MCU Directors & Their Works #04: Kenneth Branagh

Cinematographer: Kenneth MacMillan
Production Designer: Tim Harvey
Stunt Coordinator/2nd Unit Director: Vic Armstrong
Camera Operators: Malcolm Vinson, Trevor Coop
Assistant Director: David Tringham
2nd Assistant Director: Michael Stevenson
3rd Assistant Director: Adam Somner
Composer: Patrick Doyle
Film Editor: Michael Bradsell
Costume Designer: Phyllis Dalton
Camera(s): Panaflex GII & Platinum (35mm)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 9 Million USD
Anecdote: Filmed with Panavision Cameras and Lenses

Cinematographer: Matthew Leonetti ASC
Production Designer: Tim Harvey
Camera Operator: Robert McBride
Composer: Patrick Doyle
Film Editor: Peter Berger ACE
Costume Designer: Phyllis Dalton
Unit Production Manager: William Gerrity
Camera: Ultracam 35 (35mm)
Lenses: Cooke
AR: 1.85:1 (Spherical)
Budget: 15 Million USD
Anecdote: Camera Equipment Provided by Leonetti Company

Cinematographer: Roger Lanser ASC
Production Designer: Tim Harvey
Optical Cameraman: David Smith
Steadicam Operator: Andy Shuttleworth
Digital Artist: Janek Sirrs
Film Editor: Andrew Marcus ACE
Costume Designer: Susan Coates
Camera: Arriflex 535 (35mm)
Lenses: Zeiss
AR: 1.85:1 (Spherical)
Budget: 5 Million USD
Anecdote: Camera Equipment Provided by Media Film Services (MFS)

Cinematographer: Roger Lanser ASC
Production Designer: Tim Harvey
Film Editor/2nd Unit Director: Andrew Marcus ACE
Steadicam Operator: Andy Shuttleworth
Visual Effects: Nicholas Brooks
Composer: Patrick Doyle
Costume Designer: Phyllis Dalton
Camera: Arriflex 535 (35mm)
Lenses: Zeiss
AR: 1.85:1 (Spherical)
Budget: 11 Million USD
Anecdote: Camera Equipment Provided By MFS London

Cinematographer: Roger Pratt BSC
Production Designer: Tim Harvey
Film Editor/2nd Unit Director: Andrew Marcus ACE
Stunt Coordinator/2nd Unit Director: Simon Crane
2nd Unit DP: Roger Lanser ASC
Alpine Unit Aerial DP: Ian Speed
A-Camera Operator/Additional DP: Trevor Coop
Special VFX DP: Dennis Lowe
VFX Camera Operator: Mark Gardiner
Steadicam Operators: Peter Robertson, Kate Robinson
2nd Unit Camera Operators: John Palmer, Gordon Hayman
Alpine Unit Aerial Camera Operator: Matthew Allwork
1st Assistant Camera: Simon Hume
2nd Assistant Camera: Robert Palmer
VFX Supervisors: Richard Conway, Val Wardlow
Digital Effects Designer: Nicholas Brooks
Composer: Patrick Doyle
Casting: Priscilla John CSA
Costume Designer: James Acheson
Camera(s): Arriflex 35-III, Panaflex Gold, GII & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 45 Million USD
Budget AFI (2021): 79.4 Million USD
Anecdote: Filmed with Panavision Cameras and Lenses

Cinematographer: Roger Lanser ASC
Production Designer: Tim Harvey
Camera Operator: Trevor Coop
Composer: Jimmy Yuill
Film Editor: Neil Farrell
Costume Designer: Caroline Harris
Camera: Arriflex 535B (35mm)
Lenses: Zeiss
AR: 1.66:1 (Spherical)
Anecdote: Opticals Provided by Magic Camera Company (MCC)

Cinematographer: Alex Thomson BSC
Production Designer: Tim Harvey
Stunt Coordinator: Simon Crane
Miniature Effects Director: Jose Granell
Model Unit Runner: Matthew D'Angibau
Model Unit DP: Nigel Stone
Camera Operators: Martin Kenzie BSC, Tony Jackson, Nic Milner
2nd Assistant Camera: George Richmond BSC
VFX Unit 1st Assistant Director: David Carrigan
VFX Supervisor: Antony Hunt
VFX Designers: Tom Debenham, Dan Glass
Composer: Patrick Doyle
Film Editor: Neil Farrell
Associate Film Editor: Dan Farrell
Costume Designer: Alexandra Byrne
Production Manager: Iona Price
Cameras: Arriflex 765 & Panaflex System 65 Studio (65mm Eastman EXR 200T 5293/500T 5298)
Lenses: Panavision System 65 Primes & Zeiss 765 Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (35mm Prints)
Capture Format: Panavision Super 70 & Arri 765
Budget: 18 Million USD
Budget AFI (2021): 30 Million USD
Attribute: Filmed in Panavision (as Panavision Super 70)

Cinematographer: Alex Thomson BSC
Production Designer: Tim Harvey
VFX DP: Rick Mietkowski
Camera Operator: Tony Jackson
A-Camera Operator: Nic Milner
VFX Supervisor: Antony Hunt
Digital Effects Supervisor: Angus Cameron
Composer: Patrick Doyle
Film Editors: Neil Farrell, Dan Farrell
Casting: Randi Hiller CSA & Nina Gold CSA
Costume Designer: Anna Buruma
Production Manager: Bernard Bellew
Camera(s): Panaflex Millennium & Platinum (35mm Fuji)
Lenses: Panavision Primo Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 13 Million USD
Budget AFI (2021): 19.7 Million USD
Anecdote: Filmed in Panavision

Cinematographer: Roger Lanser ASC
Production Designer: Tim Harvey
B-Camera/Steadicam Operators: Pete Cavaciuti, Julian Morson
SFX Supervisor: Neil Corbould
SFX Coordinator: Gail Corbould
SFX Technicians: Chris Corbould Jr, Ian Corbould
Composer: Patrick Doyle
Film Editor: Neil Farrell
Costume Designer: Susannah Buxton
Cameras: Arriflex 435 ES & 535B (35mm Fuji Eterna 500T 8573)
Lenses: Zeiss
Capture Format: 3-Perf Super 35mm
AR: 1.78:1 (HBO Telecast Version), 2.39:1 (DVD & Theatrical Version)
Attribute: Cameras & Lenses by Arri Media

Cinematographer: Roger Lasner ASC
Production Designer: Tim Harvey
3rd Ass't Director/2nd Unit Director: Carley Lane
2nd Unit DoP: Nic Milner
Camera Operator/Focus Puller: Rod Marley
B-Camera/Steadicam Operator: Pete Cavaciuti
Film Editor: Michael Parker
Costume Designer: Christopher Oram
Camera: Arricam LT (35mm Fuji Eterna 500T 8573)
AR: 2.35:1 (Super 35mm)
Budget: 27 Million USD
Budget AFI (2021): 35 Million USD
Attribute: Camera Equipment Provided by Arri Media

Cinematographer: Haris Zambarloukos BSC GSC
Production Designer: Tim Harvey
Camera Operators: Simon Baker, Luke Redgrave
1st Assistant B-Camera: Ashley Bond
Composer: Patrick Doyle
Film Editor: Neil Farrell
Additional Film Editor: Dan Farrell
Costume Designer: Alexandra Byrne
Camera(s): Panaflex XL & Platinum (35mm Kodak Vision2 50D 5201/250D 5205/500T 5218)
Lenses: Panavision Primo Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Anecdote: Filmed in Panavision

Director (Post-Credits Scene): Zak Penn
Screenwriters: Ashley Edward Miller, Don Payne, Zack Stentz
Story Writer & Townie: J. Michael Straczynski
Story Writer: Mark Protosevich
Producer & Unit Prod Manager: Patricia Whitcher
Producer/Co-Unit Prod Manager: Louis D'Esposito
Cinematographer: Haris Zambarloukos BSC GSC
Cinematographer (Post-Credits Scene): Seamus McGarvey ASC BSC
Production Designer: Bo Welch
Film Editor: Paul Rubell ACE
Costume Designer: Alexandra Byrne
Production Visual FX Supervisor: Wesley Sewell
Co-Producer: Craig Kyle
Co-Producer, Visual Effects & 3D: Victoria Alonso
Composer & Score Orchestrator: Patrick Doyle
Music Supervisor: Dave Jordan
Casting: Sarah Halley Finn CSA, Randi Hiller CSA
Sup. Stunt Coordinator/Second Unit Director: Vic Armstrong
Unit Production Manager: Don Zepfel
First Assistant Director: Luc Etienne
Second Assistant Director: Greg Hale
Production Visual FX Producer: Diana Giorgiutti
AP/Physical Production Executive: David J. Grant
Vis Dev Supers: Ryan Meinerding, Charlie Wen
Stunt Coordinator: Andy Armstrong
Second Unit Stunt Coord (LA): James Armstrong
Second Unit Stunt Coord (NM): Scott Armstrong
Stunt Coord, Reshoots: Thomas Robinson Harper
Fight Choreographer: Gary Stearns
Production Supervisor: Nadia Payne
Supervising Art Director: Maya Shimoguchi
Art Directors: Kasra Farahani, Sean Haworth, A. Todd Holland, Luke Freeborn
Assistant Stunt Coordinator: Richard Bloom
A Cam/Steadi-Cam Operator: Pete Cavaciuti ACO
A Camera First Assistant: Bill Coe
A Camera Second Assistant: Robert McMahon
B Camera Operator: Denis Moran
B Camera First Assistant: Patrick McArdle
B Camera Second Assistant: Tim Guffin
C Camera Operator: Guido Frenzel
C Camera First Assistant: Chuck Whelan
C Camera Second Assistant: Linda Gacsko
Main Unit Film Camera Loader: Aaron Schuh
Post Production Supervisor: Peter Mavromates
First Assist Editors: Robert Malina, Leslie Webb
Second AEs: Rich Conkling, Eric Osmond, Adam Kimmerlin
First Apprentice Film Editor: Tommy Aagaard
Post Production Coordinator: Sheryl Benko
Editorial Production Assistant: Scott mcPhate
Supervising Sound Designer/Editor: Richard King
Re-Record Mixers: Anna Behlmer, Andy Nelson
Additional Visual FX Supervisor: Jake Morrison
2nd Unit Visual Effects Supervisor: Kathy Siegel
Visual FX Production Manager: Danielle Costa
Production VFX Coordinators: Tanissa P. Schoen, Katie Fowler, Katie Spinelli
Production Stereo Coordinator: Mike May
Production Visual FX Editors: Dan Rafic, Jeremy Bradley
Visual Effects Plate Coordinators: Chris Antonini, Chris Moore
Production Visual FX Accountant: Kelley Baker
Visual Effects Production Assistant: Patrick Baries
Supervising Prop Master: Russell Bobbitt
Assistant Prop Master: Hector M. Gonzalez
Second Prop Assistant: Earl Thielen
Production Coordinator: Page Rosenberg-Marvin
Assistant Production Coordinator: Sharon Lopez
2nd Second Assistant Director: Aiman Humaideh
Computer/Video Playback Super.: Matt Morrisey
Computer Playback Coordinator: David Henri
Gaffer/Chief Lighting Technician: Cory Geryak
Dimmer Board Operator: Scott Barnes
Rigging Gaffer: Charles H. McIntyre III
Key Grip: Alexander La Verde
Technocrane Operator: Cary Caraway
Scorpio Head Technician: George Dana
Supervising Location Manager: Paul Caleb Duffy
Key Assistant Location Manager: Jacob Charney
Key Costumer: Timothy Wosnik
Set Decorator: Lauri Gaffin
Assistant Set Decorator: Florence Fellman
Set Decoration Coordinator: Shaun A. Young
Production Special FX Supervisor: Daniel Sudick
Special Effects Production Assist: Allison Gainza
Animatics Illustrator: James Rothwell
Art Department Coordinator: Andres Cubillan
Lead Storyboard Artists: Federico D'Alessandro
IHS Specialty Costumes Super.: Jose Fernandez
IHS Mold Shop Supervisor: Brian Van Dorn
IHS Shop Supervisor: Gus Navarette
IHS Grinder: Peter Zhang
IHS Production Assistant: Ted Peszinsky
SWLE Suit Construction Supers: Shane P. Mahan, Lindsay MacGowan
SWLE Senior Systems Engineer: Jason Lopez
Film Illusions Specialty Costumes Super: Russell Shinkle
Assistant to Louis D'Esposito: Trinh Tran
Picture Car Coordinator: John Armstrong
Technical Advisor: Harry Humphries
Safety Consultant: Paul Holehouse
Second Unit Prod. Super.: LeeAnn Stonebreaker
Second Unit First Assistant Director: Steve Love
Second Unit 2nd Assistant Director: David Kelley
Second Unit 2nd Second AD: Kristina Peterson
Second Unit DoP: Christopher Manley ASC
Second Unit A Camera Ops: Mitch Dubin SOC, Kim Marks SOC
2nd Unit A Camera First Assistant: Mark Spath
2nd Unit A Camera 2nd Assistant: David O'Brien
2nd Unit B Cam/Steady Ops: Henry Tirl, George Billinger III SOC
2nd Unit B Cam 1st Assts.: Dan Ming, Jan Ruona
2nd Unit B Cam 2nd Assts.: John Garrett, David Barryman
2nd Unit C Camera Operator: Patrick Rousseau
2nd Unit C Camera 1st Assist: Carlos De Varona
2nd Unit C Camera 2nd Assts.: Eric Amundsen, Tomoka Izumi
Second Unit Film Camera Loader: Yuka Kadono
Second Unit Product. Coordinator: Christie Kwan
Second Unit Prop Master: Stephen McCurry
2nd Unit Assistant Prop Master: Joseph De Santis
Second Unit CLTs: Richard Thomas, David Kagen
NM Unit C Camera Operator: George Stephenson
NM Unit C Camera First Assistant: Stewart Byro
NM Unit C Camera Second Assistant: Ryan Eustis
NM Unit Art Department Coordinator: Sara Lewis
NM Unit Art Department Assistant: Megg Fleck
NM Unit Asst Product. Coordinator: Anna C. Burd
New Mexico Unit Rigging Gaffer: Mark R. Mele
NM Unit Location Manager: Jonathan Slator
NM Unit Set Dec Production Assist: Maggie Lee
NM Unit Assistant Prop Master: Brett Andrews
NM Unit Special Effects Laborer: Jose I. Mendoza
NM 2nd Unit D Camera First Assist: Chris Norris
NM 2nd Unit D Cam 2nd Asst.: Charlie Newberry
NM Second Unit Assist Prop Master: Greg Benge
NM 2nd Unit Assistant Loc Manager: John Locas
NM 2nd Unit 2nd Loc Assistant: Dakley Monson
NM Second Unit POA: Nicholas R. Doyle
Interactive Market Manager: Brad Winderbaum
Creative Executive: Eric Hauserman Carroll
T3F Previz Supervisor: Gerardo Ramirez
T3F Previz Producer: Chris Edwards
T3F Production Manager: Nathan Santell
BUF VFX Supervisors: Nicolas Chevallier, Fabrice Lagayette
BUF VFX Prods: Pierre Escande, Nicolas Delval, Audrey Tondre
BUF TD's: Xavier Bec, Geoff Niquet, Dominique Vidal
BUF Lighting Supers: Lucas Salton, Raphael Zito, David Verbeke
BUF Visual Effects Art Director: Pierre Buffin
BUF PMs: Francois-Xavier Aubague, Edouard Valton
BUF Executive Producer: Steven Adams
BUF US Physical Production Lead: Carla Diamond
BUF Visual Effects Editor: Isabelle Capgras
BUF Legal Advisor: Thomas Buffin
Digital Domain Visual FX Supervisor: Kelly Port
DD1.0 Visual Effects Producer: Kelly L'Estrange
DD1.0 CG Supers: Eric Adrian Fernandes, Karl Denham
Digital Domain Animation Supervisor: Eric Petey
DD1.0 FX Animation Supervisor: Ryo Sakaguchi
DD1.0 Comp Supers: Darren Poe, Joel Behrens, Mark Richardson
DD1.0 Digital Prods: Arin Finger, John Kohum
DD1.0 Digital PMs: Kelly Shin, Colleen Murphy
DD1.0 Effects Animation Lead: Thomas Reppen
DD1.0 Lead Creature TD: Spencer Alexander
DD1.0 Modeling & Texture Lead: Miguel Orteta
DD1.0 Look Dev Lead: Jason Frank Williams
Digital Domain Lighting Lead: Betsy Mueller
DD1.0 Digital Environment Lead: Scott Edelstein
Digital Domain Pipeline Supervisor: Tim Belsher
DD1.0 Compositing Lead: Kevin Lingenfelser
DD1.0 Roto & Paint Lead: Heather MacPhee Ryan
DD1.0 Visual Effects Editor: Kevin LaNeave
DD1.0 Visual Effects Concept Artist: Claas Henke
DD1.0 VFX Coordinator: David Masure-Bosco
DD1.0 VFX Executive Producer: Bonnie Pritzker
Fuel VFX Supervisor: Paul Butterworth
Fuel VFX Producer: Jason Bath
Fuel VFX CG Seq. Supers: Roy Malhi, Pawel Olas
Fuel VFX Compositing Supervisor: Sam Cole
Fuel VFX Lead Compositors: Tim Walker, Matt Wynne
Fuel VFX Production Manager: Kilou Picard
Fuel VFX CG Production Manager: Chris French
Fuel VFX FX TD: Johannes Saam
Fuel VFX FX Artist: Steve Oakley
Fuel VFX Animator: Stein Lotviet
Fuel VFX Lighting Artist: Michael Parker
Luma Executive Supervisor: Payam Shohadai
Luma Pictures VFX Supervisor: Vincent Cirelli
Luma Senior VFX Producer: Steven Swanson
Luma Pictures VFX Producer: Steve Griffin
Luma Digital FX Supervisor: Justin Johnson
Luma Animation Supervisor: Raphael Pimentel
Luma CG Supers: Richard Sutherland, Pavel Pranevsky
Luma Sequence Supervisor: H. Haden Hammond
Luma Roto & Paint Supervisor: Glenn Morris
Luma Pictures VFX Coordinator: Katie Godwin
Luma Technical Coordinator: Justin Porter
Luma Pictures Junior Coordinator: Sam Bourne
Luma Pictures Concept Artist: Loic Zimmerman
Luma Look Development Lead: Jared Simeth
Luma Lead Compositor: Alexandre Cancado
Stereo D EPs: William Sherak, Aaron Parry, Mike Bodkin
Stereo D Stereographer: Graham Clark
Stereo D Stereoscopic Supervisor: Brian Taber
Stereo D Stereo Post Supervisor: Milton Amadou
Stereo D Stereoscopic Producer: Paul Geffre
Stereo D PCs: Renee Ward, Johnny Fisk
Stereo D PAs: Oscar Velasquez, Alex Boyle
Stereo D Exec Assts.: Madeline Hazeley, Lindsey Kaiser
Stereo D Stereoscopic Lead: Russell R. McCoy
Stereo D Lead Stereo Artist: Emma Webb
Stereo D Roto Coordinator: Kelly Jean-Ware
Stereo D VFX Stereo Supervisor: Will Morrison
Stereo D Matchmove Artist, VFX: Bryan T. Evans
Stereo D Senior VFX Artist: Francois Madere
Stereo D TD, VFX: Ross Krothe
Stereo D Prod Supervisor, VFX: Malachi Pound
Stereo D Prod Assistant, VFX: Andrea Stephens
Stereo D Stereoscopic IQ Artist: Greg Emerson
Stereo D First Assistant Editor: Scott Douglas
Stereo D Editorial Coordinator: Derek N. Prusak
Sound Designer: Michael Babcock
Supervising Foley Editor: Christopher Flick
Score Orchestrator & Music Conductor: James Shearman
Music Producer: Maggie Rodford
Supervising Music Editor: Steve Durkee
Production Music Editor: Chris Benstead
LSO Leader, Musical Score: Carmine Laurie
Music Score Recordist & Mixer: Nick Wollage
Supervising Digital Colorist: Steven J. Scott ASC
Digital Finishing Colorist: Mitch Paulson ASC
EFilm DI Finishing Producer: Jacqueline Rosado
EFilm DI Finishing Editor: Devon Miller
2nd Colorists: Charles Bunnag, Andrew Francis
EFilm Color Timing Assistant: Juan Flores
DI Assistant Finishing Producer: Mike Dillon
EFilm Cinemascan Dailies Producer: Ken Lebre
EFilm Cinemascan Dailies Colorist: Ben Estrada
Production Color Timer: Chris Regan
Panavision Sr Technical Adviser: Dan Sasaki ASC
Filming Dates: 11 January 2010 - 6 May 2010, 10 October 2010 - 31 October 2010 (Add'l Photography)
Cameras: Arriflex 435, Panaflex XL2, Platinum, Photo-Sonics 4ER & Red Epic (35mm Kodak Vision2 50D 5201, Vision3 250D 5207 & 500T 5219)
Lenses: Panavision® Primo SL Primes, G-Series AL Primes, Anamorphic Standard Primes, Anamorphic Telephoto 70-200mm Zoom & AWZ2 40-80mm Zoom
AR: 2.39:1 (Anamorphic)(4.5K Redcode RAW: Post-Credits Scene)
Phase: 1
MCU Division: Anthology Spin-Offs
Budget: 150 Million USD
Budget AFI (2021): 179.5 Million USD
Printed on: Kodak Vision 2383
Distributed by: Walt Disney Studios Motion Pictures
Specialty Costumes Designed by: Iron Head Studio & Film Illustrations
Frost Giant Prosthetics & Suit Effects Designed by: Stan Winston Legacy Effects
Special Visual Effects & Digital Animation by: BUF, Digital Domain, Fuel VFX & Luma Pictures
Stereoscopic Conversion Provided by: Stereo D
Music Performed by: The London Symphony Orchestra
Music Score Recorded at: Air Lyndhurst Studios
Music Score Recorded at: Air-Edel Recording Studios London
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision®

Cinematographer: Haris Zambarloukos BSC GSC
Production Designer: Andrew Laws
Stunt Coordinator/2nd Unit Director: Vic Armstrong
2nd Unit DPs: Robert Binnall, Lukasz Jogalla
Aerial DPs: Adam Dale, Douglas Holgate
Pursuit DP: Greg Baldi
Camera Operators: Topher Jones, Alan Pierce
Camera Operator/Splinter Unit Camera Operator: Jamie Harcourt
Camera Operator/1st Assistant A-Camera: Shaun Cobley
A-Camera/Steadicam Operator: Simon Baker
B-Camera Operator: Luke Redgrave
C-Camera Operator: Hamish Doyne-Ditmas
2nd Unit Steadicam Operator: Dave Hamilton-Green
Composer: Patrick Doyle
Film Editor: Martin Walsh ACE
Additional Film Editor: Matthew Tucker
Costume Designer: Jill Taylor
Production VFX Supervisor: Matt Johnson
Cameras: Arriflex 235, Panaflex XL2 & Red Epic (35mm Kodak Vision3 500T 5219 & 5K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes & Angenieux HR Anamorphic Zooms
AR: 2.35:1 (Anamorphic)
Budget: 60 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision

Screenwriter: Chris Weitz
Producers: Simon Kinberg, David Barron, Alison Shearmur
Exec Producer/Unit Prod Manager: Tim Lewis
Cinematographer: Haris Zambarloukos BSC GSC
Production Designer: Dante Ferretti
Film Editor: Martin Walsh ACE
Costume Designer: Sandy Powell
Composer & Score Orchestrator: Patrick Doyle
Key Unit Prod Manager: Steven Harding
Key 1st Ass't Director: Will Dodds
Key 2nd Ass't Director: Samar Pollitt
Supervising Choreographer: Rob Ashford
Production VFX Supervisor: Charley Henley
Production VFX Producer: Emma Norton
2nd Unit Director/Director of Photography: Alexander Witt ASC
Performance Consultant: Jimmy Yuill
Stunt Coordinator: Steve Dent
Stunt Supervisor: Matthew Sampson
Horse Master: Haydn Webb
Fight Arranger: Terry King
Lily James Double: Kelly Dent
Richard Madden Double: Ryan Dent
Stunt Safety Supervisors: Nick Hobbs, Steen Young
Associate Choreographer: Chris Bailey
Assoc. To Rob Ashford (UK): Pip Jordan
Production Supervisor: Katherine Tibbets
Post-Prod Supervisor: Katie Reynolds
Prod Controller: Donna Glasser Hancock
Supervising Art Directors: Gary Freeman, Les Tomkins
Senior Art Director: Stuart Rose
Art Director: Anthony Caron-Delion
Ass't Art Director: Helen Xenopoulos
Main Unit Standby Art Director: Paul Laugier
Set Decorator: Francesca Ferretti
Prop Buyer (FR): Emmanuel Delis
Costume Supervisor: David Davenport
Makeup Designer: Naomi Donne
Makeup Artist Assistant: Sophie Corbould
Hair Designer: Carol Hemming
A-Camera Operator: Roger Pearce ACO
B-Camera Operator: Luke Redgrave ACO
C-Camera Operator: Stamos Triantaphyllos
1st Assistant A-Camera: Dean Thompson
1st Assistant B-Camera: Peter Byrne
1st Assistant C-Camera: Graham Martyr
2nd Assistant A-Camera: David Churchyard
2nd Assistant B-Camera: Abi Catto
2nd Assistant C-Camera: Ben Rogers
Steadicam Operator: Alf Tramontin
Central Loader: Dom Cheung
Camera Trainee: Robbie Bryant
Production SFX Supervisor: Dave Watkins
SFX Floor Supervisor: Terry Flowers
SFX Workshop Supervisor: Jim Machin
Production SFX Buyer & Coord: Victoria Martin
SFX Senior Technician: Peter Skehan
SFX Ass't Techs: Sam Perez, Roderick Pulis
SFX Model Designer: Kevin Gilmartin
Supervising Location Manager: Emma Pill
Production Location Manager: Tom Crooke
Ass't Location Manager: David Taylor
Unit Manager: Luke Stevenson
Ass't Unit Manager: Carrick Welsh
Associate Film Editor: Matthew Tucker
1st Assistant Editor: Nicholas Davis
2nd Assistant Editor: Sadaf Nazari
Production VFX Editor: Matthew Glen
VFX 1st Ass't Editor: Wayne Smith
Supervising Sound Editor: James Mather
Chief Lighting Technician: Julian White
Rigging Gaffer: Dan Lowe
Rigging Supervisor: Gerry Higgins
Key Grip: Michael Huse
A-Camera Grip: Sam Phillips
B-Camera Grip: John Dunne
Supervising Prop Master: David Balfour
Add'l Prop Master: John Wells
Prop Supervisor: Robert Hill
Prop Coordinator & Researcher: Charlotte Bushnell
Prop Assistant: Alexandra Kemp
Lead Drape Supervisor: Les Ward
Action Vehicles W/Shop Sup.: Steve Cole
Action Vehicles Specialist: Lee Sutton
Production Coordinator: Richard Daldry
Key Ass't Prod Coord.: Kelly Taylor-Dias
Ass't Prod Coordinator: Ella Daines-Smith
Producer's Assistant: Fred Bonham Carter
Unit Production Manager: Barry Waldman
1st Assistant Director: Richard Whelan
Crowd 2nd Ass't Director: Nan Rowlands
Floor 2nd ADs: Stewart Hamilton, Daniel Channing Williams
2nd 2nd Ass't Director: Samuel Smith
3rd Assistant Director: Sam Rook
Floor 3rd Ass't Director: Sandrine Loisy
Add'l 3rd Ass't Dir: Phoebe Vale Markham
Post-Prod Coordinator: Gemma Nicholson
Post-Production Secretary: Sarah Bowden
VFX Production Manager: Nikeah Ford
Production VFX Coordinator: Simon Bennet Leyh
VFX Add'l Coordinators: Joe Carhart, Jack Daniels
Production VFX Assistant: Matt Badham
VFX Production Assistant: Sara Pedramnia
VFX Architectural Consultant: Inigo Minns
VFX Color Pipeline Lead: Jerome Dewhurst
Lead Data Wrangler: Justin Peer
Data Wranglers: Jack George, Ben Brown
Production VFX Compositors: Neil Culley, Ed Plant, Daniel Rickard
Greens Consultant: Jon Marson
Music Producer: Maggie Rodford
Score Orchestrator & Conductor: James Shearman
Supervising Music Editor: Chris Benstead
Music Editor: Peter Clarke
Score Recordist & Mixer: Jake Jackson
Main Title Sequence Animator: Andy Daffy
Supervising Finishing Colorist: Rob Pizzey
DI Finishing Producer: Jonathan Collard
Digital Conform Editor & Finishing Artist: Herbert Butler
DI Finishing Technologist: John Quartel
Add'l Finishing Colorist: Trevor Brown
CO3 Head of Production (Dailies): Jon Gray
CO3 Head of Operations: Claire McGrane
CO3 Executive Finishing Producer: Stefan Sonnenfeld ASC
2nd Unit 1st Ass't Director: Cordelia Hardy
2nd Unit 2nd Ass't Director: Bryn Lawrence
2nd Unit 3rd Ass't Director: Mark Cockren
2nd Unit Standby Art Director: Patricia Johnson
2nd Unit A-Camera Operator: Clive Jackson
2nd Unit 1st Ass't A-Cam: Chris Summers
2nd Unit 1st Ass't B-Camera: Mike Green
2nd Unit 2nd Ass't A-Camera: Phil Hardy
2nd Unit 2nd Ass't B-Camera: Louise Ben Nathan
2nd Unit Central A-Camera Loader: Maiya Rose
2nd Unit A-Camera Trainee: Bruno Witt
2nd Unit Costume Supervisor: Linda O'Reilly
2nd Unit Chief Lighting Tech: Alan Martin
2nd Unit Rigging Gaffer: Jason Martin
2nd Unit Makeup Supervisor: Andrea Finch
MPC VFX Supervisor: Patrick Ledda
MPC CG Supervisor: Richard Clegg
MPC VFX Producer: Alain Lalanne
MPC Animation Sup.: Warren Leathem
MPC 2D Supervisors: Warren Brinton, Reuben Barkataki
MPC VFX Prod Manager: Michelle Teefey Lee
MPC Add'l VFX Supervisor: Richard Little
MPC VFX Editorial Supervisors: Andrew Howarth, Chris Collas
MPC Prod Assistants: Emma Carter, Tom Barber
3D Moco Supervisor: Andy Bull
Moco Producer: Rob Delicata
Filming Dates: 23 September 2013 - 14 December 2013
Cameras: Arriflex 435, Panaflex XL2 & Red Epic Dragon (35mm Kodak Vision3 50D 5203/200T 5213 & 5K Redcode RAW)
Lenses: Panavision Primo Anamorphic Primes, C- & G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Printed on: Kodak Vision 2383
Budget: 95 Million USD
Score Recorded & Mixed at: Air Lyndhurst Recording Studios
Digital Intermediate Finishing & Film Dailies Services Provided by: Company 3 & I-Dailies London
Visual Effects Provided by: Moving Picture Company & Rodeo VFX Company
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision

Lyricist (Original Song)/Producer: Kenneth Branagh
Screenwriter: Michael Green
Producers: Ridley Scott, Mark Gordon, Simon Kinberg
Exec Producer/Unit Prod Manager: Matt Jenkins
Cinematographer: Haris Zambarloukos BSC GSC
Production Designer: Jim Clay
Film Editor: Mick Audsley
Production VFX Supervisor: George Murphy
Composer/Score Orchestrator/Solo Piano Musician/Music Producer: Patrick Doyle
Costume Designer: Alexandra Byrne
Performer (Original Song): Michelle Pfeiffer
Supervising Stunt Coordinator/Splinter Unit Director: James O'Donnell
Stunt Dept. Coordinator: Nora Henderson
Unit Production Manager: Janine Modder
Production Manager: Russell Lodge
Key 1st Ass't Director: Martin Curry
Key 2nd Ass't Director: Anna Brabbins
Makeup & Hair Designer: Carol Hemming
Supervising Sound Editor & Re-Recording Mixer: James H. Mather
Supervising Art Director: Dominic Masters
Art Directors: Andrew Ackland-Snow, Jordana Finkel, Will Corbrough, Philip Harvey
Standby Art Directors: Richard Usher, Pete James
Ass't Art Directors: Emma Clough, Quinn Robinson
Art Dept. Coordinator: Susannah Hewitt
Set Decorators: Rebecca Alleway, Caroline Smith
Set Dec Buyer (Production): Andy Grogan
Supervising Prop Maker: James McKeown
Storyboard Artists: Jonathan Maris, Adrian Spanna
Concept Artists: Luigi Marchione, Randolph Watson
Graphic Artist: Alicia Martin
A-Camera Operator: Roger Pearce ACO
B-Camera Operator: Luke Redgrave ACO
C-Cam/Steadicam/Splinter Unit B-Cam Op: Stamos Triantaphyllos
A Camera 1st Assistant: Dean Thompson
B Camera 1st Assistant: Peter Byrne
C Camera 1st Assistant: Mike Green
A Cam 2nd Assistant: Dominique Cheung
B Camera 2nd Assistant: Elliot Dupuy
C Camera 2nd Assistant: Dean Morrish
Camera Loader: Abigail Catto
A-Camera Trainee: Nicole Beattie
B-Camera Trainee: Billy Askew
C-Camera Trainee: Lisa MacGregor
65mm Camera Technician: Robert Aguirre
Video Assist Operator: Stuart Bridges
1st Video Assistant: Alex Bridges
Video Trainee: Ryan March
Supervising Prop Master: Alan Bailey
Prop Store Man: Michael Rawlings
Re-Recording Mixer: Mike Prestwood Smith
Associate Film Editor: Pani Scott
Production VFX Editor: Matthew Glen
Post-Prod Supervisor: Jeanette Haley
1st Ass't Editors: Thora Woodward, Lucy Mitra
2nd Assistant Editor: Sarah Bowden
1st Ass't VFX Editor: Wayne Smith
Editing Assistant: Julia Hewitt
Post-Prod Coordinator: Cheryl Goodbody
Production VFX Producer: Helen Judd
VFX Production Supervisor: Katrina Barton
Senior VFX Coordinator: Michal Whitty
VFX Ass't Coordinator: Ben Cuffin-Munday
Senior VFX Compositor: Joss Flores
Production VFX 3D Artists: Edward Martin, Gavin Platt
Production VFX Compositors: Alistair McNeill, Jaume Arteman, Ivan Cipriani
VFX Lead Data Wrangler: Nicky Walsh
Production VFX Data Wrangler: Amber Fullwood
Supervising Dialogue Editor: Simon Chase
Gaffer: Julian White
Best Boy Electrician: Alex Brown
BB Electrician (Floor): Kieran Waites
Electrical Rigging Gaffer: Dan Lowe
Key Grip: Michael Huse
Best Boy Grip: Keith Mead
A Camera Grip: Terry Williams
B Camera Grip: Dean Morris
C Camera Grip: Emmet Cahill
Costume Supervisor: Dan Grace
Hair & Makeup Supervisor (Crowd): Dana Kalder
Supervising Loc Manager: Terry Blyther
Location Coordinator: Kimberly White
Supervising Unit Manager: Charlie Simpson
Unit Supervisor: Frank Hart
Ass't Unit Manager: Robert Tarrant
Production Coordinator: Hephzibah Craen
Prod Coord (Location): Kate Garbett
Train Consultant: Tim Parkin
Production SFX Supervisor: David Watkins
SFX Workshop Supervisors: Jim Machin, Jason Marsh
SFX Floor Supervisor: Alistair Williams
SFX Lead Sr Techs: Joseph Halford, Kevin Rogan
Production SFX Technician & Designer: George Waite
Production SFX Riggers: Jamie Lee, Harry Elvidge
Production SFX Carpenter: William Gant
Production SFX Buyer & Coord: Victoria Cadiou
SFX Office Assistant: Hiram Bleetman
Associate Producer: Will Moseley
Performance Consultant: Jimmy Yuill
Production Accountant (UK): Dan Palmer
Prod Accountant (Malta): Julian Murray
2nd Ass't Director (Floor): Tussy Facchin
2nd ADs (Crowd): Bryn Lawrence, Michael Stevenson
Key 3rd ADs: Charlie Vaughan, Siggy Stone
Key Set Prod Ass't & Splinter Unit 3rd Ass't Director: David O'Neill
Prod Assistants (Floor): Molly Vincent, Charlotte Ellis, Stefan Maile
Prod Assistant (Crowd): Adam Foster
MPC Senior VFX Supervisor: Patrick Ledda
MPC Sr VFX Producer: Veronique Messier Lauzon
MPC Senior CG Supervisor: James Rustad
MPC Sr Environ. Supervisor: Pier Lefebvre
MPC Senior 2D Supervisor: Jammie Friday
MPC Sr VFX Prod Manager: Stanislas De Lesquen
Main & End Titles Designer: Matt Curtis
Preview Engineer (US): Lee Tucker
Dolby Engineer: James Shannon
FotoKem Lab General Manager: William Roskilly
FotoKem Color Timer: Kristy Zimmermann
FotoKem 65mm Lab Manager: Jeffrey Heacock
FotoKem NextLAB Dailies Producer: Mary Chamberlain
FotoKem NextLAB Dailies Colorist: Willie Lawton
FotoKem NextLAB Dailies Operator: Vincent Hughes
FCS 65mm Scanning Producer: Angelique Perez
FCS Scan Supervisor (Tech Ops): David Rosenthal
FCS 65mm Line-Up Tech: Mike L. Griffin
FCS Lead 65mm Scanning Op: Les Meek
Kodak Rushes Supervisor: Nigel Horn
Kodak Scanning Supervisor: John Palmer
Supervising Finishing Colorist: Rob Pizzey
Head of Finishing Production: Rob Farris
DI Finishing Producer: Jonathan Collard
DI Add'l Finish Colorist: Maria Chamberlain
DI Ass't Finishing Colorist: Sara Buxton
DI Finish Technologist: Laurent Treherne
Sr DI Finishing Administrator: Neil Harrison
2nd Unit DoP (Splinter Unit): Hamish Doyne Ditmas
Splinter Unit 1st Ass't Dir: Robert Grayson
Splinter Unit A-Cam Op: Gary Spratling ACO
Splinter Unit Central Loader (Switzerland): Morgan Spencer
Splinter Unit Gaffer: Jonathan Spencer
Splinter Unit SFX Floor Supervisor: Andrew Williams
Splinter Unit SFX Ass't Technician: Samuel Batchelor
Splinter Unit SFX Trainee: Tamara Williams
Malta Unit Line Producer/UPM: Winston Azzopardi
Malta Unit Art Director: Charlo Dalli
Malta Unit Gaffer: Adrian Dominic Bartolo
Malta Unit Sup Location Manager: Joseph Formosa Randon
Malta Unit Action Vehicle Coord: Charlie Galea
Malta Unit SFX Assistant: Leslie Micallef
Malta Unit VFX Trainee: Luke Zammit
NZ Unit Line Producer/PM: Pip Gillings
NZ Unit 1st Ass't Director: Mark Gillings
NZ Unit Location/Unit Manager: Harry Whitehurst
French/Swiss Unit Line Producer: Jeremie Chevret
Aerial Unit Coordinator/Pilot: Marc Wolff
Aerial Unit Supervisor: Andy Stephens
Aerial Unit A-Cameraman & Director of Photography: Adam Dale
Music Supervisor: Maggie Rodford
Score Conductor & Orchestrator: James Shearman
Score Recorder & Mixer: Nick Taylor
Solo Piano Musician: Dave Arch
Ass't Music Supervisor: Emily Appleton Holley
Music Editor: Robin Morrison
Filming Dates: 22 November 2016 - May 2017
Cameras: Alexa 65, Panaflex System 65 Studio & 65 HR (65mm Kodak Vision3 500T 5219 & 6.5K ARRIRAW)
Lenses: Panavision Sphero 65 Primes
AR: 2.39:1 (Panavision Super 70)
Budget: 55 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Moving Picture Company
Laboratory Services, Dailies & 65mm Scanning Provided by: FotoKem
Score Recorded at: Air Lyndhurst Studios
Shot on: Kodak 65mm Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision

Cinematographer: Zak Nicholson BSC
Production Designer: James Merifield
Aerial DP: John Marzano
Composer: Patrick Doyle
Film Editor: Una Dhonghaile ACE
Costume Designer: Michael O'Connor
Production Manager: Deryn Stafford
Camera: Alexa SXT (2.8K ARRIRAW)
Lenses: Panavision PVintage Spherical Primes
AR: 2.39:1 (Super 35mm)
Attribute: Filmed in Panavision

Writer & Producer: Kenneth Branagh
Producer: Tamar Thomas
Cinematographer/A Cam Op: Haris Zambarloukos BSC GSC
Production Designer: Jim Clay
Film Editor: Una Dhonghaile ACE BFE
Costume Designer: Charlotte Walter
Hair & Make Up Designer: Wakana Yoshihara
Composer: Van Morrison
Co-Producer: Celia Duval
Key 1st Assistant Director: Martin Curry
Production Visual Effects Supervisor: Matthew Glen
Sound Supervisors: Simon Chase, James Mather
Key 2nd Assistant Director: Anna Brabbins
Unit Production Manager: Scott Eaton
Production Sound Mixer: Denise Yarde
Production Choreographer: Aletta Collins
Music Supervisor: Becky Bentham
Supervising Stunt Coordinator: Jimmy O'Dee
Stunt Department Coordinator: Nora Henderson
B Camera/Steadicam Operator: Andrei Austin
1st Assistant A Camera: Dean Thompson
2st Assistant B Camera: Dom Cheung
2nd Assistant A Camera: Mia Castles
2nd Assistant B Camera: Georgina Cook
Camera Trainee: Chrysovalantis Antoniou
DIT: Jo Barker
Dailies Operator: Szymon Wyrzykowski
Supervising Video Playback Operator: Mathew Lester
Video Playback Operator (Daily): Carrie Cooksley
2nd Unit Director of Photography: Yinka Edward
Supervising Art Director: Dominic Masters
Standby Art Director: Richard Usher
Art Director: Stephen Swain
Graphic Designer: Alicia Martin
Art Department Assistant: Alice Le Trobe
Additional Graphic Artist: Eleanor Lamb
Set Decorator: Claire Nia Richards
1st Assistant Set Decorator: Sophie Coombes
Set Dec Assistant: Rachel Elfassy-Bitoun
Gaffer: Dan Lowe
2bnd Camera Grip (Daily): Garth Sewell
Costume Supervisor: Kate Eden
Assistant Costume Designer: Hannah Warren
Additional Costume Supervisor (Prep): Hannah Walter
Hair & Make-Up Co-Designer: Sian Wilson
Hair & Make-Up Supervisor: Sherya Patel
Production Coordinator: Daniella R. Baggaley
Prep Production Coordinator: Sanjay Sharma
Assistant Production Coordinator: Jack Gillespie
Covid Supervisors: Ray Goodwin, Ray Newstead
Covid Coordinator: Nick Van Der Riet
Covid Support Director: John R. White
Covid Support Associate: Lisa Logan
Crowd 2nd Assistant Director: Adam Foster
Floor 2nd Assistant Director: Siggy Stone
3rd Assistant Director: Charlotte Ellis
Base 3rd Assistant Director: Stefan Maile
Set PA: Shannon Phillips
Associate Film Editor: Simon Davis
1st Assistant Editor: Carly Brown
Post Production Coordinator: Matthew Tucker
2nd AEs: Timea Kalderak, Lydia Mannering, Quynh Nguyen Dieu
Research Production Assistant: Spencer Anderson
Production Researcher: Fergus Horan
Supervising Prop Master: Dean Marsh
Storeman & 1st Assistant Prop Master: Nick Shaw
Standby Props Lead: Fred Gibbs
Assistant Props Storeman (Daily): Terry Shaw
AEUK Special Effects Supervisor: David Watkins
AEUK Special Effects Floor Supervisor: Kevin Skehan
AEUK Special FX Workshop Supervisor: Roderick Pulis
AEUK Special Effects Senior Technician: Joe Halford
AEUK Special Effects Lead Technician: John Delaney
AEUK Special Effects Buyer: Louise Davies
AEUK SFX Trainees: David Harvey, Reece Passingham
AEUK SFX Techs (Dailies): Lee Hales, Richard Shaprlies
DPFX Head of Projection: Lester Dunton
DPFX Projection Technician: Vlad Kandinsky
DPFX Projection Electrician: Ross Lusted
Supervising Location Manager: Jenni Lewis
Production Location Manager: Byrony Preen
Unit Manager: Sam Courtnage
Unit Assistant: Matthew Fletcher
Location Assistant: Liam Silk
Location Intern: Lucy De Court
Location Scout (Daily): Tom Marshall
Health & Safety Advisor: Mick Hurrell
Aerial Unit A Camera Operator: John Marzano GBCT
Aerial Unit B Camera Operator: Katya Nelhams-Wright
Aerial Unit Drone Pilot: Pete Ayriss
Aerial Unit Drone Tech & A 1st AC: Ben Howlett
Aerial Unit Drone Assistant & Safety Observer: Clare Fuller
GPP Digital Finishing Colorist: Rob Pizzey
GPP Digital Online Finishing Editor: Russell White
GPP Assistant Online Finishing Editor: Chloe Warner-Harris
GPP Senior DI Finishing Producer: Jonathan Collard
GPP DI Assistant Producers: Elena Dedear, Emma Liu
GPP Head of Production: Rob Farris
GPP DI Assistant Colorists: Sara Buxton, Finlay Reid
GPP DI Technical Finishing Supervisor: Lawrence Hook
GPP DI Finishing Assistant: Alexander Phillips
GPP Head of Extraction & Delivery: Tom Corbett
GPP Technical Manager: Phillip Taylor
GPP Facilities Manager: Lisa Jackson
GPP Head of Finishing Department: Patrick Malone
GPP Commercial Manager: Martin Poultney
GPP DI Finishing Technologist: Laurent Treherne
Cheap Shot Visual FX Senior Compositor: Neil Culley
In House Visual FX Senior Compositor: Zissis Papatzikis
EDFX Visual Effects Senior Compositor: Ed Plant
TPO VFX Senior Compositor: Matthew Tinsley
Titles Designer: Matt Curtis
Belfast Unit Line Producer: Andy Wilson
2nd Unit DoP (Belfast Unit): Ryan Kernaghen
2nd Unit A 1st AC (Belfast Unit): Conor Rotherham
Belfast Unit 2nd Assistant A Camera: Matt McCauley
Belfast Unit DIT: Cel Bothwell
Belfast Unit Drone Pilot: Tom Callender
Belfast Unit Drone DoP: Phil Crother
Belfast Unit Grip: Glynn Harrison
Belfast Unit Location Manager: Scott Houston
Belfast Unit Production Assistant: Nathan Emery
Belfast Unit Camera Van Driver: Rachel Lydiate
Music Editor: Richard Armstrong
Assistant Music Supervisor: Gabby Thompson
Dedicated to: John Sessions
Filming Dates: September 2020 - October 2020
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Panavision C-Series LF 1.85x Anamorphic Primes, H-Series Spherical Primes, Sphero & System 65 Primes
AR: 1.85:1 (Anamorphic, PS70 & 4-Perf S35mm)
Special Effects Provided by: Absolute Effects UK
Projection Effects Provided by: Dunton Projection FX
Visual Effects Provided by: Cheap Shot, EDFX & TPO VFX
Attribute: Filmed in Panavision

Producers: Kenneth Branagh, Ridley Scott
Screenwriter: Michael Green
Exec Producers: Simon Kinberg, Mark Gordon
Executive Producer/Unit Prod Manager: Matthew Jenkins
Cinematographer: Haris Zambarloukos BSC GSC
Cinematographer (Egypt Unit - UK Crew), C Cam & Steadicam Op: Stamos Triantaphyllos
Production Designer: Jim Clay
Film Editor: Una Dhonghaile ACE
Production Visual Effects Supervisor: George Murphy
Composer & Score Orchestrator: Patrick Doyle
Costume Designer: Paco Delgado
Key 1st Assistant Director: Martin Curry
Unit Production Manager: Damian Anderson
Key 2nd Assistant Director: Anna Brabbins
Choreography Supervisor: Rob Ashford
Supervising Stunt Coordinator: Jimmy O'Dee
Assistant Stunt Coordinator: Neil Finnighan
Head Wire Supervisor: Chris Newton
Stunt Department Coordinator: Nora O'Donnell
1st Assistant Editor: Simon Davis
Supervising Sound Editor: James Mather
Production Visual Effects Editor: Matthew Glen
Production Visual Effects Producer: Claudia Dehmel
Post-Production Supervisor: Jeanette Haley
Supervising Art Director: Dominic Masters
Senior Art Director: Stephen Swain
3rd Art Directors: Katrina MacKay, Luke Sanders
4th Art Director: Steven Lawrence
Standby Art Director: Richard Usher
1st Ass't Art Directors: Dan Clay, Celene McDowell
2nd Assistant Art Director: Keely Lanigan-Atkins
Art Department Coordinator: Hannah Meredith-Smith
Supervising Researcher: Nicola Barnes
Concept Artist: Qingling Zhang
Set Decorator: Abi Groves
Lead Assistant Set Decorator: Charlotte Crosbie
Ass't Set Decorators: Gordon Grant, Basmah Jolley
Set Dec Coordinator: Fliss Jaine
Graphics Designer: Alicia Martin
Graphic Artist: Matilda Craston
Set Dec Runner: Lois Williams
Graphics Runner: Clarissa Collins
A Camera Operator: Luke Redgrave ACO
B Camera Operator: Andrei Austin
A Camera 1st Assistant Camera: Dean Thompson
B Camera 1st AC (Main Unit & Egypt Unit - UK Crew): Simon Heck
C Camera 1st AC (Main Unit & Egypt Unit - UK Crew): Clare Connor
A Camera 2nd Assistant Camera: Dom Cheung
B Camera 2nd Assistant Camera: Richard Davis
C Camera 2nd AC (Main Unit & Egypt Unit - UK Crew): Jack Bentley
2nd Ass't A-Cam (Egypt Unit - UK Crew) & Main Unit Central Loader: Rana Darwish
Assistant to Haris Zambarloukos: Chrys Antoniou
Camera Trainee: Mia Castles
Key Grip (Main Unit & Egypt Unit - UK Crew): Malcolm Huse
B Camera Grip: Del Strachan
C Camera Grip: Ricky Hall
Video Operator: Stu Bridges
Video Assistant: James Wade
Supervising Prop Master: Warren Stickley
Assistant Prop Master: Bruce Bigg
Props Department Coordinator: Benjamin Vokes
Supervising Dialogue Editor: Simon Chase
Dialogue Editor: Rob Killick
Assistant Sound Editor: Chris Howard
Foley Editor: Sophia Hardman
Foley Recording Engineer: Adam Mendez
Audio Post Coordinator: Olivia Jeffrey
Sound Mix Technician: Harry Jones
2nd Assistant Editor: Sarah Bowden
1st Assistant Visual Effects Editor: Thora Woodward
Editorial Trainee: Katie Nicholls
Visual Effects Production Supervisor: Michal Whitty
On Set Visual Effects Supervisor: Adrian Ratley
Production VFX Coordinators: Zoe Medcraft, Joana Santana Powell
VFX Ass't Coordinators: Teresa Alvarez Pino, Atem Koul
Technical Virtual Production Lead: Elliot Staker
Production Visual Effects Data Wrangler: Amber Fullwood
Assistant Data Wrangler (Visual Effects): Gabriella Sinella
Gaffer: Dan Lowe
Supervising Desk Operator: Chris Craig
Electrical & Rigging Supervisor: Daniel Martin
Desk Operator: Frankie Shields
Network Technician: Nathan Atkinson
Floor Electrician: Max Lovell
Rigging Gaffer: Julian Perrin
Rigging Desk Operator: Daniel Baldwin
Supervising Location Manager: Tom Woods
Cotswolds Unit Loc Manager: Matt Mirrington
Production Location Manager: Ross Monaghan
Production Location Assistant: Julian Monaghan
Location Studio Manager: Kimberley White
Location Studio Coordinator: Fran Saladin
Unit Location Manager: Charlie Simpson
Ass't Loc Studio Manager: Jack Cowan Bates
Key Location Studio Assistant: Joe Edis
Studio Location Unit Assistant: Joe Gordon
Production Manager: Tony Davis
Production Coordinator: Stuart Ewan
Production SFX Supervisors: Dave Watkins, Jim Machin
Floor Supervisor (Special Effects): Kevin Skehan
Workshop Supervisor: Paul Dunn
Ass't Workshop Supervisor: James Plumridge
Lead Senior Tech/H&S Advisor: Joe Halford
Technician/H&S Advisor: Adam Regan
SFX Buyer/Coordinator: Christopher Hutton
Production SFX Buyer: Victoria Cadiou
SFX Office Assistant: Sarah Pearce
Production SFX Designers: David Franklin-Lees, Pavel Viatkin
Lead Senior SFX Technician: Andy Ryan
SFX Senior Wireman: Roderick Pulis
Assistant Wireman: Johnny Wright
Post-Production Accountant: Tarn Harper
Ass't Post-Production Accountant: Tina Ellis
Crowd 2nd Assistant Director: Bryn Lawrence
Floor 2nd Assistant Director: Siggy Stone
Base 3rd Assistant Director: Charlotte Ellis
Floor 3rd Assistant Director: Molly Vincent
Clearance Supervisor: Gina Cook
Clearance Coordinator: Shan Hughes
Researcher: Fearghus Horan
Storyboard Artist: Daniel O'Donnell-Smith
Health & Safety Supervisor: Jay Bond
DIT (Egypt Unit - UK Crew)/Digital Orc Dailies Producer: Callum Just
Digital Orc Head of Production: Sam Margaritis
DIT (Egypt Unit - UK Crew)/Digital Orc Workflow Supervisor: Charlie Noble
Digital Orc DIT/Dailies Colorist (Main Unit & Egypt Unit - UK Crew): Sam Spurgeon
Digital Orc DIT (Main Unit & Egypt Unit - UK Crew): Joe Dibble
DNEG VFX Supervisor: Jonathan Bowen
DNEG VFX Executive Producer: Philipp Wolf
DNEG DFX Supervisors: Becky Graham, Denis-Jose Francois, Shailendra Swarnkar, Manolo Mantero
DNEG VFX Producer: Annie Cliche
DNEG CG Supervisors: Kushank Tikku, Marc Smith
DNEG Comp Supervisors: Mike Kwan, John Britto
DNEG VFX Prod Managers: Monica Hyon Kyong Rho, Ashutosh Joshi, Nitin Singh
DNEG Virtual Prod Supervisors: James Benson, Roel Coucke, Mattias Forsstrom
Raynault VFX Supervisor: Mathieu Raynault
Raynault VFX Producer: Jacinthe Cote
Raynault VFX CG Supervisor: Sylvain Theroux
Raynault VFX Line Producer: Josiane O'Rourke
Raynault VFX Comp Supervisor: Vincent Poitras
Raynault VFX Coordinator: Amelie Thomas
Raynault VFX Art Director: Yanick Dusseault
Raynault VFX Exec Producer: Charlene Eberle
Raynault VFX Lead Digital Artists: Pierre-Simon Lebrun, Stephanie Morin
Raynault VFX Digital Matte Painter: Eric Hamel
Raynault VFX Lead VFX Compositors: Laurent Srey, David Larochelle
Lola VFX Supervisor: David Moreno Hernandez
Lola Lead VFX Exec Producer: Thomas Nittmann
Lola Comp Supervisor: Edson Williams
Lola VFX Executive Producer: Allison Glennon
Lola CG Supervisor: David Michaels
Lola VFX Coordinator: Amee Minsal
Lola DFX Supervisor: Ari Brown
Lola VFX Prod Assistant: Katherine Meadows
Lola VFX Editor: John Polyson
Lola VFX Pipeline Developer: Scott Jepson
Host VFX Senior Supervisor: Jose Flores
Post-Prod Coordinators: Cheryl Goodbody, Dilek Osman
Digital Finishing Colorist: Rob Pizzey
Digital On-Line Finishing Editor: Russell White
Add'l Digital On-Line Editor: Daniel Tomlinson
DI Finishing Producer: Jonathan Collard
DI Ass't Finishing Producer: Emma Liu
GPP Head of Finishing Production: Rob Farris
DI Ass't Finishing Colorists: Sara Buxton, Finlay Reid
DI Technical Finish Supervisor: Lawrence Hook
DI Finishing Assistant: Alexander Phillips
GPP Head of Extraction & Delivery: Tom Corbett
Senior DI Finishing Administrator: Neil Harrison
Technical Finishing Manager: Phillip Taylor
GPP Head of Finishing Dept.: Patrick Malone
GPP Commercial Manager: Martin Poultney
DI Finishing Technologist: Laurent Treherne
Main & End Titles Designer: Matt Curtis
FCS Scanning Producer: Angelique Perez
FCS Scanning Coordinator: Robert Garcia
FCS Line-Up Technician: James Manke
FCS I/O Supervisor: David Rosenthal
Film Recording Producer: Leena Gundapaneni
FCS Lab Color Timer: Kristen Zimmermann
Music Supervisor: Maggie Rodford
Score Conductor/Orchestrator: James Shearman
Score Recorder & Mixer: Nick Taylor
Digital Recording Supervisor: Laurence Anslow
Egypt Unit Project Coordinator: Ramzi Khoury
Egypt Unit Prod Managers: Maged Youssef, Sami Rafi
Egypt Unit Prod Manager (Drone Team): Saif Farouk
Egypt Unit Location Manager: Nasser Khalil
Egypt Unit Financial Manager: Omar Abou Zaid
Egypt Unit Production Coordinator: Mai Hossam
Egypt Unit Drone Operator: Ahmed Zidan
Egypt Unit Vehicle Manager (Cairo): Hossam Abdelnabi
Egypt Unit Prod Supervisor (UK Crew): David O'Neill
Egypt Unit DITs (UK Crew): Andrew McGovern, Eiblin Langtry
Egypt Unit Drone Operator (UK Crew)/Aerial Unit A-Camera Operator: Phil Arntz
Egypt Unit Key Grip (UK Crew): Gemal Attya
Egypt Unit Camera Grip (UK Crew): Charlie Cole
Egypt Unit Libra Tech (UK Crew): Neil Tomlin
Egypt Unit PSC (UK Crew): Fraser Bishop
Filming Dates: 30 September 2019 - 18 December 2019
Camera: Panaflex System 65 Studio (65mm Kodak Vision3 50D 5203/250D 5307/200T 5213/500T 5219)
Lenses: Panavision Sphero + System 65 Primes, Ultra Panatar Anamorphic Primes & Ultra Vista Anamorphic Primes
AR: 2.20:1 (Panavision Super 70)(Anamorphic: Some Shots)
Budget: 90-167 Million USD
Visual Effects & Virtual Production Provided by: Double Negative, Raynault VFX, Lola & Host VFX
65mm Film Scanning Provided by: FotoKem Creative Services
Score Recorded at: Air Studios, London
Shot on: Kodak 65mm Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision