Director Résumé: J.J. Abrams
He's one of my favorite directors alongside Robert Zemeckis, Sofia Coppola & Sam Mendes, just to name a few. And with the exception of ROS (2019), I've enjoyed all of his films, my personal favorite being Super 8 (2011)
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- 14 titoli
- RegistaJ.J. AbramsStelleKeri RussellScott SpeedmanAmy Jo JohnsonAn old friend of Felicity's comes to visit, Elena is forced to deal with Blair, and Julie makes a risky decision.
- RegistaJ.J. AbramsStelleKeri RussellScott SpeedmanAmy Jo JohnsonTragedy causes Felicity to remember how it was, and Julie mails her tape - which she immediately regrets.
- RegistaJ.J. AbramsStelleJennifer GarnerRon RifkinMichael VartanSydney Bristow discovers that her job as an agent for SD-6, a top-secret division of the CIA, is not what she thought it was. Sydney's father, Jack, also tells her the truth about his work and she, enraged, seeks help from real CIA and is hired as their double agent under the command of Agent Vaughn. From now on, her job is really simple: she needs to complete her cases at SD-6 while reporting her findings back to the CIA.Creator/Executive Producer/Writer/Composer, Theme: J.J. Abrams
Producer: Sarah Caplan
Producer: Jeff Pinkner
Co-Producer: Chad Savage
Associate Producer: Robyn-Alain Feldman
Supervising Producers: Alex Kurtzman, Roberto Orci
Co-Executive Producer: Ken Olin
Director of Photography: Michael Bonvillain ASC
Production Designer: Scott Chambliss
Editors: Stan Salfas ACE, Quincy Z. Gunderson
Unit Production Manager: Robert M. Williams Jr.
First Assistant Director: Jeffrey M. Ellis
Second Assistant Director: Richard Coad
Composer, Original Music: Michael Giacchino
Casting Directors: Janet Gilmore CSA, Megan McConnell CSA
Costume Designer: Linda Serijan-Fasmer
Set Decorator: Karen Manthey
Costume Supervisor: Anne Hartley
Make-Up Artist: Angela Nogaro
Hair Stylist: Susan Kelber
Art Director: Cecele De Stefano
Prop Master: David Scott
Script Supervisor: Tricia Goken
Production Coordinator: Rex Camphuis
Production Sound Mixer: Bo Harwood
Second Unit Director/Stunt Coordinator: Jeff Habberstad
Camera Operator: Chris Hayes
First Assistant Camera: Kathina Szeto
Chief Lightning Technician: Marshall Adams
Key Grip: Duane Journey
Second Unit Director of Photography: Tom Yatsko
Production Special Effects Coordinator: John J. Downey
Music Supervisors: Jennifer Pyken, Madonna Wade-Reed
Post Production Coordinator: Jonathan Petrovich
Assistant to Mr. Abrams: Marybeth Sprows
Assistant to Ms. Caplan: Meighan D. Offield
Re-Recording Mixers: Robert L. Appere CAS, Edward C. Carr
Supervising Sound Editor: Walter Michael Bost
Moving Target/VCE Visual Effects Producer: Brian Jochum
Moving Target/VCE Digital Supervisor: Steven Lloyd
Encore Final Colorist: Steve Porter
Encore Finishing Accountant: Ian Sullivan
Camera: Panaflex Gold (35mm Kodak Vision 200T 5274 & 800T 5289)
Lenses: Panavision Primo Spherical Primes, SLZ 17.5-75mm Zooms, SLZ11 24-275mm Zooms, SLZ3 Hubble 135-420mm Zooms & C-Series Anamorphic Primes
AR: 1.78:1 (Super 35mm)(Anamorphic: Some Scenes)
Visual Effects by: Moving Target/VCE
Post Production Facility: Encore
Promotional Consideration Provided by: Nokia
Distributed by: Walt Disney Television
Attribute: Filmed in Panavision - RegistaJ.J. AbramsStelleJennifer GarnerRon RifkinMichael VartanSloane must take a difficult decision in order to get to the Alliance's council. After being captured by Sark, Tippin is tortured by a Taiwanese would-be dentist to extract secrets. Sydney, who has to beware her colleague Dixon, assist her father trying to save Tippin. However, after losing Vaughn when the lab exploded, she is in for a surprise...
- RegistaJ.J. AbramsStelleJennifer GarnerRon RifkinMichael VartanSydney must confront her mother, who tells a clue about "some Rambaldi artifacts" in Zurich, but it was a trap to capture Jack. As Sloane keeps Jack hostage, Vaughn and Sydney go to Stockholm to capture Sark, who reveals the hideout in Mexico City. Meanwhile, Tippin discovers that Francie is in fact a "double" and is the one who framed him...
- RegistaJ.J. AbramsStelleMatthew FoxEvangeline LillyTerry O'QuinnForty-eight survivors of an airline flight originating from Australia, bound for the U.S., which crash-lands onto an unknown island 1000 miles off course, struggle to figure out a way to survive while trying to find a way to be rescued.
- RegistaJ.J. AbramsStelleMatthew FoxTerry O'QuinnEvangeline LillyHaving retrieved the plane tranceiver, a group of survivors try to transmit a signal, only to receive a strange transmission from another inhabitant.
- RegistaJ.J. AbramsStelleTom CruiseMichelle MonaghanVing RhamesL'agente IMF Ethan Hunt deve scontrarsi con un sadico trafficante di armi che minaccia la sua vita e quella della sua fidanzata.Writer/ILM Digital Artist: J.J. Abrams
Producer: Tom Cruise
Casting Director: April Webster CSA
Composer: Michael Giacchino
Composer, "Mission: Impossible Theme": Lalo Schifrin
Music Supervisor: Danny Bramson
Co-Producer: Arthur Anderson
Production Visual Effects Supervisor: Roger Guyett
Production Visual Effects Producer: Tom Peitzman
Costumes Designer: Colleen Atwood
Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Production Designer: Scott Chambliss
Director of Photography: Dan Mindel ASC BSC SASC
Director of Photography, AP/Crew Chief Lightning Technician: Robert Bruce McCleery ASC
Director of Photography, German Unit: Jörg Widmer
Director of Photography, Visual Effects - ILM: Patrick Sweeney
Executive Producer/Key Unit Production Manager: Stratton Leopold
Writers: Alex Kurtzman, Roberto Orci
Producer: Paula Wagner
Unit Production Manager: David Witz
First Assistant Director: Tommy Gormley
First Assistant Director, AP/Second Assistant Director: Thomas Harper
Second Unit Director/Stunt Coordinator: Vic Armstrong
Assistant Stunt Coordinator/Second Unit Stunt Coordinator: Joey Box
Cast Stunt Double: Casey O'Neil
Stunts: Robert Alonzo, James Armstrong, Nina Armstrong, Scott Armstrong, Wendy Armstrong, Andy Cheng, Heidi Moneymaker
Aerial Unit Coordinator: Cliff Fleming
Aerial Unit Helicopter Pilots: Bruce Benson, Cory Fleming, Kevin La Rosa
ILM Associate Visual Effects Supervisor: Russell Earl
ILM Senior Visual Effects Producer: Shari Hanson
Unit Director, German Unit/Visual Consultant: Eric Schwab
Post Production Supervisor: Debbi Bossi
Re-Recording Mixers: Andy Nelson, Anna Behlmer
Supervising Sound Editor: Mark P. Stoeckinger
Crew Production Supervisor: Matthew J. Birch
Crew Supervising Art Director: Dan Dorrance
Crew Special Effects Coordinator: Daniel Sudick
Crew Camera Operator: Colin Anderson SOC ACO
Crew B Camera Operator: Phil Carr-Forster
Crew First Company Grip: Tom Gibson
Crew Supervising Prop Master: Steven B. Melton
Makeup Designer & Supervisor: Michele Burke
Costumer: Nancy Thompson
Video Assist: Dan Moore
Production Coordinator: Candice Campos
Supervising Location Manager: Becky Brake
Set Decorator: Karen Manthey
Aerial Unit Directors of Photography: David B. Nowell ASC, Jeremy Braben BSC
Underwater Unit Director of Photography: Pete Romano ASC
Art Directors: Kevin Kavanaugh, Sean Haworth, Brad Ricker
Assistant Art Director: Naaman Marshall
C Camera Operator: Mark Meyers
Doggicam Camera Operator: Frank Buono
Additional Camera Operator: Chris Duskin SOC
First Assistant Photographer: John Connor
B Camera First Assistant Photographers: Scott Rathner, Eric Tramp
C Camera First Assistant Photographers: Serge Nofield, Dan Ming
Technocrane Operator: Brian McPherson
Libra Head Operator: Greg "Woody" Schmidt
Film Loader: Brandon Cox
C|W Executive: Darren Miller
Second Assistant Director, AP/Second Second Assistant Director: David 'Muddy' Waters
Production Liaison: Sarah Baker
Production Visual Effects Coordinator: Christopher Raimi
Production Special Effects Forepersons: Todd K. Jensen, Robert Olmstead, Gintar Repecka
Production Special Effects Technicians: Eric Cook, Steven C. Ficke, Thomas Homsher
Special Effects Staff Shop Supervisor: Damacio Cortez Jr.
Special Effects Digital Set Designer: Rob Johnson
Special Effects Production Assistant: Kristine Nadal Wooddy
Assistant Chief Lightning Technician: Christopher Prampin
Assistant Chief Rigging Electrician: Dave Diamond
Spydercam Supervisor: Todd "Hammer" Semmes
Winch Tech / Rigger: Matt Davis
Spydercam Head Rigger: Scott Paider
Mask Maker Design: Syd Mead
Location Manager: Doug Dresser
Assistant Location Managers: J.J. Hook, Rachel Watkins
Style Consultant: Oscar Blandi
Casting Associates: Alyssa Weisberg CSA, Mandy Sherman, Gina Garcia
Concept Artist: Tim Flattery
Concept Illustrators: Paul Ozzimo, Matt Codd
Storyboard Artists: Robert Consing, Giacomo Ghiazza, Sylvain Despretz
Production Previsualization Supervisors: David Dozoretz, Laurent Lavigne
Art Department Coordinator: Christine Youngstrom
Military Weapons Trainer: Peter Weiterer
Production Visual Effects Editor: Martin Allan Kloner
Sound Designer: Alan Rankin MPSE
Music Orchestrator & Conductor: Tim Simonec
Music Recordist & Mixer: Dan Wallin
Supervising Music Editor: Stephen M. Davis MPSE
Music Editor: Alex Levy
Music Editor Coordinator: Paul Apelgren
Visual Effects Plate Coordinator: Steve Riera
Plate Unit Aerial Camera Technician: Wayne Baker
Supervising Production Controller: Jim Davidson
Lead Graphic Designer: Clint Schultz
Graphic Designer: Geoffrey T. Mandel
Second Unit Directors Of Photography: Stephen St. John, C. Mitchell Amundsen, Mike Benson SOC
Second Unit Production Supervisor: Deb Schwab
Second Unit First Assistant Director: Mathew Dunne
Second Unit Virginia First Assistant Director: Jamie Marshall
Second Unit Second Assistant Director: Brandon Lambdin
Second Unit Camera Operators: Billy O'Drobinak SOC, Chris Haarhoff SOC, Michael Ferris
Second Unit First Assistant Photographers: Baird Steptoe, Stephen Wong
Second Unit Second Assistant Photographers: John Young, David Seekins
Second Unit Film Loader: Marcus Mentzer
Second Unit Chief Lightning Technician: Andy Ryan
Second Unit Assistant Chief Lightning Technician: Andy Dorowsky
Second Unit Chief Rigging Electrician: Frank Dorowsky
Second Unit Virginia Location Supervisor: Don Hughes
Second Unit Norfolk, Virginia Location Manager: Jeffrey Frizzell
Second Unit Richmond, Virginia Location Manager: Dawn Blacksten
Second Unit Washington D.C. Location Manager: Carol Flaisher
Second Unit Second Second Assistant Directors: Brad Arnold, Andrew M. Ryan
Second Unit Virginia Second Second Assistant Director: T. Coe
Italian Unit Line Producer: Enzo Sisti
Unit Production Manager, Italian Unit: Vito Colazzo
Unit Manager, Italian Unit: Andrea Alunni
Italian Unit B Camera Second Assistant Photographer: Sergio De Luca
Italian Unit Special Effects Supervisor: Alessia Anfuso
Italian Unit Special Effects Coordinator: Daniel Acon
Italian Unit Stunt Coordinator: Claudio Pacifico
China Unit Production Manager: Steven Harding
China Unit First Assistant Director: Sylvia Liu
China Unit Production Supervisor: Steve Lionetti
China Unit Producer: Zhao Haicheng
China Unit C Camera Operator: Noah Weinzweig
China Unit Assistant Chief Rigging Electrician: Duncan Sobel
China Unit Special Effects Supervisor: Bruce Law
Action Unit Second Second ADs, China Unit: Edward Thorne, Richard Hughes
China Unit Special Photography: David James, Alexander Bailey
Unit Production Manager, German Unit: Michael Scheel
Unit Manager/Second Unit Second AD, German Unit: Daniel Mattig
German Unit Chief Lightning Technician: Martin Frank
German Unit Special Effects Technician: Thomas Thiele
Second Assistant Photographer, AP: Andrew Dumas
ILM Digital Production Supervisor: Patrick Tubach
ILM CG Supervisor: Gerald Gutschmidt
ILM Animation Supervisor: Paul Kavanagh
ILM Model / Miniature Supervisor: Brian Gernand
ILM Sequence Supervisors: Todd Vaziri, Doug Sutton, Leandro Estebecorena, Sean MacKenzie, David Hisanaga, Robert J. Hoffmeister, Michael Conte, Richard Bluff, Bruce Powell
ILM Digital Matte Lead: Giles Hancock
ILM Visual Effects Art Director: Alex Jaeger
ILM Digital Model Supervisor: Pamela J. Choy
ILM Layout & Matchmove Leads: Duncan Blackman, Brian Cantwell, Terry Chostner
ILM Digital Paint & Rotoscope Supervisor: Beth D'Amato
ILM Lead Visual Effects Production Coordinator: Katie Lynch
ILM Animators: David Shirk, Scott Benza, Steve Rawlins
ILM Digital Artists: Sebastien Moreau, Selwyn Eddy, Jonathan Harb, Joshua Ong, Adam Howard, Yanick Dusseault
ILM Visual Effects Coordinators: Brian Barlettani, Nina Fallon
ILM Visual Effects Editor: Nic Anastassiou
ILM Visual Effects Production Assistants: Chrysta Marie Burton, Shane O'Connor
ILM Visual Effects Stage Production Manager: Mark Anderson
ILM Visual Effects Camera Assistants: Dennis Rogers, Bob Hill, Patrick McArdle
ILM Physical Effects Supervisor: Geoffrey Heron
ILM Senior Staff: Vicki Dobbs-Beck, Lynwen Brennan, Chrissie England, Cliff Plumer
ILM Visual Effects Executive Producers: Mark Miller, Denise Ream
Lola Visual Effects Supervisor: Edson Williams
Lola Visual Effects Producer: Thomas Nittmann
Lola Inferno Lead: Greg Strause
Lola Inferno Artists: Loeng-Wong Savun, Chris Ingersoll
Blankscreen Productions Visual Effects Supervisor: Kevin Blank
BBD On-Set Playback Supervisor: Will Robbins
BBD Lead Creative: Kent Demaine
BBD On-Set Playback Department Head: Cindy Jones
BBD Lead Designer: Mark Coleran
BBD 2D / 3D Artist: Paul Luna
BBD 2D Artist: Jordan Vine
Company 3 Executive Producer / Colorist: Stefan Sonnenfeld ASC
Company 3 Additional Colorist: Mark Todd Osborne
Company 3 Digital Intermediate Producers: Des Carey, Missy Papageorge
Company 3 Senior On-Line Editor: Rob Doolittle
Company 3 Telecine Assist: Jimmy Tom
Color Timer: Steve Sheridan
Dolby Sound Consultant: Andy Potvin
Panavision® Lens Technician: Dan Sasaki ASC
DVD Editor: Nick Gibbs
Filming Dates: Jul 12, 2005 - Nov 29, 2005
Cameras: Arriflex 235, 435, Panaflex XL2, Platinum & Sony CineAlta HDC-F950 (35mm Kodak Vision2 100T 5212, 500T 5218 & 1080p/24 HD Video)
Lenses: Panavision® Primo Anamorphic Primes, ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-Series Anamorphic Primes, AWZ2 40-80mm Zooms, Angenieux Optimo 12:1 Anamorphic Zooms, Zeiss 4x 6-24mm DigiZooms & Fujinon C-Series 15x 7.3-110mm Zooms
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Windmill Sequence Plates)
Budget: 150-186 Million USD
Budget AFI (2025): 237.4-294.3 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Special Visual Effects by: Industrial Light & Magic, Lola + Blankscreen Productions
Playback Graphics by: Black Box Digital
Digital Intermediate Provided by: Company 3
Main Title Design by: Picture Mill
Shot on: Kodak Motion Picture Film
Color by: Deluxe®
Attribute: Filmed in Panavision® - RegistaJ.J. AbramsStelleSteve CarellRainn WilsonJohn KrasinskiWhile Michael and Jan go to their first Dunder Mifflin outing as an official couple, the office workers left behind go out for happy hour. During happy hour, Roy finds out that Jim and Pam kissed on Casino Night.
- RegistaJ.J. AbramsStelleChris PineZachary QuintoSimon PeggL'impuslivo capitano James T. Kirk tenta di seguire le orme del padre al comando della nave Enterprise e di combattere con l'aiuto del sig. Spock un Romulano venuto dal futuro che vuole distuggere la Federazione un pianeta alla volta.Screenplay Writer/Producer: J.J. Abrams
Screenplay Writer/Producer: Damon Lindelof
Screenplay/Story Writers/Executive Producers: Alex Kurtzman, Roberto Orci
Executive Producer: Bryan Burk
Executive Producer/Key Unit Production Manager: Jeffrey Chernov
Director of Photography: Dan Mindel ASC BSC SASC
Director of Photography, Visual Effects - Kerner Optical: Pat Sweeney
Production Designer: Scott Chambliss
Editors: Mary Jo Markey ACE, Maryann Brandon ACE
Costume Designer: Michael Kaplan
Composer/Additional Orchestrations: Michael Giacchino
Production Visual Effects Supervisor/Second Unit Director: Roger Guyett
Production Visual Effects Producer: Shari Hanson
Co-Producer/Key Unit Production Manager: David Witz
Associate Producer: David Baronoff
Casting Directors: April Webster CSA, Alyssa Weisberg CSA
Unit Production Manager: Stratton P. Leopold
First Assistant Director: Tommy Gormley
Unit Production Manager, Second Unit/Key Second Assistant Director: Thomas Harper
Key Second Assistant Director: David E. Waters
Second Assistant Director: Heather Grierson
Starfleet Computer/In Memory of: Majel Barrett Roddenberry
Stunt Coordinator: Joey Box
Assistant Stunt Coordinator/Fight Choreographer/Second Unit Stunt Coordinator: Robert Alonzo
ILM Senior Visual Effects Supervisor: Russell Earl
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Senior Visual Effects Producers: Jeff Olson, Jill Brooks
Crew Post Production Supervisor: Debbi Bossi
Production Supervisor: Deb Schwab
Production Auditor: Kathleen A. Petty
Supervising Art Director: Keith P. Cunningham
Art Directors: Luke Freeborn, Beat Frutiger
Concept Artists: Ryan Church, James Clyne
Graphic Designer: Clint Schultz
Storyboard Artist: Richard Bennett
Delta Vega Creatures, Romulans, Insect & Aliens Designer: Neville Page
Assistant Decorator: Amanda Moss Serino
Camera Operator / Steadicam: Colin Anderson SOC
First Assistant Photographer: John T. Connor
Second Assistant Photographer: Jesse Roth SOC
B Camera Operator: Phil Carr-Forster
B First Assistant Photographers: Wally Sweeterman, Brad Peterman
B Second Assistant Photographer: Matt F. Kennedy
Film Loader: Craig M. Bauer
Sound Mixer: Peter J. Devlin CAS MPSE
Video Assist: Daniel P. Moore, Peter Taylor
Assistant Editor: Evan Schiff ACE
Chief Lightning Technician: Christopher Prampin
Assistant Chief Lightning Technician: Chris Wiegand
Chief Rigging Electrician: John Manocchia
Assistant Rigging Electrician: Edward J. Cox
Fixtures Foreperson: Al DeMayo
Supervising Prop Master: Russell Bobbitt
Assistant Prop Master: Jim Stubblefield
Prop Manufacturing Supervisor: Jeff Ogg
Production Special Effects Supervisor: Burt Dalton
Special Effects Shop Operations Supervisor: Dale Ettema
Special Effects Set Supervisor: William Aldridge
Special Effects Shop Foreperson: David F. Greene
Special Effects Senior Technician: Albert Delgado
Production Special Effects Forepersons: Danny Cangemi, Steve Cremin, Clay Pinney
Supervising Location Manager: Becky Brake
Makeup Department Head: Mindy Hall
Vulcans & Romulans Creator: Joel Harlow
Aliens Designer & Creator: Barney Burman
Makeup Effects Artist: Richard Alonzo
Re-Recording Mixers: Paul Massey, Anna Behlmer, Andy Nelson, David Giammarco
Supervising Sound Editors: Mark Stoeckinger, Alan Rankin MPSE
Special Sound Effects & Montage: Ben Burtt
Sound Designer: Ann Scibelli MPSE
Music Editor: Stephen M. Davis MPSE
Assistant Music Editor: Alex Levy
Music Orchestrator & Conductor: Tim Simonec
OOOII Lead Creative: W. Kent Demaine
OOOII Senior Developer: David August
OOOII Concept Artist: Jorge Almeida
OOOII 3D Artist: Paul Luna
Second Unit Director of Photography: Robert Bruce McCleery ASC
Second Unit Stunt Coordinator: Terry Jackson
Second Unit Second Second Assistant Director: Stephen P. Del Prate
Second Unit Camera Operator / Steadicam: Andrew Rowlands SOC
Second Unit First Assistant Photographer: Serge RXTDI Nofield
Second Unit Second Assistant Photographer: Brandon M. Cox
Second Unit B Camera Operator: Dale Myrand
Second Unit B First Assistant Photographer: Dan Ming
Second Unit B Second Assistant Photographers: John R. Woodward, Chris Garcia
Aerial Unit Coordinator / Pilot: Cliff Fleming
Aerial Unit Ground Coordinator: Cory Fleming
Aerial Unit Director of Photography: David B. Nowell ASC
Underwater Unit Director of Photography: Pete Romano ASC
Romulan & Vulcan Language Consultant: Marc Okrand
Science Consultant: Carolyn Porco
Production Visual Effects Executive: Kimberly Nelson LoCascio
Bad Robot Visual Effects Consultant: Brandon Fayette
Production Visual Effects Consultant: Rhonda C. Gunner
Production Visual Effects Coordinator: Tom Elder-Groebe
Assistant to the Visual Effects Department: Clayton M. Lyons
ILM Associate Visual Effects Supervisor: Eddie Pasquarello
ILM Digital Production Supervisor: Michael DiComo
ILM CG Supervisors: Joakim Arnesson, Thomas Fejes, Hilmar Koch, Nigel Sumner
ILM Visual Effects Art Director: Alex Jaeger
ILM Digital Matte Supervisor: Chris Stoski
ILM Digital Model Supervisors: Bruce Holcomb, Giovanni Nakpil
ILM Viewpaint Supervisor: Ron Woodall
ILM Creature Supervisors: James Tooley, Karin Cooper
ILM Layout Supervisor: Terry Chostner
ILM Roto & Paint Supervisor: Beth D'Amato
ILM Sequence Supervisors: Richard Bluff, Grady Cofer, Jay Cooper, Raul Essig, Leandro Estebecorena, Gerald Gutschmidt, Polly Ing, François Lambert, Todd Vaziri
ILM Animation Sequence Leads: Steve Aplin, Derrick Carlin, Colin Benoit
ILM Senior Production Manager: Jessica Teach
ILM Production Manager: Lisa Todd
ILM Visual Effects Editor: Greg Hyman
ILM Additional Visual Effects Art Direction: Yanick Dusseault
ILM Associate Production Managers: Katherine Farrar, Dale Taylor, Chrysta Burton
ILM Production Coordinators: Stacy Bissell, Joseph Bell, Hui Ling Chang, Melanie Cussac, Cheng Peishan
ILM Executive Producer: Gretchen Libby
ILM Senior Staff: Chrissie England, Lynwen Brennan, Miles Perkins, Janet Lewin, Vicki Dobbs Beck, Curt Miyashiro
Digital Domain Visual Effects Supervisor: Kelly Port
Digital Domain Visual Effects Producer: Julian Levi
Digital Domain Digital Effects Supervisor: Darren M. Poe
Digital Domain Computer Graphics Supervisor: Paul George Palop
Digital Domain Compositing Supervisor: Lou Pecora
Digital Domain Digital Production Manager: Michelle Jacobs
Digital Domain Animation Lead: Erik Gamache
Digital Domain CG Effects Animator: Erik Zimmerman
Digital Domain Character Look Development Lead: Charles Abou Aad
Digital Domain 3D Integration Lead: David Niednagel
Digital Domain Digital Compositing Lead: Ted Andre
Digital Domain Digital Compositor: Joe Farrell
Digital Domain Digital Plate Restoration: Janice Barlow Collier
Digital Domain Assistant Visual Effects Editor: Francisco Ramirez
Digital Domain Color Grader: Christopher Savides
Digital Domain Executive in Charge of Production: Terry Clotiaux
Svengali FX Visual Effects Supervisor: Stefano Trivelli
Lola VFX Visual Effects Supervisor: Edson Williams
Lola VFX Visual Effects Producer: Tom Nittmann
Lola VFX Visual Effects Associate Producer: Ryan Zuttermeister
Lola VFX Inferno Artist: Trent Claus
Executive Producer for Company 3/Colorist: Stefan Sonnenfeld ASC
Company 3 Digital Intermediate Producer: Nick Monton
Company 3 On-Line Editor: Rob Doolittle
Company 3 Digital Intermediate Assist: James Cody Baker
Company 3 Producer: Missy Papageorge
FotoKem Laboratory Dailies Supervisor: Mark Van Horne
FotoKem Video Dailies Colorist: Greg Curry
FotoKem Dailies Film Timer: Don Capoferri
FotoKem Post Coordinator: Katherine Kane
Deluxe Color Timer: Jim Passon
Main Title Designer: Andrew Kramer
Font Consultant: Richard Massey
Mind Meld Soundscape: Mark Mangini, Mark Binder
In Memory of: Gene Roddenberry
Filming Dates: November 7, 2007 - March 27, 2008, April 2008 (Additional Second Unit Filming)
Cameras: Arriflex 435 ES, Panaflex XL2 & Platinum (35mm Kodak Vision2 100T 5212 & 500T 5218)
Lenses: Panavision® Primo Anamorphic Primes, ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E-Series Anamorphic Primes, ATZ 70-200mm Zooms & AWZ2 40-80mm Zooms
AR: 1.43:1 (IMAX 70mm Version: Main Title Shot), 2.39:1 (Anamorphic)
Budget: 150 Million USD
Budget AFI (2025): 223 Million USD
Printed on: Kodak Vision 2383
Live Environment Design by: OOOII
Visual Effects & Animation by: Industrial Light & Magic, Digital Domain, Svengali FX + Lola VFX
Additional Special Effects Photography & Miniatures by: Kerner Optical
Digital Intermediate Provided by: Company 3
Processing & Electronic Dailies by: FotoKem
Shot on: Kodak Motion Picture Film
Color by: Deluxe
Attribute: Filmed in Panavision® - RegistaJ.J. AbramsStelleElle FanningAJ MichalkaKyle ChandlerUn gruppo di amici durante l'estate del 1979 è testimone di un deragliamento ferroviario, e degli strani eventi inspiegabili che cominciano ad avere luogo nella loro piccola città.Cinematographer: Larry Fong ASC
Production Designer: Martin Whist
2nd Unit DP: Bruce McCleery ASC
Camera Operator: Greg Baldi
A-Camera Operator: Philippe Carr-Forster
B-Camera/Steadicam Operator: Colin Anderson SOC
C-Camera Operator: John Skotchdopole
Motion Capture Camera Operator: Trent Ellis
2nd Unit Camera Operator: Daniel L. Turrett
2nd Unit A-Camera Operator: Dale Myrand
Steadicam Operator: Colin Hudson
Video Operator: Dan Moore
Electrician: John Leonetti Jr
1st Assistant Director: Tommy Gormley
VFX Supervisors: Dennis Muren ASC, Russell Earl, Kim Libreri
Composer: Michael Giacchino
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Assistant Film Editor: Nona Khodai ACE
DI Colorist: Stefan Sonnenfeld ASC
Costume Designer: Ha Nguyen
Camera(s): Arriflex 16 SR3, 435, Bell & Howell Eyemo, Beaulieu 8mm, Canon 8mm, Panaflex XL2 & Red One MX (8mm, 16mm, 35mm & 4.5K)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Zooms & Panavised Zeiss Super Speed Primes
AR: 2.39:1 (Anamorphic, Super 8mm & 16mm)
Budget: 50 Million USD
Super 8mm Film Services Provided By: Pro8mm
Shot on: Kodak Motion Picture Film
Captured on: 8mm Kodak Vision3 200T 5213, Vision3 500T 5219, 16mm Vision3 200T 7213, Vision3 500T 7219 & 35mm Vision3 200T 5213, Vision3 500T 5219
Printed on: 35mm Kodak Vision 2383 (Partial Blow-Up) & 70mm Vision 2383 (IMAX DMR Blow-Up)
Digital Intermediate Provided By: Company 3
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed in Panavision - RegistaJ.J. AbramsStelleChris PineZachary QuintoZoe SaldañaL'equipaggio dell'Enterprise deve mettersi a caccia di un uomo diventato un'arma di distruzione di massa.Producers: JJ Abrams, Bryan Burk
Writers/Producers: Alex Kurtzman, Roberto Orci, Damon Lindelof
Executive Producer & UPM: Jeffrey Chernov
Cinematographer: Dan Mindel ASC BSC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Composer: Michael Giacchino
Costume Designer: Michael Kaplan
Production VFX Supervisor & 2nd Unit Director: Roger Guyett
Production Visual Effects Producer: Ron Ames
Co-Producer & Key 1st AD: Tommy Gormley
Co-Producers: Michelle Rejwan, Ben Rosenblatt
Stunt Coordinator: John Stoneham Jr
Fight Choreographer: Marcus Young
Supervising Art Director: Ramsey Avery
Visual Effects Art Director: James Clyne
Art Directors: Kasra Farahani, Lauren Polizzi
On-Set Art Director: James Baldwin Stewart
A Cam/Steadicam Operator: Colin Anderson SOC
B Camera Operator: Philippe Carr-Forster
C Camera Operator: John Skotchdopole
1st Assistant A Camera: Sergius Nafa Nofield
2nd Assistant A Camera: Simon England
IMAX Technician: Tim Lovasen
Production Special FX Supervisor: Burt Dalton
Set Designer: Robert Fechtman
Creature Designer: Neville Page
1st Assistant Film Editor: Matt Evans
2nd Assistant Film Editor: Nathan Orloff
3rd Assistant Film Editors: Evan Schiff
Kelvin Opt. Sr VFX Sup & Previz Editor: Adam Gerstel
Production 3D Producer: Phelicia Sperrazzo
Production 3D Coordinator: Alicia Drury
3D Assistant Coordinator: Tony Damjanov
Stereoscopic Consultant: Rob Engle
Visual Effects Associate Producer: TJ Falls
Visual Effects Plate Coordinator: Chris Antonini
Production Visual FX Data Wrangler: Jason Chen
Sup. Sound Editor & Designer: Ben Burtt
Picture Car Coordinator: Tim Woods
Language Consultant: Britton Watkins
2nd Unit DoP: Bruce McCleery ASC
2nd Unit A Cam/Steady Op: Andrew Rowlands SOC
2nd Unit B Camera Operator: Dale Myrand
2nd Unit 1st Assistant A Camera: Nino Neuboeck
2nd Unit 1st Assistant B Camera: Bob Hall
2nd Unit 2nd Assist A Camera: Rodney Sandoval
2nd Unit 2nd Assistant B Camera: Dan Schroer
2nd Unit Chief Lighting Tech: Michael Ambrose
2nd Unit Special FX Foreperson: JD Schwalm
ILM Visual Effects Co-Supervisor: Patrick Tubach
ILM Senior Visual Effects Producer: Luke O'Byrne
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Associate Visual FX Supervisor: Patrick Roos
ILM Digital Production Supervisor: Michael Bauer
ILM CG Supervisors: Dan Pearson, Rob Weaver
ILM Senior Compositing Supervisor: Jay Cooper
ILM Digital Matte Supervisor: Barry Williams
ILM Digital Model Supervisor: Bruce Holcomb
ILM VFX Viewpaint Supervisor: Ron Woodall
ILM Creature Supervisor: Karin Cooper
ILM Layout Supervisor: Tim Dobbert
ILM Roto & Paint Supervisor: Trevor Hazel
ILM Stereo Supervisor: Sean Mackenzie
ILM Singapore Comp Supervisors: Dave Dally, Al Prichard
ILM Visual Effects Editor: Lorelei David
ILM Singapore VFX Producer: Stuart McAra
ILM Location Unit Assoc. VFX Supervisor: Eddie Pasquarello
ILM Compositing Supervisor: Todd Vaziri
ILM VFX PMs: Brian Barlettani, Lauren Carara, Karen Kelly, Cheng Pei Shan
ILM Technical Support Artist: Jason Snell
ILM Visual Effects Executive Producer: Jill Brooks
ILM Add'l Visual Effects Supervisor: Samir Hoon
ILM Add'l VFX EPs: Gretchen Libby, Janet Lewin
ILM Executive Staff: Vicki Dobbs-Beck
Pixomondo Visual FX Supervisor: Ben Grossman
Pixomondo VFX Producer: Richard Ivan Mann
Pixomondo On-Set VFX Supervisor: Alex Henning
Pixomondo Digital FX Supervisor: Adam Watkins
Pixomondo Compositing Supervisor: Dan Cobbett
Pixomondo Visual Effects Editor: Brian Miller
Pixomondo VFX Stereo Supervisor: Del Depierro
Pixomondo CG Supervisor: Enrico Damm
Pixomondo FX Supervisors: Pieter Mentz, Patrick Schuler
Pixomondo VFX EPs: Thilo Kuther, Christian Vogt
Kelvin Opt. DI Finish Sup: Juan Ignacio Cabrera
Kelvin Opt. Main Title Designer: Andrew Kramer
Kelvin Opt. Sr Compositors: Olaf Wendt, Tim LeDoux, Ken Littleton
Kelvin Opt. DI Finishing Producer: Erin M. Davis
Atomic Fiction Visual FX Supervisor: Kevin Baillie
Atomic Fiction Digital Art Director: Chris Stoski
Atomic Fiction Visual FX Producer: Dale Taylor
Atomic Fiction CG Supervisor: Mauricio Baiocchi
Atomic Fiction Animation Sup.: Jenn Emberly
Atomic Fiction VFX Exec Producer: Sandra Scott
Stereo D Stereo EPs: Will Sherak, Aaron Parry, Mike Gunter, Mike Bodkin
Stereo D Head of Stereography: Graham Clark
Stereo D Stereo Producer: Adam Schardein
Stereo D Stereographer: Brian Taber
Stereo D Stereo Supervisor: David Phillips
Stereo D Finaling Supervisor: Russell R. McCoy
Stereo D Stereo Prod Supervisor: Jessica Smith
Stereo D Roto Supervisor: Bryan Higgins
Stereo D Stereoscopic Post Exec: Milton Amadou
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D Stereo Editorial Sup.: Derek N. Prusak
Stereo D Senior Stereo Editor: Greg Emerson
Stereo D Stereo Editor: Michael G. Buck
Stereo D 1st Ass't Stereo Editor: Adrian Scherger
Stereo D Visual FX Manager: Charles Giarratano
Stereo D Stereo PCs: Todd Hoppmeyer, Jeffrey Stewart, Rebecca Kramp, Andrew Eick, Javier Paz
Stereo D Visual Effects Lead: Milady Bridges
Stereo D Element QC Lead: Les Foor
Stereo D Tracking Lead: Eric Sanford
CO3 EP & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorist: James Cody Baker
CO3 Senior DI Finishing Producer: Andy Kaplan
CO3 DI Finishing Technologist: Mike Chiado
CO3 Color Finishing Assistant: Jordan Fox
CO3 Head of Production: Devin Sterling
CO3 Account Executive: Jackie Lee
CO3 DI Finishing Accountant: Ian Sullivan
FotoKem Project Supervisors: Katherine Kane, Jose Parra, Mark Van Horne
FotoKem Dailies Colorists: Brian Kahovec, Robert Tomaszewski
FotoKem Dailies Film Timers: Don Capaferi, Kristen Zimmerman
FotoKem DI Visual FX Producer: Jason Pelham
Filming Dates: 12 January 2012 - 8 May 2012
Cameras: Arriflex 435 ES, IMAX MSM 9802, Iwerks MSM 8870 & Panaflex XL2 (35mm/65mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Zooms & Hasselblad
AR: 1.43:1 (IMAX 70mm Version: Some Scenes), 1.66:1 (IMAX 70mm Version: Some Scenes), 1.78:1 (IMAX Blu-Ray & 4K UHD Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic)
Budget: 185-190 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Service Provided by: Skywalker Sound
Special Visual Effects, Animation, Digital Intermediate Finishing & Titles Design Provided by: Industrial Light & Magic, Atomic Fiction, Pixomondo, Kelvin Optical + Company 3
3D Conversion Provided by: Stereo D
35mm/65mm Film & VFX Dailies Provided by: FotoKem
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - RegistaJ.J. AbramsStelleDaisy RidleyJohn BoyegaOscar IsaacTrent'anni dopo la sconfitta dell'Impero, sorge una nuova minaccia nel Primo Ordine dei militanti. Il disertore delle truppe Finn e la saprofaga Rey si trovano coinvolti nella ricerca dello scomparso Luke Skywalker da parte della Resistenza.Cinematographer: Dan Mindel ASC BSC
Production Designers: Rick Carter, Darren Gilford
Panavision VP of Optical Engineering: Dan Sasaki ASC
VFX Supervisor/2nd Unit Director: Roger Guyett
2nd Unit DP: Bruce McCleery ASC
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Philippe Carr-Forster
C-Camera Operator: Carlos De Carvalho
Gaffer: Perry Evans
1st Assistant Director: Tommy Gormley
SFX Buyer/Coordinator: Lynne Corbould
SFX Supervisor: Chris Corbould
SFX Team Member: Toby Marrow
Composer: John Williams
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
DI Colorist: Stefan Sonnenfeld ASC
Costume Designer: Michael Kaplan
Production Assistant: Henry Abrams
Camera(s): Alexa XT, IMAX MKIII, MSM 9802 & Panaflex XL2 Falcon (35mm, 65mm & 2.8K)
Lenses: Panavision Primo Anamorphic Primes, E-Series Anamorphic Primes, Retro C-, T-Series Anamorphic Primes, Anamorphic Zooms & Hasselblad Primes
AR: 1.43:1 (IMAX 70mm Version: Escape from Jakku Sequence), 1.90:1 (IMAX Digital Version: Escape from Jakku Sequence), 2.39:1 (Anamorphic)
Budget: 245 Million USD
Shot on: Kodak Motion Picture Film
Captured on: 35mm Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 200T 5213, Vision3 500T 5219 & 65mm Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219
Printed on: 35mm Kodak Vision 2383 & 70mm Vision 2383 (IMAX DMR Blow-Up)
Distributed by: Walt Disney Studios Motion Pictures
Digital Intermediate Provided By: Company 3
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed in Panavision - RegistaJ.J. AbramsStelleDaisy RidleyJohn BoyegaOscar Isaac"La conclusione della nuova trilogia di ""Star Wars""."Screenplay/Story Writer/Producer: J.J. Abrams
Screenplay/Story Writer: Chris Terrio
Story Writers: Derek Connolly, Colin Trevorrow
Producers: Kathleen Kennedy, Michelle Rejwan
Executive Producer/Unit Production Manager: Callum Greene
Executive Producer/First Assistant Director: Tommy Gormley
Executive Producer: Jason McGatlin
Director of Photography: Dan Mindel ASC BSC SASC
Director of Photography, Visual Effects - 32Ten: Pat Sweeney
Production Designers: Rick Carter, Kevin Jenkins
Editors: Maryann Brandon ACE, Stefan Grube
Composer/Music Conductor/Orchestrations: John Williams
Costume Designer: Michael Kaplan
Co-Producers: Pippa Anderson, Candice Campos, Chris Furia
Production Visual Effects Supervisor: Roger Guyett
Special Creature Effects: Neal Scanlan
Production Visual Effects Producers: Janet Lewin, Stacy Bissell, TJ Falls
Production Special Effects Supervisor: Dominic Tuohy
Casting Directors: Nina Gold CSA CDG, April Webster CSA, Alyssa Weisberg CSA
Key Unit Production Manager: D.J. Carson
Unit Production Manager: Kate Hazell
Key Second Assistant Director: Joey Coughlin
Production Controller / Associate Producer: Nour Dardari
Second Unit Director: Victoria Mahoney
Supervising Art Director: Paul Inglis
ILM Senior Visual Effects Supervisor: Patrick Tubach
ILM Senior Animation Supervisor: Paul Kavanagh
Lucasfilm Design Supervisor: James Clyne
Production Visual Effects Producer: Kevin Elam
Supervising Music Editor: Ramiro Belgardt
Post Production Supervisors: Susan E. Novick, Mark Harris
Lucasfilm Post Production: Mike Blanchard
Supervising Sound Editor/ADR Mixer, Skywalker Sound: Matthew Wood
Supervising Sound Editor / Sound Designer: David Acord
Re-Recording Mixers: Andy Nelson, Christopher Scarabosio
Stunt Coordinator: Eunice Huthart
Assistant Stunt Coordinator: Marc Mailley
Fight Coordinator: Mike Lambert
Key Stunt Utility: Dave Fisher
Key Stunt Utility & Stunt Rigger Supervisor: Tolga Kenan
Vehicle Sequence Supervisor: Evangelos Grecos
Stunt Riggers: Clive Goble, Peter Robinson, Kevin Lyons, Sam Trimming
Stunt Department Coordinator: Clare Glass
ADR Mixer, Skywalker Sound: Trey Turner
Lucasfilm Production Manager: Adam Teeuw
Production Manager - Foreign Locations: Martin Joy
Production Supervisor: Andy Surry
Production Coordinator: Lebo “Boo” Motjuoadi
Set Decorator: Rosemary Brandenburg SDSA
Prop & Weapons Master: Jamie Wilkinson
Construction Manager: Malcolm Roberts
Chief Lighting Technician: Perry Evans
Key Grip: Gary Hymns
Second Unit Director of Photography: Andrew Rowlands SOC
Second Unit Unit Production Manager: Ben Dixon
Second Unit First Assistant Director: Stewart Hamilton
Additional Conceptual Designs: Darren Gilford
Senior Art Director: Philip Sims
Art Director: Ashley Lamont
Storyboard Artist: David Allcock
VP & Head of Design: Doug Chaing
Blind LTD Computer Graphics Supervisor: Andrew Booth
Blind LTD Computer Graphics Producer: Helen Baker
Costume Supervisor: Dave Crossman
Hair Designer: Lisa Tomblin-Fitzpatrick
Makeup Designer: Amanda Knight
US Post Production Accountant: Troy McGatlin
A Camera Operator: Colin Anderson SOC
B Camera Operator: Graham Hall ACO
C Camera Operator: Carlos De Carvahlo
A Camera First AC: Sergius Nafa
B Camera First AC: Robert Palmer
C Camera First AC: Paul Wheeldon
A Camera Second AC: Alex Collings
B Camera Second AC: Alex Bender
C Camera Second AC: Daniel Gamble
Additional 2nd AC/Central Loader: Morgan Krishnamurthy-Spencer
Production Sound Mixer: Stuart Wilson AMPS CAS
Video Playback Operator: Zoë Whittaker
Supervising Location Manager: Mally Chung
Location Manager - Jordan: Duncan Broadfoot
Associate Editor: Jane Tones
Third Assistant Editor: Jena Cheung
Production VFX Editor: Martin Allan Kloner
VFX Assistant Editor: Kerry Joseph Blackman
Production Postvis Editor: Simon Burchell
Production 3D Editor: Brett Schlaman
3D Assistant Editors: Kristin Derella, Kim Boritz-Brehm
VFX Production Manager: James Yeoman
VFX Production Supervisor: Catherine Liu
VFX Production Assistants: Tori Aspinall, Ethan R. Graham
VFX Associate Producer: Serge Riou
Production VFX Coordinators: Cecy Falls, Erin Anderson
VFX Assistant Coordinator: Zoë Medcraft
In-House VFX Supervisor: Stefano Trivelli
In-House VFX Supervisor: Pauline Duvall
VFX Lead Data Wrangler: Jack George
Production VFX Data Wrangler: Simon Chiu
ILM Visual Effects Supervisors: Daniele Bigi, Jeff Capogreco, Dan Snape, Nigel Summer
ILM Visual Effects Producers: Russell Lum, Kacy McDonald, Edward Randolph
ILM Animation Supervisors: Stephen Aplin, Eric Leong, Lee McNair
ILM CG Supervisors: Karim Cooper, Nihal Friedel, Steve Hardy, Malcolm Humphreys, Daniel Lobl, Victor Schutz IV, Anthony Zwartouw
ILM Compositing Supervisors: Michael J. Allen, Sam Bassett, John J. Galloway, Charles Lai, Jan Maroske, Jeff Sutherland
ILM Asset & Environment Supervisors: Waldemar Bartkowiak, Bruce Holcomb, Ben Neall, Andy Proctor, John Seru, Dan Wheaton
ILM Visual Effects Art Directors: Stephen Tappin, Chris Voy
ILM Visual Effects Editors: Greg Hyman, Mark S. Wright
ILM VFX Associate Producers: Maggie Leung, Nicole Matteson, Brooke Meacham, Eric Schroeder
ILM Visual Effects Concept Artists: Amy Beth Christensen, Brett Northcutt, Stephen Zavala
ILM Visual Effects PMs: Josiane Fradette, Alexandra Greene, Umar Hussain
ILM Associate Visual Effects PMs: William Bartlett, Irene Cai, Annie MacLeod, Tim Trimmings
ILM Visual Effects Production Coordinator: Anna Mabarak
ILM Art Department: Jennifer Coronado, David Nakabayashi
ILM Executive Producer: Luke O'Byrne
ILM Chief Technology Officer: Rob Bredow
ILM London Head of Production: Sue Lyster
32Ten Visual Effects First AC: Vance Piper
32Ten Visual Effects Gaffer: Chris Schellenberger
Stereo D Stereographer: Brian Taber
Stereo D Stereo Producer: Ryan Fisk
Stereo D Stereo Supervisors: Brad Darrow, Vishal Tyagi
Stereo D Stereo Production Supervisor: Elliesse Cuniff
Stereo D Stereo Executive Producer: Aaron Parry
Stereo D Stereo Executive Producer: Vincent DeFebo
Stereo D VFX Supervisor: Russell Resendez McCoy
Stereo D VFX Producer: Mark Simone
Stereo D VFX Line Producers: Melissa Espina, Andrew Eick
Stereo D Production Manager: Rohit Suresh
Score Orchestrations: William Ross
Scoring Engineer: Shawn Murphy
Scoring Editor: Robert Wolff
Music Librarian: Mark Graham
Music Editor: Alex Levy
Additional Music Editor: Peter Myles
Rigging Gaffer: Raymond “Ossa” Mills
HOD Electrical Rigger: Iain Lowe
SFX Workshop Supervisor: Jem Lovett
SFX Floor Supervisor: Jamie Wegelin
SFX Production Buyers/Coordinators: Alicia Davies, Sophie Hutton
SFX Senior Technician: Chris J. Corbould
CFX Production Supervisor: Katie Newitt
CFX Supervising Animatronic Designers: Vanessa Bastyan, Maria Cork, Gustav Hoegen
CFX Prosthetics Supervisor: Lucy Sibbick
Production CFX Coordinator: Samantha Langridge
Creature Movement Choreographer: Paul Kasey Puppeteer Coordinator: Sophie White
Pinewood Film Scanning Producer: John Bush
CO3 Executive Producer/Colorist: Stefan Sonnenfeld ASC
CO3 Additional Colorists: Adam Nazarenko, Jared Pecht
CO3 Finishing Producer: Laura Geucherian
CO3 Associate Producer: Philip Marvin
CO3 Finishing Editors: Matthew W. Johnson VES, Chad Schermerhorn
CO3 Image Scientists: DR. John Quartel, Emily Faw
CO3 Color Assistants: John Tripp, Doug Yablun, Zachary Korpi
CO3 Heads of Production: Nick Monton, Erik Rogers
CO3 Dailies Processing Team: Dave Lee, Doug Garside, Paul Doogan, Jon Gray, Claire McGrane
EVP/General Manager: Lynwen Brennan
Sr. Manager, Live Action VFX Production: Christopher Bannister
Second Unit Second ADs: Tom Rye, David Keadell
Second Unit VFX Supervisor: Richard Bain
Second Unit A Camera Operator: Gary Spratling ACO
Second Unit B Camera Operator: Dave Hamilton-Green
Second Unit A Camera First AC: Erik L. Brown
Second Unit B Camera First AC: Dora krolikowska
Second Unit A Camera Second AC: Daniel Lillie
Second Unit Additional Second AC: Abigail Catto
Second Unit DIT: Mustafa Tyebkhan
Second Unit Central Loader: Luke Selway
Second Unit VFX Lead Data Wrangler: Edward Price
Second Unit Electrical Gaffer: Mark ‘Rocky’ Evans
Second Unit SFX Floor Supervisor: Luke Murphy
Jordan Unit First AD (VFX): Matthew Sharp
Jordan Unit Panavision Technicians: Tony Broadstock, Ray Fisher
Jordan Unit Lead CFX Assistant: Farah Karouta
Jordan Unit SFX Coordinator: Rafiq Kamhawi
Aerial Unit Coordinator & Pilot: Fred North
Aerial Unit DOP: David Nowell ASC
Aerial Unit Shotover Technician: Peter Graf
Aerial Unit Second AC: Elliot Dupuy
Drone Unit Camera Operators: Stephen Oh, Robert Stagg
Production Supervisors, AP: Laura Hunter, Elizabeth Small
First AD, AP: Darin Rivetti
Second ADs, AP: Matthew D. Smith, Jeff Taylor
A Camera First AC, AP: Simon England
VFX Assistant Coordinator, AP: Rob Caisey
Panavision VP, Optical Engineering: Dan Sasaki ASC
Filming Dates: 08/01/2018 - 02/19/2019, 07/2019 - 10/2019 (Reshoots)
Cameras: Arri Alexa 65, Arriflex 435 ES, Panaflex XL2 Millennium Falcon & XL2 Death Star (35mm Kodak Vision3 50D 5203, 500T 5219 & 6.5K ARRIRAW)
Lenses: Panavision® Primo AL Primes, ALZ11 48-550mm Zooms, ALZ3 Hubble Zooms, Retro C-, E-, G-, T-Series AL Primes, ALZ10 42-425mm Zooms, ATZ 70-200mm Zooms & AWZ2 40-80mm Zooms
AR: 2.39:1 (Anamorphic)
Budget: 410 Million USD
Printed on: Kodak Vision 2383
Visual Effects & Animation by: Industrial Light & Magic
Computer Graphics Design & Animation by: Blind LTD
Miniatures & Special Effects by: 32Ten Studios
3D Conversion & Visual Effects by: Stereo D
Post Production Sound Services by: Skywalker Sound
Film Scanning by: Pinewood Digital
Color and Finish by: Company 3
35mm Processing by: Kodak Film Labs London
Filmed with: Panavision Lenses & Cameras
Filmed at: Pinewood Studios, London, England
Shot on: Kodak 35mm Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®
