Mike Hammer

Biff Elliot was born on 26 July 1923 in Lynn, Massachusetts, USA. He was an actor, known for I, the Jury (1953), The Enemy Below (1957) and Planet of the Apes (1974). He was married to Constance Karen Bandy and Elizabeth Alice Dole. He died on 15 August 2012 in Studio City, Los Angeles, California, USA.

Son of character actor Robert Keith and stage actress Helena Shipman. He grew up on the road with his parents while they toured in plays. First appeared at age 3 in film Pied Piper Malone (1924) with his father. Began acting in radio programs and on stage before World War II. Joined the Marines and served as a machine gunner. Returned to Broadway stage after the war and branched out into television and film. Worked as an extra in several films before achieving speaking roles and subsequent stardom.

Burly American character actor Ralph Meeker first acted on stage at his alma mater, Northwestern University, alongside other budding performers Charlton Heston and Patricia Neal. He graduated as a music major because his dean had discouraged him from pursuing a theatrical career. Ignoring that advice, Meeker nevertheless moved to New York to study method acting and performing in local stock companies. After being injured during a brief wartime stint with the navy and consequently discharged from active duty, Meeker went overseas to play his part in entertaining the troops as a member of the USO. He finally arrived on Broadway in 1945 and was given small roles in two plays produced by José Ferrer, making his stage debut in "Strange Fruit". He was still relatively unknown in 1947 when he replaced Marlon Brando as Stanley Kowalski in "A Streetcar Named Desire" two years later, in the process giving a commanding and critically acclaimed performance. After playing Kowalski in the touring company of 'Streetcar', Meeker was again critically acclaimed for his part in the original production of "Mister Roberts" . As a result, he had several European motion picture offers and elected to play the role of an army sergeant in Teresa (1951), co-starring Pier Angeli. That same year, he was in another continental drama shot on location in Switzerland, entitled Four in a Jeep (1951). After a two-year sojourn at MGM, Meeker returned to Broadway to star as the swaggering, likable, larger-than-life rogue Hal Carter in William Inge's play "Picnic" on Broadway. His performance not only was highly praised by reviewers like Brooks Atkinson but also won him the New York Critics Circle Award. In later years, Meeker claimed to have spurned Columbia's offer of reprising his role on screen because he disdained being shackled by a studio contract. In any case, the prize role went to William Holden, and Meeker ended up being consigned for the next thirty years to provide support (with the odd exception) as hard- nosed guys on either side of the law (or bullies with a yellow streak). He did, nonetheless, leave his mark with several top-notch performances.

One of his best early screen roles was that of the disgraced ex-Union officer Roy Anderson in Anthony Mann's brilliant revenge western The Naked Spur (1953). As one of four men stripped of humanity by greed and hatred (the others were James Stewart, Robert Ryan and Millard Mitchell), Ralph Meeker gave a convincing portrayal of a cynical and callous opportunist.

Meeker's defining role was that of Mike Hammer in Kiss Me Deadly (1955). The film was unusual in that Hammer was played -- unlike the gumshoes of previous films noir -- as a basically unsavoury character. His was one of the first antiheroes who began to appear in films of the 1960s. Under the direction of Robert Aldrich, Meeker's characterisation as Mike Hammer effectively contrasted a smooth, handsome facade with an undercurrent of arrogance, unmitigated ruthlessness and greed. After the film was released, it ran into censorship trouble, the Kefauver Commission labelling it the Number One Menace to American Youth for 1955. While "Kiss Me Deadly" acquired a cult following over the years, it certainly failed to advance the career of Ralph Meeker.

He did, however, manage to get second billing for the part of Corporal Paris, one of three World War I French infantry men randomly selected for execution (because their regiment had refused a suicidal mission) in Stanley Kubrick's harrowing anti-war drama Paths of Glory (1957). He gave another finely etched performance through his character's gradual deterioration from swaggering bravado to abject fear. Also that year, Meeker played a snarling, Indian-hating Yankee officer in Run of the Arrow (1957) and co-starred as Jane Russell's unlikely kidnapper in the failed Norman Taurog comedy The Fuzzy Pink Nightgown (1957).

In between numerous television appearances during the '60s, Meeker returned to the stage as member of the Lincoln Centre Repertory Theatre, where he was reunited with Elia Kazan (who had directed him in 'Streetcar') to act in Arthur Miller's play "After the Fall" (1964-65). He also worked with Robert Aldrich again in "The Dirty Dozen" and that same year with Roger Corman playing George 'Bugs' Moran (who Meeker allegedly resembled), the Chicago mobster whose gang was famously 'rubbed out' by Al Capone in The St. Valentine's Day Massacre (1967).

After the decline of the studio system, Meeker found much gainful employment in television and even had his own syndicated series, Not for Hire (1959), playing a tough Honolulu investigator. However, the show came up against the similarly themed Hawaiian Eye (1959) and only ran to 39 episodes. Meeker then guest-starred on numerous other shows and had noteworthy roles as, among others, a boorish tycoon who discovers a prehistoric amphibious creature in The Outer Limits (1963) episode "The Tourist Attraction", an ex-cop turned derelict in Ironside (1967) ('Price Tag: Death Details'), and FBI agent Bernie Jenks in the TV pilot of The Night Stalker (1972). Add to that a gallery of snarling or harassed law enforcers from The Girl on the Late, Late Show (1974) to Brannigan (1975) and episodes of Harry O (1973), The Rookies (1972) and Police Story (1973). Ralph Meeker remained a much-in-demand character actor until his death of a heart attack in August 1988.

Born in Montana to homesteading parents, Robert Bray eventually moved to Seattle with his family and attended Lincoln High School. After graduation, he knocked around for a while as a lumberjack, cowboy and a member of the CCC (Civilian Conservation Corps).

As a young man, Bray worked for a while in Hollywood as a studio carpenter in the early 1940s, before joining the U.S. Marine Corps in 1942 during World War II. He saw heavy action in the South Pacific during his tour of duty, before finally mustering out as a Master Sergeant at war's end.

With aspirations of being a taxidermist or owner of a hunting/fishing lodge, Bray finally decided to pursue acting as a career, and was eventually signed in 1946 to a contract at RKO Pictures where he was looked upon as the new Gary Cooper. He spent three years of a seven-year deal playing supporting roles in a variety of RKO police dramas and Tim Holt westerns before his contract was dropped. From then until the early 1960s when he landed the plum TV role of Ranger Corey Stuart in the Lassie (1954) TV series, he was a freelance actor, who found work mainly portraying he-men such as a tough cavalry officers, hard-bitten cops, a stagecoach driver, etc., in a wide range of action-oriented movies and television episodes. He won the part in "Lassie" over several other candidates because of his affinity for animals, and theirs for him.

Earlier in his career Bray played in some well-received if minor roles such as "Carl" the bus driver in Bus Stop (1956), the film that finally got Marilyn Monroe taken seriously as a dramatic actress. That picture's director, Joshua Logan, offered Bray a part in his next film, South Pacific (1958) but, to his never-ending regret, Bray instead opted to star in several forgettable low-budget pictures for Allied Artists. "Had I appeared in the smash hit South Pacific," he said, "who knows where I might have ended up."

After being replaced on "Lassie" in 1968, Bray's motivation for continued acting work waned and he eventually retired with his wife Joan to Bishop, California, where he could often be found cruising around town in his Winnebago motor home with his dog Lady. An ardent fly fisherman, hunter, model duck carver and all-around sportsman, Bob lived out his final years in the shadow of the eastern High Sierras, where he made so many of his early western movies. After his passing in 1983, his ashes were scattered over Zuma Beach, California, where he spent many pleasant days as a young man.

A remarkably seasoned actor of stage, screen and television, Darren McGavin has notched in excess of 200 performances; however, he is most fondly remembered by cult TV fans as heroic newspaper reporter Carl Kolchak in the classic but short-lived horror TV series Kolchak: The Night Stalker (1974). In a long and varied career, McGavin has often turned up as authority figures including policemen, military officers, stern-faced business executives or father figures; however, he is equally adept at light-hearted comedic performances.

Darren McGavin was born William Lyle Richardson on May 7, 1922, in Spokane, Washington, to Grace Mitton (Bogart) and Reed D. Richardson. His mother was from Ontario, Canada. He received his dramatic arts training at New York's Neighborhood Playhouse and the Actors Studio, and debuted on screen in an uncredited role in A Song to Remember (1945). Several standard roles followed over the next decade before he landed the key role of Louie the drug pusher in The Man with the Golden Arm (1955) and Capt. Russ Peters in The Court-Martial of Billy Mitchell (1955), both directed by Otto Preminger. Each of these performances showcased McGavin's versatility, and his virile looks scored him the role of Mickey Spillane's hard-boiled private eye in Mike Hammer (1958).

McGavin stayed continually employed throughout the 1960s, appearing in such films as The Great Sioux Massacre (1965), The Outsider (1967), The Challengers (1970) and The Tribe (1970). In addition, he was regularly guest-starring in dozens of TV shows, including Gunsmoke (1955), Dr. Kildare (1961), Mission: Impossible (1966) and The Man from U.N.C.L.E. (1964). In 1971 he landed the role of cynical reporter Carl Kolchak in the low-budget horror thriller The Night Stalker (1972), about a vampire running amok in Las Vegas. The film was a monster ratings winner (pun intended!) and the highest-rated telemovie of 1972, and original scriptwriters were soon hard at work on a punchier sequel. The Night Strangler (1973) saw Kolchak in Seattle (after being booted out of Las Vegas by the police), and this time on the trail of a serial killer seeking the elixir of eternal youth. The second movie was equally successful, and spawned the short-lived TV series Kolchak: The Night Stalker (1974) with Simon Oakland as McGavin's long-suffering editor and a host of weekly guest stars including Jim Backus, Phil Silvers, Richard Kiel, Tom Skerritt, Scatman Crothers and Larry Storch.

"Kolchak" only lasted one season, but it became a bona-fide cult classic, and many years later its premise of "the unknown amongst us" inspired writer Chris Carter to create the phenomenally successful long-running TV series The X-Files (1993), which saw McGavin guest-star in several episodes.

McGavin remained busy throughout the rest of the 1970s and into the 1980s, appearing in Airport '77 (1977), as Gen. George S. Patton in the TV miniseries Ike: The War Years (1979), alongside Rock Hudson in the uneven sci-fi miniseries The Martian Chronicles (1980) and a few years later endeared himself to to a whole new generation of fans with his superb performance as the vitriolic, yet buffoonish, father in the delightful Christmas classic A Christmas Story (1983). The always versatile McGavin also popped up as a detective in Turk 182 (1985), assisted Arnold Schwarzenegger in cleaning up the mob in Raw Deal (1986) and was a doctor in the bizarre zombie/cop/zombie cop film Dead Heat (1988).

At this point it's worth mentioning that, along with his film and TV work, McGavin has also enjoyed an illustrious career on the stage, with appearances in dozens of critically acclaimed productions across the length and breadth of the US. He has appeared in stage presentations of "Death of a Salesman", "The Rainmaker", "The King and I" and "Blood Sweat & Stanley Poole", to name a few.

In 1990 the opportunity arose for McGavin to play another somewhat stern, yet comedic, father figure, this time as "Bill Brown" to Candice Bergen in the much loved sitcom Murphy Brown (1988). McGavin was again wonderful, and his entertaining performances resulted in an Emmy Award nomination in 1990. Several other film roles followed in the 1990s, in such films as Adam Sandler's hit Billy Madison (1995). He died on 25th February 2006 at the age of 83.

Mickey Spillane, the king of the pulp novelists in the post-WW II period, sold an estimated 200 million copies globally. He was born Frank Morrison Spillane in Brooklyn, New York. Young Frank's mother was a Protestant who bestowed on him his middle name "Morrison", but his Irish Catholic father, barkeep John Joseph Spillane, allegedly had his son baptized with the middle name "Michael", a traditional name for Irishmen (so common, in fact, that the nickname derived from it, "Mick", served as a derogatory term for Irishmen in both the US and England). "Women liked the name Mickey", Spillane said, explaining why he chose the moniker that eventually became one of the world's best-selling novelists. In 1980 seven of the top 15 all-time bestselling fiction books published in the U.S. had been written by Spillane.

Despite the fact that his books were international bestsellers, as a writer Spillane was almost universally reviled by literary critics. He and his novels were attacked not only for their alleged illiteracy but were denounced by the U.S. Senate's Kefauver Commission as promoting juvenile delinquency. Explaining the extraordinary appeal of his novels, Spillane simply said, "People like them." He countered his critics by saying they were jealous of his success. "I'm a writer, not an author," was Spillane's mantra all through his literary life. "The difference is a writer makes money." As late as 1999 Spillane told an audience at London's National Film Theatre, "Authors write, writers get paid." When he was asked about his literary influences, Spillane replied, "Dollars".

Spillane was brought up in the grimy industrial town of Elizabeth, NJ, in what he described as a "very tough" neighborhood. His mother provided him with balance inside the confines of the home, where he became a voracious reader, devouring all of the works of Alexandre Dumas and Herman Melville by the time he was 11 years old. While still a high school student, he "went professional" at the age of 14, writing for the Elizabeth Daily Journal. In 1935 he began submitting his work to magazines before aiming lower and learning his craft by writing for comic books, including such popular titles as "Batman", "Captain Marvel", "Captain America" and "Superman". "[It was] a great training ground for writers," Spillane explained. "You couldn't beat it."

After high school Spillane went to Kansas State College on a football scholarship before dropping out. He joined the Army Air Corps the day after Pearl Harbor, but never left the US, spending the war years flying fighter planes and teaching air cadets how to fly. Still a civil pilot after the war, Spillane claimed he had put in 11,000 hours in the air by 1999. In 1945 he married Mary Ann Pearce, the first of his three wives. The couple had two sons and two daughters.

After leaving the military, he briefly worked in the Barnum and Bailey Circus as a trampoline artist and adept knife-thrower. Subsequently he worked for the FBI as an undercover operative to crack a narcotics ring (the subject of the novel "Kiss Me, Deadly", not the atomic bomb plot of the movie). He claimed in interviews that he had been shot twice and had been knifed once. Eventually he went back to writing.

Influenced by Carroll John Daly, the pulp writer who created the seminal private eye Race Williams, Spillane made the P.I. genre his own. His work was in the vein of the "hard-boiled" Black Mask school of pulp fiction of the 1930s. As a pulp writer, Spillane's mantra was "violence will outsell sex every time." By combining them he created a formula for success that begat a book publishing phenomenon.

Spillane's innovation was to inject gory violence into P.I. stories for a generation of 16 million men who had just been through the most violent war in history. After the war, the popularity of slick magazines was eroding due to the booming market in paperbacks, pulp fiction that sold for 25 cents a copy. These new mass-market novels featured lurid covers that would attract a customer at what became the ubiquitous steel-wire racks filled with paperbacks that sprouted up at bus stations, lunch counters, shops and newsstands all over the world.

Spillane's style was perfect for the new post-war fiction market. He attributed his success to Roscoe Fawcett of Fawcett Gold Medal Books, who envisioned a market for original novels instead of the reprints of classic works that dominated the paperback market during World War II. Gold Medal started to market novels written directly for paperback, and by injecting gore into the PI genre, both Fawcett and Spillane won a gold medal for their staggering sales.

Second wife Sherri Malinou was a model who Spillane noticed when she was featured on the cover of one of his books.

Raymond Chandler said of Spillane, "Pulp writing at its worst was never as bad as this stuff." Spillane's books always featured a great hook in the opening pages, as he believed that "the first page sells the book". His narratives are first-person spoken monologues, directly addressed to the reader. Hammer is less a detective in the guise of Dashiell Hammett's Continental Op or Raymond Chandler's Philip Marlowe than he is a vigilante, always ready to partake in a bit of the old ultra-violence.

Spillane published his first Mike Hammer pulp, the infamous "I, the Jury', in 1947. Written in nine days, the book introduces Hammer as a tough-talking, hard-drinking bruiser.

Other Hammer books with the same formula of murderous mugs and even more dangerous, double-crossing malevolent dames followed: "Vengeance in Mine" (1950), "My Gun is Quick" (1950), "The Big Kill" (1951), and "Kiss Me, Deadly" (1952). Hammer was not only a two-fisted he-man, but each of those mailed fists typically clutched a large-caliber automatic. No dainty .32 Colts--the pistol of choice for the sophisticated detectives of the '20s and '30s--for Mike Hammer. His hirsute ham-fist sported a .45 ACP, the service pistol of the GI generation.

Mike Hammer was a true bellwether of the times, for rather than just go after criminals or garden-variety gangsters like self-respecting operatives of the '30s, he went after "Reds" and "Commies", the nation's bogeymen, and women who were stealing atomic secrets, adulterating Hollywood films with Red propaganda. In the potboiler "One Lonely Night" (1951), hammer wields a "Chicago typewriter" - a submachine gun - to tap out one-way tickets to heaven for 40 Commie heavies and fellow-travelers.

Though he eschewed politics in real life, he regarded himself as a patriot and was admired by prominent right-wingers for his anti-Communist stand. Novelist-philosopher Ayn Rand extolled Spillane, while movie cowboy John Wayne gave him a Jaguar XK140 roadster in 1956, a car he still had a half-century later (and in top working order). While Cold War critics often tried to make a link between Spillane and notorious Red-baiter Sen. Joseph McCarthy, when asked in 1999 if he approved of what McCarthy had done, Spillane replied, "McCarthy was a nit-head. He didn't know what was going on. He was a slob."

Spillane stopped writing for nearly a decade after converting to the Jehoavah's Witnesses in 1952. At this point he didn't need to write, as the royalties from the millions of copies of his books earned him a substantial income. In 1961 he returned to writing with "The Deep", arguably the best of the Mike Hammer novels. With the "Day of the Guns" in 1964 Spillane created a new series featuring secret agent Tiger Mann, a globetrotting spy who was America's answer to James Bond. Like Hammer, Mann was anti-Communist in the extreme and wiped out Reds with relish during the Cold War years of the 1960s. However, during Spillane's absence during the 50s, Ian Fleming (whom Spillane dismissed as "a gourmet") and other writers had stolen his thunder: the Tiger Mann series and Spillane's other non-series novels did not enjoy the vast sales of the '50s. The second part of Spillane's formula - sex - had lost its steam in the 1960s, after the collapse of censorship led to a proliferation of raw pornography and the availability of much more graphic, though serious, novels for the more thoughtful reader.

The Hammer novels did well in the visual media: there were two television series and multiple movies. The only distinguished film made from Spillane's works was Robert Aldrich's late noir Kiss Me Deadly (1955), now a cult classic. Spillane hated the film, which transmogrified the narcotics dealer plot of the novel into the theft of an atomic bomb (a true Cold War plot), which he found ludicrous.

Spillane took another hiatus from writing novels between 1973 and 1989, although he did write at two well-reviewed children's books, "The Day the Sea Rolled Back" (1979) and "The Ship That Never Was" (1982). He wrote the novels from the point of view of a child, he said, which explained their success. Though no longer a best-selling author, Spillane retained his fame during the 1970s due to his appearances in Miller Lite beer TV commercials. Although not a teetotaler, Spillane did not drink much, preferring an occasional beer over hard liquor, and he never smoked. He revived the Hammer franchise with "The Killing Man" in 1989, but Spillane, now in his 70s, was not a big seller. His last novel, "Black Alley" (1996), was published in 1996.

In retirement Spillane reportedly suffered a stroke. He lived, until his death, in Myrtle Beach, SC, with third wife Jane Rodgers Johnson, whom he married in 1983. He was an active Jehovah's Witness into his 80s, going from house to house to spread his faith and distribute copies of the "The Watchtower." He died on July 17, 2006, in Myrtle Beach from cancer. He was 88 years old.

At his best playing blue-collared tough guys, curly dark-haired Irish-American actor Kevin Patrick Dobson was born in Queens, New York, on March 18, 1943, and raised in the Jackson Heights area of that borough. One of seven children born to a school janitor father and a homemaker mother, the future actor worked as a trainman, brakeman and conductor for the LIRR (Long Island Rail Road) before deciding to pursue his acting interests.

Toiling as a waiter/bartender at a restaurant owned by relatives, Dobson's first on-camera viewings began in 1969 on a daytime soap opera, playing various bit parts as cops, orderlies and intern types on The Doctors (1963). Following an unbilled bit in the detective film Klute (1971), he gravitated more and more towards TV. In the early 1970's he was spotted here and there on such popular crime shows as "The Mod Squad", "The Rookies", "Ironside", "Cannon", and "Police Story". This led to his pivotal role as young, eager Det. Bobby Crocker on Kojak (1973). He remained with the series throughout its five seasons. In between, he landed a featured role in the film Midway (1976), and earned a top-billed role in the TV movie Stranded (1976) as one of a group of airplane passengers marooned on a deserted island following a crash.

A revolving series of starring roles in TV movies came Dobson's way following Kojak (1973), including Transplant (1979) (starring as a workaholic exec risking a major heart operation); Orphan Train (1979) (with Jill Eikenberry, as a couple involved in the titled NYC movement and welfare program in the 1850s); Hardhat and Legs (1980) (a Gordon/Kanin romantic comedy co-starring Sharon Gless); Reunion (1980) (as a married man tempted at a high school reunion); Mark, I Love You (1980) (as a widower having to fight his late wife's parents for child custody); and Margin for Murder (1981) (a Mike Hammer noirish mystery). He was also unsympathetically featured as Barbra Streisand's abusive husband in All Night Long (1981).

Kevin found another crimes series in the early 1980s to star in as the title San Francisco police officer in the short-lived Shannon (1981), which was immediately followed by a second best-remembered series, as federal prosecutor Mack McKenzie, who marries Michele Lee's Karen Fairgate, on the popular night-time soap opera Knots Landing (1979). Dobson copped five Soap Opera Digest Awards for his work on this series. In between the eleven seasons was a reunion Kojak TV movie as (now) Asst. D.A. Bobby Crocker in Kojak: It's Always Something (1990); plus other mini-movie leads in Money, Power, Murder. (1989), A House of Secrets and Lies (1992) and The Conviction of Kitty Dodds (1993), as well as another detective role in the first season of F/X: The Series (1996)

Dobson began his career on stage, first with the 1968 national tour of "The Impossible Years". He later served on the board of Lonny Chapman's Group Repertory Theatre company in North Hollywood, where he often directed and acted. Live theatre highlights include Chicago's Royal George Theatre production of the Tony Award-winning play "Art," as well as originating the role of Steve Gallop in the world premiere mounting of the 2000 play, "If It was Easy" in Atlanta. He co-starred with Richard Thomas in Roundabout Theatre Company's 2009 national tour of "12 Angry Men".

Into the millennium, Dobson returned full circle to his daytime soap opera roots with roles as Governor Harrison Brooks on One Life to Live (1968) and Judge Devin Owens on The Bold and the Beautiful (1987). He would also be the fourth actor taking over the role of Mickey Horton on Days of Our Lives (1965). Parts in independent films also came to be with leads in the thriller She's No Angel (2002) opposite Tracey Gold and the mystery drama The Representative (2011), plus featured roles in Crash Landing (2005), 1408 (2007), April Moon (2007) and Dark Power (2013). He later guested on such Tv series as "Nash Bridges", "Cold Case", "CSI", "Hawaii Five-0", and "Anger Management".

A U.S. Army military policeman and proud veteran, Dobson served twice as chairman of the National Salute To Hospitalized Veterans. Married to wife Susan since 1968 and the father of three children (Sean, Patrick and Mariah), Dobson died on September 6, 2020, aged 77, after suffering a heart attack.

Known as an Actor's Actor, the Four time Golden Globe Nominee, Emmy Award Winning Actor ( Gotti 1996 ) Assante has received acclaim for his work for close to Five decades. Internationally he has been the recipient of Twelve Lifetime Achievement Awards in the past ten years.

Full Biography at ArmandAssante.net

Stacy Keach has played to grand success a constellation of the classic and contemporary stage's greatest roles, and he is considered a pre-eminent American interpreter of Shakespeare. His SRO run as "King Lear" at the Shakespeare Theatre Company in Washington, D.C. received the best reviews any national leader has earned in that town for decades. Peter Marks of the Washington Post called Mr. Keach's Lear "magnificent". He recently accepted his third prestigious Helen Hayes Award for Leading Actor in 2010 for his stellar performance. His next stage appearance premiering January 13, 2011 at the Lincoln Center in New York is "Other Desert Cities" by Jon Robin Baitz and teaming him with Stockard Channing, Linda Lavin and Elizabeth Marvel.

His latest television series, Lights Out (2011), on the FX network is a major new mid-season dramatic show, taking him back to the world of boxing which has been a rich setting for him before, notably in Huston's Fat City (1972) which ignited Keach's career as a film star.

Versatility embodies the essence of Stacy Keach's career in film and television as well as on stage. The range of his roles is remarkable. His recent performance in Oliver Stone's "W" prompted fellow actor Alec Baldwin to blog an impromptu review matching Huston's amazement at Keach's power. Perhaps best known around the world for his portrayal of the hard-boiled detective, Mike Hammer, Stacy Keach is also well-known among younger generations for his portrayal of the irascible, hilarious Dad, Ken Titus, in the Fox sitcom, Titus, and more recently as Warden Henry Pope in the hit series, Prison Break. Following his triumphant recent title role performance in King Lear for the prestigious Goodman Theatre in Chicago, Keach joined the starring cast of John Sayles' recent film, Honeydripper. In the most recent of his non-stop activities, he has completed filming Deathmatch for the Spike Channel, and The Boxer for Zeitsprung Productions in Berlin, Germany.

German audiences will also see him as one of the co-stars in the multi-million dollar production of Hindenburg: The Last Flight (2011), scheduled to air in January, 2011 with worldwide release thereafter. Mr. Keach co-stars in the new FX series entitled Lights Out (2011) about a boxing family, where he plays the Dad-trainer of two boxing sons played by Holt McCallany and Pablo Schreiber. The series is also scheduled to air in January, 2011. Keach returns to the New York stage at the start of the 2011 in Jon Robin Baitz's new play, "Other Desert Cities," at the Lincoln Center.

Capping his heralded accomplishment on the live stage of putting his own stamp on some of the theatre world's most revered and challenging roles over the past year when he headed the national touring company cast of "Frost/Nixon," portraying Richard M. Nixon, bringing still another riveting characterization to the great legit stages of Los Angeles, Chicago, Boston, the nation's capitol and other major cities. He won his second Best Actor Helen Hayes Award for his outstanding performance. His second triumphant portrayal of King Lear in the past three years, this time for the Shakespeare Theatre Company in the nation's capital earned reviews heard around the world, with resulting offers for him to repeat that giant accomplishment in New York, Los Angeles and even Beijing.

An accomplished pianist and composer, Mr. Keach composed the music for the film, Imbued (2009), directed by Rob Nilssen, a celebrated film festival favorite, in which Keach also starred. He has also completed composing the music for the Mike Hammer audio radio series, "Encore For Murder", written by Max Collins, directed by Carl Amari, and produced by Blackstone Audio.

Mr. Keach began his film career in the late 1960's with _The Heart Is A Lonely Hunter_, followed by _The New Centurions_ with George C. Scott; Doc Holiday with Faye Dunaway in the film 'Doc' (1971); an over-the-hill boxer,Billy Tully in Fat City (1972); directed by John Huston, and The Long Riders (1980), which he co-produced and co-wrote with his brother, James Keach, directed by Walter Hill. On the lighter side, his characterization of Sgt. Stedenko in Cheech and Chong's Up in Smoke (1978), and the sequel, Nice Dreams (1981), gave a whole new generation a taste of Mr. Keach's comedic flair, which he also demonstrated in Robert Altman's Brewster McCloud (1970), playing the oldest living lecherous Wright Brother; and The Life and Times of Judge Roy Bean (1972) where he played a crazed albino out to kill Paul Newman.

Historical roles have always attracted him. In movies he has played roles ranging from Martin Luther to Frank James. On television he has been Napoleon, Wilbur Wright, J. Robert Oppenheimer, Barabbas, Sam Houston, and Ernest Hemingway, for which he won a Golden Globe as Best Actor in a mini-series and was nominated for an Emmy in the same category. He played an eccentric painter, Mistral, in the Judith Krantz classic, Mistral's Daughter (1984), a northern spy in the civil war special, The Blue and the Gray (1982), more recently as the pirate Benjamin Hornigold in the Hallmark epic Blackbeard (2006).

As a director, his production of Arthur Miller's Incident at Vichy (1973) for PBS was, according to Mr. Miller in his autobiography, Timebends, "the most expressive production of that play he had seen." He won a Cine Golden Eagle Award for his work on the dramatic documentary, The Repeater, in which he starred and also wrote and directed.

But it is perhaps the live theatre where Mr. Keach shines brightest. He began his professional career with the New York Shakespeare Festival in 1964, doubling as Marcellus and the Player King in a production of Hamlet directed by Joseph Papp and which featured Julie Harris as Ophelia. He rose to prominence in 1967 in the Off-Broadway political satire, MacBird, where the title role was a cross between Lyndon Johnson and Macbeth and for which he received the first of his three Obie awards. He played the title roles in Henry 5, Hamlet (which he played 3 times), Richard 3, Macbeth, and most recently as King Lear in Robert Falls' modern adaptation at Chicago's Goodman Theatre, which Charles Isherwood of the NY Times called "terrific" and "a blistering modern-dress production that brings alive the morally disordered universe of the play with a ferocity unmatched by any other production I've seen." Mr. Keach's stage portrayals of Peer Gynt, Falstaff and Cyrano de Bergerac, and Hamlet caused the New York Times to dub him "the finest American classical actor since John Barrymore."

Mr. Keach's Broadway credits include his Broadway debut, Indians, where he played Buffalo Bill and was nominated for a Tony award as Best Actor. He starred in Ira Levin's Deathtrap, the Pulitzer Prize winning Kentucky Cycle (for which he won his first Helen Hayes award as Best Actor), the Rupert Holmes one-man thriller, Solitary Confinement, where Mr. Keach played no less than six roles, all unbeknownst to the audience until the end of the play. In the musical theatre, he starred in the national tour of Barnum, played the King in Camelot for Pittsburgh's Civic Light Opera, and the King in The King and I, which he also toured in Japan. He starred in the Jon Robin Baitz play, Ten Unknowns, at the Mark Taper Forum in 2003. The LA Times said: "And then there's Keach. What a performance! How many actors can manage such thunder and such sweet pain. He's been away from the LA stage too long. Welcome back."

In 2004, he starred as Scrooge in Boston's Trinity Rep musical production of A Christmas Carol; earlier in 2004, he starred as Phil Ochsner in Arthur Miller's last play Finishing The Picture, directed by Robert Falls at the Goodman Theatre.

As a narrator his voice has been heard in countless documentaries; as the host for the Twilight Zone radio series; numerous books on tape, including the Short Stories of Ernest Hemingway. In the year 2000, he recorded a CD of all of Shakespeare's Sonnets. He recently recorded the voice of St. Paul for a new audio version of The New Testament:, The Word of Promise and Job for the Old Testament edition. He is the narrator on CNBC's new hit show, American Greed (2007), and recently narrated the award-winning documentary, The Pixar Story (2007). He has also reprised his role as Mike Hammer in the Blackstone audio series, the most recent being "Encore for Murder". A charter-member of LA Theatre Works, Mr. Keach recently played the title role in Bertolt Brecht's Galileo, recorded both for radio and CD. He was seen on CBS's hit show Two and a Half Men (2003) as the gay Dad of Charlie's fiance.

Stacy Keach also believes strongly in 'giving back' and has been the Honorary Chair for the Cleft Palate Foundation for the past twenty-five years. He is also the national spokesman for the World Craniofacial organization. He has served on the Artist's Committee for the Kennedy Center Honors for two decades, is on the board of directors for Genesis at the Crossroads, a Chicago-based organization dedicated to bringing peoples of combatant cultures together through the shared artistic expressions of the visual and culinary arts, music, dance, and theater. He also serves on the artistic board for Washington DC's Shakespeare Theatre National Council, where he was also honored in 2000 with their prestigious Millennium Award for his contribution to classical theatre. Some years ago Hollywood honored him with a Celebrity Outreach Award for his work with charitable organizations.

He has been the recipient of Lifetime Achievement Awards from Pacific Pioneer's Broadcasters, the San Diego Film Festival, the Pacific Palisades Film Festival, and The 2007 Oldenburg Film Festival in Germany. Later this year, he will be awarded the 2010 Lifetime Award from the St. Louis Film Festival. In 2008, he received the Mary Pickford Award for versatility in acting.

Mr. Keach was a Fulbright scholar to the London Academy of Music and Dramatic Art, attended the University of California at Berkeley and the Yale Drama School. He has always been a star of the American stage, especially in Shakespearen roles such as Hamlet, Henry 5, Coriolanus, Falstaff, Macbeth, Richard 3, and most recently, King Lear.

Of his many accomplishments, Mr. Keach claims that his greatest accomplishment is his family. He has been married to his beautiful wife Malgosia for twenty-five years, and they have two wonderful children, Shannon Keach (1988), and daughter Karolina Keach (1990).

Mark Christensen is known for S-A-V-E-W-H-O: The Twenty-Two Years of Doctor Who (1985), The Shot (1996) and Who on TV (1988).

Rob Estes was born on 22 July 1963 in Norfolk, Virginia, USA. He is an actor and director, known for Silk Stalkings (1991), Melrose Place (1992) and 90210 (2008). He has been married to Erin Bolte since 15 June 2010. They have one child. He was previously married to Josie Bissett.