The 42th Annual Primetime Emmy Awards (1990) Premiere

Angela Lansbury was born in 1925 into a prominent family of the upper middle class living in the Regent's Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury's mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela's life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.

In 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into "playing characters", as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.

From 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.

In 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school's production of the play "Mary of Scotland" (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen's ladies-in-waiting.

Also in 1940, Lansbury's paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.

Macgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith's house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.

In 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.

Lansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.

Lansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of "Gaslight" (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film's conniving cockney maid. This helped secure Lansbury's first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.

In 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell's death.

In 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba's Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury's home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.

Meanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists' "The Private Affairs of Bel Ami" (1947), and Paramount Pictures' "Samson and Delilah" (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.

In 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.

Meanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film "The Long, Hot Summer" (1958) and the comedy film "The Reluctant Debutante" (1958). She also appeared regularly in television roles, and became a regular on game show "Pantomime Quiz" (1947-1959).

In 1957, Lansbury made her Broadway debut in a performance of "Hotel Paradiso". The play was an adaptation of the 1894 "L'Hôtel du libre échange" ("Free Exchange Hotel"), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury's role as "Marcel Cat" was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in "A Taste of Honey". She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.

In the early 1960s, Lansbury was cast as an overbearing mother in "Blue Hawaii" (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the "Variety" national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.

Lansbury gained critical praise for a sympathetic role in the drama film "The Dark at the Top of the Stairs" (1960), and the role of a manipulative mother in the drama film "All Fall Down" (1962). Based on her success in "All Fall Down", she was cast in a similar role in the Cold War-themed thriller "The Manchurian Candidate" (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).

Lansbury made a comeback in the starring role of Mame Dennis in the musical "Mame" (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel "Auntie Mame: An Irreverent Escapade" (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a "superstar".

Her newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her "Woman of the Year" in 1968.

Lansbury's next theatrical success was in 1969 "The Madwoman of Chaillot" (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman's struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.

In 1970, Lansbury's Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.

Her film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney's fantasy film "Bedknobs and Broomsticks" (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.

In 1972, Lansbury returned to the British stage, performing in London's West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical "Gypsy" (1959) by Arthur Laurents. It was quite successful. In 1974, "Gypsy" went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.

Tired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company's production of Hamlet. In November 1975, Lansbury's mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother's remains to be cremated, and the ashes scattered near her own County Cork home.

In 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.

In 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film "Death on the Nile" (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).

In 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical "Sweeney Todd: The Demon Barber of Fleet Street" (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel "The String of Pearls: A Domestic Romance" (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.

Lansbury's next prominent film role was that of Miss Froy in "The Lady Vanishes" (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film "The Mirror Crack'd" (1980), an adaptation of the novel "The Mirror Crack'd from Side to Side" (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.

In 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play "A Little Family Business" and a revival of "Mame", but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film "The Last Unicorn" (1982). The film was critically well received, but was not a box-office hit.

Lansbury played Ruth in the musical comedy "The Pirates of Penzance" (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.

Lansbury's next film role was that of Granny in the gothic fantasy film "The Company of Wolves" (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.

At about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series "Murder, She Wrote" (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the "whodunit" format and mostly avoided depictions of violence or gore.

The series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.

In 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original "Hawaii Five-O" (1968-1980) as the longest-running detective drama series in television history.

Her popularity from "Murder, She Wrote" made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.

Lansbury's highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney's animated fantasy film "Beauty and the Beast" (1991). Lansbury performed the film's title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.

During the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.

Following the end of "Murder, She Wrote", Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple's Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).

Lansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film "Nanny McPhee" (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband's death.

Lansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.

In 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.

In 2017, she was cast as Aunt March in the mini-series "Little Women". The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.

In 2018, Lansbury gained her next film role in Disney's fantasy film "Mary Poppins Returns" (2018), a sequel to "Mary Poppins". Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.

In 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde's play "The Importance of Being Earnest" (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.

By 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.

Paula Abdul grew up in the San Fernando Valley, California. She began taking dance lessons when she was eight. She attended Van Nuys High School, where she was senior class president and head cheerleader. After graduating in 1980, she started college at Cal State-Northridge, majoring in TV and radio. After joining the L.A. Lakers cheerleaders, she became head cheerleader/choreographer after only a few months, eventually dropping out of college to dance and choreograph full-time. She was recruited by The Jacksons to choreograph their 1984 "Torture" video, the first in a long list of videos and movies she would choreograph. She branched out into singing with her first CD, "Forever Your Girl", which had lackluster sales until the single "Straight Up" exploded onto the charts in December 1988 and she has been a popular singer/dancer ever since, enhanced by her stint as a judge on the hit series American Idol (2002).

Kirstie Louise Alley was an American actress. Her breakout role was as Rebecca Howe in the NBC sitcom Cheers (1987-1993), receiving an Emmy Award and a Golden Globe in 1991 for the role. From 1997 to 2000, she starred in the sitcom Veronica's Closet, earning additional Emmy and Golden Globe nominations.

Actress-comedienne Bea Arthur was born Bernice Frankel on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9".

She earned the title of "Wittiest Girl" in her school, and her dream was to be in show business, but she didn't think her family would support her. She then worked as a laboratory technician, and in the Marine Corps; she drove a truck, and worked as a typist. Her brief first marriage ended in divorce. Afterwards, she told her parents that she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research.

Arthur (her acting name based on a variation of her first husband's surname) played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof". Despite this being a small supporting role, Arthur stole the show night after night.

In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Arthur's own series, Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Arthur repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While appearing in Maude (1972), she raised her two sons, whom she had adopted with husband Gene Saks. After the show ended, so did her marriage to Saks. She never remarried. She became a lifelong animal rights' activist.

In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britain's Fawlty Towers (1975) but it was short-lived. In 1985, The Golden Girls (1985) made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Arthur, won Emmy Awards during the show's run. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Arthur kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).

In 1999, Arthur made an appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, receiving a standing ovation as they accepted the Pop Culture Award. She attended her induction into the Academy of Television Arts and Sciences Hall of Fame, with Angela Lansbury.

On April 25, 2009, at home with her family, Arthur died of cancer. She was 86. She was survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless LGBT youths.

Scott Stewart Bakula was born on October 9, 1954 in St. Louis, Missouri, to Sally (Zumwinkel) and J. Stewart Bakula, a lawyer. He is of German, as well as Czech, Austrian, Scottish and English ancestry. He comes from a musical family. In the fourth grade, he started a rock band and wrote songs for them, he later sang with the St. Louis Symphony. He studied Law at the University of Kansas until his sophomore year when he left to pursue acting. In 1976, he was first hired professionally in the role of Sam in "Shenandoah" and went to New York. After several small roles on television, he starred opposite Dean Stockwell in the science fiction series Quantum Leap (1989). Bakula played Dr. Sam Beckett, a physicist who was trapped by a malfunction of his time machine to correct things gone wrong in the past. He won a Golden Globe in 1992 for Best Performance by an Actor in a TV series - Drama for Quantum Leap (1989) and was nominated for a Tony Award in 1988. He also starred in the prequel series Star Trek: Enterprise (2001) as Jonathan Archer, the captain of Earth's first long-range starship. Today, he lives in Los Angeles, California and has a farm in upstate New York.

Les Alexander is known for Parker (2013), Caroline? (1990) and Next of Kin (1989).

Dean Barlow is known for Ready Player One (2018), Avengers: Infinity War (2018) and Don't Look Up (2021).

Jerry Belson was born on 8 July 1938 in Detroit, Michigan, USA. He was a writer and producer, known for The Tracey Ullman Show (1987), The Odd Couple (1970) and Always (1989). He was married to Jo Ann Harris and Linnea Vivi-Ann Flogell. He died on 10 October 2006 in Los Angeles, California, USA.

Growing up in San Diego, becoming an actor came naturally to Dana Ashbrook. His father is the director of the Palomar College Department of Performing Arts, and his mother is a teacher who performs in local theater. His sisters, Daphne Ashbrook and Taylor Ashbrook, are also working actresses. His own career started while still in his teens, when his sister Daphne's agent saw him performing in a high school play, and he made a good impression. He started out with guest appearances in TV series, and then went on to supporting roles in motion pictures. His big break was in 1990 in winning the role of Bobby Briggs in the offbeat television series Twin Peaks (1990). Ashbrook's intense portrayal of the volatile tempered high school athlete with his shaggy hair, soulful appearance, and intense personality made an impression. After the show went off the air the following year, he continued to make appearances in television and film. In 1997, he won a starring role in the series Crisis Center (1997), but in spite of its promise, the series only lasted one season. Ashbrook made a comeback in 2002 when he was cast in a recurring role playing the slimy and greedy stockbroker Rich Rinaldi, a character the viewers loved to hate, in the popular teen soap opera Dawson's Creek (1998) during the show's final season.

In his spare time, he plays basketball and tennis. He is also an accomplished harmonica player.

One cool, eternally classy lady, Candice Bergen was elegantly poised for trendy "ice princess" stardom when she first arrived on the '60s screen, but she gradually reshaped that débutante image in the '70s, both on- and off-camera. A staunch, outspoken feminist with a decisive edge, she went on to take a sizable portion of those contradicting qualities to film and, most particularly, to late 1980s TV.

The daughter of famed ventriloquist Edgar Bergen and former actress and "Chesterfield Girl" model Frances Bergen (née Westerman), Candice Patricia Bergen was born in Beverly Hills, California, of Swedish, German, and English descent. At the age of six, she made her radio debut on her father's show. She attended Westlake School for Girls in Los Angeles, the Cathedral School in Washington D.C. and then went abroad to the Montesano (finishing) School in Switzerland. Although she began taking art history and creative drawing at the University of Pennsylvania, she did not complete her studies.

In between she also worked as a Ford model in order to buy cameras for her new passion--photography. Her Grace Kelly-like glacial beauty deemed her an ideal candidate for Ivy League patrician roles, and Candice made an auspicious film debut while still a college student portraying the Vassar-styled lesbian member of Sidney Lumet's The Group (1966) in an ensemble that included the debuts of other lovely up-and-comers including Kathleen Widdoes, Carrie Nye, Joan Hackett and Joanna Pettet.

Film offers started coming her way, both here and abroad (spurred by her love for travel). Other than her top-notch roles as the co-ed who comes between Jack Nicholson and Art Garfunkel in Carnal Knowledge (1971) and her prim American lady kidnapped by Moroccan sheik Sean Connery in The Wind and the Lion (1975), her performances were deemed a bit too aloof to really stand out among the crowd. During this time, she found a passionate second career as a photographer and photojournalist. A number of her works went on to appear in an assortment of magazines including Life, Playboy and Esquire.

Most of Candice's 1970s films were dismissible and unworthy of her talents, including the campus comedy Getting Straight (1970) opposite the hip counterculture star of the era -- Elliott Gould; the disturbingly violent Soldier Blue (1970); the epic-sized bomb The Adventurers (1970); T.R. Baskin (1971); Bite the Bullet (1975); The Domino Principle (1977), Lina Wertmüller's long-winded and notoriously long-titled Italian drama A Night Full of Rain (1978); and the inferior sequel to the huge box-office soaper Love Story (1970), entitled Oliver's Story (1978) alongside original star Ryan O'Neal. Things picked up toward the second half of the decade, however, when the seemingly humorless Candice made a clever swipe at comedy. She made history as the first female guest host of Saturday Night Live (1975) and then showed an equally amusing side of her in the dramedy Starting Over (1979) as Burt Reynolds' tone-deaf ex-wife, enjoying a "best supporting actress" Oscar nomination in the process. She and Jacqueline Bisset also worked well as a team in George Cukor's Rich and Famous (1981), in which her mother Frances could be glimpsed in a Malibu party scene.

Candice made her Broadway debut in 1985 replacing Sigourney Weaver in David Rabe's black comedy "Hurlyburly". In 1980 Candice married Louis Malle, the older (by 14 years) French director. They had one child, Chloe. In the late 1980s, Candice hit a new career plateau on comedy television as the spiky title role on Murphy Brown (1988), giving great gripe as the cynical and competitive anchor/reporter of a TV magazine show. With a superlative supporting cast around her, the CBS sitcom went the distance (ten seasons) and earned Candice a whopping five Emmys and two Golden Globe awards. TV-movie roles also came her way as a result with colorful roles ranging from the evil Arthurian temptress "Morgan Le Fey" to an elite, high-classed madam -- all many moons away from her initial white-gloved debs of the late 60s.

Husband Malle's illness and subsequent death from cancer in 1995 resulted in Candice maintaining a low profile for an extended period. In time, however, she married a second time (since 2000) to Manhattan real estate developer Marshall Rose and returned to acting with a renewed vigor (or vinegar), with many of her characters enjoyable extensions of her sardonic "Murphy Brown" character. As for TV, she joined the 2005 cast of Boston Legal (2004) playing a brash, no-nonsense lawyer while trading barbs with a much less serious William Shatner, earning an Emmy nomination in the process. In 2018, Candice revisited her Murphy Brown character in a revised series form with many of the cast back on board. The show, however, was cancelled after only one season.

Candice also ventured into the romantic comedy film genre with a spray of crisp supports -- sometimes as a confidante, sometimes as a villain. Such films include Miss Congeniality (2000), Sweet Home Alabama (2002), The In-Laws (2003), Sex and the City (2008), The Women (2008), Bride Wars (2009), A Merry Friggin' Christmas (2014), Rules Don't Apply (2016), The Meyerowitz Stories (2017), Home Again (2017) and Book Club (2018).

Corbin Bernsen made his initial mark on the seminal television series L.A. Law as opportunistic divorce lawyer "Arnie Becker" earning him multiple Emmy and Golden Globe nominations over the show's eight-year run. He proved along the way the role was not to be a dead-end stereotype, maintaining a steady career in both television and film over the course of three decades. Moreover, his intent devotion to his career and love for the craft has compelled him in recent years to climb into the producer/writer, and director's chair.

Born in North Hollywood, California, on September 7, 1954, Corbin was raised in and around the entertainment business. The eldest of three children, his father film and television producer Harry Bernsen and mother, veteran actress Jeanne Cooper encouraged him to continue the family tradition. After high school he originally attended UCLA with the intention of pursuing law, but instead, he went on to receive a BFA in Theatre Arts and MFA in Playwriting. He worked on the Equity-waiver L.A. stage circuit as both actor and set designer, making his film debut as a bit player in his father's picture Three the Hard Way. He then set his sights on New York in the late 70s. In the early years he carved out a living as a carpenter building rooftop decks in NYC that still stand to this day. Then in 1983 he landed the role of "Ken Graham" on daytime's Ryan's Hope and he put his tool belt away. This break led to an exclusive deal with NBC and eventually the TV role in L.A. Law. The perks of his "newly-found stardom" on L.A. Law included a hosting stint on Saturday Night Live and the covers of numerous major magazines.

Not one to settle for what he knew could be fleeting comfort, he worked diligently to parlay his small screen success into a diverse resume of feature film roles, both starring and supporting, often enjoying the challenge of portraying unsympathetic characters with an infusion of charm and likability. He co-starred as Shelley Long's egotistical husband in the reincarnation comedy Hello Again; played an equally vain Hollywood star in the musical comedy Bert Rigby, You're a Fool; and starred as a disorganized ringleader of a band of crooks in the bank caper Disorganized Crime. He capped the 1980s decade opposite Charlie Sheen and Tom Berenger in the box office hit Major League, which took advantage of his natural athleticism, playing ballplayer-cum-owner "Roger Dorn". Two sequels followed. Other notable feature film work includes the mystery thriller Shattered, directed by Wolfgang Peterson, which re-teamed him with Tom Berenger, Stephen Frears' Lay The Favorite, and a turn opposite Robert Downey Jr. in Shane Black's Kiss Kiss Bang Bang.

On the TV front, he has appeared in many MOW's including Line of Fire: The Morris Dees Story as the famed civil rights attorney who founded the Southern Poverty Law Center. Topping it off, Corbin's title role in the horror/ thriller The Dentist for HBO had audiences developing a similar paranoia of tooth doctors as Anthony Perkins invoked decades before to motel clerks. As spurned husband-turned-crazed dentist "Dr. Alan Feinstone", Corbin reached cult horror status. The movie spawned a sequel in which he also served as a producer. Most recently, he has reunited with Dentist director Brian Yuzna on a slate of films exploring similar themes starting with "The Plastic Surgeon."

More recently Bernsen wrapped eight seasons on USA Network's hit series Psych as Henry Spencer playing James Roday's retired cop father who taught his "fake psychic," crime solving son everything he knows.

In 2006 he formed his own production company, Team Cherokee Productions to exert more creative control over his projects and begin exploring material both as writer, director and producer. Today that company has taken root as Home Theater Films, an early player in the Faith and Family film genre. The company has explored a wide variety of themes beginning with the film "Rust" which was distributed by Sony Pictures. With five other films under their belt, including "25 Hill," "Beyond the Heavens," "Christian Mingle" starring Lacey Chabert, and the upcoming "Jesse and Naomi," Home Theater Films has firmly carved a niche and name in this lucrative genre.

Corbin has been happily married (since 1988) to British actress Amanda Pays who most recently be seen on "The Flash." They have appeared together in the sci-fi film Spacejacked and the TV-movies Dead on the Money and The Santa Trap, among others. The couple has four sons. Never one to become complacent or fall prey to the hype - a lesson learned from his mother - he still practices his carpenter skills at home as he continues to write, produce, and direct. Perseverance and dedication has played a large part in his continued success. Having a savvy take-charge approach hasn't hurt either -- characteristics worthy of many of the characters he's explored on screen.

Stocky, genial-looking supporting actor Ned Beatty was once hailed by Daily Variety as the "busiest actor in Hollywood."

Ned Thomas Beatty was born in Louisville, Kentucky, to Margaret (Fortney) and Charles William Beatty. He grew up fishing and working on farms. His hometown of St. Matthews, Kentucky, is hardly the environment to encourage a career in the entertainment industry, though, so when asked, "How did you get into show business?" Beatty responded, "By hanging out with the wrong crowd." That "crowd" includes some of the industry's most prominent names, such as John Huston, Steven Spielberg, Robert Altman, Paul Newman, Richard Burton, Charlton Heston, Marlon Brando and Robert Redford.

Beatty garnered praise from both critics and peers as a dedicated actor's actor. He started as a professional performer at age ten, when he earned pocket money singing in gospel quartets and a barber shop. The big city and bright lights did not come easy, though. The first ten years of Beatty's career were spent at the Barter Theater in Abingdon, Virginia. He then moved on to the Erie Playhouse in Pennsylvania, the Playhouse Theater in Houston, Texas, and the prestigious Arena Stage Company in Washington, D.C. He was also a member of Shakespeare in Central Park, Louisville, Kentucky. Later, he appeared in the Broadway production of "The Great White Hope". At the Mark Taper Forum in Los Angeles, he won rave reviews when he starred in "The Accidental Death of an Anarchist."

In 1971, Beatty was chosen by director John Boorman for the role of Bobby Trippe in the hit film/backwoods nightmare Deliverance (1972). Co-star Burt Reynolds and Beatty struck up a friendship, and Ned was then cast by Burt in several other films together, including White Lightning (1973), W.W. and the Dixie Dancekings (1975), and the abysmal Stroker Ace (1983). Ned's talents were also noticed by others in Hollywood and he was cast in many key productions of the 1970s turning in stellar performance, including an Academy Award nomination of Best Supporting Actor for his role in Network (1976). Beatty was also marvelous in Nashville (1975), under fire from a crazed sniper in The Deadly Tower (1975), an undercover FBI man in the action comedy Silver Streak (1976), as Lex Luthor's bumbling assistant, Otis, in the blockbuster Superman (1978) ... and he returned again with Gene Hackman to play Otis and Lex Luthor again in Superman II (1980).

Beatty continued to remain busy throughout the 1980s with appearances in several big budget television productions including The Last Days of Pompeii (1984). However, the overall caliber of the productions in general did not match up to those he had appeared in during the 1970s. Nonetheless, Beatty still shone in films including The Big Easy (1986) and The Fourth Protocol (1987). Into the 1990s, Beatty's work output swung between a mixture of roles in family orientated productions (Gulliver's Travels (1996), Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn (1990), etc.) taking advantage of his "fatherly" type looks, but he could still accentuate a hard edge, and additionally was cast in Radioland Murders (1994) and Just Cause (1995). His many other films include The Toy (1982), All the President's Men (1976), Wise Blood (1979), Rudy (1993), Spring Forward (1999), Hear My Song (1991) -- for which he earned a Golden Globe nomination for Best Supporting Actor -- Prelude to a Kiss (1992), He Got Game (1998) and Cookie's Fortune (1999). Beatty's numerous television credits include three years on the NBC series Homicide: Life on the Street (1993), Streets of Laredo (1995) and The Boys (1993).

Beatty received an Emmy Award nomination for Best Actor for his performance in Friendly Fire (1979) opposite Carol Burnett, and a Best Supporting Actor nomination for Family Channel's Magic Hour: Tom Alone (1989). Other notable credits include The Wool Cap (2004), The Execution of Private Slovik (1974), A Woman Called Golda (1982), Pray TV (1982), the miniseries Robert Kennedy and His Times (1985), Lockerbie: A Night Remembered (1998) and T Bone N Weasel (1992). He also had a recurring role on Roseanne (1988) and performed musically on television specials for Dolly Parton and The Smothers Brothers.

In 2001, Beatty returned to his theatrical roots starring in London's West End revival production of Tennessee Williams' "Cat on a Hot Tin Roof" with Brendan Fraser. He also appeared in the production on Broadway in 2003/2004 with Jason Patric and Ashley Judd. In 2006, Beatty completed three features to be released next year: The Walker (2007); Paul Schrader's film also starring Woody Harrelson, Kristin Scott Thomas and Lily Tomlin; Paramount Pictures' Shooter (2007) starring Mark Wahlberg; and Charlie Wilson's War (2007), Mike Nichols's film with Tom Hanks, Philip Seymour Hoffman and Julia Roberts. Also in the 21st century, Beatty turned out a terrific performance in the popular Where the Red Fern Grows (2003). Blessed with eight children, Ned Beatty enjoyed golf and playing the bass guitar. He gave himself until the age of 70 to become proficient at both. He died at age 83 of natural causes on June 13, 2021 in Los Angeles, California.

Thomas Ross Bond II is a movie producer, director, writer, and radio producer/host, and President of 'Biograph Company' and 'British Mutoscope & Biograph' and the son of actor Tommy Bond Tommy Bond , who played "Butch" the bully in the original "Little Rascals" and actress Polly Ellis Polly Bond. Bond has been featured in the Hollywood Reporter, Variety, Us Magazine, Los Angeles Times, San Francisco Chronicle and MovieMaker magazine among many others around the world, being in the entertainment industry for over 45 years. Bond started out in radio at the age of 13 years old as the youngest broadcaster in the nation. Bond's first show "Hey Listen" was the first of its kind having a young people's show hosted by a young person. Because of his IQ of 160 he quickly adapted to the world, of adults, gathering interviews with famous notables, such as Kirk Douglas, Jack Lemmon, Michael Douglas, Mickey Rooney, John Houseman, Pope John Paul II, Ray Charles, Dennis Morgan, Ray Stevens, Bob Barker, among many others, as well as exclusive news reports, earning him respect among his adult peers. In 1979 he became News Director at Dellar Broadcasting at the age of 15 years old, and in 1980 hosted and was segment producer on the Capital Cities show, "Valley Mainstreet". Bond received national press attention, being featured in US Magazine, Los Angeles Times, San Francisco Chronicle, and Billboard magazine among many others. In 1980 he received a Commendation Resolution by the State of California for his government and civic efforts, and was nominated for an Emmy and Peabody Award. In 1981, he was made "Youth Ambassador" of UNICEF by the United Nations. In 1983 he left journalism for movie production. Bond was heavily influenced by directors Mervyn LeRoy, and Frank Capra, in which Bond owes most of his knowledge in directing and producing. In 1984 he started filming "Clingan's Junction" a Civil War picture, but towards the end of the filming in 1985, it was destroyed in a fire where his Aunt, actress Maryellen Sennett and Grandmother were were severely injured. In 1987 Bond worked on several projects in production, and during this time acquired the American Mutoscope and Biograph Company, the oldest movie company in America established in 1895. By 1991, the American Mutoscope and Biograph Company was re-incorporated in California, and set out to produce his second feature film, Bob's Night Out (2004), and into pre-production in 1994.

In 1996 during the last of the filming, history repeated itself again. His entire family was severely injured in a massive car accident that left his parents handicapped, and his Aunt with brain damage. After a break from the movie industry to repair the damage and his life, Bond continued on with Biograph. Bond's company received a monument on Hollywood and Vine commemorating his company's film In Old California (1910) which was the first movie made in Hollywood and a Latino based melodrama of early California. However, in April of 2005 the 28 ton monument was stolen. Because Bond and his family felt it was an "Inside job" and that this was a slap in the face from the district of Hollywood to his company and the Latino community, Bond vowed never to film any project in the District of Hollywood, or to have Biograph based there, ever again. Now, Biograph is located in Los Angeles, California and produces and packages feature films and commercial productions. Bond's vision is for Biograph to become the "Haven" for independent film-makers who do not wish to be controlled by the big Hollywood corporate structure, and to truly make an artistic and ethical difference in the entertainment industry.

After an attempt to move his company to northern Arizona, Bond encountered a barrage of bigoted hate-threats towards his business and family, some were considered dangerous, This forced Bond to the decision of leaving northern Arizona and relocating the US company masthead to New Mexico.

In 2023 Bond re-established the 'British Mutoscope & Biograph' company in the UK which is now the parent company of 'Bigraph Company'.

Through 'British Mutoscope & Biograph ' Bond is involved in the future development of the documentary about Biograph's involvement with the ill fated 'Titanic', in RMS Titanic: The Story Biograph Told (2012). as well as two new films, 'America's Sweetheart', the life of screen legend Mary Pickford and feature film project 'Harriet Quimby' starring 'DonnaMarie Recco' the story of the first woman aviator. and has embarked on the long process of producing an accurate remake of the old Biograph film about the Native Americans struggle in the 1800's. The Red Man's View. Currently Bond is working on pre-production/development on his British film 'Brigantia'.

Lara Flynn Boyle was born in Davenport, Iowa on March 24, 1970 to 21-year old Sally Boyle. For Sally and young Lara, money was not plentiful so Sally was required to work three jobs in addition to raising baby Lara by herself. Since Lara was mostly around Sally, they developed a bond that still binds Lara and Sally today. Until recently, Sally lived with Lara. Now they only live 10 minutes away from each other. Growing up, Lara had many struggles including dyslexia and a learning disability. Still, she could not let that get to her and she knew she had to be strong. She finally graduated, and, the day after doing so, she and her mother, Sally, moved. They drove on what would be "the road to fame". She soon landed roles in movies like Poltergeist III (1988) and Wayne's World (1992). Since then, she has become a prolific actress on both the small screen and the big screen.

Bill Brademan was born on 9 February 1931 in Minneapolis, Minnesota, USA. He was a casting director and producer, known for The Incident (1990), September Gun (1983) and Broken Vows (1987). He was married to Carlotta Smith. He died on 21 March 2018 in Sherman Oaks, California, USA.

Kevin Bright was born on 15 November 1954 in New York City, New York, USA. He is a producer and director, known for Dream On (1990), Friends (1994) and Never Too Late: The Doc Severinsen Story (2020). He is married to Claudia Jean Wilsey. They have two children.

In addition to his most recent credit, Executive Producer on the series Somewhere Between which aired on ABC, as EVP for Thunderbird Entertainment Joe oversaw multiple series including Endgame, Package Deal, Mr Young, and Some Assembly Required. Joe has produced and executive produced nearly forty MOWs and miniseries. His productions have won numerous awards and nominations including: Emmy, Peabody, WGA, and Golden Globe.

James L. Brooks was born on 9 May 1940 in Brooklyn, New York, USA. He is a writer and producer, known for Broadcast News (1987), As Good as It Gets (1997) and Terms of Endearment (1983). He has been married to Jennifer Simchowitz since 24 November 2024. He was previously married to Holly Holmberg Brooks and Marianne Catherine Morrissey.

Blair Brown was born in Washington D.C. Her father, Milton Henry Brown, worked at the Central Intelligence Agency, while her mother Elizabeth Ann Brown worked as a teacher.

Brown graduated from the National Theatre School of Canada in 1969 and took to the stage, where she performed in the New York Shakespeare Festival's 1975 production of "The Comedy of Errors" and in Joe Papp's 1976 production of "The Threepenny Opera," directed by Richard Foreman.

From 1987 to 1991, Brown starred as Molly Dodd in the critically acclaimed NBC TV series "The Days and Nights of Molly Dodd," which moved to Lifetime after Season 2.

In 1989, Brown played a major role in onetime partner David Hare's Broadway play "Secret Rapture." She continued to work steadily in theater, winning a Tony award in 2000 for her role in Michael Frayn's "Copenhagen."

Brown's numerous film credits include 1973's Oscar winning film "The Paper Chase," Robert Aldrich's "The Choirboys," and the John Belushi film "Continental Divide," which landed her a Golden Globe nomination for Best Motion Picture Actress in a Comedy/Musical.

Brown is also known for her television appearances in "Frasier," "Smallville," "ER" and for her role as "Nina Sharp" in the Fox series "Fringe." On "Orange is the New Black," Brown memorably appears as inmate Judy King, a role that was inspired by Martha Stewart.

The actress has narrated more than 50 documentary films and audio books. She has one son by the late actor Richard Jordan.

Downtown Julie Brown was born on 27 August 1963 in Bedfordshire, England, UK. She is an actress and producer, known for Spy Hard (1996), B*A*P*S (1997) and Fist of the North Star (1995). She has been married to Martin Schuermann since 5 September 1987. They have one child.

Delta Burke is best known for her portrayal as Suzanne Sugarbaker in CBS's Designing Women (1986), which ran for seven seasons and for which she received two Emmy nominations for Best Actress in a Comedy Series. When a teenager she represented Florida in the Miss America Pageant, and won a talent scholarship, which she used to attend a two-year study program at the London Academy of Music and Dramatic Arts.

She got her first television role within a month of her arrival in Los Angeles. She starred in the TV movie The Seekers (1979) and the series The Chisholms (1979). She had the leading role in Filthy Rich (1982) and a starring role in HBO's first weekly series 1st & Ten (1984).

Through her own production company, Perseverance, Inc., Delta produced and starred in the ABC television series Delta (1992). She actually sang in the series and dyed her dark hair blonde for the role. She was reunited with Designing Women (1986) creator Linda Bloodworth-Thomason when she starred in and produced Women of the House (1995), in which she reprised her role as Suzanne Sugarbaker.

Much of Delta's time now is spent designing clothing and managing her New York company, Delta Burke Design, which is becoming very successful. She is married to actor Gerald McRaney. They live in New Orleans when not working or traveling.

The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.

Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.

Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).

Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).

Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.

Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).

During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.

Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".

Best known for his roles "Kirk Morris" and "Jack Farrell," with his sharp, raspy nasal voice, sneering smile and fierce look, Burns has made himself really an actor to watch. He was drawn to acting late in college. After graduating, he re-established himself in New York and landed the title role of "Don Juan" at the New York Shakespeare Festival. He made his official TV debut in a small role in ABC Afterschool Specials (1972) ( Mom's on Strike (1984)). He got memorable recurring roles as felons, like the pathological rapist "James Fitzsimmons" in several episodes of the NBC drama series Hill Street Blues (1981) and body collector "Breugel" on Max Headroom (1987). By 1988, he broke through and the landed plum role of "Kirk Morris," a member of the "One-Two-One" club on Dear John (1988), a remake of the hit British sitcom. That role brought him instant recognition. He got cast in many similar roles after that. In 1993, CBS gave him the role (another Kirk Morris-like) of "Arnan Rothman" in Crocodile Dundee in Los Angeles (2001), the villainous "Cade Dalton" in the NBC miniseries The Gambler Returns: The Luck of the Draw (1991), and as a member of the loud, bickering, feuding family in Greedy (1994) and, in 1993, he was brought in as the hateful "Pete Schmidt," the vice-president of sales, for the last season of Bob (1992). This Bob Newhart series was a huge flop, despite Newhart's winning track-record and Burns' strong performance (probably because Bob played an angry, cynical and short-tempered grump, which wasn't what he was so famous and loved for). Burns has played other Kirk-like roles, but despite his track record of playing pure scum, he managed to get a different part in Something So Right (1996) as "Jack Farrell." Jere Burns still plays the most self-deconstructing and humbling role of his career to date (somewhat akin to his "Something So Right"), as the neurotic, nervous, self-humiliating "Frank Alfonse" on Good Morning, Miami (2002).

Timothy Busfield is a producer, director and Emmy Award-winning actor with over 750 professional credits. As an actor he has been a series regular or recurring character in over 20 series including "For Life", "The Loudest Voice", "Almost Family", "Designated Survivor", "One Dollar", "Thirtysomething", "The West Wing", "Entourage", "Sleepy Hollow", Secrets and Lies", "ED", "Studio 60 on the Sunset Strip", "Trapper John, M.D.", "The Byrds of Paradise", "Champs", "Family Ties", "Without A Trace", "The Paper Chase", "Reggie" and "All My Children", and the hit Marvel Podcast "Wastelanders: Old Man Star-Lord" as the title character Star-Lord (AKA Peter Quill) . Timothy has appeared in over 40 television movies and feature films, including "Field of Dreams", "Stripes", "Revenge of the Nerds", "Nerds in Paradise", "Quiz Show", "Sneakers", "Striking Distance", "Little Big League", "First Kid", "National Security", "23 Blast", "Strays", "Trucks", and "One Smart Fellow" which he co-directed, co-wrote, and acted in. Timothy has directed over 150 episodes of television, including "This Is Us" and multiple episodes of "The Cleaning Lady", "Chicago Med", "FBI", "The Fosters" (also directed the pilot), "thirtysomething", "Sports Night", "Damages", "Lipstick Jungle", "Studio 60 on the Sunset Strip", "Without A Trace", "Las Vegas", "The Night Shift", "Secrets and Lies", "The Glades", and many more. Timothy has served as a Producing Director on 8 series including "The Cleaning Lady", "Secrets and Lies", "Mind Games", Lipstick Jungle", "Studio 60 on the Sunset Strip", "Without A Trace", "ED", and the mini series "Maneater". In theatre, Timothy has appeared on Broadway twice, most recently as Lt. Daniel Kaffee in Aaron Sorkin's "A Few Good Men." Timothy founded two of America's most successful professional theaters, The Fantasy Theatre (AKA the B Street School Tour) and The B Street Theatre, both in Sacramento, California. Now in their 38th season, the theaters perform annually for over 200,000 children and adults throughout northern California. Timothy has an honorary PhD from Michigan State University and East Tennessee State University. He lives with his wife, television icon and fantastic cook, Melissa Gilbert.

Kirk Thomas Cameron was born in Panorama City, California, to Barbara Cameron (née Barbara Jeanne Bausmith), a homemaker, and Robert Cameron, a teacher. Though his parents initially did not project show business aspirations onto their children, a family friend in the business noted to Barbara that both Kirk and his sister, Candace Cameron Bure, were cute enough that they could easily pick up lucrative work in commercials. After Cameron began appearing in TV ads for "Polaroid", "McDonald's" and "Count Chocula" cereal, he found himself wound up in Hollywood's notorious child-star mill, netting minor cute-kid parts in a handful of TV movies, including a couple of Disney projects and two ABC Afterschool Specials (1972) (1972-95). In 1983, he landed a regular gig, as a precocious kid, in ABC's Two Marriages (1983), a show that remained on the air less than a month. He found a more winning formula in 1985 with Growing Pains (1985), playing the oldest son of a family headed by a psychiatrist (Alan Thicke) and a journalist (Joanna Kerns), one in a sequence of family network sitcoms characterized by with-it parents and mischievous-but-squeaky-clean kids. On the show, Cameron played the incorrigible but dumb "Mike Seaver" and his winning portrayal won over a large number of teen fans. In spite of scathing critical notices, "Growing Pains" ranked among Nielsen's top 20 network shows for its first four seasons, rising to No. 5 in its 1987-88 year. On the heels of his sitcom success, Cameron appeared in his first feature film in 1986, the Robin Williams/Kurt Russell glory-days comedy, The Best of Times (1986).

ABC would pump up Cameron as its "It" boy, and his trademark smirk in coming years would grace covers of a raft of teen magazines. Meanwhile, job offers cropped up to exploit his proverbial 15 minutes; he played the son/father of Dudley Moore in Like Father Like Son (1987), one of Hollywood's periodic flavor-du-jour retreads of the mystical parent/sibling body-switch comedies; netted the starring role in a high-profile Pepsi Super Bowl XXIV commercial; rated top-billing in Listen to Me (1989), an overwrought, widely-panned college drama about debate team wonks arguing against Roe v. Wade; and did a guest-shot, alongside sister Candace, on her ABC sister sitcom, Full House (1987) (1987-1995). Firmly established as the resident star of "Growing Pains", Cameron saw his pay jump to $50,000 a week and his fans sending him some 10,000 letters a week. But his coming-of-age took an unexpected turn, at least for everyone who worked with him. As he would later recall it in his autobiography, "Still Growing", the family of his first girlfriend initially exposed the 17-year-old to evangelical Christianity. Cameron experienced what he would later describe as a "life-changing encounter with Jesus" and declared himself "born again".