The Top 10 Greatest Documentary Directors of All Time

His documentaries helped spur a rebirth of non-fiction film in the 80s & garnered wide critical success. But until 2003's "The Fog of War," Morris was shunned by the Academy Awards.

Morris' first two films won much acclaim (Gates of Heaven (1978) and Vernon, Florida (1981)). In the second movie, Morris intended to explore "Nub City," the town known for residents trading limbs for insurance settlements, but death threats (and some other equally fascinating locals) morphed Morris' focus into profiling other citizens instead.

After his first two films, Morris found financing for new projects scarce, so he turned to a unusual source of income - working as a New York private detective. Finally, after 6 years, he moved into feature-length, (and more serious projects) with The Thin Blue Line (1988).

Errol Morris cites his detective experience as providing new skills for his investigative filmmaking, most notably in "The Thin Blue Line", which resulted in a wrongfully convicted man being freed from a lifetime sentence in Texas after serving 13 years for a policeman's murder. Morris persuaded the real murderer to help free the innocent man. The real killer was subsequently executed for a unrelated murder.

Morris uses techniques not traditionally seen in documentaries, to make his films more dramatic and diverse, such as the Thin Blue Line's incredibly eerie Philip Glass score, and the haunting reenactments of the policeman's murder. Thin Blue Line's multiple points of view have drawn favorable comparisons to Kurosawa's ground-breaking cinema classic, Rashomon (1950). His own striking, innovative film style is very influential. Like Alfred Hitchcock, Morris knows how to create careful doses of emotional reality, which can have much more impact on a viewer than a literal reality can be on film.

Technical problems forced Morris to insert his voice as an interviewer for the first time, at the end of The Thin Blue Line, and he's experimented with using himself in his documentaries since. Morris incorporated his reaction to his parents' recent deaths in Fast, Cheap & Out of Control (1997).

Morris feels his interviewing of subjects, has been greatly enhanced in his later work, by devising the Interrotron (terror and interview). It's two cameras, one on Morris and one on the interviewee. Each sees the other's images staring directly into the lens, to give the audience the appearance the subject is talking directly to them.

While his work explores a wide range of subjects, Morris has stated his films break down into "Completely Whacked Out" and "Politically Concerned." Many focus on people with strong, unusual obsessions. His cable documentary series First Person, was especially effective presenting with great sympathy, power and humor, compelling individuals such as Temple Grandin, an animal scientist who has autism. Grandin designs animal slaughterhouses to be humane.

Fred Leuchter, the subject of Morris' film, Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999) was slated to be one of the people profiled in Morris' "Fast, Cheap & Out of Control", but Morris decided putting Leuchter in the same film would overpower the other portraits. Leuchter'd been dubbed "The Florence Nightingale of Death Row" for his career of making prisoner execution methods more humane, was invited by a Holocaust denier who was on trial, to examine the site of the Auschwitz death camp. Way out of his league, Leuchter's faulty, amateurish research led him to claim that Auschwitz could not have been used for executions. "Accidental Nazi" was considered as a title for the film. Morris prefers characters who are puzzling.

The film brought Morris (who's Jewish) much criticism and attention. One of Morris' recurring themes is the powerful contrasts between how his subjects view themselves, and how audiences view them. The witty Morris revels in his own off kilter humor, iconoclasm, and extreme skepticism when he's being interviewed.

Morris had problems when he ventured into directing a Hollywood fiction film as did his contemporaries Michael Moore, Joe Berlinger, and Bruce Sinofsky. The Dark Wind (1991) was held up by the studio for 2 years, then released on video. It was an adaptation of a Tony Hillerman mystery novel, executive produced by Robert Redford. Morris has continued entirely with non-fiction, though many of his subjects are much stranger than fiction anyway.

He has taken on difficult subjects, such as A Brief History of Time (1991), about the paraplegic physicist Stephen Hawking, illustrating Hawking's revolutionary theories, and comparing the paralyzed scientist's own rich interior world periled by ALS, with the complex, dying universe Hawking limns.

Morris' film The Fog of War (2003), examines the architect of the U.S. war in Vietnam, former Secretary of Defense Robert McNamara. Morris' academic training in philosophy and history shows in his documentaries' vast depth. While getting a history degree at University of Wisconsin, Morris explored doing a film on notorious local murderer Ed Gein (Gein was the basis for Psycho (1960)). Morris also studied at Princeton and University of California - Berkeley.

Morris' directing career started while he programmed shows at the California's Pacific Film Archive. A newspaper headline spurred his first film "Gates of Heaven," revealing with bizarre developments in 2 widely contrasting pet cemeteries. The uncut film confounded editors, such as Academy Award nominee David Webb Peoples (Unforgiven (1992)). German film director Werner Herzog bet Morris that the film would never get made. At Berkeley, Herzog settled the bet on stage in an incredible display, as documented by director Les Blank (whose son 'Harrod Blank'_ is also an acclaimed documentary filmmaker) in Werner Herzog Eats His Shoe.

Morris, who received a MacArthur Foundation genius grant, says none of his films have made him money, so he directs commercials, and won an Emmy in 2001. A series of campaign ads he did for John Kerry was little shown. Morris' much-criticized approach was to Interrotron actual Republicans and conservatives who had switched to support Kerry, versus George W. Bush. Morris has an occasional feature in the New York Times ruminating on the power and meaning of photos.

Opening April 2008 is his new feature, Standard Operating Procedure (2008), which explores abuse in the Abu Ghraib prison in Iraq. The film is accompanied by a book of on-set photos of Morris' productions.

Adam Curtis was born on 26 May 1955 in Dartford, Kent, England, UK. He is a director and producer, known for The Power of Nightmares (2004), Pandora's Box (1992) and HyperNormalisation (2016).

Charles Ferguson was born on 24 March 1955 in San Francisco, California, USA. He is a producer and director, known for Inside Job (2010), No End in Sight (2007) and Time to Choose (2015).

Joshua Oppenheimer was born on 23 September 1974 in Texas, USA. He is a director and producer, known for The End (2024), The Act of Killing (2012) and The Entire History of the Louisiana Purchase (1998).

Barbara Kopple was born on 30 July 1946 in New York City, New York, USA. She is a producer and director, known for Harlan County U.S.A. (1976), American Dream (1990) and Shut Up & Sing (2006).

Michael Francis Moore was born in Flint, Michigan on April 23, 1954, and was raised in its Davison suburb. He is the son of Helen Veronica (Wall), a secretary, and Francis Richard Moore, who worked on an auto assembly line. He has Irish, as well as English and Scottish, ancestry.

Moore studied journalism at the University of Michigan-Flint, and also pursued other hobbies such as gun shooting, for which he even won a competition. Michael began his journalistic career writing for the school newspaper "The Michigan Times," and after dropping out of college briefly worked as editor for "Mother Jones."

He then turned to filmmaking, and to earn the money for the budget of his first film Roger & Me (1989) he ran neighborhood bingo games. The success of this film launched his career as one of America's best-known and most controversial documentarians. He has produced a string of documentary films and TV series predominantly about the same subject: attacks on corrupt politicians and greedy business corporations. He landed his first big hit with Bowling for Columbine (2002) about the bad points of the right to bear arms in America, which earned him an Oscar and a big reputation. He then shook the world with his even bigger hit Fahrenheit 9/11 (2004), making fun of President George W. Bush. This is the highest-grossing documentary of all time. Michael is known for having the guts to give his opinion in public, which not many people are courageous enough to do, and for that is respected by many.

Alex Gibney was born on 23 October 1953 in New York City, New York, USA. He is a producer and director, known for Enron: The Smartest Guys in the Room (2005), Taxi to the Dark Side (2007) and Going Clear: Scientology & the Prison of Belief (2015). He has been married to Anne Gibney since 14 August 1982. They have three children.

Director. Writer. Producer. Actor. Poet. He studied history, literature and theatre for some time, but didn't finish it and founded instead his own film production company in 1963. Later in his life, Herzog also staged several operas in Bayreuth, Germany, and at the Milan Scala in Italy. Herzog has won numerous national and international awards for his poetic feature and documentary films.

Jehane Noujaim was born on 17 May 1974 in Cairo, Egypt. She is a producer and director, known for Control Room (2004), Startup.com (2001) and The Square (2013).

Steve James was born in Hampton, Virginia, USA. He has been based in Chicago, Illinois, USA for his entire career. He is known for the documentary films Hoop Dreams (1994), Stevie (2002), The Interrupters (2011), Life Itself (2014) and Abacus: Small Enough to Jail (2016). His documentary series works include America to Me (2018), City So Real (2020) and most recently, The Luckiest Guy in the World (2023).