Directors Who've Worked With Gene Hackman

Friedkin's mother was an operating room nurse. His father was a merchant seaman, semi-pro softball player and ultimately sold clothes in a men's discount chain. Ultimately, his father never earned more than $50/week in his whole life and died indigent. Eventually young Will became infatuated with Orson Welles after seeing Citizen Kane (1941). He went to work for WGN TV immediately after graduating from high school where he started making documentaries, one of which won the Golden Gate Award at the 1962 San Francisco film festival. In 1965, he moved to Hollywood and immediately started directing TV shows, including an episode of the The Alfred Hitchcock Hour (1962); Hitchcock infamously chastised him for not wearing a tie.

Best known for the inspirational sports dramas Hoosiers (1986) and Rudy (1993), David Anspaugh has enjoyed a long career as a director and producer of film and television. Born in Decatur, Indiana in 1946 to Lawrence Anspaugh, a portrait photographer, and his wife, Marie, he was a member of his high school's football, basketball, and track teams. As a student majoring in secondary education at Indiana University, Anspaugh shot his own short movies and filmed concerts, football games, and Vietnam War protests using a 16mm camera. After graduation he moved to Aspen, Colorado, where he worked as a substitute teacher, waiter, and ski instructor before relocating to Los Angeles to attend film school at the University of Southern California. At the time he couldn't imagine ever working in Hollywood, although that would change in just a few years.

Anspaugh started his career as a producer and director of acclaimed TV shows Hill Street Blues (1981), St. Elsewhere (1982), and Miami Vice (1984). He made the transition to feature films when his best friend from IU, Angelo Pizzo, wrote "Hoosiers" and wanted Anspaugh to direct. The scene in "Hoosiers" in which the Hickory Huskers and their coach enter the enormous and empty Butler Fieldhouse was suggested by Anspaugh. Seven years later the two friends reteamed to make the college-football movie "Rudy." Anspaugh insisted on casting Sean Astin in the lead role, even though studio executives wanted someone tall and athletic. And it was Anspaugh's idea to hire NFL Films to shoot the movie's game footage. Anspaugh and Pizzo also collaborated on 1950s World Cup soccer film The Game of Their Lives (2005). Anspaugh has rounded out his career by directing motion pictures and TV movies on many topics other than sports.

In 2014 Anspaugh relocated from Santa Monica, California to Bloomington, Indiana, where he taught a class at IU, directed local theater productions, and served as an executive producer on films.

Richard Donner was born on 24 April 1930 in The Bronx, New York City, New York, USA. He was a director and producer, known for Superman (1978), Ladyhawke (1985) and Lethal Weapon (1987). He was married to Lauren Shuler Donner. He died on 5 July 2021 in Los Angeles, California, USA.

Tony Scott was a British-born film director and producer. He was the youngest of three brothers, one of whom is fellow film director Ridley Scott. He was born in North Shields, Northumberland, England to parents Jean and Colonel Francis Percy Scott. As a result of his father's career in the British military, his family moved around a lot. Their mother loved the going to the movies and instilled a love of cinema in her children. At age 16, Tony made his first appearance on screen as 'the boy' in his brother's directorial debut, the short film Boy and Bicycle (1965). In 1969, Tony directed his own short film One of the Missing (1969) about a soldier in the American civil war.

Tony had a talent for art and painting. He spent a year in Leeds College of Art and Design and went on to study for a fine arts degree at the School of Art at the University of Sunderland. He won a scholarship to study for his Masters of fine arts at the Royal College of Art. Following university, he spent several years as a painter. But life as a painter proved a struggle, so he decided to forge a different career path and partnered with Ridley in advertising at Ridley Scott Associates. It was there that he began shooting commercials. In 1971 he wrote, produced and directed Loving Memory however his vampire movie The Hunger (1983) starring Susan Sarandon, David Bowie and Catherine Deneuve wasn't a critical success but it attracted attention from Hollywood. He was asked by producers Don Simpson and Jerry Bruckheimer to direct Top Gun (1986) starring Tom Cruise. He would work again with Cruise on another high adrenaline film Days of Thunder (1990), which proved less successful. He followed the success of Top Gun with the sequel Beverly Hills Cop II (1987) with Eddie Murphy, which was well received.

In 1993, he directed True Romance (1993), which was written by emerging director Quentin Tarantino. Scott had a lot of control over the film and received some great reviews.

Tony has worked five times with actor Denzel Washington with Crimson Tide (1995), The Taking of Pelham 123 (2009), Deja Vu (2006), Man on Fire (2004) and Scott's final film in the director's chair Unstoppable (2010).

Tony Scott passed away at age 68 on August 19, 2012 in California, USA.

Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.

During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.

Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.

1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.

Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).

Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.

Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).

Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).

Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.

His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.

Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.

Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.

He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.

The son of Elsie Ellen, a dressmaker, and William Leslie Parker, a house painter, Alan Parker was a London advertising copywriter in the 1960s and early 1970s with Collett Dickenson Pearce (CDP), an ad agency. He formed a partnership with David Puttnam as his producer (Puttnam had been a photographers' agent), and left CDP to become a full-time director of television commercials before moving onto feature films.

Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).

Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.

Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.

Highly inventive U.S. film director/producer/writer/actor Sam Raimi first came to the attention of film fans with the savage, yet darkly humorous, low-budget horror film, The Evil Dead (1981). From his childhood, Raimi was a fan of the cinema and, before he was ten-years-old, he was out making movies with an 8mm camera. He was a devoted fan of The Three Stooges, so much of Raimi's film work in his teens, with good friends Bruce Campbell and Rob Tapert, was slapstick comedy based around what they had observed from "Stooges" movies.

Among the three of them, they wrote, directed, produced and edited a short horror movie titled Within the Woods (1978), which was then shown to prospective investors to raise the money necessary to film The Evil Dead (1981). It met with lukewarm interest in the U.S. with local distributors, so Raimi took the film to Europe, where it was much more warmly received. After it started gaining positive reviews and, more importantly, ticket sales upon its release in Europe, U.S. distributors showed renewed interest, and "Evil Dead" was eventually released stateside to strong box office returns. His next directorial effort was Crimewave (1985), a quirky, cartoon-like effort that failed to catch fire with audiences. However, he bounced back with Evil Dead II (1987), a racier and more humorous remake/sequel to the original "Dead" that did even better at the box office. Raimi was then given his biggest budget to date to shoot Darkman (1990), a comic book-style fantasy about a scarred avenger. The film did moderate business, but Raimi's strong visual style was evident throughout the film via inventive and startling camera work that caught the attention of numerous critics.

The third chapter in the Evil Dead story beckoned, and Raimi once again directed buddy Campbell as the gritty hero "Ash", in the Gothic horror Army of Darkness (1992). Raimi surprised fans when he took a turn away from the fantasy genre and directed Gene Hackman and Sharon Stone in the sexy western, The Quick and the Dead (1995); four years later, he took the directorial reins on A Simple Plan (1998), a crime thriller about stolen money, starring Bill Paxton and Bridget Fonda. In early 1999, he directed the baseball film, For Love of the Game (1999), and, in 2000, returned to the fantasy genre with a top-flight cast in The Gift (2000). In 2002, Raimi was given a real opportunity to demonstrate his dynamic visual style with the big-budget film adaptation of the Stan Lee comic book superhero, Spider-Man (2002), and fans were not disappointed. The movie was strong in both script and effects, and was a runaway success at the box office. Of course, Raimi returned for the sequel, Spider-Man 2 (2004), which surpassed the original in box-office takings.

William Theodore Kotcheff was born in Toronto, Ontario, Canada, to Bulgarian parents from Plovdiv. He graduated with a degree in English Literature from the University of Toronto. He began his professional career directing TV drama at age 24 at the Canadian Broadcasting Corporation, at the time becoming the youngest director in the CBC. After two years there he went to live and work in England, directing in television and the theatre.

He twice won the British Emmy for Best Director, the second time for an extraordinary docudrama about a female derelict entitled, "Edna, the Inebriate Woman" episode of Play for Today (1970). The film also won the Best Actress and Best Script Award. Kotcheff's television work in Great Britain was part of the new wave of working-class actors and drama that changed British theatre and television in the late 1950s. His stage successes include the long-running Lionel Bart musical, "Maggie May." His film career started in England: Tiara Tahiti (1962), a social comedy starring James Mason and John Mills; Life at the Top (1965), starring Laurence Harvey and Jean Simmons; Two Gentlemen Sharing (1969), starring Robin Phillips, a film set in the West Indian community of London and dealing with relationships between blacks and whites which was the official British entry at the Venice Film Festival. His next film, Wake in Fright (1971), was made in Australia. It was the Australian entry in the Cannes Film Festival and many Australians still think it is the finest Australian film ever made and the beginning of the renaissance of the Australian cinema. Kotcheff returned to Canada in 1972 to make a film of a novel written by his best friend, Mordecai Richler, The Apprenticeship of Duddy Kravitz (1974). This film, thought to be one of the best Canadian films ever made, won the Golden Bear First Prize at the Berlin Film Festival and numerous other awards including an Academy Award nomination for best script. Kotcheff also directed Fun with Dick and Jane (1977), starring Jane Fonda and George Segal; Who Is Killing the Great Chefs of Europe? (1978), starring Jacqueline Bisset and George Segal; North Dallas Forty (1979) - which he also wrote--starring Nick Nolte (a film considered by many in the sport to be one of the best ever made about professional football); First Blood (1982), starring Sylvester Stallone - one of the biggest box-office winners of all time--Uncommon Valor (1983), starring Gene Hackman; and Weekend at Bernie's (1989). In the mid-'80s Kotcheff made a film of another Mordecai Richler novel, Joshua Then and Now (1985). This film, starring James Woods and Alan Arkin, was the official Canadian entry in the Cannes Film Festival, and together with The Apprenticeship of Duddy Kravitz (1974), is one of the most widely known and acclaimed Canadian films in the United States. Kotcheff is married to Laifun Chung and has two children, Thomas age 7 and Alexandra age 9. Laifun Chung is President of their film company, Panoptica Productions, Inc. He has homes in Toronto and Los Angeles.

A British filmmaker who, over the years, worked as assistant director, cinematographer, producer, writer and ultimately director, Ronald Neame was born on April 23, 1911. His father, Elwin Neame, was a film director and his mother, Ivy Close, was a film star. During the 1920s, he started working at famous Elstree Studios. One of his first jobs was assistant cameraman for Alfred Hitchcock on Blackmail (1929), the first talking picture made in England.

Neame became a cinematographer during the 1930s. In 1942, he and sound designer C.C. Stevens received a special effect Oscar nomination for One of Our Aircraft Is Missing (1942), a film by the Michael Powell/Emeric Pressburger team. In 1944, after working together on In Which We Serve (1942), Neame, David Lean and producer Anthony Havelock-Allan formed a production company, Cineguild. The screenplays for its films Brief Encounter (1945) and Great Expectations (1946) received best writing Oscar nominations.

After a fall-out with Lean and the demise of Cineguild in 1947, Neame turned to directing with Take My Life (1947). As a director, he would be quite versatile, touching genres like comedy (The Promoter (1952), Hopscotch (1980)), psychological studies (The Chalk Garden (1964)), musical (Scrooge (1970)), thriller (The Odessa File (1974)) and even disaster movies (The Poseidon Adventure (1972), the one that started the trend, produced by Irwin Allen). Under Neame's guidance, Alec Guinness won the best actor trophee at the 1958 Venice festival for The Horse's Mouth (1958), a comedy based on a book adapted by Guinness himself. Two years later, John Mills received the same award for Tunes of Glory (1960), also directed by Neame. In 1969, Maggie Smith got her first Oscar for The Prime of Miss Jean Brodie (1969) under Neame's direction, and in 1970, Albert Finney got his first Golden Globe for his role in Neame's "Scrooge".

In 1996, Neane was awarded Commander of the Order of the British Empire in recognition for his contributions to the film industry. In 2003, he published his autobiography, "Straight from the Horse's Mouth". Keeping up the family tradition, his son Christopher Neame is a movie producer and his grandson, Gareth Neame, works for the BBC. Ronald Neame died at age 99 of complications from a fall on June 16, 2010 in Los Angeles, California.

Born in 1947 in Chicago, he was educated at Goddard College, in Vermont, and studied drama at New York's Neighborhood Playhouse, before returning to Chicago and establishing the St Nicholas Theatre Company in 1972. He remained their resident writer for four years. The first of his plays to secure international recognition was 'Sexual Perversity in Chicago' (1974) and 'American Buffalo' (1975). The latter was eventually performed by Al Pacino on Broadway and London's West End earning him an 'Award Obie' when it transferred from Chicago to New York. His play 'Glengarry Glen Ross' won the Pulitzer Prize and the New York Drama Critics Circle Award for Best Play. His other plays include 'A Life in the Theatre' (1977). 'Edmond' (1982). 'The Shawl' (1985) and 'Speed the Plow' (1988). The rejection of his screen adaption of 'Sexual Perversity in Chicago' was completely rewritten and released as 'About Last Night in 1986. He soon attracted wide acclaim as a screenwriter when his version of 'The Postman Always Rings Twice' (1981) was made by Bob Rafelson and his original screenplay for 'The Verdict (1982) was nominated for an Oscar. Subsequent screenplays include 'The Untouchables' (1987), 'We're No Angels' (1990), 'Glengarry Glen Ross' (1992). He then wrote and directed 'House of Games' (1987), 'Things Change' (1988) and 'Homicide' (1991). He's also published two collections of essays 'Writing in Restaurants' (1986) and Some Freaks' (1989). In 1987, he conducted a series of classes at Columbia University Film School which were put into print as 'On Directing Film' (1992).

Howard Deutch was born on 14 September 1950 in New York City, New York, USA. He is a director and producer, known for Pretty in Pink (1986), Some Kind of Wonderful (1987) and The Replacements (2000). He has been married to Lea Thompson since 23 July 1989. They have two children.

Stephen Hopkins is a producer and director, known for Lost in Space (1998), A Nightmare on Elm Street: The Dream Child (1989) and Predator 2 (1990).

Burt Balaban was born on 6 March 1922 in Chicago, Illinois, USA. He was a producer and director, known for Murder, Inc. (1960), The Venusian (1954) and High Hell (1958). He died on 14 October 1965.

Harmon Jones started his career as a film editor at 20th Century-Fox, where he was entrusted with many of the studio's top projects (Gentleman's Agreement (1947), Sitting Pretty (1948), Anna and the King of Siam (1946)), but when he turned to directing feature films, his output was far less impressive. After handling mostly low-grade westerns and tepid thrillers, Jones turned to directing TV series in the 1950s, and ended his career there in the 1960s.

Tom Donovan was born on 1 August 1922 in Boston, Massachusetts, USA. He was a producer and director, known for Love Is a Many Splendored Thing (1967), General Hospital (1963) and 'Way Out (1961). He was married to Marie Donovan. He died on 27 October 2011 in Englewood, New Jersey, USA.

Paul Bogart was born on 13 November 1919 in Harlem, Manhattan, New York City, New York, USA. He was a director and producer, known for CBS Playhouse (1967), All in the Family (1971) and The Golden Girls (1985). He was married to Alma Jane Gitnick. He died on 15 April 2012 in Chapel Hill, North Carolina, USA.

Don Medford was born on 26 November 1917 in Detroit, Michigan, USA. He was a director and producer, known for Baretta (1975), The Twilight Zone (1959) and The Man from U.N.C.L.E. (1964). He was married to Patti Crowe and Lynn Parker. He died on 12 December 2012 in West Hills, Los Angeles, California, USA.

Walter Grauman was born on 17 March 1922 in Milwaukee, Wisconsin, USA. He was a director and producer, known for Blue Light (1966), The Old Man Who Cried Wolf (1970) and I Deal in Danger (1966). He was married to Margaret (Peggy) Buckley Parker, Joan Taylor and Suzanne Carla Greenstone. He died on 20 March 2015 in Los Angeles, California, USA.

After service in World War II, New Jersey born Buzz Kulik joined an advertising agency as a producer-director of TV commercials. After a few years he left the agency and became a television director during the period known as "The Golden Age of Television"; Kulik directed many episodes of such highly respected anthology series as Playhouse 90 (1956) and You Are There (1953), in addition to such series as The Defenders (1961) and The Twilight Zone (1959). Kulik began directing features in the early 1960s but returned to television to become one of the most respected directors in the genre known as the made-for-TV movie, one of his most notable efforts being the highly acclaimed Brian's Song (1971). During the 1971-72 presidential campaign Kulik was the television advisor to Democratic candidate Sen. Edmund Muskie.

David Greene had a varied early career, beginning with his first job as junior reporter for the Walthamstow Guardian. Life as a journalist was not to be his forte, however. During the years spanning the mid- to late 1930's, he tried his luck variously in the furniture removal business, as a deck hand and as a hospital porter, before signing on with the Merchant Navy at the onset of World War II. He lasted a year before being invalided out in 1941. Becoming affiliated with the Everyman Theatre in London as its publicity manager, he finally found his vocation in the acting profession and subsequently enrolled at RADA. From 1948, he performed in repertory which included a season or two at the Old Vic. Movies followed, with supporting roles in films like The Wooden Horse (1950).

While travelling through Canada with the touring Broadway Company of 'Anthony and Cleopatra' in 1952, Greene decided to accept an offer from the Canadian Broadcasting Company to join their television department. He emigrated officially in 1953, and moved to New York three years later. By the end of the decade, he had become one of the most sought-after TV directors in the business. Working on both sides of the Atlantic, he helmed episodes of popular action and adventure series like Sir Francis Drake (1961) and The Defenders (1961). He also directed the occasional feature. Three of these stand out.

His first, The Shuttered Room (1967), was a macabre story, loosely based on H.P. Lovecraft. Greene's eye for off-beat location, combined with his clever use of subjective camera technique, gave the film a striking visual sense and considerably heightened its suspense value. Sebastian (1968), with its stark Orwellian visions of London, was a stylish espionage thriller about code breaking that did not take itself all that seriously. It boasted an excellent cast, headed by Dirk Bogarde, Susannah York and Lilli Palmer, and was directed with style, fairly obscuring the numerous incongruities within the plot. Third of the trio, The Strange Affair (1968), was a gritty, somewhat unpleasant, tale of police corruption and obsession set in swinging 60's London. More overtly violent than its predecessors in the genre, it imported Greene's American experience into British film and is worth viewing chiefly for the director's taut handling.

Once again back in the U.S. from the mid-1970's, Greene directed several instalments of the popular miniseries Rich Man, Poor Man (1976) and then specialised in made-for-TV films, also occasionally working as producer or executive producer. Arguably, his most successful spell in the medium was between 1976 and 1979, winning three of his four Emmy Awards for Outstanding Directing of a Drama Series or Special. The oft-married Greene retired in 1999 and died in April 2003, aged 82.

James Goldstone was born on 8 June 1931 in Los Angeles, California, USA. He was a director and writer, known for The Court of Last Resort (1957), Star Trek (1966) and Kent State (1981). He was married to Ruth Goldstone. He died on 5 November 1999 in Shaftsbury, Vermont, USA.

Ron Winston was born on 27 March 1932 in Detroit, Michigan, USA. He was a director and assistant director, known for The Twilight Zone (1959), The Gamblers (1970) and The Man from U.N.C.L.E. (1964). He was married to Glenna Gayle Hamby. He died on 2 March 1973 in Los Angeles, California, USA.

Herman Hoffman was born on 29 June 1909 in Montgomery, Alabama, USA. He was a director and writer, known for Sea Hunt (1958), Bad Day at Black Rock (1955) and Bonanza (1959). He died on 26 March 1989 in Laguna Hills, California, USA.