"Murder, She Wrote" guest stars

While still in his teens, Bruce Abbott discovered the thrill and fulfillment of acting, and followed his dreams to Hollywood. Over the past 20 years, he's made a name for himself as a Dark Prince, excelling in roles that show the duality of human nature in such films as Re-Animator (1985) and Summer Heat (1987) and the TV series, Dark Justice (1991).

Philip Abbott was born March 21, 1924 in Lincoln, Nebraska, USA as Philip Abbott Alexander. He was an actor and director, known for his roles in The F.B.I. (1965), Quincy, M.E. (1976), Sweet Bird of Youth (1962), Columbo (1971), and The Young and the Restless (1973), among many other productions. He was married to Jane Dufrayne; the couple had two sons and a daughter. Abbott died on February 23, 1998, aged 73, of cancer in Tarzana, California, USA.

Ray Abruzzo was born in Queens, New York, USA. He is an actor and writer, known for The Sopranos (1999), Transparent (2014) and The Practice (1997).

James Acheson is known for Kazaam (1996), Strange Days (1995) and Godfather of Harlem (2019).

Although she was presented in 1969 the first Film Star of Tomorrow by The Motion Picture Exhibitors of Canada, the status of Sharon Acker as a star never materialized. Not that she was inactive, quite the opposite, but she worked almost only for TV and appeared only in a few undistinguished movies. She will, nevertheless, remain remembered for her role as Lee Marvin's ex-wife in John Boorman's classic Point Blank (1967). The victim of Marvin's rough manners, Acker as Lynne left a deep impact on male brains. Born in 1935, the Canadian-born actress started her film career in England when the play she was in, "Lucky Jim", Kingsley Amis' classic, was made into a movie. But she was not seen in many movies, except during the sixties, either in Canada or in the U.S. Meanwhile, she was very active on TV, first in Canada from the age of 19, then in the U.S. in made-for-TV movies or series like Star Trek (1966), Mission: Impossible (1966), Gunsmoke (1955), Marcus Welby, M.D. (1969), Barnaby Jones (1973), etc. She was a regular in the series The Bold Ones: The Senator (1970) for one year and played "Della Street" in the short-lived The New Perry Mason (1973). A talented actress seen too little in movie theaters.

Veteran stage and TV actor David Ackroyd was born on May 30, 1940 in Orange, New Jersey, the son of Arthur, an insurance adjuster, and Charlotte (nee Henderson) Ackroyd. He studied at Bucknell University in Pennsylvania where he received his BA in 1962 as a ROTC student. Following his graduation he appeared in community theater productions while serving in Arizona with the military. He then focused on the arts as a career after enrolling at the Yale Drama School where he earned his Masters of Fine Arts in 1968.

Ackroyd garnered early credits at Yale Repertory Theatre (for three seasons) and Williamstown Theatre Festival (for six seasons). He also found challenging and varied stage work outside the U.S., in Taiwan, Russia, Poland, Germany, France, and the former Czechoslovakia. Dark and handsome, he extended his stage career onscreen in the early 1970s, beginning with the daytime soap operas The Secret Storm (1954) and Another World (1964). He progressed to prime-time work as Gary Ewing in Dallas (1978) until Ted Shackelford successfully took over the role when the character moved front and center with the spin-off drama Knots Landing (1979).

A durable guest star for decades on such popular TV series as Lou Grant (1977), Trapper John, M.D. (1979), St. Elsewhere (1982), Cagney & Lacey (1981), MacGyver (1985), Highway to Heaven (1984), Doogie Howser, M.D. (1989), Murder, She Wrote (1984), Walker, Texas Ranger (1993), and Xena: Warrior Princess (1995), Ackroyd had recurring roles as Dr. Boyer in AfterMASH (1983) and Dr. Bart Langley in A Peaceable Kingdom (1989). He provided strong support in the two-part TV special The Dark Secret of Harvest Home (1978) (starring Bette Davis) as well as such made-for-television movies as And I Alone Survived (1978), Women in White (1979), Deadly Lessons (1983), When Your Lover Leaves (1983), The Children of Times Square (1986), Hell Hath No Fury (1991), The Fear Inside (1992), and Against the Wall (1994) and four exceptional mini-series (The Word (1978), Nutcracker: Money, Madness & Murder (1987), Poor Little Rich Girl: The Barbara Hutton Story (1987), and Windmills of the Gods (1988)). Ackroyd also appeared in feature films, including The Mountain Men (1980), The Sound of Murder (1982), Wrestling with God (1990), Dark Angel (1990), Love, Cheat & Steal (1993), Dead On (1994), Raven (1996), and No Strings Attached (1997).

Prone to playing intelligent, upscale types or white-collar professionals (senators, doctors, lawyers, etc.), David continued to prevail on the stage with potent performances in 'Unlikely Heroes' (his 1971 Broadway debut), 'The Rivals', 'Juno and the Paycock', 'Hamlet' (as Rosencrantz), 'Private Lives', 'Children of a Lesser God' (replacing original star John Rubinstein), 'A Soldier's Play', 'Who's Afraid of Virginia Woolf?', 'Six Characters in Search of an Author', and an 2003 off-Broadway appearance in 'It Just Catches'. A well-seasoned narrator in documentary stories for the History Channel, he has sometimes utilized his well-modulated vocals for such animated cartoons as 'Johnny Quest' and 'Captain Planet and the Planeteers'. Much of his most recent professional work has been voice work.

Long married to wife Ruth Liming, a college admissions officer, the couple has two daughters, Jessica and Abigail. He is a professor of drama at Flathead Valley Community College (Kalispell, Montana) and a founding member of the Alpine Theatre Project which produces plays for the Whitefish Theatre Company.

Jay Acovone is a versatile actor who is best known for his ability to play authoritative characters such as Mafia bosses, villains, police/military, and lawyers. He was born in NYC; his parents later moved to Mahopac, NY, where he graduated from Mahopac High School. While he was always an avid movie fan, it was a chance encounter with a friend, urging him to take part in a play, that set him on a path for a career in acting.

Acovone attended the American Academy of Dramatic Arts (AADA) and the Lee Strasberg Theatre Institute in New York. His break came when he was cast to play "Skip Lee", opposite Al Pacino, in the controversial movie Cruising (1980) (written and directed by William Friedkin). He spent the next few years working on daytime television in NYC, but moved to Los Angeles when he landed a co-starring role in Hollywood Beat.

Acovone went on to have several supporting roles in film and television including Women of Valor (1986) and Cold Steel (1987) before being recruited to be a series regular on Beauty and the Beast (1987). After Beauty and the Beast ended, he continued to have multiple supporting or lead roles in TV and films including: Out for Justice (1991), Lookin' Italian (1994), Matlock (1986) and Friends (1994). The mid-1990s brought a role in the blockbuster hit Independence Day (1996) and a major recurring role in the TV series Stargate SG-1 (1997). Stargate-SG1 won multiple awards, including the Saturn Award for Best Syndicated/Cable Television Series for three different years.

The following decade led to a role in Cast Away (2000), Terminator 3: Rise of the Machines (2003), and S.W.A.T. (2003); recurring roles in Silk Stalkings (1991), Sliders (1995), NYPD Blue (1993), and The X-Files (1993); guest-starring roles in CSI: NY (2004), Monk (2002), Criminal Minds (2005), and 24 (2001). In recent years, Acovone saw a brief return to daytime television with a recurring role on General Hospital (1963) (Maurice Benard), and then went on to guest-star on multiple hit TV dramas including: The Mentalist (2008), Leverage (2008), CSI: Crime Scene Investigation (2000), Vegas (2012), and NCIS (2003). In 2016, he acted in the motion capture video game Mafia III (2016), playing Mafia boss Sal Marcano.

In 2017, Acovone was asked to perform the audiobook version of George R. R. Martin (Game of Thrones (2011))'s novel, "Wildcards-Dead Man's Hand", along with Adrian Paul.

Acovone lives in Los Angeles with his wife and their cat.

Deborah Adair was born in Lynchburg, Virginia on May 23, 1952 to a father who was a Navy officer and a mother who was a Spanish teacher. She grew up with her brother Ashley and sister Ann. Her major influences were her mother and grandmother who always taught her to have confidence and self-assurance by telling her that she can have any job she wanted. She earned a degree in advertising and marketing at University of Washington, working afterward as a copywriter, commercial producer and assistant promotion manager for radio stations in Seattle, Washington. Her four-year marriage to Gary Baker, a budding politician, ended in 1978, prompting her to move to Hollywood. She waited tables and worked as a stewardess for a short time. But a flair for dramatic reading in high school led to voice-over work on commercials, then local stage productions. She found an agent who helped her land small parts in several TV series. But her big break came in 1980 when she was cast as Jill Foster Abbott on The Young and the Restless (1973). She was the third actress to play that role, but she made the character her own by playing her as a beautiful, sparkly bad girl. In 1983, she left daytime soap opera during stalled contract negotiations to accept the role of Tracy Kendall on highly rated night time soap opera Dynasty (1981), where she played yet another bad girl.

Aaron Spelling, the producer on "Dynasty", was so impressed with her performance that he took her off "Dynasty" a year later and gave her the lead role of Daisy Lloyd on another prime time show Finder of Lost Loves (1984), where she finally played a good girl. But that show was canceled a year later and Adair guest-starred on other shows, including Spelling's show The Love Boat (1977) and Hotel (1983). In 1986, the "Young and the Restless" producers beckoned her back for one week to reprise her role as Jill when Brenda Dickson was out for a short time due to tension on the set. Adair maintained she had fun for that one week playing Jill, but Dickson remembered it differently when she unexpectedly came back to find Adair in the dressing room being uncomfortable. A few months later, Dickson left the role and Jess Walton was hired as a permanent replacement for Dickson. Of the four actresses who have played Jill since 1973, Adair is forever remembered as the "pretty Jill." But she was frustrated that her career had stalled just when her personal life gained momentum. She married producer Chip Hayes in 1987, and although it was a very happy marriage, she couldn't have children and it made her unhappy at the time. In 1990, Adair was performing in previews of Cynthia Heimel's play "A Girl's Guide to Chaos," when she had a freaky accident and herniated a disk. The accident caused her excruciating pain and she spent a year, on and off, in bed. She did some soul searching during that time and felt that everything happens in its own time.

After she recovered, she picked up the pieces of her career and moved on to do a TV movie for Aaron Spelling titled Rich Men, Single Women (1990) (1990), where she played opposite another Spelling favorite: Heather Locklear. And her career picked up even more steam when Spelling reunited her with Locklear in the recurring role as Lucy Cabot on his prime time show Melrose Place (1992). She enjoyed being on the show because she spent a lot of time with her husband Hayes, who was one of the producers. While on "Melrose Place," she originated the role of Kate Roberts on Days of Our Lives (1965) and became one of the few actors in history who had both a daytime soap opera and a nighttime soap opera at the same time. She left "Melrose Place" after one year to concentrate on the multi-dimensional role of Kate on "Days of our Lives," and her gamble paid off as she won the Best Supporting Actress Award at the Soap Opera Digest Awards in 1994. But Adair and her husband wanted children. In 1995, she left her "Days of Our Lives" role to be a full-time mom after she and her husband adopted a child. Although, Lauren Koslow took over the role and played it for more than 15 years, Adair's fans cannot seem to forget her and hopes she will return to acting. But she enjoys the role of being real life mom so much that she and her husband adopted another child in 1997. For now, Adair seems content with her home life in Virginia and has not expressed any desire to return to acting, much to the chagrin of her fans.

The scintillating, sultry-eyed blonde (formerly a redhead) star of screen, TV and award-winning stage went on to become best known, however, for her sensual delivery pitching cigars in taunting '60s ads and commercials with her Mae Westian come-on line "Why don't you pick one up and smoke it sometime?" This, of course, was at a time when smoking was considered quite sexy and fashionable, and Edie Adams went above and beyond the call of duty in making these ads legendary.

Edie had her hand dipped in all pools of entertainment. She was a singing siren, an award-winning Broadway musical entertainer, a deft impressionist and comedienne, a serious dramatic actress, a commercial saleswoman and a viable TV celebrity. Off-stage, she showed remarkable poise and resourcefulness when her famous first husband, landmark TV comic Ernie Kovacs, was tragically killed in a January 1962 car crash in Los Angeles and she found her family finances in dire straits.

She was born Edith Elizabeth Enke on April 16, 1927, in the relatively small town of Kingston, Pennsylvania, but moved while fairly young to Grove City. Her family relocated again, this time to Tenafly, New Jersey, where she grew up. Following her graduation from high school, Edie aspired to become an opera singer and studied voice and piano at New York's Juilliard School of Music. She then went on to take acting classes at the Columbia School of Drama.

Her theatrical debut occurred with a 1947 production of "Blithe Spirit", and a year later she appeared in the stage show "Goodnight Ladies". Gradually building up her singing reputation via the nightclub circuit, her big break came when Arthur Godfrey booked her on his "Talent Scouts" show. She didn't come out the winner, but a TV director who caught sight of her performance envisioned in her a seductive "straight man" who could mesh well with a certain zany comedian. In 1951, Edie (then known as Edith Adams) was signed up as a featured singer on Ernie Kovacs's comedy show that originated in Philadelphia. The show, live and unrehearsed, became an innovative, groundbreaking effort in the relatively new medium. Outrageous and even incomprehensible at times, his comedy was deemed way ahead of its time and, as a result, had problems reaching mainstream audiences who didn't "get it", and the programs were short-lived. Various Kovacs platforms that included Edie were Ernie in Kovacsland (1951), "Kovacs on the Korner" (1952), and, of course, The Ernie Kovacs Show (1952). She and Kovacs eloped to Mexico City in 1954 and their union produced a daughter, Mia Kovacs. The duo were a popular couple in the Hollywood social circuit (moving there from New York in the late '50s) and the connections she developed out there were quite valuable in furthering her career.

Early '50s TV opened many doors for Edie and she waltzed right through them. Her New York stage debut in the popular musical "Wonderful Town" in 1952 had her walking away with the Theatre World Award for "Best Newcomer". A few years later, she slithered away with a supporting Tony Award for her bodacious take on the "Daisy Mae" character in the musical "Li'l Abner" (1956). Following that were more musical and dramatic ventures on the stage, including "The Merry Widow" (1957) (a show she would return to more than once), "Sweet Bird of Youth" (1960) and "Free as a Bird" (1960). On film, Edie showed the public that she wasn't just a pretty face with her sharply unsympathetic supporting performance in Billy Wilder's The Apartment (1960) and a funny, sexier one in the second of Rock Hudson and Doris Day's three battle-of-the-sexes romps, Lover Come Back (1961). Surprisingly, Edie and Ernie never appeared together in a film. Edie remained primarily a TV fixture and, outside of her Emmy-nominated coupling with Kovacs, winningly played the Fairy Godmother in Julie Andrews' popular TV version of Cinderella (1957), appeared regularly with Jack Paar and Dinah Shore on their respective variety shows, acted on various prime-time shows, and graced a number of celebrity game and talk show panels.

One of Edie's last pairings with Kovacs was in 1960 when they appeared as guests on the very last episode of The Lucy-Desi Comedy Hour (1957). The pair appeared as themselves, with one of the highlights being Edie crooning the lovely ballad "That's All". Kovacs' sudden 1962 death was a terrible reversal of fortunes for Edie. An inveterate gambler, he left her owing much money to the IRS. Instead of filing bankruptcy, however, she worked her way out of debt. In the process, her career received a second wind. Perhaps it didn't hurt that the public adored Edie and that she was a genuinely sympathetic figure in the wake of her private tragedy.

She returned to the nightclub circuit from whence she came, recorded albums, and also toured the country in various dramatic and musical comedy vehicles, including "Rain" (as Sadie Thompson), "Bells Are Ringing", "Annie Get Your Gun" (as Annie Oakley), "I Do! I Do!", "Anything Goes" and "Bus Stop". She also received outstanding notices in a few of her films, whether dramas (Love with the Proper Stranger (1963), The Best Man (1964)) or frivolous comedies (Call Me Bwana (1963), It's a Mad Mad Mad Mad World (1963), Under the Yum Yum Tree (1963), The Honey Pot (1967)). Moreover, she was handed her own musical variety show Here's Edie (1963) (aka "The Edie Adams Show") and received a couple of Emmy nominations for her efforts. She also took advantage of her famous impressions of Zsa Zsa Gabor and others, appearing in various TV comedy formats.

More than anything, however, it was her come-hither temptress pitching Muriel cigars that had TV audiences' tongues wagging. It was a smashingly successful and highly profitable coup for Edie professionally. Her late husband, a notorious cigar smoker, at one time sold Dutch Master cigars on TV. The idea then for Edie to pitch a competing slimmer cigar on TV was only natural. She had much to do with the direction of the commercials, which ran throughout the 1960s, providing them with a perfect blend of class, glamour and sensuality.

While growing noticeably heavier in later years, she never lost her trademark humor and sex appeal. Edie could still be seen from time to time on the stage in such shows as "The Best Little Whorehouse in Texas", the female version of "The Odd Couple", "Hello, Dolly!" and "Nunsense". She remained committed to the end to restoring/preserving her late husband's videotapes and kinescopes of his ground-breaking '50s TV work. She also recalled her offbeat life with Kovacs in the book "Sing a Pretty Song", which was published in 1990.

Edie got married again in 1964, to photographer Marty Mills, with whom she had a son, Josh Mills. That union ended in divorce in 1971. The following year, Edie married jazz trumpeter Pete Candoli. She and Candoli, who died in January of 2008, divorced in 1989. In another eerie, tragic circumstance, daughter Mia Kovacs was killed in a 1982 Los Angeles auto accident at age 22 -- 20 years after her father's similar demise. Suffering from cancer and losing weight in her latter years, the beloved Edie died of complications from pneumonia at age 81 in Los Angeles.

Betty May Adams was the daughter of a travelling Iowa cotton buyer with a penchant for alcohol. Growing up in Arkansas, Betty expressed an early interest in acting and made her performing debut in a third grade play of "Hansel and Gretel." Beautiful, talented and determined, the freshly minted 'Miss Little Rock' left home at the age of 19 to live with her aunt and uncle in California. For three days a week she made ends meet working as a secretary. The remainder of her time was spent taking speech and drama lessons (in due course losing her Southern twang) and making the rounds of the various Hollywood casting departments. Her first screen role was (appropriately) as a starlet in Paramount's Red, Hot and Blue (1949). This was followed by an inauspicious leading role in the B-grade Western The Dalton Gang (1949). Over a period of five weeks she appeared in six further quota quickies of the sagebrush variety for Poverty Row outfit Lippert Productions. Since Lippert owned no actual studio facilities, most of the filming took place at the Ray Corrigan ranch in Chatsworth, California. In the summer of 1950, Betty assisted in a screen test for Detroit Lions football star Leon Hart at Universal-International. While Hart's movie career ended up stillborn, Betty clicked with producers who opted to change her first name to 'Julia.' The initial outing for her new studio was entitled Bright Victory (1951), with the budding actress a little underemployed as 'the other girl' in a love triangle involving a blind war veteran (played by Arthur Kennedy). Her career was significantly better served in her next assignment as co-star opposite James Stewart in Anthony Mann's seminal Technicolor western Bend of the River (1952) (Kennedy this time cast as the arch villain). Adams later recalled her part in this film as "a great learning experience" and one of her "fondest Hollywood memories," It also led to a life long friendship with Jimmy Stewart.

Signed to a seven-year contract (and having her legs insured by Universal to the tune of $125,000 by Lloyds of London), Julia seemed destined to remain perpetually typecast as a western heroine. A comely actress with soft, classical features, she often gave affecting performances in what amounted to little more than bread-and-butter pictures. At the very least, she got to play romantic leads opposite some of Universal's top box-office earners: Rock Hudson (in Horizons West (1952) and The Lawless Breed (1952)), Tyrone Power(The Mississippi Gambler (1953)) and Glenn Ford (The Man from the Alamo (1953)). Having played a succession of 'nice girls,' Julia took a turn as leader of an outlaw gang in Wings of the Hawk (1953), set against the background of the Mexican Revolution (Van Heflin was first-billed as a mining engineer, who, having his gold mine taken over by Federales, joins Julia's band of 'insurrectos'). 'Miss Melon Patch' of 1953 was about to experience another important career change, being famously cast as the imperilled heroine Kay Lawrence in Jack Arnolds cultish monster flic Creature from the Black Lagoon (1954), a role Adams initially considered turning down. Shot in 3-D on a shoestring budget, the picture was light on script but strong on atmosphere and proved once again that style can succeed over content. The not inconsiderable physical charms of Miss Adams often dominated the scenery and gave the 'Gill Man' a run for his money. Audiences approved and 'Creature' spawned two further sequels, alas without Julia and with diminishing returns.

In 1955, having generated strong box office heat, Julia changed her moniker (with studio approval) to the less gentle-sounding Julie. Accordingly, she was now offered more varied material ranging from tough melodramas, to comedies and lightweight romances. Adams further established her credentials with roles which included a soft porn model who survives a plane crash in the Colorado Rockies in The Looters (1955); as a cop's wife in Six Bridges to Cross (1955) (a crime drama based on Boston's Great Brinks Robbery); a sympathetic school's doctor in the family-oriented comedy The Private War of Major Benson (1955) and as the wife of an assistant D.A. fighting gangland on the New York waterfront in Slaughter on 10th Avenue (1957). After 1957, her contract with Universal having expired, Adams successfully transitioned into television where she remained a firm favorite in westerns and crime dramas, guest-starring in just about every classic prime-time series covering both genres (Perry Mason (1957) being her personal favorite). Latterly, she had a popular recurring role as real estate lady Eve Simpson in Murder, She Wrote (1984). Adams was still in demand for occasional screen appearances well into her 90s.

She was married twice: first, to writer-producer Leonard Stern, and, secondly, to the actor Ray Danton. Julie Adams passed away in Los Angeles on February 3, 2019 at the age of 92. Her autobiography (co-written with her son Mitchell Danton), entitled "The Lucky Southern Star: Reflections from the Black Lagoon" appeared in 2011.

Mason Adams was well known for playing Pepper Young on the popular radio soap opera series Pepper Young's Family throughout the 1940 and 1950s. He was also heard on most of the successful radio programs during radio's "Golden Age." In the 1970s, Adams was frequently heard on Himan Brown's CBS Mystery Theater radio series. He had a regular running role on the Lou Grant TV series for several seasons and appeared in hundreds of other television series throughout the 1950s, '60s, '70s and '80s and '90s and can still can be seen playing featured roles in films and on TV.

R.J. Adams is an award-winning Actor, Director, Producer and Documentary Film maker and is widely known for his work as a Film/TV Acting Coach. He is the founder and co-owner of The Actors Workshop of North Hollywood and Orange County considered by many as two of the most sought after acting training facilities in Southern California.schools. Mr.Adams has been credited with coaching some of the industry's most notable Film and Television stars.

Now in it's 35th year, The Actors Workshop has been rated by "Made Manual" as one of California's top three Acting Schools and listed is listed in Backstage magazine as one of L.A.'s top acting workshops.

R.J. has appeared as a panelist for the SAG Foundation, conducts a variety of SAG-AFTRA workshops in Los Angeles and San Diego as well as workshops in Dallas, San Francisco, Canada, London and western Europe. He is the host/acting teacher on Breakdown Service's very popular web series, the "Coaching Corner on the Virtual Channel Network. Mr. Adams also served as host of Backstage magazine's radio show, "Backstage Live" and has been interviewed by national newspapers, magazines, blogs and network TV programs, including NBC and CBS.

Jenny Agutter was born on December 20, 1952, in Taunton, Somerset, England, UK. The daughter of an army officer, she spent her childhood traveling and living in different countries. Her film career began at the age of 12 in East of Sudan (1964), which was quickly followed by Ballerina: Part 1 (1966) and Ballerina: Part 2 (1966), and A Man Could Get Killed (1966). Other films and television appearances in her early career include Gates to Paradise (1968), Long After Summer (1967), Star! (1968), I Start Counting (1970), The Great Inimitable Mr. Dickens (1970), and The Wild Duck (1971).

In 1970, she appeared in what was her real big break as a child star: The Railway Children (1970), as "Bobbie". The next year, Hollywood called and she spent several years there, appearing in such works as The Cherry Orchard (1971), Walkabout (1971), and The Snow Goose (1971) with Richard Harris, for which she received an Emmy Award. She also appeared in the critically acclaimed A War of Children (1972) and Shelley (1972).

In 1976, Jenny really came to the attention of US film audiences with her starring role in the science-fiction classic Logan's Run (1976) with Michael York. Though not a critical favorite, it was a huge box-office success and spawned a television series. She also starred alongside Richard Chamberlain in a well-received made-for-TV version of the famous Dumas tale The Man in the Iron Mask (1977) and turned in a solid performance in the WW II thriller The Eagle Has Landed (1976) with Michael Caine and Donald Sutherland. The next year, she starred in Peter Shaffer's weighty Equus (1977) as "Jill Mason", alongside Richard Burton. Among her other TV and film work during the 1970s were Dominique (1979), School Play (1979), and The Riddle of the Sands (1979).

In 1981, she played "Desdemona" opposite William Marshall in The Tragedy of Othello, the Moor of Venice (1981). Other Shakespeare performances include "King Lear", Love's Labour's Lost (1985) as "Rosaline" for the BBC and Romeo & Juliet (1993) as "Lady Capulet". During this time, she was in numerous films and television series, including Sweet William (1980), Beulah Land (1980), The Survivor (1981), Amy (1981), and one of the films for which she is most fondly remembered, An American Werewolf in London (1981). She also appeared in This Office Life (1984), Secret Places (1984), Silas Marner (1985), Dark Tower (1987), Miss Right (1982), and King of the Wind (1989).

In the 1990s, she concentrated mainly on television, with roles in TECX (1990); Not a Penny More, Not a Penny Less (1990); Red Dwarf (1988); The All New Alexei Sayle Show (1994); The Buccaneers (1995); And the Beat Goes On (1996); September (1996) with Edward Fox, Michael York, Virginia McKenna, and Jacqueline Bisset; A Respectable Trade (1998) with Warren Clarke, Anna Massey, and Richard Briers. Her theatrical films during this period included Darkman (1990) with Liam Neeson; and Blue Juice (1995) with Sean Pertwee, Ewan McGregor, and Catherine Zeta-Jones. She also appeared as "Mrs. Bruce" in two feature-length episodes of the popular ITV series Bramwell (1995) in which she starred with Jemma Redgrave. She has also made several guest appearances in TV shows such as The Red Dwarf (1998); Boon (1986); The Equalizer (1985) with Edward Woodward; The Twilight Zone (1985); Magnum, P.I. (1980) and The Six Million Dollar Man (1974).

Jenny married to Johan Tham in August 1990. They have one son Jonathan, born in December 1990 and live in Cornwall, England, UK. Her particular love is charity work for The Diabetic Association and NCH Action for Children - a charity which provides home and other help for homeless children - with which she has been involved for many years.

Broad-shouldered and beefy Claude Akins had wavy black hair, a deep booming voice and was equally adept at playing sneering cowardly villains as he was at portraying hard-nosed cops. The son of a police officer, Akins never seemed short of work and appeared in nearly 100 films and 180+ TV episodes in a career spanning over 40 years. He originally attended Northwestern University, and went on to serve with the US Army Signal Corps in World War II in Burma and the Phillipines. Upon returning, he reignited his interest in art and drama and first appeared in front of the camera in 1953 in From Here to Eternity (1953). He quickly began notching up roles in such TV shows as Dragnet (1951), My Friend Flicka (1955), Gunsmoke (1955) and Zane Grey Theatre (1956). He also turned in several strong cinematic performances, such as gunfighter Joe Burdette in the landmark western Rio Bravo (1959), Mack in the excellent The Defiant Ones (1958), Sgt. Kolwicz in Merrill's Marauders (1962) and Earl Sylvester in the gripping The Killers (1964). In the early 1970s Akins turned up in several supernatural TV films playing "no-nonsense" sheriffs in both The Night Stalker (1972) and The Norliss Tapes (1973), and was unrecognizable underneath his simian make-up as war-mongering Gen. Aldo in Battle for the Planet of the Apes (1973). Akins continued starring in films and TV right up until the time of his death from cancer in 1994. By all reports a very gregarious, likable and friendly person off screen, Akins was married for over 40 years to Theresa "Pie" Fairfield, and had three children, Claude Marion Jr., Michele & Wendy.

A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).

The only son of Green Acres (1965) star Eddie Albert and Mexican actress/dancer Margo, Edward Laurence Albert managed to come out from under his father's strong shadow and make a gallant showing of his own as a gifted thespian. Born in Los Angeles on February 20, 1951, Edward's multi-cultural heritage and talented gene pool allowed him to become a man of many talents: songwriter, drummer, singer, photographer and, most importantly, activist.

Growing up, he inherited an early interest in music and the performing arts. He made an auspicious film debut at the age of 14 in The Fool Killer (1965) co-starring as a young runaway who teams up with a tormented Civil War veteran (Anthony Perkins), a teaming that leads to murder. A strong, mature role for such a youngster, his next film appearance wouldn't come about until seven years later. In the meantime Edward attended Oxford University and was studying psychology at UCLA when offered the breakthrough of a lifetime.

Signed up to play the difficult role of blind Don Baker--played on Broadway by Keir Dullea--who yearns for freedom away from his domineering mom (Oscar winner Eileen Heckart) and finds it in the arms of a liberated lass named Jill (Goldie Hawn) in Butterflies Are Free (1972), Edward easily captured the hearts of millions with his tender, life-affirming performance. Edward walked home with the cinema's Golden Globe Award as "Male Newcomer of the Year." A confident, intelligent actor with a serene handsomeness and 1000-watt smile who just happened to possess the most magnetic pale eyes this side of Meg Foster, Edward was on a seemingly strong path to film stardom. Although he never found a comparable success to "Butterfly," he did follow it up with another theater comedy favorite, 40 Carats (1973), in which he had a dalliance with older actress Liv Ullmann. He also played Charlton Heston's military son in Midway (1976), followed by highly visible roles in The Domino Principle (1977) and The Greek Tycoon (1978).

When film stardom did not pan out, Edward saw TV as a welcoming medium and made up for his sudden lack of star power with wonderful turns in major TV minimovies, notably The Last Convertible (1979). By the 1980s he had started making the rounds in formula low-budget action films and usually fared best when his flashy villainous side came into view. While such obvious movie titles as The House Where Evil Dwells (1982), Fist Fighter (1988), Demon Keeper (1994) and Stageghost (2000) pointed out the lack of quality in his offerings, it did provide a steady income and visibility. He also made frequent guest appearances on such shows as Falcon Crest (1981), L.A. Law (1986), Star Trek: Deep Space Nine (1993) and Dr. Quinn, Medicine Woman (1993) that kept him in the public eye. A solid regular as both good guy and bad guy on series TV, he gave his life (and, it seems, his paycheck) to the Beast after three seasons on Beauty and the Beast (1987) and, in contrast, played the dastardly Dr. Bennett Devlin on the daytime soap Port Charles (1997) for its first three seasons. Edward also used his vocal talents in animation involving such superhero icons as The Fantastic Four (1978), Spider-Man: The Animated Series (1994) and "The Power Rangers".

From his father and mother Edward developed a deep love and appreciation for the land and the diversity of cultures. As such, he divided his time between acting work and activism just as his father had done. Having owned a ranch in Malibu for over 30 years, he was a strong, positive influence and passionate spokesperson when it came to environmental and cultural affairs. In recent years he served on the California Coastal Commission and California Native American Heritage Commission.

Long married to lovely British-born actress Katherine Woodville, the couple's daughter, Thais, continued the family musical tradition as a singer/songwriter for the rock group Sugar in Wartime. Following his mother's passing from brain cancer in 1985, Edward became a selfless caregiver to his aging father, who began to develop early signs of Alzheimer's disease in the 1990s. His father lived for more than a decade in declining health, dying in May 2005. In early 2005, Edward discovered he too was seriously ill after being diagnosed with lung cancer. He died surrounded by family on September 22, 2006, at the relatively young age of 55.

Born Norman Adelberg in 1924, he served in the Army during World War II. At the end of the conflict he had the opportunity to benefit from the GI Bill program meant to help returning soldiers to start or resume studying. That is how, while attending Texas Christian University, he discovered on the boards of on-campus theater that he had a talent for acting. This was the beginning of a long, long career. Though most of the time in small or even bit parts, Alden, worked for such big names as Howard Hawks, Jerry Lewis, Walt Disney, Woody Allen and Tim Burton. He might have become a major star himself after Richard C. Sarafian chose him for the title role of Andy (1965). The director must have been very pleased with Alden for, as Andy Chadakis - the retarded son of elderly Greek immigrants - he showed remarkable acting ability . Unfortunately, the film was little seen and the gifted actor landed no other parts of such importance and quality afterward.

For someone who goes only to movie theaters, Frank Aletter is a total stranger. It is true that the actor appeared in no more than a handful of theatrical films (Gerhart in Mister Roberts (1955), a commanding officer in Tora! Tora! Tora! (1970), Leigh Jensen in Private School (1983)...). But for a TV fan things are just the opposite, for Aletter was cast in NEARLY ALL the TV series, films, sitcoms and specials shot between 1955 and 1991! A sample of titles just give you an idea of Frank Aletter's prolific output on the small screen: Bringing Up Buddy (1960), Perry Mason (1957), The Cara Williams Show (1964), Lassie (1954), Mannix (1967), Marcus Welby, M.D. (1969), Insight (1960), Kojak (1973), Cannon (1971), Hunter (1976), "Super Jaimie"... In his first life, Frank Aletter had been a regular on Broadway appearing in plays and musicals like "Bells Are Ringing", "Time Limit", "Wish You Were Here" and of course "Mister Roberts", which opened to him the doors of filmed fiction.

Kristian Alfonso was born in Brockton, Massachusetts, USA. Kristian is an actor, known for Days of Our Lives (1965), Joshua Tree (1993) and Friends (1994). Kristian has been married to Danny Daggenhurst since 6 October 2001. They have one child. Kristian was previously married to Simon Macauley.

Ana Alicia Ortiz Torres is a Mexican actress born in Mexico City, Mexico on December 12, 1956, the third of four children. Her parents, Alicia Torres Ortiz and Carlos Celestino Ortiz, were hotel agents in Acapulco, Guerrero, Mexico. She grew up in Acapulco, Mexico City, and El Paso, Texas from age 6 after her father died. In Texas she and her mother and siblings lived with their grandmother and Uncle Louie in a house her father had purchased for her grandmother.

Ana Alicia received a full scholarship to attend the prestigious Wellesley College in Massachusetts. Upon arrival, she auditioned for, and won, the lead role in Jules Feiffer's "Crawling Arnold". On summer break after her freshman year, she auditioned for The Adobe Horseshoe Dinner Theatre outside El Paso, Texas. The theater offered her a position as a recurring actress in all feature productions. The opportunity would allow her to work with name actors from Hollywood and New York and receive a large weekly salary. She accepted the offer and also acquired her actor's equity card through her term. She left Wellesley and finished her education at The University of Texas at El Paso (UTEP). She spent the next three years, performing in main stage productions at UTEP as well as having significant roles in the Adobe Horseshoe repertoire.

After graduation, Ana Alicia moved to Los Angeles and struggled to attain success as an actress while studying for her law-school entrance exam. Six months later, her big acting break came when she won the role of Alicia Nieves on ABC's Ryan's Hope (1975). According to her, working on the show in New York was exciting--not only because it was an acting job, but because she was a fan of the the show. Although the role was a secondary one--Nieves had romances with policeman Bob Reid and Dr. Pat Ryan. It provided her with much-needed exposure.

After 15 months, Ana Alicia left the show to become one of the last Universal Studios contract players. She moved to Los Angeles and in addition to her work as a contract player, she attended Southwestern University Law School at night. As she acquired larger roles that required her to leave town, it became impossible to continue the grueling schedule of acting during the day and studying for school at night. She had to make a choice, so she sat down and wrote the pros and cons of each decision and when she realized her passion was to act, she made the very difficult decision to drop out of law school. Once she was fully focused, her career began to open up quickly.

She landed several roles on major television films and series episodes. Within a year, the Universal terminated their contract player department. It was the end of an era. Soon after, her teacher Milton Katselis suggested she stop playing virginal roles and turn to roles such as the tortured, sexually-deprived Maggie in "Cat on a Hot Tin Roof". Exploring this previously undiscovered part of her acting range, Ana Alicia pursued an audition for Falcon Crest (1981). In the room was a female casting director Doris Sabbagh along with Earl Hamner, Robert McCollough, and Larry Elikann. Ana Alicia's job was to seduce Lorenzo, played in the room by Doris. As Ana Alicia ran her fingers up Doris' stockings, conservative Southerner Earl Hamner stood up and stopped the scene, and said, "Thank you very much. That was wonderful." Less than an hour later, Ana Alicia's agent called to let her know she had won the role of Melissa Agretti.

Ana Alicia was on the show for seven years, playing the ambitious, scheming Melissa Agretti and opposite Jane Wyman as Angela Channing, and a plethora of handsome men. In October of 1988, she was written out of Falcon Crest (1981), and the show subsequently dropped considerably in the ratings. In a last-ditch attempt to revitalize the show, she was brought back to the show later that season as a look-alike of Melissa's named Samantha Ross. The guest stint was short-lived and Ana Alicia quickly moved on to other projects, including the TV movies Miracle Landing (1990) and Rio Shannon (1993), as well as the feature film Romero (1989). Ana Alicia has also devoted much of her time to various animal and human causes. She was the national spokesperson for the Humane Society, and has presented awards promoting Hispanic achievements in the media on behalf of the Golden Eagle Awards. Lorenzo Lamas was co-presenter.

In 1991, while in France hosting an episode of The World's Greatest Stunts for GRB Entertainment, she met and fell madly in love with her now-ex-husband Gary Benz. In 1996, after finishing the pilot for Acapulco Heat, Ana Alicia made the decision to leave her acting career and invest in her new passion in life: being a mother to her two young children Cathryn and Michael.

In March 2015, with her younger child in college, she returned to her first love but as a producer opening up her own production company Quebrada Entertainment. Its purpose is to develop scripted and unscripted film and television that reaches a culturally and demographically diverse audience across all genres through the development and execution of quality storytelling.

Tyrees Allen was born on 31 July 1954 in Salina, Kansas, USA. He is an actor, known for RoboCop (1987), The Perfect Host (2010) and Alias (2001).

Christopher Allport was born on 17 June 1947 in Boston, Massachusetts, USA. He was an actor, known for To Live and Die in L.A. (1985), Jack Frost (1997) and Queen (1993). He was married to Susan Elizabeth Hayden and Carolyn Allport. He died on 25 January 2008 in Wrightwood, San Bernardino, California, USA.

American leading lady whose sweet smile and sunny disposition made her the prototypical girl-next-door of American movies of the 1940s. Raised in semi-poverty in Bronx neighborhoods by her divorced mother, Allyson (nee Ella Geisman) was injured in a fall at age eight and spent four years confined within a steel brace. Swimming therapy slowly gave her mobility again, and she began to study dance as well. She entered dance contests after high school and earned roles in several musical short films. In 1938, she made her Broadway debut in the musical "Sing Out the News." After several roles in the chorus of various musicals, she was hired to understudy Betty Hutton in "Panama Hattie." Hutton's measles gave Allyson a shot at a performance and she impressed director George Abbott so much that he gave her a role in his next musical, "Best Foot Forward." She was subsequently hired by MGM to recreate her role in the screen version. The studio realized what it had in her and offered her a contract.

Her smoky voice and winning personality made her very popular and she made more than a score of films for MGM, most often in musicals and comedies. She became a box-office attraction, paired with many of the major stars of the day. In 1945, she married actor-director Dick Powell, with whom she occasionally co-starred. Following Powell's death from cancer in 1963, she retreated somewhat from film work, appearing only infrequently on screen and slightly more often in television films. Occasional nightclub appearances and commercials were her only other public performances since, and she died of pulmonary respiratory failure and acute bronchitis on July 8, 2006, after a long illness.

Born Malden, Massachusetts on July 9, 1927 (real name Urick), Ed, Vic Ames, Gene Ames and Joe Ames were sons of Ukrainian Jewish parents and four of nine children. They were very poor but Ed attended Boston Public Latin School along with brother Joe. The singing group, The Ames Brothers, was formed in 1947 in Boston and later appeared at the "Roxy Theatre" in New York City. During their early years, they won many amateur contests and made their professional debut at the "Foxes and Hounds", a posh Boston nightclub. They went on to play at the "Chez Paree" in Chicago and "Ciro's" in Hollywood. "The Riviera", just across New York City west of the George Washington bridge, was another nightclub where they appeared regularly. Ed is still best known to audiences for his television role as "Mingo" on the Daniel Boone (1964) series on NBC. Ed also appeared on Broadway in "One Flew Over the Cuckoo's Nest" and "The Crucible". He also appeared in the off-Broadway production of "The Fantasticks" at the Sullivan Street Theatre in Greenwich Village which ran until 2002.

A native of New Jersey and son of a mechanic, African-American John Amos has relied on his imposing build, eruptive nature and strong, forceful looks to obtain acting jobs, and a serious desire for better roles to earn a satisfying place in the annals of film and TV. He has found it a constant uphill battle to further himself in an industry that tends to diminish an actor's talents with severe and/or demeaning stereotypes and easy pigeonholing. A tough, often hot-headed guy with a somewhat tender side, John would succeed far better on stage than on film and TV...with one extremely noteworthy exceptions.

Born on December 27, 1939, John was first employed as an advertising copywriter, a social worker at New York's Vera Institute of Justice, and an American and Canadian semi-professional football player before receiving his calling as an actor. A stand-up comic on the Greenwich Village circuit, the work eventually took him West and, ultimately, led to his hiring as a staff writer on Leslie Uggams' musical variety show in 1969. Making his legit stage debut in a 1971 L.A. production of the comedy "Norman, Is That You?", John went on to earn a Los Angeles Drama Critics nomination for "Best Actor". As such, he formed his own theater company and produced "Norman, Is That You?" on tour.

The following year he returned to New York to take his first Broadway bow in "Tough To Get Help". By this time he had secured secondary work on the classic The Mary Tyler Moore Show (1970) as Gordy the weatherman. His character remained on the periphery, however, and he left the show after three discouraging seasons. On the bright side, he won the recurring role of the sporadically-unemployed husband of maid Florida Evans (played by Esther Rolle) on Norman Lear's Maude (1972) starring Bea Arthur. The two characters were spun-off into their own popular series as the parental leads in Good Times (1974).

Good Times (1974), a family sitcom that took place in a Chicago ghetto high-rise, initially prided itself as being the first network series ever to be created by African-Americans. But subsequent episodes were taken over by others and John was increasingly disgruntled by the lack of quality of the scripts and the direction Lear was taking the show. Once focused on the importance of family values, it was shifting more and more toward the silly antics of Jimmie 'JJ' Walker, who was becoming a runaway hit on the show as the aimless, egotistical, jive-talking teenage son JJ. John began frequently clashing with the higher-ups and, by 1976, was released from the series, with his character being killed in an off-camera car accident while finding employment out of state.

Amos rebounded quickly when he won the Emmy-nominated role of the adult Kunte Kinte in the ground-breaking epic mini-series Roots (1977), one of the most powerful and reverential TV features ever to hit television. It was THE TV role of his career, but he found other quality roles for other black actors extremely difficult to come by. He tried his best to avoid the dim-headed lugs and crime-motivated characters that came his way. Along with a few parts (the mini-movie Willa (1979) and the films The Beastmaster (1982) and Coming to America (1988)), he had to endure the mediocre (guest spots on The Love Boat (1977), "The A-Team", "Murder, She Wrote" "One Life to Live"). John also toiled through a number of action-themed films that focused more on grit and testosterone than talent.

He found one answer to this acting dilemma on the proscenium stage. In 1985, the play "Split Second" earned him the NAACP Award as Best Actor. He also received fine reviews in a Berkshire Theater festival production of "The Boys Next Door", a tour of O'Neill's towering play "The Emperor Jones", and in a Detroit production of Athol Fugard's "Master Harold...and The Boys". In addition, John directed two well-received productions, "Miss Reardon Drinks a Little" and "Twelve Angry Men", in the Bahamas. He took on Shakespeare as Sir Toby Belch in "Twelfth Night" at Joseph Papp's New York Shakespeare and earned strong notices in the late August Wilson's Pulitzer Prize-winning play "Fences" at the Capital Repertory Company in Albany, New York. Overseas he received plaudits for his appearance in a heralded production of "The Life and Death of a Buffalo Soldier" at the Bristol's Old Vic in England. Capping his theatrical career was the 1990 inaugural of his one-man show "Halley's Comet", an amusing and humanistic American journey into the life of an 87-year-old who recalls, among other things, World War II, the golden age of radio, the early civil rights movement, and the sighting of the Comet when he was 11. He wrote and has frequently directed the show, which continues to play into the 2007-2008 season.

In recent years, John has enjoyed recurring parts on "The West Wing" and "The District", and is more recently appearing in the offbeat series Men in Trees (2006) starring Anne Heche. John Amos has two children by his former wife Noel Amos and two children. Son K.C. Amos director, writer, producer, editor and daughter Shannon Amos a director, writer and producer. Amos has one grand child,a grand-daughter, Quiera Williams.