor: Steve Dinozzi
Crafty Apes VFX Coordinator: Jereme Glaske
Crafty Apes Atlanta VFX Executive Producer: Matt Akey
Instinctual VFX Producer: Jesse Morrow
Instinctual Lead Compositor: Alan Latteri
CO3 Executive Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Senior Finishing Colorist: Adam Nazarenko
Add'l Finishing Colorist: Charles Bunnag
Finishing Producer: Erik Rogers
Senior Finishing Editor: Matthew W. Johnson
Finishing Technologist: Mike Chiado
Color Assistant: John Tripp
Finishing Executive: Jackie Lee
Heads of Finishing Production: Carl SG Moore, Laura Geucherian
RED Monstro Camera Designer: Jarred Land ASC
Filming Dates: 15 July 2019 -19 October 2019, September 2020
Camera: Red Monstro (8K Redcode RAW)
Lenses: Canon Rangefinder Primes
AR: 1.78:1 (Super 35mm), 1.90:1 (Negative Ratio)
Budget: 70-90 Million USD
Visual Effects Provided by: Framestore, Mammal Studios, Crafty Apes VFX & Instinctual
Color & Finish Provided by: Company 3
Attribute: Camera Equipment Supplied by Red Digital Cinema

Cinematographer, Producer & Co-Writer: Zack Snyder
Casting Director: Kristy Carlson CSA
Production VFX Supervisor: Marcus Taormina
Costume Designer: Stephanie Portnoy Porter
Prod Designers: Stefan Dechant, Stephen Swain
Executive Producer: Sarah Bowen
EP/Unit Production Manager: Bergen Swanson
EP/Co-Writer: Kurt Johnstad
EP/Screenwriter: Shay Hatten
Producers: Deborah Snyder, Wesley Coller
Second Assistant Director: Jon Recher
Supervising Stunt Coordinator: Damon Caro
Stunt Fight Coordinator: John Koyama
Fight / Stunt Coordinator: Freddy Bouciegues
Fight Coordinator: Ryan Gray
stunt Rigging Coordinator: Hugh Aodh O'Brien
Prod Supervisors: Lindsay Feldman, Ali Griffith
Sup. Art Dir's: Julien Pougnier, Brett McKenzie
VFX Art Director: Angran Li
Set Decorator: Claudia Bonfe
Specialist Set Designers: J. André Chaintreuil, Forest P. Fischer
Conceptual Set Designer: Scott Schneider
A Camera Operator: John Clothier
First Assistant "A" Camera: Braden Batsford
Second Assistant "A" Camera: Mike Prior
B Camera Operator / Second Unit Director of Photography: Jac Fitzgerald
First Assistant "B" Camera: Eric Guerin
First Assistant Editor: Carlos M. Castillón
Assistant VFX Editor: Yufei Skylar Zhang
Visual Effects On-Set Supervisor: Kevin Rafferty
VFX Production Supervisor: Rizza Go
Senior Visual Effects Coordinator: Anthony Cally
Lead Special Effects Supervisor: Michael Gaspar
Production Special Effects Coordinator: Eric Cook
Wētā Workshop Creative Lead: Richard Taylor
Wētā Workshop Project Supervisor: Ben Fairless
Wētā Workshop Production Manager - Manufacture: Rita Maxim
Wētā Workshop Art Director: Stephen Crowe
Wētā Workshop Senior Concept Artists: Christian Pearce, Vaughan Flanagan, Adam Anderson
Wētā Workshop Concept Artists: Iona Brinch, Sierra Wang
Wētā Workshop Senior Production Manager - Design: Brooklyn Dineen
Wētā Workshop Production Manager - Design: Yalda Armian
Wētā Workshop Lead 3D Modeller: Jack Taylor
Wētā Workshop 3D Modelling Artists: Jonathan Van Den Brink, Nathaniel Castro
Wētā Workshop Props & Modelmaking Supervisor: Marco Wuest
Wētā Workshop Props & Modelmaking Leads: Dominic Di Leva, Grace Bowen Isaac Robertson, Pati A. Sue, Paul Van Ommen
Wētā Workshop Moldmaking Supervisor: Will Toft
Wētā Workshop Moldmaking Lead: Brett Butt
Wētā Workshop Casting Supervisor: Niam Lynch
Wētā Workshop Casting Lead: Craig James
Second Unit Director: Eli Snyder
Second Unit Director of Photography: Tucker Korte
Second Unit First Assistant Director: Stuart Valberg
Second Unit Second Assistant Directors: Peter McGrew, Aaron Moskal
Second Unit Property Masters: Theresa Corvino, Jaymee Christopherson
Second Unit Assistant Property Masters: Ian McMains, John Welch
Second Unit Script Supervisors: Lori Denil, Ana Maria Quintana
Second Unit A Camera Operator: Milan Janicin
Second Unit Sound Mixers: Glenn Berkovitz CAS, Robert Anderson CAS
Second Unit Key Video Assists: Evan Hare, Greg Mitchell, Justin Geoffr
Second Unit Chief Lighting Technician: Erica Kim
Second Unit Assistant Chief Lighting Technician: Dylan Mayberry
Second Unit Lighting Programmer: Joel Sutherland
Second Unit Key Grip: Tomislav Culina
Framestore Visual Effects Supervisor: Rob Winter
CO3 Executive Producer / Colorist: Stefan Sonnenfeld ASC
Company 3 Additional Colorist: Adam Nazarenko
Company 3 Finishing Producer: Loan Phan
Company 3 Associate Producer: Zach Watkins
Company 3 Finishing Editor: Matthew Johnson VES
Company 3 Image Scientist: John Quartel
Company 3 Color Assistant: Frankie Hudson
Company 3 Finishing Executive: Jackie Lee
Company 3 Head of Production: Laura Geucherian
Company 3 Dailies Colorist: Shane O'Connor
Company 3 Additional Colorist, Dailies: Tom Klane
Company 3 Dailies Senior Producer: Alexis Ross
CO3 Dailies Workflow Specialist: Jon Mendenhall
Company 3 Dailies Manager: Leeza Diott
Company 3 Dailies Account Executive: Marc Ross
CO3 Vice President of Global Dailies: Hunter Betts
RED Camera Designer: Jarred Land ASC
Filming Dates: 20 April 2022 - 2 December 2022
Camera: Red V-Raptor ST & XL (8K Redcode RAW)
Lenses: Leitz Elsie Primes & Summiscope AL Primes
AR: 2.39:1 (Anamorphic & S35mm)
Conceptual Development by: Industrial Light & Magic Art Department
Specialty Prop Concept Design & Manufacture By: Wētā Workshop
Visual Effects Provided by: Framestore
Dailies, Color & Finish by: Company 3 Los Angeles
Attribute: Filmed in Panavision