The Works of Director Francis Ford Coppola ACE

Writer: Francis Ford Coppola ACE
Director/Writer (2nd Unit): Jack Hill
Composer: Ronald Stein
Composer (Stock Music): Les Baxter
Film Editors: Stuart O'Brien, Morton Tubor
Art Director: Al Locatelli
Cinematographer: Charles Hannawalt ASC
Producer: Roger Corman
1st Assistant Director: Richard Dalton
Associate Producer: Marianne Wood
Set Director: Eleanor Neil Coppola
A Camera Operator: John Vicario
1st Assistant Editor: Donald Shebib
Technical Advisor: William Joseph Bryan Jr
Film Editor (2017 Restoration): Robert Schafer
2017 Restoration Supervisor: James T. Mockoski
Color Supervisor (2017 Rest.): Chris Martin
2017 Sound Restoration Lead: Jim McKee
Negative Format: 35mm Eastman
AR: 1.66:1 (Spherical)
Budget: 40-42 Thousand USD
Budget AFI (2022): 377.9-396.8 Thousand USD
2017 Film Restoration Supervised by: Screen Time Images, American Zoetrope + Mission Film & Design

Writer: Francis Ford Coppola ACE
Composer: Robert Prince
Costume Designer: Theoni Aldredge
Film Editor: Adam Avakian
Art Director: Vassele Fotopoulos
Cinematographer: Andrew Laszlo ASC
Producer: Phil Feldman
Production Manager: David Golden
1st Assistant Director: Larry Sturhahn
1st Assistant Editor: Marc Laub
Titles Designer: Eleanor Neil Coppola
Filming Dates: 1 June 1966 - 20 July 1966
Negative Format: 35mm Eastman
AR: 1.85:1 (Spherical)
Budget: 0.8-1 Million USD
Budget AFI (2022): 7.1-8.9 Million USD

1st Assistant Director: Fred Gammon
2nd Assistant Director: Howard Kazanjian
Composer & Conductor (Music Score) + Music Supervisor: Ray Heinderf
Associate Music Supervisor: Ken Darby
Makeup Supervisor: Gordon Bau
Film Editor: Melvin Shapiro
1st Assistant Film Editor: Fred Talmage
Costume Designer: Dorothy Jeakins
Production Designer: Hilyard M. Brown
Set Decorators: Philip Abramson, William Kuehl
Cinematographer: Philip Lathrop ASC
1st Assistant A Camera: William N. Clark
Electrician: Robert Jason
2nd Unit DoP: Carroll Ballard
Assoc. Producer & Prod Supervisor: Joel Freeman
Producer: Joseph Landon
Production Assistant: George Lucas ACE
Cameras: Panavision R-200 & PSR R-200 (35mm Eastman 50T)
Lenses: Panavision B-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 3.5 Million USD
Budget AFI (2022): 29 Million USD
Attribute: Filmed in Panavision

Cinematographer: Bill Butler ASC
Camera Operator: Ralph Gerling
Composer: Ronald Stein
Music Associate: Carmine Coppola
Film Editor: Barry 'Blackie' Malkin ACE
Assistant Film Editors: Joel Cox ACE, Marcia Griffin Lucas
Production Assistant: John Milius
Production Associate: George Lucas ACE
Production Staff: Charles Hannawalt ASC
Unit Manager: Ronald Colby
AR: 1.85:1 (Spherical)

Screenwriter: Francis Ford Coppola ACE
Co-Writer: Mario Puzo
Producer: Albert S. Ruddy
Cinematographer: Gordon Willis ASC
Cinematographer-LA & 2nd Units: Bill Butler ASC
Cinematographer (Newspaper Seq.): Caleb Deschanel ASC
Production Designer: Dean Tavoularis
Costume Designer: Anna Hill Johnstone
Film Editor: William Reynolds ACE
Film Editor & Foreign Post Prod Lead: Peter Zinner ACE
Associate Producer: Gray Frederickson
Composer: Nino Rota
Composer (Add'l Music: Mall Wedding Seq.): Carmine Coppola
Composer (Add'l Music: Baptism Seq.): JS Bach
Add'l Film Editor (Mattress Seq.): George Lucas ACE
Story Editor: Robert Towne
Stunt Coord/2nd Unit Director: Paul Baxley
Art Director: Warren Clymer
Set Decorator: Philip Smith
Score Conductor: Carlo Savina
Casting: Fred Roos
Post Prod Consultant: Walter Murch ACE
Wardrobe Supervisor: George Newman
A Camera Operator: Michael Chapman ASC
Exec Assistant: Robert S. Mendelsohn
Unit Prod Manager (Oak Tree): Fred Caruso
1st Ass't Director (Oak Tree): Fred Gallo
Unit Coordinator (Oak Tree): Robert Barth
Sicilian Unit Prod Man.: Valerio De Paolis
Sicilian Unit 1st Ass't Director: Tony Brandt
Sicilian Unit Ass't Art Dir: Samuel Verts
Restoration Supervisor: Robert A. Harris
MPI Sr DI Colorist (2007/08 Rest.): Jan Yarbrough
MPI Sr DI Producer (2007/08 Rest.): Daphne Dentz
MPI Sr Staff Scientist & Digital Consultant (2007/08 Rest.): Daniel S. Rosen
MPI Scan Manager (2007/08 Rest.): Chris Gillaspie
MPI Dig. Conform Finishing Artist (2007/08 Rest.): Kathleen Largay
MPI Compositor (2007/08 Rest.): Padraic Culham
MPI Film Recordist (2007/08 Rest.): Bill Roper
MPI Project Man. (2007/08 Rest.): Anna DiNuovo
Finishing Consultant (2007/08 Rest.): Allen Daviau ASC
Technicolor Finishing Liaison (2007/08 Rest.): Bob Raring
Filming Dates: 23 March 1971 - 7 August 1971
Cameras: Arriflex 35-IIC & Mitchell BNCR (35mm Eastman 100T 5254)
Lenses: Bausch & Lomb Super Baltar Primes
AR: 1.85:1 (Spherical)
Budget: 6-7.2 Million USD
Budget AFI (2022): 41.4-49.7 Million USD
Color Provided by: Technicolor
2007/08 Digital Restoration Services Provided by: Motion Picture Imaging

Cinematographers: Bill Butler ASC, Haskell Wexler ASC
Production Designer: Dean Tavoularis
Stunts: Buddy Joe Hooker
Camera Operators: Ralph Gerling, Thomas Laughridge
Assistant Cameraman: James Glennon ASC
1st Assistant Camera: Ronald Vidor
Composer: David Shire
Supervising Film Editor: Walter Murch ACE
Film Editor: Richard Chew ACE
Costume Designer: Aggie Rodgers
Production Assistant: Joe Roth
Production Manager: Clark Paylow
AR: 1.37:1 (Open Matte: Soviet Release), 1.85:1 (Spherical)

Producer-Screenwriter: Francis Ford Coppola ACE
Co-Writer: Mario Puzo
Co-Producers: Gray Frederickson, Fred Roos
Cinematographer: Gordon Willis ASC
Production Designer: Dean Tavoularis
Film Editor & Foreign Post Prod Sup.: Peter Zinner ACE
Film Editors: Barry Malkin ACE, Richard Marks ACE
Costume Designer: Theodora Von Runkle
Associate Producer: Mona Skager
Composer: Nino Rota
Composer (Add'l Music)/Score Conductor: Carmine Coppola
Sound Montage & Re-Record Lead: Walter Murch ACE
Art Director: Angelo Graham
Set Decorator: George R. Nelson
Production Manager: Michael S. Glick
1st Assistant Director: Newton Arnold
2nd ADs: Henry J. Lange Jr, Chuck Myers, Mike Kusley, Alan Hopkins, Burt Bluestein
Location Supervisor (NY): Ron Colby
Casting: Michael Fenton CSA, Jane Feinberg CSA, Vic Ramos
Location Auditor: Carl Skelton
Location Coordinator: Jack English
Research Lead: Deborah Fine
Title Designer: Wayne Fitzgerald
1st Assistant Editor: George Berndt
2nd Assistant Editor: Bobbe Kurtz
3rd Assistant Editor: Lisa Fruchtman
Music Editor: George Brand
Production SFX Supervisors: AD Flowers, Joe Lombardi
Subtitling Designer: Sonya Friedman
Sicilian Translation Advisor: Romano Pianti
A Camera Operator: Ralph Gerling
A Camera Assistant: Bill Gereghty
A Camera Key Grip: Bob Rose
Gaffer: George Holmes
Sicilian Unit Prod Sup.: Valerio DePaolis
Unit Manager (Sicilian Unit): Mario Cotone
Sicilian Unit 1st Ass't Director: Tony Brandt
Sicilian Unit Ass't Set Decorator: Joseph Chevalier
Sicilian Unit Prod Assistant: Bruno Perria
Coordinator (Miami): Serena Canevari
Senate Hearings Advisor: Ed Guthman
Special Guest Star: James Caan
2007/08 Rest. Supervisor: Robert A. Harris
MPI Sr DI Colorist (2007/08 Rest.): Jan Yarbrough
MPI Sr DI Producer (2007/08 Rest.): Daphne Dentz
MPI Sr Staff Scientist & Dig. Consultant (2007/08 Rest.): Daniel S. Rosen
MPI Scan Manager (2007/08 Rest.): Chris Gillaspie
MPI Dig. Conform Finishing Artist (2007/08 Rest.): Kathleen Largay
MPI Compositor (2007/08 Rest.): Padraic Culham
MPI Film Recordist (2007/08 Rest.): Bill Roper
MPI Project Man. (2007/08 Rest.): Anna DiNuovo
Finishing Consultant (2007/08 Rest.): Allen Daviau ASC
Technicolor Finishing Liaison (2007/08 Rest.): Bob Raring
Filming Dates: 1 October 1973 - 19 June 1974
Cameras: Arriflex 35 IIC & Mitchell BNCR (35mm Eastman 100T 5254)
Lenses: Bausch & Lomb Super Baltar Primes & Kowa Cine Prominar Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 13 Million USD
Budget AFI (2022): 76.2 Million USD
Color Provided by: Technicolor
2007/08 Digital Restoration Services Provided by: Motion Picture Imaging

Presenter, Writer, Producer & Composer: Francis Ford Coppola ACE
Writer: John Milius
Narrator: Michael Herr
Co-Producers: Fred Roos, Gray Frederickson, Tom Steinberg
Cinematographer: Vittorio Storaro ASC AIC
Cinematographer (Insert Crew): Caleb Deschanel ASC
Production Designer: Dean Tavoularis
Supervising Film Editor: Richard Marks ACE
Film Editor & Sound Designer: Walter Murch ACE
Composer: Carmine Coppola
Stunts Coordinator: Terry Leonard
2nd Unit DoP: Stephen H. Burum ASC
Camera Operator: Enrico Umetelli
2nd Unit Camera Operator: Piero Servo
Aerial Unit Camera Operator: David L. Butler
A Camera Operator (Insert Crew): Hiro Narita ASC
Assistant Camera: David B. Nowell ASC
2nd Assistant Director: Larry Franco
Documentary Supervisor: Eleanor Coppola
OZS Staff: Mitch Dubin SOC, Dennis Gassner
Add'l Film Editors: Barry Malkin ACE, Evan A. Lottman
Assistant Film Editor: Arthur Coburn ACE
Post Production Coordinator: Barbara Marks
Production Attorney: Michael E. Uslan
Production Manager: Barrie M. Osborne
Cameras: Arriflex 16 ST, 35 BL, 35-IIC & Mitchell BNCR (16mm & 35mm Eastman 100T 5247/7247)
Lenses: Technovision/Cooke Anamorphic Primes & Todd-AO Anamorphic Primes
AR: 2.00:1 (Univisium: 1999 DVD Version), 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(16mm: Newsreel Scenes)
Budget: 31.5 Million USD
Attribute: Filmed in Technovision

Cinematographers: Vittorio Storaro ASC AIC, Ronald Victor Garcia ASC
Production Designer: Dean Tavoularis
Choreography Consultant: Gene Kelly
Choreographer: Kenny Ortega
Stunt Coordinator: Conrad E. Palmisano
Additional DP: Scott Lloyd-Davies ASC
Miniature DP/VFX DP: Robert Eberlein
Motion Control DPs: Thomas Hollister, Fred Iguchi, Scott Squires, Robert Waddell, Hoyt Yeatman
Snorkel Camera: Paul Kenworthy
Camera Operators: Thomas Ackerman ASC, Enrico Umetelli
Steadicam Operator: Garrett Brown
Camera Department Supervisor: Mitch Dubin SOC
Assistant Camera: John Leonetti ASC
1st Assistant Director: Arne Schmidt
Miniature Supervisor: Greg Jien
Composer: Tom Waits
Film Editor: Anne Goursard
Additional Film Editor (2003 Restoration): Rob Bonz
Assistant Film Editor: Chris Lebenzon ACE
Costume Designer: Ruth Morley
Special Assistant to Frank Ford Coppola: Gian-Carlo Coppola
Production Assistant: Mitchell Amundsen ASC SOC
Production Representative: Edward S. Feldman
Camera: Arriflex 35 BL (35mm
Lenses: Technovision Spherical Primes
AR: 1.37:1 (Anamorphic)
Anecdote: Filmed with Technovision Cameras and Lenses

Presenter: Francis Ford Coppola ACE
Cinematographer: Stephen H. Burum ASC
Production Designer: Dean Tavoularis
Stunt Coordinator: Buddy Joe Hooker
VFX Unit DP: David K. Stewart
Camera Operator: Elliot Davis BSC
2nd Unit Camera Operator: Ralph Gerling
Composer: Carmine Coppola
Film Editor: Anna Goursard
Film Editors (2005 Version): Melissa Kent ACE, Rob Bonz
1st Assistant Editor: Chris Lebenzon ACE
Eletronic Cinema Operator: Mitchell Amundsen ASC SOC
Production Aide: Roman Coppola
Camera: Panaflex Gold (35mm)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Anecdote: Filmed in Panavision

Presenter: Francis Ford Coppola ACE
Cinematographer: Stephen H. Burum ASC
Production Designer: Dean Tavoularis
Stunts: Billy Hank Hooker
Stunt Coordinator/Stunts: Buddy Joe Hooker
Effects Unit DP: Robert Primes ASC
Camera Operator: Ted Bohkof
2nd Assistant Director: Mark Radcliffe
Composer: Stewart Copeland
Film Editor: Barry Malkin ACE
Costume Designer: Marge Bowers
Eletronic Cinema Technician: Mitchell Amundsen ASC SOC
Unit Production Manager: Thomas M. Hammel
Camera: Arriflex 35 BL3 (35mm)
Lenses: Zeiss Super Speed Primes & Kinoptik Tegea Primes
AR: 1.85:1 (Spherical)

Cinematographer: Stephen Goldblatt ASC BSC
Production Designer: Richard Sylbert
Montage Film Editor/2nd Unit Director: Gian-Carlo Coppola
Montage Film Editor/2nd Unit DP: Donald Sweeney
Camera Operator: Michael Stone
B-Camera Operator: Joseph Coffey
2nd Assistant Director: Louis D'Esposito
Composer: John Barry
Film Editor: Barry Malkin ACE
Film Editor (Director's Cut): Glen Scantlebury ACE
2017 Restoration Colorist: Mike Sowa
2017 Restoration Supervisor: James T. Mockoski
Costume Designer: Milena Canonero
Production Assistant: Mitchell Amundsen ASC SOC
Camera:. Panaflex Gold (35mm)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses

Screenwriter: Francis Ford Coppola ACE
Screenwriter-Executive Producer: George Lucas ACE
Screenwriter-Producer-2nd Unit Director: Rusty Lemorande
Composer (Music) & Choreography Lead: Michael Jackson
Composer & Conductor-Music Score: James Horner
Cinematographer: Peter Anderson ASC VES
Cinematographer (Miniature Photography): Phil Huff
Cinematographer (VFX; ILM): Selwyn Eddy
Cinematographer (Animation; ALP): Joseph Thomas
Production Designer: Geoffrey Alan Kirkland
Film Editor: Lisa Fruchtman
Choreography Lead: Jeffrey Hornaday
Production Manager: John Romeyn
1st Assistant Director: Peter Lord Bergquist
2nd Assistant Director: Dennis Capps
Fuzzball Effects Creator: Rick Baker
Hooter, The Geeks, Major Domo & Minor Domo Constructor & Co-Designer: Lance Anderson
Stunts: Michael Cassidy, Chris Doyle
Special Visual Effects Supervisor: Harrison Ellen-Shaw
Lighting-Photography Consultant: Vittorio Storaro ASC AIC
Set Decorator: Cheryal Kearney
Costume Designer: John Napier
Co-Film Editor: Walter Murch ACE
1st Assistant "A" Camera: Tony Rivetti
1st Assistant "B" Camera: Mako Koiwai
2nd Assistant "A" Camera: Cindy Kurland
"A" Camera Technician: CW Fallin
Lighting Technician: David Love
Electrician: Doug Byers
"A" Camera Grip: Sunny Johnson
Concept Designer: Edward Eyth
Property Master: Emily Ferry
Post-Production Supervisor: Thomas P. Smith
Sound Designer: Gary Rydstrom
Sound Effects Mixer: Gary Summers
Sound Effects Editor: Teresa Eckton
Sound Editor: Richard Hymns
Scoring Mixer: Shawn Murphy
2nd Unit Special Effects Supervisor: Kevin Pike
Production DFX Director & VFX Producer: Randall Rudd
Production Visual Effects Coordinator: Christopher Keith
Production Optical Supervisor: Greg Van der Veer
65mm 3D Animation Camera Engineer: Sam Longoria
ILM Visual Effects Supervisor: Dennis Muren ASC
ILM VFX Unit A Camera Operator: John V. Fante
ILM Visual Effects Editor: Michael Gleason
ILM Supervising Model Maker: Steve Gawley
DQI Visual Effects Supervisor: Eric Brevig
VCE Rotoscope Supervisor: Jammie Friday
VCE Animation A Camera Operator: Rick Taylor
Cameras: Disney 65, Hines Lab Disney 3-D Dual Camera Rig & Panavision (35mm & 65mm Eastman EXR)
Lenses: Panavision
AR: 1.33:1 (MTV Version), 2.20:1 (Disney 3D: Dual-Strip 3D)
Budget: 23.7-30 Million USD
Budget AFI (2022): 62.5-79.1 Million USD
Printed on: Eastman 5384
Show Design & Production Provided by: Walt Disney Imagineering
Special Visual Effects & Computer Animation Provided by: Industrial Light & Magic, Dream Quest Images + Available Light Productions
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision

Cinematographer: Jordan Cronenweth ASC
Production Designer: Dean Tavoularis
Camera Operator: John Toll ASC
2nd Assistant Camera: Jeff Cronenweth ASC
2nd Assistant Director: Mark Radcliffe
Composer: John Barry
Film Editor: Barry Malkin ACE
Apprentice Film Editor: John Gilroy ACE
Costume Designer: Theodora Von Runkle
Location Manager: Sam Mercer
Unit Production Manager: Barrie M. Osborne
Camera: Panaflex Gold (35mm)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses

Cinematographer: Jordan Cronenweth ASC
Production Designer: Dean Tavoularis
Stunts: Jeffrey J. Danshaw
Stunt Coordinator: Buddy Joe Hooker
Additional DP: George Voellmer
Camera Operator: Dan Lerner
2nd Camera Operator: Ian Brenner
1st Assistant Camera: Bing Sokolsky ASC
2nd Assistant Camera: Jeff Cronenweth ASC
SFX Supervisor: John Frazier
Composer: Carmine Coppola
Film Editor: Barry Malkin ACE
2nd Assistant Film Editor: John Gilroy ACE
Costume Designer: Judianna Makovsky
Electronic Cinema Captain: Gian-Carlo Coppola
Electronic Cinema Technician: Roman Coppola
Camera(s): Panaflex Gold & Platinum (35mm)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras And Lenses

Sound Designer: Richard Beggs
Film Editor: Priscilla Nedd-Friendly ACE
Composer/Score Arranger: Joe Jackson
Costume Designer: Milena Canonero
Production Designer: Dean Tavoularis
Cinematographer: Vittorio Storaro ASC AIC
Executive Producer: George Lucas ACE
Writers: Arnold Schulman, David Seidler
Producers: Fred Roos, Fred Fuchs
Dedicated to: Gio Coppola
Stunt Performers: Gary McLarty, Jimmy Nickerson, Tim A. Davison, Steve M. Davison, Dick Ziker
Associate Producer: Teri Fettis
Casting Directors: Janet Hirshenson CSA, Jane Jenkins CSA
Art Director: Alex Tavoularis
Unit Production Manager: Ian Bryce
First Assistant Director: H. Gordon Boos
Second Assistant Directors: L. Dean Jones Jr, Daniel Suhart
Set Decorator: Arnim Ganz
Location Casting Director: Aleta Chappelle
Set Designers: Bob Goldstein, Jim Pohl
Leadman: Doug Von Koss
Construction Coordinator: John Rutchland
Location Manager: Rory Enke
Assistant Location Managers: Jonathan Shedd, Susan Griffin
Script Supervisor: Wilma Garscadden-Gahret
Research Supervisor: Anahid Nazarian
Production Coordinator: Maureen Murphy
Production Secretary: Kimberly K. Nelson LoCascio
Production Assistants: Robert J. Mooney, K.C. Hodenfield, Kristen Ross
Defensive Coordinator: Tony Dingman
Unit Publicist: Susan Landau
Publicity Assistant: Cynthia Tucker-Fordon
Location Casting Assistant: Davia Nelson
Production Choreographer: Paula Smuin
Stunt Coordinator/Second Unit Director: Buddy Joe Hooker
A Camera Operator: Jamie Anderson
Consultant: Enrico Umetelli
A First Camera Assistant: Billy Clevenger
B First Camera Assistant: Michael Santy
A Second Camera Assistant: Doug Hunt
B Second Camera Assistant: Deborah Morgan
Still Photographer: Ralph Nelson Jr
Production Sound Mixer: Michael Evje
Additional Composer: Carmine Coppola
Restoration Supervisor: James T. Mockoski
Assistant Costume Designer: Judianna Makovsky
Filming Dates: 13 April 1987 - 17 July 1987
Cameras: Arriflex 35-III & 35 BL3 (35mm)
Lenses: Technovision/Cooke Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 22-24 Million USD
Budget AFI (2023):
Visual Effects Provided By: Industrial Light & Magic
Attribute: Filmed in Technovision

Producer & Writer: Francis Ford Coppola ACE
Writer: Mario Puzo
Exec Producers: Fred Fuchs, Nicholas Gage
Co-Producers: Gray Frederickson, Charles Mulvehill, Fred Roos
Cinematographer: Gordon Willis ASC
Production Designer: Dean Tavoularis
Film Editors: Barry Malkin ACE, Lisa Fruchtman
Film Editor & Re-Recording Mixer: Walter Murch ACE
Costume Designer: Milena Canonero
Score Composer, Arranger & Conductor: Carmine Coppola
Composer (Add'l Music & Themes): Nino Roth
Associate Producer: Marina Gefter
Dedicated to: Charlie Bludhorn
Prod Supervisor: Alessandro Von Normann
1st Assistant Director: H. Gordon Boos
2nd Assistant Director: KC Hodenfield
Sound Designer/Re-Record Mixer: Richard Beggs
Add'l Film Editors: Glen Scantlebury ACE, Louise Rubacky
Music Supervisor: Stephan R. Goldman
Sr Supervising Art Director: Alex Tavoularis
Co-Supervising Art Director: Gary Fettis
Stunt Coordinator: Buddy Joe Hooker
Research Consultant: Anahid Nazarian
Opera Advisor: Anton Coppola
A Camera Operator: Craig DiBona ASC
Chief Lighting Technic.: James Fitzpatrick
1st Assistant Art Director: Franckie Diago
Art Dept. Coordinator: Phillis Lehmer
Production Illustrator: Mauro Borelli
Supervising Prop Master: Douglas Madison
Production SFX Coordinator: Lawrence J. Cavanaugh
Production SFX Supervisor: R. Bruce Steinheimer
Tech Sup./Zoetrope Studios: Kim Aubry
"Silverfish" Operator: Tom Fox
1st Ass't Editor (Montage): Gus Carpenter
1st Assistant Editor (Film): Luis Colina
2nd Ass't Editor (Montage): Greg Pestoni
Re-Record Mixes: Gregg Landaker, Rick Kline
4th Dialogue Editor: Teresa Eckton
Music Editor: Mark Adler
Associate Music Editor: Jeffrey Stephens
Financial Technical Advisor: Bruno Coppola
Title Design Supervisor: Wayne Fitzgerald
Color Timer: Bob Raring
ILM Modeler: Tony Hudson
ILM Model Maker: John Goodson
ILM General Manager: Jim Morris
Unit Manager (Italian Unit): Lynn Kamern
Italian Unit 1st AD: Gianni Arduini-Plaisant
Italian Unit Prod Manager: Franco Ballati
Italian Unit Prod Coord: Daniela Vecchi
Italian Unit Ass't Unit Man.: Lorenzo Enrico
Italian Unit 2nd Ass't Dir: Marco Polimeni
Italian Unit 2nd 2nd AD: Barbara Mellega
Italian Unit Auditor: Giovanni De Michelle
Italian Unit Set Decorator: Franco Fumagalli
Italian Unit Set Coord: Angelo Santucci
IT Unit Storyboard Artist: Paolo Morales
Italian Unit Prop Master: Elio Altamura
IT Unit A 1st Ass't Photog: Martin Kenzie BSC
IT Unit A 2nd Ass't Photog: Marco Cristiani
Italian Unit A Cam Loader: Graham Hall ACO
IT Unit "Silverfish" Ass't: Riccardo Terlizzi
IT Unit "Silverfish" Liaison: Paola Barbaglia
Palermo Liaison (IT Unit): Roberto Ando
Taormina Liaison (IT Unit): Flaviana Ferri
IT Unit SFX Assistant: Giovanni Corridori
IT Unit Gaffer: Mario Massaccesi
IT Unit Ass't Gaffer: Fiorangelo Plocco
Unit Prod Man. (NY Unit): Bruce S. Pustin
NY Unit 2nd 2nd AD: Michael DeCasper
NY Unit Production Coordinator: Jane Harb
NY Unit Location Manager: Barbara Heller
NY Unit 1st App. Editor: Dana Congdon
NY Unit Assistant Set Decorator: Ron Von Blomberg
NY Unit Prop Consultant: James Mazzola
NY Unit Ass't Gaffer: Kevin Fitzpatrick
NY Unit A 1st Ass't Photog: Michael Green
NY Unit A 2nd Ass't Photographer: Michael Caracciolo
NY Unit A Camera Trainee: James Vecchio
Stunt Preformers: Steve M. Davison, Chad Randall, Pat Romano
Special Thanks: George Lucas
Rest. Supervisor (2020 Coda): James T. Mockoski
Restoration Artist & Add'l Film Editor (2020 Coda): Robert Schafer
Re-Record Mixer (2020 Coda): Pete Horner
Mix Engineer (2020 Coda): Colin W. Guthrie
Mastering Producer (2020 Coda): Vincent Pirozzi
VFX Supervisor (2020 Coda): Josh Jones
Finish Colorist (2020 Coda): Gregg Garvin
Filming Dates: 27 November 1989 - 25 April 1990
Camera: Panaflex GII (35mm Eastman EXR 100T 5248/500T 5296)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf Super 35mm)
Budget: 54 Million USD
Budget AFI (2022): 119.4 Million USD
Printed on: Eastman 5384
Model Visual Effects & Opticals Provided by: Industrial Light & Magic + Pacific Title
Additional Sound Services Provided by: Skywalker Sound
Color Provided by: Technicolor
Attribute: Filmed with Panavision Cameras & Lenses

Producers: Francis Ford Coppola ACE, Fred Fuchs
Director (Matte Photography) : Craig Barron ASC
Screenwriter & Co-Producer: James V. Hart
Executive Producer: Michael Apted
Co-Executive Producer: Winona Ryder
Cinematographer: Michael Ballhaus ASC BVK
Cinematographer (Col Pics VFX): Don Matthew Smith
Production Designer: Thomas Sanders
Film Editors: Nicholas C. Smith, Glen Scantlebury ACE, Anna Goursard ACE
Costume Designer & Design Collaboration Lead: Eiko Ishioka
Composer & Score Orchestrations Lead: Wojciech Kilar
Production VFX & 2nd Unit Director: Roman Coppola
Co-Producer: John Veitch
Associate Producer: Susie Landau
Stunts Coordinator: William H. Burton Jr
Unit Production Manager: Patricia Churchill
1st Assistant Director: Peter Giuliano
2nd Assistant Director: Kate Davey
Art Director: Andrew Precht
Set Decorator: Garrett Lewis
Research Lead: Anahid Nazarian
A Camera Operator: David M. Dunlap
1st Assistant A Camera: Florian Ballhaus ASC
2nd Assistant A Camera: Jeffrey Thorin
Silverfish Operator: Tom Fox
Assoc. Costume Designer: Rich Shissler
Makeup & Hair Designer & Artist: Michele Burke
Special Makeup Effects Creator & Applier: Greg Cannom
Chief Lighting Technician: Jim Tynes
Assistant Chief Lighting Technician: John Sandau
Additional 1st Assistant Director: Frank Capra III
2nd 2nd Assistant Director: Marty Jedlicka
Steadicam Lead Operator: Joe Ritter
1st Assistant Film Editor: John Spence
2nd Assistant Film Editor: Mildred Iatrou
3rd Assistant Film Editor: Tina Fallani
1st Apprentice Editor: Martha Pike
2nd Apprentice Editor: Pam Uzzell
Sound Designer: Leslie Shatz
Re-Recording Mixer: Dennis Sands
Music Supervisor & Editor: Kathy Quittner
Orchestra Conductor: Anton Coppola
1st Assistant Music Editor: Rolf Johnson
Music Contractor: Sandy DeCrescent
Production Visual Effects Supervisor: Alison Savitch
Special Mechanical Effects Supervisor: Michael Lantieri
Special Mechanical Effects Foreman: Dave Blitstein
Production Visual Effects Assistant: Mara Hamilton
Production Coordinator: Pat Chapman
AZ Unit Technical Supervisor: Kim Aubry
AZ Unit Assoc. Film Editor (Montage): Gus Carpenter
AZ Unit Ass't Montage Editor: Greg Pestoni
AZ Unit Apprentice (Montage): Joseph T. Walker
AZ Unit Historical Consultant: Leon Wolf
AZ Unit Romanian Consultant: Florina Kendrick
Senior Set Designer: Joseph Hodges
Religion Consultant: PJ Cameron
Bride Movement Coordinator: Mike Smuin
Project Conceptualist: Jim Steranko
2nd Unit DoP: Steve Yaconelli
2nd Unit 2nd Ass't Director: W. Tom Snyder
2nd Unit A 1st Ass't Cam: Doug Adam Jr
2nd Unit Prop Master: Russell Bobbitt
Miniature Unit DoP: Bill Neil
B Camera Operator: Lowell Peterson
FIIFE VFX Supervisors: Les Huntley, Gene Warren Jr
FIIFE VFX Unit A Camera Op: Chris Warren
FIIFE Optical Supervisor: Betzy Bromberg
Supervising Matte Artist: Mike Pangrazio
Matte World ECP: Krystyna Demkowicz
Matte Unit A Camera Op: Wade Childress
(Col) Pics VFX & Title Supervisor: Gary Gutierrez
(Col) Pics FX Producers: Paul Hettler, Ellen Erwitt
(Col) Pics Opt. Supervisor: Stuart Cudlitz
VCE VFX Supervisors: Pete Kuran, Kevin O'Neill
Camera: Arriflex 535 (35mm Eastman EXR 50D 5245/500T 5296)
AR: 1.85:1 (Spherical)
Budget: 40 Million USD
Budget AFI (2022): 82.4 Million USD
Printed on: Eastman 5384
Special Visual Effects Provided by: Fantasy II Film Effects, Matte World & (Colossal) Pictures
Additional Visual Effects Provided by: 4Ward Productions & VCE Inc.
Additional Animation Provided by: Available Light LTD
Attribute: Filmed with Arriflex 535 Cameras

Producers: Francis Ford Coppola ACE, Fred Fuchs
Composer & Score Orchestrator: Michael Kamen
Costume Designer: Aggie Rodgers
Film Editor: Barry Malkin ACE
Production Designer: Dean Tavoularis
Cinematographer: John Toll ASC
Exec Producer & UPM: Doug Claybourne
Writers: James DeMonaco, Gary Nadeau
Stunt Coordinators: Michael Runyard, Jack Gill
Unit Production Manager: Ned Kopp
1st ADs: Dean Jones Jr, Gary Scott Marcus
2nd ADs: David Kelley, Robert J. Mooney
Casting Executive: Fred Roos
Production VFX-Title Design Supervisor: Gary Gutierrez
2nd Unit Director: Roman Coppola
VFX Producer/Post Production Supervisor: Kim Aubry
Makeup Designer: Ken Diaz
Hair Designer: Paul Le Blanc
Casting (SF): David Nelson
Art Director: Angelo Graham
1st Assistant Art Director: Sean Haworth
Set Decorators: Barb Munch, Armin Ganz
Supervising Prop Master: Douglas Madison
Prop Master (SF): George Mauricio
"A" Camera Operator: Paul C. Babin
"B" Camera Operator: Kim Marks ASC SOC
"A" 1st Assistant Camera: Mike Thomas
"B" 1st Assistant Camera: Patrick McArdle
"A" 2nd Assistant Camera: Chris Toll
"B" 2nd Assistant Camera: Paul Sanchez
1st Assistant Editor/Film: Megan Agosto
1st Ass't Editor/Lightworks: Tim Steinberg
2nd Assistant Editor: Donald Ord
Rerecording Mixers: Tom Johnson, Michael Semanick
Gaffers: Jim Plannette, Jeff Gilliam
Supervising Key Grip: Ben Beaird
Key Grip (SF): Gregory M. Childers
Production SFX Coordinator: John McLeod
Production Coordinator: Carol Kim
Ass't Production Coordinator: Mark Hager
2nd 2nd Assistant Dir.: Rebecca Greeley
Supervising Location Manager: Rory Enke
Production Choreographer: Paula Tracy-Smuin
Set Designer: William Beck
Art Dept. Coordinator: Alexandra Fitzpatrick
Executive in Charge of Music: Kathy Nelson
Score Mixer/Recordist: Stephen McLaughlin
Score Orchestrator: Bob Elhai
Post Production Coordinator: Bill Kinder
Assistant Post Coordinator: Marie Regan
Production VFX Artist: Jimi Simmons
ILM Visual Effects Producer: Camille Geier
Color Timer: David Orr
Filming Dates: 18 September 1995 - 13 December 1995
Cameras: Arriflex 35 III, Panaflex GII & Platinum (35mm Eastman EXR 500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 45 Million USD
Budget AFI (2022): 82.9 Million USD
Visual Effects & Opticals Provided By: Industrial Light & Magic + EFilm
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras & Lenses

Cinematographer: John Toll ASC
Production Designer: Howard Cummings
Stunts: Andy Gill, Steve Picerni
Stunt Coordinator: Jack Gill
2nd Unit Director: Roman Coppola
2nd Unit DoP: Robert D. Yeoman ASC
A Camera Operator: Paul C. Babin
2nd Unit A Camera Operator: George Kahut
1st Assistant A Camera: Mike Thomas ASC BSC
Composer: Elmer Bernstein
Film Editor: Barry Malkin ACE
Co-Film Editor: Melissa Kent ACE
1st Apprentice Editor: Rob Bonz
Post-Production Supervisor: Kim Aubry
Costume Designer: Aggie Rodgers
Cameras: Panaflex GII & Platinum (35mm Eastman EXR 50D 5245/200T 5293/500T 5298 & Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 40 Million USD
Attribute: Filmed in Panavision

Director of Photography: Mihai Malaimare Jr ASC
Production Designer: Calin Papura
2nd Unit Director: Roman Coppola
VFX Supervisor: David Vana
Composer: Osvaldo Golijov
Film Editor: Walter Murch ACE
DI Colorist: Mike Sowa
Archivist/Post Prod Supervisor: James T. Mockoski
Costume Designer: Gloria Papura
Production Manager: Diona Dragnea
Filming Dates: 3 October 2005 - March 2006
Cameras: Arriflex 435 ES & Sony HDW-F900 (35mm Kodak Vision2 500T 5218 & HDCAM)
AR: 1.78:1 (Black & White Scenes), 2.35:1 (3- & 4-Perf S35mm)
Budget: 5 Million USD
Budget AFI (2022): 6.9 Million USD
Visual Effects Provided by: Universal Production Partners

Director of Photography: Mihai Malaimare Jr ASC
Production Designer: Sebastian Orgambide
2nd Unit Director: Roman Coppola
Composer: Osvaldo Golijov
Film Editor: Walter Murch ACE
Costume Designer: Cecilia Monti
Camera: Sony HDW-F900 (HDCAM)
AR: 1.78:1 (Flashback Sequences in Color), 2.35:1 (3-Perf Super 35mm)
Budget: 5 Million USD
Budget AFI (2022): 6.7 Million USD
Special Visual Effects Provided by: Nasa FX & Universal Production Partners
Attribute: Camera Equipment Provided by HD Argentina

Writer & Producer: Francis Ford Coppola ACE
Director of Photography: Mihai Malaimare Jr ASC
Composers: Osvaldo Golijov, Dan Deacon
Exec Producers: Anahid Nazarian, Fred Roos
Associate Producers: Masa Tsuyuki, Josh Griffith
Art Director: Jimmy DiMarcellis
Costume Designer: Marjorie Bowers
Film Editors: Rob Schafer, Glen Scantlebury ACE
Film & Additional Visual FX Editor Kevin N. Bailey
Sound Design Supervisor & Re-Recording Mixer: Richard Beggs
UPMs & 1st ADs: Darren M. Demetre, Greg Kent Simmons
2nd ADs: Shelly Heyward, Brendon Breese
Production Manager: Adriana Rotaru
Narrator: Tom Waits
Creative Associate: Gia Coppola
Sound Recordist, Post-Prod Coord & Add'l Film Editor: Colin Guthrie
Makeup & Hair Design Supervisor: Aurora Bergere
Set Decorator: Katherine Covell
Prop Master: John-Paul Goorjian
Assistant Costume Designer: Lori Rozzi
1st Assistant "A" Camera: Ian S. Takahashi
1st Assistant "B" Camera: Jeremy Wong
2nd Assistant "A" Camera: Devon Taaffe
2nd Assistant "B" Camera: Natalie Weiss
Gaffer: Eric Blum
Location Manager: Peter Moody
Stunt Coordinator: Thomas DeWier
Production SFX Techs: Doug Williams, Dick Wood, John Lanour
Graphs & Title Design Supervisor: Stephen Faustina
1st Ass't Film/Visual FX Editor: Josh Jones
Editorial Assistant: John A. Brickley
UPP Visual FX Supervisor: Viktor Muller
UPP Visual Effects Producer: Vit Komrzy
UPP VFX Production Lead: Lenka Likarova
UPP Visual FX Coordinator: Jaroslav Matys
Spy Exec VFX Producer: Amy Hollywood
Spy DI Artist: Christopher Martin
CPG Stereographer: Vince Pace ASC
CPG 3D Producer: Jim Hays
CPG 3D Lead Engineer: Robert Brunelle
SP3D Producer: Karen Huang
SP3D Senior Stereographer: David Ebner
SP3D Stereographer: Byong Hun Chan
SP3D Stereo Conversion Lead: Jung Wook Park
Filming Dates: November 2010 - December 2010
Camera: Sony HDW-F900 (HDCAM)
AR: 1.85:1 (3-Perf Super 35mm), 2.00:1 (Blu-Ray Aspect Ratio)
Budget: 7 Million USD
Budget AFI (2022): 8.9 Million USD
Visual Effects Provided by: Spy Post Digital & Universal Production Partners
3D Effects & Stereo Conversion Provided by: Cameron|Pace Group & StereoPictures 3D
Edited with: Final Cut Pro
Distributed by: Walt Disney Studios Home Entertainment

Writer: Francis Ford Coppola ACE
Director (Theatrical Production): Daniel Ionazzi
Producer: Fred Roos
Executive Producer: Anahid Nazarian
Cinematographer: Mihai Malaimare Jr ASC
Documentary Cinematographer: Golden Zhao
Production Designer: Sydnie Ponic
Film Editor: Robert Schafer
Costume Designer: Ruoxuan Li
Composer: Brian W. Tidwell
Line Producer: Adriana Rotaru
Scenic Director: Brent Noel
Stunt Designer: Buddy Joe Hooker
Stunt Coordinator: Pat Romano
Consulting Producer: Gray Frederickson
Art Director: Hogan Lee
Assistant to Mihai Malaimare Jr: Marc Patterson
Lighting Designer: Pablo Santiago-Brandwein
Technical Director: Mark Daniel Quintos
Technical Producer: Masa Tsuyuki
Producer (UCLA): Jeffrey A. Burke
Assistant Producer (UCLA): Reina Higashitani
2nd Unit Prod Manager: Daniel Leeman Smith
2nd Unit Director of Photography: Rob Pat Brink
3rd Unit Production Manager: Corey Morgan