The Works of Director Tony Gilroy

Writer: Tony Gilroy
Producer: Sydney Pollack
Executive Producers: Steven Soderbergh, George Clooney, Anthony Minghella
Cinematographer: Robert Elswit ASC
Cinematographer (Add'l Photography): Anthony Wolberg
Production Designer: Kevin Thompson
Film Editor: John Gilroy ACE
Composer: James Newton Howard
Conductor: Blake Neely
Costume Designer: Sarah Edwards
Co-Producer/Unit Production Manager/2nd Unit Director: Christopher Goode
1st Assistant Director: Steve Acipella
2nd Assistant Director: Mike Pitt
Poker Consultant: Mike Scelza
Stunt Coordinator: Jerry Hewitt
Art Director: Clay Brown
Prop Master: Peter Gelfman
Ass't Prop Master: James V. Kent
Post-Production Supervisor: Charlene Olson
A-Camera/Steadicam Operator: P. Scott Sakamoto SOC
1st Assistant A-Camera: Barry Baz Idione ASC
B-Camera Operator/2nd Unit DoP: Joe Collins
Chief Lighting Technician: Scott Ramsey
Ass't Chief Lighting Technician: Michael J. Maurer
Rigging Gaffer: Rocco Palmieri
Production SFX Coordinator: Jeff Brink
Production SFX Technician: Kevin Zack
2nd Unit 1st Ass't Director: Etan Harwayne-Gidansky
2nd Unit Add'l DoP: Steven Finestone
2nd Unit A-Camera Operators: John Young, Patrick Quinn
2nd Unit A-Camera Operators: Patrick Quinn, Josh Young
2nd Unit Chief Lighting Technician: Steve Ramsey
1st Ass't Camera (Add'l Photography): Douglas Foote
2nd Ass't Camera (Add'l Photography): Thomas Cioccio
2nd Ass't A-Camera (Add'l Photography): Larissa Supplitt
Set Decorator (Add'l Photography): John Schabel
Chief Lighting Tech (Add'l Photography): Jon Montgomery
Production VFX Supervisor: Randall Balsmeyer
Handmade Digital Lead Compositor: Lee Roderick
Handmade Digital Compositor: Saeed Faridzadeh
Hydraulx Digital Compositor: Spencer Armajo
Asylum Flame Artist: Max Harris
Location Manager: Eddy Collins
Ass't Unit Production Manager: Alyson Evans
2nd 2nd Ass't Directors: Matt Power, Jason Ivey
Score Recordist/Mixer: Shawn Murphy
Music Contractor: Sandy DeCrescent
Musical Sound Designers: Clay Duncan, Alex Kharmalov, Mel Wesson, Stuart Michael Thomas, Michael Brooks
Digital Film Colorist: Stephen Nakamura
DI Producer: April McMorris
Colorist: Ben Perez
Video Colorist: Jason Fabbro
TDI Digital Opticals Artist/DI Editor: Ron Barr
TDI Digital Restorationists: Erin L. Nelson, Wilson Tang
Cameras: Panaflex Lightweight & Platinum (35mm Kodak Vision2 200T 5217/500T 5218)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 21.5-25 Million USD
Budget AFI (2022): 28.9-33.6 Million USD
Printed on: Fuji
Visual Effects Provided by: Big Film Design, Handmade Digital, Hydraulx & Asylum
Attribute: Filmed in Panavision (as Cameras and Lenses)

Composer: James Newton Howard
Cinematographer: Robert Elswit ASC
Film Editor: John Gilroy ACE
Production Designer: Kevin Thompson
Costume Designer: Albert Wolsky
A-Camera/Steadicam Operator: P. Scott Sakamoto
1st Assistant Camera: Barry Baz Idione ASC
Additional DP: Simon Richards
Supervising DI Colorist: Steven J. Scott ASC
Camera: Panaflex Platinum (35mm)
Lenses: Panavision E- & G-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Anecdote: Filmed in Panavision

Screenplay / Story Writer: Tony Gilroy
Screenplay Writer: Dan Gilroy
Producer: Frank Marshall
Producer/Unit Production Manager: Patrick Crowley
Producers: Jeffrey M. Weiner, Ben Smith
Executive Producers: Henry Morrison, Jennifer Fox
Director of Photography: Robert Elswit ASC
Director of Photography, AP / A Camera Operator: Andrew Rowlands SOC
Director of Photography, AP/ First Assistant A Camera/ Manila - 2nd Unit E Camera Operator: Barry Baz Idione ASC
Director of Photography, 2nd Unit: Mitchell Amundsen
Director of Photography, Underwater Unit: Pete Romano ASC
Director of Photography, Aerial Unit - UK: Jeremy Braben BSC
Production Designer: Kevin Thompson
Film Editor: John Gilroy ACE
Composer: James Newton Howard
Composers, Add'l Arrangements & Synth Programming: Sven Faulconer, Stuart Michael Thomas
Composer, Ambient Music Design: Clay Duncan
Composers, Additional Ambient Music Design: Mel Wesson, Joseph Trapanese
Composer, Synth Programming: Rob Persalio
Composer, Synth Programming/Additional Recordist: Matt Ward
Casting Director: Ellen Chenoweth
Costume Designer: Shay Cunliffe
Unit Production Manager/Associate Producer: Daniel M. Stillman
First Assistant Directors: Steve Andrews, William Connor
Second Assistant Director: Maggie Murphy
2nd Unit Director / Stunt Coordinator: Dan Bradley
Production Visual Effects Supervisors: Hal Couzens, Michael Bruce Ellis
Stunt Actor/Driver: David Leitch
Stunt Coordinator: Chris O'Hara
Fight Coordinator: Jonathan Eusebio
Fight Choreographer: Arnost Goldflam
Stunt Performers / Assistant Fight Coordinators: Allen Jo, Jon Valera
Supervising Stunt Rigger: Jacob Dewitt
Precision Driving Coordinator: Scotty Richards
Precision Drivers: Joseph Basile, Ray DeBenedictis, Chad Knorr
Supervising Art Director: Molly Hughes
Production Art Director: Charlie Campbell
First Assistant Art Director: Tobin Ost
Graphic Designers: Joan Winters, Eric Helmin
Production Illustrator: Alexois Chrysikos
Storyboard Artist: Dan Maslen
VFX Storyboard Artist: Josh Hayes
Art Department Coordinator: Sheyam Ghieth
Set Decorator: Leslie Rollins
Assistant Set Decorator: Christine Moosher
Set Dec Coordinator: Julia Hickman
Supervising Prop Master: Diana Burton
Key Assistant Prop Master: Ana Lombardo
Assistant Prop Master: Spencer Louttit
2nd Unit Assistant Prop Master: Kyle Salvatore
Prop Fabricator, New York: Jason Pickens
On Set Dresser: Ruth DeLeon
Asset Manager: Gladys Silvera
Second Assistant A Camera: Beka Venezia
First Assistant B Camera: Tim Metivier
Second Assistant B Camera: Glenn Fernandez
Film Loader: Rebecca Heller
Additional Loader: Hilary Benas
Action Unit Camera Loader: P.J. Russ
2nd Unit Film Loader: Jeffrey Taylor
Technical Advisor, Camera Department: Rodger Edralin
Aerial Unit Director of Photography: Phil Pastuhov
Aerial Unit RF Technician: Nathan Spencer
Aerial Unit Wescam Technician: Steven J. Winslow
Underwater Unit First Assistant A Camera: Loren Elkins
Supervising Music Editor: Nic Ratner
Re-Recording Mixers: Gary Summers, David Parker
Supervising Sound Editor: Per Hallberg MPSE
Production Sound Mixer: Kirk Francis
Boom Operators: Bob Jackson, TR Boyce
Sound Utility Assistant: Melissa Williams
Gaffer: Andrew Day
Best Boy: Ralph Crowley
Dimmer Board Operator: Chris Studley
Rigging Gaffer: Charles Grubbs
Best Boy Rigging Electric: John Woods
Stage Rigging Gaffer: Matt Craig
Best Boy Stage Rigging Electric: Louie Petraglia
Video Assist Supervisor: Vincent Camuto
Video Assist Assistant: Arthur Herman
24-Frame Playback Operator: Mike Sime
24-Frame Playback Assistant: Benjamin Relf
Somnyo Films Computer Graphics Supervisor: Jasen Nannini
Production Special Effects Supervisor: Garry Elmendorf
Special Effects Supervisor (NY): Steven Kirshoff
Production Special Effects Foreman: Mark Bero
Special Effects Shop Foremen: Wilfred Caban, Tom Homsher
Special Effects On-Set Coordinator: Stan Blackwell
Production Special Effects Tech: Scott Garcia
Post Production Executive: Sean T. Stratton
Post Production Supervisor: Jennifer Lane
Post Production Coordinator: Bill Ceresia
First Assistant Editor: James Harrison III
Production VFX Editor: Ken Blocher
2nd Assistant Editor: Ian Blume
Third Assistant Editor: Araceli Smith
First Apprentice Editor: Andrew Leven
VFX First Assistant Editor: Zana Bochar
VFX Second Assistant Editor: Victoria Lang
Add'l First Assistant Editor (LA): Matt Sweat
Add'l Second Assistant Editor (LA): Michael Struk
Add'l First Apprentice Editor (LA): Scott Jacobs
Post Production Assistant, LA: Elliott Traeger
Post Production PAs: Taylor Williams, Robert Ellison
Production VFX Executive: Christopher Cram
Senior VFX Coordinator: Harrison Marks
VFX Post Production Coordinator: Sarah Vinson
VFX Assistant Coordinator: Cynthia Marks
VFX Plate Supervisor: Jeremy Hattingh
Production Data Wranglers: Chris Ritvo, Suzanne Hillner, Joe Wehmeyer
VFX PAs: Samantha Trixie Aybon, Clayton Budd, Curtis M. Davey, Erika Gourvitz
VFX Unit First Assistant Director: Ben Burt
Stunt Coordinator, Additional Photography Green Screen UK Unit: Peter Pedrero
Script Supervisor: Dianne Dreyer
Supervising Location Manager: Joe Guest
Location Coordinator: Richard Kathlean
Unit PA: Cameron Bell
Location PA: Samson Jacobson
Key Second Asst Accountant: Lia Williams
Production Supervisor, Los Angeles Prep: Peter J. Novak
Production Manager, Dubai: Maxine De Vere
Supervising Production Coordinator: Meghan K. Wicker
Assistant Production Coordinator: Ryan McDonald
2nd 2nd Assistant Director: Jennifer Robertson
Additional 2nd Assistant Director: Cathleen McFadyen
2nd Assistant Director, Dubai: George Max Trummler
2nd Unit 2nd 2nd Assistant Director: Conor Kelly
Production Management Assistant: Maria Trujillo
DGA Trainee: Josh Muzaffer
UPM, Additional N.Y. Unit: Carla Raij
Unit Publicist: Julie Kuehndorf
Still Photographer: Mary Cybulski
Documentary Cameraman: John J. Moers
Dialect Coach to Ms. Weisz: Susan Hegarty
Aerial Unit Helicopter Pilots: Al Cerullo, Cliff Fleming, Fred North, Bill Richards, Steve Gray
Aerial Unit Stunt Fixed Wing Pilot: Chuck Bourne
Co-Producer: Andrew Tennenbaum
Supervising ADR Editor: Chris Jargo
Supervising Foley Editor: Chris Jaeger
1st Assistant Sound Editor: Philip D. Morrill
Production ADR Editor: Michael Hertlein
First Assistant ADR Editor: Tony R. Negrete
Additional Re-Recording Mixer: Michael Barry
First Assistant Music Editor: Katherine Miller
Score Technical Advisor: Sunna Wehrmeijer
Orchestra Conductor/Orchestrator: Pete Anthony
Orchestra Conductor: Blake Neely
Orchestrators: Jeff Atmajian, John Ashton Thomas, Jon Kull
Orchestra Leader: Belinda Broughton
Guitars: Michael Landau, Marc Bonilla
Orchestra Contractors: Sandy DeCrescent, Gina Zimmitti
Head of Auricle Control Systems: Richard Grant
Music Librarian: Mark Graham
Score Recordist & Mixer: Shawn Murphy
Additional Mixer: Edward Cherney
Digital Score Recordists: Erik Swanson, Larry Mah
Scoring Editor: David Channing
Scoring Coordinator: Pamela Solle
Scoring Assistant: Christopher Wray
Scoring Crew: Adam Michalak, Greg Loskorn, David Marquette, Mark Eshelman, Dante Reynolds
CO3 Digital Intermediate Colorist: Stefan Sonnenfeld ASC
Company 3 Digital Intermediate Producer: Nick Monton
Company 3 Digital Conform Editor: Joe Ken
Company 3 Digital Intermediate Assistant: John Tripp
Company 3 Color Timer: Jim Passon
Company 3 Digital Intermediate Accountant: Ian Sullivan
Company 3 Dailies Colorists: Dave Lee,
John Vladic
Company 3 Dailies Producer: Shaina Holmes
Seoul Unit Line Producer: Yi Jongho
Seoul Unit Production Manager: Park Junsik
Seoul Unit Assistant Production Manager: Choi Wong
Seoul Unit First Assistant Director: Park Banghyun
Seoul Unit Second Assistant Directors: Park Myungrang, Bang Seunghyuk
Seoul Unit Art Director: Kim Suhyun
Seoul Unit Prop Master: Choi Wanjin
Seoul Unit A First Assistant Camera: Taylor Matheson
Seoul Unit B First Assistant Camera: Kim Sungan
Seoul Unit A Second Assistant Camera: Lee Jaemin
Seoul Unit B Second Assistant Camera: Min Seongwon
Unit Production Manager, Alberta Unit: Warren Carr
Alberta Unit First Assistant Director: Robert Albertell
Alberta Unit Second Assistant Directors: Brendan Walsh, Josy Capkun
Alberta Unit Third Assistant Director: Kathy Ringer
Alberta Unit Trainee Assistant Director: Mumtaz Robson
Alberta Unit Stunt Coordinator: Jon Kralt
Alberta Unit Art Directors: Cathy Cowan, Stephen Carter
Alberta Unit Assistant Art Director: Angela O'Sullivan
Alberta Unit Set Decorator: Paul Healy
Alberta Unit Prop Master: David Dowling
Alberta Unit A Camera Operator: Sean Harding
Alberta Unit B Camera Operator: Hans Bjerno
Alberta Unit A First Assistant Camera: Doug Lavender
Alberta Unit B First Assistant Camera: Greg Beaton
Alberta Unit A Second Assistant Camera: Ian Levine
Alberta Unit B Second Assistant Camera: Andy Capicik
Alberta Unit C Second Assistant Camera: Spiro Grant
Alberta Unit Loader: Sarah Mather
Alberta Unit Libra Head Technician: Randy Morton
Alberta Unit Sound Technician: Brad Kita
Alberta Unit Gaffer: Burton Kuchera
Alberta Unit Rigging Gaffers: Landin Walsh, Sean Oxenbury
Alberta Unit Special Effects Coordinator: Tom Blacklock
Alberta Unit Location Manager: Robin Mounsey, Dennis Penney
Alberta Unit Assistant Location Manager: Jason Nolan
Alberta Unit First Assistant Accountant: Doreen Beaulac
Alberta Unit Payroll Accountants: Penni Smith, Irene Astle
Alberta Unit Second Assistant Accountant: Samantha Quinn
Alberta Unit Production Coordinator: Bliss McDonald
Alberta Unit Assistant Production Coordinators: Karin Korchinski, Tara Mews
Alberta Unit Video Assist Supervisors: Andrew Learmonth, Andrei Gheorghiu
Alberta Unit Extras Casting Director: Alyson Lockwood
Alberta Unit Office Production Assistants: Kyla Robinson, Evan Godfrey
Alberta Unit On Set Carpenter: Gabriel Bardwell
Alberta Unit On Set Painter: Adrian Bejaul
Alberta Unit Head Greensman: Tom Yaremko
Alberta Unit Greens Lead: Eugene Gogwich
Transportation Coordinator (Alberta): Coleman Robinson
Transportation Coordinator (BC): Sylvia Nablo
Alberta Unit Transportation Captains: Grant McPhee, Todd Nobles
Alberta Unit Security Coordinator: Peter Gurr
Unit Manager, Alberta Wolf / 2nd Unit: Mark Voyce
Alberta Wolf / 2nd Unit 1st Assistant Director: Richard Flower
Alberta Wolf / 2nd Unit 2nd Assistant Director: Mark Bunting
Alberta Wolf / 2nd Unit Camera DoP / Operator: Roger Vernon CSC
Alberta Wolf / 2nd Unit First Assistant Camera: James Clare
Alberta Wolf / 2nd Unit Second Assistant Camera: Carrie Wilson
Alberta Wolf / 2nd Unit Gaffer: Martin Keough
Alberta Wolf / 2nd Unit Best Boy: Colin Allen
Alberta Wolf / 2nd Unit Genny Op: Andrew Thom
Alberta Wolf / 2nd Unit Key Grip: John Adshead
Alberta Wolf / 2nd Unit Best Boy Grip: Kyle Robson
Line Producer (Philippines): Lope Juban Jr
Manila Unit Production Manager: Joseph Stevens
Manila Unit 2nd Assistant Director: Kristen Ploucha
Manila Unit Production Supervisor: Steve Lionetti
Manila Unit Art Director: Rufino Lachica
Manila Unit Draftsman: Ed Symon
Manila Unit Assistant Draftsman: Alejandro Panglinan Jr
Manila Unit Graphic Draftsman: Daniel V. Fernandez
Manila Unit Art Department Coordinator: Kenneth Yanga
Manila Unit Set Decorator: Samuel Aranzamendez
Manila Unit Set Dressers: Edgar C. Valencia, Gaita Quimbo
Manila Unit Prop Master: Ronnie Jakosalem
Manila Unit Property Coordinator: Santino Tolentino
Manila Unit Aerial Eclipse Operator: Dane Bjerno
Manila Unit First Camera Assistant: Bong Conder
Manila Unit Second Camera Assistant: Rodel Guijano
Manila Unit Sound Assistant: Raymundo R. Trofeo
Manila Unit Gaffers: Cory Geryak, Pepito Mirador Jr
Manila Unit Rigging Gaffer: Martin Bosworth
Manila Unit Best Boy Rigging Gaffer: Luis Moreno
Manila Unit Video Assist Supervisor: Alfred Ainsworth Jr
Manila Unit Video Assist Assistant: Ervin Oducayen
Manila Unit Special Effects Coordinators: Bruce Steinheimer, Danilo Dominguez
Manila Unit Special Effects Workshop Coordinator: Garry Cooper
Manila Unit Special Effects Foreman: Michael Clarke
Manila Unit Special Effects Technicians: Tony Ciccarelli, Michael Derry, Bobby Everett, Keith Haynes, Ron MacInnes, Emil Warren, Sammy Dean, Chris Suarez, Eric Vrba, Cesar Dominguez, Manueal Macapagal
Manila Unit Picture Vehicle Coordinators: Graham Kelly, Crispino Rebolledo
Manila Unit Picture Vehicle Administrative Asst.: Lola Morales
Manila Unit Picture Vehicle Workshop Supervisor: Ian Clarke
Manila Unit Picture Vehicle Assistant Coordinator: Arturo Soquerata
Manila Unit Motorcycle Technician: Ashwin Zala
Manila Unit Senior Picture Vehicle Technicians: Michael Davie, Rowan Wallbank
Manila Unit Picture Vehicle Technicians: Michael Brinkley, Ian Smith
Manila Unit Picture Vehicle Office PA: Francis Anareta
Manila Unit Picture Vehicle Mechanics: Argel A. Ual, Narcito Abanto, Joeme R. Dela Victoria
Manila Unit EPK Camera Operator: Brian Dzyak
Manila Unit Location Managers: Dow Griffith, Nikolo Juban
Manila Unit Assistant Location Managers: Stefano Y. Juban, Lope V. Juban III
Manila Unit Set Manager: Jose Romero IV
Manila Unit Location Assistants: Danilo Nazareth, Paulo Montano, Gregg Eugenio
Manila Unit Location Accountants: Skip Henfling, Jamie Hinton
Manila Unit Assistant Accountants: Gamberino Bonavita, Yolanda G. Biltz
Manila Unit Payroll Master: Marilou Anciado
Manila Unit Production Coordinators: Hilde Odelga, Priscilla Nolasco
Manila Unit Production Secretary: Erlinda R. Angeles
Manila Unit Local 1st Assistant Directors: Linnet B. Zurband, William H. Thayer
Manila Unit Local 2nd Assistant Directors: Maricris Calilung, Carlos Medina
Manila Unit 2nd 2nd Assistant Director: Scott Meyers
Manila Unit Casting Coordinator: Juliana Ysla
Manila Unit Production Clerk: Kris Rebolledo
Manila Unit Production Liaison: Joseph Alonsabe
Manila Unit Assistant to Mr. Gilroy: Tanya Yabut
Manila Unit Construction Supervisor: Eduardo Macabu
Manila Unit Scenic Charge: Peter Collias
Manila Unit Transportation Coordinators: Ravi Dube, Cecile Vitan
Manila Unit Assistant Transportation Coordinator: Michail Purenok
Manila Unit Security Coordinator: Gary Geideman
Manila - 2nd Unit 1st Assistant Director: Chris Castaldi
Manila - 2nd Unit 2nd Assistant Director: Marvin Williams
Manila - 2nd Unit Assistant Production Manager: Renea Nakpil
Manila - 2nd Unit Art Director: Ashley Lamont
Manila - 2nd Unit Director of Photography: Paul Hughen ASC
Manila - 2nd Unit First Assistant A Camera: Richard Masino
Manila - 2nd Unit Second Assistant A Camera: John Garrett
Manila - 2nd Unit B Camera Operator: Maurice Keith McGuire SOC
Manila - 2nd Unit First Assistant B Camera: Kevin Potter
Manila - 2nd Unit Second Assistant B Camera: John Woodward
Manila - 2nd Unit C Camera Operator: Kent Harvey SOC
Manila - 2nd Unit First Assistant C Camera: Paul Santoni
Manila - 2nd Unit Second Assistant C Camera: Liam Sinnott
Manila - 2nd Unit D Camera Operator: Patrick B. O'Brien
Manila - 2nd Unit First Assistant D Camera: Lou DeMarco
Manila - 2nd Unit Second Assistant D Camera: Greg Kurtz
Manila - 2nd Unit Loader: Ross Coscia
Manila - 2nd Unit Libra Head Technicians: Rocky Babcock, Aaron York
Manila - 2nd Unit RF Technician: Shan Saddiqi
Manila - 2nd Unit Gaffer: Justin Holdsworth
Manila - 2nd Unit Best Boy: Scott Webb
Manila - 2nd Unit Company Electrics: Jason Hanson, Joseph Matheu, Anthon Tarnate, Bryan Mirador, Romy Delos Reyes
Manila - 2nd Unit Key Grip: Pat Daily
Manila - 2nd Unit Best Boy Grip: Clayton Null
Manila - 2nd Unit Grips: Paul Schmidt, Robert Houllion
Manila - 2nd Unit Key Rigging Grip: Katarino Bueno
Manila - 2nd Unit Costume Supervisor: Wendy Craig
Manila - 2nd Unit Script Supervisor: Trudy Ramirez
Manila - 2nd Unit 2nd 2nd Assistant Director: Matthew Haggerty
Assistant To Mr. Bradley, Manila - 2nd Unit: Jennifer Eddy
Manila - 2nd Unit Set Production Assistants: Andy Andico, Terrence Angsioco, Carlo Artillaga, Geng Artillaga, Moching Escobar, Joma Francia, Raffy Galon, Barry Gonzales, Amy Lee, Marvin Munda, Miguel Payson, Lexi Payumo, Rommel Quilatan, Nicole Uy Aparentado, Theresa Villaflor
Manila - 2nd Unit Production Coordinator: Kyle McGatlin
Manila - 2nd Unit Production Secretary: Lance Malbon
2nd Unit 1st Assistant Director, UAE: David Murphy
Stunt Coordinator, Additional Photography: Marny Eng
Set Decorator, Additional Photography: Kat Wilson
Key Rigging Grip, Additional Photography: Peter Pacula
DNEG Previs Supervisor: Brad Blackbourn
DNEG Senior VFX Producer: Tracey Leadbetter
DNEG VFX Producer: Ann Podlozny
DNEG VFX Executive Producer: Alex Hope
DNEG VFX Coordinator: Judith Gericke
DNEG 3D Supervisor: Pietro Ponti
DNEG 2D Supervisor: Peter Jopling
DNEG FX Supervisor: Viktor Reitfeld
DNEG Animation Supervisor: Stephen Enticott
DNEG VFX Line Producers: Richard Deeb, Sharna Hackett
DNEG VFX Coordinators: Katie Bell, Kate Mummery, Mariana Mandelli, Nurul Arif, Olivia Goh
DNEG VFX Editors: Abigail Cadogan, Dhuha Iba, Benjamin Chua, Kieran Nicholas
DNEG CG Sequence Supervisors: Steven Godfrey, Benjamin Hober
DNEG 2D Sequence Supervisors: Tom Rolfe, Michael Bell, Richard Roberts, Peter Howlett
DNEG 3D Sequence Leads: Ryu Harada, Chris McLaughlin, Victor Wagner
DNEG Digital Matte Painting Leads: Diccon Alexander, Patsy Yuen
DNEG Matchmove Supervisor: Christopher Coupe
DNEG Rigging Supervisor: Stephen Tong
DNEG Animators: NICK Symons, Alessandro Ciucci, Christopher Hurtt, Lailok Chau, Oliver Exmundo
DNEG Previs Artists: Jorge Del Valle, Nicola Brodie
DNEG Senior FX Technical Directors: Daniel Maskit, Fabio Cerrito, Muhittin Bilginer
DNEG FX Artists: Gia Sadhwani, Rainne Ng
DNEG FX TDs: Jason Harris, Katherine Pursey, Mengdi Wang, Yaocheng Lam
DNEG FX/CFX TDs: John Dowell, Patrick Woo
DNEG Creature FX TD: Sylvie Li
DNEG Lead FX Technical Director: Zeljko Barcan
DNEG 3D Generalist TDs: Bret Di Lu, Daniel Pastore, Emanuele Bignone, Rachael Hender
DNEG 3D Lighting TDs: Cori Chan, Fabrizia Bonaventura, George Barbour, Giovanni Mascherpa
DNEG 3D Lidar On-Set Services Supervisor: Craig Crane
DNEG 3D Senior Technical Director: Daniel Smollan
DNEG 3D Pipeline/Lighting/Lookdev TD: David Ramon Rodriguez
DNEG 3D Technical Directors: Edward Lim, Nicholas Reed, Tolga Ari
DNEG 3D Senior Environment Modeler: Eiji Kitada
DNEG 3D/CG Sequence Supervisors: Huw Evans, Zoe Cranley
DNEG 3D Visual Artist: James Lee
DNEG 3D Senior Modeler: Yong Jin Kim
DNEG 3D Texture Artist: Leah Low
DNEG 3D Modellers: Luiz Elias, Steven Moore
DNEG 3D Look Development Artist: Nick Pitt-Owen
DNEG 3D Matte Painter/TD: Nigel Wagner
DNEG 3D Lighting Generalist: Petter Folkevall
DNEG 3D Senior Lighting and Surfacing TD: Shaun Scott
DNEG 3D Senior Lighting TD: Sonny Sy
DNEG 3D Environment TD and Matte Painter: William Foulser
DNEG 3D Matchmover: Ying Xiong
DNEG Compositors: Adam Hammond, Agustin Cavalieri, Alexander Kirichenko, Andrew Simmonds, Bahar Cetin, Christopher Crowell, David Man, Ellen Miki, Francesco Cosatti, Garth Reilly, Gloria Bernabeu, Graham Day, Indah Maretha, Jeffrey Koh, Joel Bautista, John McLaren, Jose Karam Lopez, Kate Porter, Katherine Durant, Kia Coates, Kris Anderson, Marcin Kolendo, Mark Tang, Mary Stroumpouli, Michael Allen, Michelle Goh, Mohinder Subramaniam, Naveen Shukla, Oliver Johnstone, Oliver Ryard, Olov Samuelson, Peter Moran, Philip Smith, Raji Kodja, Romain Bouvard, Roy Tay, Saptarshi Chakraborty, Scott Marriott, Sean Stranks, Shahin Toosi, Sky Lim, Stephen Bennett, Thomas Whittington, Travis Porter, Victor Perez
DNEG Matchmove Leads: Simon Pynn, Weikian Ang
DNEG Matchmove FX TD: Amber Wilkins
DNEG Matchmove Artists: Chewteng Lim, David Chia, Liam Collins, Sean Rowe, Tayhwah Tang, Tzeken Lim, Yosa Prayogo
DNEG Matchmove Modeller: Duncan Kuah
DNEG Matchmove Generalist: Effandi Mohamed
DNEG Matchmove Technical Director: Francis Leong
DNEG Matchmovers: Luan Nguyen, Richard Hayward, Stephanie Whitmarsh
DNEG Matchmove, Camera and Body Tracking Artists: Robert Connor, Yanti Suryati
DNEG Matchmove Junior Generalist TD: Terence Lam
DNEG Matchmove Junior Lead: Thom Chang
DNEG Matchmove VFX Artist: Vishwanath Tatti
DNEG Roto / Prep Leads: Caroline Chai, Julian Chong
DNEG Prep Artists: Chris Tay, Ricky Cheling
DNEG 2D Prep & Paint Artist: Elissavet Paneta
DNEG Comp/Prep Artist: Joel Aguilar
DNEG Rotoscope/Prep Artists: Louise Fontillas, Prerana Jaiswal
DNEG 2D Prep Artist: Max Chan
DNEG 2D Roto Artist: Bun Yue Choy
DNEG Senior Roto/Paint Artist: Calvin Fong
DNEG Roto/Prep Artists: Cheewei Peh, David Schott, Leong Kit Wong
DNEG Roto Artists: Choon Ong, Diana Wang, Janice Chandra, Luis Scholtz
DNEG 2D Roto/Prep Artist: Favian Ee
DNEG Senior Roto/Paint Artist: Gregory Duncan
DNEG Roto Lead: Hiroko Ueno
DNEG Roto Senior Prep Artist: Raymond Tan
DNEG Roto Assistant Show Lead: William Wong
DNEG Data Managers: Miles Drake, Pete Hanson
DNEG Research And Development Leads: Andreea Babiuc, Jennifer Wood, Ted Waine
DNEG R&D Programmers: Frank Dumont, Hantong Tang, Oliver Harding, Sarah MacDonald
DNEG R&D Lead Senior Lighting TD: James Roberts
DNEG R&D Lead Software Engineer: Paul Hogbin
DNEG R&D Software Engineer: Shane Christopher
DNEG Tech Department Systems Engineer: Adam Barnett
DNEG Tech Department Senior Systems Engineer: Chris Eborn
DNEG Tech Department Camera Tracker: Chris Tomkins
DNEG Tech Department Support Intern: Chintan Parmar
DNEG Technology Support Manager: Taz Lodder
DNEG Shader Writer: Eric Vezinet
DNEG Character Rigger: Giuseppe Chisari
DNEG Colourist: Garry Maddison
DNEG Assistant VFX Colourist: Luke Rawcliffe
Level 256 VFX Supervisor: Scott Davids
Level 256 VFX Producer: Seth Kleinberg
Level 256 VFX Coordinator: Dennis Murillo
Level 256 Compositors: Michael Bogen, Myong Choi, Josh Johnson, Chris Chappell, Adam Lima
R&H VFX Supervisor: John Heller
R&H VFX Producer: Gary Nolin
R&H VFX Coordinators: Celine Chew, Gretel Ng
R&H VFX Art Director: Vanessa Cheung
R&H Matte Painters: Nick Donel, Onesimus Nuernberger, Matthew Gilson
R&H Compositing Lead: Michael Crane
R&H Compositors: Matthew Duvall, Karen Fratkin, Josh Shuman
R&H DFX Supervisor: Will Telford
R&H Digital Producer: Terron Pratt
R&H Matchmove Supervisor: Kevin Lin
R&H Roto/Prep Lead: Siddharth Shah
R&H VFX Data Wrangler: Tyler Lee
R&H Color Supervisor: Anthony Harris
R&H Digital Imaging Specialist: Jeffrey Cilley
R&H Digital Image Resource Manager: Erik Akutagawa
R&H Systems Operations & Render I/O Coordinator: Ben Taylor
R&H Render I/O Administrator: Brad Smith
R&H Education Manager: Shish Aikat
Phosphene VFX Supervisor: John Bair
Phosphene VFX Producer: Renuka Ballal
Phosphene VFX Compositor: Christopher Riemann
Lola|VFX Associate VFX Producer: Max Leonard
LE Studio Coordinators: Shane P. Mahan, Lindsay MacGowan, John Rosengrant
LE Animatronic Effects Supervisor: J. Alan Scott
LE Special Effects Technician: Steven Munson
LE Mold Department Supervisor: Damian Fisher
LE Mechanical Department Supervisor: Matt Heimlich
LE Electronics Technician: Rodrick Khachatoorian
LE Hair Department Supervisor: Michael Ornelaz
Legacy Effects Hair Technician: Paul Mejias
LE Assistants: Lyndel Pedersen, Cole Taylor
Legacy Effects Admin: Kimberly Scott
Production Supervisor, IMAX Version: Jason Pomerantz
Cameras: Arriflex 235, 435 Xtreme, Bell & Howell Eyemo + Panaflex XL2 (35mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom, SLZ3 135-420mm Zoom, Primo Compact 19-90mm Zoom & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 125 Million USD
Budget AFI (2022): 151.7 Million USD
Printed on: Kodak Vision 2383
Orchestral Contracting by: DeCrescent Zimmitti Music Contracting
Music Preparation by: JoAnn Kane Music Service
Score Recorded at: Streisand Scoring Stage
Score Mixed at: James Newton Howard Studios
Digital Intermediate by: Company 3 Los Angeles
Production Services in South Korea by: TPS Company
Alberta Unit Set Construction by: F&D Scene Change8
Manila Unit Local Production Services Provided By: Philippine Film Studios, Inc. (PSFI)
Local Production Services In The United Arab Emirates Provided By: TwoFour54
Visual Effects by: Double Negative London • Singapore, Level 256, Rhythm & Hues Studios, Phosphene + Lola|VFX
Animatronic Wolf Effects Created by: Legacy Effects
Presented In Association With: Dentsu Inc.
Filmed At: Kaufman Astoria Studios In New York
Attribute: Filmed with Panavision® Cameras & Lenses

Screenwriter: Tony Gilroy
Co-Director (Original Photog): Gareth Edwards
Co-Screenwriter: Chris Weitz
Story Writer, EP & Production VFX Supervisor: John Knoll
Story Writer: Gary Whitta
Producer & Unit Prod Manager: Simon Emanuel
Cinematographer: Greig Fraser ASC ACS
Production Designers: Doug Chiang, Neil Lamont
Film Editors: John Gilroy ACE, Jabez Olssen, Colin Goudie
Composer/Score Producer: Michael Giacchino
Composer (Original SW Music): John Williams
Composer (Unused Music): Alexandre Desplat
Score Conductor/Orchestrator: Tim Simonec
Score Orchestrator: William Ross
Costume Designers: Glyn Dillon, Dave Crossman
Co-Producer & Unit Prod Manager: Susan Towner
Production Visual Effects Supervisor: Mohen Leo
Special Creature Effects Designer: Neil Scanlan
Executive Visual Effects Producer: Janet Lewin
Production Visual FX Producer: Erin D. O'Connor
Fight Choreographer: Donnie Yen
Associate Producer/1st AD: Toby Hefferman
2nd ADs: Tom White, Andy Madden, Frazer Fennell-Ball
Stunt Coord (Reshoots)/2nd Unit Director: Simon Crane
Sup. 2nd Unit Director: John Mahaffie NZCS
Supervising Special FX Designer: Neil Corbould
Supervising Music Editor: John Finklea
Post Production Supervisor: Pippa Anderson
Additional Film Editor: Stuart Baird ACE
ILM Senior Animation Supervisor: Hal Hickel
ILM Senior Visual FX Supervisor: Nigel Sumner
ILM Senior Visual Effects Producer: TJ Falls
Sup. Sound Editor, Designer & Re-Record Mixer: Christopher Scarabosio
Supervising Stunt Coordinator: Rob Inch
Assistant Stunt Coordinator: Stuart Clark
Fight Coordinator: CC Smiff
Assistant Fight Coordinator: Liang Yang
Prod Supervisors: Karl Caffrey, Adam Teeuw, Ben Dixon
Production Coordinator: Katie Byles
Supervising Art Director: Al Bullock
Senior Art Director: Stuart Rose, Gary Tomkins
Lead Concept Artist: Matt Allsopp
Storyboard Artist: Duncan Fegredo
3D CAD Modeler: William Newton
Set Decorator: Lee Sandales
Lead Ass't Set Decorator: Ben Barrington-Groves
2nd Assistant Set Decorator: Julie Pitt
Lead Graphic Designer: Laura Dishington
Graphic Designer: Dominic Sikking
Blind LTD Senior CG Supervisor: Andrew Booth
Blind LTD Senior CG Producer: Helen Baker
Blind LTD Screen Graphs Designers: Rich Lyons, Shaun Yue, Mungo Horey
Costume Supervisor: Graham Churchyard
A Cam Op & 2nd Unit DoP: Barry Baz Idoine ASC
B Camera Operator: Thomas Wilkinson
Supervising Location Manager: Mark Somner
Associate Film Editor: Kate Baird
1st Assistant Editor: Tom Harrison-Read
Production Stereoscopic Editor: Brett Schlaman
1st Assistant Stereoscopic Editor: Patrick Barry
Production Visual Effects Editor: Michael Cheung
VFX 1st Assistant Editor: Robert Duffield
VFX 2nd Assistant Editor: Travis Cantey
VFX 3rd Assistant Editor: Kristin Derella
Additional Stereoscopic Editor: George Adams
VFX Assoc. Producer (VFX On-Set): Vicky Keeling
VFX Prod Man (VFX On-Set): Samantha Townend
VFX Digital Coord (VFX On-Set): Adam Broderick
VFX Lead DW (VFX On-Set): Felix Pomeranz
VFX Coordinators (VFX On-Set): Simon Mills, Adrianna Davies, Lisa Wakeley
VFX Ass't DW (VFX On-Set): Edward Price
VFX Coordinators (VFX Post Prod): Cecy Falls, Sam Hodge, Eranka Weerasuriya
ILM Visual Effects Art Director: Yanick Dusseault
ILM Visual Effects Supervisors: Dave Dally, Craig Hammack
ILM Visual FX Associate Producer: Lauren Carara
ILM CG Supervisors: Rhys Claringbull, Kibur Kim, Steve Ellis, Victor Schutz IV
ILM Comp Supervisors: Ivan Busquets, John J. Galloway, Alex Prichard, Jeff Sutherland
ILM Asset & Environ. Supervisors: Enrico Damm, Paul Giacoppo, Russell Paul, Steve Walton
ILM Digital P&R Supervisor: Beth D'Amato
ILM Supervising FX TD: Ryan Hopkins
ILM Look Development SUpervisor: Cyrus Jam
ILM Layout Supervisors: John Levin, Patrik Marek
ILM Supervising Lighting TD: David Meny
ILM Creature Supervisor: James Tooley
ILM Visual Effects Editor: Greg Hyman
ILM VFX Producers: Sophie Cullen, Ben Lock
ILM VFX PMs: Cynthia Crimmins, Pei'An Lau, Andrew Poole, Barbara Reid, Morgan Smith
ILM VFX Assoc. PMs: Gretel Batton, Alice Kahn, Cheryl Kerr, Claudia Li, Nicole Matteson, Adrian Steel
ILM Art Dept. Supervisor: Jennifer Coronado
ILM Art Dept. Creative Dir.: Dave Nakabayashi
ILM VFX Production Accountants: Shirley Hsiao,
Pam Sinsheimer
ILM Additional VFX Producer: Nina Fallon
ILM VP of Communications: Greg Grusby
ILM Executive VFX Producer: Gretchen Libby
ILM Heads of Prod: Sue Lyster, Randal Shore
ILM VFX Creative Consultant: Dennis Muren ASC
ILM VP of Operations: Jessica Teach
ILM Head of Studio: Mark Thorley
Hybride VFX Supervisor: Joseph Kasparian
Hybride Layout/Tracking Artist: Alain Lacroix
Jellyfish VFX Producers: Philip Dobree, Amber Ducker, Tom Seed
Jellyfish Visual FX Supervisor: Luke Dodd
Jellyfish FX Technical Director: Bernhard Eiser
Jellyfish VFX Editors: David Glover, Paul Ingram-Tedd
Jellyfish VFX Administrator: Jeffrey Makuch
Jellyfish Post-Vis Supervisor: Christopher Taylor
Ghost VFX Supervisor: Ivan Kondrup Jensen
Ghost VFX Producers: Kristen Swanson Prahl, Signe Vinther
Ghost VFX Texture Supervisor: Andreas Thomsen
Whiskytree VFX Supervisor: Brian Meanley
Whiskytree Exec VFX Producer: Jonathan Harb
Whiskytree Technical Director: Tuan Ho
Whiskytree Look Dev Supervisor: Paul Hudson
Whiskytree Digital Dept. Sup: Juan Pablo Monroy
Whiskytree Ass't Tech Director: Pierre Nahoum
Atomic Fiction Sr VFX Supervisor: Ryan Tudhope
Atomic Fiction VFX Supervisor: Wayne Brinton
Atomic Fiction Exec VFX Producer: Marc Sadeghi
Atomic Fiction VFX Prod Man.: Darnie Galloway
Atomic Fiction VFX Assoc. Producer: Dale Taylor
Atomic Fiction Environment Supervisor: Seth Hill
Atomic Fiction Compositing Supervisor: Woei Lee
Atomic Fiction Lead Sequence TD: Kevin Couture
Scanline VFX Senior Producer: Jasmin Hasel
Scanline VFX Executive Producer: Michel Mielke
Scanline VFX Supervisor: José Manuel Weil
Raynault VFX Supervisor: Mathieu Raynault
Raynault VFX Comp Supervisor: Vincent Poitras
T3F Executive Producer: Christopher Edwards
Stereo D Stereo EPs: Mike Gunter, Aaron Parry, Will Sherak
Stereo D Stereographer: Yoichiro Aoki
Stereo D Stereo Supervisor: Jeremy Carroll
Stereo D Producer: Timmy Broderick
Stereo D Stereo Prod Supervisor: Adam Fisk
Stereo D Finaling Supervisors: Thailraju Madhav, Russell Resendez McCoy, Brian Schultz
Stereo D Depth Supervisor: Roy Mann
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D Stereo Post Executive: Milton Amadou
Stereo D LPs: Krishna Prasad, Chris Treichel
Stereo D Sr Stereo Editors: Reginald Harber Jr, Dave Watro
Stereo D Finaling Manager: Rebecca Kramp
Stereo D Depth Manager: Jessica Sharp
Stereo D Roto Manager: Matthew Gill
Stereo D EQC Ass't Dept. Manager: Cara Hindley
Stereo D PCs: Noelle Cyr, Catherine Ennis, Zayn Jinah, Stephanie Phira Siddique
Stereo D Roto Supervisor: Daniel Schrepf
Stereo D VP of 3D Technology: Nizar Thabet
Stereo D VP of Business Planning: Evan Jackson
Stereo D VP of Conversion VFX: Adam Schardein
Stereo D Creative Services Man.: Lindsey Kaiser
Stereo D Asset Producer: Michael Anders
Stereo D Post Prod Manager: Derek N. Prusak
Stereo D Creative Sup (Toronto): Davis Saunders
Stereo D 3D Tech Managers: Mike Knox, Val Dela Rosa
Stereo D Pipeline TD: Rustin Devendorf
Stereo D Lead EQC Artists: Les Foor, Joshua Gengler
Stereo D Element QC Artist: Travis Fruci
Stereo D Lead Finaling QC Artist: Chris Myerchin
Stereo D I/D Coordinators: Rebecca Anderson, Adam Heinis, Jake Dee-McCoy, Kisholay Ray
Stereo D Software Dev Artists: Ron Choi, Michael McCartney, Cameron Smith
Stereo D Pipeline Supervisor: Chris Montesano
Stereo D Element QC Coordinator: Kyle Whaley
Stereo D Final QC Artist: Avi Avora
Stereo D Data I/O Artist: Niki Patterson
Stereo D Software Dev Manager: Jill Isner
Stereo D Line Producer (VFX): Andrew Eick
Stereo D VFX Assistant Manager: Kiran Hedge
Stereo D VFX Finaling Sup.: Gokul Mahajan
Stereo D VFX Roto QC Sup.: Shailendra Jaiswal
Stereo D Lead VFX RQC Artist: Raphael Oseguera
Stereo D VFX Supervisor: Mike Heyadati
Stereo D VFX Roto Supervisors: Nesar Ahmad, Eshwar Babu Kolla
Stereo D Lead VFX Painter: Om Kangone
Stereo D VFX PCs: Alexander Fick, Sweety Srivastava, Girindra M. Gandhi
Chief Lighting Technician: Perry Evans
Rigging Gaffer: Ossa Mills
Supervising Prop Master: Jamie Wilkinson
Co-Prop Master: Simon Wilkinson
Assistant Prop Master: John Fox
Action Vehicle Supervisor: Warren Stickley
SFX Ass't Supervisor & Designer: David Brighton
Special FX Assistant Supervisor: Keith Dawson
Special Effects Wire Supervisor: Kevin Mathews
Special FX Workshop Supervisor: Ray Ferguson
Special Effects Floor Supervisor: Caimin Bourne
Prod SFX Coord & Ass't Buyer: Maria Corbould
SFX 2nd Unit Floor Supervisors: Clive Beard, Mark Goldeman
Production Special Effects Trainee: Luc Corbould
CFX Production Supervisor: Katie Newitt
CFX Coordinator: Samantha Langridge
CFX Paint Finish Design Sup.: Henrik Svennson
3rd Ass't Directors: Suzi Wilson, Tedz Leonard
Supervising Digital Film Colorist: Shane Harris
Digital Film Colorist: Mitch Paulson ASC
Post Finishing Editor: Devon Miller
Post Finishing Color Assistant: Joel McWilliams
Post Finishing Producer: Vanessa Galvez
Post Finishing Ass't Producer: Hunter Clancey
Exec Post Finishing Producer: Stefan Sonnenfeld ASC
ILM Imaging Supervisor: Jeroen Schulte
2nd Unit 1st ADs: Dan Channing Williams, Adam Morris
2nd Unit 2nd ADs: Andy Young, Tom Edmondson, Tom Mulberge, David Keadell
2nd Unit 3rd Assistant Director: Jonny Eagle
2nd Unit Stunt Coordinator: Leos Stranksky
2nd Unit Ass't Stunt Coordinator: Dave Fisher
2nd Unit Stunt Performers: Heidi Dickson, Dacio Diaz Caballero, David Listvan
Action Unit DoP (2nd Unit): Fraser Taggart
2nd Unit Gaffer: Jamie Mills
2nd Unit Best Boy: Dave Brennan
2nd Unit Rigging Gaffer: David Sinfield
2nd Unit Special Effects Supervisor: Colin Gorry
2nd Unit Special FX Co-Supervisor: Tim Stracey
2nd Unit SFX Floor Supervisor: Mark Meddings
Aerial Unit Pilot: Marc Wolff
Aerial Unit DoP: Adam Dale
Iceland Unit Truenorth Producer (Loc Units): Leifur B. Dagfinnsson
UPM (Loc Units; Iceland): Arni Pall Hansson
Iceland Unit Truenorth LP (Loc Units): Finni Johannsson
Iceland Unit SFX Sup (Loc Units): Eggert Eddi Ketilsson
Iceland Unit SFX Prep Sup (Loc Unit): Terry Glass
Jordan Unit PM (Location Units): Fuid Khalil
Jordan Unit PC (Location Units): Nada Atieh
Jordan Unit PS (Location Units): Diala Raie
Jordan Unit APC (Location Units): Farah Salah
Maldives Unit Aerial Co-Pilot (Loc Units): Amal Wahid
Vancouver VFX Unit 2nd Unit Director (Add'l Photography): Josh Methven
Camera Operator (Add'l Photog): Chris C. Cowan
ILM Action Unit On-Set VFX Sup (Add'l Photog): Julian Foddy
Director of Prod-IMAX Version: Jason Pomerantz
Creative Consultants: Dave Filoni, Simon Kinberg
Stunt Consultant: Bradley James Allan
Special Thanks: Phil Lord, Chris Miller, Carrie Fisher
Filming Dates: 8 August 2015 - 11 February 2016, 7 June 2016 - 3 August 2016 (Reshoots)
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Panavision APO Panatar Anamorphic Primes & Hawk65 Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 200-220 Million USD
Printed on: Kodak Vision 2383
Visual Effects, Computer Graphics Design & Animation Provided by: Industrial Light & Magic + Blind LTD
Additional Visual Effects Provided by: Hybride, Jellyfish Pictures, Ghost VFX, Whiskytree, Atomic Fiction, Scanline VFX, Raynault VFX & Virtuos
Visualization Provided by: The Third Floor
3D Conversion Provided by: Stereo D
Post-Production Sound Services Provided by: Skywalker Sound
Feature Post Finishing Provided by: EFilm Company 3
Filmed at: Pinewood Studios, London, England
Attribute: Filmed in Panavision (as Ultra Panavision 70)