The Works of Director JJ Abrams
He's one of my favorite directors alongside Robert Zemeckis, Sofia Coppola & Sam Mendes, just to name a few. And with the exception of ROS (2019), I've enjoyed all of his films, my personal favorite being Super 8 (2011)
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- DirectorJ.J. AbramsStarsKeri RussellScott SpeedmanAmy Jo JohnsonAn old friend of Felicity's comes to visit, Elena is forced to deal with Blair, and Julie makes a risky decision.
- DirectorJ.J. AbramsStarsKeri RussellScott SpeedmanAmy Jo JohnsonTragedy causes Felicity to remember how it was, and Julie mails her tape - which she immediately regrets.
- DirectorJ.J. AbramsStarsJennifer GarnerRon RifkinMichael VartanSydney Bristow discovers that her job as an agent for SD-6, a top-secret division of the CIA, is not what she thought it was. Sydney's father, Jack, also tells her the truth about his work and she, enraged, seeks help from real CIA and is hired as their double agent under the command of Agent Vaughn. From now on, her job is really simple: she needs to complete her cases at SD-6 while reporting her findings back to the CIA.
- DirectorJ.J. AbramsStarsJennifer GarnerRon RifkinMichael VartanSloane must take a difficult decision in order to get to the Alliance's council. After being captured by Sark, Tippin is tortured by a Taiwanese would-be dentist to extract secrets. Sydney, who has to beware her colleague Dixon, assist her father trying to save Tippin. However, after losing Vaughn when the lab exploded, she is in for a surprise...
- DirectorJ.J. AbramsStarsJennifer GarnerRon RifkinMichael VartanSydney must confront her mother, who tells a clue about "some Rambaldi artifacts" in Zurich, but it was a trap to capture Jack. As Sloane keeps Jack hostage, Vaughn and Sydney go to Stockholm to capture Sark, who reveals the hideout in Mexico City. Meanwhile, Tippin discovers that Francie is in fact a "double" and is the one who framed him...
- DirectorJ.J. AbramsStarsMatthew FoxEvangeline LillyTerry O'QuinnForty-eight survivors of an airline flight originating from Australia, bound for the U.S., which crash-lands onto an unknown island 1000 miles off course, struggle to figure out a way to survive while trying to find a way to be rescued.
- DirectorJ.J. AbramsStarsMatthew FoxTerry O'QuinnEvangeline LillyHaving retrieved the plane tranceiver, a group of survivors try to transmit a signal, only to receive a strange transmission from another inhabitant.
- DirectorJ.J. AbramsStarsTom CruiseMichelle MonaghanVing RhamesIMF agent Ethan Hunt comes into conflict with a dangerous and sadistic arms dealer who threatens his life and his fiancée in response.Writer & ILM Digital Compositor: JJ Abrams
Producer: Tom Cruise
Composer: Michael Giacchino
Composer (M: I Theme): Lalo Schifrin
Co-Producer: Arthur Anderson
Production Visual FX Supervisor: Roger Guyett
Production Visual FX Producer: Tom Peitzman
Costume Designer: Colleen Atwood
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Production Designer: Scott Chambliss
Cinematographer: Dan Mindel ASC BSC
Cinematographer (German Unit): Jorg Widmer
Cinematographer (Add'l Photog) & CLT: Bruce McCleery ASC
Executive Producer & UPM: Stratton Leopold
Writers: Alex Kurtzman, Roberto Orci
Unit Production Manager: David Witz
1st Assistant Director: Tommy Gormley
Supervising Stunt Coordinator/2nd Unit Director: Vic Armstrong
Assistant Stunt Coordinator: Joey Box
ILM Associate Visual FX Supervisor: Russell Earl
ILM Senior Visual Effects Producer: Shari Hanson
Unit Director (German Unit) & Visual Consultant: Eric Schwab
Supervising Art Director: Daniel T. Dorrance
Production Special FX Coordinator: Daniel Sudick
A Cam/Steadicam Operator: Colin Anderson SOC
B Camera Operator: Philippe Carr-Forster
Aerial Unit DoP: David B. Nowell ASC
Art Directors: Kevin Kavanagh, Sean Haworth, Brad Ricker
C Camera Operator: Mark Meyers
1st Assistant A Camera: John T. Connor
1st Assistant C Camera: Sergius Nafa Nofield
Add'l Camera Operator: Christopher Duskin
SFX Staff Shop Supervisor: Dominic Cortez Jr
Special FX Digital Set Designer: Rob Johnson
Style Consultant: Oscar Blandi
Visual Effects Plate Coordinator: Steve Riera
Lead Graphic Designer: Chris Schultz
Picture Car Coordinator: Paul Stroh
2nd Unit DoPs: Mitchell Amundsen ASC SOC, Stephen St. John
2nd Unit Add'l DoP: Mike Benson SOC
2nd Unit A Cam Operator: Billy O'Drobinak SOC
2nd Unit B Camera Operator: Chris Haarhoff
Italian Unit Line Producer: Enzo Sisti
Unit Prod Manager (Italian Unit): Vito Colazzo
Italian Unit Art Directors: Stefano Ortolani, Eugenio Ulissi, Giacomo Calo Carducci
Italian Unit Set Decorator: Chiara Balducci
Italian Unit SFX Supervisor: Renato Agostini
Italian Unit SFX Coordinator: Daniel Acon
Italian Unit Stunt Coordinator: Claudio Pacifico
Italian Unit Action Vehicle Coord: Maurizio Maggi
China Unit Senior Prod Manager: Steven Harding
China Unit 1st Assistant Director: Sylvia Liu
China Unit Production Supervisor: Steve Lionetti
China Unit EPs: Han Sanping, Yang Buting
China Unit Co-Producers: Shi Doming, Jiang Tao
China Unit Producer: Zhao Haicheng
China Unit Associate Producer: Wang Guichun
China Unit Production Manager: Sun Ying
China Unit Art Director: Yu Bai Ying
China Unit C Camera Operator: Noah Weinzweig
China Unit SFX Supervisor: Bruce Law
UPM (German Unit): Michael Scheel
German Unit On-Set Art Director: Andreas Olshausen
ILM Digital Production Supervisor: Patrick Tubach
ILM Animation Supervisor: Paul Kavanagh
ILM Model-Miniature Supervisor: Brian Gernand
ILM VFX Seq. Supervisors: Todd Vaziri, Doug Sutton, Michael Conte, Richard Bluff
ILM Lead Digital Matte Artist: Giles Hancock
ILM Visual Effects Art Director: Alex Jaeger
ILM Digital Model Supervisor: Pamela J. Choy
ILM Lead VFX Prod Coordinator: Katie Lynch
ILM Sr VFX Coordinators: Brian Barlettani, Nina Fallon
ILM Visual Effects Editor: Nic Anastassiou
ILM Sr VFX Prod Assistant: Chrysta Marie Burton
ILM VFX Unit DoP: Patrick Sweeney
ILM VFX Unit 3rd Ass't Camera: Patrick McArdle
ILM Practical Effects Supervisor: Geoffrey Heron
ILM Sr Staff: Vicki Dobbs Beck, Chrissie England
ILM VFX EPs: Mark S. Miller, Denise Ream
Lola VFX Supervisor: Edson Williams
Lola VFX Producer: Thomas Nittmann
Lola VFX Lead Inferno Artist: Greg Strause
Lola VFX Inferno Artist: Leong-Wong Savun
BSP VFX Supervisor: Kevin Blank
CO3 EP-Sr Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producers: Missy Papageorge, Des Carey
CO3 Telecine Finishing Assistant: Jimmy Tom
Film Editor (DVD Version): Nick Gibbs
Filming Dates: 12 July 2005 - October 2005
Cameras: Arriflex 235, 435, Panaflex XL, Platinum & Sony CineAlta HDC-F950 (35mm Kodak Vision2 100T 5212/500T 5218 & HD)
Lenses: Panavision Primo Anamorphic + Spherical Primes, C-Series Anamorphic Primes, Panavision/Angenieux Optimo Anamorphic Zooms, Zeiss Digi Zooms & Fujinon C-Series Spherical Zooms
AR: 2.39:1 (Anamorphic)(4-Perf S35mm: Windmill Seq. Plates)
Budget: 150 Million USD
Budget AFI (2021): 205.7 Million USD
Main Special Visual Effects Provided by: Industrial Light & Magic + Lola VFX
Additional Visual Effects Provided by: Blank Screen Productions
Digital Intermediate Finishing Provided by: Company 3
Attribute: Filmed in Panavision - DirectorJ.J. AbramsStarsSteve CarellRainn WilsonJohn KrasinskiWhile Michael and Jan go to their first Dunder Mifflin outing as an official couple, the office workers left behind go out for happy hour. During happy hour, Roy finds out that Jim and Pam kissed on Casino Night.
- DirectorJ.J. AbramsStarsChris PineZachary QuintoSimon PeggThe brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.Producers & Co-Writers: JJ Abrams, Damon Lindelof
Writers: Alex Kurtzman, Roberto Orci
Executive Producer: Bryan Burk
Executive Producer & UPM: Jeffrey Chernov
Cinematographer: Dan Mindel ASC BSC SASC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Costume Designer: Michael Kaplan
Composer/Add'l Orchestrator: Michael Giacchino
Production VFX Supervisor & 2nd Unit Director: Roger Guyett
Production Visual Effects Producer: Shari Hanson
Co-Producer & Unit Prod Manager: David Witz
Associate Producer: David Baronoff
Unit Production Manager: Stratton Leopold
1st Assistant Director: Tommy Gormley
Stunt Coordinator: Joey Box
Fight Choreographer: Robert Alonzo
ILM Senior Visual Effects Supervisor: Russell Earl
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Senior VFX Producers: Jeff Olson, Jill Brooks
Post Production Supervisor: Debbi Bossi
Production Supervisor: Deb Schwab
Supervising Art Director: Keith P. Cunningham
Art Director: Beat Frutiger
Concert Artist: Ryan Church
Creature & Makeup FX Designer: Neville Page
A Cam/Steadicam Operator: Colin Anderson SOC
1st Assistant A Camera: John T. Connor
2nd Assistant A Camera: Jesse Roth SOC
B Camera Operator: Philippe Carr-Forster
1st Assistant B Camera: Brad Peterman
Supervising Prop Master: Russell Bobbitt
Production Special FX Supervisor: Burt Dalton
SFX Shop Operations Supervisor: Dale Ettema
Special Effects Set Supervisor: William Aldridge
Special Sound FX & Montage Designer: Ben Burtt
Picture Car Coordinator: Tim Woods
2nd Unit DoP: Bruce McCleery ASC
2nd Unit Stunt Coordinator: Terry Jackson
2nd Unit A Cam/Steady Op: Andrew Rowlands SOC
2nd Unit A Cam 1st AC: Sergius Nafa Nofield
2nd Unit B Camera Operator: Dale Myrand
Aerial Unit DoP: David B. Nowell ASC
Underwater Unit DoP: Pete Romano ASC
Romulan & Vulcan Language Cons.: Mark Okrand
Science Consultant: Carolyn Porco
Bad Robot VFX Consultant: Brandon Fayette
Production VFX Consultant: Rhonda C. Gunner
Production VFX Coordinator: Tom Elder-Groebe
ILM Associate VFX Supervisor: Eddie Pasquarello
ILM Digital Prod Supervisor: Michael Di Como
ILM CG Supervisor: Nigel Sumner
ILM Visual Effects Art Director: Alex Jaeger
ILM Digital Matte Supervisor: Chris Stoski
ILM Digital Model Supervisor: Bruce Holcomb
ILM VFX Viewpaint Supervisor: Ron Woodall
ILM Seq. Supervisors: Richard Bluff, Todd Vaziri, Grady Cofer, Jay Cooper, Raul Essig
ILM Sr VFX Production Manager: Jessica Teach
ILM Visual Effects Production Manager: Lisa Todd
ILM Visual Effects Editor: Greg Hyman
ILM Add'l VFX Art Director: Yanick Dusseault
ILM Assoc. VFX PMs: Katherine Farrar Bluff, Dale Taylor, Chrysta Marie Burton
ILM VFX Executive Producer: Gretchen Libby
ILM Add'l VFX Executive Producer: Janet Lewin
ILM Sr Staff: Chrissie England, Vicki Dobbs Beck
Digital Domain VFX Supervisor: Kelly Port
Digital Domain VFX Producer: Julian Levi
Digital Domain DFX Supervisor: Darren M. Poe
Digital Domain CG Supervisor: Paul George Palop
Digital Domain Comp Supervisor: Lou Pecora
Digital Domain Digital PM: Michelle Jacobs
Svengali FX VFX Supervisor: Stefano Trivelli
Svengali FX VFX Exec Producer: Jamie Venable
Svengali FX VFX Producer: Eric Withee
Lola VFX Supervisor: Edson Williams
Lola VFX Producer: Thomas Nittmann
Lola VFX Associate Producer: Ryan Zuttermeister
Lola VFX Inferno Artists: Casey Allen, Trent Claus
CO3 EP-Sr Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Nick Monton
Online Finishing Editor: Rob Doolittle
DI Finishing Assistant: James Cody Baker
CO3 Sr Finishing Producer: Missy Papageorge
DI Account Executive: Jackie Lee
DI Finishing Technologist: Mike Chiado
Font Consultant: Richard Massey
Filming Dates: 11 November 2007 - 27 March 2008
Cameras: Arriflex 435 ES, Panaflex XL2 & Platinum (35mm Kodak Vision2 100T 5212/500T 5218)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Anamorphic Zooms
AR: 1.43:1 (Main Title shot: IMAX 70mm version), 2.39:1 (Anamorphic)
Budget: 150 Million USD
Budget AFI (2021): 183.8 Million USD
Printed on: Kodak Vision 2383
Visual Effects & Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Digital Domain, Svengali FX & Lola VFX
Miniatures & Additional Special Effects Photography Provided by: Kerner Optical
Digital Intermediate Finishing Provided by: Company 3
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorJ.J. AbramsStarsElle FanningAJ MichalkaKyle ChandlerDuring the summer of 1979, a group of friends witness a train crash and investigate subsequent unexplained events in their small town.Cinematographer: Larry Fong ASC
Production Designer: Martin Whist
2nd Unit DP: Bruce McCleery ASC
Camera Operator: Greg Baldi
A-Camera Operator: Philippe Carr-Forster
B-Camera/Steadicam Operator: Colin Anderson SOC
C-Camera Operator: John Skotchdopole
Motion Capture Camera Operator: Trent Ellis
2nd Unit Camera Operator: Daniel L. Turrett
2nd Unit A-Camera Operator: Dale Myrand
Steadicam Operator: Colin Hudson
Video Operator: Dan Moore
Electrician: John Leonetti Jr
1st Assistant Director: Tommy Gormley
VFX Supervisors: Dennis Muren ASC, Russell Earl, Kim Libreri
Composer: Michael Giacchino
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Assistant Film Editor: Nona Khodai ACE
DI Colorist: Stefan Sonnenfeld ASC
Costume Designer: Ha Nguyen
Camera(s): Arriflex 16 SR3, 435, Bell & Howell Eyemo, Beaulieu 8mm, Canon 8mm, Panaflex XL2 & Red One MX (8mm, 16mm, 35mm & 4.5K)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Zooms & Panavised Zeiss Super Speed Primes
AR: 2.39:1 (Anamorphic, Super 8mm & 16mm)
Budget: 50 Million USD
Super 8mm Film Services Provided By: Pro8mm
Shot on: Kodak Motion Picture Film
Captured on: 8mm Kodak Vision3 200T 5213, Vision3 500T 5219, 16mm Vision3 200T 7213, Vision3 500T 7219 & 35mm Vision3 200T 5213, Vision3 500T 5219
Printed on: 35mm Kodak Vision 2383 (Partial Blow-Up) & 70mm Vision 2383 (IMAX DMR Blow-Up)
Digital Intermediate Provided By: Company 3
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed in Panavision - DirectorJ.J. AbramsStarsChris PineZachary QuintoZoe SaldanaAfter the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.Producers: JJ Abrams, Bryan Burk
Writers/Producers: Alex Kurtzman, Roberto Orci, Damon Lindelof
Executive Producer & UPM: Jeffrey Chernov
Cinematographer: Dan Mindel ASC BSC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Composer: Michael Giacchino
Costume Designer: Michael Kaplan
Production VFX Supervisor & 2nd Unit Director: Roger Guyett
Production Visual Effects Producer: Ron Ames
Co-Producer & Key 1st AD: Tommy Gormley
Co-Producers: Michelle Rejwan, Ben Rosenblatt
Stunt Coordinator: John Stoneham Jr
Fight Choreographer: Marcus Young
Supervising Art Director: Ramsey Avery
Visual Effects Art Director: James Clyne
Art Directors: Kasra Farahani, Lauren Polizzi
On-Set Art Director: James Baldwin Stewart
A Cam/Steadicam Operator: Colin Anderson SOC
B Camera Operator: Philippe Carr-Forster
C Camera Operator: John Skotchdopole
1st Assistant A Camera: Sergius Nafa Nofield
2nd Assistant A Camera: Simon England
IMAX Technician: Tim Lovasen
Production Special FX Supervisor: Burt Dalton
Set Designer: Robert Fechtman
Creature Designer: Neville Page
1st Assistant Film Editor: Matt Evans
2nd Assistant Film Editor: Nathan Orloff
3rd Assistant Film Editors: Evan Schiff
Kelvin Opt. Sr VFX Sup & Previz Editor: Adam Gerstel
Production 3D Producer: Phelicia Sperrazzo
Production 3D Coordinator: Alicia Drury
3D Assistant Coordinator: Tony Damjanov
Stereoscopic Consultant: Rob Engle
Visual Effects Associate Producer: TJ Falls
Visual Effects Plate Coordinator: Chris Antonini
Production Visual FX Data Wrangler: Jason Chen
Sup. Sound Editor & Designer: Ben Burtt
Picture Car Coordinator: Tim Woods
Language Consultant: Britton Watkins
2nd Unit DoP: Bruce McCleery ASC
2nd Unit A Cam/Steady Op: Andrew Rowlands SOC
2nd Unit B Camera Operator: Dale Myrand
2nd Unit 1st Assistant A Camera: Nino Neuboeck
2nd Unit 1st Assistant B Camera: Bob Hall
2nd Unit 2nd Assist A Camera: Rodney Sandoval
2nd Unit 2nd Assistant B Camera: Dan Schroer
2nd Unit Chief Lighting Tech: Michael Ambrose
2nd Unit Special FX Foreperson: JD Schwalm
ILM Visual Effects Co-Supervisor: Patrick Tubach
ILM Senior Visual Effects Producer: Luke O'Byrne
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Associate Visual FX Supervisor: Patrick Roos
ILM Digital Production Supervisor: Michael Bauer
ILM CG Supervisors: Dan Pearson, Rob Weaver
ILM Senior Compositing Supervisor: Jay Cooper
ILM Digital Matte Supervisor: Barry Williams
ILM Digital Model Supervisor: Bruce Holcomb
ILM VFX Viewpaint Supervisor: Ron Woodall
ILM Creature Supervisor: Karin Cooper
ILM Layout Supervisor: Tim Dobbert
ILM Roto & Paint Supervisor: Trevor Hazel
ILM Stereo Supervisor: Sean Mackenzie
ILM Singapore Comp Supervisors: Dave Dally, Al Prichard
ILM Visual Effects Editor: Lorelei David
ILM Singapore VFX Producer: Stuart McAra
ILM Location Unit Assoc. VFX Supervisor: Eddie Pasquarello
ILM Compositing Supervisor: Todd Vaziri
ILM VFX PMs: Brian Barlettani, Lauren Carara, Karen Kelly, Cheng Pei Shan
ILM Technical Support Artist: Jason Snell
ILM Visual Effects Executive Producer: Jill Brooks
ILM Add'l Visual Effects Supervisor: Samir Hoon
ILM Add'l VFX EPs: Gretchen Libby, Janet Lewin
ILM Executive Staff: Vicki Dobbs-Beck
Pixomondo Visual FX Supervisor: Ben Grossman
Pixomondo VFX Producer: Richard Ivan Mann
Pixomondo On-Set VFX Supervisor: Alex Henning
Pixomondo Digital FX Supervisor: Adam Watkins
Pixomondo Compositing Supervisor: Dan Cobbett
Pixomondo Visual Effects Editor: Brian Miller
Pixomondo VFX Stereo Supervisor: Del Depierro
Pixomondo CG Supervisor: Enrico Damm
Pixomondo FX Supervisors: Pieter Mentz, Patrick Schuler
Pixomondo VFX EPs: Thilo Kuther, Christian Vogt
Kelvin Opt. DI Finish Sup: Juan Ignacio Cabrera
Kelvin Opt. Main Title Designer: Andrew Kramer
Kelvin Opt. Sr Compositors: Olaf Wendt, Tim LeDoux, Ken Littleton
Kelvin Opt. DI Finishing Producer: Erin M. Davis
Atomic Fiction Visual FX Supervisor: Kevin Baillie
Atomic Fiction Digital Art Director: Chris Stoski
Atomic Fiction Visual FX Producer: Dale Taylor
Atomic Fiction CG Supervisor: Mauricio Baiocchi
Atomic Fiction Animation Sup.: Jenn Emberly
Atomic Fiction VFX Exec Producer: Sandra Scott
Stereo D Stereo EPs: Will Sherak, Aaron Parry, Mike Gunter, Mike Bodkin
Stereo D Head of Stereography: Graham Clark
Stereo D Stereo Producer: Adam Schardein
Stereo D Stereographer: Brian Taber
Stereo D Stereo Supervisor: David Phillips
Stereo D Finaling Supervisor: Russell R. McCoy
Stereo D Stereo Prod Supervisor: Jessica Smith
Stereo D Roto Supervisor: Bryan Higgins
Stereo D Stereoscopic Post Exec: Milton Amadou
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D Stereo Editorial Sup.: Derek N. Prusak
Stereo D Senior Stereo Editor: Greg Emerson
Stereo D Stereo Editor: Michael G. Buck
Stereo D 1st Ass't Stereo Editor: Adrian Scherger
Stereo D Visual FX Manager: Charles Giarratano
Stereo D Stereo PCs: Todd Hoppmeyer, Jeffrey Stewart, Rebecca Kramp, Andrew Eick, Javier Paz
Stereo D Visual Effects Lead: Milady Bridges
Stereo D Element QC Lead: Les Foor
Stereo D Tracking Lead: Eric Sanford
CO3 EP & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorist: James Cody Baker
CO3 Senior DI Finishing Producer: Andy Kaplan
CO3 DI Finishing Technologist: Mike Chiado
CO3 Color Finishing Assistant: Jordan Fox
CO3 Head of Production: Devin Sterling
CO3 Account Executive: Jackie Lee
CO3 DI Finishing Accountant: Ian Sullivan
FotoKem Project Supervisors: Katherine Kane, Jose Parra, Mark Van Horne
FotoKem Dailies Colorists: Brian Kahovec, Robert Tomaszewski
FotoKem Dailies Film Timers: Don Capaferi, Kristen Zimmerman
FotoKem DI Visual FX Producer: Jason Pelham
Filming Dates: 12 January 2012 - 8 May 2012
Cameras: Arriflex 435 ES, IMAX MSM 9802, Iwerks MSM 8870 & Panaflex XL2 (35mm/65mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Zooms & Hasselblad
AR: 1.43:1 (IMAX 70mm Version: Some Scenes), 1.66:1 (IMAX 70mm Version: Some Scenes), 1.78:1 (IMAX Blu-Ray & 4K UHD Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic)
Budget: 185-190 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Service Provided by: Skywalker Sound
Special Visual Effects, Animation, Digital Intermediate Finishing & Titles Design Provided by: Industrial Light & Magic, Atomic Fiction, Pixomondo, Kelvin Optical + Company 3
3D Conversion Provided by: Stereo D
35mm/65mm Film & VFX Dailies Provided by: FotoKem
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorJ.J. AbramsStarsDaisy RidleyJohn BoyegaOscar IsaacAs a new threat to the galaxy rises, Rey, a desert scavenger, and Finn, an ex-stormtrooper, must join Han Solo and Chewbacca to search for the one hope of restoring peace.Cinematographer: Dan Mindel ASC BSC
Production Designers: Rick Carter, Darren Gilford
Panavision VP of Optical Engineering: Dan Sasaki ASC
VFX Supervisor/2nd Unit Director: Roger Guyett
2nd Unit DP: Bruce McCleery ASC
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Philippe Carr-Forster
C-Camera Operator: Carlos De Carvalho
Gaffer: Perry Evans
1st Assistant Director: Tommy Gormley
SFX Buyer/Coordinator: Lynne Corbould
SFX Supervisor: Chris Corbould
SFX Team Member: Toby Marrow
Composer: John Williams
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
DI Colorist: Stefan Sonnenfeld ASC
Costume Designer: Michael Kaplan
Production Assistant: Henry Abrams
Camera(s): Alexa XT, IMAX MKIII, MSM 9802 & Panaflex XL2 Falcon (35mm, 65mm & 2.8K)
Lenses: Panavision Primo Anamorphic Primes, E-Series Anamorphic Primes, Retro C-, T-Series Anamorphic Primes, Anamorphic Zooms & Hasselblad Primes
AR: 1.43:1 (IMAX 70mm Version: Escape from Jakku Sequence), 1.90:1 (IMAX Digital Version: Escape from Jakku Sequence), 2.39:1 (Anamorphic)
Budget: 245 Million USD
Shot on: Kodak Motion Picture Film
Captured on: 35mm Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 200T 5213, Vision3 500T 5219 & 65mm Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219
Printed on: 35mm Kodak Vision 2383 & 70mm Vision 2383 (IMAX DMR Blow-Up)
Distributed by: Walt Disney Studios Motion Pictures
Digital Intermediate Provided By: Company 3
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed in Panavision - DirectorJ.J. AbramsStarsDaisy RidleyJohn BoyegaOscar IsaacThe surviving Resistance faces the First Order once again in the conclusion of the Skywalker saga.Producer & Co-Writer: JJ Abrams
Co-Writer: Chris Terrio
Story Writers: Derek Connolly, Colin Trevorrow
Producer: Michelle Rejwan
Executive Producer & UPM: Callum Greene
Executive Producer & 1st AD: Tommy Gormley
Cinematographer: Dan Mindel ASC BSC SASC
Production Designers: Rick Carter, Kevin Jenkins
Film Editors: Maryann Brandon ACE, Stefan Grube
Score Composer, Conductor & Orchestrator: John Williams
Score Orchestrator: William Ross
Costume Designer: Michael Kaplan
Production Visual FX Supervisor: Roger Guyett
Special Creature FX Designer: Neal Scanlan
Production VFX Producers: Janet Lewin, Stacey Bissell, TJ Falls
Production Special FX Supervisor: Dominic Tuohy
Key Unit Production Manager: DJ Carson
Unit Production Manager: Kate Hazell
Key 2nd Assistant Director: Joey Coughlin
Assoc. Producer & Prod Controller: Nora Dardari
2nd Unit Director: Victoria Mahoney
Supervising Art Director: Paul Inglis
ILM Senior Visual FX Supervisor: Patrick Tubach
ILM Senior Animation Supervisor: Paul Kavanagh
Production Design Supervisor: James Clyne
2nd Visual Effects Producer: Kevin Elam
Supervising Music Editor: Ramiro Belgardt
Post Prod Supervisors: Susie Novick, Mark Harris
Supervising Sound Editor: Matthew Wood
Sup. Sound Editor & Designer: David Acord
Re Record Mixers: Andy Nelson, Chris Scarabosio
Supervising Stunt Coordinator: Eunice Huthart
Assistant Stunt Coordinator: Marc Mailley
Fight Coordinator: Mike Lambert
Key Stunt Utility & Rigging Sup.: Tolga Kenan
Vehicle Sequence Supervisor: Evangelos Grecos
Stunt Department Coordinator: Clare Glass
Production Manager: Adam Teeuw
Prod Manager (Foreign Locations): Martin Joy
Production Supervisor: Andy Surry
Set Decorator: Rosemary Brandenburg
Prop & Weapons Master: Jamie Wilkinson
Chief Lighting Technician: Perry Evans
Key Grip: Gary Hymns
2nd Unit DoP: Andrew Rowlands SOC
Unit Production Manager (2nd Unit): Ben Dixon
2nd Unit 1st Ass't Director: Stewart Hamilton
Add'l Conceptual Designer: Darren Gilford
Senior Art Director: Phil Sims
Art Directors: Jim Barr, Claire Fleming, Patrick Harris, Ashley Lamont, Mike Stallion
Storyboard Artist: David Allcock
Art Director (Action Vehicles): Oliver VD Vijver
Ass't Art Directors (Action Vehicles): Madhav Kidao, Matt Sims
Art Director (Action Vehicles W/Shop): Richard Campling
Concept Artists: Christian Alzmann, Ryan Church
3D Set Designers: Rebekah Bukhbinder, Ian Bunting
VP & Head of Design: Doug Chiang
Location Set Decorator: Andrew McCarthy
Art Directors (Props): Oliver Roberts, Lydia Fry, Daniel Nussbaumer
Lead Graphic Designer: Dan Burke
Graphic Designers: Hannah Kons, Dominic Sikking
Blind Senior CG Supervisor: Andrew Booth
Blind Senior CG Producer: Helen Baker
A Cam/Steadicam Operator: Colin Anderson SOC
1st Assistant A Camera: Sergius Nafa Nofield
B-Camera Operator: Graham Hall ACO
1st Assistant B Camera: Robert Palmer
C Camera Operator: Carlos De Carvalho
1st Assistant C Camera: Paul Wheeldon
2nd Assistant A Camera: Alex Collings
2nd Assistant B Camera: Alex Bender
2nd Assistant C Camera: Dan Gamble
Supervising Location Manager: Mally Chung
Location Manager (Jordan): Duncan Broadfoot
Location Manager (UK): Lex Donovan
Associate Film Editor: Jane Tones
3rd Assistant Director: Jena Cheung
Production VFX Editor: Martin Allan Kloner
VFX 1st Ass't Editor: Kerry Joseph Blackman
Post Visualization Editor: Simon Burchell
Production 3D Editor: Brett Schlaman
3D 1st Assistant Editor: Kristin Derella
3D 2nd Assistant Editor: Kim Boritz-Brehm
Visual FX Production Manager: James Yeoman
Visual FX Production Supervisor: Catherine Liu
VFX Prod Assists: Tomas Battersby, Tom Aspinall, Ethan R. Graham
Visual Effects Associate Producer: Serge Riou
Production VFX Coordinators: Cecy Falls, Erin Anderson
In House Lead VFX Supervisor: Stefano Trivelli
In House Visual FX Supervisor: Pauline Duvall
In House VFX Lead Data Wrangler: Jack George
In House Visual FX Data Wrangler: Simon Chiu
In House Visual Effects Artist: Joe Divalerio
ILM VFX Supervisors: Daniele Bigi, Dan Snape, Jeff Capogreco, Nigel Sumner
ILM Sr VFX Producers: Russ Lum, Ed Randolph, Kacy McDonald
ILM Animation Supervisors: Stephen Aplin, Eric Leong, Lee McNair
ILM CG Supervisors: Karin Cooper, Nihal Friedel, Steve Hardy, Malcolm Humphreys, Barry Kane, Daniel Lobl, Victor Schutz IV, Anthony Zwartouw
ILM Sr Comp Supervisors: Michael J. Allen, Sam Bassett, John J. Galloway, Charles Lai, Jan Maroske, Jeff Sutherland
ILM Asset & Environ. Supervisors: Waldemar Bartkowiak, Jeffrey De Guzman, Clement Gerard,
Bruce Holcomb, Ben Neall, Andy Proctor, John Seru, Dan Wheaton, Elvin Siew Xiangyou
ILM VFX Art Directors: Stephen Tappin, Chris Voy
ILM Crowd Supervisor: Marco Carboni
ILM Singapore Visual FX Supervisor: Dave Dally
ILM Digital Paint Supervisor: Samual Dawes
ILM Effects Supervisor: Nicolas Delbecq
ILM Layout Supervisor: Tim Dobbert
ILM Digital FX Supervisor: Amit George Kuruvilla
ILM Lighting Supervisor: David Marsh
ILM Creature Supervisor: James Tooley
ILM Add'l Animation Supervisor: Mathieu Vig
ILM Lead VFX Prod Accountant: Pam Sinsheimer
ILM VFX Editors: Greg Hyman, Mark S. Wright
ILM VFX Assoc. Producers: Maggie Leung, Nicole Matteson, Brooke Meacham, Eric Schroeder
ILM Comp Supervisor: Aleksei Chernogorod
ILM Lead FX Technical Director: Ken Beauchamp
ILM VFX PMs: Josiane Fradette, Ali Greene, Umar Hussain, Shivani Jhaveri, Jeen Yee
ILM Visual Effects Coordinator: Gerard Diefenthal
ILM Executive Visual FX Producer: Luke O'Byrne
ILM SVP & CCO of Visual Effects: Rob Bredow
ILM Exec in Charge Of Finance: Khuyen Dang
ILM VP of Communications: Greg Grusby
ILM Head of 2D: Luke Hetherington
ILM Exec in Charge of Visual FX: Spencer Kent
ILM VFX Executive Producer: Gretchen Libby
ILM Heads of Prod: Sue Lyster, Randal Shore
ILM VFX Consultant: Dennis Muren ASC
ILM VP of Operations: Jessica Teach
Stereo D Stereographer: Brian Taber
Stereo D Stereo Producer: Ryan Fisk
Stereo D Stereo Supervisors: Brad Darrow, Vishal Tyagi
Stereo D Stereo Prod Supervisor: Elliesse Cuniff
Stereo D Head of Creative: Davis Saunders
Stereo D VP of Production: Chris Treichel
Stereo D Creative Supervisor: Tanmoy Gupta
Stereo D Post Prod Supervisor: Jason Pomerantz
Stereo D Senior Stereo Editor: David Watro
Stereo D 1st Ass't Stereo Editor: Ryan Faulkner
Stereo D Ass't Finaling Supervisor: Yael Majors
Stereo D Finaling Manager: Kari-Lyn Gravel
Stereo D Ass't Depth Supervisor: Dane Wylie
Stereo D Stereo Sr Exec Producer: Aaron Parry
Stereo D Stereo Exec Producer: Vincent Defebo
Stereo D VFX Supervisor: Russell R. McCoy
Stereo D VFX Producer: Mark Simone
Stereo D Sr Comp Supervisors (VFX): Grant Lee, Thailraju Madhav
Stereo D VFX Line Producers: Melissa Espina, Andrew Eick
Stereo D Ass't Comp Sup (VFX): Om G. Kangone
Stereo D VFX Roto Supervisors: Andan Siddique, Sushil Kalyanshetti
Stereo D Prod Man. (VFX Crew): Rohit Suresh
Stereo D Ass't VFX Roto Supervisor: Ravij Singh
Music Contractor: Sandy DeCrescent
Music Librarian: Mark Graham
Rigging Gaffer: Raymond "Ossa" Mills
Ass't Prop Masters: John Fox, Jack Garwood
Ass't Prop Master (Hand Props & Weapons): Simon Wilkinson
Action Vehicles Supervisor: Warren Stickley
Special Effects Workshop Supervisor: Jem Lovett
Special Effects Floor Supervisor: Jamie Weguelin
SFX Prod Buyers & Coordinators: Alicia Davies, Sophie Hutton
SFX Buyers/Ass't Coordinators: Sej Dave, Carmila Gittens
Special FX Senior Technician: Chris Corbould II
Creature FX Production Supervisor: Katie Newitt
Production CFX Coord.: Samantha Langridge
Pinewood Film Scanning Producer: John Bush
CO3 Exec Producer-Sup Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorists: Adam Nazarenko, Jared Pecht
CO3 Senior Finishing Producer: Laura Geucherian
CO3 Associate Finishing Producer: Philip Marvin
CO3 Senior Finishing Editors: Matthew Johnson, Chad Schermerhorn
CO3 Finishing Technologist: Mike Chiado
Color Finishing Assistants: John Tripp, Zach Korpi
CO3 Digital Restoration Artists: Megan Shepard, Chris Clausing
CO3 DI Finishing Executive: Jackie Lee
CO3 Finishing Accountant: Ian Sullivan
CO3 Heads of Prod: Nick Monton, Erik Rogers
VFX Associate Production Manager: Katie Plumer
2nd Unit 2nd ADs: Tom Rye, David Keadell
2nd Unit 3rd Assistant Director: Lottie Millar
2nd Unit Visual Effects Supervisor: Richard Bain
2nd Unit A Camera Operator: Gary Spratling
2nd Unit B Cam Operator: Dave Hamilton-Green
2nd Unit 1st Assistant A Camera: Erik L. Brown
2nd Unit 2nd Assistant A Camera: Daniel Lillie
2nd Unit Add'l 2nd Ass't Camera: Abigail Catto
2nd Unit VFX Lead Data Wrangler: Edward Price
2nd Unit VFX Data Wranglers: Louis Falcon, James Cooper
2nd Unit SPFX Floor Supervisor: Luke Murphy
Jordan Unit PM (Location Units): Fuda Khalil
Jordan Unit 1st AD (Location Units): Tamir Naber
Jordan VFX Unit 1st AD (Loc Units): Matt Sharp
Jordan 2nd Unit 1st AD (Loc Units): Tarik Afifi
Jordan 2nd Unit 3rd AD (Loc Units): Oun Kloub
Jordan Unit Art Director (Loc Unit): Samy Keilani
Jordan Unit 2nd AC (Loc Unit): Shereen Baddour
Jordan Unit Drone Asst. (Location Units): Ahmad Jalboush
Jordan Loc 2nd Unit Cam Asst. (Intern/Trainee): Lina Khaled
Jordan Unit Panavision Techs (Loc Units): Tony Broadstock, Raymond Fisher
Jordan Unit Lead CFX Asst. (Loc Units): Farah Karouta
Jordan Unit SFX Coord (Loc Unit): Rafiq Kamhawi
Jordan Unit VFX Interns/Trainees (Loc Units): Yazan Shabbak, Ali Al Khadra
Aerial Unit Coord & Pilot (Loc Units): Fred North
Aerial Unit DoP (Loc Units): David B. Nowell ASC
Drone Unit A Cam Op (Loc Units): Stephen Oh
Drone Unit B Cam Op (Loc Units): Robert Stagg
Filming Dates: 1 August 2018 - 15 February 2019, July 2019 - October 2019 (Reshoots)
Cameras: Alexa 65, Arriflex 435 ES & Panaflex XL2 (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 6.5K ARRIRAW)
Lenses: Panavision Primo AL & SL Primes, Retro C-, E-, G-, T-Series Anamorphic Primes, Shpero 65 Primes, Anamorphic Telephoto (70-200mm) Zoom & Anamorphic Wide-Angle 2:1 (40-80mm) Zoom
AR: 2.39:1 (Anamorphic)(PS70: Some Aerial Shots)
Budget: 275 Million USD
Visual Effects, Computer Graphics Design & Animation Provided by: Industrial Light & Magic + Blind LTD
Additional Visual Effects Provided by: Hybride, Important Looking Pirates, Ghost VFX, Base FX, Yannix, Virtuos, Tippett Studio & Exceptional Minds
Miniatures & Special Effects Provided by: 32Ten Studios
3D Conversion & Visual Effects Provided by: Stereo D
Post-Production Sound Services Provided by: Skywalker Sound
Film Scanning & VFX Pulls Provided by: Pinewood Digital
Color & Finish Provided by: Company 3
Filmed at: Pinewood Studios, London, England
Shot on: Kodak 35mm Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision