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Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.

Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).

Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.

He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).

Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.

Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.

Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.

Ian Ogilvy was born on 30 September 1943 in Woking, Surrey, England, UK. He is an actor and writer, known for I, Claudius (1976), My Life in Ruins (2009) and Death Becomes Her (1992). He has been married to Kathryn Holcomb since 1992. He was previously married to Diane Sarah Patricia Hart.

Joan Hickson was born in 1906 at Kingsthorpe, Northampton. Her stage career began with provincial theater in 1927, going on to a long series of West End comedies, usually playing the part of a confused or eccentric middle-age woman. She performed at the Regent's Park Open Air Theatre, at the time London was subject to World War II bombing. Her work gradually included screen roles: The Outsider (1948), The Promoter (1952), The 39 Steps (1959) - over 80 movies in all - but her stage career continued, with parts in three Peter Nichols plays, Noël Coward's "Blithe Spirit" (1976) and and a Tony award supporting actress performance in Alan Ayckbourn's "Bedroom Farce" (1977). Her first Agatha Christie role was "Miss Pryce" in the play, "Appointment With Death" (1946), which prompted Christie, herself, to write "I hope you will play my dear Miss Marple". She began playing this, her best known part, in her late 70s, in a BBC television series which ran from 1984 to 1992. A Miss Marple fan, Queen Elizabeth II, awarded her the Order of the British Empire in 1987. After the series closed, Joan recorded audio books of the Christie mysteries. She died, aged 92, in a hospital at Colchester, Essex, survived by a son and daughter (her physician husband Eric Butler died in 1967).

Widely regarded as one of England's finest stage, screen and TV actors, David Suchet's international reputation has only grown over the years, greatly enhanced by his definitive interpretation of Agatha Christie's suave Belgian super-sleuth Hercule Poirot, a character he played for nearly 25 years in various TV episodes (1988-2013). Born in London on May 2, 1946, the son of actress Joan Patricia Jarché and renowned Lithuanian-Jewish obstetrician and gynecologist Jack Suchet, David, following boarding school, took an early desire in acting and was given a membership with the National Youth Theatre of Great Britain at age 16. He then studied for three years at the London Academy of Music and Dramatic Arts and, after a significant route in repertory work, became a company member of the Royal Shakespeare Company in 1973 where he evolved into one of its most dominant players.

In the 1970s, Suchet also began to come into his own on British television. In classical tradition, his first television movie was A Tale of Two Cities (1980). His first cinematic detective was as a Greek inspector in the Disney mystery comedy Trenchcoat (1983). This was followed by a versatile range of film roles that also express the width of his acting nationalities, such as a Middle Eastern terrorist in The Little Drummer Girl (1984), a Russian operative in The Falcon and the Snowman (1985), a French hunter in Harry and the Hendersons (1987), a Polish bishop in To Kill A Priest (1988), and the emperor Napoleon in Sabotage! (2000).

Suchet's masterful work in television roles also includes portrayals of historical, biblical, entertainment and fictional figures, such as Sigmund Freud in Freud (1984), news reporter William L. Shirer in Murrow (1986), Aaron in Moses (1995), movie mogul Louis B. Mayer in RKO 281 (1999), Cardinal Wolsey in Henry VIII (2003), vampire nemesis Van Helsing in Dracula (2006), and Robert Maxwell in Maxwell (2007).

Suchet's memorable theatre incarnations have included Shakespearean interps of Iago in "Othello", Tybalt in "Romeo and Juliet", Caliban in "The Tempest", and the title role of "Timon of Athens", as well as vibrant classical roles such as George in "Who's Afraid of Virginia Woolf?" (1996), as composer Salieri in "Amadeus" (1998), a mesmerizing performance that earned both Olivier and Tony nominations, as Joe Keller in "All My Sons" (2010), as James Tyrone in "Long Day's Journey Into Night" (2012) (and in the 2014 film), as Lady Bracknell in "The Importance of Being Earnest" (2015) (and in the 2015 film), and as Gregory Solomon in "The Price" (2019).

Long married to former actress Sheila Ferris, the couple have two children: Robert Suchet (born 1981) and Katherine Suchet (born 1983). His older brother is BBC newscaster-turned-journalist John Suchet. David was awarded Commander of the Order of the British Empire (CBE) at the 2011 Queen's Birthday Honours for his services to drama. He was awarded Knight Bachelor of the Order of the British Empire at the 2020 Queen's Birthday Honours for his services to drama and to charity.

The refined and debonair English actor Jeremy Brett will forever be best remembered for his long-running and critically acclaimed portrayal of Sherlock Holmes for Britain's Granada Television. From a privileged background, Brett was educated at England's most prestigious independent school, Eton College. After training as an actor at the Central School of Speech and Drama in London, Brett made his professional stage debut in repertory in 1954. He became a noteworthy classical actor who was to make regular appearances on stage, including many with the National Theatre.

Brett was as cultured off screen as on. His interests included classical music, archery and horseback riding. His greatest popularity and acclaim would come with his portrayal of Sherlock Holmes on television from the 1980s through to the 1990s. Where so many have tried and failed to capture the essence of the character, either being derided or forgotten, Brett's widely praised take on it has been described by many as superlative and even definitive. Brett suffered from poor health towards the end of his life but he was still playing the role of Holmes shortly before his death in 1995 at the age of 61.

Benedict Timothy Carlton Cumberbatch was born and raised in London, England. His parents, Wanda Ventham and Timothy Carlton (born Timothy Carlton Congdon Cumberbatch), are both actors. He is a grandson of submarine commander Henry Carlton Cumberbatch, and a great-grandson of diplomat Henry Arnold Cumberbatch CMG. Cumberbatch attended Brambletye School and Harrow School. Whilst at Harrow, he had an arts scholarship and painted large oil canvases. It's also where he began acting. After he finished school, he took a year off to volunteer as an English teacher in a Tibetan monastery in Darjeeling, India. On his return, he studied drama at Manchester University. He continued his training as an actor at the London Academy of Music and Dramatic Art graduating with an M.A. in Classical Acting. By the time he had completed his studies, he already had an agent.

Cumberbatch has worked in theatre, television, film and radio. His breakthrough on the big screen came in 2004 when he portrayed Stephen Hawking in the television movie Hawking (2004). In 2010, he became a household name as Sherlock Holmes on the British television series Sherlock (2010). In 2011, he appeared in two Oscar-nominated films - War Horse (2011) and Tinker Tailor Soldier Spy (2011). He followed this with acclaimed roles in the science fiction film Star Trek Into Darkness (2013), the Oscar-winning drama 12 Years a Slave (2013), The Fifth Estate (2013) and August: Osage County (2013). In 2014, he portrayed Alan Turing in The Imitation Game (2014) which earned him a Golden Globe, Screen Actors Guild Award, British Academy of Film and Television Arts and an Academy Award nomination for Best Actor in a Leading Role.

Cumberbatch was appointed Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in the 2015 Birthday Honours for his services to the performing arts and to charity.

Cumberbatch's engagement to theatre and opera director Sophie Hunter, whom he has known for 17 years, was announced in the "Forthcoming Marriages" section of The Times newspaper on November 5, 2014. On February 14, 2015, the couple married at the 12th century Church of St. Peter and St. Paul on the Isle of Wight followed by a reception at Mottistone Manor. They have three sons, Christopher Carlton (born 2015), Hal Auden (born 2017), and Finn (born 2019).

Michael Elphick was a fantastic and very popular actor. He will be best remembered for his role as Ken Boon in the hit series Boon (1986). He died tragically at the early age of 55. He had been in ill-health for some years, caused by a long-running battle with alcohol, which was exacerbated by the early death of his partner of many years.

Best remembered for Boon (1986), his career was no one-hit wonder. Elphick had been working in television for the past 33 years and his many excellent performances included Dennis Potter's Blue Remembered Hills (1979), as the bully, Peter; The Knowledge (1979), when he played a would-be London cab driver driven almost to despair by the sadistic examiner (played by Nigel Hawthorne); Private Schulz (1981), Auf Wiedersehen, Pet (1983) and Three Up Two Down (1985).

His film career was arguably less successful but none-the-less featured a rich and varied vein of characterisations.

His final role proved to be the film Out of Bounds (2003), in which he unfortunately had quite a small role, and millions saw his final television role, in EastEnders (1985), where he excelled in a very different role, showing just what a fine actor he was.

Peter Davison was born as Peter Malcolm Gordon Moffett on 13 April 1951 in Streatham, London. A decade later, he and his family - his parents, Sheila and Claude (an electrical engineer who hailed from British Guiana), and his sisters, Barbara, Pamela and Shirley, moved to Knaphill, Woking, Surrey, where Davison was educated at the Winston Churchill School. It was here that he first became interested in acting, taking parts in a number of school plays, and this eventually led to him joining an amateur dramatic society, the Byfleet Players.

Upon leaving school at the age of sixteen, having achieved only modest academic success with three O Levels of undistinguished grades, he took a variety of short-lived jobs ranging from hospital porter to Hoffman press operator. He was still keen to pursue an acting career, however, and so applied for a place at drama school.

Davison was accepted into the Central School of Speech and Drama and stayed there for three years. His first professional acting work came in 1972 when, after leaving drama school in the July of that year, he secured a small role in a run of "Love's Labour's Lost" at the Nottingham Playhouse. This marked the start of a three-year period in which he worked in a variety of different repertory companies around Great Britain, often in Shakespearean roles. He then made his television debut, playing a blond-wigged space cowboy character called Elmer in "A Man for Emily", a three-part story in the Thames TV children's series The Tomorrow People (1973) (April 1975). Appearing alongside him in this production was his future wife, American actress Sandra Dickinson, whom he had first met during a run of "A Midsummer Night's Dream" in Edinburgh. They married on 26 December 1978 in Dickinson's home town of Rockville, Maryland, USA.

Davison spent the following eighteen months working as a file clerk at Twickenham tax office. He also took the opportunity to pursue an interest in singing and songwriting, which led him to record several singles with his wife. He later provided the theme tunes for a number of TV series, including Mixed Blessings (1978) and Button Moon (1980). Davison played the romantic lead, Tom Holland in Love for Lydia (1977), a London Weekend Television (LWT) period drama serial transmitted in 1977.

Davison's greatest acting breakthrough came when he played Tristan in the BBC's All Creatures Great & Small (1978), based on the books of country vet James Herriot. It was a highly successful series, which ran initially for three seasons between 1978-1980. His success in All Creatures Great & Small (1978) brought him many other offers of TV work. Among those that he took up were lead roles in two sitcoms: LWT's Holding the Fort (1980), in which he played Russell Milburn, and the BBC's Sink or Swim (1980), in which he played Brian Webber. Three seasons of each were transmitted between 1980-82, consolidating Davison's position as a well-known and popular television actor.

In 1980, Doctor Who (1963) producer John Nathan-Turner, who had worked with Davison as the production unit manager on All Creatures Great & Small (1978), cast him as the Fifth Doctor in the series. Taking over from Tom Baker, who had been in the role for an unprecedented seven years, Davison was seen as a huge departure as he was by far the youngest actor to date. Davison announced he was taking the lead role in Doctor Who (1963) on the BBC's lunchtime magazine program Pebble Mill at One (1972) on 3 December 1980, when he discussed with the presenter a number of costume ideas sent in by viewers and was particularly impressed by a suggestion from one of a panel of young fans assembled in the studio that the new Doctor should be "like Tristan Farnon, but with bravery and intellect".

His appearance in The Hitch Hiker's Guide to the Galaxy (1981), was recorded on 19 December 1980 and transmitted on 2 February 1981, by which time the viewing public were well aware that he would soon be taking over the lead role in Doctor Who. There was in fact only a month to go before he would make his on-screen debut in the series - albeit a brief one, in the regeneration sequence at the end of Logopolis: Part Four (1981).

His first full story was in Castrovalva: Part One (1982), the first story of season nineteen transmitted on 4 January 1982. Another significant change for the series was that it was taken off Saturdays for the first time, instead being broadcast on Mondays and Tuesdays. Davison was an immediate hit as the Doctor, with ratings picking up considerably from Tom Baker's final season. Several episodes from Davison's first season achieved over 10 million viewers, which would be the last time these numbers would be achieved in the original run of Doctor Who (1963). One particular success from Davison's first season was the stylish return of the Cybermen in Earthshock: Part One (1982), which became the most popular Cybermen story since the 1960s.

As the incumbent Doctor, Davison took part in the major celebrations of the 20th anniversary of Doctor Who (1963) in 1983, which included the multi-Doctor special The Five Doctors (1983). Nevertheless, Davison found himself dissatisfied with his second season on Doctor Who (1963), feeling that the writing, directing, budgets and tight recording schedules in the studio were frequently letting it down. With this in mind and fearing typecasting, he finished his tenure at the end of his third season in The Caves of Androzani: Part Four (1984). He left on a high, as it has been repeatedly voted one of the best stories ever by fans.

Davison became a father when, on December 25, 1984 (one day before the couple's sixth wedding anniversary), Dickinson gave birth to a daughter, Georgia Elizabeth, at Queen Charlotte's Hospital in London. Ten years later, however, the marriage broke down and they separated and later divorced. Most of Davison's work since then has been in the medium for which he is best known: television.

His credits include regular stints as Henry Myers in Anna of the Five Towns (1985), as Dr. Stephen Daker in A Very Peculiar Practice (1986), as Albert Campion in Campion (1989) and as Clive Quigley in Ain't Misbehavin (1994) all for the BBC, and as Ralph in Yorkshire TV's Fiddlers Three (1991). In addition, he has reprized his popular role of Tristan Farnon on a number of occasions for one-off specials and revival seasons of All Creatures Great & Small (1978).

Davison has returned several times to the world of Doctor Who (1963). In 1993 he appeared as the Fifth Doctor in Doctor Who: Dimensions in Time (1993), a brief two-part skit transmitted as part of the BBC's annual Children in Need Charity appeal, and in 1985 he narrated an abridged novelization of the season twenty-one story "Warriors of the Deep" for BBC Worldwide's Doctor Who audio book series. In addition, he has appeared in a number of video dramas produced by Bill Baggs Video. In 2003 and 2004 he appeared as quiet and unassuming detective "Dangerous Davies" in The Last Detective (2003), the Meridian TV adaptations of Leslie Thomas's novels.

Preeminent British classical actor of the first post-Olivier generation, Derek Jacobi was knighted in 1994 for his services to the theatre, and, in fact, is only the second to enjoy the honor of holding TWO knighthoods, Danish and English (Olivier was the other). Modest and unassuming in nature, Jacobi's firm place in theatre history centers around his fearless display of his characters' more unappealing aspects, their great flaws, eccentricities and, more often than not, their primal torment.

Jacobi was born in Leytonstone, London, England, the only child of Alfred George Jacobi, a department store manager, and Daisy Gertrude (Masters) Jacobi, a secretary. His paternal great-grandfather was German (from Hoxter, Germany). His interest in drama began while quite young. He made his debut at age six in the local library drama group production of "The Prince and the Swineherd" in which he appeared as both the title characters. In his teens he attended Leyton County High School and eventually joined the school's drama club ("The Players of Leyton").

Derek portrayed Hamlet at the English National Youth Theatre prior to receiving his high school diploma, and earned a scholarship to the University of Cambridge, where he initially studied history before focusing completely on the stage. A standout role as Edward II at Cambridge led to an invite by the Birmingham Repertory in 1960 following college graduation. He made an immediate impression wherein his Henry VIII (both in 1960) just happened to catch the interest of Olivier himself, who took him the talented actor under his wing. Derek became one of the eight founding members of Olivier's National Theatre Company and gradually rose in stature with performances in "The Royal Hunt of the Sun," "Othello" (as Cassio) and in "Hay Fever", among others. He also made appearances at the Chichester Festival and the Old Vic.

It was Olivier who provided Derek his film debut, recreating his stage role of Cassio in Olivier's acclaimed cinematic version of Othello (1965). Olivier subsequently cast Derek in his own filmed presentation of Chekhov's Three Sisters (1970). On TV Derek was in celebrated company playing Don John in Much Ado About Nothing (1967) alongside Maggie Smith and then-husband Robert Stephens; Derek had played the role earlier at the Chichester Festival in 1965. After eight eventful years at the National Theatre, which included such sterling roles as Touchstone in "As You Like It", Jacobi left the company in 1971 in order to attract other mediums. He continued his dominance on stage as Ivanov, Richard III, Pericles and Orestes (in "Electra"), but his huge breakthrough would occur on TV. Coming into his own with quality support work in Man of Straw (1972), The Strauss Family (1972) and especially the series The Pallisers (1974) in which he played the ineffectual Lord Fawn, Derek's magnificence was presented front and center in the epic BBC series I, Claudius (1976). His stammering, weak-minded Emperor Claudius was considered a work of genius and won, among other honors, the BAFTA award.

Although he was accomplished in The Day of the Jackal (1973) and The Odessa File (1974), films would place a distant third throughout his career. Stage and TV, however, would continue to illustrate his classical icon status. Derek took his Hamlet on a successful world tour throughout England, Egypt, Sweden, Australia, Japan and China; in some of the afore-mentioned countries he was the first actor to perform the role in English. TV audiences relished his performances as Richard II (1978) and, of course Hamlet, Prince of Denmark (1980).

After making his Broadway bow in "The Suicide" in 1980, Derek suffered from an alarming two-year spell of stage fright. He returned, however, and toured as part of the Royal Shakespeare Company (1982-1985) with award-winning results. During this period he collected Broadway's Tony Award for his Benedick in "Much Ado about Nothing"; earned the coveted Olivier, Drama League and Helen Hayes awards for his Cyrano de Bergerac; and earned equal acclaim for his Prospero in "The Tempest" and Peer Gynt. In 1986, he finally made his West End debut in "Breaking the Code" for which he won another Helen Hayes trophy; the play was then brought to Broadway.

For the rest of the 80s and 90s, he laid stage claim to such historical figures as Lord Byron, Edmund Kean and Thomas Becket. On TV he found resounding success (and an Emmy nomination) as Adolf Hitler in Inside the Third Reich (1982), and finally took home the coveted Emmy opposite Anthony Hopkins in the WWII drama The Tenth Man (1988). He won a second Emmy in an unlikely fashion by spoofing his classical prowess on an episode of "Frasier" (his first guest performance on American TV), in which he played the unsubtle and resoundingly bad Shakespearean actor Jackson Hedley.

Kenneth Branagh was greatly influenced by mentor Jacobi and their own association would include Branagh's films Henry V (1989), Dead Again (1991), and Hamlet (1996), the latter playing Claudius to Branagh's Great Dane. Derek also directed Branagh in the actor's Renaissance Theatre Company's production of "Hamlet". In the 1990s Derek returned to the Chichester Festival, this time as artistic director, and made a fine showing in the title role of Uncle Vanya (1996).

More heralded work of late include profound portrayals of the anguished titular painter in Love Is the Devil: Study for a Portrait of Francis Bacon (1998), the role of Gracchus in the popular, Oscar-winning film Gladiator (2000), and sterling performances in such films as Two Men Went to War (2002), Bye Bye Blackbird (2005), The Riddle (2007), Endgame (2009), The King's Speech (2010), Jail Caesar (2012), and as the King in Cinderella (2015). Continuing to mesmerize on the stage, he has turned in superb performances in "Uncle Vanya" (2000), Friedrich Schiller's "Don Carlos" (2005), _A Voyage 'Round My Father (2006), "Twelfth Night" (2009) and the title role in "King Lear" (2010). On the British TV series front, he has commanded more recent attention in the title role of a crusading monk in the mystery series Mystery!: Cadfael (1994), as Lord Pirrie in Titanic: Blood and Steel (2012), as Alan in Last Tango in Halifax (2012), and as Stuart Bixby in Vicious (2013).

He and his life-time companion of three decades, Richard Clifford, filed as domestic partners in England in 2006. Clifford, a fine classical actor and producer in his own right, has shared movie time with Jacobi in Little Dorrit (1987), Henry V (1989), and the TV version of Cyrano de Bergerac (1985).

British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998).

Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"

Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.

Clive made his film debut in the British-made Vroom (1990) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.

In 1997, Clive had a huge hit on the London stage with "Closer," a cynical, contemporary ensemble piece about relationships. Controversy surrounded him again in the film role of Max in Bent (1997) playing a brash, reckless homosexual lothario in decadent pre-war Germany who finds unconditional love while interned in a Nazi war camp. His biggest film break, however, was in Mike Hodges' Croupier (1998), as a struggling writer-turned-casino employee who gets in over his head with a femme fatale scam artist. English audiences stayed away in droves but the U.S. embraced the film and Hollywood took notice of Clive, who was virtually unknown outside of England. Despite playing detective Ross Tanner in a series of successful "Second Sight" mini-movies and finding critical acclaim on stage with "The Day in the Death of Joe Egg" in 2001, Clive has focused primarily on film, including the offbeat Brit romantic comedy Greenfingers (2000), the classy and popular Robert Altman period piece Gosford Park (2001), the Matt Damon star-vehicle The Bourne Identity (2002), and the title role in King Arthur (2004). He has since reached the top rungs of the Hollywood ladder with the film version of his stage smash Closer (2004), in which he received an Academy Award nomination and won both the Golden Globe and BAFTA awards for "Supporting Actor." He also had noteworthy roles opposite Denzel Washington in Inside Man (2006); and Julianne Moore and Michael Caine in Children of Men (2006), as well as handling a few biopics, playing Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I in the film Elizabeth: The Golden Age (2007) and Ernest Hemingway (Emmy nomination) in Hemingway & Gellhorn (2012) also starring Nicole Kidman.

More recent films include starring roles in The International (2009), Duplicity (2009), The Boys Are Back (2009), Trust (2010), Intruders (2011), Blood Ties (2013), Last Knights (2015), The Confirmation (2016) and Anon (2018). He also played Claudius in a retelling of "Hamlet" per Ophelia's perspective in Ophelia (2018); and played in support to Will Smith in the sci-fi thriller Gemini Man (2019).

Owen is married to former actress Sarah-Jane Fenton, who played Juliet to his Romeo at the Young Vic in 1998. The couple has two daughters.

Mark Williams was born on 22 August 1959 in Bromsgrove, Worcestershire, England, UK. He is an actor and writer, known for 101 Dalmatians (1996), Harry Potter and the Goblet of Fire (2005) and Shakespeare in Love (1998).

Alan lived in Loughton, Essex for most of his life, until he left to pursue a career in comedy. He now lives in Islington in north London. He is the second of three children, born in Essex, and has an older brother and a younger sister. He was raised by his father, an accountant when his mother died when he was just 6 years old.

In 1982 he left Bancroft's School in Woodford Green with 8 O-levels. He then attended Loughton College of Further Education and got 4 GCSEs and two A levels, in Theatre Studies and Media Studies. He was taught theatre skills by Piers Gladhill.

Alan is best known for playing the title role in Jonathan Creek (1997) written by David Renwick, as a man who designs magic tricks for Adam Klaus but he also teams up with Maddy Magellan to solve baffling crimes. He is also known from the Abbey National adverts. Since 2003, he has appeared in a panel game show QI (2003).

Geraldine McEwan was born in Old Windsor, England and made her theatre debut at the age of 14 at the Theatre Royal in Windsor. By the age of 18 she was starring in London's West End in several long-running popular productions. During the 1950s she acted with the Shakespeare Memorial Theatre in Stratford-Upon-Avon and joined the Royal Shakespeare Company in 1961.

She had leading roles as Beatrice in Much Ado About Nothing with Christopher Plummer, Ophelia in Hamlet, The Princess of France in Love's Labour's Lost, Marina in Pericles and played opposite Dorothy Tutin in Twelfth Night which also toured Moscow and Leningrad.

Miss McEwan originated the female lead role in Joe Orton's Loot, captivated Broadway with productions of The School for Scandal, The Private Ear and the Public Eye, and most recently, The Chairs, earning her a Tony nomination for best actress.

As a member of the Royal National Theatre, acting along side Albert Finney, and Laurence Olivier, Geraldine spent the 1960s and 70s with memorable roles including The Dance of Death, Love for Love, A Flea in Her Ear, Chez Nous, Home and Beauty, The Browning Version, Harlequinade and The White Devil. In 1976 she had the distinction of being nominated for an Olivier Award in two separate categories.

In 1983 she won the Evening Standard Best Actress Award for The Rivals. In 1991 she won the BAFTA Best Actress Award for her intense and powerful performance as the Mother in Oranges Are Not the Only Fruit (1989) and in 1995 she won the Evening Standard Best Actress Award for her performance of Lady Wishfort in The Way of the World.

In 1998, McEwan was nominated for a Tony Award in the Best Actress Category for The Chairs. Her numerous television credits include the highly acclaimed The Barchester Chronicles (1982) with Alan Rickman, The Prime of Miss Jean Brodie (1978), Mulberry (1992), and the immensely popular Mapp & Lucia (1985). Her film work includes The Dance of Death (1969) with Laurence Olivier, Robin Hood: Prince of Thieves (1991) with Alan Rickman, Henry V (1989) and Love's Labour's Lost (2000), both with Kenneth Branagh, and most recently The Magdalene Sisters (2002), The Lazarus Child (2004), Vanity Fair (2004) and Carrie's War (2004). In 2003, Geraldine was chosen to play Agatha Christie's Jane Marple. She recently retired from that role after completing 12 hugely popular two-hour mysteries for ITV/PBS.

Julia McKenzie was born on 17 February 1941 in Enfield, Middlesex, England, UK. She is an actress and writer, known for Notes on a Scandal (2006), Bright Young Things (2003) and Cranford (2007). She was previously married to Jerry Harte.

Daughter of Catherine and Isaac Routledge. Her father was a haberdasher, and, during WWII, the family lived weeks at a time in the basement of her father's shop. She attended Birkenhead High School, where she sang in the choir and ran the Sunday School. She studied English at Liverpool University, and, after graduation, worked without pay at the Liverpool Playhouse. She was asked to join the company, and she later studied at Old Vic Theatre School in Bristol. She then moved to London, where she built an impressive stage career over the next several years, also appearing on Broadway 1966-1968. Patricia has worked in TV since the early 1950s, most recently in Keeping Up Appearances (1990). She also recorded an album, "Presenting Patricia Routledge", and worked in film and radio. She has never married or had children, has said that she will not retire, and lives in Kensington and Surrey when not working.

Tom Burke is an English actor. He is best known for his roles as Athos in the 2014-2016 BBC series The Musketeers, Dolokhov in the 2016 BBC literary-adaptation miniseries War & Peace, the eponymous character Cormoran Strike in the 2017 BBC series Strike, and Orson Welles in the 2020 film Mank.

A natural at portraying complex villains, anti-heroes, and charming heavies, Ian McShane is the classically trained, award-winning actor who has grabbed attention and acclaim from audiences and critics around the world with his unforgettable gallery of scoundrels, kings, mobsters and thugs.

And, now, a god as well!

McShane just completed his third season (as star and executive producer) on the hit Starz series, "American Gods," the TV adaptation of Neil Gaiman's 2001 novel. As Mr. Wednesday, a shifty, silver-tongued conman, he masks his true identity - that of the Norse god of war, Odin, who's assembling a team of elders to bring down the new false idols. A series McShane calls "like nothing else I've seen on television."

It's a comment that also befits McShane's critically-acclaimed role of the charismatic, menacing and lawless 19th century brothel-and-bar keep, Al Swearengen, in the profound and profane HBO western series "Deadwood," which ran for just 36 episodes over three seasons from 2004-06. For his work on the series' second season, McShane won the 2005 Golden Globe Award for Best Actor in a Television Drama (in addition to Emmy and Screen Actors Guild nominations as Outstanding Lead Dramatic Actor). He also received the Television Critics Association Award for Individual Achievement in Drama for his work in the show's debut season (with a second nomination in 2005).

It is a role and performance the New York Times dubbed "one of the most interesting villains on television." And, a recent online poll called Swearengen a more compelling onscreen gangster over the likes of Tony Soprano and Michael Corleone. After a twelve-year hiatus from portraying maybe his most iconic character ("it was the most satisfyingly creative three years of my professional career" he says), McShane recently reprised the unforgettable rogue when HBO resurrected the 1870s western in a two-hour telefilm, "Deadwood: The Movie," nominated for the Outstanding Television Movie Emmy.

At an age when many successful thespians turn to cameo appearances and character parts, McShane's busy career (which dates back to 1962) also includes three very different starring roles on the big screen. He was seen alongside David Harbour in Neil Marshall's reimagined comic book epic, "Hellboy." McShane also co-starred with Gary Carr in the Dan Pritzker drama, "Bolden," the biopic of musician Buddy Bolden, the father of jazz and a key figure in the development of ragtime music (McShane portrays Bolden's nemesis, Judge Perry). And, he reprised his role (reuniting with Keanu Reeves) as Winston, the suave and charming owner of the assassins-only Tribeca hotel in the latest installment of director Chad Stahelski's action trilogy, "John Wick: Chapter 3 - Parabellum," which opened to enormous box office success.

Years before his triumphant role in "Deadwood," McShane had compiled a long and diverse career on both British and American television. He produced and starred in the acclaimed series "Lovejoy" for the BBC (and A&E in the U.S.), directing several episodes during the show's lengthy run. The popular Sunday night drama (which attracted 18 million viewers weekly during its run from 1990-94) saw McShane in the title role of an irresistible, roguish Suffolk antiques dealer. He would reunite with the BBC by producing and starring in the darker and more serious drama, Madson.

He collected a second Golden Globe nomination for Best Actor in a Miniseries for his portrayal of the scheming Waleran Bigod in Starz's Emmy-nominated "Pillars of the Earth." The production, which originated on the U.K.'s Channel 4, was based on Ken Follett's bestselling historic novel about the building of a 12th-century cathedral during the time known as "the Anarchy" after King Henry I had lost his only son in the White Ship disaster of 1120. It's a character McShane says "would fit into the Vatican."

He is also well-known to TV audiences for his roles in FX's "American Horror Story," Showtime's "Ray Donovan" and, more recently, Amazon's "Dr. Thorne" and HBO's juggernaut, "Game of Thrones" ("I loved the character and did it because my three grandkids, big fans of the show, wouldn't have forgiven me if I hadn't"). And, he first worked with "American Gods" producer Michael Green on the short-lived NBC drama, "Kings," a show (inspired by The Book Of Samuel) he calls "far too revolutionary for network television."

Other notable small screen roles include his appearance in David Wolper's landmark miniseries "Roots" (as the British cockfighting aficionado), "Whose Life Is it Anyway?," Heathcliff in the 1967 miniseries "Wuthering Heights" and Harold Pinter's Emmy-winning "The Caretaker." McShane has also played a variety of real-life subjects like Sejanus in the miniseries "A.D.," the title role of Masterpiece Theater's "Disraeli: Portrait of A Romantic" and Judas in NBC's "Jesus of Nazareth" (directed by Franco Zeffirelli).

McShane, who shows no signs of slowing down in a career now entrenched in its sixth decade ("acting is the only business where the older you get, the parts and the pay get better"), began his career during Britain's New Wave Cinema of the early 1960s. He landed his first lead role in the 1962 English feature "The Wild and the Willing," which also starred another acting upstart and fellow Brit - McShane's lifelong friend, the late John Hurt. McShane later revealed that he had ditched class at the Royal Academy of Dramatic Art to audition for the role.

Since that 1962 motion picture debut, McShane has enjoyed a fabulous run of character roles such as the sinister Cockney mobster, Teddy Bass, opposite Ray Winstone and Ben Kingsley in "Sexy Beast"; the infamous pirate, Blackbeard, alongside Johnny Depp and Penelope Cruz in "Pirates of the Caribbean: On Stranger Tides"; and Richard Burton's bi-sexual partner, Wolfie, in the 1971 heist film, "Villain." He gave Hayley Mills her first onscreen kiss as a smoldering gypsy in 1965's "Sky West and Crooked," was part of the stellar ensemble cast (James Mason, James Coburn, Dyan Cannon) in the Stephen Sondheim-Anthony Perkins scripted big screen mystery, "The Last of Sheila," and played a retired sheriff with a violent past opposite Patrick Wilson in the gritty drama, "The Hollow Point."

Other film credits include Guy Hamilton's all-star WWII epic, "The Battle of Britain," the romantic comedy "If It's Tuesday, This Must Be Belgium," "Pottersville," "Hercules," "Snow White and the Huntsman" and "Jawbone" (reuniting with fellow Brit Ray Winstone in both), "Jack the Giant Slayer," Woody Allen's "Scoop," Rodrigo Garcia's indie drama "Nine Lives" (Gotham Award nominee for Best Ensemble Performance) and the darkly perverse crime drama, "44 Inch Chest," a film in which McShane not only starred, but also produced.

While also making his professional theatre debut in 1962 ("Infanticide in the House of Fred August," Arts Theatre, London), McShane appeared onstage in the original 1965 production of Joe Orton's "Loot." Two years later, he starred alongside Ian McKellen and Judi Dench in the hit stage play, "The Promise," a production which transferred to Broadway in 1967 (with Eileen Atkins replacing Dench). He would return to Broadway one more time forty years later (2008), starring in the 40th anniversary staging of Harold Pinter's "The Homecoming," for which he shared a Drama Desk Award as Best Cast Ensemble.

McShane also returned to the West End boards in 2000, charming audiences as the seductive, sex-obsessed Darryl Van Horne while making his musical stage debut in Cameron Mackintosh's "The Witches of Eastwick," an adaptation of the 1987 film. At the esteemed Matrix Theatre in Los Angeles, he appeared in Harold Pinter's "Betrayal," and John Osborne's "Inadmissible Evidence," earning a pair of Los Angeles Drama Critics' Awards for Lead Performance in the process. He also starred in the world premiere of Larry Atlas' "Yield of the Long Bond."

In addition to his work in front of the camera, McShane is also well-known for his voiceover work, with his low, distinctive baritone on display in a variety of projects. He voiced the eccentric magician, Mr. Bobinsky, in Henry Selick's award nominated "Coraline" (scripted by "American Gods" author Neil Gaiman), lent a sinister air to Tai Lung, the snow leopard adept at martial arts, in "Kung Fu Panda" (Annie Award nominee), and created the notorious Captain Hook in "Shrek the Third." He also narrated Grace Jones' 1985 album, Slave to the Rhythm, succumbing to producer Trevor Horn's request to take the job because, per Horn," Orson Welles was dead, and I needed a voice." The album sold over a million copies worldwide. In the virtual reality domain, he recently lent his voice to the award- winning VR animated short "Age of Sail" in the role of the elderly sailor, William Avery, adrift alone in the North Atlantic.

After almost sixty years entertaining audiences across the performance spectrum, McShane admits he did not set out for a career in the footlights while growing up in Manchester, England (he was actually born in Blackburn). It was by unexpected circumstances after McShane broke his leg playing soccer that he ended up performing in the school play production of Cyrano De Bergerac where he met his life-long friend and teacher, Leslie Ryder. Before he knew it, he auditioned for the Royal Academy of Arts where he was accepted and then left a term early to appear in the film, "The Wild and The Willing".

McShane never looked back.

Robert Francis Vaughn was born on November 22, 1932 at Charity Hospital in New York City, the son of show business parents, Marcella Frances (Gaudel) and Gerald Walter Vaughn. His father was a radio actor and his mother starred on stage. Robert came to the public's attention first with his Oscar-nominated role, in The Young Philadelphians (1959). The next year, he was one of the seven in the western classic The Magnificent Seven (1960). Despite being in such popular films, he generally found work on television. He appeared over 200 times in guest roles in the late 1950s to early 1960s. It was in 1963 that he received his first major role in The Lieutenant (1963). Robert took the role with the intention of making the transition from being a guest-star actor to being a co-star on television. It was due to his work in this series that producer Norman Felton offered him the role of Napoleon Solo in The Man from U.N.C.L.E. (1964).

Four extremely successful years (1964-68) followed as the series became one of the most popular television series of the 1960s. It made Vaughn an international television star, but he wanted to embark on a career in film, and did so soon after the series ended in 1968 by co-starring in Bullitt (1968) with Steve McQueen. Now working in film full-time, he starred in The Bridge at Remagen (1969) and The Mind of Mr. Soames (1970), before making a change by going back to television, this time in England. He took a lead role in the series The Protectors (1972) and stayed in England for the first half of the 1970s. He returned to the United States in the mid-1970s and embarked on a very successful run of television miniseries roles that resulted in his receiving an Emmy Award in 1978 for Washington: Behind Closed Doors (1977) and a nomination the following year for Backstairs at the White House (1979).

The 1970s proved a important time in Robert's life, as in 1974, he married actress Linda Staab, and completed his thesis on Hollywood blacklisting during the McCarthy "Red Scare" era, published in 1972 as "Only Victims: A Study of Show Business Blacklisting". During the 1980s, he mixed television with film. Roles in such films as S.O.B. (1981), Superman III (1983), The Delta Force (1986) and Black Moon Rising (1986) were highlights. In television, he appeared in many successful series, most notably in The A-Team (1983) and Emerald Point N.A.S. (1983).

He continued with a diverse range of projects, appearing on stage on numerous occasions. The 1990s saw the same variety of roles. Made-for-TV movies were a popular choice for him, as well as such series as As the World Turns (1956), The Nanny (1993) and Law & Order (1990). He had a role in the 1998 series remake of the classic film in which he appeared, The Magnificent Seven (1998). He also appeared in major features such as Joe's Apartment (1996) and BASEketball (1998), and in smaller roles in subsequent years.

Robert died of acute leukemia on November 11, 2016 in Ridgefield, Connecticut. His last acting credit, Gold Star (2017), was released the year of his death.

Landing the starring role of Irene in the 1967 broadcast of John Galsworthy's "Forsyte Saga," Nyree Dawn Porter established herself as a prominent actress for television drama. She was born on the north island of New Zealand and was first a stage actress in New Zealand before setting out for a career on the stage in England. She is also remembered for her role in the 1970s "The Protectors," which she played opposite Robert Vaughn of "The Man from U.N.C.L.E." fame. It was a role as the Contessa Caroline di Contini and often drew comparisons to Diana Rigg's Emma Peel of "The "Avengers." She was married twice, widowed and divorced, and had a daughter named Tassy.

Tony Anholt was born on 19 January 1941 in Singapore. He was an actor, known for The Protectors (1972), Space: 1999 (1975) and Howards' Way (1985). He was married to Tracey Childs and Sheila Willet. He died on 26 July 2002 in London, England, UK.

Jaye Griffiths was born on 24 September 1963. She is an actress, known for Bugs (1995), Doctor Who (2005) and Silent Witness (1996). She is married to Paul Bezodis.

Jesse Birdsall was born on 13 February 1963 in Highbury, London, England, UK. He is an actor, known for Bugs (1995), Hollyoaks (1995) and Eldorado (1992). He has been married to Gwyneth Strong since 15 July 2000. They have two children.

Craig McLachlan is one of Australia's most versatile actors and a household name in both Australia and the U.K. He has been the recipient of the top Australian television accolade, the coveted Gold Logie, and his stage production of Grease held the U.K. West End all-time box office record from 1993 right up to 2010.

He is an actor of huge range who is equally comfortable in film, television or stage productions. He not only carries with him huge personal charisma but is also not afraid to use it, which might account for his singular popularity across a wide range of audience demographics both in Australia and internationally.

Craig first appeared on television in a guest role on the TV drama Sons And Daughters in late 1986. He became famous in 1987 in the role of Henry Ramsay, brother of Kylie Minogue's character Charlene, in Neighbours, a role which not only garnered him significant praise both in Australia and the UK but also led to an offer two years later to play schoolteacher Grant Mitchell on Home And Away, thereby making him one of the few actors to achieve popularity in all of the major Australian television dramas.

Craig has also had major success as a singer and songwriter, achieving Australian and UK hit singles with such songs as "Amanda" (AUS#23 / UK#19, 1990) and "On My Own" (AUS#23, 1991) and the now classic remake of the Bo Diddley song "Mona" (AUS#3 / UK#2, 1990).

In 1993 he was invited to London and starred as Danny Zuko in the popular West End revival of the musical Grease alongside Deborah Gibson, a role he played to great acclaim. As if this weren't enough, in 1995 Craig appeared in the popular British television series BUGS as a free-lance agent and electronics expert who along with his colleagues worked covertly to combat terrorist threats. Proving that his abilities extended beyond television series and stage productions, he appeared in the major television movie Catherine The Great alongside Catherine Zeta-Jones, Jeanne Moreau and Omar Sharif.

In 2001, Craig had a breakthrough with the American movie Superfire, the first of many US-attached performances, and in 2004 was asked to take the role of Kane Morgan in the popular show McLeod's Daughters.

In 2005 he starred as Jeff Kennard in the successful Australian film Hating Alison Ashley with fellow Neighbours star Delta Goodrem and then returned to London to take over the role of Caractacus Potts in the London Palladium Production of Chitty Chitty Bang Bang, with Richard O'Brien as the Child Catcher, who had long been a fan of Craig's ever since Craig played Richard's greatest creation, Dr. Frank-N-Furter in The Rocky Horror Show in 2003.

Craig continues to be popular and his star shows no sign of diminishing, as is demonstrated by his appearance as Billy Flynn in Australia and Asia in Chicago as well as roles in the hit series City Homicide, The Cut, and the number one Australia TV series, Packed to the Rafters. Combine this with his standout performances in the feature films Savage Crossings and Amar a morir and it becomes clear that Craig not only is here to stay but is rapidly becoming a force to be reckoned with in all aspects of his profession.

Craig is thrilled to be working back in Australia with the hit show Rescue Special Ops during 2010.